1 00:00:00,800 --> 00:00:03,640 Speaker 1: It's a women woody podcast meanings. But when you're in 2 00:00:03,640 --> 00:00:05,840 Speaker 1: a rush or just can't be bothered listening to them 3 00:00:05,840 --> 00:00:08,840 Speaker 1: blather on for half an hour, you're returning to Instagram. 4 00:00:08,880 --> 00:00:09,040 Speaker 2: Will. 5 00:00:09,080 --> 00:00:09,720 Speaker 1: It's very excited. 6 00:00:09,760 --> 00:00:09,920 Speaker 2: Now. 7 00:00:10,000 --> 00:00:13,080 Speaker 3: I don't know what your return post is going to be, 8 00:00:13,920 --> 00:00:15,840 Speaker 3: but obviously, I mean, you've been thinking about this for 9 00:00:15,920 --> 00:00:19,000 Speaker 3: four years and whatever this post is must have. It's 10 00:00:19,120 --> 00:00:22,240 Speaker 3: dragged you out of there, which I just think is 11 00:00:22,320 --> 00:00:24,480 Speaker 3: so excited because I can't wait to hear the creativity 12 00:00:24,800 --> 00:00:27,080 Speaker 3: and whatever you've got there to post about all the news, 13 00:00:27,520 --> 00:00:28,600 Speaker 3: the news from your life. 14 00:00:28,600 --> 00:00:30,520 Speaker 1: Man, I just don't know. No, you don't. 15 00:00:30,560 --> 00:00:32,760 Speaker 2: You don't know it's going because it was meant to 16 00:00:32,760 --> 00:00:34,559 Speaker 2: be a private post. I told one of the producers, 17 00:00:34,560 --> 00:00:35,839 Speaker 2: I've been routed out, and here we are. 18 00:00:36,240 --> 00:00:37,360 Speaker 1: Here we are now. 19 00:00:37,360 --> 00:00:38,760 Speaker 3: If you want to go and follow Will, he is 20 00:00:39,080 --> 00:00:42,239 Speaker 3: Will P Mack. He doesn't have a blue tick. Everyone 21 00:00:42,479 --> 00:00:46,800 Speaker 3: he's fighting for that. I don't have a blue ticket. 22 00:00:46,840 --> 00:00:48,040 Speaker 1: I don't know what we bloody have to do to 23 00:00:48,040 --> 00:00:48,680 Speaker 1: get a blue tick. 24 00:00:48,680 --> 00:00:51,520 Speaker 2: I think we have to get over ten followers at least, 25 00:00:51,560 --> 00:00:52,680 Speaker 2: I would say we do it. 26 00:00:52,760 --> 00:00:56,200 Speaker 1: We're trying. I'm not drying, and men dry you've been 27 00:00:56,800 --> 00:01:00,200 Speaker 1: for the last one emailing Instagram going what I have 28 00:01:00,240 --> 00:01:00,440 Speaker 1: to do? 29 00:01:00,680 --> 00:01:01,400 Speaker 2: Oh God? 30 00:01:01,680 --> 00:01:04,240 Speaker 3: Anyway, so look mate, you're about to review to everyone 31 00:01:04,280 --> 00:01:07,480 Speaker 3: what your return post is going to be. But before that, 32 00:01:07,520 --> 00:01:09,440 Speaker 3: Will I just thought it was worth maybe you know, 33 00:01:09,520 --> 00:01:11,560 Speaker 3: this is a huge comeback at the end of the day, 34 00:01:11,600 --> 00:01:13,319 Speaker 3: so I just thought we'd build a little bit of 35 00:01:13,319 --> 00:01:17,600 Speaker 3: theater around it. There have been some incredible comebacks in 36 00:01:17,720 --> 00:01:21,679 Speaker 3: our time. There was Robert Downey Junior's return to the 37 00:01:21,720 --> 00:01:27,160 Speaker 3: screen after time in jail, the amazing comeback of John Farner, 38 00:01:28,360 --> 00:01:32,880 Speaker 3: followed by this comeback from John farnern and then this 39 00:01:33,080 --> 00:01:37,800 Speaker 3: comeback from John Farner and who could forget the return 40 00:01:37,840 --> 00:01:40,199 Speaker 3: of the Spice Girls. 41 00:01:40,640 --> 00:01:44,240 Speaker 4: But none of them compare to a return to social 42 00:01:44,319 --> 00:01:49,040 Speaker 4: media from the most influential bald man in Australian media. 43 00:01:49,760 --> 00:01:54,600 Speaker 4: Ladies and gentlemen, Today marks the day that Will McMahon 44 00:01:55,120 --> 00:01:57,640 Speaker 4: returns to Instagram with. 45 00:01:57,960 --> 00:02:07,520 Speaker 1: This epic post. Wow, amazing intro. Well done to our audio. 46 00:02:07,680 --> 00:02:10,880 Speaker 2: Sorry sorry sorry all right, So okay, so I'm just 47 00:02:10,919 --> 00:02:14,000 Speaker 2: sharing it now, sharing so you can follow me on 48 00:02:14,440 --> 00:02:16,480 Speaker 2: Will P mack that's my handle. 49 00:02:16,720 --> 00:02:19,640 Speaker 1: He's looking at himself, promoting himself. He's an influencer all 50 00:02:19,639 --> 00:02:20,480 Speaker 1: of a sudden, isn't he. 51 00:02:21,240 --> 00:02:23,320 Speaker 2: So the only reason I posted this is because I 52 00:02:23,320 --> 00:02:26,240 Speaker 2: didn't want to post stuff about photos of me anymore. 53 00:02:26,280 --> 00:02:28,840 Speaker 2: I was looking for other people's validation. The reason I 54 00:02:28,840 --> 00:02:32,800 Speaker 2: posted this is because I started writing poetry. 55 00:02:33,480 --> 00:02:37,640 Speaker 1: Oh dear God, you did not run this past your 56 00:02:37,680 --> 00:02:41,240 Speaker 1: pr you You just posted a poem. 57 00:02:41,360 --> 00:02:42,600 Speaker 2: I started writing poetry. 58 00:02:43,000 --> 00:02:44,600 Speaker 1: Hang on, there's no fun. There's just a photo of 59 00:02:44,639 --> 00:02:46,239 Speaker 1: a poem. Yeah. 60 00:02:46,600 --> 00:02:48,480 Speaker 2: I started writing poetry, and I realized it was just 61 00:02:48,520 --> 00:02:50,520 Speaker 2: sort of sitting there wasting on my notebook. So I 62 00:02:50,560 --> 00:02:52,040 Speaker 2: was like, well, where am I going to put it out? 63 00:02:52,040 --> 00:02:53,720 Speaker 2: I don't I don't care if people like it, and 64 00:02:53,800 --> 00:02:55,040 Speaker 2: it's just a chance for me to share it with 65 00:02:55,040 --> 00:02:56,640 Speaker 2: the world to see if they get something out of it. 66 00:02:56,639 --> 00:02:58,680 Speaker 1: It's not the point of Instagram. But that's shooting. 67 00:02:58,720 --> 00:03:00,799 Speaker 2: But that's what I didn't like about Instagram, so I 68 00:03:00,919 --> 00:03:02,679 Speaker 2: tried to change the way I approached it. So do 69 00:03:02,720 --> 00:03:03,520 Speaker 2: you want to hear the poem? 70 00:03:03,600 --> 00:03:06,880 Speaker 1: Yeah? Absolutely, mate? Okay, is it quick palm or as 71 00:03:06,960 --> 00:03:08,280 Speaker 1: long as that it's relative. 72 00:03:08,720 --> 00:03:12,560 Speaker 2: It's called the space between us, okay. And it's for 73 00:03:12,600 --> 00:03:15,480 Speaker 2: anyone who's ever felt distant from a loved one. Okay, 74 00:03:16,280 --> 00:03:19,760 Speaker 2: you've created these platforms. 75 00:03:20,120 --> 00:03:21,320 Speaker 3: I thought it was going to be a cute photo 76 00:03:21,320 --> 00:03:24,160 Speaker 3: of you and your dog, just a photo of you 77 00:03:24,200 --> 00:03:25,480 Speaker 3: on holiday, saying, take me back. 78 00:03:25,520 --> 00:03:27,320 Speaker 1: That's sort of an Instagram work. Take me back. 79 00:03:28,360 --> 00:03:31,000 Speaker 2: I'm going to start posting poultry on my Instagram. Here he 80 00:03:31,040 --> 00:03:33,800 Speaker 2: goes called the space between us. There's a space between us, 81 00:03:33,840 --> 00:03:36,120 Speaker 2: but I'm not sure how big. I can't seem to 82 00:03:36,120 --> 00:03:39,320 Speaker 2: find the edges. Sound travels through, but it blocks you 83 00:03:39,360 --> 00:03:43,240 Speaker 2: from view like a giant maze's green hedges. It's managed 84 00:03:43,280 --> 00:03:46,560 Speaker 2: to intrude into our house like a stranger we invited in, 85 00:03:47,120 --> 00:03:49,520 Speaker 2: but it hasn't just come to check the pipes or 86 00:03:49,520 --> 00:03:52,640 Speaker 2: even ask for a donation. It's come to crucify our love. 87 00:03:53,160 --> 00:03:57,760 Speaker 2: Our hearts are screaming for salvation. There's a chasm between us, 88 00:03:58,040 --> 00:04:01,920 Speaker 2: and it's both elusive and scary, like Bigfoot or wear wolves, 89 00:04:02,120 --> 00:04:05,760 Speaker 2: but it's only less hairy. Its invisible mass is smothering 90 00:04:05,760 --> 00:04:08,800 Speaker 2: our fight as the ocean fills a sinking ship or 91 00:04:08,840 --> 00:04:12,720 Speaker 2: a gravestone silence as the light. There's a void between 92 00:04:12,800 --> 00:04:15,760 Speaker 2: us that holds us in its stare, but it's eerily calm, 93 00:04:15,840 --> 00:04:17,719 Speaker 2: like the eye of the storm or deep in a 94 00:04:17,800 --> 00:04:21,480 Speaker 2: villain's lair. It follows me, it follows you, but it's 95 00:04:21,480 --> 00:04:24,520 Speaker 2: went together that it's vastest, as if you were lowest land, 96 00:04:24,560 --> 00:04:27,480 Speaker 2: my love. But I can't spin it back around, not 97 00:04:27,560 --> 00:04:31,839 Speaker 2: even at my fastest. There's a gulf between us and 98 00:04:31,880 --> 00:04:34,440 Speaker 2: this the scary bit. I still love you, but with 99 00:04:34,480 --> 00:04:36,520 Speaker 2: this bastard in the way, you can't see me show it. 100 00:04:37,240 --> 00:04:39,200 Speaker 2: You're out of sight and I'm out of mind. We 101 00:04:39,240 --> 00:04:42,599 Speaker 2: can't find a connection. Where a hook without bait, a 102 00:04:42,640 --> 00:04:47,920 Speaker 2: watch without hands, a question mark without inflection. It's bubbling, decrepit, 103 00:04:48,000 --> 00:04:51,400 Speaker 2: toxic air constantly undermines us, but in a cruel twist 104 00:04:51,440 --> 00:04:54,520 Speaker 2: of duality, I feel like it defines us. 105 00:04:56,560 --> 00:05:02,560 Speaker 1: Definitely. Wasn't expecting that. Wow, very good. It's obviously about me. 106 00:05:02,720 --> 00:05:05,640 Speaker 1: Thank you. Let's go to the traffic. Hey, more of 107 00:05:05,640 --> 00:05:07,880 Speaker 1: the boys on the Full Show podcast. 108 00:05:08,360 --> 00:05:09,240 Speaker 2: You know you want to