1 00:00:04,000 --> 00:00:09,160 Speaker 1: I'm free. 2 00:00:13,720 --> 00:00:18,680 Speaker 2: Good afternoon Australia, Will and what I say good afternoon? 3 00:00:18,680 --> 00:00:21,280 Speaker 1: There don't know. I love it when it's gad Man. 4 00:00:21,320 --> 00:00:28,280 Speaker 2: It's good gads me happen about good. 5 00:00:29,640 --> 00:00:32,440 Speaker 1: Wood. The best selling author in the world is going 6 00:00:32,479 --> 00:00:33,879 Speaker 1: to be on the show. Leon Marianne. 7 00:00:34,120 --> 00:00:38,120 Speaker 3: Yeah, my mummy is a huge fan of Leon, as 8 00:00:38,360 --> 00:00:41,280 Speaker 3: is my sister and she she You're right. The biggest 9 00:00:41,320 --> 00:00:43,200 Speaker 3: thing that at the moment Nicole Kimmeran is was buying 10 00:00:43,240 --> 00:00:45,560 Speaker 3: all of her books and making incredible TV shows. 11 00:00:45,600 --> 00:00:48,600 Speaker 1: Well, she's done it with one right, big little lies. 12 00:00:48,680 --> 00:00:48,920 Speaker 4: Yeah. 13 00:00:48,960 --> 00:00:53,760 Speaker 2: Well she's probably going to do it with her new one. 14 00:00:53,840 --> 00:00:55,440 Speaker 1: Nine Perfect Strangers. I think she has. 15 00:00:55,520 --> 00:00:57,440 Speaker 2: She's done with the second one, caught up there were 16 00:00:57,440 --> 00:00:59,520 Speaker 2: you can hear all about that. Leon's going to join 17 00:00:59,600 --> 00:01:01,319 Speaker 2: us on the She to talk all and you two 18 00:01:01,320 --> 00:01:02,640 Speaker 2: are gonna have a twist off. You're gonna have a 19 00:01:02,640 --> 00:01:05,120 Speaker 2: genuine twist off together, which will be massive for everybody 20 00:01:05,120 --> 00:01:07,560 Speaker 2: who can deliver a better twist in a narrative White 21 00:01:07,600 --> 00:01:09,560 Speaker 2: Law versus Moriarty. 22 00:01:09,120 --> 00:01:10,959 Speaker 1: Huge, It's intense. Can't wait for that. 23 00:01:11,120 --> 00:01:13,880 Speaker 2: Also, stranger moments A little bit to happen later on 24 00:01:13,920 --> 00:01:15,160 Speaker 2: with our segment. 25 00:01:14,880 --> 00:01:17,679 Speaker 1: On a Thursday and Woods. We spoke about this. 26 00:01:17,640 --> 00:01:19,280 Speaker 2: A couple of days ago on the show, which are 27 00:01:19,880 --> 00:01:23,039 Speaker 2: really broad hypothetical questions which you used to get in 28 00:01:23,160 --> 00:01:26,800 Speaker 2: job interviews. Right, if there was a movie produced about 29 00:01:26,840 --> 00:01:29,440 Speaker 2: your life, who would play you? 30 00:01:29,640 --> 00:01:35,680 Speaker 3: And why Matthew McConaughey ten years ago? Why McConaughey in that? 31 00:01:36,360 --> 00:01:39,560 Speaker 3: Like similar charisma, similar. 32 00:01:39,360 --> 00:01:47,040 Speaker 2: Rig Now, look what we've got is since we spoke 33 00:01:47,080 --> 00:01:49,800 Speaker 2: about that, these sort of weird brain teases is what 34 00:01:49,840 --> 00:01:52,680 Speaker 2: they call them. Had we had a message from somebody 35 00:01:52,760 --> 00:01:55,720 Speaker 2: whose girlfriend is actually going for a job at the moment. 36 00:01:55,800 --> 00:01:58,400 Speaker 1: A little bit later on the show, we are. 37 00:01:58,360 --> 00:02:01,280 Speaker 2: Going to call her with a bunch of just the 38 00:02:01,280 --> 00:02:05,680 Speaker 2: most rogue hypotheticals as her prospective employer and just see 39 00:02:05,720 --> 00:02:07,680 Speaker 2: how we can push her. So you can look forward 40 00:02:07,680 --> 00:02:10,640 Speaker 2: to that and everything else that's yet to come, all 41 00:02:10,680 --> 00:02:12,960 Speaker 2: loved up in a world we can't explain either, but 42 00:02:13,080 --> 00:02:15,040 Speaker 2: god damn it, we'll cover it. This is the big 43 00:02:15,040 --> 00:02:25,800 Speaker 2: stories we probably won't cover today, stuff we should be 44 00:02:25,800 --> 00:02:27,960 Speaker 2: talking about but we won't later on. So if you're 45 00:02:27,960 --> 00:02:30,160 Speaker 2: listening at this time, you're privileged enough to get our 46 00:02:30,240 --> 00:02:30,959 Speaker 2: take on the news. 47 00:02:31,040 --> 00:02:31,880 Speaker 1: Yeah, very lucky. 48 00:02:32,040 --> 00:02:40,919 Speaker 2: We'll drow Scott Morrison, the pro the promo, the PM, 49 00:02:41,080 --> 00:02:46,120 Speaker 2: the promo. No, no, he has delivered a sermo. 50 00:02:46,440 --> 00:02:49,880 Speaker 1: I'm going to stop. Is that a sermon? Has he? 51 00:02:50,720 --> 00:02:51,359 Speaker 1: Is he religious? 52 00:02:52,000 --> 00:02:52,080 Speaker 5: Is? 53 00:02:52,919 --> 00:02:56,840 Speaker 2: He's big on that And it was actually quite nice. 54 00:02:56,840 --> 00:02:59,280 Speaker 2: There's some nice things he said here. He's calling for 55 00:02:59,400 --> 00:03:03,680 Speaker 2: blessings on a few Indonesian victims in the earthquake. 56 00:03:03,280 --> 00:03:05,400 Speaker 1: In the tsunami. Obviously cut over there, listen, we just 57 00:03:05,440 --> 00:03:07,880 Speaker 1: pray for your spirit and your presence there. 58 00:03:09,840 --> 00:03:14,120 Speaker 3: Then you're bringing you'll bring comfort to despair, you'll bring 59 00:03:14,280 --> 00:03:16,079 Speaker 3: insight to confusion. 60 00:03:16,280 --> 00:03:16,640 Speaker 1: There you go. 61 00:03:16,840 --> 00:03:19,799 Speaker 2: So quite nice, but at raw moment from a prime minister. 62 00:03:19,919 --> 00:03:23,200 Speaker 2: I don't think he often talks about his faith publicly. 63 00:03:22,840 --> 00:03:25,399 Speaker 1: So I didn't. I didn't know he was a Christian. 64 00:03:26,120 --> 00:03:29,359 Speaker 1: We'll get this match. It was at the Planet Shakers Church. 65 00:03:30,880 --> 00:03:32,280 Speaker 1: Am I supposed to know what that is? What's a 66 00:03:32,280 --> 00:03:34,480 Speaker 1: planet Shaker? That's what it's called. I've never heard of it. 67 00:03:35,000 --> 00:03:37,920 Speaker 2: The Planet Shakers Church. That's the church that is that 68 00:03:37,960 --> 00:03:38,640 Speaker 2: he's a part of. 69 00:03:38,920 --> 00:03:41,000 Speaker 1: Well, there you go, the Planet Shakers. We'll have to 70 00:03:41,000 --> 00:03:42,920 Speaker 1: go and check out the Planet Shakers Church. 71 00:03:44,480 --> 00:03:46,760 Speaker 3: Heads off to the piano player as well, providing the 72 00:03:46,800 --> 00:03:50,480 Speaker 3: mood music behind his Yeah that the timing of it 73 00:03:50,520 --> 00:03:51,600 Speaker 3: was absolutely delitched. 74 00:03:51,600 --> 00:03:52,120 Speaker 1: Did you hear that? 75 00:03:52,200 --> 00:03:52,280 Speaker 3: No? 76 00:03:52,320 --> 00:03:54,200 Speaker 1: I didn't you go go again to go there with. 77 00:03:54,240 --> 00:04:00,240 Speaker 3: We just pray for your and your presence there. There 78 00:04:00,320 --> 00:04:04,440 Speaker 3: was absolutely no absolutely move over, Billy Joel. 79 00:04:04,520 --> 00:04:08,800 Speaker 1: That is beautiful piano as well done. I didn't know 80 00:04:08,880 --> 00:04:10,320 Speaker 1: you could have music during prayers. 81 00:04:10,320 --> 00:04:12,880 Speaker 2: God, that's a lot, doesn't it going on at the 82 00:04:12,920 --> 00:04:13,560 Speaker 2: Planet Shakers. 83 00:04:13,560 --> 00:04:16,240 Speaker 1: We've got to get down there. This is sad. 84 00:04:16,360 --> 00:04:19,040 Speaker 2: Last night was the next story. I watched The Bachelor 85 00:04:19,160 --> 00:04:22,400 Speaker 2: last night and I did. My girlfriend was watching and 86 00:04:22,400 --> 00:04:24,800 Speaker 2: I sat down. I haven't had a lot we had 87 00:04:25,000 --> 00:04:27,599 Speaker 2: obviously Honey Badger in here earlier in the year, and 88 00:04:28,360 --> 00:04:30,360 Speaker 2: I haven't watched a lot of this season, but jeez, 89 00:04:31,680 --> 00:04:33,760 Speaker 2: I reckon last night was probably the most emotional moment 90 00:04:33,760 --> 00:04:35,080 Speaker 2: I've seen on reality television. 91 00:04:35,160 --> 00:04:39,720 Speaker 1: Wow, talk to me. What happened? So Brooke? Yeah, I 92 00:04:39,760 --> 00:04:43,159 Speaker 1: don't know. Brooks standing is one of the three chicks right. 93 00:04:44,640 --> 00:04:47,560 Speaker 2: Left there. There are three girls there, and Brooke just 94 00:04:47,560 --> 00:04:51,039 Speaker 2: just gets up and goes. She gets up, she walks. Wow, 95 00:04:51,279 --> 00:04:54,240 Speaker 2: she walks and she walks out into the well. It's 96 00:04:54,279 --> 00:04:57,920 Speaker 2: like a pebbly area, which and she walks up to Oha. 97 00:04:58,320 --> 00:05:01,039 Speaker 2: She said, I need to say something to Nick. Oh yeah, 98 00:05:01,120 --> 00:05:01,880 Speaker 2: it's all candid. 99 00:05:01,880 --> 00:05:05,560 Speaker 1: You can There's cameras in the bank behind and she 100 00:05:05,640 --> 00:05:08,239 Speaker 1: sits down with Nick and she says, you, I need 101 00:05:08,279 --> 00:05:10,960 Speaker 1: some certainty from you. Have a listen to this. 102 00:05:11,279 --> 00:05:14,800 Speaker 6: I need a guy that knows what he wants and 103 00:05:14,920 --> 00:05:15,719 Speaker 6: can tell me that. 104 00:05:15,720 --> 00:05:16,560 Speaker 1: That's that's me. 105 00:05:18,480 --> 00:05:21,040 Speaker 7: My heart's breaking because she means so much to me, 106 00:05:21,120 --> 00:05:23,280 Speaker 7: but I just can't give her what she wants right now. 107 00:05:23,279 --> 00:05:25,120 Speaker 3: He can't do it because he has turned to the 108 00:05:25,160 --> 00:05:26,640 Speaker 3: camera and started talking to the camera. 109 00:05:28,240 --> 00:05:30,560 Speaker 1: That's a that's a cat, that's a Please tell me 110 00:05:30,600 --> 00:05:32,279 Speaker 1: that's a cat. Oh my god. 111 00:05:32,279 --> 00:05:34,119 Speaker 3: It makes it sound like he turns to the camera 112 00:05:34,200 --> 00:05:35,440 Speaker 3: going to deal with Brookies. 113 00:05:37,200 --> 00:05:39,880 Speaker 1: So what you guys need to know about brook I'm 114 00:05:39,880 --> 00:05:42,560 Speaker 1: going to break the fourth wall, guys, now, Brooks are 115 00:05:42,600 --> 00:05:51,360 Speaker 1: real clinger. Sorry that I did feel sorry for Brooke. 116 00:05:51,480 --> 00:05:53,599 Speaker 1: So she obviously really she really likes. 117 00:05:53,760 --> 00:05:55,680 Speaker 2: She's got feelings for him, and she's like, I need 118 00:05:55,680 --> 00:05:57,960 Speaker 2: some certainty and he and he's basically, I need to 119 00:05:57,960 --> 00:05:58,560 Speaker 2: finish the show. 120 00:05:58,640 --> 00:05:59,960 Speaker 1: I can't tell you that I'm going to be there 121 00:06:00,040 --> 00:06:03,480 Speaker 1: forever right now. It wrecks the finale. Business going on 122 00:06:03,560 --> 00:06:06,120 Speaker 1: in Perth as well. Leave it doesn't wreck the finale? 123 00:06:06,160 --> 00:06:06,840 Speaker 1: Still too left? 124 00:06:06,920 --> 00:06:07,120 Speaker 6: Yeah? 125 00:06:07,120 --> 00:06:08,800 Speaker 3: Great, okay, yeah, yeah, because I would have wrecked the 126 00:06:08,800 --> 00:06:10,719 Speaker 3: finale though if he was like, Yep, you're a certainty, 127 00:06:10,839 --> 00:06:11,520 Speaker 3: you know, wink wink. 128 00:06:12,040 --> 00:06:15,360 Speaker 1: Of course, I'll give you the rest tomorrow. What Brook 129 00:06:15,400 --> 00:06:17,360 Speaker 1: doesn't know is that I've already chosen Brittany. 130 00:06:19,120 --> 00:06:20,680 Speaker 3: This is a TV show and I can't give a 131 00:06:20,760 --> 00:06:24,760 Speaker 3: cert Hopefully Brook is right though. 132 00:06:24,800 --> 00:06:26,080 Speaker 1: There's some family stuff going on there. 133 00:06:26,120 --> 00:06:28,119 Speaker 2: So final thing you should know today in the news, 134 00:06:28,120 --> 00:06:30,480 Speaker 2: Woods is the IMF. 135 00:06:32,680 --> 00:06:37,360 Speaker 3: You're pointing at me, Yeah, go on, International Medical Facility. 136 00:06:37,880 --> 00:06:39,080 Speaker 1: For sure, it's a good facility. 137 00:06:39,279 --> 00:06:41,760 Speaker 2: I have said that the world is vulnerable to another 138 00:06:41,920 --> 00:06:47,280 Speaker 2: economic crash. Oh dear, that's the International Monetary Fund, but 139 00:06:47,360 --> 00:06:49,560 Speaker 2: the GFC potentially would. 140 00:06:49,760 --> 00:06:53,360 Speaker 1: Why don't we doing borrowing too much again? I think 141 00:06:53,360 --> 00:06:55,719 Speaker 1: we're borrowing, We're lending again. I think too many people 142 00:06:55,760 --> 00:06:56,360 Speaker 1: are mortgaging. 143 00:06:56,480 --> 00:06:58,560 Speaker 3: Interest rates are spiking, and I thought you had a 144 00:06:58,600 --> 00:07:00,680 Speaker 3: couple of thoughts on that. No, I do, actually, and 145 00:07:00,720 --> 00:07:02,360 Speaker 3: I just think I'm old fashioned. Will if you don't 146 00:07:02,400 --> 00:07:06,080 Speaker 3: have the cash and then don't buy it generally, generally speaking, 147 00:07:06,120 --> 00:07:07,880 Speaker 3: if you don't have the cash, you can't afford it. 148 00:07:07,920 --> 00:07:09,840 Speaker 1: And the negative gearing. How does that come into it? 149 00:07:10,480 --> 00:07:15,960 Speaker 3: Well, basically, people are offsetting their housing mortgages to the 150 00:07:16,680 --> 00:07:20,440 Speaker 3: expenditure of the GDP, economic growth, etcetera, etcetera. 151 00:07:20,880 --> 00:07:21,680 Speaker 1: And I'm sorry if. 152 00:07:21,560 --> 00:07:23,960 Speaker 3: I bought everyone with my business jargon there, and I'm 153 00:07:23,960 --> 00:07:24,800 Speaker 3: sorry if you don't get it. 154 00:07:24,800 --> 00:07:26,880 Speaker 1: But that's that's my thing. That's my thing. Don't you 155 00:07:26,880 --> 00:07:33,640 Speaker 1: wrap me up? We love this story. It involves a burglary. 156 00:07:34,800 --> 00:07:37,360 Speaker 1: Oh yeah, feel that feel. 157 00:07:37,080 --> 00:07:41,400 Speaker 3: It's in the beautiful city of Maryland, which I believe 158 00:07:41,480 --> 00:07:45,400 Speaker 3: is in the US of a criminal trying to break 159 00:07:45,440 --> 00:07:48,880 Speaker 3: into a bank. Unfortunately, hits his first hurdle, which is 160 00:07:49,840 --> 00:07:53,680 Speaker 3: bank's locked. So genius burglar goes, I know how I 161 00:07:53,720 --> 00:07:54,200 Speaker 3: get in here. 162 00:07:54,760 --> 00:07:55,559 Speaker 1: I'll get a brick. 163 00:07:56,080 --> 00:07:58,760 Speaker 3: I've got a big brick, and I'll throw the brick 164 00:07:59,400 --> 00:08:04,800 Speaker 3: through the glass to give myself access to the bank. Now, 165 00:08:04,840 --> 00:08:08,120 Speaker 3: what occurs next on CCTV footage is nothing short of 166 00:08:08,200 --> 00:08:10,440 Speaker 3: absolutely sensational because. 167 00:08:12,000 --> 00:08:14,960 Speaker 1: You see him on CCTV footage walk up to the 168 00:08:15,000 --> 00:08:17,400 Speaker 1: bank with bricking hands. 169 00:08:18,760 --> 00:08:22,600 Speaker 8: He launches the brick into what is now very self 170 00:08:22,640 --> 00:08:30,240 Speaker 8: evidently bulletproof glass. The brick bounces off the glass it's 171 00:08:30,000 --> 00:08:31,800 Speaker 8: in the face and. 172 00:08:31,840 --> 00:08:38,840 Speaker 1: Knocks him out. Just sensational footage and. 173 00:08:44,280 --> 00:08:50,720 Speaker 3: Tempted Burglary, tempted Burglary barely gone, barely He's been dubbed, 174 00:08:52,880 --> 00:08:57,000 Speaker 3: he's been dubbed the bad luck bandit and he is 175 00:08:57,559 --> 00:08:58,520 Speaker 3: just great. 176 00:08:58,559 --> 00:08:59,720 Speaker 1: Starts so good. 177 00:08:59,800 --> 00:09:05,240 Speaker 3: I like nothing more than self inflicted pain. Yeah, it's 178 00:09:05,280 --> 00:09:08,120 Speaker 3: the best kind of pain. It's it's no sorry, self 179 00:09:08,160 --> 00:09:09,520 Speaker 3: inflicted injuries and whatnot. 180 00:09:09,679 --> 00:09:12,120 Speaker 1: Yeah, am I saying it a bad way? I'm saying it? Well, 181 00:09:12,160 --> 00:09:13,360 Speaker 1: it sounds slightly mazokids. 182 00:09:13,440 --> 00:09:16,400 Speaker 3: Yeah, right, take the masochism out of it. I love 183 00:09:16,440 --> 00:09:19,280 Speaker 3: it when people cause. 184 00:09:20,520 --> 00:09:22,520 Speaker 1: Accidentally accidentally. 185 00:09:22,960 --> 00:09:27,120 Speaker 2: I'm looking after not self inflicted accidentally. 186 00:09:26,559 --> 00:09:30,240 Speaker 1: Cause pain to themselves. That's the key one there. Yeah, 187 00:09:30,240 --> 00:09:32,760 Speaker 1: it's an accident. This is the we're talking accidents here, people. 188 00:09:32,800 --> 00:09:33,360 Speaker 1: We've worked it. 189 00:09:33,440 --> 00:09:35,720 Speaker 2: This is just this is something that's happened without you 190 00:09:35,800 --> 00:09:36,320 Speaker 2: intending it. 191 00:09:36,360 --> 00:09:37,600 Speaker 1: That's it. We've worked it really well. 192 00:09:37,960 --> 00:09:42,280 Speaker 3: Thirteen one oh six five out of number. I really 193 00:09:42,320 --> 00:09:46,400 Speaker 3: want to hear about stories of when you've accidentally injured yourself, 194 00:09:46,840 --> 00:09:49,320 Speaker 3: so you've caused it, you're the one to blame, and 195 00:09:49,360 --> 00:09:51,360 Speaker 3: you've caused a big injury. It happened to me this morning. 196 00:09:51,720 --> 00:09:54,320 Speaker 3: There's already a video up on their Instagram. 197 00:09:54,880 --> 00:09:57,880 Speaker 2: Will and Wood to say, oh wow, no, this is 198 00:09:58,520 --> 00:10:02,600 Speaker 2: this is really worth one ching. I just I saw 199 00:10:02,640 --> 00:10:05,600 Speaker 2: an editor of this before this. That's as good as 200 00:10:05,640 --> 00:10:06,319 Speaker 2: it gets. 201 00:10:06,200 --> 00:10:07,559 Speaker 3: Put on one of those I don't know if people 202 00:10:07,559 --> 00:10:09,520 Speaker 3: have seen it, but it's like a football and you 203 00:10:09,600 --> 00:10:11,720 Speaker 3: strap it to yourself, so it's like it's a strap 204 00:10:11,720 --> 00:10:14,400 Speaker 3: and then the football's on an elastic yeah, which gives 205 00:10:14,400 --> 00:10:15,839 Speaker 3: you so you can kick the footy and then it 206 00:10:15,880 --> 00:10:17,520 Speaker 3: flies comes back to you and your. 207 00:10:17,400 --> 00:10:18,200 Speaker 1: Market to work on. 208 00:10:18,240 --> 00:10:20,360 Speaker 2: You don't say what happens here because it's better than 209 00:10:20,400 --> 00:10:23,280 Speaker 2: anyone would think. Yeah, just what happened? And this is 210 00:10:23,320 --> 00:10:25,480 Speaker 2: like again candid camera. I think you were just meant 211 00:10:25,480 --> 00:10:27,800 Speaker 2: to take a couple of a couple of marks. 212 00:10:27,840 --> 00:10:30,320 Speaker 3: I was actually intending to show off how good my 213 00:10:30,440 --> 00:10:30,960 Speaker 3: hands were. 214 00:10:31,400 --> 00:10:34,040 Speaker 1: And you say that, and at the start you say, 215 00:10:34,640 --> 00:10:36,400 Speaker 1: what do you say? They used to call me sticky 216 00:10:36,440 --> 00:10:38,280 Speaker 1: Mits or something. They used to call me sticky Mits 217 00:10:38,360 --> 00:10:42,080 Speaker 1: or sticks for sure. So you, guys, what happens is 218 00:10:42,120 --> 00:10:44,120 Speaker 1: better than you can imagine. And you guys can go 219 00:10:44,160 --> 00:10:46,280 Speaker 1: and say that it's on our Instagram. Will and Woodie. 220 00:10:46,280 --> 00:10:47,960 Speaker 1: But thirty one or six fives out number? 221 00:10:48,520 --> 00:10:51,680 Speaker 3: When when did you accidentally cause yourself a lot of 222 00:10:51,679 --> 00:10:52,360 Speaker 3: pain or injury? 223 00:10:52,400 --> 00:10:56,760 Speaker 1: We've got Molly here. Molly, you've accidentally hurt yourself. 224 00:10:57,720 --> 00:10:57,960 Speaker 5: Yeah. 225 00:10:58,120 --> 00:10:59,920 Speaker 3: I knocked myself out with a cricket bat. 226 00:11:02,760 --> 00:11:04,240 Speaker 1: Tell us how how did you do it? 227 00:11:05,000 --> 00:11:05,160 Speaker 7: Oh? 228 00:11:05,240 --> 00:11:07,079 Speaker 6: We're working around with some mates and they were throwing 229 00:11:07,080 --> 00:11:08,920 Speaker 6: them up towards me. I was swinging around and I 230 00:11:09,000 --> 00:11:10,240 Speaker 6: hit myself in the back of the head. 231 00:11:11,840 --> 00:11:17,280 Speaker 1: So you just kept following through. Yeah, I smoke for 232 00:11:17,360 --> 00:11:21,520 Speaker 1: the venzas and that is so good. 233 00:11:21,559 --> 00:11:21,839 Speaker 3: Molly. 234 00:11:22,360 --> 00:11:25,720 Speaker 2: We've got jem here. Jim, you've accidentally hurt yourself. 235 00:11:26,280 --> 00:11:30,800 Speaker 6: Hey, boys, long time listener, first time caller. Jem So 236 00:11:31,200 --> 00:11:33,360 Speaker 6: last year, I was mowing the lawn and the glass 237 00:11:33,400 --> 00:11:35,240 Speaker 6: was a bit wet, so I put my hand under 238 00:11:35,240 --> 00:11:38,160 Speaker 6: the lawn mole while it was running and I sliced 239 00:11:38,160 --> 00:11:41,320 Speaker 6: my finger opened. But then the doctor stitched the infection 240 00:11:41,600 --> 00:11:44,120 Speaker 6: inside my finger. I ended up getting gang green in 241 00:11:44,200 --> 00:11:46,360 Speaker 6: my finger and I almost had to get it amputated. 242 00:11:46,640 --> 00:11:51,400 Speaker 1: Oh, Jim, it's just. 243 00:11:51,240 --> 00:11:57,120 Speaker 2: It's pretty funny now though, sure love. 244 00:11:57,480 --> 00:12:01,440 Speaker 1: I love the positivity Jim stuff. We got Hannah here 245 00:12:01,440 --> 00:12:03,439 Speaker 1: and now, Hannah, have accidentally hurt yourself. 246 00:12:04,280 --> 00:12:06,760 Speaker 4: Yeah, I was actually ice skating with my mom once 247 00:12:06,800 --> 00:12:07,840 Speaker 4: and I've fallen. 248 00:12:07,559 --> 00:12:10,640 Speaker 6: Over and tried to grab onto hers to hold me up, 249 00:12:10,640 --> 00:12:12,439 Speaker 6: and I put her down on me and she's broken 250 00:12:12,480 --> 00:12:12,880 Speaker 6: my leg. 251 00:12:14,320 --> 00:12:19,440 Speaker 1: She broke your leg, yeah, eight weeks so because you 252 00:12:19,559 --> 00:12:22,720 Speaker 1: pulled your mum. Yeah, trying to. 253 00:12:24,280 --> 00:12:27,280 Speaker 3: Pulled her onto your leg, which snapped your leg. 254 00:12:27,600 --> 00:12:31,200 Speaker 1: Yep, good stuff. Thanks so much for the call mate. 255 00:12:31,720 --> 00:12:33,680 Speaker 2: As I was saying before, if you get along too, 256 00:12:33,720 --> 00:12:35,480 Speaker 2: If you want to see the reason we're talking about 257 00:12:35,480 --> 00:12:37,840 Speaker 2: accidentally hurting yourself, there's a video on Instagram. We've just 258 00:12:37,880 --> 00:12:41,200 Speaker 2: put it online. It is going It's going bananas though. 259 00:12:41,040 --> 00:12:42,719 Speaker 1: Because it's as good. It's as good as you think 260 00:12:42,720 --> 00:12:44,679 Speaker 1: it is. This is the start. 261 00:12:44,960 --> 00:12:46,920 Speaker 2: Just picture this in your heads if you haven't got 262 00:12:46,920 --> 00:12:48,280 Speaker 2: Instagram pictures in your heads. 263 00:12:48,400 --> 00:12:52,240 Speaker 1: This is Woody standing with a strap like a vest. 264 00:12:52,640 --> 00:12:55,440 Speaker 2: To the vest is attached an elastic rope like a 265 00:12:55,440 --> 00:12:56,719 Speaker 2: bungee rope, and then there's a. 266 00:12:56,640 --> 00:13:00,400 Speaker 1: Football on the other end. Right, This is him before 267 00:13:00,520 --> 00:13:03,760 Speaker 1: he kicks the ball. Back in school, that used to 268 00:13:03,760 --> 00:13:04,760 Speaker 1: call me sticky jicks. 269 00:13:05,320 --> 00:13:12,079 Speaker 2: Sticks For sure, you have to go on what happened 270 00:13:12,080 --> 00:13:13,360 Speaker 2: as a result of that, it's online. 271 00:13:13,360 --> 00:13:14,640 Speaker 1: Go check it out. We're gonna go to a brack 272 00:13:14,679 --> 00:13:15,680 Speaker 1: heads with him? What he could go? 273 00:13:16,559 --> 00:13:20,800 Speaker 2: Some pretty sad stuff in the news recently, I think, 274 00:13:21,040 --> 00:13:26,880 Speaker 2: concerning a product which I really did not think would 275 00:13:26,880 --> 00:13:28,599 Speaker 2: have been tampered with or adultiated. 276 00:13:28,960 --> 00:13:31,880 Speaker 1: But apparently Judo was studied. 277 00:13:31,920 --> 00:13:38,400 Speaker 2: Done by Macquarie University, one in five Australian honey samples 278 00:13:39,160 --> 00:13:39,920 Speaker 2: are not pure? 279 00:13:44,120 --> 00:13:45,920 Speaker 1: Are we naming names there? Are we going to do it? 280 00:13:46,360 --> 00:13:54,120 Speaker 1: Absolutely not? Okay, fair enough. I just wanted to convince. 281 00:13:54,200 --> 00:13:54,840 Speaker 1: Let's go through. 282 00:13:59,400 --> 00:13:59,679 Speaker 8: Liberally. 283 00:14:01,800 --> 00:14:03,800 Speaker 1: I was confused. I'm like, give me the details. No, 284 00:14:03,880 --> 00:14:04,360 Speaker 1: that right? 285 00:14:04,520 --> 00:14:07,800 Speaker 2: Yeah, So I found more that the honey samples from 286 00:14:07,840 --> 00:14:09,439 Speaker 2: Asia and China were. 287 00:14:10,240 --> 00:14:14,320 Speaker 1: The fake ones. But woods, I think it's pretty hard 288 00:14:16,440 --> 00:14:20,560 Speaker 1: to I think it's what are you doing? I think 289 00:14:20,560 --> 00:14:24,600 Speaker 1: it's pretty hard. I think personally I can smell stitch up. 290 00:14:24,680 --> 00:14:28,600 Speaker 2: It's easy for a honey to fake being a man, 291 00:14:29,000 --> 00:14:30,880 Speaker 2: but I think it's quite hard for a man to 292 00:14:30,960 --> 00:14:32,040 Speaker 2: fake being a honey. 293 00:14:33,040 --> 00:14:36,320 Speaker 3: Okay, yeah, I'm going so it's easy you think for 294 00:14:36,400 --> 00:14:37,720 Speaker 3: a honey to fake being a man? 295 00:14:37,880 --> 00:14:41,640 Speaker 1: Yes, yeah, I think it's pretty difficult both ways. Well, 296 00:14:41,680 --> 00:14:45,080 Speaker 1: look what I want to do right now. If by 297 00:14:45,120 --> 00:14:46,040 Speaker 1: the way, I'm using. 298 00:14:45,840 --> 00:14:48,200 Speaker 2: The word honey interchangeable for a woman for those of 299 00:14:48,240 --> 00:14:51,640 Speaker 2: you just catching on. Yeah, very good, thank you. Thirty 300 00:14:51,680 --> 00:14:54,160 Speaker 2: one and six five is the number. We need a 301 00:14:54,160 --> 00:14:55,920 Speaker 2: bit of an even spread. But I thought this would 302 00:14:55,960 --> 00:14:58,320 Speaker 2: be a great opportunity to see if we could get 303 00:14:58,320 --> 00:14:59,600 Speaker 2: a man on that. 304 00:14:59,600 --> 00:15:03,560 Speaker 1: Doesn't really really good woman great, really good, like a 305 00:15:03,720 --> 00:15:06,240 Speaker 1: ripper of a woman like I want to be able 306 00:15:06,280 --> 00:15:08,800 Speaker 1: to take. Sorry because you think a woman trying to 307 00:15:08,800 --> 00:15:12,080 Speaker 1: do a man's voice. I've heard it. I've heard it. 308 00:15:11,320 --> 00:15:13,040 Speaker 1: I think it's doable. 309 00:15:13,280 --> 00:15:15,080 Speaker 3: We used to work with someone who could do an 310 00:15:15,080 --> 00:15:17,320 Speaker 3: incredible man. She was a famous she could do an 311 00:15:17,320 --> 00:15:17,880 Speaker 3: incredible man. 312 00:15:17,880 --> 00:15:18,320 Speaker 1: That's right. 313 00:15:18,640 --> 00:15:22,480 Speaker 2: We want now a man, yeah, doing a woman. I 314 00:15:22,520 --> 00:15:24,360 Speaker 2: want a man to call up and do a honey 315 00:15:24,400 --> 00:15:28,120 Speaker 2: for us, that's right. So third and one six five 316 00:15:28,200 --> 00:15:30,440 Speaker 2: is our phone number. I want to be able to 317 00:15:30,480 --> 00:15:35,360 Speaker 2: take let's say, three phone calls, and hopefully you and 318 00:15:35,440 --> 00:15:38,320 Speaker 2: I cannot pick of the three which. 319 00:15:38,080 --> 00:15:40,120 Speaker 1: One is the man? We want girls to call as well. 320 00:15:40,160 --> 00:15:42,480 Speaker 3: But I think so, okay, I think so girls and 321 00:15:42,520 --> 00:15:43,840 Speaker 3: guys call because for the. 322 00:15:43,840 --> 00:15:46,240 Speaker 2: Experiment, Yes, well I do. Actually, that's a good point. 323 00:15:46,280 --> 00:15:47,920 Speaker 2: I need a couple of girls to help out here, 324 00:15:48,080 --> 00:15:48,520 Speaker 2: help us out. 325 00:15:48,520 --> 00:15:48,720 Speaker 1: Girls. 326 00:15:48,760 --> 00:15:50,640 Speaker 2: Yeah, so if you're a girl in your car and 327 00:15:50,840 --> 00:15:52,520 Speaker 2: you just want to be part of a social experiment, 328 00:15:52,560 --> 00:15:53,080 Speaker 2: you just love. 329 00:15:53,000 --> 00:15:55,320 Speaker 1: Science, and yeah, we'd love to hear from you. We 330 00:15:55,680 --> 00:15:56,120 Speaker 1: need your help. 331 00:15:56,120 --> 00:15:59,000 Speaker 2: If you're a girl, firstly, and hopefully you sound like 332 00:15:59,000 --> 00:16:00,400 Speaker 2: a woman as well. If you're a girl with a 333 00:16:00,400 --> 00:16:02,760 Speaker 2: particularly husky voice, you might throw a cat amongst the pigeons. 334 00:16:03,120 --> 00:16:05,040 Speaker 2: So let's just try and make sure that you sound 335 00:16:05,080 --> 00:16:07,480 Speaker 2: like a girl for starters. But then on the other hand, 336 00:16:08,560 --> 00:16:11,600 Speaker 2: if you're a man that thinks you do an amazing 337 00:16:11,640 --> 00:16:14,880 Speaker 2: girl's voice, I want to hear from you, and Woods 338 00:16:14,920 --> 00:16:16,040 Speaker 2: and I are going to try and pick you out 339 00:16:16,080 --> 00:16:16,600 Speaker 2: in the lineup. 340 00:16:16,640 --> 00:16:17,680 Speaker 1: It's the ultimate test. 341 00:16:17,720 --> 00:16:19,000 Speaker 3: If you're a man and you want to test your 342 00:16:19,040 --> 00:16:20,640 Speaker 3: woman's voice, this is the ultimate test. 343 00:16:20,640 --> 00:16:23,320 Speaker 2: There's some fake honey in Australian supermarkets. Let's see if 344 00:16:23,320 --> 00:16:27,560 Speaker 2: there's some fake honey on the show. We've found out 345 00:16:27,640 --> 00:16:33,000 Speaker 2: today sadly that almost one in five Australian honey samples 346 00:16:33,200 --> 00:16:33,720 Speaker 2: are fake. 347 00:16:35,320 --> 00:16:36,760 Speaker 1: Tragic stuff. Disappointing. 348 00:16:36,880 --> 00:16:40,200 Speaker 2: But I think it's incredibly difficult to do a fake Honeywoods, 349 00:16:40,280 --> 00:16:42,880 Speaker 2: I think I think doing a fake honey is possibly 350 00:16:42,920 --> 00:16:43,840 Speaker 2: one of the hardest things. 351 00:16:43,880 --> 00:16:46,040 Speaker 1: I can't do it. I think you can always pick 352 00:16:46,040 --> 00:16:48,440 Speaker 1: a man. Mind's pretty good. You don't do a bad 353 00:16:48,440 --> 00:16:48,920 Speaker 1: fake honey. 354 00:16:49,080 --> 00:16:53,080 Speaker 3: Hello, Oh, hi boys, how are you pleasure to be 355 00:16:53,120 --> 00:16:53,880 Speaker 3: here on the shone? 356 00:16:54,960 --> 00:16:55,280 Speaker 2: Oh? 357 00:16:55,360 --> 00:16:59,920 Speaker 1: That will not a bad fake honey, but pickable. I'm 358 00:17:00,120 --> 00:17:03,520 Speaker 1: talking about the real, the real deal. Oh you're all right? 359 00:17:04,920 --> 00:17:07,359 Speaker 1: So thirty one six five. I've asked a couple of 360 00:17:07,400 --> 00:17:08,720 Speaker 1: chicks to help out here, which is great. 361 00:17:08,760 --> 00:17:10,720 Speaker 2: Thanks for getting involved, girls, because we do need a 362 00:17:10,720 --> 00:17:14,080 Speaker 2: couple of controls, as they call it in the scientific community. 363 00:17:14,119 --> 00:17:15,840 Speaker 3: So we're just going to be throwing to calls here 364 00:17:15,840 --> 00:17:17,679 Speaker 3: and we are trying to guess if it is a 365 00:17:17,760 --> 00:17:19,280 Speaker 3: real honey or a fake honey. 366 00:17:19,359 --> 00:17:22,560 Speaker 2: You We've got five honey's on the phone, one of them, 367 00:17:22,600 --> 00:17:23,720 Speaker 2: some of them are real, some of them. In fact, 368 00:17:23,720 --> 00:17:25,040 Speaker 2: we don't know how many are real are how many 369 00:17:25,080 --> 00:17:27,760 Speaker 2: a fake? All right, now we've got the number one, two, three, 370 00:17:27,800 --> 00:17:30,680 Speaker 2: four five. Now I think what we should do here? Yeah, yeah, yeah, yeah, 371 00:17:30,680 --> 00:17:32,760 Speaker 2: Because they don't know what to say yet, so I 372 00:17:32,800 --> 00:17:34,840 Speaker 2: think we should give them what sentence would you like? 373 00:17:35,359 --> 00:17:36,640 Speaker 3: They are going to say the same thing, I think, 374 00:17:36,680 --> 00:17:44,199 Speaker 3: so Okay, what jeez, hey boys, M I don't want 375 00:17:44,200 --> 00:17:49,080 Speaker 3: to say something too sexuals get weird? Hey boys, wouldn't 376 00:17:49,119 --> 00:17:51,520 Speaker 3: mind seeing you with a pair of wooden clogs? 377 00:17:51,520 --> 00:17:55,720 Speaker 1: On? What did I? What is my brain? That is 378 00:17:55,840 --> 00:18:00,840 Speaker 1: just why? So he said? The line is, hey boys, 379 00:18:01,359 --> 00:18:02,359 Speaker 1: wooden mind. 380 00:18:02,160 --> 00:18:05,080 Speaker 3: Seeing you with a pair of wooden clogs on the 381 00:18:05,119 --> 00:18:06,240 Speaker 3: pair of wooden clogs on? 382 00:18:06,400 --> 00:18:06,800 Speaker 1: Okay? 383 00:18:06,880 --> 00:18:10,040 Speaker 2: Okay, so, hey boys, wouldn't mind seeing you with a 384 00:18:10,080 --> 00:18:11,280 Speaker 2: pair of wooden clogs? 385 00:18:11,280 --> 00:18:11,399 Speaker 4: On? 386 00:18:11,600 --> 00:18:14,840 Speaker 1: Is the line? We've got five honeys on the phone. 387 00:18:15,040 --> 00:18:17,040 Speaker 2: Do we leave who we think is of fake honeying 388 00:18:17,040 --> 00:18:18,320 Speaker 2: a real honey to the end? Or do you just 389 00:18:18,320 --> 00:18:19,320 Speaker 2: want to tell them straight up? 390 00:18:19,400 --> 00:18:20,399 Speaker 1: Tell them straight up? Okay? 391 00:18:20,440 --> 00:18:22,760 Speaker 2: So so honey number one you can hear is don't 392 00:18:22,760 --> 00:18:25,119 Speaker 2: say anything and just all you gotta do is just 393 00:18:25,119 --> 00:18:28,120 Speaker 2: say you're lying, okay when you're ready, honey number. 394 00:18:27,880 --> 00:18:33,800 Speaker 4: One, Hey boys, I'm really love to see you. 395 00:18:34,920 --> 00:18:41,240 Speaker 3: Wol that's a fake honey, fake honey, we're calling fake honey. 396 00:18:42,160 --> 00:18:43,800 Speaker 9: No, I'm actually. 397 00:18:48,440 --> 00:18:52,600 Speaker 1: Wow. That was that was outstanding. We picked you, but 398 00:18:52,680 --> 00:18:59,000 Speaker 1: that was body a mate, Zach. I love your work. 399 00:18:59,119 --> 00:19:01,480 Speaker 2: I love this all right, So honey number two, don't 400 00:19:01,480 --> 00:19:01,920 Speaker 2: say anything. 401 00:19:01,920 --> 00:19:03,480 Speaker 1: You know the deal. You got the line. 402 00:19:03,520 --> 00:19:05,879 Speaker 2: The line is, hey, boys wouldn't mind seeing you with 403 00:19:05,920 --> 00:19:07,040 Speaker 2: a pair of wooden clogs? 404 00:19:07,080 --> 00:19:07,159 Speaker 10: On? 405 00:19:07,640 --> 00:19:12,520 Speaker 1: Take it away, honey number two, Hi, boys wouldn't mind clogs. 406 00:19:13,480 --> 00:19:15,520 Speaker 1: It's a real honey, real honey. 407 00:19:17,000 --> 00:19:21,600 Speaker 2: You are yes, thank you very much, Thanks so much 408 00:19:21,600 --> 00:19:22,360 Speaker 2: for calling Honey. 409 00:19:22,240 --> 00:19:24,840 Speaker 1: Number two, appreciate it. Great voice. All right, honey number three, 410 00:19:24,920 --> 00:19:26,160 Speaker 1: you know the line. 411 00:19:26,920 --> 00:19:29,720 Speaker 4: Hey, please wouldn't mind seeing you with some wooden clogs? 412 00:19:29,800 --> 00:19:31,000 Speaker 9: Ones? 413 00:19:31,320 --> 00:19:34,560 Speaker 1: That's the most interesting one so far? I told you. 414 00:19:34,560 --> 00:19:36,240 Speaker 1: Can I hear the line again? Can I? Can I 415 00:19:36,280 --> 00:19:37,600 Speaker 1: hear the line again? Honey three? 416 00:19:38,680 --> 00:19:41,760 Speaker 4: Hey, boys wouldn't mind seeing you with some wooden clogs? 417 00:19:41,760 --> 00:19:41,840 Speaker 2: On? 418 00:19:42,359 --> 00:19:43,320 Speaker 1: Oh that's ty. 419 00:19:44,000 --> 00:19:49,320 Speaker 2: I thought my initial reaction was real honey, but now. 420 00:19:49,960 --> 00:19:51,840 Speaker 1: She could well be it. Well, he could be a 421 00:19:51,880 --> 00:19:54,320 Speaker 1: fake honey. This could also be very offensive to a 422 00:19:54,400 --> 00:19:58,119 Speaker 1: real honey. I just realized, what are you leaning? I'm 423 00:19:58,200 --> 00:20:00,800 Speaker 1: leaning towards real honey. You reckon it's a real honey. Yeah, wow, 424 00:20:00,840 --> 00:20:02,560 Speaker 1: this is huge. If this is a fair honey. If 425 00:20:02,560 --> 00:20:04,280 Speaker 1: it's a fake honey, it's the best fake honey I've heard. 426 00:20:04,440 --> 00:20:06,360 Speaker 1: We're going with real honey, real honey. 427 00:20:06,960 --> 00:20:10,840 Speaker 8: Yeah, I'm real, Thank god, sorry if that was a 428 00:20:10,840 --> 00:20:12,680 Speaker 8: bit offensive that we thought you could have been a man. 429 00:20:14,080 --> 00:20:16,600 Speaker 2: Thanks to the honey number three star love your work, 430 00:20:16,680 --> 00:20:17,520 Speaker 2: Hounding number four. 431 00:20:17,680 --> 00:20:20,880 Speaker 1: You know the line take it away? 432 00:20:21,720 --> 00:20:23,720 Speaker 4: Hey, boys, seeing you in a pair. 433 00:20:23,560 --> 00:20:27,199 Speaker 2: Of wooden club it's a real honey. I think I 434 00:20:27,200 --> 00:20:30,080 Speaker 2: think it's a real honey. Gee it's a fake honey. 435 00:20:30,080 --> 00:20:31,959 Speaker 2: Then we think we think real honey. 436 00:20:33,440 --> 00:20:42,280 Speaker 3: No, my name's Daniel, Daniel, Daniel, can you give us 437 00:20:42,320 --> 00:20:42,720 Speaker 3: the woman? 438 00:20:42,800 --> 00:20:43,960 Speaker 1: Give us the honey voice again? 439 00:20:45,600 --> 00:20:51,119 Speaker 4: Okay, boys, you get out of town. 440 00:20:52,000 --> 00:20:55,880 Speaker 2: Oh my gosh, right, Daniel, tell me you use that professionally. 441 00:20:57,119 --> 00:20:57,399 Speaker 9: Mate. 442 00:20:57,960 --> 00:21:02,320 Speaker 6: You know what, I've had experience with my girlfriends for 443 00:21:02,480 --> 00:21:03,359 Speaker 6: so many years. 444 00:21:03,440 --> 00:21:06,560 Speaker 7: I've actually started to make make them so annoyed. 445 00:21:06,560 --> 00:21:07,359 Speaker 6: I've actually mixed. 446 00:21:07,760 --> 00:21:12,359 Speaker 1: Oh my god, So what's what, Daniel, what's the most? 447 00:21:12,440 --> 00:21:12,879 Speaker 1: What's like? 448 00:21:12,880 --> 00:21:14,800 Speaker 2: Give us an example of something she can complain about 449 00:21:14,840 --> 00:21:15,399 Speaker 2: as her. 450 00:21:17,200 --> 00:21:22,000 Speaker 4: Oh? Oh my god, Daniel, can you please pick up yourself. 451 00:21:22,080 --> 00:21:23,080 Speaker 9: That's really annoying. 452 00:21:23,400 --> 00:21:28,000 Speaker 2: Oh my god, that is unbelievable. 453 00:21:28,320 --> 00:21:30,120 Speaker 1: Daniel, I need to meet you. I need to see 454 00:21:30,160 --> 00:21:32,480 Speaker 1: this in person. Yeah, I need. I need to see you. 455 00:21:32,520 --> 00:21:34,840 Speaker 1: I'd love a video of it. At least you are 456 00:21:34,920 --> 00:21:37,320 Speaker 1: You're like a human parrot. That is outrage. 457 00:21:37,440 --> 00:21:39,200 Speaker 3: Can you to say you're listening to Will and Woody, 458 00:21:39,560 --> 00:21:45,880 Speaker 3: it's time to go to traffic in the female voice. 459 00:21:44,720 --> 00:21:47,040 Speaker 4: You're listening to Ruin can get to traffic. 460 00:21:47,240 --> 00:21:48,080 Speaker 1: I can't believe it. 461 00:21:48,600 --> 00:21:52,120 Speaker 2: I can't believe it, Daniel, Daniel, can you we're gonna 462 00:21:52,119 --> 00:21:53,120 Speaker 2: go to the traffic mate? 463 00:21:53,160 --> 00:21:53,520 Speaker 1: I reckon? 464 00:21:53,520 --> 00:21:55,520 Speaker 2: We need to get you to call one of your 465 00:21:55,520 --> 00:21:58,960 Speaker 2: girlfriend's mates or your girlfriend's family as your girlfriend. 466 00:22:00,119 --> 00:22:01,919 Speaker 6: Oh, that that'd be amazing. 467 00:22:02,160 --> 00:22:02,320 Speaker 1: You know. 468 00:22:02,440 --> 00:22:04,520 Speaker 4: I wish I could call on in the extra is 469 00:22:04,560 --> 00:22:06,320 Speaker 4: because man, she would go off. 470 00:22:06,480 --> 00:22:10,040 Speaker 11: But yeah, we can really every week we'll sort it out. Man, 471 00:22:10,240 --> 00:22:11,960 Speaker 11: Thank you Sung for the call. We are going to 472 00:22:11,960 --> 00:22:14,400 Speaker 11: go to the TAVI. That is some sensational stuff. It's 473 00:22:14,600 --> 00:22:17,080 Speaker 11: actually Will Well, that's the I said. It was tough 474 00:22:17,119 --> 00:22:18,000 Speaker 11: to do a fake honey. 475 00:22:18,760 --> 00:22:19,080 Speaker 1: Wow. 476 00:22:19,240 --> 00:22:23,360 Speaker 3: Daniel enter Daniel into the Daniel Zone. 477 00:22:24,480 --> 00:22:25,280 Speaker 1: Got a band new sevement. 478 00:22:25,320 --> 00:22:27,199 Speaker 2: On a Thursday, we were just asking you guys, you've 479 00:22:27,240 --> 00:22:29,680 Speaker 2: had a ripper of a moment with a total stranger. 480 00:22:30,440 --> 00:22:37,680 Speaker 1: I had a moment with a beautiful stranger. Shannon has 481 00:22:37,800 --> 00:22:38,119 Speaker 1: done it. 482 00:22:38,320 --> 00:22:41,120 Speaker 3: On thirteen one oh six ' five, Shannon tells about 483 00:22:41,160 --> 00:22:42,240 Speaker 3: your moment with a stranger. 484 00:22:43,200 --> 00:22:46,000 Speaker 4: Yeah, me and my boyfriend. We went to the Braza 485 00:22:46,119 --> 00:22:49,560 Speaker 4: not so long ago, the Britty on the restaurant. Yeah, 486 00:22:49,640 --> 00:22:53,080 Speaker 4: and it's really expensive. It's like thirty five dollars ahead 487 00:22:53,080 --> 00:22:55,800 Speaker 4: for like all you can eat. We went in and 488 00:22:55,920 --> 00:22:57,840 Speaker 4: my boyfriend was having a bit of a rough day. 489 00:22:57,920 --> 00:23:01,359 Speaker 4: We weren't really getting along that day. He went up, 490 00:23:01,400 --> 00:23:03,000 Speaker 4: he went to the bathroom and I said, all right, 491 00:23:03,000 --> 00:23:06,120 Speaker 4: well I'll get some drinks. As I went to get 492 00:23:06,160 --> 00:23:08,960 Speaker 4: some drinks, the waiter came over and handed me my 493 00:23:09,040 --> 00:23:10,720 Speaker 4: receipt and I was like, I didn't I didn't pay 494 00:23:10,760 --> 00:23:13,359 Speaker 4: for anything. Is said, No, the gentlemen across from you 495 00:23:13,440 --> 00:23:18,040 Speaker 4: pay for your whole meal. Wow. Way, I think it 496 00:23:18,080 --> 00:23:19,919 Speaker 4: came to one hundred and five for the both of 497 00:23:20,000 --> 00:23:21,800 Speaker 4: us and we're only there for about fifteen minutes. 498 00:23:22,000 --> 00:23:26,280 Speaker 1: Wow. Well, I had a moment with a beautiful street. 499 00:23:26,359 --> 00:23:26,960 Speaker 1: Thanks the coach. 500 00:23:27,119 --> 00:23:28,920 Speaker 3: And did did you ever did you talk to did 501 00:23:28,920 --> 00:23:30,320 Speaker 3: you talk to the guy Shannon? Like did you figure 502 00:23:30,320 --> 00:23:30,840 Speaker 3: out who he was? 503 00:23:30,880 --> 00:23:34,200 Speaker 4: Right? No? No, nothing, but I noticed him and his wife 504 00:23:34,240 --> 00:23:36,800 Speaker 4: and they had a baby when we sat down, but 505 00:23:37,160 --> 00:23:39,040 Speaker 4: nothing else. I know, they got up and they left 506 00:23:39,320 --> 00:23:42,639 Speaker 4: and after that they just no idea who they were right? 507 00:23:43,119 --> 00:23:44,760 Speaker 2: A bit of a sicko though, isn't he waited for 508 00:23:44,840 --> 00:23:45,800 Speaker 2: your boyfriend to leave. 509 00:23:46,080 --> 00:23:46,960 Speaker 1: He's got a kid there. 510 00:23:47,240 --> 00:23:49,119 Speaker 3: Oh, I'm glad he was there with his box. If 511 00:23:49,160 --> 00:23:51,399 Speaker 3: he was alone, he's definitely gone for the play off. 512 00:23:51,400 --> 00:23:52,639 Speaker 3: Your boyfriend's gone to the dummy. 513 00:23:52,880 --> 00:23:55,639 Speaker 1: I just paid for your meal. Thanks, the girl shouted. 514 00:23:55,680 --> 00:23:56,640 Speaker 1: James was giving us a girl. 515 00:23:56,760 --> 00:23:59,080 Speaker 2: James talked to us, mate, you had a great mind 516 00:23:59,119 --> 00:23:59,959 Speaker 2: with a complete stranger. 517 00:24:01,000 --> 00:24:03,399 Speaker 7: Yeah, one of the can you're on the roads? You 518 00:24:03,440 --> 00:24:04,520 Speaker 7: haven't been a road range? 519 00:24:04,760 --> 00:24:06,400 Speaker 1: Yeah. And so I'm. 520 00:24:06,200 --> 00:24:09,720 Speaker 7: Going to the local field of boys and this god 521 00:24:09,880 --> 00:24:12,560 Speaker 7: completely cut me off and almost take out my car. 522 00:24:13,280 --> 00:24:16,119 Speaker 7: So then I'm ssuming after the assuming I'll come up 523 00:24:16,119 --> 00:24:18,760 Speaker 7: to this bloke in the light and I've looked at 524 00:24:18,800 --> 00:24:21,000 Speaker 7: him on back to like screamed my head off at him, 525 00:24:21,119 --> 00:24:23,080 Speaker 7: and we just made a lot of contact. Just was 526 00:24:23,119 --> 00:24:24,920 Speaker 7: like a normal bloke and then like we just both 527 00:24:24,960 --> 00:24:27,960 Speaker 7: started laughing, started picking ourselves and then we just have 528 00:24:28,200 --> 00:24:30,280 Speaker 7: had a cat to the next bite. Then just went to 529 00:24:30,320 --> 00:24:31,080 Speaker 7: the local pub. 530 00:24:30,920 --> 00:24:31,200 Speaker 10: And our. 531 00:24:35,119 --> 00:24:39,680 Speaker 2: With a beautiful strange Yeah going to him, you look 532 00:24:39,720 --> 00:24:42,879 Speaker 2: at him, you both just say something genuine and funny 533 00:24:42,880 --> 00:24:44,520 Speaker 2: about each other and you're just laugh it off. 534 00:24:45,480 --> 00:24:48,320 Speaker 1: Yeah, so Jesus and. 535 00:24:48,320 --> 00:24:51,200 Speaker 7: We both said, I've never had an experience bung up before. 536 00:24:51,840 --> 00:24:54,800 Speaker 1: Great stuff, James River story, the world should be more 537 00:24:54,840 --> 00:24:56,840 Speaker 1: like that. I didn't have any world issues. 538 00:24:57,040 --> 00:24:59,280 Speaker 2: Yeah, you know what I mean, what if people just laughed, 539 00:24:59,440 --> 00:25:01,520 Speaker 2: just just have a I'm going to be That's. 540 00:25:01,400 --> 00:25:02,440 Speaker 1: A great point, mate, Hay. 541 00:25:02,520 --> 00:25:04,520 Speaker 2: Leanne Moriarty is going to join us on the other 542 00:25:04,560 --> 00:25:06,159 Speaker 2: side of the news. She's the best selling author on 543 00:25:06,200 --> 00:25:07,760 Speaker 2: the planet right now. If you haven't read one of 544 00:25:07,800 --> 00:25:09,680 Speaker 2: her books, then you're probably seeing the TV show Big 545 00:25:09,720 --> 00:25:12,359 Speaker 2: Little Lies. She is going to be in the studio 546 00:25:12,440 --> 00:25:14,080 Speaker 2: up next and in a genuine twist off with a 547 00:25:14,080 --> 00:25:14,720 Speaker 2: twist master. 548 00:25:15,400 --> 00:25:16,720 Speaker 1: There's not many people. 549 00:25:16,520 --> 00:25:19,240 Speaker 2: I think that you meet in the world who have 550 00:25:20,480 --> 00:25:23,600 Speaker 2: a dominant monopoly. I'm going to say right now woods 551 00:25:24,040 --> 00:25:28,520 Speaker 2: as strong and as fierce as Leanne moriartes is. She 552 00:25:28,800 --> 00:25:33,680 Speaker 2: is everywhere right now, Leanne Moriarty, and of course not. 553 00:25:33,680 --> 00:25:36,000 Speaker 1: Only dominating books by themselves. 554 00:25:36,080 --> 00:25:39,480 Speaker 3: Le Aren't Big Little Lies is an incredibly successful TV show. 555 00:25:39,880 --> 00:25:41,359 Speaker 1: Nicole Kidman is in that one. 556 00:25:41,600 --> 00:25:43,720 Speaker 2: We were speaking to Keith Herman recently. 557 00:25:44,000 --> 00:25:46,320 Speaker 1: Yes, he came on the show. I don't think we 558 00:25:46,359 --> 00:25:52,000 Speaker 1: have to share this as a little bit of small talk. Wood. 559 00:25:52,000 --> 00:25:54,280 Speaker 1: He wanted to throw to the fact that he. 560 00:25:54,280 --> 00:25:57,280 Speaker 10: Was across you know what great work Nicole was doing, 561 00:25:57,320 --> 00:26:01,640 Speaker 10: and how he loved Nicole, and he referenced he went 562 00:26:01,720 --> 00:26:03,760 Speaker 10: to go and reference the fact that she'd done some 563 00:26:03,800 --> 00:26:04,320 Speaker 10: great work in. 564 00:26:04,359 --> 00:26:08,000 Speaker 2: Big Little Lies and absolutely cooked and listen to your 565 00:26:08,080 --> 00:26:08,800 Speaker 2: your beautiful wife. 566 00:26:08,880 --> 00:26:13,320 Speaker 3: Nicole kidman Is does an incredible performance. 567 00:26:13,160 --> 00:26:15,840 Speaker 1: In the show Pretty Little Liars will be a little 568 00:26:18,200 --> 00:26:20,679 Speaker 1: show about a bunch of teenage girls, and I've stuffed 569 00:26:20,680 --> 00:26:27,439 Speaker 1: it again. I'm so sorry, Keith. He was luckily so nice. 570 00:26:28,000 --> 00:26:30,320 Speaker 9: Yeah, a lot of people I love read a lot 571 00:26:30,359 --> 00:26:34,280 Speaker 9: of people online saying, even reviews of Big Little Lies, 572 00:26:34,320 --> 00:26:36,560 Speaker 9: they start to call it pretty little lies or pretty 573 00:26:36,600 --> 00:26:37,080 Speaker 9: little lies. 574 00:26:37,200 --> 00:26:39,720 Speaker 3: Happens all oh, thank you, thank you, thank you for 575 00:26:39,720 --> 00:26:41,040 Speaker 3: making me feel bad, very easy. 576 00:26:41,600 --> 00:26:44,840 Speaker 2: It happens all the time. Yeah, not great for the show. 577 00:26:44,920 --> 00:26:50,199 Speaker 2: Keith hasn't been back since you guys both had a 578 00:26:50,200 --> 00:26:53,840 Speaker 2: piece of paper, piece of paper, a piece of paper pages. 579 00:26:53,960 --> 00:26:54,240 Speaker 1: Yep. 580 00:26:54,720 --> 00:26:57,480 Speaker 2: I'm going to give you guys a very simple hypothetical, 581 00:26:57,520 --> 00:26:59,280 Speaker 2: and you guys just have to give me a twist. 582 00:26:59,440 --> 00:27:04,000 Speaker 1: In one entence to the plot. Okay, you ready, let's 583 00:27:04,040 --> 00:27:04,240 Speaker 1: do it. 584 00:27:04,280 --> 00:27:04,520 Speaker 6: Leon. 585 00:27:04,600 --> 00:27:05,800 Speaker 1: All right, Here we go. 586 00:27:05,880 --> 00:27:11,439 Speaker 2: The hypothetical as it sends this, Kevin goes to the 587 00:27:11,480 --> 00:27:14,000 Speaker 2: ice cream shop with his dog George. 588 00:27:14,359 --> 00:27:15,960 Speaker 1: He's meeting his friend Jenny. 589 00:27:16,600 --> 00:27:19,800 Speaker 2: His friend Jenny said that she's dying to. 590 00:27:19,760 --> 00:27:24,200 Speaker 1: Tell him something. Now, you guys can figure out dying 591 00:27:24,320 --> 00:27:28,840 Speaker 1: to tell who's something? Kevin's not George. I talk to dogs. 592 00:27:29,000 --> 00:27:30,760 Speaker 9: I know you do you tell Kevin something? 593 00:27:32,800 --> 00:27:35,320 Speaker 2: Both of you think you're master's at the twist. I 594 00:27:35,359 --> 00:27:37,760 Speaker 2: do not, Neverne, I've read your stuff, mate, You're a 595 00:27:37,800 --> 00:27:38,560 Speaker 2: master at a twist. 596 00:27:40,320 --> 00:27:42,399 Speaker 1: What is more that I'm a master of the twist? 597 00:27:43,240 --> 00:27:47,920 Speaker 1: Self twist? Mine isn't so proven my self confession, But. 598 00:27:49,080 --> 00:27:52,320 Speaker 9: You might get a publishing deal out and I might 599 00:27:52,400 --> 00:27:53,040 Speaker 9: lose Mine. 600 00:27:54,800 --> 00:27:59,239 Speaker 2: Sold over fourteen million copies of her book, which are 601 00:27:59,400 --> 00:28:00,840 Speaker 2: based on on twists. 602 00:28:01,680 --> 00:28:05,040 Speaker 1: I'm backing you, Lean I'm You've got time. You've got time. 603 00:28:05,080 --> 00:28:06,240 Speaker 1: There's no rush, You've got time. 604 00:28:06,600 --> 00:28:07,760 Speaker 9: How much time have I got? 605 00:28:08,280 --> 00:28:12,000 Speaker 2: Until the end of Breathing by Ariana Grande, which is 606 00:28:12,000 --> 00:28:13,960 Speaker 2: the next turney here up next to twist Off? 607 00:28:14,240 --> 00:28:15,320 Speaker 1: What do you verse? Leard? 608 00:28:15,359 --> 00:28:18,200 Speaker 2: In the studio, Leanne Moriarty is in the studio, I 609 00:28:18,240 --> 00:28:20,359 Speaker 2: should mention it's got a brand new book, Nine Perfect 610 00:28:20,400 --> 00:28:22,080 Speaker 2: Strangers out in Australia and. 611 00:28:21,960 --> 00:28:22,720 Speaker 1: Now you can get it. 612 00:28:22,840 --> 00:28:25,879 Speaker 2: Leonnmoriarty dot com dot are you If you haven't read 613 00:28:25,920 --> 00:28:27,600 Speaker 2: any of her books, you haven't seen Big Little Lives, 614 00:28:27,640 --> 00:28:28,400 Speaker 2: You're not across her. 615 00:28:28,480 --> 00:28:29,760 Speaker 1: She really is epic. 616 00:28:29,960 --> 00:28:32,199 Speaker 2: So what we're going to do is, I've got Holly 617 00:28:32,440 --> 00:28:35,439 Speaker 2: who's given us called Holly Hey going, I'm. 618 00:28:35,320 --> 00:28:36,040 Speaker 5: Good, I'm good. 619 00:28:36,080 --> 00:28:38,760 Speaker 11: I'm excited to hear these Well, Holly, this is actually 620 00:28:38,840 --> 00:28:42,120 Speaker 11: amazing watching Leanne Moriarty, right, this is actually a very. 621 00:28:42,000 --> 00:28:44,080 Speaker 1: Special moment where watching the creation. 622 00:28:44,160 --> 00:28:47,320 Speaker 2: Two masters, two masters of the Twist in the studio, 623 00:28:48,280 --> 00:28:51,920 Speaker 2: Woody Whitelaw and LeAnn Moriarty. I've given them a very 624 00:28:51,920 --> 00:28:56,000 Speaker 2: basic scenario. The scenario is that there is a guy 625 00:28:56,080 --> 00:28:58,880 Speaker 2: called Kevin. He is going to the ice cream shop 626 00:28:59,400 --> 00:29:01,840 Speaker 2: with his dog called George. 627 00:29:02,520 --> 00:29:02,800 Speaker 1: Yeah. 628 00:29:02,840 --> 00:29:06,680 Speaker 2: Now he is meeting his friend Jenny, and Jenny has 629 00:29:06,720 --> 00:29:09,040 Speaker 2: told him that she's dying to tell him something. 630 00:29:09,080 --> 00:29:12,840 Speaker 1: Holy. Okay, So that's the PREMI that's the premise. 631 00:29:13,320 --> 00:29:17,040 Speaker 2: We've got an author who's sold fourteen million copies worldwide 632 00:29:17,040 --> 00:29:21,720 Speaker 2: and books translated into thirty nine languages and. 633 00:29:20,840 --> 00:29:22,880 Speaker 9: And this is the end of my career. 634 00:29:26,200 --> 00:29:39,240 Speaker 1: At this moment. He needs more paper. I've written written. 635 00:29:41,960 --> 00:29:43,440 Speaker 1: I think she's got it. I think she's got it. 636 00:29:44,200 --> 00:29:46,360 Speaker 1: She's flipped over the page. Oh my goodness, gracious, maybe 637 00:29:46,360 --> 00:29:50,400 Speaker 1: I need to write more what I love? How much 638 00:29:50,760 --> 00:29:54,040 Speaker 1: she's going to We can sell this? 639 00:29:55,120 --> 00:29:58,240 Speaker 2: You've got theming house outside. 640 00:29:58,280 --> 00:30:01,200 Speaker 1: Can we sell this if it's on our radio? Sh 641 00:30:00,720 --> 00:30:04,239 Speaker 1: I think we at least have fifty percent. And you 642 00:30:04,240 --> 00:30:07,520 Speaker 1: wrote the start of it, so it's co written written. 643 00:30:09,080 --> 00:30:11,160 Speaker 1: She's ready. Okay, this is amazing. Ready, Mike, we got 644 00:30:11,160 --> 00:30:14,480 Speaker 1: a drone, were dried? Okay? Here we go to this morning? No, wow, 645 00:30:14,560 --> 00:30:17,200 Speaker 1: this is a big mot me to go first. So Holy, 646 00:30:17,280 --> 00:30:19,080 Speaker 1: are you listening? I'm ready? 647 00:30:19,120 --> 00:30:21,520 Speaker 2: Okay, So you need to be impartial here, all right, 648 00:30:21,560 --> 00:30:23,440 Speaker 2: please hold your thoughts to the end, but we'll let 649 00:30:23,480 --> 00:30:24,280 Speaker 2: Wood you go first. 650 00:30:24,280 --> 00:30:25,080 Speaker 1: This is his twist. 651 00:30:25,320 --> 00:30:27,840 Speaker 2: Kevin goes to the ice cream shop with his dog George. 652 00:30:28,240 --> 00:30:30,440 Speaker 2: He's meeting his friend Jenny. Jenny said she's dying to 653 00:30:30,480 --> 00:30:31,120 Speaker 2: tell him something. 654 00:30:31,520 --> 00:30:32,960 Speaker 1: Yes, what he's up first? Okay? 655 00:30:33,000 --> 00:30:33,360 Speaker 10: You ready? 656 00:30:33,400 --> 00:30:33,600 Speaker 6: Holy? 657 00:30:33,760 --> 00:30:36,480 Speaker 1: Maybe I want to go. I want to go lear first. 658 00:30:37,400 --> 00:30:40,040 Speaker 1: What a bard of Leon stolen my twist? Well, that's 659 00:30:40,080 --> 00:30:44,520 Speaker 1: bad luck, mate, she's the professional ladies. First, here we go. 660 00:30:44,680 --> 00:30:45,360 Speaker 1: Oh God. 661 00:30:46,120 --> 00:30:49,120 Speaker 9: On the way, George stopped and gobbled up a discarded 662 00:30:49,200 --> 00:30:54,480 Speaker 9: French fry. Sadly, the French fry was poisoned. Poor George 663 00:30:54,600 --> 00:30:59,320 Speaker 9: dropped dead. Kevin fell to his knees and he never 664 00:30:59,360 --> 00:31:02,880 Speaker 9: found out that Jenny had been in love with him 665 00:31:02,920 --> 00:31:05,800 Speaker 9: for years and their future children were never born as 666 00:31:05,840 --> 00:31:15,520 Speaker 9: a result of that poisoned French fry. 667 00:31:10,480 --> 00:31:20,280 Speaker 1: Oh wow, Holly, what are you? What are your thoughts? 668 00:31:21,440 --> 00:31:24,480 Speaker 4: I went from crying to wanting to know what was 669 00:31:24,520 --> 00:31:26,320 Speaker 4: going to happen with the that was. 670 00:31:31,160 --> 00:31:32,520 Speaker 1: We could just go to a song. Now, I think 671 00:31:32,520 --> 00:31:34,240 Speaker 1: that's pretty good. I don't know. 672 00:31:36,080 --> 00:31:48,880 Speaker 3: What brilliant By the way he's written, Well, Kevin, Kevin 673 00:31:48,880 --> 00:31:51,520 Speaker 3: goes the Iceland trup with his dog George, and his 674 00:31:51,520 --> 00:31:55,040 Speaker 3: friend Jenny is dying to tell Kevin something efectally okay, 675 00:31:55,120 --> 00:31:57,120 Speaker 3: So what you need to know from the start, holy, 676 00:31:57,240 --> 00:31:58,920 Speaker 3: is that Kevin is actually a dog. 677 00:32:00,320 --> 00:32:01,000 Speaker 1: That's good. 678 00:32:01,720 --> 00:32:03,680 Speaker 9: That's a better I like that. 679 00:32:04,160 --> 00:32:06,840 Speaker 3: So Kevin is actually a dog, and George is his 680 00:32:07,040 --> 00:32:11,480 Speaker 3: adopted son, and Jenny is dying to tell Kevin something. 681 00:32:12,640 --> 00:32:15,000 Speaker 3: The thing that Jenny wants to tell Kevin Jenny and 682 00:32:15,040 --> 00:32:17,080 Speaker 3: dog to Jenny's a dog, Jenny, the. 683 00:32:17,080 --> 00:32:18,280 Speaker 1: Dogs, they're all dogs. 684 00:32:20,600 --> 00:32:21,080 Speaker 4: I can't do it. 685 00:32:21,120 --> 00:32:25,520 Speaker 3: That's the twist, mate, that's the twist. Jenny is also 686 00:32:25,560 --> 00:32:25,960 Speaker 3: a dog. 687 00:32:26,120 --> 00:32:28,040 Speaker 1: And then the twisters mother. 688 00:32:28,360 --> 00:32:35,880 Speaker 3: Yes, yeah, Jenny, Jenny is George's mother, and they're all. 689 00:32:35,800 --> 00:32:41,960 Speaker 2: Dogs and they all lived job awers. 690 00:32:42,680 --> 00:32:44,840 Speaker 1: I love ice cream, Holly, what do you think? 691 00:32:46,240 --> 00:32:48,240 Speaker 4: I'm still struggling to follow. 692 00:32:48,280 --> 00:32:56,400 Speaker 1: What is You've done it? I thought it was a 693 00:32:56,400 --> 00:33:01,520 Speaker 1: pretty good twist. They were all dogs, Yeah, I like that. Clever. 694 00:33:02,280 --> 00:33:05,240 Speaker 2: Leon Moriarty has got a brand new book, Nine Perfect Strangers. 695 00:33:05,320 --> 00:33:08,320 Speaker 2: It looks like it's going to be another well ripper. 696 00:33:08,360 --> 00:33:11,200 Speaker 2: I'm sure it will be with poisoned fries and dogs 697 00:33:11,200 --> 00:33:13,920 Speaker 2: and everything else that you could expect from her. Please 698 00:33:13,960 --> 00:33:15,760 Speaker 2: get it, Leonmurriarty dot com dot you thank you so 699 00:33:15,840 --> 00:33:16,400 Speaker 2: much for coming. 700 00:33:16,280 --> 00:33:18,160 Speaker 1: In, mateasure to meet you. 701 00:33:18,280 --> 00:33:20,360 Speaker 2: All the best with the next with the next installment 702 00:33:20,400 --> 00:33:21,920 Speaker 2: of the of the Screenland as well. 703 00:33:21,920 --> 00:33:22,760 Speaker 1: It sounds like it's going. 704 00:33:22,680 --> 00:33:24,880 Speaker 9: To be amazing for the next book too. 705 00:33:25,120 --> 00:33:34,520 Speaker 1: Yeah, that's right. And my book, They're All Dogs got 706 00:33:34,520 --> 00:33:34,640 Speaker 1: to be. 707 00:33:34,760 --> 00:33:37,120 Speaker 2: There's a video on Instagram which we are still laughing about. 708 00:33:37,400 --> 00:33:39,880 Speaker 2: Will and Woody, which has to be seen to be believed. 709 00:33:39,880 --> 00:33:44,000 Speaker 2: Go and check that out for yourself, Woodrow. We've been 710 00:33:44,080 --> 00:33:45,800 Speaker 2: gifted an opportunity. 711 00:33:45,560 --> 00:33:48,720 Speaker 3: An unbelievable opportunity, which we're grabbing with both hands and 712 00:33:48,800 --> 00:33:49,280 Speaker 3: both feet. 713 00:33:49,320 --> 00:33:49,760 Speaker 1: I'd say. 714 00:33:49,880 --> 00:33:52,680 Speaker 3: A guy called Nick messaged us and said that his 715 00:33:52,760 --> 00:33:56,520 Speaker 3: girlfriend has recently gone for a job interview with flight Center. 716 00:33:56,800 --> 00:33:59,440 Speaker 1: Yeah, we were allowed to say flight center there, not sure, 717 00:33:59,480 --> 00:34:00,960 Speaker 1: but you said it. We've said it now had a 718 00:34:01,040 --> 00:34:03,240 Speaker 1: job with flight Center. Now, we were talking about the 719 00:34:03,280 --> 00:34:04,120 Speaker 1: weird brain. 720 00:34:03,960 --> 00:34:06,400 Speaker 3: Teaser questions that you used to get in job interviews. 721 00:34:06,840 --> 00:34:08,719 Speaker 3: So we've had a fruit what would you be? 722 00:34:08,800 --> 00:34:11,880 Speaker 2: And they're just annoying hypotheticals that you have to answer 723 00:34:12,200 --> 00:34:13,080 Speaker 2: because you want the job. 724 00:34:13,280 --> 00:34:16,919 Speaker 3: Yes, So we have got Nicholas's girlfriend's number. Her name 725 00:34:17,000 --> 00:34:19,680 Speaker 3: is Helen, and what we're going to do now is 726 00:34:19,680 --> 00:34:24,359 Speaker 3: we're going to call her saying that we're hr from 727 00:34:24,800 --> 00:34:27,879 Speaker 3: this is flight Center or we're just following out, we're 728 00:34:27,880 --> 00:34:30,239 Speaker 3: following up on a job interview, and then we're just 729 00:34:30,280 --> 00:34:34,319 Speaker 3: going to throw the weirdest questions at her because she 730 00:34:34,400 --> 00:34:36,319 Speaker 3: will do because she wants to. 731 00:34:36,560 --> 00:34:36,960 Speaker 10: She to. 732 00:34:37,160 --> 00:34:39,200 Speaker 2: This can get as strange as it needs to. I'm 733 00:34:39,200 --> 00:34:40,919 Speaker 2: going to leave this in your hands. Given that you're 734 00:34:41,000 --> 00:34:42,000 Speaker 2: the stranger. 735 00:34:42,160 --> 00:34:43,120 Speaker 1: I'm gonna I gotta go. 736 00:34:43,520 --> 00:34:47,040 Speaker 3: I'll go as Kevin, Kevin Peterson or Kevin Patterson maybe 737 00:34:47,200 --> 00:34:48,440 Speaker 3: from Flight Center Beautiful. 738 00:34:48,520 --> 00:34:51,239 Speaker 1: Yeah great, Hi Hi Helen, Kevin. Yeah great. All right, 739 00:34:51,280 --> 00:34:55,719 Speaker 1: we've got the number hill. All right, we're gonna call 740 00:34:55,760 --> 00:35:06,279 Speaker 1: Helen right now. Here we go. Hello, Hi, there is 741 00:35:06,280 --> 00:35:10,080 Speaker 1: that Helen speaking. Yes, Hi Helen. My name is Kevin 742 00:35:10,080 --> 00:35:14,800 Speaker 1: Patterson and I'm calling from Flight Center. Oh yes, yeah, 743 00:35:14,880 --> 00:35:17,200 Speaker 1: I'm just on my lunch break. Sorry. Oh that's okay. 744 00:35:17,200 --> 00:35:19,799 Speaker 1: Do you have a minute to talk Helen? Yes, yes 745 00:35:19,840 --> 00:35:23,400 Speaker 1: I do. Excellent, look on from HR here at Flight Center. 746 00:35:23,640 --> 00:35:26,600 Speaker 3: And just to follow up from your phone interview yesterday, 747 00:35:26,800 --> 00:35:28,880 Speaker 3: I've just got some personality based. 748 00:35:28,719 --> 00:35:31,640 Speaker 1: Questions that I want to ask you. Sure. Yes, These 749 00:35:31,640 --> 00:35:33,520 Speaker 1: basically is to test out your lateral thinking. 750 00:35:34,480 --> 00:35:36,680 Speaker 3: Okay, yes, so they might seem a little bit old, 751 00:35:37,280 --> 00:35:38,840 Speaker 3: but it's just sort of like thinking outside the. 752 00:35:38,840 --> 00:35:40,640 Speaker 1: Box sort of stuff. Helen. Yep. 753 00:35:40,800 --> 00:35:43,440 Speaker 3: Sure, And there's no wrong answer here, so you know, 754 00:35:43,800 --> 00:35:44,920 Speaker 3: just just go with your gut. 755 00:35:45,600 --> 00:35:47,680 Speaker 1: All right. Then, okay, first. 756 00:35:47,560 --> 00:35:49,960 Speaker 3: Question, Helen, don't think too much, but think of an animal. Now, 757 00:35:50,000 --> 00:35:51,000 Speaker 3: go name an animal. 758 00:35:52,400 --> 00:35:52,640 Speaker 1: Cat. 759 00:35:52,920 --> 00:35:59,560 Speaker 3: Okat, Okay, make the noise of a cat. Yell my turn, Helen, 760 00:35:59,640 --> 00:35:59,960 Speaker 3: you listen. 761 00:36:00,840 --> 00:36:02,319 Speaker 5: Yeah, you just have to try and think of what 762 00:36:02,360 --> 00:36:11,120 Speaker 5: animal I am all right, ah ah. 763 00:36:13,680 --> 00:36:15,000 Speaker 1: You want to have a girl with that one, Helen? 764 00:36:16,120 --> 00:36:17,200 Speaker 4: Well, a bird? 765 00:36:19,320 --> 00:36:20,040 Speaker 1: More specific? 766 00:36:20,719 --> 00:36:21,960 Speaker 4: Oh, a parrot? 767 00:36:24,320 --> 00:36:25,200 Speaker 9: Yeah, like a parrot. 768 00:36:25,280 --> 00:36:29,080 Speaker 1: I suppose, Oh you're wrong. Actually it was an albatross. 769 00:36:29,719 --> 00:36:32,200 Speaker 1: An albatross Okay, I can't say her one of those. 770 00:36:32,400 --> 00:36:36,360 Speaker 3: Okay, Okay, Now, can you just make a noise for me? 771 00:36:36,400 --> 00:36:38,920 Speaker 3: Now that would define confusion if you couldn't use your 772 00:36:38,920 --> 00:36:42,160 Speaker 3: words and you had to create the feeling of confusion. 773 00:36:43,200 --> 00:36:47,600 Speaker 1: Could you make a note for me, Yeah, to define. 774 00:36:47,160 --> 00:36:51,840 Speaker 9: That like an e can of sound. 775 00:36:52,520 --> 00:36:54,759 Speaker 1: So one more time, I'm just trying to write these 776 00:36:54,760 --> 00:37:01,080 Speaker 1: answers down. Just okay, y, that's really good, Helen. That 777 00:37:01,320 --> 00:37:02,320 Speaker 1: was very confusing. 778 00:37:02,560 --> 00:37:04,200 Speaker 3: Okay, and this is the last one, so I know 779 00:37:04,239 --> 00:37:06,920 Speaker 3: you're just on your on your break there, Helen. It's 780 00:37:06,960 --> 00:37:11,040 Speaker 3: just a really quick improv game. So I'm just going 781 00:37:11,120 --> 00:37:13,319 Speaker 3: to give us two characters. So you and you and 782 00:37:13,360 --> 00:37:17,160 Speaker 3: I were husband and wife who have just divorced, okay, 783 00:37:17,239 --> 00:37:18,919 Speaker 3: and we're having we're having a bit of a fight, 784 00:37:19,400 --> 00:37:22,400 Speaker 3: and you basically want the microwave back, but I'm keeping 785 00:37:22,440 --> 00:37:23,080 Speaker 3: the microwaves. 786 00:37:23,120 --> 00:37:26,560 Speaker 1: So three two one, we're in the scene. Oh hi Helen, 787 00:37:27,880 --> 00:37:31,480 Speaker 1: Oh hi, hello are you? I'm good? Thanks? What do 788 00:37:31,520 --> 00:37:34,239 Speaker 1: you want my microwave back? 789 00:37:38,320 --> 00:37:38,640 Speaker 4: Well? 790 00:37:39,080 --> 00:37:40,680 Speaker 1: I wait hard for the microwave. 791 00:37:40,760 --> 00:37:44,560 Speaker 3: So you're back, please, Well bloody bought the thing, Helen, 792 00:37:44,560 --> 00:37:46,239 Speaker 3: And you know I love my Lene Cuisines. 793 00:37:46,640 --> 00:37:57,719 Speaker 1: You're bitch, okay, all right, then buy me another microwave. 794 00:37:57,800 --> 00:38:12,480 Speaker 1: Then I'm sorry you are? You are a That was so. 795 00:38:14,760 --> 00:38:17,640 Speaker 2: Your boyfriend told us we're talking at the radio the 796 00:38:17,640 --> 00:38:19,400 Speaker 2: other day. He said, you're going for a job flights 797 00:38:19,400 --> 00:38:22,080 Speaker 2: and we were talking about tricky questions in job interviews yesterday. 798 00:38:22,080 --> 00:38:23,879 Speaker 2: So we thought we'd see how far we could take 799 00:38:23,880 --> 00:38:25,760 Speaker 2: it with you, Yeah. 800 00:38:26,960 --> 00:38:33,800 Speaker 1: To know whether they like bring it up or not. Helen, 801 00:38:33,800 --> 00:38:35,080 Speaker 1: you're such a legend. That was fun. 802 00:38:35,160 --> 00:38:37,160 Speaker 2: Oh my god, if you need a couple of references, 803 00:38:37,160 --> 00:38:38,040 Speaker 2: we'd love to help out. 804 00:38:38,080 --> 00:38:41,319 Speaker 1: You're a star there. So thank you, thanks for coming 805 00:38:41,360 --> 00:38:44,400 Speaker 1: on the show mate. That was great, fantastic, Thank you, 806 00:38:44,440 --> 00:38:47,160 Speaker 1: thanks mate. Oh my god, that was just wonderful. 807 00:38:48,000 --> 00:38:50,719 Speaker 2: You know what, I think everybody else should be able 808 00:38:50,760 --> 00:38:55,920 Speaker 2: to rejoice in this if potentially, if you know anybody 809 00:38:55,920 --> 00:38:58,759 Speaker 2: else that's going for a job into interview at the moment. 810 00:38:58,640 --> 00:39:02,120 Speaker 3: Whether it's a good friend, brother, sister, your partner again, 811 00:39:02,200 --> 00:39:03,399 Speaker 3: your wife, but. 812 00:39:03,400 --> 00:39:04,440 Speaker 1: Maybe they've just had it. 813 00:39:04,520 --> 00:39:07,440 Speaker 2: Maybe it's around the corner, but that that needs to 814 00:39:07,480 --> 00:39:08,000 Speaker 2: happen again. 815 00:39:08,120 --> 00:39:10,239 Speaker 1: So please get in contact with us. You can use 816 00:39:10,280 --> 00:39:12,839 Speaker 1: your car a bitch about it was. 817 00:39:12,800 --> 00:39:17,440 Speaker 3: Improv mate, it was just messages Instagram, Facebook, Will and 818 00:39:17,480 --> 00:39:19,879 Speaker 3: Woody or you can call now thirteen one oh sixty 819 00:39:19,960 --> 00:39:21,760 Speaker 3: five and just give its details. 820 00:39:22,239 --> 00:39:26,319 Speaker 1: We can all have fun again. You know, I love 821 00:39:26,400 --> 00:39:27,360 Speaker 1: my cuisines. 822 00:39:28,840 --> 00:39:32,640 Speaker 2: What's the most devastating moment of the movie, Austin Powers. 823 00:39:33,239 --> 00:39:36,160 Speaker 1: Oh, excellent question. I'd say it's when Vanessa's a fembo. 824 00:39:36,280 --> 00:39:37,680 Speaker 1: You find out Vanessa, I. 825 00:39:37,560 --> 00:39:41,919 Speaker 10: Can't believe Vanessa, my bride, my one true. 826 00:39:41,680 --> 00:39:44,919 Speaker 1: Love, the woman who taught me the beauty of monogamy, 827 00:39:45,280 --> 00:39:46,040 Speaker 1: was a fembot. 828 00:39:47,360 --> 00:39:48,759 Speaker 9: Long do you tick? 829 00:39:49,520 --> 00:39:51,000 Speaker 1: That means I'm single again? 830 00:39:51,640 --> 00:39:51,759 Speaker 2: Oh? 831 00:39:52,000 --> 00:39:56,440 Speaker 1: Be hey, it's great stuff. Oh that good movie. Now 832 00:39:56,520 --> 00:39:59,799 Speaker 1: what if that was a reality? Whoa finding out your 833 00:39:59,800 --> 00:40:00,800 Speaker 1: part as a fembot? 834 00:40:00,960 --> 00:40:04,680 Speaker 2: So there's a company in Canada who, on a side 835 00:40:04,719 --> 00:40:10,360 Speaker 2: note for a good cause, are actually promoting brothels creating 836 00:40:10,360 --> 00:40:19,920 Speaker 2: brothels to reduce human sex slaves, creating brothels which are robots, 837 00:40:20,400 --> 00:40:25,759 Speaker 2: robotic robotic prostitutes. Yeah yeah, yeah, which means that that 838 00:40:25,800 --> 00:40:28,440 Speaker 2: will hopefully phase out sex slaves because. 839 00:40:28,239 --> 00:40:30,480 Speaker 3: Provides the supply in the market. Like they're saying, with 840 00:40:30,600 --> 00:40:33,000 Speaker 3: three D printing rhinoceros's horns. 841 00:40:32,719 --> 00:40:33,719 Speaker 1: That's right, that's right. 842 00:40:33,800 --> 00:40:36,040 Speaker 2: They flood the market with these replicas that are too 843 00:40:36,080 --> 00:40:36,800 Speaker 2: good to be true. 844 00:40:37,440 --> 00:40:37,880 Speaker 1: Interesting. 845 00:40:38,000 --> 00:40:42,120 Speaker 2: Yeah, So if anyone's seen the TV show Westworld, you'll 846 00:40:42,160 --> 00:40:46,880 Speaker 2: know what I'm talking about, where it's they're obviously actors 847 00:40:47,520 --> 00:40:49,520 Speaker 2: looking like robots, but the idea is that you can't 848 00:40:49,520 --> 00:40:50,160 Speaker 2: tell the difference. 849 00:40:50,200 --> 00:40:51,719 Speaker 1: So people pay top dollar. 850 00:40:52,840 --> 00:40:55,200 Speaker 2: To basically do what they want with these other people. 851 00:40:55,320 --> 00:40:56,920 Speaker 1: Terrifying. It's terrifying stuff. 852 00:40:57,200 --> 00:40:59,680 Speaker 2: Now, I really want to know, and this is a 853 00:40:59,760 --> 00:41:07,040 Speaker 2: question for you. Do you think that if you if 854 00:41:07,040 --> 00:41:08,160 Speaker 2: you hook up with a robot? 855 00:41:08,680 --> 00:41:10,799 Speaker 3: Yeah, so sorry, I've done it. Now, this isn't a question. 856 00:41:12,239 --> 00:41:14,160 Speaker 3: You said it hypothetical. You just said you've hooked up 857 00:41:14,160 --> 00:41:14,640 Speaker 3: at a robot. 858 00:41:14,719 --> 00:41:17,680 Speaker 2: So no, no, I'm asking you. I'm asking you, and 859 00:41:17,719 --> 00:41:20,960 Speaker 2: I'm asking everybody else. Thirty one and six five do 860 00:41:21,000 --> 00:41:23,680 Speaker 2: you think that if you had sex with a robot, 861 00:41:23,920 --> 00:41:25,360 Speaker 2: it would count as cheating. 862 00:41:27,000 --> 00:41:30,360 Speaker 8: Whoa. 863 00:41:34,440 --> 00:41:36,600 Speaker 2: And I'm throwing this out to everyone. I mean, I 864 00:41:36,600 --> 00:41:38,400 Speaker 2: haven't seen the show West World. You don't have to 865 00:41:38,440 --> 00:41:40,600 Speaker 2: see it. Just this is the hypothetical right now. So 866 00:41:40,680 --> 00:41:43,480 Speaker 2: let's say you find out that your yeah, yeah, your 867 00:41:43,520 --> 00:41:45,879 Speaker 2: part your girlfriend or because i mean, I'm sure there's 868 00:41:45,880 --> 00:41:47,839 Speaker 2: going to be male robots as much as there are 869 00:41:47,840 --> 00:41:50,360 Speaker 2: going to be female robots in this robotic brothel. 870 00:41:50,440 --> 00:41:52,520 Speaker 1: Sure they look well, this is the question. 871 00:41:52,560 --> 00:41:54,400 Speaker 2: So thirty one and six five, if it's your partner 872 00:41:54,400 --> 00:41:56,400 Speaker 2: that goes in there, you find out they spend a 873 00:41:56,480 --> 00:42:00,520 Speaker 2: night at the robotic brothel, they've paid their however much 874 00:42:00,520 --> 00:42:03,520 Speaker 2: it is, would you consider that as cheating? 875 00:42:03,920 --> 00:42:05,839 Speaker 3: And so it looks a lot like a human, though 876 00:42:05,920 --> 00:42:07,279 Speaker 3: it's pretty much exactly a human. 877 00:42:07,320 --> 00:42:09,080 Speaker 1: It looks okay, so I'm going to show you what 878 00:42:09,080 --> 00:42:12,879 Speaker 1: they look like. Yes, yes, okay, let's just hypothetical. 879 00:42:12,920 --> 00:42:15,120 Speaker 2: It looks for the sake of people in cars as well, 880 00:42:15,239 --> 00:42:17,960 Speaker 2: let's say it's look it looks very human. 881 00:42:19,120 --> 00:42:20,280 Speaker 1: It looks very human. 882 00:42:20,360 --> 00:42:21,799 Speaker 3: I always had to put the shoe on the other 883 00:42:21,840 --> 00:42:25,160 Speaker 3: foot in these scenarios. And if Courtney came home to 884 00:42:25,280 --> 00:42:28,359 Speaker 3: me and said, Wood, you've got something to tell you. 885 00:42:32,400 --> 00:42:37,239 Speaker 1: I just slept. I just slept with Gary. Gary. You 886 00:42:37,239 --> 00:42:39,800 Speaker 1: can come forward now, don't before you get angry? Sorry, 887 00:42:39,840 --> 00:42:47,480 Speaker 1: would he? But Gary's a robot and she turns him off. 888 00:42:47,480 --> 00:42:49,160 Speaker 2: You know, Gary comes out in the living room and 889 00:42:49,200 --> 00:42:51,960 Speaker 2: you go shut up Gary, and she turns him off. 890 00:42:52,000 --> 00:42:55,680 Speaker 2: You know, Look, you can come and touch him. Gary's 891 00:42:55,719 --> 00:42:56,880 Speaker 2: he might You know I'd. 892 00:42:56,760 --> 00:43:02,320 Speaker 3: Kick him in the nast I give him my emotional 893 00:43:02,360 --> 00:43:07,160 Speaker 3: reaction to I'm angry. Yep, she's cheated on, I think so. 894 00:43:07,239 --> 00:43:09,640 Speaker 1: But it's a robot. But it looks exactly like a human. 895 00:43:09,680 --> 00:43:12,719 Speaker 1: So she has enjoyed. She turns him off, stands down. 896 00:43:12,760 --> 00:43:15,080 Speaker 3: She has enjoyed an intimate moment with something that looks 897 00:43:15,080 --> 00:43:17,239 Speaker 3: exactly like a human, which in my eyes as cheating. 898 00:43:17,840 --> 00:43:19,960 Speaker 2: How much it looks like a human effects you, because 899 00:43:20,040 --> 00:43:21,400 Speaker 2: I'm going to go ahead and say that there are 900 00:43:21,400 --> 00:43:23,600 Speaker 2: a lot of men and women listening that have enjoyed 901 00:43:23,840 --> 00:43:26,600 Speaker 2: essential experiences with robotics that don't. 902 00:43:26,360 --> 00:43:29,960 Speaker 1: Look like humans. Sure, which is above fine, So where's 903 00:43:29,960 --> 00:43:32,120 Speaker 1: the line? The line is when it looks exactly like 904 00:43:32,160 --> 00:43:34,480 Speaker 1: a human. So how much like a human? 905 00:43:35,080 --> 00:43:38,200 Speaker 2: Well, I mean to the point if he comes in 906 00:43:38,239 --> 00:43:41,360 Speaker 2: and looks like cop Go for it. 907 00:43:43,200 --> 00:43:50,440 Speaker 1: I mean, I'll have a go with robot cup on, 908 00:43:50,520 --> 00:43:52,279 Speaker 1: robot cup, hold to your gun. Come on, come to 909 00:43:52,280 --> 00:43:55,320 Speaker 1: the bird dream. We're discussing something. We're just fascinating. 910 00:43:55,360 --> 00:43:58,520 Speaker 2: There's a there's a company in Canada which, as a 911 00:43:58,560 --> 00:44:02,799 Speaker 2: side note for a great cause, really more than a 912 00:44:02,840 --> 00:44:07,000 Speaker 2: side note, to be honest, looking at trying to flood 913 00:44:07,560 --> 00:44:12,320 Speaker 2: the prostitution market with robots so as to eliminate sex slaves. 914 00:44:12,960 --> 00:44:15,040 Speaker 1: So it's a really great way of going about solving 915 00:44:15,080 --> 00:44:16,160 Speaker 1: the incredible idea. 916 00:44:16,880 --> 00:44:20,640 Speaker 2: It does pose a whole bunch of ethical questions around 917 00:44:21,360 --> 00:44:22,760 Speaker 2: sleeping with a robot. 918 00:44:23,440 --> 00:44:25,280 Speaker 1: I mean, would you do it? That's the question. 919 00:44:26,920 --> 00:44:31,480 Speaker 2: And more importantly, or more interestingly, do you think that 920 00:44:31,560 --> 00:44:33,680 Speaker 2: if some obviously, if somebody goes in sleeps with another 921 00:44:33,760 --> 00:44:35,640 Speaker 2: human that's I think we can all agree it's cheating. 922 00:44:35,680 --> 00:44:40,359 Speaker 2: If you're in a relationship, do you think if your partner. 923 00:44:40,000 --> 00:44:42,280 Speaker 1: Had sex with a robot that you would consider it cheating? 924 00:44:42,600 --> 00:44:44,600 Speaker 1: It's interesting. Thirteen one oh sixty five's out of number. 925 00:44:44,600 --> 00:44:51,359 Speaker 3: We've got an anonymous call here, Anonymous, Hi, Hello, do 926 00:44:51,400 --> 00:44:52,320 Speaker 3: you think it's cheating? 927 00:44:53,520 --> 00:44:55,560 Speaker 4: I don't think it's cheating at all. 928 00:44:55,680 --> 00:44:56,759 Speaker 7: I used to work in the. 929 00:44:56,719 --> 00:44:59,719 Speaker 4: Sex industry a couple of years ago, and now I'm 930 00:45:00,160 --> 00:45:03,239 Speaker 4: in a month and I just think that it's not 931 00:45:03,360 --> 00:45:04,600 Speaker 4: cheating if you pay for it. 932 00:45:05,880 --> 00:45:09,759 Speaker 3: You're saying, you're saying in general, in general, And did 933 00:45:09,840 --> 00:45:12,080 Speaker 3: you find in your experience though, that you had a 934 00:45:12,080 --> 00:45:15,160 Speaker 3: lot of people who were in relationships. 935 00:45:14,520 --> 00:45:17,840 Speaker 4: Paying yes, totally like you. You would meet happily married 936 00:45:17,880 --> 00:45:20,360 Speaker 4: guys that they just don't get that from their wives, 937 00:45:20,360 --> 00:45:22,400 Speaker 4: so they come get it there and it kind of 938 00:45:22,400 --> 00:45:23,040 Speaker 4: studs their. 939 00:45:22,920 --> 00:45:23,799 Speaker 1: Marriage in the end. 940 00:45:24,000 --> 00:45:28,799 Speaker 2: Okay, thranks of the call mate save their marriage. That 941 00:45:28,920 --> 00:45:31,040 Speaker 2: is a whole nother kettle of fish. 942 00:45:31,080 --> 00:45:32,600 Speaker 1: But interesting she. 943 00:45:32,600 --> 00:45:35,040 Speaker 3: Would before it though, so she's said it's not cheating's 944 00:45:35,080 --> 00:45:35,480 Speaker 3: not cheating. 945 00:45:35,560 --> 00:45:38,719 Speaker 2: You said before or previously that it depends on and 946 00:45:38,719 --> 00:45:41,560 Speaker 2: this is like the TV show West World. But these robots, 947 00:45:41,600 --> 00:45:45,839 Speaker 2: they're pitching and saying they're incredibly human, like you've said that. 948 00:45:45,880 --> 00:45:50,000 Speaker 2: The that the the crux of all of this is 949 00:45:50,080 --> 00:45:53,799 Speaker 2: how human the robot actually is. Because if we've said 950 00:45:53,840 --> 00:45:57,000 Speaker 2: before it was a RoboCop that came in, you'd have it. 951 00:45:57,040 --> 00:45:57,759 Speaker 1: You'd have a go to. 952 00:45:57,840 --> 00:45:59,520 Speaker 3: Get me in there, all three of us good fun. 953 00:45:59,760 --> 00:46:01,840 Speaker 3: If someone who looks exactly like a human. 954 00:46:02,040 --> 00:46:05,120 Speaker 1: No, it's too much. That's cheating. And what I just 955 00:46:05,280 --> 00:46:06,840 Speaker 1: and what about how hot? What about how hot the 956 00:46:06,880 --> 00:46:09,640 Speaker 1: person is, how hot the robot is? If it's a 957 00:46:09,640 --> 00:46:10,320 Speaker 1: soft four. 958 00:46:10,880 --> 00:46:13,160 Speaker 2: If Courtney brings up a soft four robot and you know, 959 00:46:13,480 --> 00:46:14,640 Speaker 2: tiny pair, how are you like. 960 00:46:14,640 --> 00:46:18,000 Speaker 1: Mate, Well, don't know yourself out. Don't you feel even worse? 961 00:46:18,080 --> 00:46:20,040 Speaker 1: I'm like, you're going for the soft fool she brings 962 00:46:20,400 --> 00:46:20,759 Speaker 1: over me? 963 00:46:21,840 --> 00:46:24,160 Speaker 2: Yeah, yeah, great, okay, if she brings over the Matthew 964 00:46:24,200 --> 00:46:27,840 Speaker 2: McConaughey replica, I'd be more understandable, actually, and I'd probably 965 00:46:27,920 --> 00:46:31,760 Speaker 2: again like get me in there, Caitly. 966 00:46:31,920 --> 00:46:33,880 Speaker 1: Now, Caitlyn, what are your thoughts and. 967 00:46:33,880 --> 00:46:34,160 Speaker 10: All of this. 968 00:46:34,400 --> 00:46:37,000 Speaker 3: If your partner or if a partner was to sleep 969 00:46:37,000 --> 00:46:38,520 Speaker 3: with a robot, is it cheating? 970 00:46:39,360 --> 00:46:40,560 Speaker 8: No, not at. 971 00:46:40,400 --> 00:46:41,279 Speaker 7: All, Not at all. 972 00:46:42,200 --> 00:46:44,080 Speaker 1: It's a robot, but even. 973 00:46:44,239 --> 00:46:46,920 Speaker 5: Having an intimate moment with it, and if. 974 00:46:46,800 --> 00:46:49,920 Speaker 4: You are actually managed to have an intimate moment with it, 975 00:46:49,920 --> 00:46:53,120 Speaker 4: there's bigger issues at hand than if it's cheating, more 976 00:46:53,160 --> 00:46:55,680 Speaker 4: that you're having feelings for something. 977 00:46:56,360 --> 00:46:56,520 Speaker 6: Well. 978 00:46:56,520 --> 00:46:59,000 Speaker 2: I didn't want to go here, Caitlin, but I listened 979 00:46:59,080 --> 00:47:02,920 Speaker 2: to podcast recently with the Chair of Psychology at Yale 980 00:47:03,040 --> 00:47:04,719 Speaker 2: right discussing this after I. 981 00:47:04,600 --> 00:47:05,880 Speaker 1: Watched the show rest Well. I don't know if you've 982 00:47:05,920 --> 00:47:06,319 Speaker 1: seen it. 983 00:47:06,480 --> 00:47:08,440 Speaker 2: But he said that the big issue that's going to 984 00:47:08,440 --> 00:47:10,239 Speaker 2: be with robotics, and I don't know if you've seen 985 00:47:10,239 --> 00:47:13,080 Speaker 2: the movie Her or anything like that, is that even 986 00:47:13,200 --> 00:47:17,879 Speaker 2: if you intellectually know that something is a robot, you 987 00:47:18,000 --> 00:47:21,120 Speaker 2: cannot stop yourself if it looks and walks and talks 988 00:47:21,160 --> 00:47:24,760 Speaker 2: like a human from empathizing with it and having compassionate 989 00:47:24,920 --> 00:47:27,400 Speaker 2: human emotions for it. You cannot stop yourself. 990 00:47:27,480 --> 00:47:31,600 Speaker 4: I don't know out at the moment called Detroit that actually. 991 00:47:31,200 --> 00:47:34,120 Speaker 1: Touches on that whole. Yeah, right, great, do they develop 992 00:47:34,239 --> 00:47:36,600 Speaker 1: like empathy? And now same deal? 993 00:47:36,920 --> 00:47:38,040 Speaker 5: Like my partner, he was. 994 00:47:38,040 --> 00:47:39,520 Speaker 4: All like, how can you not feel for them? 995 00:47:39,520 --> 00:47:44,520 Speaker 1: I'm there a robot. Yes, I don't get it. 996 00:47:44,520 --> 00:47:47,760 Speaker 4: It's an inanimate object, like you're going to go proposed 997 00:47:47,760 --> 00:47:50,000 Speaker 4: to a church bell or like no, but. 998 00:47:49,960 --> 00:47:50,480 Speaker 1: It doesn't do. 999 00:47:52,200 --> 00:48:00,319 Speaker 2: If he's leaving with a church bell. 1000 00:48:00,440 --> 00:48:01,920 Speaker 1: Thank you so much. Interesting topic. 1001 00:48:02,000 --> 00:48:03,360 Speaker 2: I mean, it's that we're all going to have to 1002 00:48:03,400 --> 00:48:06,359 Speaker 2: deal with eventually when they're here. They're coming, They are 1003 00:48:06,440 --> 00:48:07,799 Speaker 2: going to be here the AI. 1004 00:48:07,719 --> 00:48:10,560 Speaker 1: Because the company that thinks of the robot looks exactly 1005 00:48:10,560 --> 00:48:10,920 Speaker 1: like a human. 1006 00:48:10,960 --> 00:48:13,279 Speaker 3: Will make a lot of money, oh, a lot of 1007 00:48:13,280 --> 00:48:14,840 Speaker 3: time and resources that are going to go into it. 1008 00:48:14,880 --> 00:48:17,960 Speaker 3: We just buy a friend, ah, I could just make 1009 00:48:18,120 --> 00:48:22,280 Speaker 3: me sleep with them, clone myself in robot form, you could, 1010 00:48:22,880 --> 00:48:25,720 Speaker 3: and then just send me to boring social events. 1011 00:48:26,000 --> 00:48:28,359 Speaker 1: But that the robot may and what would the other 1012 00:48:28,480 --> 00:48:30,080 Speaker 1: you do? Start home, play PlayStation. 1013 00:48:32,560 --> 00:48:34,760 Speaker 2: If you a big fan of looking at people hurting 1014 00:48:34,800 --> 00:48:36,839 Speaker 2: themselves on the Internet, you've got to go and check 1015 00:48:36,840 --> 00:48:38,719 Speaker 2: out the video on our Instagram, Will and Woody. It 1016 00:48:38,760 --> 00:48:41,000 Speaker 2: just involves Woody, a football and an elastic rope. I 1017 00:48:41,040 --> 00:48:44,600 Speaker 2: don't say much more than that. It's absolutely sensational though. 1018 00:48:44,800 --> 00:48:47,879 Speaker 2: If you miss the show, iHeartRadio. The podcast is there. 1019 00:48:47,920 --> 00:48:50,960 Speaker 2: It's for you to download the stream enjoy whatever you 1020 00:48:51,000 --> 00:48:51,560 Speaker 2: need to do with that. 1021 00:48:51,600 --> 00:48:54,400 Speaker 1: We will see at four o'clock. Goodbye. Did a Fresh 1022 00:48:54,440 --> 00:48:56,360 Speaker 1: Way to drives Home with Will and Woody