1
00:00:01,440 --> 00:00:03,480
Speaker 1: And Amanda jam Nason.

2
00:00:03,680 --> 00:00:05,520
Speaker 2: Tomorrow we move out of this building.

3
00:00:05,680 --> 00:00:09,920
Speaker 1: So our last day here five Buyfield Street. You said

4
00:00:09,920 --> 00:00:12,680
Speaker 1: that a bit earlier. We're actually three Byfield Street. Have

5
00:00:12,720 --> 00:00:14,400
Speaker 1: you worked here? How long have you been here? Twenty

6
00:00:14,440 --> 00:00:15,240
Speaker 1: two years or something.

7
00:00:15,640 --> 00:00:17,880
Speaker 2: I came here in two thousand and three.

8
00:00:18,640 --> 00:00:19,440
Speaker 1: Twenty one years.

9
00:00:19,760 --> 00:00:20,240
Speaker 2: You came here.

10
00:00:20,239 --> 00:00:21,479
Speaker 1: You don't even know the address.

11
00:00:21,560 --> 00:00:24,160
Speaker 2: When I first came here, I was working at Triple

12
00:00:24,280 --> 00:00:27,160
Speaker 2: M and back then they were at Bondi Junction, and

13
00:00:27,200 --> 00:00:28,840
Speaker 2: it used to be great. Yeah, this great view of

14
00:00:28,840 --> 00:00:30,680
Speaker 2: the harbor and everything. And I remember I came here

15
00:00:30,720 --> 00:00:33,559
Speaker 2: and they wooed me to come along here and and

16
00:00:33,600 --> 00:00:35,080
Speaker 2: there was nothing around these.

17
00:00:35,440 --> 00:00:37,440
Speaker 1: Now there's a thriving technotropolis.

18
00:00:37,720 --> 00:00:41,760
Speaker 2: It was like cows and sheep and industrial light industrial

19
00:00:41,800 --> 00:00:44,080
Speaker 2: area that. Oh my god, this place is dreadful, but

20
00:00:44,520 --> 00:00:46,559
Speaker 2: I've quite quite attached to it.

21
00:00:46,840 --> 00:00:47,560
Speaker 1: Well, we're moving.

22
00:00:47,680 --> 00:00:49,400
Speaker 2: Well, my parking space, I think that's the only thing

23
00:00:49,400 --> 00:00:52,280
Speaker 2: I've really great attached to. I like my parking space.

24
00:00:52,680 --> 00:00:55,200
Speaker 1: Well, we're going to be selling off a lot of

25
00:00:55,240 --> 00:00:59,120
Speaker 1: our stuff that is memorabilia and junk and bits and pieces.

26
00:00:59,120 --> 00:01:01,840
Speaker 1: We encourage you to come down tomorrow from seven thirty.

27
00:01:01,840 --> 00:01:04,840
Speaker 1: The first people here. There's be free coffee. Kelly Ferrett,

28
00:01:04,840 --> 00:01:07,760
Speaker 1: who always makes us yep and day biscuits, has made

29
00:01:07,800 --> 00:01:09,000
Speaker 1: one hundred and forty of them.

30
00:01:09,080 --> 00:01:09,919
Speaker 2: That's a lot of bacon.

31
00:01:10,000 --> 00:01:12,480
Speaker 1: There'll be a lucky dip, There'll be key rings, will

32
00:01:12,480 --> 00:01:16,720
Speaker 1: be stuff that for us to give away, as well

33
00:01:16,760 --> 00:01:20,800
Speaker 1: as some more prized possessions. And when I say prized,

34
00:01:21,120 --> 00:01:22,039
Speaker 1: not really.

35
00:01:22,080 --> 00:01:25,240
Speaker 2: Jam I rye yo. At first you were a little

36
00:01:25,280 --> 00:01:28,200
Speaker 2: bit upset that the money raised from our stuff wasn't

37
00:01:28,240 --> 00:01:29,880
Speaker 2: going to go to your air bag fund.

38
00:01:29,959 --> 00:01:33,080
Speaker 3: Yeah, well look, well played, well played, guys, you've snooked me.

39
00:01:33,160 --> 00:01:35,280
Speaker 1: Yeap, Sidney Jordan's hospital seem a little more worthy.

40
00:01:35,520 --> 00:01:39,040
Speaker 2: Yeah, I know you're you're a little underprivileged kid and

41
00:01:39,280 --> 00:01:40,640
Speaker 2: you've got no air bag.

42
00:01:40,440 --> 00:01:42,880
Speaker 3: In your car exactly, so this money would have been

43
00:01:43,200 --> 00:01:44,040
Speaker 3: put to good use.

44
00:01:44,720 --> 00:01:46,840
Speaker 1: But come on, you know, but now it's going to

45
00:01:46,880 --> 00:01:48,120
Speaker 1: the children's all.

46
00:01:48,040 --> 00:01:51,000
Speaker 3: This work for like some more of the All.

47
00:01:51,000 --> 00:01:53,000
Speaker 1: Right, so tell us, tell us what do you do

48
00:01:53,080 --> 00:01:55,800
Speaker 1: you what are you calling it?

49
00:01:56,040 --> 00:02:00,240
Speaker 2: Welcome to today's episode of the Jam Tix ROACHO.

50
00:02:00,920 --> 00:02:05,560
Speaker 3: He's your host, Jen Why right ah, nice to be

51
00:02:05,600 --> 00:02:08,480
Speaker 3: back with here. Nice to have your ear. As we

52
00:02:08,520 --> 00:02:10,640
Speaker 3: get into another episode of Jam tigs Rope show. We

53
00:02:10,680 --> 00:02:11,880
Speaker 3: start the show with.

54
00:02:11,880 --> 00:02:13,560
Speaker 1: This exquisite piece.

55
00:02:13,720 --> 00:02:14,720
Speaker 2: You did say, ear.

56
00:02:14,800 --> 00:02:18,520
Speaker 3: A glossy high definition portrait of Brendan Jones himself. Oh

57
00:02:18,600 --> 00:02:21,600
Speaker 3: not that thing, staring bravely into the distance, donning his leathers,

58
00:02:21,639 --> 00:02:26,400
Speaker 3: biting so reminiscent of twentieth century propaganda, one could imagine

59
00:02:26,400 --> 00:02:28,919
Speaker 3: this photographic povery is being that of the official portrait

60
00:02:29,000 --> 00:02:31,480
Speaker 3: of the Supreme Leader of jonesy Land, ordered to be

61
00:02:31,560 --> 00:02:35,400
Speaker 3: hung in every classroom. It's debated amongst academics what indeed

62
00:02:35,480 --> 00:02:38,000
Speaker 3: Jones he is looking at, though popular consensusus reached that

63
00:02:38,000 --> 00:02:42,040
Speaker 3: the DJ is ogling some chick either naturally striking or

64
00:02:42,120 --> 00:02:44,160
Speaker 3: barbecued and abandoned in a truck.

65
00:02:44,520 --> 00:02:46,080
Speaker 1: He's looking at a mirror. You should see this.

66
00:02:46,160 --> 00:02:48,040
Speaker 3: Tell you to twenty pounds to what we.

67
00:02:48,960 --> 00:02:51,040
Speaker 1: Left it out there, and no one would take it

68
00:02:51,080 --> 00:02:51,680
Speaker 1: for free.

69
00:02:51,840 --> 00:02:56,040
Speaker 3: Secondly, we have Amanda's old cans. By cans do of

70
00:02:56,040 --> 00:03:00,360
Speaker 3: course mean headphones, and not Amanda's breasts, though of course

71
00:03:00,360 --> 00:03:05,040
Speaker 3: there are unavoidable similarities round well worn and distracting when

72
00:03:05,080 --> 00:03:09,160
Speaker 3: the volume is turned up, valued a tonally ten pounds.

73
00:03:09,200 --> 00:03:11,400
Speaker 1: And also you probably get my makeup on them, because

74
00:03:11,520 --> 00:03:14,440
Speaker 1: my makeup's all over those so Jonesy's hair brush gives

75
00:03:14,480 --> 00:03:18,320
Speaker 1: his DNA. He's my dear, you can still work. It's

76
00:03:18,440 --> 00:03:19,000
Speaker 1: very personal.

77
00:03:19,120 --> 00:03:22,240
Speaker 3: Next on off we have Jones's old helmet. And before

78
00:03:22,240 --> 00:03:24,520
Speaker 3: we get too excited, no, I'm not referring to the

79
00:03:24,639 --> 00:03:28,680
Speaker 3: radio stars shriveled phallos caught wavy and withered, though it

80
00:03:28,720 --> 00:03:30,840
Speaker 3: may be, and I'm sure if the price was right

81
00:03:30,840 --> 00:03:33,000
Speaker 3: you could buy that too. Instead, I'm referring to the

82
00:03:33,080 --> 00:03:36,280
Speaker 3: vintage motorbike helmet, which I call the eighth wonder of

83
00:03:36,520 --> 00:03:39,720
Speaker 3: the world has Given the size of Jonesy's ego, it's

84
00:03:39,760 --> 00:03:42,040
Speaker 3: a wonder how anything is able to fit on that head.

85
00:03:42,040 --> 00:03:45,840
Speaker 3: In the first that's my helmet, how much? Five?

86
00:03:46,200 --> 00:03:46,520
Speaker 1: Five?

87
00:03:46,840 --> 00:03:52,240
Speaker 2: It's nice. That's the last of the low slung helmets.

88
00:03:51,000 --> 00:03:53,040
Speaker 1: Helmet gotta be sold.

89
00:03:53,040 --> 00:03:55,520
Speaker 3: And how about the Jones and Amanda license plates? Just

90
00:03:55,560 --> 00:03:58,200
Speaker 3: to clarify, for Amanda, a license plate is a sign.

91
00:03:58,200 --> 00:04:00,920
Speaker 3: A fixed to a card is playing registration details. You

92
00:04:01,000 --> 00:04:04,080
Speaker 3: may know it that pesky rectangle the camera snaps after

93
00:04:04,160 --> 00:04:07,640
Speaker 3: unknowingly going eighty in a forty Fellmander's love for her

94
00:04:07,680 --> 00:04:10,760
Speaker 3: previous work as a careful and considered presenter It's hard

95
00:04:10,800 --> 00:04:13,080
Speaker 3: to argue that isn't being tainted by what critics are

96
00:04:13,080 --> 00:04:18,839
Speaker 3: calling beyond two thousand traffic infringements of ambiguous origin. Purchase

97
00:04:18,920 --> 00:04:21,080
Speaker 3: these license plates with caution, as they may have a

98
00:04:21,160 --> 00:04:23,120
Speaker 3: history of genuine use under the Keller name and with

99
00:04:23,200 --> 00:04:25,599
Speaker 3: it all the associating unpaid fines.

100
00:04:26,000 --> 00:04:28,599
Speaker 1: True one, I.

101
00:04:30,240 --> 00:04:30,520
Speaker 3: Love it.

102
00:04:30,600 --> 00:04:31,080
Speaker 1: Keep going.

103
00:04:31,240 --> 00:04:35,320
Speaker 3: Lastly, Jonesy's hair brush fair to say he doesn't need it.

104
00:04:35,839 --> 00:04:38,400
Speaker 3: If The Fry Attack Balled in the Middle Hairfield was

105
00:04:38,440 --> 00:04:41,880
Speaker 3: a movie, Jones's current state of hair would be the prequel.

106
00:04:42,800 --> 00:04:45,279
Speaker 3: This elegant brush is fit with en Austray hairs for

107
00:04:45,320 --> 00:04:48,120
Speaker 3: a super fan to make a Jonesy clone, though, one

108
00:04:48,200 --> 00:04:52,000
Speaker 3: must ask themselves do we really need more versions of Jonesie?

109
00:04:52,120 --> 00:04:54,280
Speaker 3: Having the Parking inspectors suffered enough?

110
00:04:55,920 --> 00:04:56,400
Speaker 1: Valued it?

111
00:04:56,520 --> 00:04:57,000
Speaker 2: Free?

112
00:04:57,400 --> 00:04:57,919
Speaker 1: Oh?

113
00:04:58,120 --> 00:05:01,680
Speaker 2: Free? Well, I mean I'm still brush what's remaining.

114
00:05:01,320 --> 00:05:02,840
Speaker 1: Of mynd This is so good?

115
00:05:02,839 --> 00:05:05,200
Speaker 3: Well tomorrow, that's work I'm doing for this show.

116
00:05:05,400 --> 00:05:08,760
Speaker 1: Ryan, brilliant, brilliant work. Remember the things I tell you

117
00:05:08,839 --> 00:05:11,600
Speaker 1: about my driving in the privacy of the studio should

118
00:05:11,680 --> 00:05:12,560
Speaker 1: stay that way.

119
00:05:12,920 --> 00:05:16,080
Speaker 2: We'll see you tomorrow. What time seven seven.

120
00:05:15,880 --> 00:05:18,560
Speaker 1: Point thirty, Come on down to three Byfield Street. Three

121
00:05:18,600 --> 00:05:20,760
Speaker 1: is number three? You've been going to the Bible Society

122
00:05:20,800 --> 00:05:21,680
Speaker 1: next door all this time.