1 00:00:04,240 --> 00:00:09,440 Speaker 1: Today's episode is another my favorite Tip episode where I 2 00:00:09,480 --> 00:00:13,920 Speaker 1: go back to interviews from the past and I dig 3 00:00:13,960 --> 00:00:17,520 Speaker 1: out the thing that was my favorite tip, like the 4 00:00:17,640 --> 00:00:21,280 Speaker 1: thing that I got out of the interview that really 5 00:00:22,120 --> 00:00:27,639 Speaker 1: impacted or resonated with me. Today's extract is from my 6 00:00:27,840 --> 00:00:32,040 Speaker 1: chat with Scott Anthony. So this is my second time 7 00:00:32,200 --> 00:00:36,360 Speaker 1: having Scott on the show. I loved my first chat 8 00:00:36,360 --> 00:00:37,680 Speaker 1: with him so much that I was keen to have 9 00:00:37,760 --> 00:00:40,240 Speaker 1: him back again during COVID to check in and see 10 00:00:40,280 --> 00:00:44,159 Speaker 1: how the way he approaches his work has changed. So 11 00:00:44,159 --> 00:00:47,080 Speaker 1: if you haven't come across Scott, Scott is a global 12 00:00:47,200 --> 00:00:51,480 Speaker 1: authority on innovation and also the former managing partner of Inosite, 13 00:00:51,600 --> 00:00:55,720 Speaker 1: the innovation and strategy consulting firm co founded by Clayton Christiansen. 14 00:00:56,280 --> 00:00:59,120 Speaker 1: Scott has written several best selling books and writes regularly 15 00:00:59,120 --> 00:01:02,360 Speaker 1: for Harvard Business Room. Scott has also been awarded the 16 00:01:02,400 --> 00:01:07,080 Speaker 1: Thinker's fifty Innovation Award, which recognizes the world's leading thinkers 17 00:01:07,160 --> 00:01:12,360 Speaker 1: on innovation. So in this extract, with my second chat 18 00:01:12,440 --> 00:01:15,720 Speaker 1: with Scott, we talk about the new rituals that he 19 00:01:15,880 --> 00:01:20,160 Speaker 1: has developed for doing deep and also shallow work, which 20 00:01:20,200 --> 00:01:23,240 Speaker 1: I found fascinating. So on that note, let's head on 21 00:01:23,319 --> 00:01:26,520 Speaker 1: over to Scott. I want to dig into deep and 22 00:01:26,560 --> 00:01:29,440 Speaker 1: shallow work. You mentioned that as part of your routine, 23 00:01:29,680 --> 00:01:32,560 Speaker 1: and I remember when we spoke last a lot of 24 00:01:32,560 --> 00:01:35,640 Speaker 1: your deep work rituals took place when you're on a 25 00:01:35,680 --> 00:01:41,240 Speaker 1: plane and therefore disconnected from all things digitally distracting, and 26 00:01:41,280 --> 00:01:44,280 Speaker 1: also in cafes and seat of other such places. So 27 00:01:44,920 --> 00:01:48,480 Speaker 1: how does your deep work ritual work now? And I 28 00:01:48,480 --> 00:01:52,680 Speaker 1: guess how are you tricking is not quite the right word, 29 00:01:52,720 --> 00:01:55,960 Speaker 1: but it is kind of tricking your brain into going, okay, 30 00:01:56,000 --> 00:01:58,600 Speaker 1: this is deep work time. Because I found for myself 31 00:01:58,720 --> 00:02:02,160 Speaker 1: I completely had to change my habits and triggers around that, 32 00:02:02,400 --> 00:02:04,720 Speaker 1: because I too would do a lot of my deep 33 00:02:04,720 --> 00:02:07,880 Speaker 1: work in cafes and on planes, which is now no 34 00:02:07,960 --> 00:02:11,200 Speaker 1: longer an option at all in Melbourne where I'm based. 35 00:02:11,520 --> 00:02:14,400 Speaker 2: No, absolutely, And you know, so the planes have certainly 36 00:02:14,480 --> 00:02:19,160 Speaker 2: been out for me. The cafes are conceivable but challenging, 37 00:02:19,280 --> 00:02:22,919 Speaker 2: you know, because you're then either very with Singapore regulation, 38 00:02:23,000 --> 00:02:26,440 Speaker 2: you're either very slowly nursing a drink, or you're sitting 39 00:02:26,520 --> 00:02:28,919 Speaker 2: around with a mask on, which just makes you conscious 40 00:02:28,960 --> 00:02:30,840 Speaker 2: and it's just a little bit harder for your brain 41 00:02:31,240 --> 00:02:34,240 Speaker 2: to unwind and focus, I've found. So for me, it 42 00:02:34,320 --> 00:02:38,560 Speaker 2: really has been three things. Number one has been being 43 00:02:38,639 --> 00:02:41,800 Speaker 2: even more ruthless about scheduling the time, making sure that 44 00:02:42,000 --> 00:02:45,000 Speaker 2: I use some of the things Amantha that you've taught 45 00:02:45,000 --> 00:02:47,440 Speaker 2: me about making sure that you put formal time on 46 00:02:47,480 --> 00:02:50,040 Speaker 2: the calendar for things, and then making sure that that 47 00:02:50,160 --> 00:02:52,960 Speaker 2: is time that you hold sacricent. So that's number one. 48 00:02:53,360 --> 00:02:57,000 Speaker 2: Number two, to trick my brain, I do change space, 49 00:02:57,360 --> 00:02:59,679 Speaker 2: just I do it within the place in which we live. 50 00:03:00,160 --> 00:03:03,520 Speaker 2: You know, I again am fortunate that there's enough different 51 00:03:03,520 --> 00:03:05,480 Speaker 2: places that I can work. You know, we've got a 52 00:03:05,600 --> 00:03:08,120 Speaker 2: nice porch that if the weather is good, can be 53 00:03:08,120 --> 00:03:11,440 Speaker 2: a good place to get stuff done. And the kids 54 00:03:11,480 --> 00:03:14,200 Speaker 2: are in school. Schools are open here, so there are 55 00:03:14,280 --> 00:03:16,760 Speaker 2: good quiet periods of time where I can actually do 56 00:03:16,800 --> 00:03:19,040 Speaker 2: that where sometimes you know, it's at weird hours. You know, 57 00:03:19,080 --> 00:03:20,880 Speaker 2: it could be quite late at night where you get 58 00:03:20,919 --> 00:03:23,520 Speaker 2: that moment where you've got ninety minutes just to crank 59 00:03:23,560 --> 00:03:26,799 Speaker 2: through things in between calls. So it's making sure it's 60 00:03:26,840 --> 00:03:29,440 Speaker 2: not all done within the home office where I sit 61 00:03:29,520 --> 00:03:31,320 Speaker 2: most of the time, but it's in different spaces in 62 00:03:31,360 --> 00:03:34,280 Speaker 2: the house. And number three, I've used music a lot 63 00:03:34,520 --> 00:03:36,640 Speaker 2: as the way just to get my brain into flow. 64 00:03:36,800 --> 00:03:39,760 Speaker 2: You know. There's just certain mixes that I have or 65 00:03:39,840 --> 00:03:43,680 Speaker 2: playlists on Spotify that just tell my brain this is 66 00:03:43,720 --> 00:03:46,120 Speaker 2: when you're going to actually engage in a task. And 67 00:03:46,200 --> 00:03:48,720 Speaker 2: I found for me, at least, I get much more 68 00:03:48,720 --> 00:03:51,720 Speaker 2: in flow when I have background music. And I'm very 69 00:03:51,760 --> 00:03:55,560 Speaker 2: thankful for the AirPod pros from Apple. They're just to me, 70 00:03:55,840 --> 00:03:59,520 Speaker 2: just phenomenal noise blockers. So you really can just immerse 71 00:03:59,560 --> 00:04:02,240 Speaker 2: yourself and sound and just disappear in what you're working on. 72 00:04:02,600 --> 00:04:04,200 Speaker 2: So those are the things that I've done. 73 00:04:04,400 --> 00:04:06,800 Speaker 1: That's great. What are your go to playlists then? For 74 00:04:06,880 --> 00:04:07,600 Speaker 1: your deep work? 75 00:04:08,120 --> 00:04:10,960 Speaker 2: Oh, it's a mix of different things, you know, and 76 00:04:11,040 --> 00:04:14,880 Speaker 2: sometimes it's just following threads, you know. So I like 77 00:04:15,000 --> 00:04:17,239 Speaker 2: music a lot. They are all things that I've created. 78 00:04:17,279 --> 00:04:18,839 Speaker 2: If I'm trying to do deep work, this is not 79 00:04:18,960 --> 00:04:21,080 Speaker 2: one I listen to my favorite band, which is a 80 00:04:21,120 --> 00:04:23,560 Speaker 2: Pearl Jam is good for other things, but it is 81 00:04:23,640 --> 00:04:26,480 Speaker 2: not good for deep work. But usually I will have 82 00:04:26,640 --> 00:04:30,279 Speaker 2: some album that I've purchased recently, Like recently I purchased 83 00:04:30,279 --> 00:04:34,000 Speaker 2: a new album from Phoebe Bridgers and Bright Eyes, and 84 00:04:34,040 --> 00:04:36,640 Speaker 2: there's just a tonality in both of those albums that 85 00:04:36,640 --> 00:04:38,880 Speaker 2: it's just good for me when I'm working, and then 86 00:04:39,040 --> 00:04:42,080 Speaker 2: I'll go from those albums and sometimes go to Spotify 87 00:04:42,160 --> 00:04:44,360 Speaker 2: Radio off the songs actually do my albums by the way, 88 00:04:44,400 --> 00:04:46,920 Speaker 2: I just, you know, I feel like in the creative space, 89 00:04:47,560 --> 00:04:49,800 Speaker 2: I write things and I hope people buy some of 90 00:04:49,800 --> 00:04:51,599 Speaker 2: the things that I do. So I always feel like 91 00:04:51,680 --> 00:04:54,800 Speaker 2: for artists, if I am listening to the music, I 92 00:04:54,839 --> 00:04:56,520 Speaker 2: owe it to them to buy the albums as well, 93 00:04:56,640 --> 00:04:58,760 Speaker 2: you know. So I buy a couple dozen albums a year, 94 00:04:59,160 --> 00:05:01,679 Speaker 2: and it just changed depending on mood. But it tends 95 00:05:01,720 --> 00:05:05,440 Speaker 2: to be things that are a little bit discordant sonically, 96 00:05:06,000 --> 00:05:09,279 Speaker 2: but not things that are too loud, if that makes sense. 97 00:05:09,440 --> 00:05:12,040 Speaker 2: So something where I can kind of feel the noise 98 00:05:12,480 --> 00:05:15,360 Speaker 2: but it's not disruptive to my brain. I've actually never 99 00:05:15,400 --> 00:05:17,479 Speaker 2: thought about that before, but that's at least the way 100 00:05:17,480 --> 00:05:18,400 Speaker 2: that I think about it. 101 00:05:19,080 --> 00:05:22,520 Speaker 1: Yeah, that's very interesting. I remember, like a couple of 102 00:05:22,600 --> 00:05:25,279 Speaker 1: years back now, I had Matt Mullenwig on the show, 103 00:05:25,360 --> 00:05:29,520 Speaker 1: the co founder of Automatic, and he had a strategy 104 00:05:29,600 --> 00:05:32,599 Speaker 1: where he would to get into flow, he would listen 105 00:05:32,720 --> 00:05:35,960 Speaker 1: to the same song on repeat. Do you ever do that? 106 00:05:36,080 --> 00:05:38,960 Speaker 1: Or is it always circling like straight through the album. 107 00:05:39,360 --> 00:05:42,280 Speaker 2: I never listened to the same song and repeat, and generally, 108 00:05:42,680 --> 00:05:45,719 Speaker 2: if I'm trying to lose myself, it is some collection 109 00:05:45,839 --> 00:05:49,480 Speaker 2: on random, because if I listen to something in order, 110 00:05:49,640 --> 00:05:52,160 Speaker 2: like if I listened to the Phoebe Bridgers album in order, 111 00:05:52,480 --> 00:05:54,680 Speaker 2: my brain is starting to track into and it knows 112 00:05:54,720 --> 00:05:56,880 Speaker 2: what's coming, and I get kind of pulled too much 113 00:05:56,880 --> 00:06:00,280 Speaker 2: into the music on random. For whatever reason, brain kind 114 00:06:00,279 --> 00:06:02,400 Speaker 2: of loses it. You know, you hear it, you hear it, 115 00:06:02,480 --> 00:06:04,800 Speaker 2: but it's not something that you're tracking and figuring out. 116 00:06:05,160 --> 00:06:06,960 Speaker 2: It doesn't really make sense because you would think if 117 00:06:06,960 --> 00:06:09,360 Speaker 2: you're listening to something where you know what's coming next, 118 00:06:09,680 --> 00:06:11,960 Speaker 2: it's a way to not have to process things, and 119 00:06:11,960 --> 00:06:14,599 Speaker 2: when you get surprised by a song then you have 120 00:06:14,680 --> 00:06:16,599 Speaker 2: to stop and think about it for a second. But 121 00:06:16,640 --> 00:06:18,919 Speaker 2: at least for me, it just helps me disappear. 122 00:06:19,320 --> 00:06:21,799 Speaker 1: Yeah, it's interesting listening to you talk about it almost 123 00:06:21,920 --> 00:06:24,840 Speaker 1: makes me want to experiment with music again. I've tried 124 00:06:24,880 --> 00:06:29,320 Speaker 1: different strategies around music and working rituals, and I did 125 00:06:29,360 --> 00:06:31,919 Speaker 1: try the same song on repeat. I remember when I 126 00:06:31,960 --> 00:06:35,440 Speaker 1: was going through a massive Hamilton stage quite a while ago. 127 00:06:35,560 --> 00:06:39,000 Speaker 1: Now I would have a particular song on repeat from Hamilton, 128 00:06:39,160 --> 00:06:42,240 Speaker 1: which found I found quite good because you just sort 129 00:06:42,240 --> 00:06:44,480 Speaker 1: of get into the zone and it does become background 130 00:06:44,560 --> 00:06:46,920 Speaker 1: music quite quickly when it is the same song. But yeah, 131 00:06:47,000 --> 00:06:50,119 Speaker 1: that's almost caterintuitive what you're saying about the random music. 132 00:06:50,160 --> 00:06:52,680 Speaker 1: But I'm feeling all inspired to try music again when 133 00:06:52,680 --> 00:06:53,000 Speaker 1: I work. 134 00:06:53,080 --> 00:06:53,279 Speaker 2: Now. 135 00:06:53,520 --> 00:06:55,520 Speaker 1: I want to look at Kelly work because you said 136 00:06:55,520 --> 00:06:58,599 Speaker 1: something interesting where some mornings you'll feel the need to 137 00:06:58,920 --> 00:07:03,600 Speaker 1: feed your brain with shallow work. And for me, that 138 00:07:03,720 --> 00:07:06,800 Speaker 1: just kind of struck something in me because in my 139 00:07:07,560 --> 00:07:11,080 Speaker 1: own possibly quite rigid rule book, it's like, hang on 140 00:07:11,360 --> 00:07:13,640 Speaker 1: shallow work in the morning. The only time I would 141 00:07:13,640 --> 00:07:15,200 Speaker 1: do that is if I've got a keynote in the 142 00:07:15,200 --> 00:07:17,720 Speaker 1: morning and I know I can't get into flow before 143 00:07:17,720 --> 00:07:19,960 Speaker 1: the keynote because I'll just be disrupted. So tell me 144 00:07:20,000 --> 00:07:24,480 Speaker 1: about how you know when you're going to do shallow 145 00:07:24,480 --> 00:07:26,560 Speaker 1: work in the morning. And I'm just curious to understand 146 00:07:26,600 --> 00:07:27,160 Speaker 1: more about that. 147 00:07:28,120 --> 00:07:30,160 Speaker 2: And you know, some of this is just again just 148 00:07:30,680 --> 00:07:34,480 Speaker 2: given the reality of the way that twenty twenty has worked. 149 00:07:34,520 --> 00:07:37,920 Speaker 2: You know, my chronotype, according to the test that I 150 00:07:37,920 --> 00:07:41,440 Speaker 2: took about reinventing your workday is a middle bird, so 151 00:07:41,720 --> 00:07:44,840 Speaker 2: I am neither a lark nor a night owl. But 152 00:07:44,920 --> 00:07:48,240 Speaker 2: the thing I find for me is where I am 153 00:07:48,440 --> 00:07:52,000 Speaker 2: at my best really is circumstance contingent. So there are 154 00:07:52,040 --> 00:07:56,040 Speaker 2: some days where I've not worked that late. I've woken 155 00:07:56,120 --> 00:07:58,360 Speaker 2: up after a good sleep and I can hop out 156 00:07:58,360 --> 00:07:59,960 Speaker 2: of bed and I could go and write a check 157 00:08:00,000 --> 00:08:02,640 Speaker 2: after the book. And there are other days where it's 158 00:08:02,680 --> 00:08:05,120 Speaker 2: been more fragmented. It's been later, I've had a choppy 159 00:08:05,160 --> 00:08:06,840 Speaker 2: morning where there's just no way I could do it. 160 00:08:07,240 --> 00:08:10,000 Speaker 2: I just I'm not going to be really deep functional 161 00:08:10,160 --> 00:08:12,480 Speaker 2: until later in the afternoon or early in the evening, 162 00:08:13,040 --> 00:08:15,360 Speaker 2: and I have a reasonably good sense of myself to 163 00:08:15,480 --> 00:08:17,400 Speaker 2: just have a feeling as to what type of day 164 00:08:17,400 --> 00:08:20,040 Speaker 2: it is. And if it's a day like that, then 165 00:08:20,200 --> 00:08:22,120 Speaker 2: I'll flip around and say, Okay, this is a great 166 00:08:22,160 --> 00:08:25,000 Speaker 2: day to do stupid stuff and just answer the emails 167 00:08:25,000 --> 00:08:27,640 Speaker 2: that need to get answered. And I know I'm beating 168 00:08:27,680 --> 00:08:30,560 Speaker 2: the whatever skinner like dopamine hit when I do it, 169 00:08:30,640 --> 00:08:33,559 Speaker 2: and i know I'm not really making progress with anything material, 170 00:08:33,920 --> 00:08:35,480 Speaker 2: but it's just a way to kind of warm up. 171 00:08:35,800 --> 00:08:37,520 Speaker 2: And there are other days where that is the exact 172 00:08:37,600 --> 00:08:39,920 Speaker 2: last thing that I will do where I will say, Okay, 173 00:08:40,120 --> 00:08:42,400 Speaker 2: I really do have it in my brain to do it, 174 00:08:42,640 --> 00:08:44,880 Speaker 2: and I need that focus first thing in the morning, 175 00:08:44,920 --> 00:08:47,920 Speaker 2: and I won't even look at email. So to me, 176 00:08:48,000 --> 00:08:51,200 Speaker 2: it's very circumstanced contingent. And I do have something that 177 00:08:51,240 --> 00:08:53,360 Speaker 2: I adopted as a ritual a couple of years ago 178 00:08:53,400 --> 00:08:55,720 Speaker 2: that is held, which is, I do not look at 179 00:08:55,720 --> 00:08:58,840 Speaker 2: email first thing in the morning under any circumstance. So 180 00:08:59,240 --> 00:09:02,079 Speaker 2: I wake up, I do other things, and I might 181 00:09:02,120 --> 00:09:04,560 Speaker 2: look at WhatsApp to see who's texted me, and I'll 182 00:09:04,559 --> 00:09:07,680 Speaker 2: read some sports news, and I'll look at other things. 183 00:09:07,720 --> 00:09:10,120 Speaker 2: That it is only until I've had my first sip 184 00:09:10,160 --> 00:09:12,960 Speaker 2: of coffee that I will allow myself to look at email. 185 00:09:13,120 --> 00:09:15,320 Speaker 2: And some days it's not even that. If I really 186 00:09:15,400 --> 00:09:18,320 Speaker 2: have a deep work task, I won't even peek because 187 00:09:18,360 --> 00:09:20,560 Speaker 2: you know you know this. I mean, you tell other 188 00:09:20,600 --> 00:09:23,160 Speaker 2: people this, you tell yourself, Oh, I can just look 189 00:09:23,200 --> 00:09:26,080 Speaker 2: and not engage. But your brain just starts worrying once 190 00:09:26,080 --> 00:09:27,800 Speaker 2: you see these emails, and you're like, oh, here's all 191 00:09:27,800 --> 00:09:29,920 Speaker 2: this stupid stuff that I need to do. Not that 192 00:09:30,000 --> 00:09:31,960 Speaker 2: my colleagues asked me to do stupid stuff, but you know, 193 00:09:32,000 --> 00:09:32,760 Speaker 2: you know the point. 194 00:09:33,720 --> 00:09:37,400 Speaker 1: That is it for today's show. If you want to 195 00:09:37,400 --> 00:09:41,240 Speaker 1: listen to the full episode, I link to that in 196 00:09:41,280 --> 00:09:43,319 Speaker 1: the show notes, so you might want to check that out. 197 00:09:43,880 --> 00:09:47,480 Speaker 1: And if you are enjoying how I work, I would 198 00:09:47,520 --> 00:09:50,680 Speaker 1: be so deeply grateful if you just take five seconds 199 00:09:50,679 --> 00:09:53,760 Speaker 1: out of your date to leave a review in Apple Podcasts. 200 00:09:53,760 --> 00:09:56,120 Speaker 1: It might be a star rating or a few words, 201 00:09:56,559 --> 00:10:00,079 Speaker 1: and by doing so, it helps other people find the 202 00:10:00,120 --> 00:10:03,319 Speaker 1: show and it also brings a huge smile to my face. 203 00:10:03,400 --> 00:10:05,160 Speaker 1: So thank you to the hundreds of people that have 204 00:10:05,240 --> 00:10:08,520 Speaker 1: left reviews. It is so deeply appreciated. So that is 205 00:10:08,559 --> 00:10:11,680 Speaker 1: it for today's show and I will see you next time.