1 00:00:00,960 --> 00:00:05,200 Speaker 1: Howured by the iHeartRadio Waffle from ninety six AIRVM to 2 00:00:05,240 --> 00:00:08,039 Speaker 1: whereever you're listening today This is. 3 00:00:08,039 --> 00:00:11,520 Speaker 2: Crazy and Lisa's podcast coming up. 4 00:00:11,480 --> 00:00:13,800 Speaker 3: On the podcast today, The Lovely vance Joy. 5 00:00:14,640 --> 00:00:16,720 Speaker 2: Also the very stylish Neil Whitaker from. 6 00:00:16,600 --> 00:00:20,000 Speaker 1: The Block Benoche reviews moon Age day Dream and have you. 7 00:00:19,920 --> 00:00:21,480 Speaker 2: Got a name for your car? At least? 8 00:00:21,640 --> 00:00:24,120 Speaker 4: Notice something that's popped up on Reddit in recent days. 9 00:00:24,160 --> 00:00:26,720 Speaker 4: And this happens a lot, but in particular with first cars, 10 00:00:26,720 --> 00:00:30,760 Speaker 4: and that is people naming their vehicle. Ah, yes, first 11 00:00:30,840 --> 00:00:33,040 Speaker 4: cause my sister's first car is my mum's old Morris 12 00:00:33,040 --> 00:00:36,280 Speaker 4: eleven hundred, So Moriarty became the favorite to get a 13 00:00:36,280 --> 00:00:39,839 Speaker 4: lifted scat, Oh Moriarty. But people have various names they 14 00:00:39,840 --> 00:00:40,559 Speaker 4: call their cars. 15 00:00:40,600 --> 00:00:44,840 Speaker 1: My first car was Datson, and I just called it Dolores. 16 00:00:44,960 --> 00:00:48,760 Speaker 1: Oh nice, Dolores Datson. But I did have a very 17 00:00:48,800 --> 00:00:52,599 Speaker 1: slick black Sileika at one stage, and I called that 18 00:00:52,640 --> 00:00:53,680 Speaker 1: the Don Carlione. 19 00:00:53,800 --> 00:00:57,720 Speaker 3: Oh it was smooth, just like the Godfather? 20 00:00:57,880 --> 00:01:00,080 Speaker 2: What about it? Father went about it's business in a 21 00:01:00,080 --> 00:01:00,560 Speaker 2: autium way. 22 00:01:00,720 --> 00:01:03,800 Speaker 3: It did very What do you call your cart? What's 23 00:01:03,840 --> 00:01:04,600 Speaker 3: your car's name? 24 00:01:05,280 --> 00:01:07,200 Speaker 4: There's some of the examples on Reddit that popped up 25 00:01:07,480 --> 00:01:11,880 Speaker 4: Gwen a sweet Ford Escape, and I've had a couple, 26 00:01:11,959 --> 00:01:13,560 Speaker 4: but I can't mention them because they're both rude names. 27 00:01:13,560 --> 00:01:16,000 Speaker 4: Because my first car was I got when I was seventeen. 28 00:01:16,080 --> 00:01:18,040 Speaker 4: The second one I was in the early twenties. And 29 00:01:18,120 --> 00:01:19,520 Speaker 4: you know how you come up with a rude name 30 00:01:19,520 --> 00:01:22,000 Speaker 4: that Muma was. Yeah, I can tell you if he 31 00:01:22,480 --> 00:01:24,520 Speaker 4: and mom goes, really you call your cart. 32 00:01:25,400 --> 00:01:27,479 Speaker 3: I love Dora because she was an explorer. 33 00:01:27,560 --> 00:01:28,000 Speaker 2: That's cue. 34 00:01:28,040 --> 00:01:30,080 Speaker 3: That's a good one. Debbian Welsh Paul. 35 00:01:29,840 --> 00:01:32,280 Speaker 5: Hello, good morning guys. 36 00:01:32,400 --> 00:01:33,319 Speaker 3: What's your car's name? 37 00:01:33,360 --> 00:01:35,440 Speaker 5: Deb Stucco? 38 00:01:36,040 --> 00:01:36,360 Speaker 3: Stuck? 39 00:01:37,160 --> 00:01:37,520 Speaker 2: Why's that? 40 00:01:37,600 --> 00:01:37,800 Speaker 6: Deb? 41 00:01:38,760 --> 00:01:41,039 Speaker 5: Well, it's not because it gets stuck. I bought a 42 00:01:41,440 --> 00:01:44,920 Speaker 5: EA station Wagon back in the day and it was 43 00:01:44,959 --> 00:01:48,360 Speaker 5: a creamy color. And there gets to be an advert 44 00:01:48,440 --> 00:01:50,800 Speaker 5: you guys probably remember it of a teacher in the 45 00:01:50,840 --> 00:01:54,840 Speaker 5: classroom and she asked what this color was and the kids. 46 00:01:54,880 --> 00:01:58,160 Speaker 5: One kid says of what, the other kid says cream, 47 00:01:58,360 --> 00:01:59,880 Speaker 5: and the other kid says stucker. 48 00:02:00,960 --> 00:02:12,920 Speaker 4: Starting sound at Richie benows suits. 49 00:02:08,240 --> 00:02:11,800 Speaker 5: Yes, but again from this advert that happened to be 50 00:02:11,880 --> 00:02:15,880 Speaker 5: on t V. My house mates turned around and said, 51 00:02:15,919 --> 00:02:16,720 Speaker 5: that's what your car. 52 00:02:16,639 --> 00:02:17,040 Speaker 1: Is going to be? 53 00:02:17,040 --> 00:02:17,200 Speaker 7: Cool? 54 00:02:18,200 --> 00:02:21,760 Speaker 2: Stuck was there forever, but it wasn't. 55 00:02:21,800 --> 00:02:23,200 Speaker 5: It was a Ford, so it kept going. 56 00:02:23,480 --> 00:02:27,000 Speaker 2: Oh, very good, holding. 57 00:02:29,960 --> 00:02:32,800 Speaker 3: Of the mountain like first versus. 58 00:02:32,840 --> 00:02:38,400 Speaker 2: But you can stick around. 59 00:02:42,480 --> 00:02:46,800 Speaker 4: Remember that Ford versus holding thing. It's still there. You 60 00:02:46,919 --> 00:02:48,800 Speaker 4: just don't as many cars around no. 61 00:02:49,680 --> 00:02:54,680 Speaker 1: Russ and Willison, Hello morning, crazy morning you good? 62 00:02:55,080 --> 00:02:56,680 Speaker 3: What's your car's name? Ross? 63 00:02:57,280 --> 00:03:05,839 Speaker 8: Okay, we're big. We got Freddy the clue and we've 64 00:03:05,840 --> 00:03:09,280 Speaker 8: got the work card, the battery read four school battery car. 65 00:03:09,400 --> 00:03:10,800 Speaker 2: Betrick car. 66 00:03:10,880 --> 00:03:14,959 Speaker 4: You got them all down there, Freddy Freddy, that's great, 67 00:03:15,280 --> 00:03:16,239 Speaker 4: that's awesome. 68 00:03:16,440 --> 00:03:23,120 Speaker 2: The Troy, that's unreal. It gives around a little giggle 69 00:03:23,120 --> 00:03:24,359 Speaker 2: when you're tell him that maybe. 70 00:03:24,120 --> 00:03:30,720 Speaker 1: Your thanks that In Meadow Springs, Hello. 71 00:03:31,520 --> 00:03:33,080 Speaker 6: Good morning, How are you good? 72 00:03:33,240 --> 00:03:34,920 Speaker 3: What is your car's name? 73 00:03:35,840 --> 00:03:37,920 Speaker 6: My husband's cars name is Joelaine. 74 00:03:38,400 --> 00:03:41,240 Speaker 3: Oh, Joline, there's going to be a story. 75 00:03:40,960 --> 00:03:45,720 Speaker 9: Here because he's the other hr and she's always trying 76 00:03:45,720 --> 00:03:46,680 Speaker 9: to take him away from me. 77 00:03:47,680 --> 00:03:49,960 Speaker 2: Jolie. 78 00:03:50,320 --> 00:03:55,400 Speaker 1: That's funny, interesting, very cute is the story? 79 00:03:56,120 --> 00:03:56,400 Speaker 7: Thanks? 80 00:03:57,600 --> 00:03:58,280 Speaker 6: Thanks guys. 81 00:03:58,440 --> 00:04:01,720 Speaker 1: You by going to be have competition for the it 82 00:04:01,800 --> 00:04:03,560 Speaker 1: is Yes, what is your car's name? 83 00:04:04,280 --> 00:04:07,600 Speaker 3: Joe in lower Chittering, Hello, good. 84 00:04:07,320 --> 00:04:08,560 Speaker 7: Morning, Clancy and Lisa. 85 00:04:08,640 --> 00:04:09,680 Speaker 1: How are we good. 86 00:04:09,760 --> 00:04:10,960 Speaker 3: What's your car's name? 87 00:04:11,720 --> 00:04:18,000 Speaker 7: Well, it's not mine. My daughter's first car was a 88 00:04:18,040 --> 00:04:22,760 Speaker 7: thirty year old red four, right, and she calls it 89 00:04:22,920 --> 00:04:25,480 Speaker 7: Eileen to be like, come on, Iileen. 90 00:04:25,560 --> 00:04:27,560 Speaker 2: Come on, you can do it. 91 00:04:27,640 --> 00:04:28,320 Speaker 3: You can do it. 92 00:04:29,160 --> 00:04:32,039 Speaker 7: You can do it. And we've still got We've still 93 00:04:32,040 --> 00:04:33,680 Speaker 7: got the car. She hasn't got the car, but we 94 00:04:33,760 --> 00:04:35,800 Speaker 7: brought it off when when she brought it new want 95 00:04:35,839 --> 00:04:37,040 Speaker 7: to still run and stroll? 96 00:04:37,240 --> 00:04:40,119 Speaker 4: Oh wow, we've all had at least one of those cars. 97 00:04:40,240 --> 00:04:41,120 Speaker 4: You just hope it works. 98 00:04:43,720 --> 00:04:49,360 Speaker 3: Thanks Joe, Thanks you, Richie, and Hillary's last call. 99 00:04:49,839 --> 00:04:50,640 Speaker 2: What's your. 100 00:04:52,320 --> 00:04:54,280 Speaker 6: John is John Claude. 101 00:04:54,640 --> 00:04:57,440 Speaker 8: It's a van I drive and every even it breaks down, 102 00:04:57,480 --> 00:04:58,520 Speaker 8: I call it John Claude. 103 00:04:58,600 --> 00:05:04,360 Speaker 2: Damn Van very muscles from Brussels. 104 00:05:04,760 --> 00:05:08,240 Speaker 8: That's it. You give it a snapkick and it gets going. 105 00:05:08,360 --> 00:05:11,559 Speaker 2: Yeah, yeah, absolutely, Thanks Richie. 106 00:05:11,839 --> 00:05:15,120 Speaker 4: You're right all this isn't that funny when you talk 107 00:05:15,160 --> 00:05:17,400 Speaker 4: about cars when you just hope that they work, You know, 108 00:05:18,200 --> 00:05:20,000 Speaker 4: because old cars with the start of mode you have 109 00:05:20,000 --> 00:05:20,760 Speaker 4: the rocket to get it. 110 00:05:21,160 --> 00:05:22,200 Speaker 3: Laser a little bit like that. 111 00:05:22,600 --> 00:05:26,760 Speaker 1: Back in the day, it was yeah, you're escort. 112 00:05:25,680 --> 00:05:28,839 Speaker 3: Ye, I can't imagine what you might call an escort. 113 00:05:30,360 --> 00:05:34,080 Speaker 1: More Lisa More podcasts soon ninety six. 114 00:05:36,279 --> 00:05:37,400 Speaker 2: Great the flick with. 115 00:05:41,040 --> 00:05:43,200 Speaker 10: Good morning Ben, Good morning guys. 116 00:05:43,200 --> 00:05:43,839 Speaker 2: How are you good? 117 00:05:44,760 --> 00:05:46,440 Speaker 10: Yeah, I'm really well. You don't even need me to 118 00:05:46,480 --> 00:05:49,040 Speaker 10: review this week. Let's be honest, you've already made up 119 00:05:49,040 --> 00:05:49,400 Speaker 10: your mind. 120 00:05:49,480 --> 00:05:49,840 Speaker 3: Official. 121 00:05:49,920 --> 00:05:54,120 Speaker 4: Well we loved it, Yes, the word banging on about 122 00:05:54,160 --> 00:05:55,800 Speaker 4: it for weeks now, since we first saw it. 123 00:05:55,880 --> 00:05:57,960 Speaker 10: Yeah, well we all saw it together, didn't we We did, 124 00:05:58,160 --> 00:06:00,799 Speaker 10: we did. And then you've spoken to the director Brett Morgan. 125 00:06:00,839 --> 00:06:02,760 Speaker 10: I've spoken to the director Brett Morgan. So we're a 126 00:06:02,760 --> 00:06:06,480 Speaker 10: full bottle on moon Age day Dream. And for people 127 00:06:06,520 --> 00:06:08,640 Speaker 10: who haven't been following along with this, so this is 128 00:06:08,640 --> 00:06:11,840 Speaker 10: a documentary about David Bowie from a director Brett Morgan, 129 00:06:12,040 --> 00:06:16,400 Speaker 10: who specializes in biographical filmmaking. That's a little bit left 130 00:06:16,400 --> 00:06:18,200 Speaker 10: of center. It's a little bit out of the box, right, 131 00:06:18,240 --> 00:06:21,240 Speaker 10: Like it's not your traditional doco where you get a 132 00:06:21,240 --> 00:06:23,960 Speaker 10: lot of facts and figures and at the end of 133 00:06:24,000 --> 00:06:26,000 Speaker 10: it you go, Okay, now I know all of the 134 00:06:26,040 --> 00:06:28,479 Speaker 10: details about this person's life, like I've just read a 135 00:06:28,480 --> 00:06:31,840 Speaker 10: Wikipedia page. He doesn't make movies like that, Like he 136 00:06:31,880 --> 00:06:35,039 Speaker 10: made a film about Kurt Cobain called Montage of Hecke, 137 00:06:35,560 --> 00:06:39,560 Speaker 10: which was like an incredible portrait of Kurt Cobain and 138 00:06:39,640 --> 00:06:42,080 Speaker 10: his relationship with Courtney Love and his drug use and 139 00:06:42,120 --> 00:06:44,800 Speaker 10: all this kind of stuff. It was quite controversial because 140 00:06:45,960 --> 00:06:48,120 Speaker 10: people who are very close to Navana weren't happy with 141 00:06:48,160 --> 00:06:50,840 Speaker 10: how Kurt Cobain was depicted in the film, that it 142 00:06:50,880 --> 00:06:53,479 Speaker 10: didn't focus on all of the other aspects of his life. 143 00:06:53,760 --> 00:06:57,839 Speaker 10: But people who were really close saw that some real 144 00:06:57,960 --> 00:07:01,839 Speaker 10: authenticity there, and it gave people, I guess and insight 145 00:07:01,960 --> 00:07:04,599 Speaker 10: into what it was like to be Kurt Cobain. He 146 00:07:04,640 --> 00:07:08,640 Speaker 10: did something similar with Jane Goodall, like the famous iconic 147 00:07:08,720 --> 00:07:12,800 Speaker 10: primatologist and anthropologist, So he I loved. 148 00:07:12,560 --> 00:07:14,200 Speaker 3: That he did a documentary. 149 00:07:15,240 --> 00:07:16,880 Speaker 10: He's done a lot of interesting stuff, Like he looks 150 00:07:16,880 --> 00:07:19,120 Speaker 10: at He looks at who are the most interesting people 151 00:07:19,160 --> 00:07:22,160 Speaker 10: who have tapped into some sort of aspect of human 152 00:07:22,240 --> 00:07:24,240 Speaker 10: understanding that the rest of us can't even imagine. And 153 00:07:24,320 --> 00:07:26,280 Speaker 10: Kirk Cobin is one of those people. Jane Goodall is 154 00:07:26,280 --> 00:07:28,960 Speaker 10: one of those people. David Bowie, of course, is one 155 00:07:29,000 --> 00:07:31,120 Speaker 10: of those people. And so he set out to tell 156 00:07:31,160 --> 00:07:33,560 Speaker 10: this story of David Bowie. He went and spoke to 157 00:07:34,240 --> 00:07:36,320 Speaker 10: the estate. He actually spoke to David Bowie before he 158 00:07:36,360 --> 00:07:38,560 Speaker 10: died about doing a film together because he wanted to 159 00:07:38,560 --> 00:07:42,080 Speaker 10: do something really kind of artistic that tapped into David 160 00:07:42,120 --> 00:07:46,000 Speaker 10: Bowie's process more so than you know, the details of 161 00:07:46,000 --> 00:07:46,320 Speaker 10: his life. 162 00:07:46,360 --> 00:07:47,840 Speaker 3: Yeah, we're dorn in such and such. 163 00:07:47,920 --> 00:07:49,000 Speaker 2: Yeah, so many doccos and a. 164 00:07:49,280 --> 00:07:50,560 Speaker 10: But it was going to take it was going to take, 165 00:07:50,760 --> 00:07:53,400 Speaker 10: you know, fifty hours of filming with David Bowie, and 166 00:07:53,480 --> 00:07:54,400 Speaker 10: David Bowie just didn't have. 167 00:07:54,320 --> 00:07:55,440 Speaker 2: The time to do it. So he said he was 168 00:07:55,480 --> 00:07:56,040 Speaker 2: semi retired. 169 00:07:56,160 --> 00:07:58,040 Speaker 10: He was semi retired. He was like arms like just 170 00:07:58,080 --> 00:07:59,720 Speaker 10: hanging out and doing main thing. And so it never 171 00:07:59,720 --> 00:08:03,160 Speaker 10: happened until he died. But the estate remembered that conversation, 172 00:08:03,840 --> 00:08:05,880 Speaker 10: and so they're like, okay, let's go ahead, let's do it. 173 00:08:05,960 --> 00:08:08,840 Speaker 10: Give you access to the archive of footage of David 174 00:08:08,840 --> 00:08:10,880 Speaker 10: Bowie's artworks that a lot of them had never seen 175 00:08:10,920 --> 00:08:13,840 Speaker 10: a lot of day before. And then off he went. 176 00:08:14,000 --> 00:08:16,560 Speaker 10: And you know, people who go into this expecting to 177 00:08:18,040 --> 00:08:22,240 Speaker 10: see how many copies Ziggy Star are sold in the 178 00:08:22,320 --> 00:08:24,920 Speaker 10: nineteen seventies, you're not going to get that. It doesn't 179 00:08:25,000 --> 00:08:26,960 Speaker 10: even acknowledge that Bowie is dead. 180 00:08:27,640 --> 00:08:29,720 Speaker 2: It doesn't, which is which is you might. 181 00:08:29,640 --> 00:08:32,640 Speaker 10: Think that is bizarre for a documentary. Watch you watch, 182 00:08:32,640 --> 00:08:34,679 Speaker 10: It's two hours and fifteen minutes, and at the end 183 00:08:34,679 --> 00:08:36,439 Speaker 10: of it, if you didn't know Bowie was dead, you 184 00:08:36,520 --> 00:08:38,760 Speaker 10: think you're still alive. Here his voice a lot you'd 185 00:08:38,760 --> 00:08:40,520 Speaker 10: walk out of the cinema and go, oh, what's Bowie 186 00:08:40,600 --> 00:08:43,840 Speaker 10: up to these days? Which is really quite strange. It 187 00:08:43,920 --> 00:08:47,000 Speaker 10: plays so loose with the facts. But what it doesn't 188 00:08:47,120 --> 00:08:49,320 Speaker 10: I think play loose with is the truth. Like this 189 00:08:49,600 --> 00:08:53,200 Speaker 10: kind of ultimate, cosmic, universal truth of David Bowie and 190 00:08:53,240 --> 00:08:55,800 Speaker 10: who he was as an artist that shines through in 191 00:08:55,840 --> 00:08:59,360 Speaker 10: this film so clearly. As you see him in interviews, 192 00:08:59,679 --> 00:09:04,240 Speaker 10: as you see him like on stage, you see him 193 00:09:04,240 --> 00:09:06,520 Speaker 10: in some very intimate moments, but you also, you know, 194 00:09:06,559 --> 00:09:08,160 Speaker 10: get a sense of who he was as an artist, 195 00:09:08,240 --> 00:09:11,280 Speaker 10: like this dude who was introverted, he didn't socialize very well, 196 00:09:11,400 --> 00:09:12,960 Speaker 10: but then he would get up on stage in front 197 00:09:12,960 --> 00:09:16,920 Speaker 10: of sixty thousand people and become this you know, alien 198 00:09:17,160 --> 00:09:20,840 Speaker 10: rock god from another planet. It's truly truly spectacular, And 199 00:09:20,880 --> 00:09:22,679 Speaker 10: of course there's a lot of songs, more than forty 200 00:09:22,720 --> 00:09:25,559 Speaker 10: Bowie songs in this from from way back to the 201 00:09:25,880 --> 00:09:27,400 Speaker 10: way back to the start of his career, all the 202 00:09:27,440 --> 00:09:29,120 Speaker 10: way through to you know, the sort of the phase 203 00:09:29,120 --> 00:09:31,640 Speaker 10: he went through in the nineties to Black Star and 204 00:09:32,240 --> 00:09:34,120 Speaker 10: what happened towards the latter stage of his career. 205 00:09:34,880 --> 00:09:35,439 Speaker 2: Machine in there. 206 00:09:35,520 --> 00:09:39,720 Speaker 10: Yeah, yeah, it's there's some exhaustive archival material here which 207 00:09:39,720 --> 00:09:42,280 Speaker 10: is really very very special to see. The interestant thing 208 00:09:42,320 --> 00:09:44,640 Speaker 10: is space ot tea right, because that was recorded in 209 00:09:45,400 --> 00:09:48,960 Speaker 10: released in sixty nine, so well before Ziggi and everything else. 210 00:09:49,240 --> 00:09:51,320 Speaker 10: It doesn't sort of appear in the film until three 211 00:09:51,400 --> 00:09:53,520 Speaker 10: quarters of the way through, and so there's some really 212 00:09:53,520 --> 00:09:55,880 Speaker 10: interesting use of the of the music here as well. 213 00:09:56,040 --> 00:09:56,400 Speaker 3: If you're a. 214 00:09:56,440 --> 00:09:58,800 Speaker 10: Bowie fan, like you have to see this movie like 215 00:09:58,840 --> 00:10:02,040 Speaker 10: this is absolute see if you're not a Bowie fan, 216 00:10:02,400 --> 00:10:04,960 Speaker 10: this will probably turn you into one. And if you're 217 00:10:04,960 --> 00:10:08,040 Speaker 10: a Harry Styles fan, I would really seeing this movie 218 00:10:08,040 --> 00:10:10,160 Speaker 10: and you realize, oh, hang on a minute, Harry Starles 219 00:10:10,200 --> 00:10:12,160 Speaker 10: is not the first person to do some of this stuff, 220 00:10:12,679 --> 00:10:15,360 Speaker 10: and you'll see you know just how influential Bowie was 221 00:10:15,400 --> 00:10:17,560 Speaker 10: and how you know what he was doing back in 222 00:10:17,600 --> 00:10:20,000 Speaker 10: the early seventies. It's amazing to think what he was 223 00:10:20,000 --> 00:10:22,839 Speaker 10: doing in the early seventies would still be considered pretty 224 00:10:22,840 --> 00:10:26,280 Speaker 10: cutting edge today. Tween twenty two still ahead of his time. 225 00:10:26,360 --> 00:10:27,920 Speaker 2: Now, yeah, it's freaky, it's. 226 00:10:27,840 --> 00:10:30,160 Speaker 10: Amazing, and so yeah, this this is one of my 227 00:10:30,200 --> 00:10:31,480 Speaker 10: absolute favorite films of the year. 228 00:10:31,920 --> 00:10:36,599 Speaker 1: All Right, how many Aladdin signs are you giving it? 229 00:10:36,920 --> 00:10:37,960 Speaker 10: I want to give this one for. 230 00:10:39,720 --> 00:10:40,280 Speaker 1: Four and a half. 231 00:10:40,440 --> 00:10:44,760 Speaker 10: You don't do that very three quarters just for you guys, 232 00:10:45,200 --> 00:10:47,000 Speaker 10: three quarters with the extra quarters. 233 00:10:46,640 --> 00:10:50,199 Speaker 2: Out you guys. All right, we're going to paint their faces. 234 00:10:50,520 --> 00:10:52,920 Speaker 1: Makes it a record breakout, Lady is a record break Okay, 235 00:10:53,040 --> 00:10:54,400 Speaker 1: thank you, Ben thanys. 236 00:10:54,240 --> 00:10:59,960 Speaker 2: Guys, Okay, talking movies. Sure report on six. 237 00:11:02,920 --> 00:11:06,080 Speaker 1: In his first TV interview since his life saving neck 238 00:11:06,240 --> 00:11:09,839 Speaker 1: surgery back in June, Ozzy Osborne says his health has 239 00:11:09,880 --> 00:11:13,960 Speaker 1: improved considerably. Speaking to Good Morning America, Ossie says after 240 00:11:14,000 --> 00:11:16,760 Speaker 1: being hunched over for a long time, he can finally 241 00:11:16,800 --> 00:11:19,520 Speaker 1: hold his head up, and Sharon Osborne says, it's been 242 00:11:19,559 --> 00:11:20,480 Speaker 1: tough for all of them. 243 00:11:20,640 --> 00:11:25,839 Speaker 9: He's a pain in the butt, everything from heartbreaking to 244 00:11:26,040 --> 00:11:31,120 Speaker 9: soul destroying to joys of he's getting better. These metal 245 00:11:31,160 --> 00:11:35,240 Speaker 9: plates were working their way out, the debris was rubbing 246 00:11:35,240 --> 00:11:38,080 Speaker 9: on his final cord, and he will literally be crying 247 00:11:38,120 --> 00:11:39,320 Speaker 9: and paid some days. 248 00:11:40,160 --> 00:11:43,479 Speaker 1: True, So we're glad that he's on the men, Angelina 249 00:11:43,559 --> 00:11:47,080 Speaker 1: Jolly is firing back with her own countersuit against Brad 250 00:11:47,080 --> 00:11:49,520 Speaker 1: Pitt over the wine business they previously co owned together. 251 00:11:49,760 --> 00:11:52,280 Speaker 1: Jollie is seeking more than two hundred and fifty million 252 00:11:52,320 --> 00:11:55,160 Speaker 1: dollars in damages. Wow, that's a lot, accusing Peter of 253 00:11:55,200 --> 00:11:58,520 Speaker 1: waging a vindictive war against her ever since she filed 254 00:11:58,520 --> 00:12:00,560 Speaker 1: for divorce back in twenty six Steve. 255 00:12:00,400 --> 00:12:01,920 Speaker 3: It's only the longest. 256 00:12:01,600 --> 00:12:03,439 Speaker 2: Sound like mister and Missus Smith all over again, isn't it. 257 00:12:03,480 --> 00:12:04,240 Speaker 2: They'll get the guns out. 258 00:12:04,920 --> 00:12:06,800 Speaker 1: If Kate Walsh's still living here, she's going to be 259 00:12:06,840 --> 00:12:09,160 Speaker 1: doing The Commune. She's been confirmed she'll have a recurring 260 00:12:09,280 --> 00:12:12,240 Speaker 1: role in the nineteenth season of Gray's and Ashamy. Walsh 261 00:12:12,320 --> 00:12:14,840 Speaker 1: was a series regular for eight seasons of Gray's until 262 00:12:14,920 --> 00:12:18,160 Speaker 1: she took her character Addison Montgomery into the spinoff Private 263 00:12:18,200 --> 00:12:23,560 Speaker 1: Practice and ac DC's Brian Johnson's written his autobiography and 264 00:12:23,600 --> 00:12:27,440 Speaker 1: it's coming out next month. What was called The Lives 265 00:12:27,480 --> 00:12:31,720 Speaker 1: of Brian Johnson says, I've had some long nights and 266 00:12:31,800 --> 00:12:34,680 Speaker 1: some great nights, some bad days and a lot of 267 00:12:34,679 --> 00:12:36,720 Speaker 1: good ones, and now I've gone and written a book 268 00:12:36,760 --> 00:12:37,080 Speaker 1: about it. 269 00:12:37,120 --> 00:12:37,320 Speaker 6: Ah. 270 00:12:37,480 --> 00:12:37,960 Speaker 2: So cool. 271 00:12:38,040 --> 00:12:38,880 Speaker 3: That will be interesting. 272 00:12:39,120 --> 00:12:40,560 Speaker 2: There will let it be a Christmas present for me? 273 00:12:40,559 --> 00:12:41,880 Speaker 2: I ADB and Time Love. 274 00:12:41,720 --> 00:12:46,840 Speaker 1: It More Lisa More podcasts soon ninety six. 275 00:12:49,280 --> 00:12:51,360 Speaker 4: The Block is on Sunday night, seven a Block on 276 00:12:51,520 --> 00:12:53,719 Speaker 4: Channel nine. We're going to catch seven Block seven a 277 00:12:53,760 --> 00:12:55,839 Speaker 4: block and certainly that's the show. And he's the full 278 00:12:55,840 --> 00:12:58,080 Speaker 4: bottle on everything from food to homes. The Man with 279 00:12:58,120 --> 00:13:00,960 Speaker 4: Great Style on Neil Whitaker, good morning, Good morning, Neil. 280 00:13:00,800 --> 00:13:03,319 Speaker 6: Good morning, guys, good morning, Thank you for having me. 281 00:13:03,679 --> 00:13:06,600 Speaker 1: Well, well, I mean, it's gone so quickly, I can't 282 00:13:06,600 --> 00:13:09,000 Speaker 1: believe everyone last night was saying, well, we're sort of 283 00:13:09,040 --> 00:13:13,360 Speaker 1: almost halfway there. Almost halfway there, Sharon and Ankor this 284 00:13:13,440 --> 00:13:15,640 Speaker 1: has been the big story this week. They really are 285 00:13:15,679 --> 00:13:18,120 Speaker 1: struggling with a whole host of issues from their builder, 286 00:13:18,160 --> 00:13:20,719 Speaker 1: especially fiction with their builder. They left last night to 287 00:13:20,760 --> 00:13:23,240 Speaker 1: have a bit of a call down. Now, considering that 288 00:13:23,400 --> 00:13:27,200 Speaker 1: you just see their end results each week and they're 289 00:13:27,240 --> 00:13:31,320 Speaker 1: getting really good feedback on their rooms, are you surprised 290 00:13:31,360 --> 00:13:34,800 Speaker 1: at what's going on during the week as they, you know, 291 00:13:35,000 --> 00:13:35,679 Speaker 1: get the room wreck. 292 00:13:35,880 --> 00:13:36,040 Speaker 8: Yeah. 293 00:13:36,800 --> 00:13:39,080 Speaker 6: Look, I mean, to be very honest with you, the 294 00:13:39,160 --> 00:13:42,600 Speaker 6: three of us judges are often surprised by what goes 295 00:13:42,640 --> 00:13:44,560 Speaker 6: on just week because we are in a bit of 296 00:13:44,559 --> 00:13:47,800 Speaker 6: a vacuum. We don't know, we know very little about 297 00:13:47,800 --> 00:13:50,079 Speaker 6: what goes on during the week. I mean, obviously, if 298 00:13:50,080 --> 00:13:53,559 Speaker 6: something really major happens, you know, like someone god forbid, 299 00:13:54,040 --> 00:13:56,680 Speaker 6: has a bad accident or something, then yet that we 300 00:13:56,760 --> 00:14:00,920 Speaker 6: would know. But otherwise we've we're very much in the 301 00:14:01,040 --> 00:14:03,640 Speaker 6: dark about what goes on during the week. And that's 302 00:14:03,640 --> 00:14:06,440 Speaker 6: deliberate because obviously, yes, you know, the progencers of the 303 00:14:06,440 --> 00:14:10,240 Speaker 6: show don't want our judgment to be swayed in any 304 00:14:10,360 --> 00:14:13,560 Speaker 6: or prejudiced in any way by what's going on. But 305 00:14:14,120 --> 00:14:17,400 Speaker 6: you know, sometimes you can read the panic in a room. 306 00:14:18,000 --> 00:14:20,840 Speaker 6: You know, you can almost tell. It's like it's you know, 307 00:14:21,200 --> 00:14:24,640 Speaker 6: it's like that old expression your walls can talk, yes, 308 00:14:24,760 --> 00:14:27,280 Speaker 6: And sometimes you can you can sense the panic, or 309 00:14:27,320 --> 00:14:29,920 Speaker 6: you can sense the anxiety in a room by the 310 00:14:29,920 --> 00:14:32,600 Speaker 6: way it's been delivered. But I must admit, you know, 311 00:14:32,840 --> 00:14:36,200 Speaker 6: I've been surprised this week watching the show myself at 312 00:14:36,040 --> 00:14:38,480 Speaker 6: the strife that Sharon and Akor are in. 313 00:14:39,040 --> 00:14:41,400 Speaker 1: When you say you can read the room, sometimes, does 314 00:14:41,440 --> 00:14:43,640 Speaker 1: that also apply to things like there was a classic 315 00:14:43,760 --> 00:14:47,560 Speaker 1: example last weekend when I can't remember which couple it 316 00:14:47,600 --> 00:14:48,320 Speaker 1: was a lovely couple. 317 00:14:48,360 --> 00:14:49,200 Speaker 3: They just wanted to. 318 00:14:50,520 --> 00:14:52,440 Speaker 1: Just stand back that little bit on top of their 319 00:14:52,480 --> 00:14:54,600 Speaker 1: fireplace at the last second, and of course it just 320 00:14:54,800 --> 00:14:56,640 Speaker 1: all bits of it started falling off. 321 00:14:56,680 --> 00:14:57,840 Speaker 6: Can you problem? 322 00:14:58,000 --> 00:14:59,520 Speaker 3: Can you read what happened there? 323 00:14:59,520 --> 00:15:01,680 Speaker 1: Can you look that and think I know what they 324 00:15:01,720 --> 00:15:03,120 Speaker 1: did and I know what happened? 325 00:15:04,560 --> 00:15:07,360 Speaker 6: Yes? In answers, yeah, I mean pretty much, Yes, you can. 326 00:15:07,600 --> 00:15:09,880 Speaker 6: You can. I mean, it is, it is. It is 327 00:15:09,920 --> 00:15:12,600 Speaker 6: the little sort of unfinished details that you can read. 328 00:15:12,800 --> 00:15:15,600 Speaker 6: And you know that occasionally you walk into a room 329 00:15:15,640 --> 00:15:18,160 Speaker 6: and it's just perfect and just so finished and there's 330 00:15:18,200 --> 00:15:21,760 Speaker 6: almost a sense of calm in there. But more often 331 00:15:21,800 --> 00:15:25,120 Speaker 6: than not, you can read the sort of level of pay. 332 00:15:26,000 --> 00:15:26,240 Speaker 5: Yeah. 333 00:15:26,320 --> 00:15:28,840 Speaker 6: Yeah, it's probably gone into it because we know that. 334 00:15:28,880 --> 00:15:32,360 Speaker 6: You know, tool down was literally only an hour or 335 00:15:32,400 --> 00:15:34,600 Speaker 6: so before we go in and start judging, right. 336 00:15:34,880 --> 00:15:36,080 Speaker 8: It's all very fresh. 337 00:15:36,320 --> 00:15:38,400 Speaker 6: It's not unusual for us to walk into a room 338 00:15:38,440 --> 00:15:40,880 Speaker 6: and the paint's still wet. You know, that's quite normal. 339 00:15:40,960 --> 00:15:42,200 Speaker 4: You can smell like, I mean, we know how it 340 00:15:42,240 --> 00:15:44,680 Speaker 4: works them Before these multimillion dollar properties are sold on 341 00:15:44,720 --> 00:15:47,480 Speaker 4: the block, get the little bits and pieces are fixed up. 342 00:15:47,480 --> 00:15:48,800 Speaker 4: But that's not the point. It has to be done 343 00:15:48,800 --> 00:15:50,440 Speaker 4: in the timeframe, and so it is a lot of 344 00:15:50,480 --> 00:15:51,600 Speaker 4: pressure for them, isn't it, Neil. 345 00:15:52,240 --> 00:15:55,000 Speaker 6: It's a huge amount of pressure. And you know, it's 346 00:15:55,040 --> 00:15:57,400 Speaker 6: fair to say that the pressure this year would have 347 00:15:57,440 --> 00:16:00,640 Speaker 6: been greater than ever before because these are such enormous properties, 348 00:16:01,000 --> 00:16:03,280 Speaker 6: their enormous properties, and at the back of their minds 349 00:16:03,320 --> 00:16:07,359 Speaker 6: also the contestants are worrying about saving money for the landscaping. 350 00:16:07,400 --> 00:16:10,080 Speaker 6: So even though they've got a budget each week to 351 00:16:10,160 --> 00:16:12,960 Speaker 6: do the rooms, they're not getting a separate budget on 352 00:16:13,000 --> 00:16:14,840 Speaker 6: top of that for the landscaping. So you know, what 353 00:16:14,840 --> 00:16:17,680 Speaker 6: they're going to do with their landscaping really depends entirely 354 00:16:18,040 --> 00:16:20,760 Speaker 6: on how much they've managed to save during the twelve 355 00:16:20,800 --> 00:16:21,760 Speaker 6: weeks of the competition. 356 00:16:22,160 --> 00:16:26,080 Speaker 1: Now, I understand you're currently building something in the beautiful 357 00:16:26,320 --> 00:16:29,480 Speaker 1: southern New Southwest town of Bury. Have you ever sort 358 00:16:29,520 --> 00:16:31,840 Speaker 1: of looked around the rooms and thought, oh, I chake 359 00:16:31,880 --> 00:16:33,280 Speaker 1: that idea, so I steal that one. 360 00:16:35,120 --> 00:16:38,440 Speaker 6: Oh look over the years, definitely, yes, I mean, you know, 361 00:16:38,560 --> 00:16:41,120 Speaker 6: there's nothing I mean, I think I've said it on 362 00:16:41,240 --> 00:16:43,240 Speaker 6: air actually on the show a few times. You know, 363 00:16:43,240 --> 00:16:45,760 Speaker 6: there's there's nothing better than walking into one of those 364 00:16:45,840 --> 00:16:49,560 Speaker 6: rooms and saying to you know, thinking to myself. My god, 365 00:16:49,600 --> 00:16:50,840 Speaker 6: I'd like that in my own home. 366 00:16:51,120 --> 00:16:53,440 Speaker 3: Yeah, yeah, it does happen. 367 00:16:53,480 --> 00:16:55,440 Speaker 6: It does happen. But hey, what I'm building here in 368 00:16:55,560 --> 00:17:01,720 Speaker 6: Bury is minuscule those guys are doing. It's like a shed, 369 00:17:01,920 --> 00:17:04,080 Speaker 6: you know, a little shed compared to what they're doing. 370 00:17:04,760 --> 00:17:07,920 Speaker 4: Neil, Neil. There are lots of cameras around, so I 371 00:17:07,960 --> 00:17:09,840 Speaker 4: don't try and make it any boxes of the kid 372 00:17:09,920 --> 00:17:14,200 Speaker 4: cat Charles might for the bathroom hate. I am fascinated 373 00:17:14,200 --> 00:17:16,119 Speaker 4: by when the three of you walking to judge a 374 00:17:16,160 --> 00:17:18,119 Speaker 4: bathroom or a room or whatever it might be. Do 375 00:17:18,160 --> 00:17:20,159 Speaker 4: you sometimes, you know, as a you have to be 376 00:17:20,160 --> 00:17:21,840 Speaker 4: a critic, and you have to be critical. Sometimes you 377 00:17:21,840 --> 00:17:24,159 Speaker 4: sometimes influenced by the mood you're in. You have to 378 00:17:24,160 --> 00:17:24,800 Speaker 4: put that aside. 379 00:17:25,720 --> 00:17:27,879 Speaker 6: Oh no, you have to put that absolutely that. You 380 00:17:28,040 --> 00:17:31,200 Speaker 6: definitely have to put your mood aside. And I find 381 00:17:31,240 --> 00:17:34,040 Speaker 6: that you well, for me, it's very important to put 382 00:17:34,040 --> 00:17:36,520 Speaker 6: my own taste aside as well, Which might sound like 383 00:17:36,560 --> 00:17:38,560 Speaker 6: an odd theme to a lot of people listening, but 384 00:17:38,680 --> 00:17:40,959 Speaker 6: I think number one rule of being a judge is 385 00:17:40,960 --> 00:17:43,760 Speaker 6: that you have to see the room that's presented to 386 00:17:43,840 --> 00:17:47,200 Speaker 6: you in the context of of of what the property 387 00:17:47,400 --> 00:17:49,960 Speaker 6: is and who the market is likely to be you know, 388 00:17:50,040 --> 00:17:52,560 Speaker 6: you can't allow you I mean, I guess that's the 389 00:17:52,640 --> 00:17:54,359 Speaker 6: lesson I learned in all my many years as a 390 00:17:54,400 --> 00:17:58,080 Speaker 6: magazine editor. You know, you can't allow your own taste 391 00:17:58,640 --> 00:18:01,960 Speaker 6: to judge out your judgment. You have to see the 392 00:18:02,040 --> 00:18:04,399 Speaker 6: room for what it is and judge whether it is 393 00:18:04,440 --> 00:18:07,919 Speaker 6: a good example of the style that's being presented to you. 394 00:18:08,320 --> 00:18:11,920 Speaker 1: And I expect that that also applies to the contestants. 395 00:18:12,280 --> 00:18:15,000 Speaker 1: They've got to try to step back and think about 396 00:18:15,000 --> 00:18:16,000 Speaker 1: it that way as well. 397 00:18:16,600 --> 00:18:19,919 Speaker 6: Absolutely, they do. Absolutely. You know, one thing that is 398 00:18:19,960 --> 00:18:23,919 Speaker 6: always very difficult for the contestants is that they're not 399 00:18:24,359 --> 00:18:31,840 Speaker 6: designing for themselves oroughly. Yeah, yeah, I mean, you know, 400 00:18:31,880 --> 00:18:34,800 Speaker 6: they've got to think who the target market is, and 401 00:18:35,280 --> 00:18:38,720 Speaker 6: the target market could be them. But you know, they 402 00:18:38,760 --> 00:18:43,960 Speaker 6: can't just go in there and design something for themselves. 403 00:18:43,800 --> 00:18:45,480 Speaker 6: It's a balancing you know, it's a bit of a 404 00:18:45,520 --> 00:18:47,600 Speaker 6: tightrope that they walk, a bit of a balancing act. 405 00:18:47,720 --> 00:18:49,399 Speaker 4: Of course, every time I switch the show on, I 406 00:18:49,440 --> 00:18:51,520 Speaker 4: see that boys are very likable Omar and Oz, But 407 00:18:51,560 --> 00:18:54,000 Speaker 4: I always think, I keep thinking, it's like the elephant 408 00:18:54,000 --> 00:18:56,320 Speaker 4: in the room. This incredible advantage I've got with that 409 00:18:56,440 --> 00:18:57,600 Speaker 4: amazing kitchen coming of it. 410 00:18:58,040 --> 00:19:00,760 Speaker 3: Fift Oh, I know, I can't work say they deal 411 00:19:00,800 --> 00:19:01,160 Speaker 3: with that? 412 00:19:01,880 --> 00:19:06,880 Speaker 6: Yeah, well, two hundred and fifty thousand dollars upgrade, upgrade 413 00:19:07,280 --> 00:19:10,560 Speaker 6: the two hundred and fifty thousand dollar kitchen. It's an upgrade. 414 00:19:11,359 --> 00:19:13,240 Speaker 6: Someone wouldn't we all like that? 415 00:19:13,320 --> 00:19:15,720 Speaker 2: What a bonus that is? Yeah, and they know it's coming, 416 00:19:15,760 --> 00:19:17,120 Speaker 2: you know, one of they're so smarty. 417 00:19:18,680 --> 00:19:21,480 Speaker 1: Well, you know one thing that I really am enjoying 418 00:19:21,480 --> 00:19:23,000 Speaker 1: this year. I'm loving what I'm saying they put out, 419 00:19:23,040 --> 00:19:26,760 Speaker 1: and I'm loving the colors that they're all using this year. Definitely, 420 00:19:27,680 --> 00:19:29,679 Speaker 1: they all seem to have a good grasp on that 421 00:19:29,800 --> 00:19:31,960 Speaker 1: area that they're in in messages. 422 00:19:32,240 --> 00:19:34,160 Speaker 6: I think so. I think so too. I think they're 423 00:19:34,240 --> 00:19:36,880 Speaker 6: using some beautiful color palettes this year. I think they're 424 00:19:36,960 --> 00:19:40,080 Speaker 6: using some lovely materials palettes. And I think they're all 425 00:19:40,880 --> 00:19:43,359 Speaker 6: they're all interpreting country in a different way, which we 426 00:19:43,440 --> 00:19:45,600 Speaker 6: knew they would. It would be very dull if if 427 00:19:45,640 --> 00:19:49,159 Speaker 6: all five couples, you know, just interpreted country style in 428 00:19:49,520 --> 00:19:51,320 Speaker 6: the same way, because at the end of the day, 429 00:19:51,359 --> 00:19:55,040 Speaker 6: there is no such thing really as country style. You know, 430 00:19:55,119 --> 00:19:57,760 Speaker 6: country style means something different to all of us. But 431 00:19:58,480 --> 00:20:01,520 Speaker 6: I do think that they have taken into account how 432 00:20:01,880 --> 00:20:06,639 Speaker 6: just how beautiful the landscape is outside of their properties, 433 00:20:06,680 --> 00:20:09,240 Speaker 6: and sometimes you just have to let that landscape speak 434 00:20:09,320 --> 00:20:11,879 Speaker 6: because that that is really, you know, what the houses 435 00:20:11,920 --> 00:20:13,840 Speaker 6: are all about. And I think you know, for the 436 00:20:13,880 --> 00:20:18,159 Speaker 6: most part, they're choosing color schemes that work beautifully with 437 00:20:18,280 --> 00:20:20,560 Speaker 6: what is going out going on outside of the window. 438 00:20:20,800 --> 00:20:24,680 Speaker 2: Yeah, well that landscape a lot better, Sharon, and clean up. Yes, 439 00:20:25,280 --> 00:20:25,800 Speaker 2: there's a lot. 440 00:20:25,720 --> 00:20:31,440 Speaker 6: Of met filming. Oh, it's early days and my goodness 441 00:20:31,440 --> 00:20:34,720 Speaker 6: to me, they took a hammering from the weather during. 442 00:20:36,359 --> 00:20:37,879 Speaker 2: Scotty told us it was terrible. 443 00:20:38,040 --> 00:20:38,440 Speaker 9: All right. 444 00:20:38,480 --> 00:20:40,960 Speaker 1: Well, Sunday night, seven o'clock, we're getting a bedroom and 445 00:20:41,080 --> 00:20:44,439 Speaker 1: a bathroom and for some of them the loo as well. 446 00:20:45,160 --> 00:20:47,640 Speaker 1: And I can't wait for kitchens. Neil Witker, thank you. 447 00:20:47,600 --> 00:20:51,040 Speaker 6: So much, absolute pleasure. Good to talk to you both. 448 00:20:51,200 --> 00:20:55,080 Speaker 1: Bye, advance joy. You will be in Margaret River on Saturday, 449 00:20:55,119 --> 00:20:55,919 Speaker 1: November twelve. 450 00:20:55,960 --> 00:20:59,920 Speaker 3: Tickets are through oz Ticks. Good morning Vancis with us again. 451 00:21:00,800 --> 00:21:02,200 Speaker 11: Hey guys, thanks for having me the. 452 00:21:02,119 --> 00:21:04,800 Speaker 1: Most accessible man in music. I think you always are 453 00:21:04,880 --> 00:21:07,000 Speaker 1: up pro chat with us and we really appreciate it. 454 00:21:07,640 --> 00:21:10,399 Speaker 1: You've added another doubly way show. We thank you for that. 455 00:21:11,119 --> 00:21:14,119 Speaker 1: Are you performing at Three Oceans Winery? Do you like 456 00:21:14,160 --> 00:21:14,600 Speaker 1: a wine? 457 00:21:14,840 --> 00:21:18,240 Speaker 11: I don't mind a wine. Yeah, that's gonna work well. 458 00:21:19,040 --> 00:21:21,160 Speaker 11: Looking forward to these shows, I think, yeah, I've got 459 00:21:21,160 --> 00:21:23,720 Speaker 11: some family coming. We're going to have Friday night and 460 00:21:23,760 --> 00:21:27,399 Speaker 11: then we're playing on Saturday, and then I know on 461 00:21:27,560 --> 00:21:29,960 Speaker 11: Sunday I think is our last day. But there's plenty 462 00:21:29,960 --> 00:21:32,399 Speaker 11: of time to go have some drinks and hang out 463 00:21:32,440 --> 00:21:34,840 Speaker 11: and have a little bit of a party after the shows. 464 00:21:34,920 --> 00:21:35,560 Speaker 11: That'll be the plan. 465 00:21:35,840 --> 00:21:36,240 Speaker 3: Awesome. 466 00:21:36,280 --> 00:21:40,000 Speaker 1: I saw a great show at Three Oceans Winery just 467 00:21:40,040 --> 00:21:43,480 Speaker 1: before COVID with Xavier Run and the cat Empire. Do 468 00:21:43,560 --> 00:21:45,840 Speaker 1: you have any two of my favorites? Do you have 469 00:21:45,840 --> 00:21:47,720 Speaker 1: any favorite Aussie acts that you like to go and 470 00:21:47,760 --> 00:21:48,440 Speaker 1: see when you can? 471 00:21:48,720 --> 00:21:48,880 Speaker 8: Oh? 472 00:21:49,080 --> 00:21:50,920 Speaker 11: Gee, there's a few good ones. Trying to think of 473 00:21:50,960 --> 00:21:53,840 Speaker 11: who I'd like to see. I have had the privilege 474 00:21:53,840 --> 00:21:55,359 Speaker 11: of seeing a bunch, I guess because I've been on 475 00:21:55,400 --> 00:21:58,160 Speaker 11: a bunch of tours, but also at the music festivals. 476 00:21:59,400 --> 00:22:02,680 Speaker 11: If I'm thinking, I like to see Bernard Fanny again, 477 00:22:02,760 --> 00:22:05,200 Speaker 11: it's a tour with him. First first ever tour of 478 00:22:05,240 --> 00:22:10,959 Speaker 11: Australia was with him. I like Angus Stone's side project, 479 00:22:10,960 --> 00:22:12,920 Speaker 11: which is called Dope Lemon I reckon. They're pretty great. 480 00:22:13,440 --> 00:22:13,920 Speaker 2: Who else? 481 00:22:14,720 --> 00:22:19,920 Speaker 11: Paul Kelly would be good. Maybe Christmas time. Yeah, come 482 00:22:19,920 --> 00:22:20,400 Speaker 11: to mind. 483 00:22:20,359 --> 00:22:22,680 Speaker 4: Some gravy together. That's a great selection. There's a music 484 00:22:22,720 --> 00:22:24,760 Speaker 4: festival with you headlining. Man, I like this out of that, 485 00:22:25,640 --> 00:22:27,280 Speaker 4: it might be K might get. 486 00:22:27,240 --> 00:22:30,600 Speaker 2: Upset, Yeah, p K p K might have to be there. 487 00:22:31,200 --> 00:22:32,360 Speaker 2: He might have to be on that. 488 00:22:32,600 --> 00:22:32,800 Speaker 10: Yeah. 489 00:22:33,080 --> 00:22:35,240 Speaker 4: Events we had the football is in be in particular 490 00:22:35,320 --> 00:22:37,000 Speaker 4: day Monday from the Dockers, who's still alive in the 491 00:22:37,000 --> 00:22:39,480 Speaker 4: finals with Free and they talk. He talks about having 492 00:22:39,520 --> 00:22:42,120 Speaker 4: his family from Victoria and that how important and how 493 00:22:42,160 --> 00:22:43,800 Speaker 4: cool is it to have family at your gigs. 494 00:22:44,359 --> 00:22:47,879 Speaker 11: It's the best. It's it's so nice just just because 495 00:22:47,880 --> 00:22:49,679 Speaker 11: of all the kind of hangs you have in between. 496 00:22:49,720 --> 00:22:52,600 Speaker 11: Because I guess when you're playing shows, it's awesome hanging 497 00:22:52,640 --> 00:22:54,840 Speaker 11: with the band, and I'm really close with my band, 498 00:22:54,880 --> 00:22:58,480 Speaker 11: but there's something nice about, you know, bringing your family backstage, 499 00:22:58,520 --> 00:23:00,520 Speaker 11: like my little sister or one, you know, some of 500 00:23:00,520 --> 00:23:03,080 Speaker 11: my clothes mates backstage, so they're kind of hanging in 501 00:23:03,080 --> 00:23:05,560 Speaker 11: the green room before we go on stage. So I 502 00:23:05,600 --> 00:23:07,119 Speaker 11: don't know, it just it just kind of creates a 503 00:23:07,119 --> 00:23:10,639 Speaker 11: really nice a nice vibe, and then you kind of 504 00:23:10,960 --> 00:23:12,920 Speaker 11: celebrate the show a little bit more when you've got 505 00:23:12,920 --> 00:23:15,200 Speaker 11: family there, because you know, they don't see every show 506 00:23:15,280 --> 00:23:17,760 Speaker 11: and so they're like, oh, wow, this is actually pretty good. 507 00:23:17,760 --> 00:23:19,639 Speaker 11: You know you're doing good, and you're like, oh, yeah, 508 00:23:19,920 --> 00:23:22,320 Speaker 11: we did a lot of work and we tried really hard. 509 00:23:22,320 --> 00:23:24,640 Speaker 11: And so it's nice to have a bit of feedback 510 00:23:24,680 --> 00:23:26,520 Speaker 11: after the show because usually you just kind of, you know, 511 00:23:26,720 --> 00:23:28,840 Speaker 11: amongst yourselves, you know, you say that was pretty good. 512 00:23:28,840 --> 00:23:31,600 Speaker 11: But having the family there, actually it's it's good. You 513 00:23:31,640 --> 00:23:34,119 Speaker 11: get you actually get the real reaction, which is nice. 514 00:23:34,200 --> 00:23:37,280 Speaker 1: And they keep you grounded too. So this is what 515 00:23:37,320 --> 00:23:40,040 Speaker 1: you're doing, this is what you're off doing. Jack Johnson 516 00:23:40,080 --> 00:23:42,120 Speaker 1: told us recently he loves playing in Margret River because 517 00:23:42,119 --> 00:23:43,800 Speaker 1: of course he gets to go for a surf. Now 518 00:23:43,840 --> 00:23:47,600 Speaker 1: you're multi faceted, we're assuming your surf as well. 519 00:23:47,640 --> 00:23:48,760 Speaker 3: Will you go for a surf there? 520 00:23:49,800 --> 00:23:55,520 Speaker 11: No, you know what, I I don't. I'm not a surfer. 521 00:23:55,600 --> 00:23:59,000 Speaker 11: I'm not even going to pretend, you know, because over 522 00:23:59,040 --> 00:24:01,280 Speaker 11: here I can pretend bit more like people, and there's 523 00:24:01,280 --> 00:24:03,600 Speaker 11: not like the beach in Barcelona where I'm at, where 524 00:24:03,600 --> 00:24:05,159 Speaker 11: I am at the moment. It's not the waves on 525 00:24:05,320 --> 00:24:07,679 Speaker 11: so big, so it's a perfect place to be a poser. 526 00:24:07,760 --> 00:24:10,600 Speaker 11: But in Australia there's too many good beaches and too 527 00:24:10,640 --> 00:24:12,840 Speaker 11: many opportunities to say that. You can't really lie about it. 528 00:24:12,880 --> 00:24:15,600 Speaker 11: So now I love this, I love the beach. I lovessuming, 529 00:24:15,640 --> 00:24:17,520 Speaker 11: but I'm kind of more into I guess, kind of 530 00:24:17,560 --> 00:24:21,119 Speaker 11: like looking at the fish, like getting a snorkel. 531 00:24:20,760 --> 00:24:23,359 Speaker 1: On the Oh yeah, got the wrong with that, h 532 00:24:24,240 --> 00:24:25,280 Speaker 1: that's not against the water. 533 00:24:26,280 --> 00:24:28,240 Speaker 4: All of a sudden, we're three weeks away from the 534 00:24:28,280 --> 00:24:30,200 Speaker 4: AFL Grand Final. Does it bring your chills to think 535 00:24:30,200 --> 00:24:31,720 Speaker 4: of that day You're sitting with your band mates and 536 00:24:31,800 --> 00:24:34,200 Speaker 4: Sting taps you on the shoulder and says, good job. 537 00:24:35,359 --> 00:24:37,160 Speaker 11: That was Yeah, that was one of the best days ever. 538 00:24:37,840 --> 00:24:39,840 Speaker 11: It does. And the finals are so good. So I'm 539 00:24:39,840 --> 00:24:44,520 Speaker 11: streaming all the games from here, and my sister's boyfriend 540 00:24:44,560 --> 00:24:47,879 Speaker 11: actually he's getting on he's behind the purple haze. You know, 541 00:24:48,840 --> 00:24:51,000 Speaker 11: very good, I guess, yeah, I guess keeping an eye 542 00:24:51,040 --> 00:24:53,560 Speaker 11: on them and yeah, hopefully they go they go deep. 543 00:24:53,680 --> 00:24:57,320 Speaker 11: But anyway, yeah, loving the finals and that was probably, 544 00:24:58,280 --> 00:25:00,360 Speaker 11: if not the best day of Mimi his career. 545 00:25:00,440 --> 00:25:03,080 Speaker 2: So far. Yeah, it's not a bad person on the shoulder. 546 00:25:04,560 --> 00:25:06,680 Speaker 3: Did we see you on Better Homes and Gardens recently? 547 00:25:08,200 --> 00:25:08,480 Speaker 2: Really? 548 00:25:08,680 --> 00:25:10,960 Speaker 3: You do actually have a back landscaping? 549 00:25:11,320 --> 00:25:14,120 Speaker 11: Yeah, I used to work as a landscaping is generous 550 00:25:14,119 --> 00:25:16,520 Speaker 11: in terms of my skill set. But I did work 551 00:25:16,600 --> 00:25:20,440 Speaker 11: for some Pete my boss, Pete Hurtist from we did 552 00:25:20,440 --> 00:25:23,720 Speaker 11: gardens around Melbourne and he he's pretty great. He did 553 00:25:23,880 --> 00:25:26,560 Speaker 11: the whole thing. But I loved gardening, and so it 554 00:25:26,640 --> 00:25:28,200 Speaker 11: was cool. It's funny to like do Better Homes and 555 00:25:28,240 --> 00:25:31,199 Speaker 11: Gardens because I guess yeah, I got to show off 556 00:25:31,280 --> 00:25:34,080 Speaker 11: my little garden in Melbourne and join us super lovely. 557 00:25:34,160 --> 00:25:36,040 Speaker 11: But I was worried that they were going to make 558 00:25:36,080 --> 00:25:38,240 Speaker 11: me like do the brushcutter, which is like you get 559 00:25:38,240 --> 00:25:40,600 Speaker 11: the really straight line, and but I was like I don't. 560 00:25:40,840 --> 00:25:42,240 Speaker 11: I was like, I don't trust my skills, Like I 561 00:25:42,240 --> 00:25:44,639 Speaker 11: don't think I can actually do this anymore. So they 562 00:25:44,720 --> 00:25:46,360 Speaker 11: gave me a lawn more and set me up on 563 00:25:46,960 --> 00:25:48,840 Speaker 11: the lawn to just walk around, which is pretty funny. 564 00:25:48,920 --> 00:25:50,240 Speaker 4: You did the city. And but I've got a friend 565 00:25:50,240 --> 00:25:52,680 Speaker 4: who need some weeding done. What are you doing next week? 566 00:25:54,080 --> 00:25:54,800 Speaker 2: Waiting was good. 567 00:25:55,000 --> 00:25:56,960 Speaker 11: Weeding was one of the jobs where i'd find like 568 00:25:57,000 --> 00:25:59,760 Speaker 11: a spot in the garden which was kind of out 569 00:25:59,760 --> 00:26:01,680 Speaker 11: of you of Pete and also out of view of 570 00:26:01,720 --> 00:26:04,120 Speaker 11: the people with whose house I was working, and sometimes 571 00:26:04,119 --> 00:26:05,359 Speaker 11: just sit on the ground and just kind of like 572 00:26:05,440 --> 00:26:07,199 Speaker 11: hide and look on the phone. So that was weeding 573 00:26:07,240 --> 00:26:08,320 Speaker 11: is a good job to hide with. 574 00:26:08,600 --> 00:26:10,399 Speaker 3: Yeah. 575 00:26:10,560 --> 00:26:14,680 Speaker 1: There was a recent story on hard Rock Hotel a 576 00:26:14,840 --> 00:26:18,680 Speaker 1: vibe manager Michael Tello in New York. 577 00:26:19,000 --> 00:26:21,440 Speaker 3: Do you remember this guy? He mentioned you as a client, 578 00:26:21,520 --> 00:26:22,119 Speaker 3: saying he. 579 00:26:22,000 --> 00:26:25,600 Speaker 1: Personalized your hotel room in the rock Star Suite when 580 00:26:25,640 --> 00:26:28,920 Speaker 1: he visited in May with a ukulele and a selection 581 00:26:29,000 --> 00:26:29,520 Speaker 1: of vinyl. 582 00:26:29,520 --> 00:26:33,400 Speaker 3: Woh cool, you're easily pleased. 583 00:26:33,920 --> 00:26:34,240 Speaker 6: I don't. 584 00:26:34,280 --> 00:26:38,159 Speaker 11: I don't. I don't usually require a vibe manager to 585 00:26:38,480 --> 00:26:40,000 Speaker 11: get the room ready for me when I stay at 586 00:26:40,000 --> 00:26:42,520 Speaker 11: the hotels. But I did do it. I did a 587 00:26:42,520 --> 00:26:44,680 Speaker 11: little radio show in the hotel, so he gave me 588 00:26:44,720 --> 00:26:48,240 Speaker 11: a two. I wasn't actually staying there, but yeah, yeah, 589 00:26:48,240 --> 00:26:51,280 Speaker 11: it's not it's not like that, but yeah, that was funny. 590 00:26:51,359 --> 00:26:53,000 Speaker 11: Yeah I can say it was all right, Yeah, all right, 591 00:26:53,040 --> 00:26:54,520 Speaker 11: I was staying in I was staying down in the 592 00:26:55,040 --> 00:26:58,040 Speaker 11: cool Soho area, so that was where I was staying. 593 00:26:58,240 --> 00:27:00,480 Speaker 3: So you don't. Maybe your eminem's to be operations. 594 00:27:04,119 --> 00:27:09,000 Speaker 11: Yeah, why are the reds with the blues? 595 00:27:10,400 --> 00:27:11,160 Speaker 2: What's going on? 596 00:27:12,200 --> 00:27:12,280 Speaker 6: Like? 597 00:27:12,359 --> 00:27:12,760 Speaker 2: What about it? 598 00:27:12,760 --> 00:27:15,040 Speaker 4: If they were some records being plucked out for you, mate, 599 00:27:15,040 --> 00:27:16,760 Speaker 4: You've got a few go to vinyls that you go 600 00:27:16,840 --> 00:27:20,160 Speaker 4: for straight up, some influences or favorites. 601 00:27:20,440 --> 00:27:22,720 Speaker 11: Yeah, I think you know it's it's funny. I was 602 00:27:22,760 --> 00:27:25,720 Speaker 11: just trying to, you know, putting together. I sometimes choose 603 00:27:25,720 --> 00:27:29,080 Speaker 11: songs for a little playlist that I share with some 604 00:27:29,119 --> 00:27:31,679 Speaker 11: of the people that follow me, and I was just 605 00:27:31,920 --> 00:27:33,680 Speaker 11: thinking about some of the songs that get the party 606 00:27:33,720 --> 00:27:36,120 Speaker 11: started and songs that get the party started. I think 607 00:27:36,160 --> 00:27:39,640 Speaker 11: one of the top ones is Abba Gimme Gimmy, Gimme 608 00:27:40,080 --> 00:27:42,000 Speaker 11: Man up to Midnight, So that would be I'll get 609 00:27:42,000 --> 00:27:43,680 Speaker 11: that album. And I was listening actually to the new 610 00:27:43,760 --> 00:27:48,200 Speaker 11: album new album, Abba album, and that's really it's really good. 611 00:27:48,240 --> 00:27:50,600 Speaker 11: Like I don't know how many people have been out 612 00:27:50,600 --> 00:27:52,199 Speaker 11: there listening to it or whatever, how well known it is, 613 00:27:52,240 --> 00:27:54,040 Speaker 11: but they've still got it and there some of the 614 00:27:54,040 --> 00:27:56,520 Speaker 11: songs are so nice. So yeah, I would put some 615 00:27:56,560 --> 00:27:58,920 Speaker 11: aber in there, maybe some in excess. I don't know. 616 00:27:58,960 --> 00:27:59,320 Speaker 7: I want to. 617 00:27:59,600 --> 00:28:01,320 Speaker 11: I want to, I want to kind of get into 618 00:28:01,359 --> 00:28:01,960 Speaker 11: that a bit more so. 619 00:28:02,200 --> 00:28:05,840 Speaker 1: Yeah, well, we're loving your third album in our own 620 00:28:05,840 --> 00:28:08,840 Speaker 1: sweet time. The video for Missing Piece is just the 621 00:28:08,840 --> 00:28:12,480 Speaker 1: cutest video I've seen for a long time. So congratulations 622 00:28:12,480 --> 00:28:14,720 Speaker 1: on the success of the two hit singles, Missing Piece 623 00:28:14,760 --> 00:28:18,000 Speaker 1: and Clarity, and we look forward to seeing you in 624 00:28:18,119 --> 00:28:20,680 Speaker 1: Margaret River on Saturday, November twelve. 625 00:28:21,000 --> 00:28:21,400 Speaker 2: Perfect. 626 00:28:21,440 --> 00:28:23,240 Speaker 11: Thank you so much, and yeah, I see you guys 627 00:28:23,280 --> 00:28:24,760 Speaker 11: there and have a one. 628 00:28:24,200 --> 00:28:25,720 Speaker 2: Yeah, good to talk to you. 629 00:28:25,840 --> 00:28:27,320 Speaker 4: And if you need to tip on an excess album 630 00:28:27,320 --> 00:28:29,080 Speaker 4: if you're not into it, Shabusha bar is my favorite. 631 00:28:29,080 --> 00:28:33,159 Speaker 4: Mane give it, get deep, get into it. 632 00:28:33,920 --> 00:28:36,440 Speaker 11: Yeah, all the best, butchers guys, thank you bye. 633 00:28:37,280 --> 00:28:39,360 Speaker 1: As have you ever seen someone in the street and thought, whoa, 634 00:28:39,480 --> 00:28:40,400 Speaker 1: I'm looking at a mirror? 635 00:28:41,360 --> 00:28:43,680 Speaker 4: No, no, haven't seen it, But I do sometimes see 636 00:28:43,720 --> 00:28:45,600 Speaker 4: someone like how to Trading rock up recently and go, 637 00:28:45,960 --> 00:28:47,280 Speaker 4: you really look like someone I know. 638 00:28:48,560 --> 00:28:50,600 Speaker 1: I don't think anyone's ever not heard that at some 639 00:28:50,640 --> 00:28:52,880 Speaker 1: such Gosh, you look like something such and such, isn't it? 640 00:28:52,880 --> 00:28:53,960 Speaker 3: It's uncanny? 641 00:28:54,320 --> 00:28:56,520 Speaker 1: Well, scientists have worked out why some people do look 642 00:28:56,560 --> 00:29:00,560 Speaker 1: the same despite not being related. We've all seen comparisons 643 00:29:00,560 --> 00:29:02,719 Speaker 1: of celebs who look so similar they could be twins 644 00:29:02,800 --> 00:29:07,520 Speaker 1: like Jesse Eisenberg and Michael Sira. For example, Chelsea Handley, 645 00:29:07,760 --> 00:29:09,640 Speaker 1: Chelsea Handler and Elizabeth Banks. 646 00:29:09,880 --> 00:29:11,560 Speaker 3: They look like what was the one you were saying, 647 00:29:11,640 --> 00:29:13,000 Speaker 3: Chad Chadsmith. 648 00:29:12,640 --> 00:29:15,880 Speaker 4: The drummers Red Hot Chili Peppers and Will Ferrell. It 649 00:29:15,920 --> 00:29:18,000 Speaker 4: looks so much alike and they dress a like when 650 00:29:18,000 --> 00:29:18,800 Speaker 4: they do their drum officers. 651 00:29:18,920 --> 00:29:20,320 Speaker 3: They could literally be twins. 652 00:29:20,800 --> 00:29:24,560 Speaker 1: So what causes the eerie similarity and does it have 653 00:29:24,640 --> 00:29:26,600 Speaker 1: any impact on their behavior? 654 00:29:27,320 --> 00:29:29,680 Speaker 3: Do they behave the same That's what's interesting, isn't it. 655 00:29:30,040 --> 00:29:30,200 Speaker 7: Well? 656 00:29:30,240 --> 00:29:33,160 Speaker 1: Scientists in Barcelona have been having a good look at it. 657 00:29:33,360 --> 00:29:36,280 Speaker 1: As part of their study, they collected photos of genetically 658 00:29:36,400 --> 00:29:40,280 Speaker 1: unrelated look alikes and compared them with their DNA, and 659 00:29:40,320 --> 00:29:44,400 Speaker 1: it turns out that doppelgangers do have similar DNA. 660 00:29:44,640 --> 00:29:45,320 Speaker 2: Isn't it bizarre? 661 00:29:45,320 --> 00:29:46,720 Speaker 4: When you dig a bit deeper, they're saying that the 662 00:29:46,720 --> 00:29:49,560 Speaker 4: study provided a rare insight into human likeness by showing 663 00:29:49,560 --> 00:29:53,280 Speaker 4: that people with extreme lookalike faces share common genotypes. So 664 00:29:53,440 --> 00:29:56,480 Speaker 4: you're talking about the study of genetics and the genetic clusters, 665 00:29:56,640 --> 00:29:59,040 Speaker 4: and they say that it sets them apart from others. 666 00:29:59,320 --> 00:30:01,200 Speaker 4: And then the next was what we were intimating their 667 00:30:01,280 --> 00:30:03,920 Speaker 4: least and that do they share behavioral traits? So they 668 00:30:03,920 --> 00:30:06,160 Speaker 4: looked into it. They said that similar people with similar 669 00:30:06,160 --> 00:30:08,400 Speaker 4: genes not only make them look alike, but they can 670 00:30:08,480 --> 00:30:10,960 Speaker 4: influence habits and behaviors as well. 671 00:30:11,040 --> 00:30:14,360 Speaker 1: Interesting because I always tend to think that it's more 672 00:30:14,680 --> 00:30:18,320 Speaker 1: you know, societal the you know, what is it nature 673 00:30:18,400 --> 00:30:20,760 Speaker 1: versus nurture. I think it's wee, you know, the way 674 00:30:20,760 --> 00:30:22,880 Speaker 1: you're being brought up that's going to affect the type 675 00:30:22,880 --> 00:30:25,200 Speaker 1: of person you are, rather than being born with traits. 676 00:30:25,880 --> 00:30:28,800 Speaker 1: But obviously, I mean it's probably a bit from Columba 677 00:30:28,880 --> 00:30:32,240 Speaker 1: and a bit from Columba, but that basically it's it's 678 00:30:32,280 --> 00:30:35,400 Speaker 1: just a giant coincidence that people might have similar. 679 00:30:35,160 --> 00:30:36,840 Speaker 4: DNA I guess on the if you look at odds 680 00:30:36,880 --> 00:30:38,720 Speaker 4: and stuff like that, with so many billions of people, 681 00:30:38,880 --> 00:30:41,120 Speaker 4: many past already and many on the planet at any 682 00:30:41,120 --> 00:30:42,959 Speaker 4: given time, they're going to be people will look similar. 683 00:30:42,960 --> 00:30:44,520 Speaker 2: But I reckon it's the behavioral stuff. 684 00:30:44,520 --> 00:30:47,760 Speaker 1: There's really a fatal song. There's only so many chords. 685 00:30:48,080 --> 00:30:51,200 Speaker 1: I guess it's the same with DNA strains. Yes, yeah, 686 00:30:51,200 --> 00:30:53,920 Speaker 1: you're right, probably a coatrillion. 687 00:30:53,480 --> 00:30:56,800 Speaker 4: Only so many combos. Mind you if you really look 688 00:30:56,880 --> 00:30:58,640 Speaker 4: like someone you won't get to like George Harrison when 689 00:30:58,640 --> 00:31:04,520 Speaker 4: you do. My Lord ninety six AFM Crazzie and Lisa