WEBVTT - Would You Have Shrek At Your Wedding? 👰💐

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<v Speaker 1>The Flex and Rooms Daily podcast.

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<v Speaker 2>Hey, it's flexing Rooms on the catch up podcast. Hey girls,

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<v Speaker 2>today we're talking about Flex's privacy. If you're a follow

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<v Speaker 2>up of Flex, which I'm sure you are, you would

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<v Speaker 2>have seen her rant and her rave on her story

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<v Speaker 2>give little examples screenshops of people messages which as a

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<v Speaker 2>viewer of your Instagram for many years, nothing tickles my

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<v Speaker 2>fancy more than you roasting people in the story. But

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<v Speaker 2>I must say, if I was that used.

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<v Speaker 3>To be my go to now I'm Hanny subtle and

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<v Speaker 3>sweet on the internet.

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<v Speaker 2>If I was in the roast, if I was in

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<v Speaker 2>the roast from you, like, that's got to hit different.

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<v Speaker 2>I want to just apologize. I can't apologize on your behalf.

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<v Speaker 2>But you know, don't have a panic attack over this.

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<v Speaker 2>I get panic attacks when people even have a whisper

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<v Speaker 2>of our criticism on me. So if you've found yourself

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<v Speaker 2>in the firing line, no, it comes from a place

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<v Speaker 2>of love or just do better.

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<v Speaker 3>I mean, I often feel as though people just lose

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<v Speaker 3>their sense when they're interacting, not just with me, like

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<v Speaker 3>look at a TikTok comment, look at some of the

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<v Speaker 3>rogue stuff that just happens eventually you kind of get

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<v Speaker 3>met with the energy you're bringing into the into the room.

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<v Speaker 3>It's just what the consequence of that action. And also

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<v Speaker 3>I feel like, you know how when you see a

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<v Speaker 3>video on any kind of platform, there's an obvious thing

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<v Speaker 3>that happens and everybody points it out. It's like dog piling,

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<v Speaker 3>so like maybe they've misspelled a word in the headline.

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<v Speaker 3>Everyone's like, it's you know, colors with you, not without

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<v Speaker 3>you or something, But every single comment saying it, that's

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<v Speaker 3>the issue. Like I had already posted about this window situation,

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<v Speaker 3>and everybody after it, I'm like, it's fair game. I'm

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<v Speaker 3>coming for you in particular because what is bring back

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<v Speaker 3>violence is where I'm at.

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<v Speaker 2>Okay, that's how I'm gonna stop. That's definitely a joke

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<v Speaker 2>for the legal team here at TITA and AAR and

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<v Speaker 2>more broadly, let's get to it.

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<v Speaker 3>And you know we've talked about quiet quitting before, right,

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<v Speaker 3>It's this craze all over the internet at the moment.

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<v Speaker 3>Contrary to what the name suggests, it's not when you

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<v Speaker 3>actually quietly quit your job. It's when you mentally kind

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<v Speaker 3>of check out, you start doing bare minimum. You don't

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<v Speaker 3>break your back at your workplace because you've experienced mental

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<v Speaker 3>health issues or burnout, or just realize that the amount

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<v Speaker 3>of hours you're putting in is not really realistic or

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<v Speaker 3>fair for the amount of money you're getting in return. Right,

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<v Speaker 3>And so I guess it started around COVID where people

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<v Speaker 3>were recognizing work life balance and also seeing that they

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<v Speaker 3>maybe aren't being treated so fairly by their employers and

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<v Speaker 3>have to take matters into their own hand. If my

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<v Speaker 3>employer isn't going to be mindful of what I need

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<v Speaker 3>to be mentally healthy and sound, I gotta do it.

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<v Speaker 3>It's giving bright, I gotta step down. So when I

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<v Speaker 3>first heard of this term, I was like, this feels

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<v Speaker 3>like a nice concept, right, this idea that you can

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<v Speaker 3>just pull back away from your duties and that nobody

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<v Speaker 3>will notice and that'll be your almost like rebellion against

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<v Speaker 3>the man, against the big dog, against the boss. Right,

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<v Speaker 3>But realistically I'm thinking, will that just get you fired?

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<v Speaker 2>H But FLEXI, it's so hard to fire someone in Australia.

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<v Speaker 3>Yeah, it is hard. I mean, you have to manage

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<v Speaker 3>somebody out, but it is possible. Like, realistically speaking, if

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<v Speaker 3>I worked at a workplace I started checking out, I'm

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<v Speaker 3>not working to the standard I was before, maybe not

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<v Speaker 3>submitting things on time, maybe not staying late taking my

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<v Speaker 3>full lunch hour. If for some reason that was going

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<v Speaker 3>to be flagged as irresponsible behavior at the workplace, somebody

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<v Speaker 3>can and would manage you out, like you're not going

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<v Speaker 3>to get fired off the dome, but you could be jobless.

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<v Speaker 2>Well, let's just get something straight. And this is going

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<v Speaker 2>to sound perhaps a little bit ill informed. Oh, but

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<v Speaker 2>it has to be said. Okay, Number one, don't stay

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<v Speaker 2>past five thirty.

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<v Speaker 3>You needed to finish work at nine point thirty. Now

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<v Speaker 3>we're talking about hoste o'clock and off at five.

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<v Speaker 2>Said I'm gonna go do that. Don't come in early

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<v Speaker 2>if they say you need to coming early. Once I

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<v Speaker 2>did a job and I was and they said you

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<v Speaker 2>have to come in before nine am. That's when I started.

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<v Speaker 2>Come in at eight. Get across the news. You have

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<v Speaker 2>to come in already, knowing what's going on the news.

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<v Speaker 2>I said, yeah, I'll do it. Little did I know? No,

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<v Speaker 2>you start at nine for a reason. There's morning editors.

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<v Speaker 2>You don't need to come in an hour early. Go

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<v Speaker 2>back in your box. Third of all, take the hour.

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<v Speaker 2>What you need to do when you start in a

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<v Speaker 2>workplace is set boundaries very early on. You don't want

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<v Speaker 2>to be the person that's working really hard. If you

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<v Speaker 2>come in and you're kind of like a little bit behind,

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<v Speaker 2>a little bit slow, people are going to assume that's

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<v Speaker 2>your role and work around you. Yes, I don't want

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<v Speaker 2>my colleagues to work more than me, like I don't

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<v Speaker 2>want them to have to shoulder the load. No, But

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<v Speaker 2>at the same time, if I'm working for another person

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<v Speaker 2>that's not myself, these things need to be considered.

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<v Speaker 3>But what about people who are currently in jobs and

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<v Speaker 3>roles though, Like I think people who experience burnout usually

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<v Speaker 3>are in the role for a couple of years, maybe

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<v Speaker 3>a couple of months. You're settled, and they're like, Okay, whoa,

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<v Speaker 3>this is a lot more than I bargained for. I'm

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<v Speaker 3>having to really extend myself just to scrape by.

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<v Speaker 4>You know.

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<v Speaker 3>I remember working office and feeling like I could never

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<v Speaker 3>get ahead of my schedule, like every single day. It

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<v Speaker 3>wasn't that I wanted to stay back, but I had

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<v Speaker 3>to do this amount of work and because I couldn't,

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<v Speaker 3>like what am I meant to do? Because tomorrow there's

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<v Speaker 3>a new batch work that comes and a new batch.

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<v Speaker 3>I could not help but think, like my issue at

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<v Speaker 3>the time wasn't that my mentality was wrong, that I

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<v Speaker 3>physically did not have the support I needed to do

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<v Speaker 3>the job properly when I was breaking my back and

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<v Speaker 3>going to put in less effort. I feel like in

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<v Speaker 3>the short term it only ruins your day a little

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<v Speaker 3>bit because anyone's like, what's happening, You're changing, Your boss

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<v Speaker 3>is calling in for one on ones. We've noticed that

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<v Speaker 3>so and so and so on. I don't. I guess

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<v Speaker 3>the concept of quite quitting would make more sense to

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<v Speaker 3>me if it was like, Hey, look at your work

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<v Speaker 3>more rationally. Are you overcompensating, have you asked for support?

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<v Speaker 3>Are you acting your wage? You know what I'm saying, like,

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<v Speaker 3>is the effort you're putting in conducive to what you're

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<v Speaker 3>getting out for it? And if not, maybe get a

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<v Speaker 3>new job. Because this idea of like how much can

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<v Speaker 3>you withstand bloody behavior in a job that has expectations

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<v Speaker 3>of you? A person couldn't do it. But that's why

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<v Speaker 3>I'm capitalism handmaid and I'm built different.

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<v Speaker 2>Also, if your boss is mean to you, yeah, this

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<v Speaker 2>isn't this is not normal. If you're in your first

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<v Speaker 2>job or your second job, when you're like managers always

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<v Speaker 2>mean reassess. I promise you it doesn't always have to

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<v Speaker 2>be like that. Get the union in literally, don't make

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<v Speaker 2>me say it twice. I've gotta be careful with my

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<v Speaker 2>union chat because one day I might have employees and

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<v Speaker 2>I'm like, do not join the union.

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<v Speaker 3>I'm all for it. I've got employees. Ask for what

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<v Speaker 3>you need, Bob.

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<v Speaker 2>It's very nice of you, Flex and Frooms, Flexi. I

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<v Speaker 2>have a little bit of a dilemma for you. It's

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<v Speaker 2>not personal.

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<v Speaker 3>It never is.

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<v Speaker 2>Unfortunately, you save my personal things for my own financial

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<v Speaker 2>gain of course, of course, but this one is from

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<v Speaker 2>a woman who is going to a different UNI to

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<v Speaker 2>her partner. So it's a high schooler. I love that

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<v Speaker 2>we have gen Z high schooler.

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<v Speaker 3>Human eye.

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<v Speaker 2>It's like a dog. I'm not saying it's a boy

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<v Speaker 2>or a girl. It's a it. I want to get

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<v Speaker 2>straight into it. This is what she's written in. My

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<v Speaker 2>boyfriend and I are going to different unis after high school,

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<v Speaker 2>and I'm worried it will break us up. You're not wrong,

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<v Speaker 2>con Flex and Firms, please help me. My boyfriend and

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<v Speaker 2>I are about to graduate year twelve. We've been together

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<v Speaker 2>for a year and a half and we're going to

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<v Speaker 2>UNI's on the other side of the city. I know

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<v Speaker 2>we can see each other outside of this, but I've

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<v Speaker 2>been doing research, and only two percent of high school

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<v Speaker 2>relationships work out sight the study.

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<v Speaker 5>Babe.

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<v Speaker 2>I'm also a really jealous person, and I'm worried about

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<v Speaker 2>him making friends with girls and becoming interested in them instead.

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<v Speaker 2>What should I do? Before you answer that, I'll just

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<v Speaker 2>ask you, do you have a boyfriend in high school? No?

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<v Speaker 5>Okay?

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<v Speaker 2>My initial opinion is hun, You're not wrong. Two percent like.

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<v Speaker 3>Thought to be much lower, to be honest, but you

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<v Speaker 3>could be the exception to the rule. Your love might

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<v Speaker 3>stand the test of time.

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<v Speaker 2>We found love in a hopeless place, just the school bathrooms.

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<v Speaker 3>What do you reckon?

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<v Speaker 2>It's a yes from me, dog, It's a yes from me, brev.

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<v Speaker 2>I mean, think about it. When you're in high school,

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<v Speaker 2>you haven't even finished growing. Like I know that when

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<v Speaker 2>you're twenty five, your frontal cortex or whatever is like

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<v Speaker 2>it's completed.

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<v Speaker 3>The Sarah bellum.

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<v Speaker 2>It's fully loaded. And so until then, you're changing, You're

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<v Speaker 2>going through puberty, you're going through other changes, body changes,

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<v Speaker 2>mind changes, friendship changes. I mean I think you should

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<v Speaker 2>part ways while you're still into each other and then

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<v Speaker 2>do it ben affleck Jennifer Jennifer Lopez and arrive back

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<v Speaker 2>when you're thirty.

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<v Speaker 3>It's you're not the whole thing, Like they're not thirty.

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<v Speaker 2>If we haven't no, no, when they get thirty.

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<v Speaker 3>Got it?

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<v Speaker 2>Like you know when you're like, oh, if we don't

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<v Speaker 2>find anyone by the time we're thirty, we can walk

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<v Speaker 2>up and a desperation tactics.

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<v Speaker 3>You have that consolation prize. Yeah. Look, I say write

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<v Speaker 3>it out.

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<v Speaker 2>Till it really hurts.

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<v Speaker 3>Yeah, why not? How obviously she's done her research. She's

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<v Speaker 3>letting fear and scarcity dictate whether or not they should

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<v Speaker 3>stay together. Just let it run its natural course. When

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<v Speaker 3>it's too difficult for you to be together, to preck up.

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<v Speaker 3>But for now you're doing enjoyment.

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<v Speaker 2>So enjoy Oh that's quite nice advice.

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<v Speaker 3>Actually, yeah, right, like maybe like maybe eight more months

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<v Speaker 3>left in you enjoy them. Yeah, crank it knowing that

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<v Speaker 3>it's going to come to an end eventually, but for

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<v Speaker 3>now it hasn't.

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<v Speaker 2>And just know perhaps it's your first sexual partner. Anyway,

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<v Speaker 2>we're gonna leave there. But of course his chat is

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<v Speaker 2>to celebrate Heartbreak High, which comes out this Wednesday, the

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<v Speaker 2>fourteenth of September only on Netflix with a little exclamation

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<v Speaker 2>markets serious. To celebrate the launch of this series, Netflix

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<v Speaker 2>invites you, Flexi and everyone else to Heartbreak High Uniform

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<v Speaker 2>Shop Part Yeah anyway, It's open this Saturday and Sunday

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<v Speaker 2>at five to zero King Street, Newtown, Sydney, five twenty

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<v Speaker 2>King Street.

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<v Speaker 1>This is Flex and Frooms on kDa.

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<v Speaker 2>Have you been to a wedding recently?

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<v Speaker 3>I have not. The last wedding I went to was

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<v Speaker 3>my brothers and that was like five years ago.

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<v Speaker 2>Whoa.

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<v Speaker 3>And before then I was a child at weddings, which

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<v Speaker 3>is very annoying. It definitely was not invited the plus

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<v Speaker 3>four for my mum. She's ICOP for one and the

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<v Speaker 3>whole family's rocked out.

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<v Speaker 2>Liz, you know that's not good wedding hygiene. But also,

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<v Speaker 2>hell yeah, you guys a little cutie, so bring along.

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<v Speaker 2>My friend sent me this voice note completely out of

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<v Speaker 2>the blue the other day, so I'm just going to play.

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<v Speaker 2>It involves a wedding in Chile. I love that people

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<v Speaker 2>know what I'd.

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<v Speaker 3>Like literally contact curation off the dough boy, mate.

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<v Speaker 4>I was at this word the other day in San

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<v Speaker 4>fran and I heard a story that I thought you'd love.

0:10:24.800 --> 0:10:26.800
<v Speaker 4>So a friend of mine went to this wedding in

0:10:26.920 --> 0:10:33.320
<v Speaker 4>Chile recently and it was a boring, normal chiant wedding,

0:10:33.400 --> 0:10:34.920
<v Speaker 4>you know, nothing to write about.

0:10:36.240 --> 0:10:37.840
<v Speaker 5>She was kind of like, you know, a bit bored

0:10:37.840 --> 0:10:38.360
<v Speaker 5>of the whole thing.

0:10:38.679 --> 0:10:43.200
<v Speaker 4>Anyway, at about eleven, the music almost cuts and the.

0:10:43.120 --> 0:10:47.680
<v Speaker 5>Shrek theme song comes on right blasts out of nowhere.

0:10:48.520 --> 0:10:50.880
<v Speaker 4>A lady dressed as Fiona comes out with his big

0:10:50.960 --> 0:10:54.160
<v Speaker 4>sign above her head that says shots.

0:10:53.840 --> 0:10:55.640
<v Speaker 5>And starts handing out shots to everyone.

0:10:55.679 --> 0:10:57.880
<v Speaker 4>And there's a dude in like a Shrek costume like

0:10:58.040 --> 0:11:02.000
<v Speaker 4>coming in handing out like those balloons and make balloon

0:11:02.040 --> 0:11:03.960
<v Speaker 4>animals out of and gives like one hundred of them out,

0:11:04.080 --> 0:11:07.679
<v Speaker 4>and everyone goes, it's crazy. Everyone's dancing anyway, and then

0:11:07.840 --> 0:11:10.240
<v Speaker 4>it's almost like as soon as it starts, it stops

0:11:10.280 --> 0:11:12.520
<v Speaker 4>like an hour later, and it just goes back to

0:11:12.600 --> 0:11:13.800
<v Speaker 4>the boring wedding.

0:11:14.080 --> 0:11:15.959
<v Speaker 5>And my friend was just stunned. She was like, what

0:11:16.200 --> 0:11:16.679
<v Speaker 5>just happened?

0:11:16.880 --> 0:11:19.160
<v Speaker 4>And she's asking for people and people go, oh, yeah,

0:11:19.200 --> 0:11:23.160
<v Speaker 4>that's that's crazier she's what's crazier, and like at weddings,

0:11:23.160 --> 0:11:25.360
<v Speaker 4>it's a thing where they kind of inject a bit

0:11:25.360 --> 0:11:26.839
<v Speaker 4>of fun and just.

0:11:26.840 --> 0:11:29.400
<v Speaker 5>Do something insane for an hour. It's live and up

0:11:29.400 --> 0:11:29.840
<v Speaker 5>the party.

0:11:31.200 --> 0:11:34.280
<v Speaker 4>Genius idea and thought you'd absolutely love it.

0:11:34.320 --> 0:11:36.200
<v Speaker 3>A bit of a performance art, isn't it?

0:11:36.600 --> 0:11:41.040
<v Speaker 2>Literally? And I'm seeing photos and the Shrek is so uncanny.

0:11:41.080 --> 0:11:43.080
<v Speaker 2>It's like a first amen.

0:11:44.200 --> 0:11:47.840
<v Speaker 3>There are those balloons. Honestly, it's genius. It would make

0:11:47.920 --> 0:11:50.439
<v Speaker 3>the biggest difference because I don't think the average person

0:11:50.440 --> 0:11:53.400
<v Speaker 3>could sustain and entertaining wedding the whole time.

0:11:53.559 --> 0:11:55.320
<v Speaker 2>You gotta have budget ebb and flow.

0:11:55.559 --> 0:11:57.599
<v Speaker 3>Like maybe the speeches are a little bit funny and

0:11:57.600 --> 0:11:59.679
<v Speaker 3>then it gets sentimental for the first dance. But if

0:11:59.679 --> 0:12:02.880
<v Speaker 3>it's funny, funny, funny, funny, we taken the piss. We're

0:12:02.920 --> 0:12:06.360
<v Speaker 3>just gagging there. That is hilarious. Would you do it

0:12:06.520 --> 0:12:12.200
<v Speaker 3>one hundred percent my wedding to be a garden wedding

0:12:12.520 --> 0:12:14.800
<v Speaker 3>for the ceremony, then go to a small space.

0:12:14.880 --> 0:12:18.000
<v Speaker 2>Always want it to be smaller and more cramped and larger, larger,

0:12:18.000 --> 0:12:20.120
<v Speaker 2>And you look and they're all on that dance floor

0:12:20.360 --> 0:12:25.000
<v Speaker 2>in like a brand new building. I'm so righthn small, intimate,

0:12:25.200 --> 0:12:28.920
<v Speaker 2>crazy music. We're giving eighties music, early two thousand's music.

0:12:29.000 --> 0:12:31.040
<v Speaker 2>David Wedder. Yeah, so that's a vibe.

0:12:31.280 --> 0:12:33.280
<v Speaker 3>I love that so much. Look, there's so much I

0:12:33.320 --> 0:12:35.560
<v Speaker 3>can go wrong in a wedding. I feel like most

0:12:35.679 --> 0:12:39.320
<v Speaker 3>weddings are doomed to be terrible because you get people

0:12:39.320 --> 0:12:42.079
<v Speaker 3>who've never planned an event in their life trying to

0:12:42.080 --> 0:12:44.719
<v Speaker 3>plan the one of a century. You don't have, You

0:12:44.760 --> 0:12:47.319
<v Speaker 3>don't have the skills. Shade though, no shade.

0:12:47.360 --> 0:12:50.760
<v Speaker 2>Also, things that you don't budget for are very like

0:12:50.880 --> 0:12:54.320
<v Speaker 2>technical things, not just flowers, but other things. I'm personally

0:12:54.320 --> 0:12:56.200
<v Speaker 2>going to be getting my friend Jordiana Johnson to be

0:12:56.240 --> 0:12:58.000
<v Speaker 2>doing my wedding. She's a producer and a director. If

0:12:58.080 --> 0:12:59.920
<v Speaker 2>you want to use her for an event, yeah absolutely.

0:13:00.040 --> 0:13:03.000
<v Speaker 3>I won't be caught spending you know, a bag on flowers.

0:13:03.040 --> 0:13:03.800
<v Speaker 2>So I don't get it.

0:13:04.160 --> 0:13:05.880
<v Speaker 3>People need to be you know what I love. There's

0:13:05.880 --> 0:13:10.600
<v Speaker 3>this florus that does like fruit and vegetable installation displays

0:13:10.720 --> 0:13:13.000
<v Speaker 3>like real spooky that is better to me than a

0:13:13.000 --> 0:13:15.480
<v Speaker 3>bunch of roses that are going to die in six hours.

0:13:15.520 --> 0:13:18.240
<v Speaker 2>Like super pero. I don't know what that is. If

0:13:18.280 --> 0:13:19.000
<v Speaker 2>you get it, you get.

0:13:18.840 --> 0:13:21.599
<v Speaker 1>It, yeah, okay, this is flex and frumes.

0:13:22.440 --> 0:13:26.280
<v Speaker 3>According to the Journal of Motivation and Emotion.

0:13:27.480 --> 0:13:29.000
<v Speaker 1>Hmmm mmm checked.

0:13:30.160 --> 0:13:33.040
<v Speaker 3>I'd never to be reviewed. Falling in love makes you

0:13:33.160 --> 0:13:36.840
<v Speaker 3>less productive. When you are consumed by thoughts of your beloved,

0:13:37.160 --> 0:13:40.199
<v Speaker 3>your ability to concentrate and perform the tasks is likely

0:13:40.240 --> 0:13:40.760
<v Speaker 3>to diminish.

0:13:40.880 --> 0:13:43.079
<v Speaker 2>So what does that mean, don't fall in love?

0:13:43.280 --> 0:13:46.880
<v Speaker 3>Po Yeah, if you want to be a capitalist queen,

0:13:46.960 --> 0:13:47.439
<v Speaker 3>you know what to do.

0:13:48.080 --> 0:13:52.600
<v Speaker 2>Interesting I mean, I'm I'm of the opinion that productivity

0:13:52.640 --> 0:13:55.520
<v Speaker 2>should be banished, that it's actually a con and I'd

0:13:55.600 --> 0:13:57.920
<v Speaker 2>rather not be productive. So I'm personally waiting to fall

0:13:57.960 --> 0:14:00.439
<v Speaker 2>in love because right now I'm not very produc but

0:14:00.480 --> 0:14:01.280
<v Speaker 2>I have no excuse.

0:14:01.520 --> 0:14:03.640
<v Speaker 3>Oh okay, get it. So if anybody wants to send

0:14:03.679 --> 0:14:07.560
<v Speaker 3>in any application for Frumi's reason for lack of productivity,

0:14:08.240 --> 0:14:11.520
<v Speaker 3>send it to frooms with three zero's no three ho's

0:14:12.880 --> 0:14:13.439
<v Speaker 3>on Instagram.

0:14:13.600 --> 0:14:14.640
<v Speaker 2>Have you experienced that though?

0:14:15.160 --> 0:14:15.319
<v Speaker 3>Yeah?

0:14:15.400 --> 0:14:18.079
<v Speaker 2>Of course would you like that right now in the

0:14:18.200 --> 0:14:20.040
<v Speaker 2>time of your career? Are you looking for lovelighter?

0:14:20.320 --> 0:14:22.600
<v Speaker 3>Yeah, I'm about to fall eleven o'clock off, like I

0:14:22.640 --> 0:14:25.280
<v Speaker 3>can't do two things at once. I'm so sorry. So

0:14:25.400 --> 0:14:28.360
<v Speaker 3>we've got six more months of the show.

0:14:30.400 --> 0:14:33.920
<v Speaker 1>You're listening to Flex and Frooms on Kita.

0:14:33.760 --> 0:14:36.040
<v Speaker 3>Miss Rumini. You know I moved into a new apartment

0:14:36.080 --> 0:14:36.880
<v Speaker 3>a couple of months.

0:14:36.720 --> 0:14:38.840
<v Speaker 2>Ago, Now I sure do. I've been loving seeing you

0:14:38.920 --> 0:14:39.400
<v Speaker 2>get in there.

0:14:39.720 --> 0:14:42.600
<v Speaker 3>It's absolutely gorgeous. I'm spending a bag on it. It

0:14:42.760 --> 0:14:45.360
<v Speaker 3>feels good. I've elevated in the world. But with this

0:14:45.560 --> 0:14:49.000
<v Speaker 3>elevation has come maybe a new mentality for how I

0:14:49.080 --> 0:14:52.840
<v Speaker 3>posted the internet now. Four hourss ago, I was that

0:14:53.000 --> 0:14:56.640
<v Speaker 3>influencer who was doing house tours room tours showing a

0:14:56.720 --> 0:15:00.400
<v Speaker 3>layout of my home, showing identifiable areas, because I was like,

0:15:00.640 --> 0:15:02.920
<v Speaker 3>who would even care to know who I am or

0:15:02.960 --> 0:15:06.080
<v Speaker 3>where I go? What would anybody do with this information?

0:15:06.440 --> 0:15:08.640
<v Speaker 3>Then what started happening is that people would know exactly

0:15:08.680 --> 0:15:10.320
<v Speaker 3>where I lived, or would be able to guess it

0:15:10.480 --> 0:15:13.800
<v Speaker 3>quite quite well based on landmarks or just the type

0:15:13.800 --> 0:15:16.440
<v Speaker 3>of trees or the streets or the bins or whatever

0:15:16.560 --> 0:15:19.120
<v Speaker 3>it might be. And so with the next house I

0:15:19.200 --> 0:15:21.880
<v Speaker 3>moved into, I didn't do any kind of like house

0:15:21.960 --> 0:15:24.480
<v Speaker 3>related room to a type of content. I kept it

0:15:24.680 --> 0:15:28.040
<v Speaker 3>to diys and general day course stuff. But I was

0:15:28.160 --> 0:15:31.200
<v Speaker 3>very mindful not to disclose anything, not where the suburb

0:15:31.400 --> 0:15:35.000
<v Speaker 3>was not how many bedrooms it had nothing. Yes, next house,

0:15:35.040 --> 0:15:36.880
<v Speaker 3>I got even more stringent with it. I was like,

0:15:36.920 --> 0:15:39.160
<v Speaker 3>you know, I'm not even risking it because what happened

0:15:39.800 --> 0:15:43.040
<v Speaker 3>is I was selling things on Facebook marketplace and people

0:15:43.080 --> 0:15:45.200
<v Speaker 3>get coming into my house because I knew who I

0:15:45.440 --> 0:15:47.080
<v Speaker 3>was and just wanted to like come and have a

0:15:47.120 --> 0:15:49.680
<v Speaker 3>look basically, and then would be like, oh, gonna went

0:15:49.680 --> 0:15:51.560
<v Speaker 3>to Flex's house. It was like this, Or I would

0:15:51.640 --> 0:15:53.640
<v Speaker 3>order Uber Eats and then the drive would recognize me

0:15:53.680 --> 0:15:55.160
<v Speaker 3>and be like hey, like I'm a big fan. I'd

0:15:55.160 --> 0:15:57.960
<v Speaker 3>be like, you're in my house, please leave. And so

0:15:58.040 --> 0:16:01.560
<v Speaker 3>with this new apartment, I've gone the next step, like

0:16:01.720 --> 0:16:03.560
<v Speaker 3>I do not try. I don't film in the day.

0:16:04.000 --> 0:16:06.560
<v Speaker 3>I try and film only in closed rooms or on

0:16:06.720 --> 0:16:10.080
<v Speaker 3>blank walls where it's just not identifiable at all. And

0:16:10.280 --> 0:16:13.880
<v Speaker 3>recently people have been sending me messages like this, I'm

0:16:13.920 --> 0:16:16.560
<v Speaker 3>convinced you live underground or something because I have not

0:16:16.680 --> 0:16:21.080
<v Speaker 3>seen sunlight in your new home, or someone else said, oh,

0:16:21.120 --> 0:16:23.600
<v Speaker 3>I've also wanted about this. I assumed it was so

0:16:23.720 --> 0:16:27.800
<v Speaker 3>people on the internet can't directly identify your location. But

0:16:28.280 --> 0:16:30.240
<v Speaker 3>do you mean like you just want privacy? Like why

0:16:30.240 --> 0:16:32.480
<v Speaker 3>are you hiding it, and I think it's really strange

0:16:32.560 --> 0:16:36.320
<v Speaker 3>that people are even clocking this number one, this whole idea, like,

0:16:36.360 --> 0:16:39.320
<v Speaker 3>I haven't seen sunlight, I haven't seen windows, I haven't

0:16:39.360 --> 0:16:42.120
<v Speaker 3>seen anything that would give me any identification on where

0:16:42.160 --> 0:16:45.360
<v Speaker 3>you live, because I didn't realize that me being more

0:16:45.400 --> 0:16:49.600
<v Speaker 3>private was clockable to a general audience. Right, and then

0:16:49.680 --> 0:16:52.240
<v Speaker 3>somebody sent me the most bizarre message. And this is

0:16:52.280 --> 0:16:54.840
<v Speaker 3>after receiving maybe ten messages in a row in the

0:16:54.960 --> 0:16:58.800
<v Speaker 3>same day about this window thing. I posted a bit

0:16:58.840 --> 0:17:01.640
<v Speaker 3>of content from my house and hobite that's getting renovated,

0:17:01.880 --> 0:17:04.600
<v Speaker 3>and somebody responded and said, hey, flex, speaking of lights,

0:17:04.920 --> 0:17:07.000
<v Speaker 3>what's the matter with windows in your new space? I

0:17:07.080 --> 0:17:11.000
<v Speaker 3>haven't seen any daylight yet. Don't you have any sad face?

0:17:12.560 --> 0:17:15.200
<v Speaker 2>I'm this sad face just for context, is the one

0:17:15.280 --> 0:17:18.560
<v Speaker 2>that like you put your two index I sad face?

0:17:20.560 --> 0:17:23.160
<v Speaker 3>And then I was like, I have had it, you idiots.

0:17:23.280 --> 0:17:26.560
<v Speaker 3>I'm so shut up, you bloody dummies. Anyway, I said,

0:17:26.560 --> 0:17:28.320
<v Speaker 3>wouldn't you sooner believe that I just haven't filmed in

0:17:28.359 --> 0:17:31.160
<v Speaker 3>the day and that I don't have windows. Why would

0:17:31.200 --> 0:17:36.280
<v Speaker 3>this exposed be premium marble everywhere house not have windows?

0:17:36.520 --> 0:17:37.080
<v Speaker 2>You bit back.

0:17:37.560 --> 0:17:39.560
<v Speaker 3>Yeah, I was like, I don't understand the logic or

0:17:39.640 --> 0:17:42.359
<v Speaker 3>the question faintest concern, and then I was like, stop

0:17:42.440 --> 0:17:44.760
<v Speaker 3>asking me dumb questions. I crop that one out because

0:17:44.760 --> 0:17:47.280
<v Speaker 3>that was just swap. That was for her, that wasn't

0:17:47.320 --> 0:17:49.560
<v Speaker 3>for but it's just dumb. I remember when I used

0:17:49.560 --> 0:17:52.480
<v Speaker 3>to complain about getting silly messages. People would be like,

0:17:52.480 --> 0:17:54.080
<v Speaker 3>people just want to connect with you, like they just

0:17:54.160 --> 0:17:57.000
<v Speaker 3>want to like chat to you and have their experience.

0:17:57.200 --> 0:17:59.159
<v Speaker 3>I'm like, well, come correct or don't come at all

0:17:59.200 --> 0:18:03.680
<v Speaker 3>because you kissing me. But it doesn't stop there. I

0:18:03.800 --> 0:18:06.680
<v Speaker 3>ended up doing, you know, customarily a whole rant about

0:18:06.800 --> 0:18:11.359
<v Speaker 3>the situation with receipts following that message. Naturally, I just

0:18:11.440 --> 0:18:14.880
<v Speaker 3>come from a little lunch. From that point, I made

0:18:14.880 --> 0:18:17.399
<v Speaker 3>an Instagram story and I said something to the effect

0:18:17.480 --> 0:18:20.280
<v Speaker 3>of it would be condescending for me to say, use

0:18:20.320 --> 0:18:22.440
<v Speaker 3>your critical thinking skills like it would. I don't want

0:18:22.440 --> 0:18:25.119
<v Speaker 3>to be that person on the internet, right However, However,

0:18:27.800 --> 0:18:31.000
<v Speaker 3>I just don't understand, Like it's one thing to you're like, oh,

0:18:31.000 --> 0:18:32.639
<v Speaker 3>I haven't seen any windows, That's all good. I'm like,

0:18:32.680 --> 0:18:35.840
<v Speaker 3>but follow that thought, like you haven't seen any windows

0:18:35.920 --> 0:18:38.760
<v Speaker 3>because you want to what and then you want to

0:18:38.800 --> 0:18:40.560
<v Speaker 3>do what with that information? And you want to do

0:18:40.720 --> 0:18:42.560
<v Speaker 3>what with it? And I was just like, you know,

0:18:42.680 --> 0:18:45.040
<v Speaker 3>I haven't seen Ashton Kutch's kitchen, but I assume he

0:18:45.119 --> 0:18:47.240
<v Speaker 3>has one. You know, I haven't seen Dojakat's bathroom, but

0:18:47.280 --> 0:18:49.639
<v Speaker 3>I assume she has one. This idea that you like

0:18:49.760 --> 0:18:52.160
<v Speaker 3>your curiosity for more information to pay a clear picture,

0:18:52.200 --> 0:18:54.800
<v Speaker 3>don't worry about it, like it's all good. And also

0:18:55.200 --> 0:18:57.440
<v Speaker 3>I don't think people have been quite mindful of the

0:18:57.520 --> 0:19:00.920
<v Speaker 3>implications of like, you know, having a public profile and

0:19:01.080 --> 0:19:04.520
<v Speaker 3>being so accessible, like not just virtually accessible, but like

0:19:04.600 --> 0:19:06.920
<v Speaker 3>the fact that people like You've even had instances of

0:19:06.920 --> 0:19:08.520
<v Speaker 3>people have asked you like where does flex live?

0:19:08.680 --> 0:19:09.720
<v Speaker 2>Like what somebod does she live in?

0:19:09.800 --> 0:19:13.159
<v Speaker 3>It's like there's natural curiosity, and then there's extending outside

0:19:13.320 --> 0:19:16.679
<v Speaker 3>of what is a natural curiosity for an unnatural one.

0:19:16.760 --> 0:19:20.200
<v Speaker 3>If we had added an interaction before and we'd be like, oh, yeah,

0:19:20.200 --> 0:19:21.920
<v Speaker 3>I've just come from home. Oh cool, where do you live?

0:19:22.160 --> 0:19:25.919
<v Speaker 3>Great or good? But random people on the internet being like, well,

0:19:25.960 --> 0:19:28.119
<v Speaker 3>I would never do anything crazy with that information. I

0:19:28.160 --> 0:19:31.320
<v Speaker 3>would never say anything. I'm just curious, like why wouldn't

0:19:31.359 --> 0:19:34.760
<v Speaker 3>you show me where you live? Why would I, you know,

0:19:34.840 --> 0:19:37.040
<v Speaker 3>what's so spooky? I also had to have a big

0:19:37.520 --> 0:19:40.080
<v Speaker 3>I would say it was a scolding to pr agencies

0:19:40.119 --> 0:19:43.000
<v Speaker 3>in particular. So I'm not sure if everybody's across this,

0:19:43.160 --> 0:19:46.400
<v Speaker 3>but a lot of influencers, content creators, public figures will

0:19:46.440 --> 0:19:49.840
<v Speaker 3>get sent free stuff, which is amazing. We love a freebie.

0:19:50.320 --> 0:19:52.359
<v Speaker 3>But in order for you to get this free stuff,

0:19:52.480 --> 0:19:55.119
<v Speaker 3>somebody has to know your address right and send it

0:19:55.160 --> 0:19:57.200
<v Speaker 3>to you, and so often you might have a PO

0:19:57.320 --> 0:20:00.000
<v Speaker 3>box instead. But a lot of these PR companies won't

0:20:00.080 --> 0:20:02.239
<v Speaker 3>send PR boxes because they want to, you know, get

0:20:02.280 --> 0:20:05.240
<v Speaker 3>a courier, make it nice or whatever. And so you'll

0:20:05.280 --> 0:20:08.320
<v Speaker 3>give an agency your address for this one thing, you know,

0:20:08.440 --> 0:20:10.280
<v Speaker 3>like oh for this one lip gloss, you can have

0:20:10.480 --> 0:20:13.159
<v Speaker 3>my address. But then what these agencies will do is

0:20:13.200 --> 0:20:15.320
<v Speaker 3>that they'll just pass it to anybody in the agency

0:20:15.520 --> 0:20:17.760
<v Speaker 3>because they want to send you this thing or this thing.

0:20:17.760 --> 0:20:20.320
<v Speaker 3>And then before you know it, random people just have

0:20:20.560 --> 0:20:23.960
<v Speaker 3>access to your address. And the issue is they're not random,

0:20:24.040 --> 0:20:28.000
<v Speaker 3>they're industry contacts. So now people who have context for

0:20:28.200 --> 0:20:31.800
<v Speaker 3>you know, your lifestyle, have your address and also no

0:20:31.960 --> 0:20:35.800
<v Speaker 3>privacy around that. The way they're holding that information, it's insane.

0:20:37.160 --> 0:20:40.760
<v Speaker 3>Remember this instance where I sold something on Facebook marketplace

0:20:41.000 --> 0:20:44.120
<v Speaker 3>and it was this chair. This person was like, can

0:20:44.160 --> 0:20:47.960
<v Speaker 3>I unassemble the chair before I take it out the house?

0:20:48.000 --> 0:20:49.639
<v Speaker 3>And I was like, oh yeah, cool, like whatever. So

0:20:49.720 --> 0:20:50.920
<v Speaker 3>I was like, I just need to take a call,

0:20:51.040 --> 0:20:53.320
<v Speaker 3>like really really badly though, So can I just leave

0:20:53.400 --> 0:20:56.040
<v Speaker 3>you in this front area or like outside in like

0:20:56.119 --> 0:20:58.879
<v Speaker 3>the corridor kind of because like I wasn't expecting you

0:20:58.960 --> 0:21:01.159
<v Speaker 3>to be doing like disassemblies, you know.

0:21:01.680 --> 0:21:02.320
<v Speaker 2>Yeah cool.

0:21:02.680 --> 0:21:04.960
<v Speaker 3>So I'm closed the door. I'm having this conversation. It

0:21:05.040 --> 0:21:06.480
<v Speaker 3>was like a really important meeting. So I was like

0:21:06.560 --> 0:21:09.320
<v Speaker 3>I couldn't not take it, but they couldn't actually get

0:21:09.520 --> 0:21:10.840
<v Speaker 3>the chair out of the door, so it's like, yeah,

0:21:10.840 --> 0:21:12.560
<v Speaker 3>you deal with it anyway. I get a message from

0:21:12.600 --> 0:21:16.160
<v Speaker 3>this person a couple months later, Oh you know when

0:21:16.200 --> 0:21:19.560
<v Speaker 3>you're having the call, like you know, you sounded really xyz,

0:21:20.320 --> 0:21:23.000
<v Speaker 3>like really assertive, like a business person. And then I

0:21:23.119 --> 0:21:25.600
<v Speaker 3>was like looking around your house and I realized I recognized,

0:21:25.680 --> 0:21:28.520
<v Speaker 3>like you're inside. I saw like something with your name

0:21:28.560 --> 0:21:30.520
<v Speaker 3>on it, So I googled you and realized I recognized

0:21:30.560 --> 0:21:33.639
<v Speaker 3>you and the Internet and all this whole thing about

0:21:33.680 --> 0:21:36.440
<v Speaker 3>how like from literally being in my house and like

0:21:36.800 --> 0:21:39.320
<v Speaker 3>essentially snooping. They were like oh, and then I was

0:21:39.400 --> 0:21:42.520
<v Speaker 3>like overhearing what you were saying about social media, and

0:21:42.600 --> 0:21:44.160
<v Speaker 3>I just get so crazy and like, now I've followed

0:21:44.160 --> 0:21:46.920
<v Speaker 3>you for ages. Now I'm a fan, very foul so

0:21:47.200 --> 0:21:49.640
<v Speaker 3>in the time since they started following you, and then yes,

0:21:50.040 --> 0:21:53.000
<v Speaker 3>and I'm like, you don't. You don't hear yourself. You

0:21:53.040 --> 0:21:54.159
<v Speaker 3>don't hear yourself.

0:21:55.040 --> 0:21:56.919
<v Speaker 2>The PR company is a very interesting thing. I've had

0:21:56.960 --> 0:21:59.720
<v Speaker 2>similar things, like when I started getting stuff sent to

0:21:59.720 --> 0:22:02.600
<v Speaker 2>me years ago, my manager was like, no, you're not

0:22:02.760 --> 0:22:05.879
<v Speaker 2>allowed to give your address out, like she would like

0:22:05.960 --> 0:22:09.960
<v Speaker 2>actually get angry at me if I did. And also

0:22:10.080 --> 0:22:11.960
<v Speaker 2>with my phone number, like she won't let me give

0:22:11.960 --> 0:22:14.200
<v Speaker 2>my phone number out, like because she does some work

0:22:14.240 --> 0:22:16.680
<v Speaker 2>with you as well, like don't give our phone numbers out.

0:22:16.920 --> 0:22:18.720
<v Speaker 2>And it's a very interesting thing. But then yeah, it's

0:22:18.760 --> 0:22:21.320
<v Speaker 2>kind of like you have one experience that really rocks you,

0:22:21.440 --> 0:22:23.240
<v Speaker 2>Like for example, when my car got broken into and

0:22:23.440 --> 0:22:25.840
<v Speaker 2>was burnt, you have to think, like, is this a

0:22:25.920 --> 0:22:29.480
<v Speaker 2>targeted attack? And I know that sounds paranoid, but we

0:22:29.600 --> 0:22:32.600
<v Speaker 2>have friends in the industry that have been stalked, Like

0:22:32.720 --> 0:22:36.400
<v Speaker 2>people get stalked, and it's very hard to like think

0:22:36.440 --> 0:22:38.840
<v Speaker 2>about when you're not when you can't imagine.

0:22:38.480 --> 0:22:40.440
<v Speaker 3>It, or to assume of the exception to the rule,

0:22:40.520 --> 0:22:42.200
<v Speaker 3>Like yes, I live a public life and post everything

0:22:42.240 --> 0:22:44.359
<v Speaker 3>on the intept, but nobody ever stalk me. I'm different.

0:22:44.840 --> 0:22:47.760
<v Speaker 2>No babes and even like paparazzi's like people that get

0:22:47.760 --> 0:22:49.960
<v Speaker 2>peparazzi near their house. I'm like, if you're in the

0:22:50.000 --> 0:22:52.560
<v Speaker 2>BONDI are Bronti Surry Hill's Paddington area. I know the

0:22:52.640 --> 0:22:54.960
<v Speaker 2>exact straight you're on. I know we live now, Like,

0:22:55.040 --> 0:22:58.000
<v Speaker 2>surely there's got to be some legalities around that, but yeah,

0:22:58.280 --> 0:22:59.320
<v Speaker 2>it's praying for you. Huh.

0:22:59.680 --> 0:23:01.719
<v Speaker 3>Yeah, let's hope it doesn't escalate. But don't worry. I'm

0:23:01.720 --> 0:23:04.720
<v Speaker 3>in the front lines fighting. Oh yeah, everyone get some

0:23:04.800 --> 0:23:07.960
<v Speaker 3>of this mouth. Feel free to unfollow a block because

0:23:08.119 --> 0:23:11.040
<v Speaker 3>it's game over, not with my personal safety, with.

0:23:11.119 --> 0:23:13.919
<v Speaker 2>My proud of you pulled up your boundaries, hunt Per.

0:23:15.119 --> 0:23:17.640
<v Speaker 1>You been listening to the Flex and Frooms Daily podcast.

0:23:17.880 --> 0:23:20.639
<v Speaker 1>For more, tune in Decater on DAB or stream it

0:23:20.760 --> 0:23:21.840
<v Speaker 1>on iHeartRadio.