1 00:00:00,280 --> 00:00:02,400 Speaker 1: The Block is on Sunday night, seven a Block on 2 00:00:02,480 --> 00:00:04,960 Speaker 1: Channel nine. We're going to catch seven Block, seven a Block. 3 00:00:04,960 --> 00:00:07,080 Speaker 2: I certainly that's the show. And he's a full bottle 4 00:00:07,120 --> 00:00:09,320 Speaker 2: on everything from food to homes. The Man with Great 5 00:00:09,320 --> 00:00:11,880 Speaker 2: Style on Neil Whittaker, good morning, Good morning, Neil. 6 00:00:11,760 --> 00:00:14,320 Speaker 3: Good morning, guys, good morning, Thank you for having me. 7 00:00:14,640 --> 00:00:17,079 Speaker 4: Well, well, I mean, it's gone so quickly. 8 00:00:17,200 --> 00:00:19,680 Speaker 5: I can't believe everyone last night was saying, well, we're 9 00:00:19,720 --> 00:00:22,840 Speaker 5: sort of almost halfway there. Almost halfway there, Sharon and 10 00:00:22,920 --> 00:00:26,120 Speaker 5: Ankor this has been the big story this week. They 11 00:00:26,200 --> 00:00:28,640 Speaker 5: really are struggling with a whole host of issues from 12 00:00:28,640 --> 00:00:31,480 Speaker 5: their builder, especially fiction with their builder. They left last 13 00:00:31,520 --> 00:00:33,200 Speaker 5: night to have a bit of a call down. Now, 14 00:00:33,479 --> 00:00:37,600 Speaker 5: considering that you just see their end results each week 15 00:00:37,760 --> 00:00:41,479 Speaker 5: and they're getting really good feedback on their rooms, are 16 00:00:41,479 --> 00:00:45,360 Speaker 5: you surprised at what's going on during the week as they, 17 00:00:45,560 --> 00:00:48,000 Speaker 5: you know, get the room wreck look. 18 00:00:48,040 --> 00:00:50,320 Speaker 3: I mean, to be very honest with you, the three 19 00:00:50,360 --> 00:00:53,680 Speaker 3: of us judges are often surprised by what goes on 20 00:00:53,880 --> 00:00:56,160 Speaker 3: just week because we are in a bit of a vacuum. 21 00:00:56,200 --> 00:00:59,200 Speaker 3: We don't know, we know very little about what goes 22 00:00:59,240 --> 00:01:01,840 Speaker 3: on during the week. I mean, obviously, if something really 23 00:01:01,960 --> 00:01:05,160 Speaker 3: major happens, you know, like someone God forbid has has 24 00:01:05,200 --> 00:01:08,080 Speaker 3: a bad accident or something, then yet that we would know. 25 00:01:09,200 --> 00:01:13,039 Speaker 3: But otherwise we're very much in the dark about what 26 00:01:13,240 --> 00:01:15,880 Speaker 3: goes on during the week. And that's deliberate because obviously, 27 00:01:16,280 --> 00:01:18,640 Speaker 3: you know, the progencers of the show don't want our 28 00:01:18,760 --> 00:01:22,280 Speaker 3: judgment to be swayed in any or prejudiced in any 29 00:01:22,280 --> 00:01:25,920 Speaker 3: way by what's going on. But you know, sometimes you 30 00:01:25,959 --> 00:01:29,280 Speaker 3: can read the panic in a room. You know, you 31 00:01:29,319 --> 00:01:32,440 Speaker 3: can almost tell. It's like it's you know, it's like 32 00:01:32,480 --> 00:01:36,400 Speaker 3: that old expression, you know, walls can talk, and sometimes 33 00:01:36,440 --> 00:01:38,560 Speaker 3: you can you can sense the panic, or you can 34 00:01:38,640 --> 00:01:41,280 Speaker 3: sense the anxiety in a room by the way it's 35 00:01:41,319 --> 00:01:44,200 Speaker 3: been delivered. But I must admit, you know, I've been 36 00:01:44,240 --> 00:01:47,800 Speaker 3: surprised this week watching the show myself at the strife 37 00:01:47,800 --> 00:01:49,440 Speaker 3: that Sharon and Ankor are in. 38 00:01:50,000 --> 00:01:52,360 Speaker 5: When you say you can read the room, sometimes, does 39 00:01:52,400 --> 00:01:54,640 Speaker 5: that also apply to things like there was a classic 40 00:01:54,720 --> 00:01:58,400 Speaker 5: example last weekend when I can't remember which couple. 41 00:01:58,440 --> 00:01:59,280 Speaker 4: It was a lovely couple. 42 00:01:59,320 --> 00:02:02,760 Speaker 5: They just wanted to just sand back that little bit 43 00:02:02,800 --> 00:02:04,920 Speaker 5: on top of their fireplace at the last second, and 44 00:02:04,920 --> 00:02:05,360 Speaker 5: of course it. 45 00:02:05,480 --> 00:02:07,600 Speaker 4: Just old bits of it started falling off. 46 00:02:07,640 --> 00:02:08,840 Speaker 1: Can you problem? 47 00:02:08,960 --> 00:02:10,480 Speaker 4: Can you read what happened there? 48 00:02:10,480 --> 00:02:12,400 Speaker 5: Can you look at that and think I know what 49 00:02:12,480 --> 00:02:14,080 Speaker 5: they did and I know what happened? 50 00:02:15,520 --> 00:02:18,360 Speaker 3: Yes in answers, yeah, I mean pretty much. Yes, you can. 51 00:02:18,600 --> 00:02:20,880 Speaker 3: You can. I mean it is, it is. It is 52 00:02:20,880 --> 00:02:23,600 Speaker 3: the little sort of unfinished details that you can read. 53 00:02:23,760 --> 00:02:26,560 Speaker 3: And you know that. Occasionally you walk into a room 54 00:02:26,600 --> 00:02:29,160 Speaker 3: and it's just perfect and just so finished, and there's 55 00:02:29,160 --> 00:02:32,720 Speaker 3: almost a sense of calm in there. But more often 56 00:02:32,800 --> 00:02:37,440 Speaker 3: than not, you can read the sort of level of pang. Yeah, 57 00:02:37,440 --> 00:02:40,000 Speaker 3: it's probably gone into it because we know that, you know, 58 00:02:40,080 --> 00:02:43,919 Speaker 3: tool down was literally only an hour or so before 59 00:02:43,960 --> 00:02:47,000 Speaker 3: we go in and start judging, right, it's all very fresh. 60 00:02:47,320 --> 00:02:49,359 Speaker 3: It's not unusual for us to walk into a room 61 00:02:49,400 --> 00:02:51,840 Speaker 3: and the paint still wet. Now, that's that's quite normal. 62 00:02:51,919 --> 00:02:53,200 Speaker 2: You can smell like, I mean, we know how it 63 00:02:53,200 --> 00:02:55,639 Speaker 2: works them. Before these multimillion dollar properties are sold on 64 00:02:55,680 --> 00:02:57,960 Speaker 2: the block, they do get the little bits and pieces 65 00:02:57,960 --> 00:02:59,359 Speaker 2: are fixed up, but that's not the point. It has 66 00:02:59,360 --> 00:03:01,160 Speaker 2: to be done in the timeframe, and so it is 67 00:03:01,200 --> 00:03:02,440 Speaker 2: a lot of pressure for them, isn't. 68 00:03:02,240 --> 00:03:02,560 Speaker 1: It, Neil. 69 00:03:03,240 --> 00:03:05,959 Speaker 3: It's a huge amount of pressure, and you know, it's 70 00:03:06,000 --> 00:03:08,440 Speaker 3: fair to say that the pressure this year would have 71 00:03:08,440 --> 00:03:11,560 Speaker 3: been greater than ever before because these are such enormous properties. 72 00:03:11,960 --> 00:03:14,239 Speaker 3: They're enormous properties, and at the back of their minds 73 00:03:14,280 --> 00:03:18,320 Speaker 3: also the contestants are worrying about saving money for the landscaping. 74 00:03:18,360 --> 00:03:21,080 Speaker 3: So even though they've got a budget each week to 75 00:03:21,120 --> 00:03:23,920 Speaker 3: do the rooms, they're not getting a separate budget on 76 00:03:23,960 --> 00:03:25,800 Speaker 3: top of that for the landscaping. So you know, what 77 00:03:25,800 --> 00:03:28,639 Speaker 3: they're going to do with their landscaping really depends entirely 78 00:03:29,000 --> 00:03:31,760 Speaker 3: on how much they've managed to save during the twelve 79 00:03:31,760 --> 00:03:32,720 Speaker 3: weeks of the competition. 80 00:03:33,160 --> 00:03:37,040 Speaker 5: Now, I understand you're currently building something in the beautiful 81 00:03:37,280 --> 00:03:40,440 Speaker 5: southern New Southwest town of Bury. Have you ever sort 82 00:03:40,480 --> 00:03:42,800 Speaker 5: of looked around the rooms and thought, oh, might check 83 00:03:42,840 --> 00:03:44,240 Speaker 5: that idea so I steal that one? 84 00:03:46,080 --> 00:03:49,400 Speaker 3: Oh look? Over the years, definitely, yes, I mean, you know, 85 00:03:49,520 --> 00:03:52,120 Speaker 3: there's nothing I mean, I think I've said it on 86 00:03:52,200 --> 00:03:54,200 Speaker 3: air actually on the show a few times. You know, 87 00:03:54,200 --> 00:03:57,200 Speaker 3: there's nothing better than walking into one of those rooms 88 00:03:57,480 --> 00:04:00,200 Speaker 3: and saying to you know, thinking to myself, my odd, 89 00:04:00,560 --> 00:04:04,040 Speaker 3: I'd like that in my own home. Yeah, yeah, it does, 90 00:04:04,440 --> 00:04:06,440 Speaker 3: it does happen. But hey, what I'm building here in 91 00:04:06,520 --> 00:04:12,160 Speaker 3: berry is minuscule to what those guys are doing. It's 92 00:04:12,160 --> 00:04:14,360 Speaker 3: like a shed, you know, a little shed compared to 93 00:04:14,400 --> 00:04:15,080 Speaker 3: what they're doing. 94 00:04:15,720 --> 00:04:19,120 Speaker 2: Neil, Neil, there are lots of cameras around, so don't 95 00:04:19,120 --> 00:04:21,599 Speaker 2: try and make any boxes of the KitKat Charles for 96 00:04:21,640 --> 00:04:25,920 Speaker 2: the bathroom hate. I am fascinated by when the three 97 00:04:25,960 --> 00:04:27,960 Speaker 2: of you walking to judge a bathroom or a room 98 00:04:28,040 --> 00:04:29,920 Speaker 2: or whatever it might be. Do you sometimes you know, 99 00:04:30,160 --> 00:04:31,640 Speaker 2: as a you have to be a critic, and you 100 00:04:31,720 --> 00:04:33,800 Speaker 2: have to be critical. Sometimes you sometimes influenced by the 101 00:04:33,800 --> 00:04:35,880 Speaker 2: mood you're in. You have to put that aside. 102 00:04:36,680 --> 00:04:38,880 Speaker 3: Oh no, you have to put that absolutely that. You 103 00:04:39,000 --> 00:04:41,880 Speaker 3: definitely have to put your your mood aside. And I 104 00:04:41,920 --> 00:04:44,800 Speaker 3: find that you well, for me, it's very important to 105 00:04:44,800 --> 00:04:47,440 Speaker 3: put my own taste aside as well, which might sound 106 00:04:47,440 --> 00:04:49,200 Speaker 3: like an odd theme to a lot of people listening, 107 00:04:49,480 --> 00:04:51,279 Speaker 3: but I think the number one rule of being a 108 00:04:51,360 --> 00:04:54,120 Speaker 3: judge is that you have to see the room that's 109 00:04:54,160 --> 00:04:57,560 Speaker 3: presented to you in the context of of of what 110 00:04:57,600 --> 00:05:00,320 Speaker 3: the property is and who the market likely to be. 111 00:05:00,760 --> 00:05:03,080 Speaker 3: You know, you can't allow you I mean that. I 112 00:05:03,080 --> 00:05:04,839 Speaker 3: guess that's the lesson I learned in all my many 113 00:05:04,880 --> 00:05:07,960 Speaker 3: years as a magazine editor. You know, you can't allow 114 00:05:08,000 --> 00:05:12,120 Speaker 3: your own taste to judge, to cloud your judgment. You 115 00:05:12,200 --> 00:05:14,400 Speaker 3: have to see the room for what it is and 116 00:05:14,480 --> 00:05:17,599 Speaker 3: judge whether it is a good example of the style 117 00:05:17,680 --> 00:05:18,919 Speaker 3: that's being presented to you. 118 00:05:19,279 --> 00:05:22,920 Speaker 5: And I expect that that also applies to the contestants. 119 00:05:23,279 --> 00:05:25,960 Speaker 5: They've got to try to step back and think about 120 00:05:26,000 --> 00:05:27,000 Speaker 5: it that way as well. 121 00:05:27,560 --> 00:05:30,880 Speaker 3: Absolutely, they do. Absolutely. You know, one thing that is 122 00:05:30,920 --> 00:05:34,880 Speaker 3: always very difficult for the contestants is that they're not 123 00:05:35,360 --> 00:05:43,200 Speaker 3: designing for themselves necessarily. Yeah. I mean, you know, they've 124 00:05:43,240 --> 00:05:46,200 Speaker 3: got to think who the target market is, and often 125 00:05:46,240 --> 00:05:49,680 Speaker 3: the target market could be them. But you know, they 126 00:05:49,720 --> 00:05:54,920 Speaker 3: can't just go in there and design something for themselves. 127 00:05:54,760 --> 00:05:56,279 Speaker 3: It's a it's a balancing you know, it's a bit 128 00:05:56,320 --> 00:05:57,840 Speaker 3: of a tight rope that they walk. A bit of 129 00:05:57,880 --> 00:05:58,599 Speaker 3: a balancing act. 130 00:05:58,680 --> 00:06:00,159 Speaker 1: Of course, not every time I switch is on. 131 00:06:00,240 --> 00:06:02,360 Speaker 2: I see that boys are very likable omar and os, 132 00:06:02,440 --> 00:06:04,599 Speaker 2: but I always think, I keep thinking, it's like the 133 00:06:04,600 --> 00:06:07,240 Speaker 2: elephant in the room. This incredible advantage I've got with 134 00:06:07,240 --> 00:06:09,320 Speaker 2: that amazing kitchen coming up? Was it two hundred and fifty? 135 00:06:09,600 --> 00:06:09,720 Speaker 3: Oh? 136 00:06:09,760 --> 00:06:12,120 Speaker 4: I know, I can't wat they deal with that. 137 00:06:12,880 --> 00:06:17,000 Speaker 3: Yeah, Well, two hundred and fifty thousand dollars upgrade, upgrade 138 00:06:18,279 --> 00:06:22,599 Speaker 3: the two hundred and fifty thousand dollar kitchen. It's an upgrade. 139 00:06:22,320 --> 00:06:24,200 Speaker 3: Someone wouldn't we all like that? 140 00:06:24,279 --> 00:06:26,679 Speaker 1: What a bonus that is? Yeah, they know it's coming, 141 00:06:26,720 --> 00:06:28,120 Speaker 1: you know, no wonder they're so smiley. 142 00:06:29,640 --> 00:06:32,520 Speaker 5: Well, you know one thing that I really am enjoying this. 143 00:06:32,720 --> 00:06:34,320 Speaker 5: I'm loving what I'm saying they put out, and I'm 144 00:06:34,320 --> 00:06:37,760 Speaker 5: loving the colors that they're all using this year. Definitely, 145 00:06:38,640 --> 00:06:40,640 Speaker 5: they all seem to have a good grasp on that 146 00:06:40,760 --> 00:06:42,960 Speaker 5: area that they're in in massaging. 147 00:06:43,200 --> 00:06:45,120 Speaker 3: I think so. I think so too. I think they're 148 00:06:45,200 --> 00:06:47,839 Speaker 3: using some beautiful color palettes this year. I think they're 149 00:06:47,920 --> 00:06:51,039 Speaker 3: using some lovely materials palettes. And I think they're all 150 00:06:51,839 --> 00:06:54,320 Speaker 3: they're all interpreting country in a different way, which we 151 00:06:54,400 --> 00:06:56,600 Speaker 3: knew they would. It would be very dull if if 152 00:06:56,600 --> 00:07:00,160 Speaker 3: all five couples, you know, just interpreted country style in 153 00:07:00,200 --> 00:07:02,280 Speaker 3: the same way, because at the end of the day, 154 00:07:02,320 --> 00:07:06,000 Speaker 3: there is no such thing really as country style. You know, 155 00:07:06,080 --> 00:07:08,760 Speaker 3: country style means something different to all of us. But 156 00:07:09,240 --> 00:07:12,520 Speaker 3: I do think that they have taken into account how 157 00:07:12,880 --> 00:07:17,560 Speaker 3: just how beautiful the landscape is outside of their properties 158 00:07:17,640 --> 00:07:20,200 Speaker 3: and sometimes you just have to let that landscape speak 159 00:07:20,280 --> 00:07:22,840 Speaker 3: because that that is really, you know, what the houses 160 00:07:22,880 --> 00:07:24,840 Speaker 3: are all about. And I think you know, for the 161 00:07:24,840 --> 00:07:29,160 Speaker 3: most part, they're choosing color schemes that work beautifully with 162 00:07:29,280 --> 00:07:31,560 Speaker 3: what is going out and going on outside of the window. 163 00:07:31,760 --> 00:07:33,600 Speaker 1: Yeah, well that let's cape a lot better than Sharon 164 00:07:33,600 --> 00:07:37,160 Speaker 1: and clean up. Yes, there's a lot of mess. 165 00:07:38,720 --> 00:07:43,000 Speaker 3: Filming. Oh, it's early days and my goodness me they 166 00:07:43,040 --> 00:07:45,760 Speaker 3: took a hammering from the weather during. 167 00:07:45,520 --> 00:07:48,840 Speaker 1: The Scotty told us it was terrible. 168 00:07:49,000 --> 00:07:51,440 Speaker 5: All right, Well, Sunday night, seven o'clock, we're getting a 169 00:07:51,480 --> 00:07:55,160 Speaker 5: bedroom and a bathroom and for some of them. 170 00:07:54,560 --> 00:07:57,520 Speaker 4: The loop as well. And I can't wait for kitchens. 171 00:07:57,640 --> 00:07:58,960 Speaker 4: Neil Wider, thank you so much. 172 00:08:00,120 --> 00:08:02,080 Speaker 3: Absolute pleasure. Good to talk to you both. 173 00:08:02,160 --> 00:08:02,320 Speaker 2: By