1 00:00:00,560 --> 00:00:02,520 Speaker 1: Read the flick with ben. 2 00:00:02,279 --> 00:00:07,200 Speaker 2: O'she well, I have for one been looking forward to this, yes, 3 00:00:07,640 --> 00:00:12,320 Speaker 2: well right sure today one of the most anticipated movies 4 00:00:12,560 --> 00:00:16,959 Speaker 2: of the year Joker Folly Adu, which is. 5 00:00:16,960 --> 00:00:22,079 Speaker 3: Jaquim Phoenix reprising his character of Arthur Fleck who becomes Joker. 6 00:00:22,640 --> 00:00:25,239 Speaker 3: The first film came out in twenty nineteen. It was 7 00:00:25,280 --> 00:00:27,600 Speaker 3: so different, it was great, so different to what we've 8 00:00:27,600 --> 00:00:31,040 Speaker 3: seen from the Batman universe in the past, and certainly 9 00:00:31,040 --> 00:00:33,320 Speaker 3: from the character of the Joker, played of course by 10 00:00:33,600 --> 00:00:35,800 Speaker 3: the great Heath Ledger, who's not with us anymore Jack 11 00:00:35,880 --> 00:00:39,559 Speaker 3: Nicholson back in the day nineteen ninety and Heath Ledger's 12 00:00:39,640 --> 00:00:44,680 Speaker 3: Dark Knights, Remember, Yeah, that's right, exactly exactly person in 13 00:00:44,680 --> 00:00:45,199 Speaker 3: the Room No. 14 00:00:45,680 --> 00:00:48,640 Speaker 1: One by Caesar Romero and Heath Ledgers. 15 00:00:48,720 --> 00:00:52,279 Speaker 3: Joker was amazing, Like he won a posthumous Oscar for that, 16 00:00:52,640 --> 00:00:56,000 Speaker 3: and he's the best supporting actor role and he was 17 00:00:56,040 --> 00:00:58,480 Speaker 3: really really good. But what Jakim Phoenix did with the 18 00:00:58,600 --> 00:01:03,520 Speaker 3: character is so different. Under director Todd Phillips. He lost 19 00:01:03,560 --> 00:01:06,000 Speaker 3: a ton of weight. He was sort of really playing 20 00:01:06,440 --> 00:01:11,080 Speaker 3: a mentally ill loner living with his mum, downtrodden, beaten up, 21 00:01:11,240 --> 00:01:15,920 Speaker 3: bullied and kind of retreats into himself and discovers this 22 00:01:16,000 --> 00:01:19,000 Speaker 3: kind of joker persona which allows him to, you know, 23 00:01:19,040 --> 00:01:21,560 Speaker 3: sort of, I guess, find a place in the world 24 00:01:21,600 --> 00:01:24,560 Speaker 3: and stand up for himself. It was criticized at the 25 00:01:24,640 --> 00:01:27,760 Speaker 3: time as it could be a bit of a manifesto 26 00:01:28,080 --> 00:01:31,039 Speaker 3: for real world kind of loaners, because we see sometimes 27 00:01:31,080 --> 00:01:35,680 Speaker 3: these people can then commit real, real life violence. There's 28 00:01:35,720 --> 00:01:38,840 Speaker 3: no evidence that that happened. So, but it was an 29 00:01:38,880 --> 00:01:41,679 Speaker 3: incredible film. Wack in Phoenix won an Oscar for Best Actor. 30 00:01:41,760 --> 00:01:44,800 Speaker 3: The Girlfriend Fantasy was just amazing, wasn't it was? It 31 00:01:44,840 --> 00:01:47,560 Speaker 3: was a really really good film, beautiful to watch. Cinematography 32 00:01:47,600 --> 00:01:50,160 Speaker 3: was incredible, made a billion dollars of the box office. 33 00:01:50,040 --> 00:01:54,200 Speaker 2: Very scene one of stairs, in the scenes on stairs. 34 00:01:53,840 --> 00:02:02,480 Speaker 1: Even even if it did feature Gary Glitter right about that. 35 00:02:03,160 --> 00:02:06,640 Speaker 3: Long cuts and then along comes this second film and 36 00:02:06,800 --> 00:02:08,360 Speaker 3: a lot of people are trying to figure out what 37 00:02:08,440 --> 00:02:10,440 Speaker 3: it is from the trailer because it looks like it 38 00:02:10,520 --> 00:02:11,639 Speaker 3: is a musical. 39 00:02:11,639 --> 00:02:13,880 Speaker 2: And that was the first thing that everyone heard, it's 40 00:02:13,880 --> 00:02:15,000 Speaker 2: going to be a musical. 41 00:02:15,240 --> 00:02:18,320 Speaker 1: It is. It is a musical. And you might think 42 00:02:18,560 --> 00:02:19,880 Speaker 1: I was singing in the rain. 43 00:02:20,280 --> 00:02:23,079 Speaker 3: No, although they do kind of just like a musical 44 00:02:23,200 --> 00:02:27,680 Speaker 3: they do spontaneously break out into song during the physical 45 00:02:27,760 --> 00:02:31,640 Speaker 3: like Chicago. You know tango well and the key is 46 00:02:31,680 --> 00:02:34,119 Speaker 3: the title of the film, So Folly a jew right, 47 00:02:34,200 --> 00:02:37,320 Speaker 3: which is a fancy French way of describing a real 48 00:02:37,400 --> 00:02:43,400 Speaker 3: psychiatric syndrome called shared delusion disorder, which is basically where 49 00:02:43,520 --> 00:02:47,680 Speaker 3: a psychosis or a delusion is shared or transmitted between people. 50 00:02:48,000 --> 00:02:50,080 Speaker 3: So you think about that and you go, Okay, now 51 00:02:50,120 --> 00:02:52,360 Speaker 3: I'm starting to figure out that maybe some of these 52 00:02:52,760 --> 00:02:56,320 Speaker 3: dance and song sequences are not real. They're not actually happening, 53 00:02:56,520 --> 00:02:58,600 Speaker 3: the delusions on the minds of. 54 00:02:59,600 --> 00:03:01,160 Speaker 1: Tootle to people each other. 55 00:03:01,320 --> 00:03:04,200 Speaker 3: Yeah, exactly why qu In Phoenix's character Arthur Fleck and 56 00:03:04,400 --> 00:03:06,840 Speaker 3: this love interest that he meets in Arkham Asylum where 57 00:03:06,840 --> 00:03:08,600 Speaker 3: he's been locked up for all the murders he committed 58 00:03:08,600 --> 00:03:11,800 Speaker 3: in the first film, played of course by Lady Gaga. 59 00:03:11,960 --> 00:03:15,440 Speaker 3: She's playing a character called Lee full name Harlen Quinzel, 60 00:03:15,919 --> 00:03:18,880 Speaker 3: a bit familiar. That's Harley Quinn of course, the Marcter 61 00:03:19,000 --> 00:03:22,440 Speaker 3: made famous by Margot Robbie. Lady Gaga could not be 62 00:03:22,480 --> 00:03:26,280 Speaker 3: more different from what Robbie brought to that character. So 63 00:03:26,400 --> 00:03:29,560 Speaker 3: she is someone who's a firebug she's obsessed with Joker, 64 00:03:30,440 --> 00:03:33,679 Speaker 3: and so they kind of, you know, get together, have 65 00:03:33,800 --> 00:03:34,960 Speaker 3: this bad romance. 66 00:03:35,080 --> 00:03:40,440 Speaker 1: There's a Lady Gargar reference and then it goes on. 67 00:03:41,200 --> 00:03:43,240 Speaker 1: But that's not all that's going on. So as well as. 68 00:03:45,160 --> 00:03:48,000 Speaker 3: As well as so as well as this this kind 69 00:03:48,000 --> 00:03:50,880 Speaker 3: of romance and these dance numbers, it's also telling the 70 00:03:50,920 --> 00:03:56,280 Speaker 3: story of Joker facing trial for his crimes. So fifty 71 00:03:56,560 --> 00:04:00,560 Speaker 3: of the films a courtroom drama. I'm telling you strange. 72 00:04:00,600 --> 00:04:03,560 Speaker 3: It is a strange film. All the different elements that 73 00:04:03,600 --> 00:04:06,560 Speaker 3: you got going on. And in the trial, you know, 74 00:04:06,640 --> 00:04:08,800 Speaker 3: sort of Arthur Fleck is kind of try and deal 75 00:04:08,840 --> 00:04:11,960 Speaker 3: with does he stand trial as you know, sort of 76 00:04:11,960 --> 00:04:14,200 Speaker 3: this mentally ill guy who was abused as a kid, 77 00:04:14,240 --> 00:04:17,000 Speaker 3: has got all this trauma it's kind of pathetic. Or 78 00:04:17,480 --> 00:04:20,560 Speaker 3: does he embrace the Joker and stand trial as this 79 00:04:20,800 --> 00:04:23,920 Speaker 3: powerful guy who knew what he was doing the whole time. 80 00:04:25,480 --> 00:04:28,160 Speaker 3: And Lady Gaga is you know, she's she's like, well, 81 00:04:28,160 --> 00:04:29,640 Speaker 3: you got to be Joker. You know, that's the guy 82 00:04:29,640 --> 00:04:31,320 Speaker 3: I fell in love with, So she's kind of egging 83 00:04:31,400 --> 00:04:34,839 Speaker 3: him on the whole way. And it creates this situation 84 00:04:35,000 --> 00:04:38,440 Speaker 3: where you kind of feel so sorry for what happens 85 00:04:38,440 --> 00:04:41,000 Speaker 3: to Waqim Phoenix's character as it goes along, Like he 86 00:04:41,080 --> 00:04:43,480 Speaker 3: was he has had a really tough life and even 87 00:04:43,520 --> 00:04:45,960 Speaker 3: still now, you know, he's dealing with so much stuff 88 00:04:46,040 --> 00:04:50,359 Speaker 3: identity issues, which is so unlike any comic book movie. 89 00:04:50,400 --> 00:04:52,240 Speaker 3: Like this is not a comic book movie. This is 90 00:04:52,240 --> 00:04:55,719 Speaker 3: a statement about It's a statement about how the society, 91 00:04:55,880 --> 00:04:59,920 Speaker 3: how society treats the mentally ill. This is also a 92 00:05:00,120 --> 00:05:04,000 Speaker 3: movie about, you know, like how we glorify criminals and 93 00:05:04,040 --> 00:05:05,360 Speaker 3: you know, like how the media does. 94 00:05:05,440 --> 00:05:09,600 Speaker 1: And it's because the trial is tele aber I don't 95 00:05:09,600 --> 00:05:10,640 Speaker 1: want to be left out. 96 00:05:10,680 --> 00:05:16,000 Speaker 3: Yeahazzi exactly. That was the most subtle of them all 97 00:05:18,560 --> 00:05:23,839 Speaker 3: for the first time, and it really ends, It really ends, 98 00:05:24,040 --> 00:05:28,200 Speaker 3: you know, with like a big, big finish that just 99 00:05:28,279 --> 00:05:30,720 Speaker 3: will just like kind of rip your heart out. And 100 00:05:31,600 --> 00:05:34,360 Speaker 3: any criticism the first movie had for kind of glorifying, 101 00:05:35,279 --> 00:05:38,680 Speaker 3: you know, sort of this type of misanthrope. I think 102 00:05:38,720 --> 00:05:40,560 Speaker 3: it really endswers. In fact, they've gone sort of out 103 00:05:40,600 --> 00:05:43,120 Speaker 3: of their way to kind of go anybody who thought 104 00:05:43,120 --> 00:05:46,080 Speaker 3: this film was like celebrating evil doers. 105 00:05:46,320 --> 00:05:48,320 Speaker 1: It wasn't a documentary exactly. 106 00:05:48,400 --> 00:05:52,400 Speaker 3: This film kind of is the counterpoint to that, not 107 00:05:52,400 --> 00:05:56,040 Speaker 3: not to everybody's taste. Some people will find the singing 108 00:05:56,040 --> 00:05:57,680 Speaker 3: and dancing a bit too much. To be honest, there's 109 00:05:57,680 --> 00:06:00,680 Speaker 3: probably one or too many songs, and at one point 110 00:06:00,960 --> 00:06:03,880 Speaker 3: Wuck in Phoenix's character even says to Lady Gaga, stop singing, 111 00:06:04,080 --> 00:06:07,120 Speaker 3: just talk to me, Just talk to me. And so 112 00:06:07,320 --> 00:06:08,840 Speaker 3: it's like, I think you're speaking on behalf of the 113 00:06:08,880 --> 00:06:12,800 Speaker 3: audience there. But otherwise though, you know, it looks the 114 00:06:12,800 --> 00:06:15,720 Speaker 3: same as the first film, So it's absolutely gorgeous. Every 115 00:06:15,720 --> 00:06:18,279 Speaker 3: frame looks like it's the poster of the movie. It's 116 00:06:18,320 --> 00:06:20,000 Speaker 3: it's it's really something quite special. 117 00:06:20,760 --> 00:06:24,320 Speaker 2: Well, how many rock and roll alls are you giving? 118 00:06:24,680 --> 00:06:28,560 Speaker 3: I'm going to give it for awesome. 119 00:06:28,680 --> 00:06:29,960 Speaker 1: I am looking forward to it. 120 00:06:30,000 --> 00:06:32,400 Speaker 2: I loved the first one and I hope to love 121 00:06:32,400 --> 00:06:35,760 Speaker 3: This in Phoenix amazing in this incredible good Thanks mate, 122 00:06:35,760 --> 00:06:36,200 Speaker 3: Thanks guys,