1 00:00:05,960 --> 00:00:09,920 Speaker 1: Hey, guys, welcome to the full show podcasts. What's coming 2 00:00:10,000 --> 00:00:14,640 Speaker 1: up on this show hot Ology? 3 00:00:14,880 --> 00:00:17,120 Speaker 2: One of us gets to talk about something we want 4 00:00:17,160 --> 00:00:18,880 Speaker 2: to talk about for the first time in our careers. 5 00:00:18,920 --> 00:00:24,560 Speaker 2: But this comes with the caveat that a caller gets 6 00:00:24,600 --> 00:00:26,920 Speaker 2: to sit on the air and tell us if at 7 00:00:26,960 --> 00:00:28,800 Speaker 2: any stage they find it very boring. 8 00:00:28,800 --> 00:00:29,120 Speaker 3: That's it. 9 00:00:29,160 --> 00:00:32,800 Speaker 4: Hopefully this is short and sharp for everyone. We're talking 10 00:00:32,920 --> 00:00:35,160 Speaker 4: dumb questions that your parents have asked you about tech 11 00:00:35,720 --> 00:00:36,240 Speaker 4: real quick. 12 00:00:37,040 --> 00:00:39,239 Speaker 3: You know the kind of thing we're after. My grandpa 13 00:00:39,720 --> 00:00:40,559 Speaker 3: I didn't get to tell you this. 14 00:00:42,120 --> 00:00:45,920 Speaker 4: He was once concerned about his eyesight. He was like, 15 00:00:46,000 --> 00:00:48,960 Speaker 4: my eyesight's it's going He went to the optometrist twice 16 00:00:49,000 --> 00:00:51,839 Speaker 4: about his eyesight and he's like, no, Peter, you've got 17 00:00:51,840 --> 00:00:54,240 Speaker 4: the right, you know, lenses in You're totally fined. And 18 00:00:54,280 --> 00:00:57,480 Speaker 4: he's like, I swear thing's getting blurrier. I can't read 19 00:00:57,520 --> 00:01:00,320 Speaker 4: my computer screen anyway. I went over to his house 20 00:01:00,320 --> 00:01:02,400 Speaker 4: and he was like, I just everything's getting blurry and 21 00:01:02,400 --> 00:01:03,480 Speaker 4: maybe my screen's broken. 22 00:01:04,480 --> 00:01:07,040 Speaker 3: He just he had zoomed out. 23 00:01:09,440 --> 00:01:12,399 Speaker 4: On his Microsoft Word and others had to go back 24 00:01:12,400 --> 00:01:16,200 Speaker 4: to one hundred percent. He went to the optometras twice 25 00:01:16,760 --> 00:01:21,480 Speaker 4: to get his eyes tested. To Moorrow that very very shortly. 26 00:01:22,360 --> 00:01:24,559 Speaker 2: We're going to be talking about things that your kids 27 00:01:24,640 --> 00:01:27,839 Speaker 2: said they got you in hot water. Oh, I'm loving 28 00:01:27,880 --> 00:01:31,240 Speaker 2: this really shortly, which I'm looking forward to because yeah, 29 00:01:31,280 --> 00:01:33,319 Speaker 2: you're right, we've done a few weeks in a row. 30 00:01:33,319 --> 00:01:35,559 Speaker 1: Now, it's not lazy, that's just genius. Get your best beer. 31 00:01:35,760 --> 00:01:36,280 Speaker 3: That's it. 32 00:01:36,319 --> 00:01:38,680 Speaker 2: Just do it over and over again and you're gonna 33 00:01:38,720 --> 00:01:40,240 Speaker 2: hear the next part of the Share my Mood chat 34 00:01:40,319 --> 00:01:41,080 Speaker 2: from Colin Jack. 35 00:01:41,200 --> 00:01:42,400 Speaker 1: Of course, if you want to hear the full thing, 36 00:01:42,520 --> 00:01:44,360 Speaker 1: go on and to Share my Mood where you get 37 00:01:44,400 --> 00:01:47,720 Speaker 1: your podcasts. Otherwise, enjoy today's show. 38 00:01:48,200 --> 00:01:49,480 Speaker 3: Shure my Love. 39 00:01:50,120 --> 00:01:52,880 Speaker 4: Sharing how you're going is one of the best things 40 00:01:52,880 --> 00:01:55,160 Speaker 4: you can do for your mental health, but when you 41 00:01:55,200 --> 00:01:57,520 Speaker 4: most need to tell someone how are you going, it's 42 00:01:57,560 --> 00:02:00,160 Speaker 4: often the hardest thing to do, and if you own 43 00:02:00,200 --> 00:02:03,560 Speaker 4: address how you are, your feelings confessed and lead to 44 00:02:03,600 --> 00:02:08,480 Speaker 4: things like anxiety, depression, even suicide. In this podcast, we 45 00:02:08,520 --> 00:02:11,799 Speaker 4: ask a range of inspiring people how they express themselves 46 00:02:12,120 --> 00:02:14,280 Speaker 4: in the hope that we can all learn something more 47 00:02:14,360 --> 00:02:19,119 Speaker 4: about arguably life's most important skill, to ask yourself, how 48 00:02:19,160 --> 00:02:22,160 Speaker 4: am I feeling? How do I express how I'm feeling? 49 00:02:22,800 --> 00:02:26,120 Speaker 4: How do I share my mood? Previously we've chatted with 50 00:02:26,200 --> 00:02:28,279 Speaker 4: Olympic boxer Harry Garside. 51 00:02:28,480 --> 00:02:31,240 Speaker 3: I've really been struggling. This has been the hardest year 52 00:02:31,280 --> 00:02:32,040 Speaker 3: of my life. 53 00:02:31,760 --> 00:02:34,280 Speaker 1: And you know what, I know, I'm competitive and I 54 00:02:34,320 --> 00:02:36,600 Speaker 1: know I'm an athlete, but for me to say that 55 00:02:36,680 --> 00:02:39,360 Speaker 1: out loud, it's like, I feel like the situation be 56 00:02:39,840 --> 00:02:41,440 Speaker 1: written Laura from the pickup. 57 00:02:41,639 --> 00:02:45,120 Speaker 5: I feel very unlovable and something must be wrong with me, 58 00:02:45,200 --> 00:02:46,440 Speaker 5: like I'm the common denominator. 59 00:02:46,680 --> 00:02:50,240 Speaker 1: Comedian, author and broadcaster Kate Langbrook. 60 00:02:49,880 --> 00:02:58,480 Speaker 3: How do you think I am? Moodie flipped it on 61 00:02:58,480 --> 00:02:59,760 Speaker 3: you so quickly? Kate Langbrook? 62 00:03:00,040 --> 00:03:01,320 Speaker 1: Yeah, yeah, as predicted. 63 00:03:01,400 --> 00:03:02,079 Speaker 6: You can hear that. 64 00:03:02,080 --> 00:03:03,560 Speaker 2: That was arguing with my favorite part of the Kate 65 00:03:03,639 --> 00:03:06,840 Speaker 2: than chat, how quickly she flipped it on you. You 66 00:03:06,880 --> 00:03:09,320 Speaker 2: can get share my mud wherever you get your podcasts. Guys, 67 00:03:09,400 --> 00:03:11,680 Speaker 2: There's some wonderful conversations in there, this one with Kyle 68 00:03:11,760 --> 00:03:12,280 Speaker 2: and Jackie O. 69 00:03:13,480 --> 00:03:14,760 Speaker 1: Is I mean, it's got it all. 70 00:03:14,800 --> 00:03:17,000 Speaker 2: I mean trying to ask Kyle how he feels, how 71 00:03:17,000 --> 00:03:19,840 Speaker 2: he expresses his feeling, having Jackie there trying to encourage him, 72 00:03:19,840 --> 00:03:23,240 Speaker 2: and her talking about how difficult it can be for 73 00:03:23,280 --> 00:03:25,600 Speaker 2: her while he's not sharing how he's going and how 74 00:03:25,600 --> 00:03:28,400 Speaker 2: he can be angry. And look, there's no right or 75 00:03:28,440 --> 00:03:29,760 Speaker 2: wrong way to go about this, so I think we 76 00:03:29,760 --> 00:03:31,760 Speaker 2: can all learn a little bit about asking people how 77 00:03:31,760 --> 00:03:33,079 Speaker 2: they go about expressing themselves. 78 00:03:33,120 --> 00:03:33,959 Speaker 1: And here it William what he is. 79 00:03:33,960 --> 00:03:35,400 Speaker 2: You guys probably know if you've listened to the show. 80 00:03:35,400 --> 00:03:37,760 Speaker 2: We think it's incredibly important to do just that. So 81 00:03:37,840 --> 00:03:40,200 Speaker 2: please wrap your ears around Share my Mood wherever. 82 00:03:39,920 --> 00:03:40,800 Speaker 1: You get your podcasts. 83 00:03:41,080 --> 00:03:43,520 Speaker 2: We're going to pick up this Kyle and Jackepp to 84 00:03:43,560 --> 00:03:45,720 Speaker 2: share a little bit with you on the radio right now, 85 00:03:45,920 --> 00:03:48,840 Speaker 2: with Jackie talking about the most difficult thing she. 86 00:03:48,960 --> 00:03:52,240 Speaker 7: Finds sharing on the radio. I don't know whether you heard. 87 00:03:53,080 --> 00:03:56,480 Speaker 7: On our launch day into Melbourne, Jackie shocked us all 88 00:03:56,520 --> 00:03:58,800 Speaker 7: to the core when she admitted that she'd had a 89 00:03:58,840 --> 00:03:59,680 Speaker 7: one night stand. 90 00:03:59,840 --> 00:04:03,400 Speaker 3: He said, I can't believe having sex with Jackie. 91 00:04:03,400 --> 00:04:07,800 Speaker 7: Oh, she was banging a super fan. Hello, my dreams 92 00:04:07,800 --> 00:04:10,200 Speaker 7: have come true. She now know what it's like to 93 00:04:10,600 --> 00:04:12,840 Speaker 7: have sex with a fan. There's nothing better with those 94 00:04:12,960 --> 00:04:17,400 Speaker 7: adoring eyes. They warm up the washer at the end 95 00:04:17,440 --> 00:04:19,240 Speaker 7: of it's the whole thing. It's wonderful. 96 00:04:22,880 --> 00:04:24,760 Speaker 1: I think this is interesting, Jack, where's the line for 97 00:04:24,839 --> 00:04:27,159 Speaker 1: you with this? Because sometimes sometimes. 98 00:04:26,839 --> 00:04:28,760 Speaker 2: I hear you Jacket, sometimes I hear you you that 99 00:04:28,960 --> 00:04:31,120 Speaker 2: like with the content that you guys have, you're so 100 00:04:31,279 --> 00:04:33,320 Speaker 2: involved and it is so into it. But then also 101 00:04:33,520 --> 00:04:36,640 Speaker 2: there is definitely a moralistic idea. There's definitely a side 102 00:04:36,640 --> 00:04:38,840 Speaker 2: of you that occasionally perks up and goes, I'm okay with. 103 00:04:38,800 --> 00:04:41,440 Speaker 1: This, let's stop talking about this. There's the line for you? 104 00:04:41,920 --> 00:04:44,000 Speaker 8: I think it just depends on how I feel at 105 00:04:44,040 --> 00:04:47,400 Speaker 8: the time. Like, honestly, I would say that I feel 106 00:04:47,640 --> 00:04:50,320 Speaker 8: a lot of the time a little uncomfortable sharing super 107 00:04:50,360 --> 00:04:54,640 Speaker 8: private things about especially relationships and dating. It's just something 108 00:04:54,680 --> 00:04:58,520 Speaker 8: that I'm uneasy with. It makes me feel uncomfortable sharing it. 109 00:04:59,040 --> 00:05:00,640 Speaker 7: You don't want to be judged by others? 110 00:05:00,680 --> 00:05:01,240 Speaker 3: Is that what it is? 111 00:05:01,279 --> 00:05:02,080 Speaker 1: I don't know what it is. 112 00:05:02,120 --> 00:05:04,240 Speaker 8: Actually, I've tried to kind of tap into that a 113 00:05:04,240 --> 00:05:07,760 Speaker 8: little bit and understand why do I fear it so much? 114 00:05:07,800 --> 00:05:10,760 Speaker 8: And obviously would be a level of judgment that I'm 115 00:05:10,760 --> 00:05:15,920 Speaker 8: fearful of. But also I don't like talking about other people. 116 00:05:15,960 --> 00:05:18,360 Speaker 8: I feel it's really unfair to talk about a date 117 00:05:18,800 --> 00:05:21,880 Speaker 8: when that person, like I felt bad even saying that 118 00:05:21,920 --> 00:05:25,320 Speaker 8: listener story. You know, I immediately thought of that person who 119 00:05:25,440 --> 00:05:26,600 Speaker 8: was so sweet. 120 00:05:26,279 --> 00:05:34,000 Speaker 6: And no, no, and he was just a lovely person, 121 00:05:34,240 --> 00:05:37,680 Speaker 6: and so I immediately go into this zone in my 122 00:05:37,760 --> 00:05:39,720 Speaker 6: head where I go, oh my god, I might have 123 00:05:39,800 --> 00:05:42,760 Speaker 6: offended him or you know, and feeling like that. 124 00:05:43,440 --> 00:05:45,640 Speaker 8: So a lot of the time I don't love sharing 125 00:05:45,680 --> 00:05:48,159 Speaker 8: that stuff. But every now and again, something will pop 126 00:05:48,200 --> 00:05:49,720 Speaker 8: up and I'll go, I'll just say it. 127 00:05:49,760 --> 00:05:50,040 Speaker 9: You know. 128 00:05:51,760 --> 00:05:55,000 Speaker 3: That was Can you beat me? This is supposed to 129 00:05:55,000 --> 00:06:00,320 Speaker 3: be a nice, wholesome family. Are you private about it anything? 130 00:06:00,560 --> 00:06:03,880 Speaker 3: Kyle is the part of yes, he. 131 00:06:04,000 --> 00:06:07,640 Speaker 8: Is actually and you know what, when he was single 132 00:06:07,839 --> 00:06:11,800 Speaker 8: and he was sleeping with certain people, he definitely didn't 133 00:06:11,839 --> 00:06:14,159 Speaker 8: want it set on air either. So he gives me 134 00:06:14,200 --> 00:06:16,160 Speaker 8: a really hard time about it and says, you need 135 00:06:16,200 --> 00:06:19,080 Speaker 8: to share that more. But you didn't either when But yeah, 136 00:06:19,120 --> 00:06:21,280 Speaker 8: there's there's always going to be a certain amount that 137 00:06:21,320 --> 00:06:22,360 Speaker 8: you keep to yourself. 138 00:06:22,480 --> 00:06:27,080 Speaker 1: It's only natural. I think. So good, Yeah, it is good. 139 00:06:27,520 --> 00:06:32,520 Speaker 2: They're like siblings. Absolutely talk over during them. I think 140 00:06:32,800 --> 00:06:34,400 Speaker 2: you may or may not have heard it there again, 141 00:06:34,440 --> 00:06:35,919 Speaker 2: you can get share my mood where you get your 142 00:06:35,920 --> 00:06:37,400 Speaker 2: podcasting and your cal and Jack on there. 143 00:06:37,760 --> 00:06:38,520 Speaker 1: It's a great app. 144 00:06:38,760 --> 00:06:40,840 Speaker 2: I think my favorite moment in just towards the end 145 00:06:40,880 --> 00:06:43,760 Speaker 2: of that bit of audio there was when Jackie was like. 146 00:06:43,720 --> 00:06:47,599 Speaker 1: Oh, Kyle, when you know when you were singling, I'll 147 00:06:47,600 --> 00:06:48,440 Speaker 1: go in the background. 148 00:06:48,960 --> 00:06:50,400 Speaker 3: Thousands. 149 00:06:50,560 --> 00:06:55,960 Speaker 4: Just got a brand new episode of Shame Mood Out, 150 00:06:56,040 --> 00:06:58,520 Speaker 4: Share ma Mood, Share Ma Mood. 151 00:06:58,880 --> 00:07:03,600 Speaker 2: The podcast where we get a range of inspiring people 152 00:07:04,120 --> 00:07:04,720 Speaker 2: to tell us. 153 00:07:04,600 --> 00:07:06,760 Speaker 4: How they actually go about asking themselves, how they are 154 00:07:06,800 --> 00:07:07,800 Speaker 4: and how they express themselves. 155 00:07:07,800 --> 00:07:09,720 Speaker 2: Because I reckon that sharing how you're going is one 156 00:07:09,760 --> 00:07:11,160 Speaker 2: of the best things you can do. If your mental health, 157 00:07:11,160 --> 00:07:12,720 Speaker 2: you should be doing that. If you're not doing that, 158 00:07:13,080 --> 00:07:15,520 Speaker 2: you I'd highly recommend getting involved, get vulnerable with your friends. 159 00:07:15,520 --> 00:07:15,680 Speaker 10: Guys. 160 00:07:15,720 --> 00:07:16,320 Speaker 1: It's important. 161 00:07:16,320 --> 00:07:18,520 Speaker 2: And we've got two new guests on this next episodes, 162 00:07:18,600 --> 00:07:21,040 Speaker 2: Kyle and Jackie. Oh you can hear this wherever you 163 00:07:21,040 --> 00:07:23,240 Speaker 2: get your podcast Share My Mood and whole range of 164 00:07:23,280 --> 00:07:27,680 Speaker 2: responses from Kyle seriously dodging hard some questions about him 165 00:07:27,720 --> 00:07:31,080 Speaker 2: expressing his feelings, but also Jackie talking about the thing 166 00:07:31,160 --> 00:07:34,120 Speaker 2: she's most uncomfortable talking about on the radio. 167 00:07:34,200 --> 00:07:34,520 Speaker 8: Wow. 168 00:07:34,520 --> 00:07:35,640 Speaker 1: I don't know whether you heard. 169 00:07:35,680 --> 00:07:38,960 Speaker 7: On our launch day into Melbourne, Jackie shocked us all 170 00:07:39,000 --> 00:07:41,000 Speaker 7: to the core when she admitted. 171 00:07:42,360 --> 00:07:45,800 Speaker 2: You can hear that in about four six minutes time. 172 00:07:45,800 --> 00:07:47,880 Speaker 2: I'm going to play that for you in full. You 173 00:07:47,920 --> 00:07:49,720 Speaker 2: can also download it share my mood wherever you get 174 00:07:49,720 --> 00:07:52,320 Speaker 2: your podcasts. Right now, though, woulds I'd love to know 175 00:07:52,360 --> 00:07:54,640 Speaker 2: thirteen one oh six five. What's the thing that your 176 00:07:54,680 --> 00:07:56,680 Speaker 2: child said which got you in trouble? 177 00:07:57,240 --> 00:08:00,280 Speaker 11: My son Ta went to kinder and told his kind 178 00:08:00,280 --> 00:08:04,320 Speaker 11: of teacher that his poppy watches Die Hard, But he 179 00:08:04,840 --> 00:08:08,040 Speaker 11: held the kinder teacher that his copy was watching adult movies. 180 00:08:10,600 --> 00:08:12,320 Speaker 3: Used to work in childcare, what happened? 181 00:08:12,440 --> 00:08:14,480 Speaker 5: I was new to the industry, only been in the 182 00:08:14,480 --> 00:08:17,520 Speaker 5: industry for six months, supervising the bathroom of the three 183 00:08:17,560 --> 00:08:20,080 Speaker 5: to five year old. The little girl's going to the toilet. 184 00:08:20,160 --> 00:08:22,560 Speaker 5: She looks over to the boy, points to him and goes, 185 00:08:22,760 --> 00:08:23,920 Speaker 5: my mom's got one of them. 186 00:08:24,080 --> 00:08:25,080 Speaker 11: She straps it on. 187 00:08:28,000 --> 00:08:30,240 Speaker 2: Guys, I'm sure for the parents who've been through this, 188 00:08:30,320 --> 00:08:33,880 Speaker 2: but they start talking, they just share everything. She started reading. 189 00:08:33,960 --> 00:08:35,760 Speaker 2: She started loving the book Going on a bear Hunt. 190 00:08:35,800 --> 00:08:37,719 Speaker 1: You know, I know that one's going to going to 191 00:08:37,800 --> 00:08:39,079 Speaker 1: catch a big one. What a beautiful day. 192 00:08:39,120 --> 00:08:41,640 Speaker 2: Irresponsible book can't go over, it can't go under, It 193 00:08:41,640 --> 00:08:44,040 Speaker 2: gotta go through it. So she loves a bit where 194 00:08:44,200 --> 00:08:46,880 Speaker 2: they get to the big dark forest. Can't go over it, 195 00:08:46,880 --> 00:08:48,200 Speaker 2: can't go under it, got to go through it. 196 00:08:48,280 --> 00:08:49,440 Speaker 1: They go through the forest. 197 00:08:49,600 --> 00:08:52,040 Speaker 2: And when they go through the forest, you know, like 198 00:08:52,080 --> 00:08:54,640 Speaker 2: when they go through the grass, it's swishy swashy, splash 199 00:08:54,679 --> 00:08:58,360 Speaker 2: splosh to the river. The forest is stumble trip. Yes, right, yes, 200 00:08:58,400 --> 00:09:00,000 Speaker 2: it's stumble trips, stumble trip through the forest. 201 00:09:00,120 --> 00:09:00,200 Speaker 9: Right. 202 00:09:00,920 --> 00:09:02,240 Speaker 2: Anyway, I was just sitting out in the porch to 203 00:09:02,280 --> 00:09:08,680 Speaker 2: the and this this middle aged guy just like ate 204 00:09:08,720 --> 00:09:10,720 Speaker 2: the pavement out in front of it was just absolute 205 00:09:10,720 --> 00:09:12,520 Speaker 2: ship and I was like, I went down to run 206 00:09:12,559 --> 00:09:13,079 Speaker 2: down and help it. 207 00:09:13,160 --> 00:09:13,880 Speaker 3: Of course. 208 00:09:21,600 --> 00:09:27,680 Speaker 1: Cherry is called down his hip, Garry, this is your 209 00:09:27,760 --> 00:09:28,840 Speaker 1: daughter who got you in trouble. 210 00:09:30,360 --> 00:09:30,560 Speaker 4: Yes. 211 00:09:30,720 --> 00:09:34,480 Speaker 12: So, the day before her first ever prep photos, I 212 00:09:34,600 --> 00:09:37,440 Speaker 12: was actually doing an aerobic workout in the lounge room 213 00:09:38,000 --> 00:09:40,320 Speaker 12: and unknown to me, she'd come up and was lying 214 00:09:40,440 --> 00:09:42,760 Speaker 12: on the carpet behind me. I did it back with 215 00:09:42,920 --> 00:09:46,800 Speaker 12: leg curl, cleaned her up in the space black eye 216 00:09:47,080 --> 00:09:51,720 Speaker 12: burned so coards. The next morning we could go to preps. 217 00:09:51,960 --> 00:09:54,000 Speaker 12: She comes running in and goes, guess. 218 00:09:53,760 --> 00:09:55,559 Speaker 5: What mummy kicked me in the space. 219 00:09:55,440 --> 00:10:00,720 Speaker 2: O my god, and I come back from that, Debrah 220 00:10:00,880 --> 00:10:03,240 Speaker 2: thirday one and six five, Debra, what'd your child say 221 00:10:03,280 --> 00:10:03,960 Speaker 2: to get you in trouble? 222 00:10:05,240 --> 00:10:07,920 Speaker 11: Well, my son is three years older and he's just 223 00:10:08,040 --> 00:10:11,320 Speaker 11: learning to know that some people are bigger than others 224 00:10:11,360 --> 00:10:14,320 Speaker 11: and in height and size and everything. It came up 225 00:10:14,360 --> 00:10:17,200 Speaker 11: to me and tugged me on the side and says, mummy, 226 00:10:17,480 --> 00:10:22,760 Speaker 11: that's a really fat lady with an absolute embarrassment. I 227 00:10:22,800 --> 00:10:25,360 Speaker 11: had to try and explain to my son the lady's 228 00:10:25,480 --> 00:10:27,320 Speaker 11: only eight months pregnant. 229 00:10:27,679 --> 00:10:31,600 Speaker 1: Oh, I'm finding that really tough. 230 00:10:31,640 --> 00:10:33,920 Speaker 2: By the way, that weight thing, I'm finding that really 231 00:10:33,960 --> 00:10:36,520 Speaker 2: hard to describe to Max. 232 00:10:36,360 --> 00:10:39,120 Speaker 3: As in and then your child are what asks about it? 233 00:10:39,320 --> 00:10:39,520 Speaker 12: Yes? 234 00:10:40,000 --> 00:10:40,520 Speaker 1: Yes? 235 00:10:40,800 --> 00:10:43,240 Speaker 2: Or like when national you know she's done? She knows 236 00:10:43,280 --> 00:10:46,520 Speaker 2: the words big and small. Oh so she just points 237 00:10:46,559 --> 00:10:50,000 Speaker 2: him yeah, because it's in books all the time like that. 238 00:10:50,240 --> 00:10:52,520 Speaker 2: Really any particularly old books as well, there's a lot 239 00:10:52,520 --> 00:10:55,559 Speaker 2: of that language describing people's body types and stuff like that. 240 00:10:55,840 --> 00:10:56,280 Speaker 3: Totally. 241 00:10:56,480 --> 00:10:59,600 Speaker 2: We've got Amy here on thirty one and six, Amy 242 00:11:00,040 --> 00:11:01,839 Speaker 2: yourself in trouble. 243 00:11:02,520 --> 00:11:06,800 Speaker 10: It wasn't my child, It was actually mean at daycare. Yeah. 244 00:11:07,200 --> 00:11:10,720 Speaker 10: I went in and you know, my family's very body positive, 245 00:11:10,920 --> 00:11:14,800 Speaker 10: and I told them that my dad has a beautiful penis. 246 00:11:15,200 --> 00:11:15,480 Speaker 12: Wow. 247 00:11:15,679 --> 00:11:16,120 Speaker 1: Wow. 248 00:11:16,440 --> 00:11:16,880 Speaker 13: Yeah. 249 00:11:17,720 --> 00:11:19,920 Speaker 3: Did that go down Amy when you shared that? 250 00:11:21,320 --> 00:11:22,600 Speaker 5: Not too well. 251 00:11:22,400 --> 00:11:23,760 Speaker 10: As you can imagine. They had to speak to my 252 00:11:23,800 --> 00:11:27,040 Speaker 10: parents about that, and when they kind of understood the context, 253 00:11:27,840 --> 00:11:30,120 Speaker 10: they had a good laugh about it. So yeah, but yeah, 254 00:11:30,240 --> 00:11:32,199 Speaker 10: very embarrassing. And my parents have to bring that up. 255 00:11:32,720 --> 00:11:33,679 Speaker 3: I'm sure your dad does. 256 00:11:33,840 --> 00:11:34,480 Speaker 1: I'm sure your. 257 00:11:36,000 --> 00:11:45,880 Speaker 14: I'll don't pick up this afternoon, Joe. Every time, Joe, 258 00:11:46,240 --> 00:11:47,200 Speaker 14: what did your kids say? 259 00:11:47,280 --> 00:11:47,520 Speaker 5: Joe? 260 00:11:48,720 --> 00:11:51,640 Speaker 15: We were in the river rampage line, not thinking hot 261 00:11:51,720 --> 00:11:57,280 Speaker 15: day at Wonderland and I accidentally dropped one and the 262 00:11:57,280 --> 00:11:59,160 Speaker 15: guy behind me turned around and. 263 00:11:59,080 --> 00:12:01,040 Speaker 13: Said, mate did to his son? 264 00:12:01,440 --> 00:12:04,720 Speaker 15: Did she just sitting dogship back there or what? And 265 00:12:04,760 --> 00:12:07,160 Speaker 15: the son looks at the shoes. No, no, no, And 266 00:12:07,200 --> 00:12:09,640 Speaker 15: my son turned around and said, oh, I know, that's 267 00:12:09,760 --> 00:12:15,920 Speaker 15: mummies fart. She thinks she always starts like that. And 268 00:12:15,960 --> 00:12:18,760 Speaker 15: to this day he's now thirty five, and to this day, 269 00:12:18,800 --> 00:12:20,440 Speaker 15: every time I think is that, I smile. 270 00:12:21,040 --> 00:12:24,240 Speaker 1: Oh, that's nice, nice finish. 271 00:12:24,280 --> 00:12:26,640 Speaker 3: Absolutely, that's so. 272 00:12:28,960 --> 00:12:35,520 Speaker 7: That's hot. 273 00:12:35,400 --> 00:12:37,560 Speaker 2: Woods and I this may surprise you, but we are 274 00:12:37,640 --> 00:12:39,120 Speaker 2: obsessed with a lot of things that we can't talk 275 00:12:39,120 --> 00:12:40,199 Speaker 2: about on the radio show. 276 00:12:41,080 --> 00:12:42,360 Speaker 1: Woods was just talking about our. 277 00:12:42,280 --> 00:12:44,240 Speaker 2: Kilma movie with a blind Missers, and I'm really glad 278 00:12:44,240 --> 00:12:46,200 Speaker 2: that the song cut him off. There we don't need 279 00:12:46,240 --> 00:12:49,520 Speaker 2: to know is we don't need to know, so gets 280 00:12:49,559 --> 00:12:52,080 Speaker 2: his vision back. It has to be an example. We 281 00:12:52,160 --> 00:12:54,040 Speaker 2: both have a lot of things which are only interesting 282 00:12:54,040 --> 00:12:55,959 Speaker 2: to just us. So we have kind of cordened off 283 00:12:55,960 --> 00:12:57,880 Speaker 2: this part of the radio show whereby we can talk 284 00:12:57,880 --> 00:13:00,160 Speaker 2: about that thing now that is our hot ology, that 285 00:13:00,280 --> 00:13:02,080 Speaker 2: is the thing that we are finding very hot for 286 00:13:02,120 --> 00:13:05,560 Speaker 2: ourselves right now. But you, guys, we've reached an agreement 287 00:13:06,440 --> 00:13:10,199 Speaker 2: with Captain Popants. You guys can tell us to shut up. 288 00:13:10,800 --> 00:13:16,800 Speaker 4: You're the adjudicator, You're the judge, the executioner of the bit. 289 00:13:16,960 --> 00:13:19,679 Speaker 1: If you find it boring, you just yell out boring 290 00:13:19,760 --> 00:13:20,760 Speaker 1: and the bit is over. 291 00:13:20,960 --> 00:13:25,520 Speaker 4: A person in charge today, Will is Patina. Hello, Patina, Hello, 292 00:13:25,679 --> 00:13:26,120 Speaker 4: how are you? 293 00:13:26,679 --> 00:13:27,640 Speaker 3: I'm outstanding? 294 00:13:28,000 --> 00:13:30,360 Speaker 4: Will is going to be talking about something that fascinates 295 00:13:30,440 --> 00:13:33,679 Speaker 4: him and Patina, I will just say, as soon as 296 00:13:33,679 --> 00:13:36,120 Speaker 4: there is a shred of boredom, as soon as you 297 00:13:36,160 --> 00:13:39,360 Speaker 4: tune out slightly, please for the love of God, say 298 00:13:39,520 --> 00:13:40,040 Speaker 4: you're bored. 299 00:13:40,920 --> 00:13:41,640 Speaker 13: Oh you got it? 300 00:13:41,880 --> 00:13:43,800 Speaker 1: Okay. It does worry me a little bit. 301 00:13:43,840 --> 00:13:46,160 Speaker 2: The people that call up to be the judge in 302 00:13:46,200 --> 00:13:48,959 Speaker 2: this segment, sure like they're obviously got that bone in 303 00:13:49,000 --> 00:13:49,439 Speaker 2: their body. 304 00:13:49,480 --> 00:13:53,199 Speaker 1: So I don't think there any encouragement, I hope not. Petenda, 305 00:13:53,200 --> 00:13:55,000 Speaker 1: do you find me interesting on a day to day basis? 306 00:13:55,000 --> 00:13:56,640 Speaker 1: Like do you normally find want to talk about interesting? 307 00:13:57,280 --> 00:14:00,360 Speaker 5: Look, I'm gonna start nice. I love you it a bit. 308 00:14:00,720 --> 00:14:03,920 Speaker 11: I love you guys, I listened to you. 309 00:14:04,760 --> 00:14:07,520 Speaker 3: Excellent, excellent, all right, here we go. 310 00:14:07,600 --> 00:14:08,760 Speaker 1: He's one of my favorite topics. 311 00:14:08,760 --> 00:14:12,080 Speaker 2: So I'm not excited about it, all right, Woods, Yes, 312 00:14:12,280 --> 00:14:14,280 Speaker 2: I want to talk to you about my favorite moment 313 00:14:14,320 --> 00:14:15,119 Speaker 2: from the French. 314 00:14:14,880 --> 00:14:21,240 Speaker 4: Revolution as hot, my lord. Okay, it involves it involves 315 00:14:21,320 --> 00:14:21,960 Speaker 4: a guy. 316 00:14:21,960 --> 00:14:24,160 Speaker 1: Called Camille de Moulain. Okay. 317 00:14:24,280 --> 00:14:26,880 Speaker 4: Of course he was a lawyer. He was he was 318 00:14:26,920 --> 00:14:28,960 Speaker 4: a lawyer. He was a family man. And what you 319 00:14:29,000 --> 00:14:30,920 Speaker 4: need to know about him is that he had a stutter. 320 00:14:31,320 --> 00:14:35,000 Speaker 1: Okay, So like, hey, will hey, will mate? 321 00:14:35,440 --> 00:14:37,840 Speaker 5: Really shut up? 322 00:14:42,160 --> 00:14:43,800 Speaker 4: I think, I mean, I think I tuned out of 323 00:14:43,840 --> 00:14:46,760 Speaker 4: the name of this guy, Tom Dum. 324 00:14:49,920 --> 00:14:51,400 Speaker 11: I tried, I really tried. 325 00:14:57,120 --> 00:14:59,280 Speaker 4: Dad called me in a bit of a huff yesterday. 326 00:14:59,680 --> 00:15:02,760 Speaker 4: He he was stressed and he said to me, would 327 00:15:02,760 --> 00:15:07,280 Speaker 4: he mate, how do you change the pin on your phone? 328 00:15:08,680 --> 00:15:09,880 Speaker 4: And I was like, this is a this is like 329 00:15:09,920 --> 00:15:12,600 Speaker 4: a very odd question to receive that. Why do you 330 00:15:12,600 --> 00:15:14,360 Speaker 4: want to change your pin on your phone? 331 00:15:14,640 --> 00:15:17,360 Speaker 2: Not that doesn't seem like a dumb thing, asked though, 332 00:15:17,480 --> 00:15:20,800 Speaker 2: I'm sure a lot of people listening have yeah, found 333 00:15:20,840 --> 00:15:21,320 Speaker 2: to that. 334 00:15:21,360 --> 00:15:23,400 Speaker 4: Sure, but wait for it. The reason why I wanted 335 00:15:23,400 --> 00:15:25,680 Speaker 4: to change his pin, he said, I stumbled across an 336 00:15:25,760 --> 00:15:30,760 Speaker 4: article about the most common pin numbers that people use. 337 00:15:33,560 --> 00:15:34,840 Speaker 4: I know, I don't want to say which one it 338 00:15:34,880 --> 00:15:38,720 Speaker 4: is because for obvious reasons, but I don't think he's 339 00:15:38,760 --> 00:15:41,200 Speaker 4: managed to do it just yet. But his was not 340 00:15:41,280 --> 00:15:45,640 Speaker 4: just his phone. It's more than It's everything pin, isn't it? 341 00:15:46,320 --> 00:15:47,960 Speaker 4: And his was in the top five. That's all I'm 342 00:15:48,000 --> 00:15:50,160 Speaker 4: going to say, Okay, And he was like, I'm very stressed. 343 00:15:50,280 --> 00:15:52,320 Speaker 4: I thought it was quite special in my pin or, 344 00:15:52,360 --> 00:15:54,840 Speaker 4: he said to me. I thought I was double bluffing everyone. 345 00:15:55,000 --> 00:15:57,000 Speaker 4: I went for an obvious one and the criminals wouldn't 346 00:15:57,040 --> 00:16:01,440 Speaker 4: think we're doing obviously done too, vivad. But amazingly I 347 00:16:01,760 --> 00:16:04,480 Speaker 4: found the top ten most common pins, like number The 348 00:16:04,560 --> 00:16:07,040 Speaker 4: number one most common pin is one, two, three, four, 349 00:16:07,160 --> 00:16:12,640 Speaker 4: if that makes sense, but you idiots don't do one 350 00:16:12,760 --> 00:16:14,000 Speaker 4: two that makes so much sense? 351 00:16:14,040 --> 00:16:15,240 Speaker 3: Number two one one one one. 352 00:16:16,920 --> 00:16:23,440 Speaker 4: Can't just do something number three zero zero zero zero, Like, guys, just. 353 00:16:23,760 --> 00:16:26,320 Speaker 3: Do you have the birth year or something like? Just 354 00:16:26,600 --> 00:16:27,320 Speaker 3: change it up? 355 00:16:27,440 --> 00:16:29,960 Speaker 2: But little what is the efficiency there? Is it just 356 00:16:29,960 --> 00:16:32,440 Speaker 2: that you're gonna forget it? Is it because it's easier 357 00:16:32,440 --> 00:16:32,920 Speaker 2: to put in? 358 00:16:33,120 --> 00:16:35,080 Speaker 4: I think it's efficient? Or if you're my dad, you 359 00:16:35,080 --> 00:16:37,720 Speaker 4: think you're double bluffing the criminals. I won't guess the 360 00:16:37,720 --> 00:16:39,960 Speaker 4: obvious ones, so I'm gonna put them down, but we'll 361 00:16:40,000 --> 00:16:42,440 Speaker 4: little Giggle are coming in at number ten most common 362 00:16:42,440 --> 00:16:47,360 Speaker 4: pin six nine six ' nine. Humor is alive and 363 00:16:47,360 --> 00:16:50,040 Speaker 4: well everyone. But here's the thing. Here's the thing I'd 364 00:16:50,080 --> 00:16:53,120 Speaker 4: like to ask, Here's the thing I've had to change 365 00:16:53,160 --> 00:16:56,280 Speaker 4: my pin. Here's the thing I'd love to ask Australia 366 00:16:56,320 --> 00:16:59,480 Speaker 4: right now. Thirteen one oh sixty five is the number. 367 00:17:00,120 --> 00:17:04,720 Speaker 4: What's the dumbest tech question a parent has asked of you? 368 00:17:05,560 --> 00:17:07,919 Speaker 1: Yeah, there've been a lot out there, they. 369 00:17:08,240 --> 00:17:11,679 Speaker 4: Ask a lot, But what is what was truly the 370 00:17:11,800 --> 00:17:13,679 Speaker 4: dumbest one they asked you? 371 00:17:13,760 --> 00:17:16,439 Speaker 1: In the text sphere. My mom called me once and 372 00:17:16,440 --> 00:17:17,719 Speaker 1: asked me how to turn off her computer. 373 00:17:18,440 --> 00:17:23,640 Speaker 3: Brilliant, brilliant, and it's been on ever since. 374 00:17:25,359 --> 00:17:25,920 Speaker 1: To get a new one. 375 00:17:27,520 --> 00:17:30,600 Speaker 4: Shantell, This was actually your grandma who asked a dumb 376 00:17:30,640 --> 00:17:31,240 Speaker 4: tech question. 377 00:17:32,119 --> 00:17:36,800 Speaker 10: Yes, yes, it was what she asked, if you. 378 00:17:36,800 --> 00:17:40,720 Speaker 1: Wouldn't mind sharing, Yes, it was boys a little bit 379 00:17:40,720 --> 00:17:41,000 Speaker 1: with you. 380 00:17:43,080 --> 00:17:44,960 Speaker 11: My grandma gave me a call and she goes to 381 00:17:45,119 --> 00:17:48,000 Speaker 11: tell I said, yeah, and she goes, how do I 382 00:17:48,040 --> 00:17:49,000 Speaker 11: make a phone call? 383 00:17:50,840 --> 00:17:53,880 Speaker 13: Dummer, you've made a phone call. You've got me. 384 00:17:54,359 --> 00:17:57,640 Speaker 1: Brilliant a smartphone? Got a smartphone, Chantel. 385 00:17:57,840 --> 00:18:00,159 Speaker 12: Yes, she's an iPhone and she's up with her it. 386 00:18:01,640 --> 00:18:03,520 Speaker 4: Can I just say to be fair, you know those 387 00:18:03,600 --> 00:18:05,760 Speaker 4: old phones. I used to always struggle with him where 388 00:18:05,800 --> 00:18:09,280 Speaker 4: you had to like it. There was like a wheel 389 00:18:09,400 --> 00:18:11,320 Speaker 4: on the front of the telephone and you had to 390 00:18:11,320 --> 00:18:15,480 Speaker 4: like I just couldn't get my head around that. I 391 00:18:15,560 --> 00:18:17,600 Speaker 4: did not know how to dial numbers with that thing. 392 00:18:17,680 --> 00:18:19,240 Speaker 2: What do you mean because you had to put your 393 00:18:19,280 --> 00:18:21,480 Speaker 2: finger in the hole and you spun it around the end. 394 00:18:21,680 --> 00:18:21,920 Speaker 9: Yeah. 395 00:18:22,200 --> 00:18:24,080 Speaker 3: I just couldn't get my head around it. I don't 396 00:18:24,080 --> 00:18:26,520 Speaker 3: know why. Let's go to Courtney here. 397 00:18:27,040 --> 00:18:28,000 Speaker 1: What did he get? 398 00:18:28,800 --> 00:18:31,000 Speaker 4: I don't know, but I could just I couldn't figure it. 399 00:18:31,000 --> 00:18:33,440 Speaker 4: Out as in you couldn't call nah, not with those 400 00:18:33,440 --> 00:18:34,200 Speaker 4: old school phones. 401 00:18:34,240 --> 00:18:36,800 Speaker 2: So if you got to like a hotel and one 402 00:18:36,840 --> 00:18:38,520 Speaker 2: of them was in there, it was like, damn it. 403 00:18:40,000 --> 00:18:42,320 Speaker 1: Off the grid, Courtney. 404 00:18:43,000 --> 00:18:45,400 Speaker 4: You used to work for Votera Phone and you got 405 00:18:45,400 --> 00:18:46,879 Speaker 4: a pretty dumb tech question. 406 00:18:48,680 --> 00:18:51,360 Speaker 12: Yeah, so I had someone come in because their messages 407 00:18:51,400 --> 00:18:55,359 Speaker 12: weren't going through and it came up no syms. 408 00:18:55,560 --> 00:18:59,720 Speaker 15: Yeah, I had a sim card and their sim card 409 00:18:59,760 --> 00:19:00,600 Speaker 15: was their wallet. 410 00:19:00,640 --> 00:19:02,160 Speaker 13: They didn't realize it needed. 411 00:19:04,760 --> 00:19:06,640 Speaker 1: Basically cool, court very good. 412 00:19:06,840 --> 00:19:11,840 Speaker 2: It's dumbest tack question. This is your mom that asked you. 413 00:19:14,160 --> 00:19:16,720 Speaker 16: So every time I FaceTime my mother I'm back in 414 00:19:16,720 --> 00:19:20,440 Speaker 16: the UK, she answers her phone very oddly and then 415 00:19:20,440 --> 00:19:23,960 Speaker 16: asks why she can't see me, and and I'm like, Mom, 416 00:19:24,280 --> 00:19:27,480 Speaker 16: you put your finger on the camera lens. What do 417 00:19:27,520 --> 00:19:27,880 Speaker 16: you mean? 418 00:19:28,280 --> 00:19:30,200 Speaker 17: In fact, you've got your fum on the camera lands 419 00:19:30,440 --> 00:19:33,239 Speaker 17: but I can't see you. I'm like, I know your 420 00:19:33,280 --> 00:19:37,120 Speaker 17: fum is on the camera lens. Oh oh all right, yeah, 421 00:19:37,920 --> 00:19:40,600 Speaker 17: me and my mom you're like forty forty six or 422 00:19:40,600 --> 00:19:43,200 Speaker 17: something else, like surely you're surely you're a bit more 423 00:19:43,200 --> 00:19:44,040 Speaker 17: switched on me. 424 00:19:44,480 --> 00:19:46,119 Speaker 4: And what I find as well, curd is then you 425 00:19:46,160 --> 00:19:48,440 Speaker 4: got you figure out the finger solution and you go okay, 426 00:19:48,440 --> 00:19:49,960 Speaker 4: as you've now that, and then as soon as you 427 00:19:50,040 --> 00:19:51,040 Speaker 4: talk again, you. 428 00:19:51,080 --> 00:19:56,480 Speaker 3: Just get ere. You just get close up. Stop putting, Yeah, 429 00:19:57,440 --> 00:19:58,080 Speaker 3: the volume up. 430 00:19:58,600 --> 00:20:01,679 Speaker 2: You know what was using time was OVID when your parents, 431 00:20:01,760 --> 00:20:03,920 Speaker 2: when you had to do the zoom calls with your parents, 432 00:20:03,960 --> 00:20:05,600 Speaker 2: and they were excited to get the whole family on 433 00:20:05,600 --> 00:20:13,040 Speaker 2: the zoom call. That was awesome just watching them for 434 00:20:13,200 --> 00:20:16,760 Speaker 2: camera space, for volume, unmuting themselves. 435 00:20:17,680 --> 00:20:19,400 Speaker 4: We did a zoom call, we would get the whole 436 00:20:19,400 --> 00:20:22,239 Speaker 4: family involved, So an executed family, grandparents, et cetera. At 437 00:20:22,240 --> 00:20:25,240 Speaker 4: one time logged into the zoom call. Both grandparents bomb 438 00:20:25,280 --> 00:20:27,560 Speaker 4: Stark not just sitting there. They did not know it 439 00:20:27,600 --> 00:20:28,280 Speaker 4: was a video call. 440 00:20:31,880 --> 00:20:33,560 Speaker 3: Well done, grandpa, Elizabeth. 441 00:20:34,760 --> 00:20:35,359 Speaker 1: Why they. 442 00:20:38,480 --> 00:20:39,439 Speaker 3: On quite nice chairs? 443 00:20:42,480 --> 00:20:43,160 Speaker 1: How old are they? 444 00:20:44,520 --> 00:20:46,120 Speaker 3: One of it's still with us is ninety four. 445 00:20:46,280 --> 00:20:48,119 Speaker 1: It might have been COVID, you know, with the bales 446 00:20:48,160 --> 00:20:49,080 Speaker 1: of who knows? 447 00:20:50,200 --> 00:20:52,040 Speaker 4: You know, I've got a theory that I think all 448 00:20:52,080 --> 00:20:55,320 Speaker 4: elderly people are know it all day until they get visitors. Elizabeth, 449 00:20:55,960 --> 00:21:00,399 Speaker 4: I don't know that you were the one asked a 450 00:21:00,440 --> 00:21:02,280 Speaker 4: dumb tech question, Elizabeth, I. 451 00:21:02,560 --> 00:21:05,800 Speaker 13: Was actually made yes, says up to this day. I 452 00:21:05,920 --> 00:21:08,440 Speaker 13: tell the story and everyone just laughed. Only I would 453 00:21:08,440 --> 00:21:14,760 Speaker 13: do something like this. We're actually trying computer training and 454 00:21:15,119 --> 00:21:18,080 Speaker 13: the teacher asked us all to look for our mouse, 455 00:21:18,840 --> 00:21:20,440 Speaker 13: and at the time I didn't even know what a 456 00:21:20,520 --> 00:21:22,520 Speaker 13: mouse was, but I was looking on the screen for 457 00:21:22,600 --> 00:21:25,160 Speaker 13: the mouse, and I'm yelling. I'm saying to the teacher, 458 00:21:25,200 --> 00:21:28,120 Speaker 13: I can't see the mouse. Where's the mouth? And I'm 459 00:21:28,160 --> 00:21:29,639 Speaker 13: looking on the screen for the mouse. 460 00:21:31,320 --> 00:21:36,280 Speaker 1: Go on, where was the mouse, Elizabeth? Where was it? 461 00:21:36,440 --> 00:21:37,359 Speaker 13: Where was the mouth? 462 00:21:38,720 --> 00:21:38,920 Speaker 3: Yeah? 463 00:21:38,960 --> 00:21:41,120 Speaker 1: Where was it? Take us? There? 464 00:21:41,160 --> 00:21:43,080 Speaker 3: Have we got to the end of the night here, Elizabeth? 465 00:21:43,920 --> 00:21:47,160 Speaker 1: Sorry? 466 00:21:51,320 --> 00:21:54,359 Speaker 4: Is there something about you that the whole office found 467 00:21:54,400 --> 00:21:55,199 Speaker 4: out about? 468 00:21:55,560 --> 00:21:58,359 Speaker 1: Oh? It's a shocking feeling, worst feeling in the world. 469 00:21:58,480 --> 00:21:59,960 Speaker 1: And I feel like Gina Ryan. 470 00:22:00,080 --> 00:22:02,560 Speaker 2: It could be in those sorts of areas right now, 471 00:22:02,560 --> 00:22:05,760 Speaker 2: but rather than the whole Office, it's the whole of Australia. 472 00:22:05,840 --> 00:22:10,240 Speaker 2: So there's this portrait of her that's been done recently. 473 00:22:09,840 --> 00:22:11,600 Speaker 1: And she's not very happy about it. 474 00:22:11,720 --> 00:22:14,479 Speaker 18: Mining billionaire Jeina rein Hart has called on the National 475 00:22:14,480 --> 00:22:17,919 Speaker 18: Gallery of Australia to remove a portrait of herself. The 476 00:22:18,040 --> 00:22:21,800 Speaker 18: artwork is hanging alongside other notable faces, including the late 477 00:22:21,880 --> 00:22:25,840 Speaker 18: Queen afl Legend Adam Goods and former Prime Minister Julia Gillard. 478 00:22:25,880 --> 00:22:26,679 Speaker 1: They're all by. 479 00:22:26,720 --> 00:22:30,840 Speaker 18: Artabald Prize winning Indigenous artist Vincent Namageira. The gallery has 480 00:22:30,880 --> 00:22:34,280 Speaker 18: refused to remove Ryan Hart's portrait, saying it welcomes public 481 00:22:34,320 --> 00:22:36,920 Speaker 18: dialogue on its collection and displays. 482 00:22:37,800 --> 00:22:41,760 Speaker 4: Namageira he's a genius, he was unbelievable and honor to 483 00:22:41,760 --> 00:22:44,680 Speaker 4: be painted by album since I was talking about Albert, Yes, yes, 484 00:22:44,760 --> 00:22:45,720 Speaker 4: absolutely an honor. 485 00:22:45,880 --> 00:22:48,960 Speaker 1: Yes. So all the works up there looks amazing. 486 00:22:49,920 --> 00:22:53,760 Speaker 4: Who doesn't. Oh yeah, it's not a great. It's not 487 00:22:53,840 --> 00:22:55,600 Speaker 4: a great, it's not a good it's not a good angle, 488 00:22:55,600 --> 00:22:58,000 Speaker 4: it's not a flattering painting of her. I would say 489 00:22:58,160 --> 00:23:01,200 Speaker 4: to h, yeah, would you know it was her that? 490 00:23:01,280 --> 00:23:03,920 Speaker 4: If you if you saw just the portrait, I no, 491 00:23:04,040 --> 00:23:06,720 Speaker 4: I don't think I would. If it didn't have any 492 00:23:07,040 --> 00:23:09,400 Speaker 4: name of her or under it at all, I would. 493 00:23:09,440 --> 00:23:11,960 Speaker 4: I wouldn't look at that and go oh, classic Gena. 494 00:23:12,200 --> 00:23:14,920 Speaker 1: What would you think it was of If it wasn't 495 00:23:14,920 --> 00:23:15,399 Speaker 1: of Gina? 496 00:23:16,240 --> 00:23:18,000 Speaker 3: What is a random woman? 497 00:23:19,000 --> 00:23:21,520 Speaker 4: Well, yeah, there's no other woman that I could or 498 00:23:21,600 --> 00:23:23,199 Speaker 4: person that I look at there and go oh, that 499 00:23:23,280 --> 00:23:24,000 Speaker 4: must be that person. 500 00:23:25,480 --> 00:23:26,640 Speaker 1: So there's no cent resemblance. 501 00:23:26,680 --> 00:23:27,879 Speaker 3: I know you don't. You're trying to trap me. This 502 00:23:27,920 --> 00:23:30,760 Speaker 3: is entrapment. This is entrapment. I'm not, I'm not. 503 00:23:31,200 --> 00:23:33,960 Speaker 2: I'm not coming on just talking about Astralias richest woman 504 00:23:34,000 --> 00:23:35,920 Speaker 2: who could crush you. 505 00:23:36,160 --> 00:23:37,879 Speaker 1: There's no semblance at all for you in the painting. 506 00:23:38,520 --> 00:23:39,600 Speaker 1: You just asking to to her. 507 00:23:39,680 --> 00:23:40,840 Speaker 3: No, I don't think so. I wouldn't. 508 00:23:40,840 --> 00:23:44,280 Speaker 4: I wouldn't walk into the gallery and then go, you know, oh, 509 00:23:44,359 --> 00:23:45,800 Speaker 4: that's that's clearly a portrait of Gena. 510 00:23:45,840 --> 00:23:47,439 Speaker 3: Right, huh, okay, good night? 511 00:23:48,440 --> 00:23:50,639 Speaker 1: Would I would you? It's not about me. I'm asking 512 00:23:50,680 --> 00:23:51,560 Speaker 1: you now. 513 00:23:52,200 --> 00:23:53,840 Speaker 2: So she's looks she's asked for it to be taken 514 00:23:53,920 --> 00:23:56,080 Speaker 2: down because she's not bloody happy about it. 515 00:23:56,760 --> 00:24:00,480 Speaker 4: She think it's an unflattering portrait of her. Obviously, yes, 516 00:24:01,240 --> 00:24:02,520 Speaker 4: I think that's what we can assume. 517 00:24:02,640 --> 00:24:05,360 Speaker 2: And look, if I was, I just I don't know. 518 00:24:05,640 --> 00:24:07,360 Speaker 2: I don't know who's in charge of her PR. I'm 519 00:24:07,359 --> 00:24:09,320 Speaker 2: sure she's got somebody who looks after a PR. But 520 00:24:09,320 --> 00:24:11,800 Speaker 2: if I was in a position, I probably wouldn't be. 521 00:24:12,000 --> 00:24:12,840 Speaker 2: I just wouldn't have said. 522 00:24:12,720 --> 00:24:17,000 Speaker 1: Anything because now everyone's going to go and look at it. 523 00:24:17,359 --> 00:24:19,280 Speaker 2: I wouldn't have known about this thing. I'm not in 524 00:24:19,280 --> 00:24:22,280 Speaker 2: the National Gallery anytime soon, probably not the next ten years. 525 00:24:22,440 --> 00:24:24,600 Speaker 1: No one knew it was I didn't even know well exactly. 526 00:24:24,640 --> 00:24:26,080 Speaker 1: You wouldn't have even known it was her. 527 00:24:26,880 --> 00:24:29,119 Speaker 2: Has got a name under it, I think, but unless 528 00:24:29,160 --> 00:24:30,520 Speaker 2: you were there, you wouldn't known it was her. And 529 00:24:30,520 --> 00:24:32,679 Speaker 2: now all of a sudden, we've all got this portrait 530 00:24:32,800 --> 00:24:36,480 Speaker 2: photo of her that you know. She's buddy annoyed about it. 531 00:24:36,560 --> 00:24:38,639 Speaker 2: She's given it a whole bunch of airtime, and I 532 00:24:38,760 --> 00:24:40,480 Speaker 2: just think that's a blunder. And it's the same as 533 00:24:40,480 --> 00:24:43,639 Speaker 2: if you were in the office and word gets around 534 00:24:43,640 --> 00:24:46,480 Speaker 2: about you, about something in your personal life, and soon 535 00:24:46,560 --> 00:24:47,920 Speaker 2: everybody knows about it. 536 00:24:47,920 --> 00:24:51,160 Speaker 1: It is the worst feeling in the world. 537 00:24:51,400 --> 00:24:52,680 Speaker 3: Got a story, I'm sure. 538 00:24:52,920 --> 00:24:57,480 Speaker 4: I'm sure you do it now or after the song, 539 00:24:57,480 --> 00:24:58,360 Speaker 4: because I'm excited how. 540 00:24:58,320 --> 00:24:59,600 Speaker 1: We hear it after the song. I've got a color. 541 00:24:59,680 --> 00:25:01,240 Speaker 2: So I mean, we found out the other day to 542 00:25:01,280 --> 00:25:05,760 Speaker 2: his absolutely dismayed that Captain poot Pants needs a raspberry. 543 00:25:06,119 --> 00:25:08,720 Speaker 1: Like an adult, like what you do to a toddler. 544 00:25:08,960 --> 00:25:12,040 Speaker 2: He requires a raspberry on his belly from his girlfriend 545 00:25:12,080 --> 00:25:13,439 Speaker 2: Georgie before he goes to bed at night. 546 00:25:13,520 --> 00:25:16,480 Speaker 3: Yep, she's since been at our place too. True too, 547 00:25:16,520 --> 00:25:18,840 Speaker 3: and it needs to be. 548 00:25:21,280 --> 00:25:24,760 Speaker 1: That's the way she got like a car horn, a 549 00:25:24,840 --> 00:25:25,320 Speaker 1: car horn. 550 00:25:25,600 --> 00:25:28,600 Speaker 4: We also found out about poop Pants. Unfortunately, he put 551 00:25:28,600 --> 00:25:31,640 Speaker 4: his hand up to drive us somewhere. We're obviously going 552 00:25:31,640 --> 00:25:35,040 Speaker 4: to video something somewhere, and we found a spare pair 553 00:25:35,080 --> 00:25:38,240 Speaker 4: of black underwear in the back of his car, and 554 00:25:38,400 --> 00:25:41,200 Speaker 4: obviously word got out there that he requires a spare 555 00:25:41,240 --> 00:25:43,480 Speaker 4: pair of underwear at all times, and henceforth we have 556 00:25:43,520 --> 00:25:44,960 Speaker 4: called him poop pants. 557 00:25:45,160 --> 00:25:46,680 Speaker 3: Do you guys have any stories of your own? 558 00:25:46,680 --> 00:25:47,520 Speaker 1: I'm gonna keep going. 559 00:25:48,359 --> 00:25:50,280 Speaker 2: Would he bad at this because he's auded you twice? 560 00:25:50,320 --> 00:25:52,920 Speaker 2: He added you with the blacks, it's unfortunate for you 561 00:25:52,960 --> 00:25:55,159 Speaker 2: that that's a pair of Safeway jocks. You've got the vedica, 562 00:25:55,640 --> 00:25:57,680 Speaker 2: and he added you about the double raspberry on your belly, 563 00:25:57,680 --> 00:25:59,760 Speaker 2: which is also unfortunate for you. He also outed me 564 00:25:59,800 --> 00:26:02,080 Speaker 2: when I was dating our on air host at the time. 565 00:26:02,840 --> 00:26:04,320 Speaker 2: We told the whole office I did. 566 00:26:04,160 --> 00:26:04,720 Speaker 1: Not you did? 567 00:26:04,800 --> 00:26:06,879 Speaker 2: I told one person you didn't yes, And then you 568 00:26:06,920 --> 00:26:09,159 Speaker 2: insinuated constantly on air because you asked us at the 569 00:26:09,200 --> 00:26:10,840 Speaker 2: same time what we were doing on the weekend, knowing 570 00:26:10,840 --> 00:26:12,400 Speaker 2: full well that we would be doing the same thing. 571 00:26:12,520 --> 00:26:14,399 Speaker 1: I did not thought you did a friendly question that 572 00:26:14,480 --> 00:26:15,040 Speaker 1: all the time. 573 00:26:15,680 --> 00:26:17,919 Speaker 2: There was also a former I mean, please feel free 574 00:26:17,960 --> 00:26:19,679 Speaker 2: to call with your examples. We're gonna hear what example 575 00:26:19,680 --> 00:26:20,200 Speaker 2: on the other side. 576 00:26:20,240 --> 00:26:22,600 Speaker 1: A bit of a wild one former office we were in. 577 00:26:23,160 --> 00:26:25,560 Speaker 2: We found out that there was a particular employee who 578 00:26:25,720 --> 00:26:30,399 Speaker 2: would proposition people for a menaje attire frequently on a 579 00:26:30,400 --> 00:26:31,080 Speaker 2: Saturday night. 580 00:26:32,040 --> 00:26:34,440 Speaker 1: Yeah, that was wild goss at the time. 581 00:26:34,680 --> 00:26:37,040 Speaker 4: I'm obviously not going to tell you on air. 582 00:26:37,119 --> 00:26:37,800 Speaker 3: No one told me that. 583 00:26:37,840 --> 00:26:38,720 Speaker 1: I'll tell you in the song. 584 00:26:38,840 --> 00:26:39,679 Speaker 3: No one could trust me. 585 00:26:40,480 --> 00:26:41,320 Speaker 1: No, No, you. 586 00:26:42,000 --> 00:26:44,399 Speaker 2: Loose lips sinc ships mate, we all know. Do you 587 00:26:44,400 --> 00:26:46,480 Speaker 2: think that we'd all be tiptoeing around this so much 588 00:26:46,480 --> 00:26:49,879 Speaker 2: if she wasn't the wealthiest person in Australia? Do you think? 589 00:26:49,920 --> 00:26:51,760 Speaker 2: Because it's prettyunny, I've got the news article in front 590 00:26:51,760 --> 00:26:56,200 Speaker 2: of me and they have put up like this most glowing. 591 00:26:56,000 --> 00:27:00,200 Speaker 1: Photo of Gina. It's Gina at her best. This is 592 00:27:00,240 --> 00:27:00,679 Speaker 1: the portrait. 593 00:27:01,000 --> 00:27:04,400 Speaker 2: Everybody's obviously on eggs shells around this thing because she's 594 00:27:04,480 --> 00:27:07,760 Speaker 2: upset about it. And I can understand that she's upset 595 00:27:07,800 --> 00:27:09,480 Speaker 2: about it. I wouldn't want a bad painting of me 596 00:27:10,440 --> 00:27:13,360 Speaker 2: on show. Sure for the whole of Australia to say sure, 597 00:27:13,720 --> 00:27:17,600 Speaker 2: but also yeah, I mean I don't know if I 598 00:27:17,800 --> 00:27:20,200 Speaker 2: don't know if I'd asked to get it taken down though. 599 00:27:20,400 --> 00:27:22,080 Speaker 4: Because then there's a lot of heat on it, and 600 00:27:22,080 --> 00:27:24,399 Speaker 4: then you get, you know, two idiots on radio talking 601 00:27:24,440 --> 00:27:26,280 Speaker 4: about it, and we're getting a whole lot of attention 602 00:27:26,320 --> 00:27:26,520 Speaker 4: on it. 603 00:27:26,600 --> 00:27:28,560 Speaker 1: I tend to agree yeah, third. 604 00:27:28,480 --> 00:27:30,320 Speaker 2: One and six five though, we feel like Jeanne's in 605 00:27:30,320 --> 00:27:32,520 Speaker 2: the position where you know, you're in the office and 606 00:27:32,560 --> 00:27:34,560 Speaker 2: it's almost like she's in the spot where everyone's found 607 00:27:34,560 --> 00:27:36,720 Speaker 2: out it's something very embarrassing about her and she just 608 00:27:36,720 --> 00:27:37,600 Speaker 2: wants it buried. 609 00:27:38,200 --> 00:27:40,880 Speaker 1: Thirty one and six five. Most embarrassing thing that. 610 00:27:40,800 --> 00:27:43,600 Speaker 2: The office found out about you? If you wanted to 611 00:27:43,640 --> 00:27:45,399 Speaker 2: give us a call here at willing Woody, Kate's called. 612 00:27:45,280 --> 00:27:47,560 Speaker 19: Kate, Hi, I got's are going? 613 00:27:48,320 --> 00:27:50,080 Speaker 1: You had an embarrassing thing the office found out about? 614 00:27:51,080 --> 00:27:55,359 Speaker 19: Well, I see, I ended up having a I passed 615 00:27:55,359 --> 00:27:59,320 Speaker 19: out and was wearing a cress and my ass was 616 00:27:59,440 --> 00:28:01,520 Speaker 19: up one of those kind of underwhere I went. 617 00:28:01,520 --> 00:28:03,280 Speaker 17: Now, I love that. 618 00:28:03,280 --> 00:28:05,840 Speaker 4: That's a shame, shocking, that's a shame that reminds me 619 00:28:05,840 --> 00:28:08,040 Speaker 4: of a friend of mine who was in a like 620 00:28:08,040 --> 00:28:11,840 Speaker 4: a cadets thing where they did a long march like 621 00:28:11,840 --> 00:28:14,240 Speaker 4: a junior army thing, like a junior army thing, and 622 00:28:14,440 --> 00:28:17,040 Speaker 4: the big that they stand still for a very long time. Anyway, 623 00:28:17,160 --> 00:28:20,240 Speaker 4: poor side, he was already killed and he went legit 624 00:28:20,280 --> 00:28:26,560 Speaker 4: with it and he passed out and killed from up, 625 00:28:26,600 --> 00:28:29,640 Speaker 4: and the whole crab was just like and there it is. 626 00:28:30,680 --> 00:28:34,080 Speaker 4: Let's go to Peter here, Peter, this was about you. 627 00:28:34,160 --> 00:28:35,280 Speaker 3: The office found out. 628 00:28:35,119 --> 00:28:36,399 Speaker 1: Balls underho killed. 629 00:28:38,480 --> 00:28:42,600 Speaker 4: Sorry, mate, you gotta do it, Pete. 630 00:28:42,840 --> 00:28:45,040 Speaker 3: What did the office find out about you? Pete? 631 00:28:45,680 --> 00:28:51,440 Speaker 9: Well, I was falling around with my receptionist and one 632 00:28:51,440 --> 00:28:55,520 Speaker 9: of my reps. He flirted out at the office, and 633 00:28:55,600 --> 00:28:58,960 Speaker 9: my wife actually worked in the office with us, Peter, Pete, 634 00:28:59,480 --> 00:29:02,800 Speaker 9: and I end up that the receptions was pregnant and 635 00:29:02,880 --> 00:29:04,400 Speaker 9: we're still together this end today. 636 00:29:04,760 --> 00:29:11,920 Speaker 4: Oh see, you're with the receptionist now, yes, fourteen years now, Okay, okay, 637 00:29:12,360 --> 00:29:17,840 Speaker 4: it is hard to yeah, it's a. 638 00:29:17,760 --> 00:29:18,240 Speaker 3: Okay. 639 00:29:18,520 --> 00:29:22,120 Speaker 1: So my hot ology, which was brutally shut off. 640 00:29:21,960 --> 00:29:25,640 Speaker 2: By Beatina, Yes, yes, she so, is my favorite moment 641 00:29:25,640 --> 00:29:27,920 Speaker 2: from the French Revolution. It's about this guy called Camie Demola. 642 00:29:28,040 --> 00:29:30,520 Speaker 2: All right, and I the reason we're doing this because 643 00:29:30,600 --> 00:29:32,360 Speaker 2: I actually want you. I would like you to say 644 00:29:32,400 --> 00:29:35,520 Speaker 2: that because I don't want to thank you. So basically 645 00:29:36,360 --> 00:29:39,720 Speaker 2: he's responsible. Effectively, he is responsed. There's lots of different 646 00:29:39,720 --> 00:29:42,280 Speaker 2: things about the French Revolution which lead to this moment 647 00:29:42,520 --> 00:29:43,840 Speaker 2: on the fourteenth of July. 648 00:29:43,720 --> 00:29:46,800 Speaker 1: Called Bastiel Day. Okay, I heard of Bastille Day. 649 00:29:46,920 --> 00:29:49,720 Speaker 2: That's basically the day when I'm going to dull the 650 00:29:49,800 --> 00:29:52,320 Speaker 2: language down for you. But basically all the working class 651 00:29:52,360 --> 00:29:58,480 Speaker 2: people storm the Bastile, which is the old prison. 652 00:29:58,560 --> 00:29:59,600 Speaker 1: In the middle of Paris. 653 00:30:00,160 --> 00:30:02,000 Speaker 3: You to get to your point, okay, because you're losing me. 654 00:30:02,080 --> 00:30:04,600 Speaker 4: Okay, Can I just say that if we hear a beep, 655 00:30:04,720 --> 00:30:06,200 Speaker 4: now what it means? 656 00:30:07,120 --> 00:30:07,280 Speaker 1: Enough? 657 00:30:08,240 --> 00:30:11,880 Speaker 4: What what I'm trying? 658 00:30:12,120 --> 00:30:14,360 Speaker 1: That's the context you need the context? Okay, Okay, So 659 00:30:14,400 --> 00:30:17,080 Speaker 1: com Demela. Okay, he's the guy, right, he's got this 660 00:30:17,200 --> 00:30:21,240 Speaker 1: crippling stutter. Yes, he's a really really shy guy. He's 661 00:30:21,280 --> 00:30:24,240 Speaker 1: a family guy. He's he's got a stutter. He's a lawyer. Okay. 662 00:30:24,800 --> 00:30:26,520 Speaker 2: Now this is where MIKEE is slightly boring, but you 663 00:30:26,560 --> 00:30:28,800 Speaker 2: need to stay with him. No, please, please please, Okay. 664 00:30:29,600 --> 00:30:32,480 Speaker 2: There's like tensions are really really high between the king 665 00:30:32,640 --> 00:30:35,080 Speaker 2: who's still in charge, Louis the sixteenth and all the 666 00:30:35,080 --> 00:30:36,760 Speaker 2: people in Paris was Louis the sixteenth. 667 00:30:36,800 --> 00:30:40,000 Speaker 1: We're in an iron mask. No different guy, no, go on. 668 00:30:40,080 --> 00:30:44,720 Speaker 2: No, So Louis the sixteenth, right, so he's in charge. Okay, 669 00:30:44,880 --> 00:30:48,160 Speaker 2: you've got Paris a boiling point. People aren't getting fair. 670 00:30:48,240 --> 00:30:52,959 Speaker 2: There's there's all these multiple wars, unrest, shocking, it's awful 671 00:30:53,000 --> 00:30:54,600 Speaker 2: time to live there. But the king lives in the 672 00:30:54,680 --> 00:30:58,800 Speaker 2: sun Palace of course, right in Versailles. They hate him, yes, okay. 673 00:30:59,200 --> 00:31:02,880 Speaker 2: Then one on the twelfth of July, right between the 674 00:31:02,880 --> 00:31:06,040 Speaker 2: fourteenth and fourteen and fourteenth July, he sacks this guy 675 00:31:06,040 --> 00:31:09,200 Speaker 2: called Jaques Necker, who's the finance minister. Okay, it's pretty 676 00:31:09,240 --> 00:31:11,520 Speaker 2: much like the people's last representative. He's the only person 677 00:31:11,560 --> 00:31:13,680 Speaker 2: who will talk to the king. When he was representing 678 00:31:13,720 --> 00:31:16,000 Speaker 2: the people, he was like dark Necker. The people liked him, Yeah, 679 00:31:16,040 --> 00:31:18,720 Speaker 2: they liked this guy. King sacks him. He's like, shut up, mate, 680 00:31:18,720 --> 00:31:19,560 Speaker 2: nobody cares what you think. 681 00:31:19,600 --> 00:31:20,600 Speaker 3: Off with his head kind of thing. 682 00:31:20,600 --> 00:31:24,160 Speaker 4: Yeah, Camille, Yeah, probably, Well, the ghillotine is not out yet, 683 00:31:24,200 --> 00:31:26,360 Speaker 4: but like they would have killed him and tortured him anyway, 684 00:31:27,200 --> 00:31:29,240 Speaker 4: Camille Demolant is sitting at a cafe. 685 00:31:29,800 --> 00:31:30,040 Speaker 1: Right. 686 00:31:30,120 --> 00:31:32,320 Speaker 2: He's a very passionate guy, but he's a very quiet guy, 687 00:31:32,360 --> 00:31:34,479 Speaker 2: and he's got his massive stutter. He's sitting at a 688 00:31:34,480 --> 00:31:36,840 Speaker 2: cafe out the front of the Palais Royal, which is 689 00:31:36,880 --> 00:31:39,880 Speaker 2: the old palace in the middle of Paris. If anyone's 690 00:31:39,920 --> 00:31:41,640 Speaker 2: been to Paris, you know where the louver is, the 691 00:31:41,640 --> 00:31:42,720 Speaker 2: tuillery gardens are. 692 00:31:42,640 --> 00:31:43,320 Speaker 3: O cares where it is. 693 00:31:43,320 --> 00:31:48,080 Speaker 4: Ok, So he's sitting in a cafe out the front 694 00:31:48,080 --> 00:31:48,960 Speaker 4: of the Palais Royal. 695 00:31:49,040 --> 00:31:50,560 Speaker 1: If even mind this guy can't talk. 696 00:31:50,720 --> 00:31:52,520 Speaker 3: We know his stutters get to the. 697 00:31:52,560 --> 00:31:57,240 Speaker 2: Point Jarq Necker gets kicked out of the government. Yes, right, 698 00:31:57,600 --> 00:32:01,400 Speaker 2: Cami Demolant is so pissed off about this. He's so 699 00:32:01,680 --> 00:32:05,520 Speaker 2: upset about this that Mirac he stands up on a 700 00:32:05,560 --> 00:32:08,200 Speaker 2: table in the square in the middle of the Palais Royal, 701 00:32:08,520 --> 00:32:13,200 Speaker 2: in front of everyone, and because he's so emotional, somehow 702 00:32:13,920 --> 00:32:19,320 Speaker 2: totally clears his stutter. So like loses his stutter and 703 00:32:19,440 --> 00:32:24,400 Speaker 2: delivers the most rousing address in French history. Like gets 704 00:32:24,440 --> 00:32:26,880 Speaker 2: on this table in front of thousands of people and 705 00:32:26,880 --> 00:32:29,760 Speaker 2: he's basically like, we need to do. 706 00:32:29,640 --> 00:32:30,320 Speaker 1: Something about this. 707 00:32:30,360 --> 00:32:34,200 Speaker 2: We are losing our country, and that's what kicks off 708 00:32:34,240 --> 00:32:38,920 Speaker 2: the storming of Versailles. Everybody's so straight piled up by 709 00:32:38,960 --> 00:32:42,160 Speaker 2: what he says that they spill out of the square 710 00:32:42,240 --> 00:32:45,040 Speaker 2: and they go and tell everybody what this guy has said, and. 711 00:32:44,960 --> 00:32:46,840 Speaker 1: That's what kicks off the storming of the palace. 712 00:32:46,920 --> 00:32:49,800 Speaker 2: Do you think that he was like, he loses his stutter. 713 00:32:50,080 --> 00:32:51,880 Speaker 2: He's just so emotional almost, I. 714 00:32:51,840 --> 00:32:53,800 Speaker 4: Want to focus on that, it takes over him. I 715 00:32:53,880 --> 00:32:55,560 Speaker 4: think this was a long con. I think he never 716 00:32:55,600 --> 00:32:57,719 Speaker 4: had a stutter, and I think he was building up 717 00:32:57,720 --> 00:32:59,920 Speaker 4: to this moment years of pretending to have a stutter, 718 00:33:00,000 --> 00:33:01,720 Speaker 4: and then he was like, this is my moment and 719 00:33:01,760 --> 00:33:03,760 Speaker 4: everyone will think, how amazing. I've dropped my startup. I'm 720 00:33:03,760 --> 00:33:07,120 Speaker 4: inspired by this guy. Let's charge maybe, which is as impressive. 721 00:33:07,720 --> 00:33:09,720 Speaker 2: Do you reckon from the age of five, Yeah, he 722 00:33:09,800 --> 00:33:14,239 Speaker 2: knew he was twenty years on from now, yep, there 723 00:33:14,920 --> 00:33:17,680 Speaker 2: going to be like political unrest in France. Keep in 724 00:33:17,720 --> 00:33:19,560 Speaker 2: mind that Louis the fourteenth was probably in charge. Then 725 00:33:19,560 --> 00:33:21,200 Speaker 2: he was the best king ever and everyone was very happy. 726 00:33:21,280 --> 00:33:24,680 Speaker 2: Iron mask No, that's fiction, that's fiction. 727 00:33:24,840 --> 00:33:24,959 Speaker 9: No. 728 00:33:26,160 --> 00:33:27,480 Speaker 1: I went to the Islan where they were keeping the 729 00:33:27,480 --> 00:33:28,760 Speaker 1: guy the chateau. 730 00:33:30,400 --> 00:33:33,680 Speaker 2: The iron mask is a theory of the fact that 731 00:33:33,760 --> 00:33:35,160 Speaker 2: Louis the sixteenth had a twin. 732 00:33:35,440 --> 00:33:39,440 Speaker 4: Sorry self, it's fiction. I saw himself fictional. I've been 733 00:33:39,520 --> 00:33:41,640 Speaker 4: in his cell it's fiction. Photo in his celf. There 734 00:33:41,640 --> 00:33:42,520 Speaker 4: was a war his mask. 735 00:33:42,560 --> 00:33:44,560 Speaker 2: Okay, sure there was a prisoner there who had an 736 00:33:44,600 --> 00:33:46,760 Speaker 2: iron mask on. But the theory was that. 737 00:33:46,760 --> 00:33:47,640 Speaker 1: It was the king's twin. 738 00:33:48,080 --> 00:33:51,000 Speaker 2: There was just the prisoner was The prisoner was definitely there, 739 00:33:51,040 --> 00:33:52,960 Speaker 2: but there's there's no the man in the iron mask. 740 00:33:53,720 --> 00:33:57,080 Speaker 2: There was no place, but there was no suggest there's 741 00:33:57,080 --> 00:33:59,000 Speaker 2: no proof that it was the King's twin. That was 742 00:33:59,000 --> 00:34:01,400 Speaker 2: just the running theory. There was the fan fit fan theory. 743 00:34:01,440 --> 00:34:03,880 Speaker 4: Sure, apologies for the tangent, but peggyback, Yes, I do 744 00:34:03,920 --> 00:34:05,680 Speaker 4: think that a guy at five was like, in twenty 745 00:34:05,680 --> 00:34:07,440 Speaker 4: five years, I'm going to give an amazing speech and 746 00:34:07,480 --> 00:34:08,799 Speaker 4: the only way it's going to have impact is if 747 00:34:08,800 --> 00:34:10,280 Speaker 4: I've got to start up leading up to that speech 748 00:34:10,440 --> 00:34:14,920 Speaker 4: and I think, what commitment credit to him? 749 00:34:15,120 --> 00:34:15,640 Speaker 9: Do you want that? 750 00:34:15,680 --> 00:34:20,120 Speaker 1: In the podcast? Did you like you did say? 751 00:34:20,280 --> 00:34:22,919 Speaker 14: You said, this isn't been a great movie, a movie 752 00:34:24,080 --> 00:34:27,880 Speaker 14: A long in there, five years old, you know, bringing 753 00:34:27,920 --> 00:34:29,560 Speaker 14: his dad, bringing his dad you. 754 00:34:29,520 --> 00:34:31,879 Speaker 2: Know, that's obviously paid by your idea. But he comes 755 00:34:31,920 --> 00:34:33,560 Speaker 2: in and they're doing the whole like you know, no, 756 00:34:33,600 --> 00:34:35,640 Speaker 2: you need to start stuttering. It sounds like the king 757 00:34:35,640 --> 00:34:38,000 Speaker 2: of speech, a bit of that, bit like a bit 758 00:34:38,040 --> 00:34:40,560 Speaker 2: of that, but that was popular, and it's the reverse 759 00:34:40,640 --> 00:34:42,560 Speaker 2: of the King's speech because he can talk, but he's 760 00:34:42,560 --> 00:34:43,520 Speaker 2: got to learn how to stutter. 761 00:34:44,040 --> 00:34:46,880 Speaker 4: Yes, yeah, what's the lawyer's speech? Not the title not 762 00:34:46,960 --> 00:34:50,680 Speaker 4: as strong. I admit that speech. 763 00:34:51,960 --> 00:34:54,279 Speaker 2: Was not as good anyway, does that deserve to go 764 00:34:54,320 --> 00:34:58,240 Speaker 2: in the podcast? 765 00:34:59,000 --> 00:34:59,920 Speaker 1: Straight to the podcast? 766 00:35:00,000 --> 00:35:05,839 Speaker 3: As far as pretty early? Big actually mean, I don't 767 00:35:05,840 --> 00:35:06,960 Speaker 3: know if this is given away too much. 768 00:35:06,960 --> 00:35:09,040 Speaker 4: We now have stats that let us know when people 769 00:35:09,120 --> 00:35:10,600 Speaker 4: drop off, So why is that we put this in 770 00:35:10,640 --> 00:35:14,640 Speaker 4: the podcast? And when we see if we see, yeah, 771 00:35:14,680 --> 00:35:15,680 Speaker 4: let's do that. 772 00:35:15,680 --> 00:35:15,759 Speaker 12: That