1 00:00:00,200 --> 00:00:04,040 Speaker 1: The christ Jan O'Connell Breakfast Show podcast Melbourn's Gold one 2 00:00:04,080 --> 00:00:08,799 Speaker 1: oh four point three Live from Level two twenty one 3 00:00:08,880 --> 00:00:10,720 Speaker 1: to thirty one Wood Street. 4 00:00:10,760 --> 00:00:11,200 Speaker 2: Wretchmen. 5 00:00:12,160 --> 00:00:16,800 Speaker 1: This is the Christian o'ctdinal Breakfast Show on Melbourn's Gold 6 00:00:16,920 --> 00:00:18,279 Speaker 1: one oh four point three. 7 00:00:19,400 --> 00:00:22,000 Speaker 3: Show number sixty seven nine sleeps. 8 00:00:21,680 --> 00:00:24,720 Speaker 2: To go until the Grand Final. Good Morning, Thursday Morning 9 00:00:24,840 --> 00:00:28,960 Speaker 2: is to Christian O'Connor Breakfast Show. Poor Pats, she's done 10 00:00:29,000 --> 00:00:31,520 Speaker 2: that thing. I think the equivalent is, you know, when 11 00:00:31,520 --> 00:00:33,080 Speaker 2: you're a kid and you drop your ice cream, it 12 00:00:33,120 --> 00:00:35,839 Speaker 2: feels like your day is ruined. For an adult, I 13 00:00:35,880 --> 00:00:39,480 Speaker 2: think is if you spill something yes down your top 14 00:00:39,680 --> 00:00:42,080 Speaker 2: and it's the start of your day when you spill. 15 00:00:42,680 --> 00:00:45,680 Speaker 4: Coffee right down my dress. I usually wear my clothes 16 00:00:45,720 --> 00:00:48,160 Speaker 4: inside out, but I didn't do that today. 17 00:00:48,280 --> 00:00:49,839 Speaker 2: I do well. 18 00:00:49,880 --> 00:00:52,400 Speaker 5: I have a habit of putting my dresses in tops 19 00:00:52,440 --> 00:00:53,880 Speaker 5: on inside out when I get up early. 20 00:00:54,080 --> 00:00:55,840 Speaker 2: All right, you do. You have to get dressed in 21 00:00:55,880 --> 00:00:56,440 Speaker 2: the dark. Now. 22 00:00:56,480 --> 00:00:58,280 Speaker 5: I actually turned all the lights on, but I still 23 00:00:58,360 --> 00:00:59,680 Speaker 5: manage to do it all the nights. 24 00:01:00,000 --> 00:01:01,080 Speaker 2: About your husband, CRUs Oh. 25 00:01:00,960 --> 00:01:02,480 Speaker 5: He's all right, he's sleeping. 26 00:01:03,000 --> 00:01:04,959 Speaker 2: He turned all the lights on and he just sleeps 27 00:01:05,000 --> 00:01:05,280 Speaker 2: through that. 28 00:01:05,400 --> 00:01:06,520 Speaker 5: Yeah, he's right, he's used to it. 29 00:01:06,600 --> 00:01:09,640 Speaker 2: He's not for I literally have to just crawl out 30 00:01:09,640 --> 00:01:10,840 Speaker 2: in the darkness of the bedroom. 31 00:01:12,319 --> 00:01:14,320 Speaker 5: Really, Yeah, I have the hair dryer blasting. 32 00:01:16,640 --> 00:01:19,600 Speaker 3: He'll be right. He sleeps through the music up you 33 00:01:19,680 --> 00:01:20,080 Speaker 3: never heard. 34 00:01:22,080 --> 00:01:23,280 Speaker 5: Nah, he's right, he'll be right. 35 00:01:23,480 --> 00:01:26,399 Speaker 3: So, Wendy, you if you're inside out wearing you're clothes 36 00:01:26,400 --> 00:01:28,119 Speaker 3: inside out, do you change at some point? 37 00:01:28,360 --> 00:01:28,480 Speaker 2: Now? 38 00:01:28,520 --> 00:01:29,280 Speaker 3: I don't realize. 39 00:01:29,360 --> 00:01:31,319 Speaker 4: Usually I'll be reading the news and old glance down 40 00:01:31,400 --> 00:01:34,240 Speaker 4: and see, you know, dry clean only the tags on 41 00:01:34,319 --> 00:01:35,080 Speaker 4: the side. 42 00:01:35,280 --> 00:01:37,760 Speaker 2: I reckon you're starting a new trend. I think keep 43 00:01:37,800 --> 00:01:39,480 Speaker 2: it going up that way and closed inside out. 44 00:01:39,520 --> 00:01:41,240 Speaker 3: I think it's a great idea grunge. 45 00:01:41,319 --> 00:01:43,520 Speaker 2: Look, yeah, all right, I'm just wanting to show. Then 46 00:01:43,600 --> 00:01:48,000 Speaker 2: Phil Collins back at seven point thirty. Also back Phil Collins, 47 00:01:48,600 --> 00:01:52,200 Speaker 2: drummy Oaky is back mouth drumming. Yeah, we'll go back 48 00:01:52,240 --> 00:01:54,480 Speaker 2: into it. A lot of emails since we did it 49 00:01:54,560 --> 00:01:57,800 Speaker 2: on Monday. Philometers has taken arrest for a while now. 50 00:01:57,960 --> 00:02:00,520 Speaker 2: It will come back hopefully with Bill Collins month's time 51 00:02:00,520 --> 00:02:03,120 Speaker 2: when he's over. Yeah. Phil Collins tickets at seven thirty. 52 00:02:03,480 --> 00:02:06,560 Speaker 2: Also X. A couple of things we need for the 53 00:02:06,720 --> 00:02:09,519 Speaker 2: Grand Final, which is a week Saturday at the VU 54 00:02:09,720 --> 00:02:12,000 Speaker 2: wittten Oval. A couple of bits of things. I was 55 00:02:12,040 --> 00:02:14,120 Speaker 2: thinking as well, we need some face painters. Some of 56 00:02:14,200 --> 00:02:16,040 Speaker 2: the grands, a lot of them, I reckon, want to 57 00:02:16,080 --> 00:02:19,079 Speaker 2: get their their footy teams they barrack for on their faces. 58 00:02:20,000 --> 00:02:22,160 Speaker 2: Try and channel that team and the spirit you. 59 00:02:22,360 --> 00:02:25,520 Speaker 3: Bianca always walks past a kid's face painting and says, 60 00:02:25,600 --> 00:02:28,320 Speaker 3: why aren't there enough more for adults? Really? 61 00:02:28,480 --> 00:02:31,800 Speaker 2: Actually, Frans the Tiger or the Butterfly, Well, that's the thing, 62 00:02:31,840 --> 00:02:33,440 Speaker 2: that there are face paintsince we need to get them 63 00:02:33,480 --> 00:02:36,600 Speaker 2: down to the Grand Final, all right this morning? Then 64 00:02:37,600 --> 00:02:39,560 Speaker 2: here's all I want to know which TV theme tune. 65 00:02:39,720 --> 00:02:41,600 Speaker 2: Back in the day, the TV theme tunes used to 66 00:02:41,639 --> 00:02:43,359 Speaker 2: be a really big thing. You wouldn't have a TV 67 00:02:43,480 --> 00:02:45,639 Speaker 2: show without a great TV theme tune. You don't really 68 00:02:45,720 --> 00:02:48,000 Speaker 2: get that so much now to you? Well really, because 69 00:02:48,040 --> 00:02:49,840 Speaker 2: some of them they've fallen out the way now it's 70 00:02:49,880 --> 00:02:51,080 Speaker 2: not such a big thing anymore. 71 00:02:51,160 --> 00:02:53,360 Speaker 3: I actually complained that some of the ones on Netflix 72 00:02:53,440 --> 00:02:57,000 Speaker 3: are too long. Yeah, I feel like you can go 73 00:02:57,080 --> 00:02:58,720 Speaker 3: and get the washing done and then come. 74 00:02:58,720 --> 00:03:01,160 Speaker 2: Back by the time the Game of Thrones one is 75 00:03:01,160 --> 00:03:04,280 Speaker 2: about twenty minutes. But back in the day, you used 76 00:03:04,280 --> 00:03:05,880 Speaker 2: to have a proper TV theme tune, So I wanted 77 00:03:05,880 --> 00:03:08,040 Speaker 2: to ever think about which TV theme tune feels like 78 00:03:08,120 --> 00:03:14,280 Speaker 2: the soundtrack to your life? And why for me? What 79 00:03:14,440 --> 00:03:18,600 Speaker 2: a great sad TV theme tune? This was As a kid, 80 00:03:18,880 --> 00:03:21,920 Speaker 2: I used to feel so sad watch this every Saturday evening, 81 00:03:22,240 --> 00:03:25,720 Speaker 2: early evening at five o'clock TV showed the incredible Hulk. 82 00:03:26,240 --> 00:03:27,679 Speaker 3: And why does this resonate with you? 83 00:03:28,160 --> 00:03:29,959 Speaker 2: Because he was a doctor and then he used to 84 00:03:30,040 --> 00:03:32,079 Speaker 2: go berserk and he would get me become the Hulk. 85 00:03:32,320 --> 00:03:34,400 Speaker 2: But the end of every episode he would just be 86 00:03:34,480 --> 00:03:38,360 Speaker 2: by himself, wandering down the street, just wander off. It 87 00:03:38,480 --> 00:03:40,720 Speaker 2: was as a kid, it really made me sound just 88 00:03:40,760 --> 00:03:43,440 Speaker 2: to feel so sorry for Dodtor Bruce Banner because during 89 00:03:43,440 --> 00:03:45,480 Speaker 2: the episode he would do nothing but good for people, 90 00:03:45,960 --> 00:03:47,720 Speaker 2: and then at the end of it it always ended 91 00:03:47,760 --> 00:03:50,160 Speaker 2: the same weak he was alone walking down the road, 92 00:03:51,160 --> 00:03:52,520 Speaker 2: just to break my heart and that. 93 00:03:54,240 --> 00:03:54,480 Speaker 5: Music. 94 00:03:54,600 --> 00:03:56,240 Speaker 3: That's what you do here, Pats. I don't know if 95 00:03:56,240 --> 00:03:59,600 Speaker 3: you've walked out to the straight after the show chat 96 00:04:00,280 --> 00:04:03,640 Speaker 3: over his shoulder and this man in on his back 97 00:04:04,240 --> 00:04:04,840 Speaker 3: down the street. 98 00:04:05,040 --> 00:04:07,440 Speaker 2: I do feel like at the moment the loneliest manuum 99 00:04:07,600 --> 00:04:10,760 Speaker 2: because my love is a bit like fifty first dates 100 00:04:10,760 --> 00:04:12,680 Speaker 2: at the moment. Had another man date the other night 101 00:04:12,840 --> 00:04:15,040 Speaker 2: to try and find some new friends. Oh yeah, yeah, 102 00:04:15,080 --> 00:04:16,920 Speaker 2: I had a date first date with my hairdresser. 103 00:04:18,400 --> 00:04:20,160 Speaker 3: You've got your haircut, and then said do you want 104 00:04:20,200 --> 00:04:20,600 Speaker 3: to go out. 105 00:04:20,520 --> 00:04:22,880 Speaker 2: For No, he's cut my hair next week. But no, 106 00:04:23,279 --> 00:04:24,800 Speaker 2: he sent me a text asking me if I want 107 00:04:24,880 --> 00:04:28,200 Speaker 2: to go out. Yeah, we went out on a date. 108 00:04:29,680 --> 00:04:33,800 Speaker 3: Or to unpack him. You rang up and said I 109 00:04:33,880 --> 00:04:35,080 Speaker 3: want a haircut next week. 110 00:04:35,200 --> 00:04:36,880 Speaker 2: No. No, he just sent me a text saying, look, 111 00:04:37,200 --> 00:04:38,600 Speaker 2: you know, I meeting up with color buddies, going to 112 00:04:38,720 --> 00:04:39,359 Speaker 2: come and join us. 113 00:04:39,800 --> 00:04:40,840 Speaker 3: But how do he know about you? 114 00:04:41,240 --> 00:04:44,520 Speaker 2: Because he's cut my hair hence the phrase he's my hairdresser? 115 00:04:44,760 --> 00:04:45,760 Speaker 2: How did he know about me? 116 00:04:47,600 --> 00:04:50,400 Speaker 3: I learn you rang up for the first time to say, hey, 117 00:04:50,480 --> 00:04:51,560 Speaker 3: I want to book in a haircut. 118 00:04:51,600 --> 00:04:53,400 Speaker 2: And by the way, I'm looking for some new friends. 119 00:04:54,000 --> 00:04:55,760 Speaker 2: Does anyone there want to go for a drink? Any 120 00:04:55,760 --> 00:04:59,040 Speaker 2: of the cutters or the stylers, my friend, even the 121 00:04:59,080 --> 00:05:00,840 Speaker 2: people that wash hair, you know those kids, so they 122 00:05:00,839 --> 00:05:02,960 Speaker 2: want to go up anyone anyone there? 123 00:05:04,839 --> 00:05:05,560 Speaker 5: So what are you going to do? 124 00:05:06,400 --> 00:05:08,080 Speaker 2: We've done it. What did you do? 125 00:05:08,240 --> 00:05:10,760 Speaker 3: Went up for pizza, cup of girls of wine. She 126 00:05:10,839 --> 00:05:12,080 Speaker 3: just texted me, like to see me again? 127 00:05:14,200 --> 00:05:17,560 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 128 00:05:17,600 --> 00:05:18,080 Speaker 1: point three. 129 00:05:18,279 --> 00:05:21,120 Speaker 2: All right, So, which TV thing tune feels like the 130 00:05:21,240 --> 00:05:25,040 Speaker 2: soundtrack to your life? And why mine is? Some of 131 00:05:25,080 --> 00:05:27,560 Speaker 2: you might remember the incredible Hulk TV show with Dotor 132 00:05:27,560 --> 00:05:31,160 Speaker 2: Bruce Bannam before was the Big Movie. I don't think 133 00:05:31,200 --> 00:05:33,600 Speaker 2: there's been a TV show with a sadder thing tune 134 00:05:33,640 --> 00:05:36,720 Speaker 2: than this. Whatever I hear this, even if in a 135 00:05:36,800 --> 00:05:40,120 Speaker 2: good moves, imagine at the end of the Grand Final, 136 00:05:40,560 --> 00:05:43,640 Speaker 2: the winning team just paraded around the NCG to this 137 00:05:47,800 --> 00:05:48,800 Speaker 2: wing about the losers? 138 00:05:48,800 --> 00:05:51,920 Speaker 3: Would there even be any clapping or people who You're right? 139 00:05:51,960 --> 00:05:57,400 Speaker 2: You can't clap to this. Whenever the ten thousand dollars 140 00:05:57,480 --> 00:06:02,080 Speaker 2: goes today, whether it's me, Huggy, Whippy or Gav should 141 00:06:02,080 --> 00:06:06,520 Speaker 2: play this well none, You've won ten thousand dollars, But 142 00:06:06,640 --> 00:06:10,720 Speaker 2: think about the futility of our existence? Really, yes, his riches? 143 00:06:11,120 --> 00:06:14,200 Speaker 3: What really makes us happy? Or do you find happiness 144 00:06:14,320 --> 00:06:15,000 Speaker 3: in friendship? 145 00:06:15,200 --> 00:06:15,440 Speaker 6: Love? 146 00:06:16,080 --> 00:06:18,960 Speaker 2: Enjoy your cash? I'm going to keep that on their 147 00:06:18,960 --> 00:06:22,560 Speaker 2: opponent now whenever someone wins anything on the show. Today, 148 00:06:23,440 --> 00:06:27,680 Speaker 2: when we give away the Phil, you're next hear, Hey, listen, 149 00:06:27,760 --> 00:06:29,760 Speaker 2: have a great time. You've won the Phil Connins tickets. 150 00:06:31,040 --> 00:06:33,760 Speaker 2: Who's going to go with you? Did they really like you? 151 00:06:35,080 --> 00:06:38,440 Speaker 3: Tickets still available for the second night, Amy Park. 152 00:06:38,600 --> 00:06:41,440 Speaker 2: Tick tech is where you go for that? All right? Then? Jack? 153 00:06:41,480 --> 00:06:44,120 Speaker 2: Which this will be interesting? Which TV thing tune sums 154 00:06:44,200 --> 00:06:45,160 Speaker 2: up your life right now? 155 00:06:45,320 --> 00:06:48,240 Speaker 3: So I've basedline on this new career, this new job 156 00:06:48,320 --> 00:06:50,520 Speaker 3: of waking up early and have to be in a 157 00:06:50,640 --> 00:06:53,000 Speaker 3: good mood, good spirits, getting excited. 158 00:06:54,520 --> 00:06:56,080 Speaker 2: That would be the idea. If we could have you 159 00:06:56,200 --> 00:06:58,800 Speaker 2: moving halfway towards that, we'll be happy. 160 00:06:59,360 --> 00:07:02,200 Speaker 3: So that's why I've chosen the theme to The Muppet Show. 161 00:07:05,560 --> 00:07:07,440 Speaker 2: I reckon. If we put a microphone in the middle 162 00:07:07,480 --> 00:07:11,400 Speaker 2: of your head, this is what we hear. It's a 163 00:07:11,480 --> 00:07:12,600 Speaker 2: happy place everyone. 164 00:07:14,760 --> 00:07:16,160 Speaker 3: This is how I feel about all that. It's like 165 00:07:16,280 --> 00:07:17,240 Speaker 3: you're playing the music. 166 00:07:18,760 --> 00:07:19,840 Speaker 5: What am I miss peaky? 167 00:07:21,440 --> 00:07:22,559 Speaker 2: Are You're not miss peak? 168 00:07:23,320 --> 00:07:23,360 Speaker 3: No? 169 00:07:23,640 --> 00:07:24,679 Speaker 2: No, you're more animal? 170 00:07:30,760 --> 00:07:31,400 Speaker 3: Assume mad? 171 00:07:31,840 --> 00:07:35,160 Speaker 1: The Christian O'Connell Breakfast Show Melbourn's Gold one oh four 172 00:07:35,240 --> 00:07:35,920 Speaker 1: point three. 173 00:07:36,000 --> 00:07:39,679 Speaker 2: Which TV theme tune feels like the soundtrack to your life. 174 00:07:39,800 --> 00:07:50,360 Speaker 2: This is Jack's great theme tune. So we put a 175 00:07:50,440 --> 00:07:54,320 Speaker 2: microphone into Jack's head. This is a soundtrack. This is mine, 176 00:07:54,800 --> 00:08:02,240 Speaker 2: sunny different tip. Let's go now to Pats. Pats, what's 177 00:08:02,320 --> 00:08:02,600 Speaker 2: it for you? 178 00:08:02,800 --> 00:08:04,560 Speaker 5: This is mine? Have you got the audio there? 179 00:08:08,360 --> 00:08:09,560 Speaker 2: So you're the twilight zone. 180 00:08:09,600 --> 00:08:12,080 Speaker 4: On the Twilight Zone, I'm often in a mental state 181 00:08:12,160 --> 00:08:16,600 Speaker 4: between reality and fantasy and half asleep most. 182 00:08:16,440 --> 00:08:16,840 Speaker 6: Of the day. 183 00:08:17,040 --> 00:08:18,520 Speaker 2: That is every half an hour of the news. By 184 00:08:18,560 --> 00:08:22,440 Speaker 2: the way, that's a great one, Pats. Let's go to 185 00:08:22,520 --> 00:08:24,080 Speaker 2: the lines. You can call us and tell us and 186 00:08:24,120 --> 00:08:26,720 Speaker 2: we'll dig out the theme tunes. Nine four one four 187 00:08:26,760 --> 00:08:30,080 Speaker 2: one o four three. Karen, Good morning mornings. 188 00:08:30,120 --> 00:08:30,600 Speaker 3: There are you going? 189 00:08:30,760 --> 00:08:33,200 Speaker 2: Yeah, pretty good, Karen. We'll see your TV theme tune 190 00:08:33,240 --> 00:08:35,880 Speaker 2: that fills out the soundtrack to your life, Good old 191 00:08:36,000 --> 00:08:46,920 Speaker 2: Fairly Tie. This was a good, good theme tune. 192 00:08:47,160 --> 00:08:51,960 Speaker 5: Right then, we've been together four million. 193 00:08:56,120 --> 00:08:57,559 Speaker 2: It was a good kids tea. It was a good 194 00:08:57,960 --> 00:08:59,160 Speaker 2: show Family Ties, wasn't it. 195 00:08:59,679 --> 00:09:02,080 Speaker 4: Yeah, good family. 196 00:09:05,679 --> 00:09:07,719 Speaker 2: It's a lot more update than The Lonely Man for 197 00:09:07,800 --> 00:09:10,360 Speaker 2: the whole as well. Karen. All right, Karen, thanks you cool. 198 00:09:10,760 --> 00:09:15,679 Speaker 2: Nine four one one four three. Julie, good morning, Good morning, Julie, 199 00:09:15,720 --> 00:09:17,760 Speaker 2: which the TV theme tune fills up the soundtrack to 200 00:09:17,800 --> 00:09:18,120 Speaker 2: your life? 201 00:09:18,160 --> 00:09:20,440 Speaker 7: Mate, It's definitely the Adams Stanley. 202 00:09:26,960 --> 00:09:28,520 Speaker 2: Wouldn't be great if you could have that hand that 203 00:09:28,640 --> 00:09:30,719 Speaker 2: ran around the house and they could do stuff for you. 204 00:09:30,880 --> 00:09:33,280 Speaker 2: Go and wake the kids up. You know, no, not 205 00:09:33,559 --> 00:09:36,800 Speaker 2: like that. Okay, I did not mean it like that. Okay, 206 00:09:37,480 --> 00:09:37,880 Speaker 2: come mom. 207 00:09:38,160 --> 00:09:42,040 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point. 208 00:09:41,840 --> 00:09:44,800 Speaker 2: Three, asking this morning, which TV theme tune fills out 209 00:09:44,800 --> 00:09:48,160 Speaker 2: the soundtrack to your life? Catherine? What's it for you? 210 00:09:49,160 --> 00:09:56,439 Speaker 3: Good morning, Christian. For me, it's Thunderbirds, great theme tune, 211 00:09:58,600 --> 00:09:59,040 Speaker 3: Yeah it is. 212 00:09:59,640 --> 00:10:01,679 Speaker 2: This is a great ones to sort of get you 213 00:10:01,800 --> 00:10:04,000 Speaker 2: on your way, brushing your teeth, get your clothes on, 214 00:10:04,520 --> 00:10:09,599 Speaker 2: making breakfast, Rescue the world, Rescue the world. That's it. 215 00:10:09,720 --> 00:10:11,400 Speaker 2: Thunderbirds are go, Catherine. 216 00:10:12,080 --> 00:10:12,480 Speaker 6: Oh yeah. 217 00:10:12,520 --> 00:10:14,200 Speaker 8: Would you want to live on Tracy Island? 218 00:10:14,400 --> 00:10:15,800 Speaker 1: Yeah? Right? 219 00:10:15,880 --> 00:10:18,640 Speaker 3: This woman cool moves back. This would make a great 220 00:10:18,720 --> 00:10:21,440 Speaker 3: alarm clock. Yes, you would get you out of bed. 221 00:10:22,600 --> 00:10:25,040 Speaker 3: Good ring Chane, Yeah, very good ring too, Catherine. 222 00:10:25,040 --> 00:10:25,560 Speaker 2: That's a great one. 223 00:10:25,600 --> 00:10:27,000 Speaker 3: You have a good day, okay, thank you. 224 00:10:28,760 --> 00:10:31,960 Speaker 2: Sheldon, Good morning, Sheldon. What's it for you? Mate? 225 00:10:32,520 --> 00:10:36,199 Speaker 3: That's the eighteen, Mate the eighteen. If you have a process, 226 00:10:36,360 --> 00:10:38,000 Speaker 3: if no one else can help, then if you. 227 00:10:38,040 --> 00:10:43,080 Speaker 2: Can fight classic things high. I love this show as 228 00:10:43,120 --> 00:10:50,439 Speaker 2: a kid. Now, Sheldon, why does that filled up the 229 00:10:50,520 --> 00:10:52,120 Speaker 2: sound chot to your life at the moment you get 230 00:10:52,120 --> 00:10:52,800 Speaker 2: got a lot going on? 231 00:10:53,040 --> 00:10:55,520 Speaker 3: Or yeah, I gotta walk on on. I like to 232 00:10:55,559 --> 00:10:58,040 Speaker 3: feel like I'm kicking down doors and getting things done. 233 00:10:58,240 --> 00:10:59,920 Speaker 2: Every day is and what is it you actually do 234 00:11:00,240 --> 00:11:00,640 Speaker 2: by day? 235 00:11:01,440 --> 00:11:02,280 Speaker 3: I'm the carpenter. 236 00:11:03,080 --> 00:11:05,080 Speaker 2: You should be kicking down doors. When you put them up, 237 00:11:06,000 --> 00:11:09,200 Speaker 2: they're kicking down and then put them back up right. 238 00:11:10,280 --> 00:11:12,160 Speaker 3: Any damage you do, you can recify. 239 00:11:16,000 --> 00:11:17,679 Speaker 2: Sheldon, Thank you very much. You killed me. Have a 240 00:11:17,720 --> 00:11:20,800 Speaker 2: good day. Thank you, Paul. What's it for you? 241 00:11:22,600 --> 00:11:23,359 Speaker 8: The professionals? 242 00:11:24,000 --> 00:11:26,480 Speaker 2: Wow? Do you know what Benny we goes by. We 243 00:11:26,520 --> 00:11:29,800 Speaker 2: don't get a mention of the professionals before. 244 00:11:29,559 --> 00:11:32,520 Speaker 3: He started, but because you loved it so much, Christian 245 00:11:32,600 --> 00:11:33,880 Speaker 3: the beautiful talk about. 246 00:11:33,679 --> 00:11:37,959 Speaker 2: Its body and oil. Listen to this fill the glass 247 00:11:40,960 --> 00:11:44,400 Speaker 2: that wah wah guitar, the brass, the drums. 248 00:11:44,160 --> 00:11:49,080 Speaker 3: Getting take this puble color in the studio. 249 00:11:49,200 --> 00:11:53,439 Speaker 2: This actually makes me feel like a man. This this 250 00:11:53,559 --> 00:11:54,840 Speaker 2: actually smells of leather. 251 00:11:56,960 --> 00:11:58,480 Speaker 3: Listen tonight kicks in here. 252 00:12:04,200 --> 00:12:07,920 Speaker 2: What a TV. At this point, one of them slides 253 00:12:07,960 --> 00:12:09,000 Speaker 2: over the bonnet of his car. 254 00:12:09,320 --> 00:12:12,440 Speaker 3: Also originally this was meant to be Paul talking about 255 00:12:12,480 --> 00:12:13,960 Speaker 3: why he chose this thing so bad. 256 00:12:15,640 --> 00:12:17,920 Speaker 2: I'm going off on one happy place. It's a happy 257 00:12:17,960 --> 00:12:21,439 Speaker 2: place for me, Paul. Why is it your soundtrack to 258 00:12:21,480 --> 00:12:21,880 Speaker 2: your life? 259 00:12:22,880 --> 00:12:23,080 Speaker 3: Ah? 260 00:12:23,400 --> 00:12:25,679 Speaker 8: Well, you know, like Bully, we're putty at work and 261 00:12:26,040 --> 00:12:27,719 Speaker 8: we're not working for a buddy riding bike. 262 00:12:28,440 --> 00:12:29,000 Speaker 2: And what do you do? 263 00:12:30,480 --> 00:12:31,400 Speaker 3: Render it by trade? 264 00:12:31,960 --> 00:12:40,000 Speaker 2: I see, not just any normal renderer, a manly renderer, right, 265 00:12:40,040 --> 00:12:41,000 Speaker 2: I need to calm down now. 266 00:12:41,080 --> 00:12:44,400 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 267 00:12:44,480 --> 00:12:45,080 Speaker 1: point three. 268 00:12:45,240 --> 00:12:47,839 Speaker 2: Last this week. Then to pick up one thousand dollars 269 00:12:47,960 --> 00:12:50,960 Speaker 2: right now thanks the return of Rowan Atkinson and Johnny 270 00:12:50,960 --> 00:12:54,400 Speaker 2: English comes out next week September the twentieth Johnny English 271 00:12:54,559 --> 00:12:57,840 Speaker 2: strikes back. How do you win the one thousand dollars 272 00:12:58,400 --> 00:12:59,160 Speaker 2: three song connection? 273 00:13:00,120 --> 00:13:02,120 Speaker 3: Think you can find it? 274 00:13:02,920 --> 00:13:09,079 Speaker 9: The three song connection for the new Johnny English. 275 00:13:09,160 --> 00:13:14,760 Speaker 2: Movie Murdering the Muppets. Every time we play that. 276 00:13:18,040 --> 00:13:21,920 Speaker 3: To celebrate Johnny English, all bands today will be English bands. 277 00:13:22,240 --> 00:13:25,720 Speaker 3: But what is the common theme between all three songs? 278 00:13:25,800 --> 00:13:32,720 Speaker 2: It's a tough one this morning. Take back mm hmm, 279 00:13:35,880 --> 00:13:40,000 Speaker 2: take bur back, tricksy, a little bit tricksy. 280 00:13:43,440 --> 00:13:44,280 Speaker 3: Take back. 281 00:13:45,840 --> 00:13:47,800 Speaker 2: So three song connection, what do you think it is? 282 00:13:47,880 --> 00:13:50,240 Speaker 2: What connects the three songs? Nine four one four one 283 00:13:50,400 --> 00:13:52,120 Speaker 2: O four three one more time? 284 00:13:55,240 --> 00:13:56,080 Speaker 3: Take back? 285 00:13:56,920 --> 00:13:58,040 Speaker 2: All right, give us your guesses. 286 00:13:58,240 --> 00:14:01,559 Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four 287 00:14:01,640 --> 00:14:02,120 Speaker 1: point three. 288 00:14:02,400 --> 00:14:05,960 Speaker 2: Sometimes I actually feel like a jack is he's got 289 00:14:06,040 --> 00:14:09,400 Speaker 2: cameras and I'm part of the reality show which is 290 00:14:09,559 --> 00:14:11,560 Speaker 2: actually testing me just to see how far I can 291 00:14:11,600 --> 00:14:15,559 Speaker 2: push me. You don't use the radio studio desk as 292 00:14:15,600 --> 00:14:20,520 Speaker 2: a stretching post for some kind of pilates. Put those 293 00:14:20,600 --> 00:14:23,960 Speaker 2: big long limits of yours on my studio test like 294 00:14:24,120 --> 00:14:26,120 Speaker 2: a cat using it as a scratching post. 295 00:14:26,800 --> 00:14:27,479 Speaker 5: Act. 296 00:14:28,360 --> 00:14:31,800 Speaker 2: His part is we put him in the window, so 297 00:14:31,960 --> 00:14:33,240 Speaker 2: we just cut up and go to sleep. 298 00:14:34,360 --> 00:14:36,760 Speaker 3: Scratch a billy, especially in the morning like this. That's 299 00:14:36,800 --> 00:14:37,280 Speaker 3: quite like that. 300 00:14:39,440 --> 00:14:45,400 Speaker 9: You cue fine the three song connection for the new 301 00:14:46,200 --> 00:14:47,360 Speaker 9: Johnny English. 302 00:14:49,840 --> 00:14:51,360 Speaker 3: Johnny English strikes again. 303 00:14:51,440 --> 00:14:53,840 Speaker 2: He's back out next week, September the twentieth, one thousand 304 00:14:53,880 --> 00:14:55,720 Speaker 2: dollars every single day this week trying to guess the 305 00:14:56,200 --> 00:15:05,360 Speaker 2: three song connection. This morning's clips. What connects them? Get 306 00:15:05,400 --> 00:15:08,360 Speaker 2: it right? We're one thousand dollars. Glenn's up first this morning. 307 00:15:08,360 --> 00:15:11,320 Speaker 2: Good morning, Glenn. Here you go mate, Pretty good Glenn, 308 00:15:11,680 --> 00:15:15,400 Speaker 2: and Glenn, what's the guess? Look good? 309 00:15:15,640 --> 00:15:17,280 Speaker 10: It's a stab in the dark, but I'll go for 310 00:15:17,320 --> 00:15:17,760 Speaker 10: a wedding. 311 00:15:18,840 --> 00:15:19,680 Speaker 3: What are you thinking, Glenn? 312 00:15:21,280 --> 00:15:22,360 Speaker 7: Just the first two? 313 00:15:22,400 --> 00:15:24,680 Speaker 11: I had no idea, but just a Billy Idol just 314 00:15:25,160 --> 00:15:25,680 Speaker 11: white wedding. 315 00:15:26,480 --> 00:15:28,480 Speaker 2: Okay, so close, very close. 316 00:15:28,560 --> 00:15:30,760 Speaker 3: Actually, Glenn's not the right answer though, tough luck. 317 00:15:31,240 --> 00:15:34,400 Speaker 10: Lyle, Hello, Christian, How are you pretty good? 318 00:15:34,480 --> 00:15:34,720 Speaker 11: Lyle? 319 00:15:34,800 --> 00:15:35,680 Speaker 2: How are you my friend? 320 00:15:36,240 --> 00:15:36,880 Speaker 10: I'm very good. 321 00:15:36,920 --> 00:15:39,360 Speaker 2: Thank you, good stuff, buddy. And what's your guest? They're 322 00:15:39,360 --> 00:15:41,680 Speaker 2: trying and win you one thousand dollars? Mate? Oh? 323 00:15:41,720 --> 00:15:42,400 Speaker 10: The word white? 324 00:15:43,840 --> 00:15:44,840 Speaker 3: What do you think? In Lyle? 325 00:15:45,480 --> 00:15:47,200 Speaker 10: Now, I'm not too sure about the first song? I'm 326 00:15:47,200 --> 00:15:47,680 Speaker 10: not too short. 327 00:15:47,760 --> 00:15:48,040 Speaker 2: That is that. 328 00:15:48,120 --> 00:15:51,160 Speaker 10: The second one is I Believe white Snake. Here I 329 00:15:51,280 --> 00:15:54,240 Speaker 10: go again, and the third one's white wedding by Billy 330 00:15:54,280 --> 00:15:54,920 Speaker 10: Idol ding. 331 00:15:54,880 --> 00:15:56,480 Speaker 2: Ding ding ding ding ding ding ding ding ding ding 332 00:15:56,560 --> 00:15:57,760 Speaker 2: ding ding ding ding ding ding. 333 00:15:58,160 --> 00:15:59,960 Speaker 3: You are a widow. 334 00:16:01,880 --> 00:16:04,800 Speaker 2: Much one one thousand dollars. 335 00:16:05,600 --> 00:16:07,000 Speaker 10: Fantastic, Thank you very much. 336 00:16:07,040 --> 00:16:09,200 Speaker 3: Guys. Yeah, what do you think about you win a 337 00:16:09,280 --> 00:16:10,080 Speaker 3: theme Chune. 338 00:16:13,400 --> 00:16:14,120 Speaker 2: Yeah, good chat. 339 00:16:15,520 --> 00:16:16,720 Speaker 10: What are you gonna do with Laurah? 340 00:16:16,840 --> 00:16:18,160 Speaker 2: Yeah? What are you gonna do with your money? 341 00:16:18,200 --> 00:16:18,400 Speaker 3: Mate? 342 00:16:19,320 --> 00:16:21,240 Speaker 10: I think I might take the family out for dinner. 343 00:16:21,320 --> 00:16:24,600 Speaker 10: And yeah, I don't know what else I did. 344 00:16:25,440 --> 00:16:26,880 Speaker 2: That's the first say, where do you go? You've been 345 00:16:26,960 --> 00:16:29,480 Speaker 2: ripped off? There aren't it's always one thousand when you 346 00:16:29,560 --> 00:16:31,480 Speaker 2: come in, always exactly one thousand. 347 00:16:32,160 --> 00:16:35,680 Speaker 3: That might cover exactly all right, Na, well done, buddy, 348 00:16:35,800 --> 00:16:37,520 Speaker 3: nice work, Thank you very much. 349 00:16:37,640 --> 00:16:40,160 Speaker 2: Guys. All right, Johnny English Strikes Again is out next 350 00:16:40,200 --> 00:16:41,280 Speaker 2: week September the twentieth. 351 00:16:41,360 --> 00:16:44,440 Speaker 1: Check it out the Christian O'Connell Breakfast Show, Melbourne's Gold 352 00:16:44,560 --> 00:16:45,680 Speaker 1: one oh four point three. 353 00:16:45,960 --> 00:16:48,480 Speaker 2: So we got Phil Connins tickets. We're doing ten weeks 354 00:16:48,480 --> 00:16:50,400 Speaker 2: of tickets on this spectforst show Jill the next ten 355 00:16:50,480 --> 00:16:53,040 Speaker 2: weeks sending you to the biggest shows in town. This 356 00:16:53,160 --> 00:16:56,160 Speaker 2: week it is about Phil Collins. Before that, we do 357 00:16:56,280 --> 00:16:58,200 Speaker 2: this where we open up our tabs. Final we've been 358 00:16:58,240 --> 00:17:00,840 Speaker 2: browsing this week, go around the team. First of all 359 00:17:00,880 --> 00:17:02,960 Speaker 2: for me my internet history. Then yesterday I need to 360 00:17:03,000 --> 00:17:05,240 Speaker 2: get the number for Vic Rhodes. But I needed a 361 00:17:05,320 --> 00:17:07,680 Speaker 2: very specific number to do with vic robes. I needed 362 00:17:07,680 --> 00:17:11,000 Speaker 2: to get a bike rack number plate. So if you're 363 00:17:11,000 --> 00:17:12,200 Speaker 2: going to have a bike rack, you need to have 364 00:17:12,240 --> 00:17:15,320 Speaker 2: a special larger number plate that goes on the bike. 365 00:17:15,680 --> 00:17:18,280 Speaker 3: Really, yeah, we've been going rogue then without bike rack. 366 00:17:20,560 --> 00:17:24,000 Speaker 2: Yeah. I love your ED regulations here, and it wasn't 367 00:17:24,000 --> 00:17:25,720 Speaker 2: easy to find out what number I needed. Then you 368 00:17:25,760 --> 00:17:28,480 Speaker 2: have that interactive thing you're on hold and it gives 369 00:17:28,520 --> 00:17:31,280 Speaker 2: you the five options. I'm thinking, what what does this 370 00:17:31,359 --> 00:17:32,920 Speaker 2: go under? And then I speak to a woman who's 371 00:17:32,960 --> 00:17:35,000 Speaker 2: super helpful, and then I have to do that thing 372 00:17:35,040 --> 00:17:37,120 Speaker 2: you know sometimes when she asked me for my number plate, 373 00:17:37,640 --> 00:17:49,880 Speaker 2: and no one really knows what the sea forte phonetic alphabet, 374 00:17:50,000 --> 00:17:52,240 Speaker 2: So I get I need to say the N word. 375 00:17:52,480 --> 00:17:52,920 Speaker 3: No not that. 376 00:17:58,480 --> 00:18:00,159 Speaker 2: She goes, okay, what's it up? A blake and then 377 00:18:00,720 --> 00:18:04,040 Speaker 2: the number and November. But I forgot it panics right 378 00:18:04,040 --> 00:18:06,520 Speaker 2: because I was all right. So she go she goes, 379 00:18:06,600 --> 00:18:08,760 Speaker 2: are you a CA said, oh, do you have this 380 00:18:08,840 --> 00:18:12,000 Speaker 2: a lot where people they just make up or something 381 00:18:12,080 --> 00:18:12,960 Speaker 2: for the output? 382 00:18:13,000 --> 00:18:14,680 Speaker 3: She goes, it happens every day. People just make it 383 00:18:14,760 --> 00:18:15,280 Speaker 3: up randomly. 384 00:18:15,440 --> 00:18:16,840 Speaker 2: I said, I need to say the word for n 385 00:18:16,960 --> 00:18:19,680 Speaker 2: She goes, m I went, no, n and she goes, oh, well, 386 00:18:19,840 --> 00:18:21,280 Speaker 2: just make it up, and I go n for and 387 00:18:21,359 --> 00:18:26,239 Speaker 2: I started getting the sweats right end for and all 388 00:18:26,320 --> 00:18:29,040 Speaker 2: I could say was naughty. She goes, oh, I haven't 389 00:18:29,080 --> 00:18:34,840 Speaker 2: heard that one before. I didn't realize that you can customize, 390 00:18:34,880 --> 00:18:35,840 Speaker 2: you know, my blakes as well. 391 00:18:36,240 --> 00:18:37,760 Speaker 5: Yeah cost the fortune though. 392 00:18:37,760 --> 00:18:40,639 Speaker 2: Yeah, leopards. Do you want a leopard print one? Oh? 393 00:18:40,800 --> 00:18:43,000 Speaker 3: You mean like the design of it? 394 00:18:43,119 --> 00:18:44,920 Speaker 2: Yeah, I didn't realize. And then she said, you know, 395 00:18:45,200 --> 00:18:46,720 Speaker 2: do you just want to stand one? I went, yeah, yeah, 396 00:18:46,760 --> 00:18:48,040 Speaker 2: just stand She goes, We'll just let you know. You 397 00:18:48,080 --> 00:18:50,639 Speaker 2: can get some different options options like a leopard print one. 398 00:18:50,720 --> 00:18:53,800 Speaker 2: Don't want that a Japanese one. I went, what she says, 399 00:18:53,840 --> 00:18:55,359 Speaker 2: you can have a Japanese one? I said, what can 400 00:18:55,400 --> 00:18:56,840 Speaker 2: you get all the nations? Can I have like a 401 00:18:57,000 --> 00:18:59,199 Speaker 2: Pommi one or something? I know, just the Japanese one 402 00:18:59,320 --> 00:19:03,239 Speaker 2: is the only option, or Assie one? So what's an 403 00:19:03,280 --> 00:19:05,360 Speaker 2: Aussie one? She goes, well, you can just add colors 404 00:19:05,440 --> 00:19:06,200 Speaker 2: and various things. 405 00:19:06,280 --> 00:19:08,120 Speaker 3: I've never really seen them. The only ones I've seen 406 00:19:08,160 --> 00:19:10,200 Speaker 3: in the footy teams. Yeah, from time to time, you 407 00:19:10,240 --> 00:19:14,160 Speaker 3: see yeah see those. Yeah, I've never seen leopardprint or japan. 408 00:19:16,200 --> 00:19:18,399 Speaker 2: As well. Then the other thing I had to google. 409 00:19:18,920 --> 00:19:21,000 Speaker 3: By the way, what kind of bike rack? Did you 410 00:19:21,040 --> 00:19:23,240 Speaker 3: get those things? It's such a pain in the backside 411 00:19:23,280 --> 00:19:24,320 Speaker 3: to get on your car. 412 00:19:25,080 --> 00:19:27,840 Speaker 2: Do you know what? I there are eight different bike 413 00:19:27,960 --> 00:19:30,880 Speaker 2: racks in the UK. Right, there's just one bike rack? 414 00:19:31,040 --> 00:19:33,879 Speaker 2: Bike rack, that's it here, there are eight different types. 415 00:19:34,040 --> 00:19:35,240 Speaker 2: It's so confusing. 416 00:19:36,320 --> 00:19:40,840 Speaker 3: You got like we've got straps, and like it's got scraps, hooks. 417 00:19:40,720 --> 00:19:43,000 Speaker 2: And do you know what? I hate using the bike 418 00:19:43,080 --> 00:19:46,480 Speaker 2: rack anyway because I'm constantly pulling over. Have I tightened 419 00:19:46,520 --> 00:19:49,160 Speaker 2: that strap? What about that one? Seems a bit loose? 420 00:19:49,359 --> 00:19:52,680 Speaker 2: What's that rap? What's that rattle you're pulling over? It's 421 00:19:52,760 --> 00:19:54,200 Speaker 2: so stressful when the bikes are on. 422 00:19:54,280 --> 00:19:56,280 Speaker 3: We're going to so much effort just to write our bikes. 423 00:19:56,320 --> 00:19:59,080 Speaker 3: When we get desation, let's just. 424 00:19:59,119 --> 00:20:02,440 Speaker 2: Go for a walk. The other thing I googled I 425 00:20:02,600 --> 00:20:04,359 Speaker 2: was doing the school run that did they picking the 426 00:20:04,480 --> 00:20:07,679 Speaker 2: kids up and they're asking me if at the weekend 427 00:20:07,720 --> 00:20:09,720 Speaker 2: they could watch the movie Grease, And I was like, 428 00:20:09,880 --> 00:20:13,960 Speaker 2: no way, why not? Do you think that's an appropriate 429 00:20:14,000 --> 00:20:16,240 Speaker 2: movie with an appropriate message for young girls? 430 00:20:16,680 --> 00:20:17,439 Speaker 5: Watchesn't right? 431 00:20:17,480 --> 00:20:20,399 Speaker 2: Well, okay, shame on you. Mummy, shame on you. I 432 00:20:20,480 --> 00:20:20,720 Speaker 2: don't know. 433 00:20:20,880 --> 00:20:21,560 Speaker 3: I don't remember. 434 00:20:21,600 --> 00:20:25,200 Speaker 2: They remind you of the story of the movie Grease. 435 00:20:25,520 --> 00:20:29,240 Speaker 2: She works hard at school, Okay, Sandy d he's a 436 00:20:29,320 --> 00:20:31,879 Speaker 2: wild card. What does he get to do? Loosen up 437 00:20:31,920 --> 00:20:33,719 Speaker 2: and not be such a square and give away her 438 00:20:33,840 --> 00:20:37,560 Speaker 2: cherry and her virginity? Look at me, full of my 439 00:20:37,800 --> 00:20:38,800 Speaker 2: lousy virginity? 440 00:20:39,440 --> 00:20:42,080 Speaker 3: All right, I think they're. 441 00:20:42,480 --> 00:20:44,760 Speaker 5: Putting that just goes over the top of a seven 442 00:20:44,840 --> 00:20:45,320 Speaker 5: year olds here. 443 00:20:46,680 --> 00:20:47,240 Speaker 3: I don't remember. 444 00:20:47,320 --> 00:20:49,280 Speaker 2: Everything goes over the top of your head anyway. Then 445 00:20:49,320 --> 00:20:52,320 Speaker 2: they go, so we're arguing, right, and the kids go, well, 446 00:20:52,359 --> 00:20:54,720 Speaker 2: we've seen Titanic, and I went, that's a bit different. Okay, 447 00:20:54,840 --> 00:20:59,680 Speaker 2: that isn't about you actually see them doing it in 448 00:21:00,400 --> 00:21:02,920 Speaker 2: that's right. I don't even know how we get talking 449 00:21:02,920 --> 00:21:04,560 Speaker 2: about this. And I go, and now the other thing 450 00:21:04,600 --> 00:21:07,720 Speaker 2: about Titanic. I said, that's awful message as well about 451 00:21:07,840 --> 00:21:09,800 Speaker 2: it's not very fair the ending. They went, oh, it's 452 00:21:09,840 --> 00:21:12,680 Speaker 2: a lovely ending. You know. She's on the door, and 453 00:21:12,720 --> 00:21:15,000 Speaker 2: I said, yeah, she's on the door. If she moved over, 454 00:21:15,160 --> 00:21:17,080 Speaker 2: they could both be on the door. Why is he 455 00:21:17,200 --> 00:21:20,280 Speaker 2: going to die? Why does he have to die? What message? 456 00:21:20,440 --> 00:21:22,720 Speaker 3: Most romantic movie you ever said, what's something romantic. 457 00:21:22,480 --> 00:21:24,560 Speaker 2: About that he freezes to death? She could have easy 458 00:21:24,600 --> 00:21:26,000 Speaker 2: shifted her ass over and he could have got on 459 00:21:26,080 --> 00:21:27,720 Speaker 2: that door. There's room on the door for two. 460 00:21:27,680 --> 00:21:30,480 Speaker 3: And then together the body warmth keeps them moving warmer 461 00:21:30,480 --> 00:21:30,840 Speaker 3: than they are. 462 00:21:30,960 --> 00:21:33,960 Speaker 2: A better ending, a better ending. So anyway, they then 463 00:21:34,040 --> 00:21:37,920 Speaker 2: go we querying how many people died? I said everyone died. 464 00:21:37,960 --> 00:21:40,520 Speaker 2: They went' know that some people survived. I couldn't believe. 465 00:21:40,560 --> 00:21:43,640 Speaker 2: I actually typed into Google how many survived Titanic? 466 00:21:43,960 --> 00:21:46,400 Speaker 3: Well, we know at least one survived, because Rose survived. 467 00:21:48,760 --> 00:21:52,280 Speaker 3: Seven hundred people survived, that's what seven hundred people survived, 468 00:21:52,320 --> 00:21:54,680 Speaker 3: and how many sadly didn't fifteen hundred. 469 00:21:55,119 --> 00:21:57,760 Speaker 2: Fifteen hundred and three I remember for my Google search. 470 00:21:57,800 --> 00:21:59,000 Speaker 2: And do you know what I also found out when 471 00:21:59,040 --> 00:22:01,480 Speaker 2: I was talking about Titanic is you know the scene 472 00:22:01,480 --> 00:22:03,720 Speaker 2: where the band are all playing on and they're all 473 00:22:03,760 --> 00:22:07,919 Speaker 2: that that happened in real life? It did or they 474 00:22:08,080 --> 00:22:10,800 Speaker 2: all died. No single band members survived because they played 475 00:22:10,880 --> 00:22:12,000 Speaker 2: on for hours. 476 00:22:11,800 --> 00:22:12,720 Speaker 5: Went down with the ship. 477 00:22:13,320 --> 00:22:15,600 Speaker 3: Man, I don't know. As a musician, I would have 478 00:22:15,840 --> 00:22:21,360 Speaker 3: jumped on one of the boats. Men, women and children 479 00:22:21,600 --> 00:22:26,399 Speaker 3: and musicians and guitarists. Let that pursume player on the 480 00:22:26,520 --> 00:22:27,440 Speaker 3: life Boats. 481 00:22:28,280 --> 00:22:31,640 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 482 00:22:31,720 --> 00:22:32,160 Speaker 1: point three. 483 00:22:32,400 --> 00:22:35,080 Speaker 2: We're going around the team looking at our internet history. Funny, 484 00:22:35,080 --> 00:22:37,359 Speaker 2: I've been googling jack boats. What is it for you? 485 00:22:37,760 --> 00:22:40,480 Speaker 3: It's not often these days that you can't find somebody 486 00:22:40,560 --> 00:22:45,119 Speaker 3: you know on Facebook or Google. But a guy from 487 00:22:45,160 --> 00:22:48,920 Speaker 3: my high school has disappeared or he's not online. John Millman, 488 00:22:49,520 --> 00:22:54,280 Speaker 3: the tennis player. He this ozzie who we hardly knew 489 00:22:54,320 --> 00:22:56,840 Speaker 3: about before he played in the US Open, recently made 490 00:22:56,880 --> 00:22:58,400 Speaker 3: it to the semi final of the US Open. 491 00:22:58,440 --> 00:22:59,320 Speaker 2: Amazing performance. 492 00:22:59,440 --> 00:23:00,840 Speaker 3: Reminded me of a kid that I went to high 493 00:23:00,880 --> 00:23:03,240 Speaker 3: school with called John Milman. And every time Patsy would 494 00:23:03,280 --> 00:23:06,560 Speaker 3: say John Milman's old schoolmates, like I was remembering the 495 00:23:06,680 --> 00:23:09,440 Speaker 3: kid who all I could really remember of him was 496 00:23:09,640 --> 00:23:15,000 Speaker 3: he loved Rodney Rude and he would bring he would 497 00:23:15,000 --> 00:23:17,840 Speaker 3: play you Rodney Rude CDs and then point at they 498 00:23:17,840 --> 00:23:20,680 Speaker 3: stereo and like, how funny is this? How funny is this? 499 00:23:21,280 --> 00:23:25,439 Speaker 3: I can't find John Millman anywhere on Facebook or Google. 500 00:23:26,240 --> 00:23:27,159 Speaker 2: Really, yeah, I. 501 00:23:27,200 --> 00:23:30,840 Speaker 5: Can't find wasn't he? After the US Open? The victim 502 00:23:30,880 --> 00:23:32,080 Speaker 5: of some trolls and stuff. 503 00:23:32,280 --> 00:23:34,479 Speaker 3: Sorry, sorry, I can't find my John Melman. I can 504 00:23:34,520 --> 00:23:36,080 Speaker 3: find John Milman, the tennis player. 505 00:23:36,200 --> 00:23:39,600 Speaker 2: What about Oh, what's it called LinkedIn? Not there? 506 00:23:39,840 --> 00:23:40,359 Speaker 3: Not on Twitter? 507 00:23:41,200 --> 00:23:43,800 Speaker 2: Ground Like if someone's not on Facebook, they don't exist. 508 00:23:44,240 --> 00:23:47,160 Speaker 3: Yes, yes, isn't it? And the last time this happened 509 00:23:47,280 --> 00:23:50,160 Speaker 3: is I tried to I've completely forgotten about this girl 510 00:23:50,200 --> 00:23:52,680 Speaker 3: I met a few weeks before I met Bianca, and 511 00:23:53,280 --> 00:23:55,800 Speaker 3: Biancer obviously swept me off my feet when I met her, 512 00:23:55,920 --> 00:23:58,800 Speaker 3: So I had forgotten about this girl. Recently. I remember Donna. 513 00:23:58,840 --> 00:23:59,919 Speaker 3: I was like, don I really like. 514 00:24:02,240 --> 00:24:04,480 Speaker 2: Women. Don't like that when you stop looking up xces 515 00:24:04,520 --> 00:24:06,800 Speaker 2: and stuff like that, it's creepy. It's like driving past 516 00:24:06,880 --> 00:24:07,280 Speaker 2: their house. 517 00:24:07,520 --> 00:24:10,000 Speaker 3: Same thing. She's not online and I couldn't find it. 518 00:24:10,880 --> 00:24:14,080 Speaker 2: So John Millman, the one you went to school with, 519 00:24:14,240 --> 00:24:16,320 Speaker 2: there's no mention of him or any of the report 520 00:24:16,320 --> 00:24:19,080 Speaker 2: of on Google alone now disappeared. 521 00:24:19,320 --> 00:24:22,280 Speaker 3: No, and especially now with the tennis John John Milman, 522 00:24:22,359 --> 00:24:25,560 Speaker 3: he's hogging up Google. My John Millman disappear. 523 00:24:26,560 --> 00:24:27,600 Speaker 5: He's run off with Donna. 524 00:24:27,880 --> 00:24:30,399 Speaker 2: Wow, yeah, they've hooked up. Perhaps, What have you been googled? 525 00:24:30,400 --> 00:24:31,880 Speaker 2: What have you been up to? What's your Internet history. 526 00:24:32,119 --> 00:24:35,320 Speaker 4: I've been looking up Twitter bio ideas because I still 527 00:24:35,359 --> 00:24:37,960 Speaker 4: don't have a description on my Twitter page. 528 00:24:38,000 --> 00:24:40,080 Speaker 2: Yeah, people worry about this. Then you get people that 529 00:24:40,200 --> 00:24:42,040 Speaker 2: just put witchy description here. 530 00:24:42,600 --> 00:24:46,000 Speaker 3: Yeah, well why don't you at least put news reader 531 00:24:46,080 --> 00:24:46,320 Speaker 3: or something. 532 00:24:46,320 --> 00:24:48,800 Speaker 2: I mean, at the moment, I've got your Twitter page, okay, 533 00:24:48,960 --> 00:24:52,920 Speaker 2: just says your Twitter handle at Petrina Jane News. And 534 00:24:53,040 --> 00:24:55,879 Speaker 2: also I mean I follow you. You are it's an 535 00:24:55,920 --> 00:24:58,240 Speaker 2: interesting Oh here we go. No, no, no, no, I 536 00:24:58,359 --> 00:25:00,840 Speaker 2: just got a cup of questions. I'm looking at the 537 00:25:00,880 --> 00:25:04,880 Speaker 2: most recent tweets between the Jane News forty seven minutes ago, 538 00:25:05,200 --> 00:25:09,000 Speaker 2: the latest on that strawberry rekill shortly at gold one 539 00:25:09,040 --> 00:25:11,879 Speaker 2: and four to three. Picture of a strawberry emoji in 540 00:25:11,920 --> 00:25:12,400 Speaker 2: there as well. 541 00:25:12,480 --> 00:25:13,840 Speaker 5: Yep, I like my emojis. 542 00:25:13,920 --> 00:25:16,760 Speaker 2: Then there's one yesterday, report's coming through of the shooting 543 00:25:16,960 --> 00:25:21,240 Speaker 2: in Northeast Melbourne. No funny emoji for that, the strawberry 544 00:25:21,240 --> 00:25:23,760 Speaker 2: one though, you decided to put a strawberry emoji in 545 00:25:24,520 --> 00:25:26,600 Speaker 2: even though it's involving needles being shoved in them, but 546 00:25:26,720 --> 00:25:28,440 Speaker 2: didn't go for the need or the strawberry. 547 00:25:28,920 --> 00:25:31,680 Speaker 3: No, But then you'll still do some funny tweets like 548 00:25:32,200 --> 00:25:32,520 Speaker 3: the show. 549 00:25:32,600 --> 00:25:35,400 Speaker 2: You always retweeted the podcast, which especially for that you're 550 00:25:35,400 --> 00:25:36,040 Speaker 2: always appointing. 551 00:25:36,040 --> 00:25:38,720 Speaker 3: Everything is like disaster at my house, can't find the 552 00:25:38,760 --> 00:25:39,760 Speaker 3: remote to turn on the TV. 553 00:25:40,520 --> 00:25:43,520 Speaker 2: Disaster, and then back to more shooting somewhere, or Eddie 554 00:25:43,560 --> 00:25:45,840 Speaker 2: Maguire's getting angry again about Condor Win the pies. 555 00:25:46,200 --> 00:25:48,040 Speaker 5: Oh that's my life though, isn't it. It's a mix 556 00:25:48,119 --> 00:25:49,560 Speaker 5: of light and shade. 557 00:25:49,680 --> 00:25:51,879 Speaker 2: What you're doing is you're trying to set up an 558 00:25:52,000 --> 00:25:54,960 Speaker 2: agency here, a news agency to rival CNN. 559 00:25:57,520 --> 00:26:01,800 Speaker 3: News, and then then doesn't break away and go like, ah, 560 00:26:02,200 --> 00:26:03,600 Speaker 3: my husband didn't wash the dishes. 561 00:26:08,119 --> 00:26:10,240 Speaker 2: Why don't you put it on there? One hundred percent news, 562 00:26:10,280 --> 00:26:11,440 Speaker 2: one hundred percent woman. 563 00:26:12,280 --> 00:26:14,160 Speaker 5: Oh that's all right, you don't mind, Mesh if you've 564 00:26:14,160 --> 00:26:15,600 Speaker 5: got any suggestions. 565 00:26:15,119 --> 00:26:18,040 Speaker 2: Jack said, this guy's the king of social media, but 566 00:26:18,040 --> 00:26:19,720 Speaker 2: he doesn't like Twitter. He's an instankid. 567 00:26:20,119 --> 00:26:22,560 Speaker 3: No I have a Twitter. I just I keep forgetting 568 00:26:22,600 --> 00:26:26,080 Speaker 3: to use it. I would go more serious route. I 569 00:26:26,080 --> 00:26:30,359 Speaker 3: would go to por training Joanes serious newswoman, sometimes serious woman. 570 00:26:30,600 --> 00:26:34,800 Speaker 3: Sometimes I like sometimes part of the Christian Oclnor Breakfast show. 571 00:26:34,840 --> 00:26:37,639 Speaker 2: Come put that downis sounds a bit weak, doesn't it? Sometimes? 572 00:26:37,840 --> 00:26:41,400 Speaker 3: Well, wouldn't you want to be known as professional journalists? 573 00:26:41,480 --> 00:26:41,760 Speaker 2: First? 574 00:26:43,040 --> 00:26:43,720 Speaker 5: Mother? Second? 575 00:26:44,000 --> 00:26:45,480 Speaker 2: Another wild card on this show? 576 00:26:45,920 --> 00:26:46,359 Speaker 3: What you are? 577 00:26:46,600 --> 00:26:48,439 Speaker 2: Why didn't you write down loose cannon? 578 00:26:49,560 --> 00:26:52,560 Speaker 5: I don't want to put loose on my twitter head. 579 00:26:55,720 --> 00:26:59,040 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 580 00:26:59,119 --> 00:26:59,600 Speaker 1: point three. 581 00:27:00,920 --> 00:27:04,480 Speaker 12: The Christian O'Connell break the Shows ten weeks of tickets 582 00:27:04,800 --> 00:27:05,560 Speaker 12: every morning. 583 00:27:05,359 --> 00:27:06,280 Speaker 3: At seven thirty am. 584 00:27:06,359 --> 00:27:07,439 Speaker 2: You'll chance to win tickets. 585 00:27:07,480 --> 00:27:08,720 Speaker 3: Are the biggest shows. 586 00:27:08,400 --> 00:27:10,280 Speaker 2: In town this week. 587 00:27:10,480 --> 00:27:13,680 Speaker 3: About Phil Collins live at the Amy Sober in February. 588 00:27:13,760 --> 00:27:16,240 Speaker 2: He will be on the show. Nothing confirmed, but he 589 00:27:16,400 --> 00:27:18,399 Speaker 2: will be on the show, even if we have to 590 00:27:18,520 --> 00:27:22,400 Speaker 2: kidnap Phil Collins. All right, Phil Collins and I will 591 00:27:22,480 --> 00:27:26,080 Speaker 2: be talking. All right. So we're going back now to 592 00:27:27,000 --> 00:27:28,960 Speaker 2: your drummer, Okie. This is where we need you to 593 00:27:29,000 --> 00:27:34,600 Speaker 2: recreate this amazing drum Phil from Phil Collins. It needs 594 00:27:34,640 --> 00:27:41,200 Speaker 2: to be big, It needs to be you have a 595 00:27:41,280 --> 00:27:45,720 Speaker 2: go no boy, do do do no. 596 00:27:45,840 --> 00:27:47,120 Speaker 3: I'm not happy with them starting again. 597 00:27:47,440 --> 00:27:52,680 Speaker 2: Please do no. 598 00:27:53,760 --> 00:27:54,560 Speaker 3: It's so weak. 599 00:27:55,440 --> 00:27:57,680 Speaker 2: Patsy, come on, you can do mone know you can 600 00:28:00,320 --> 00:28:03,399 Speaker 2: turns out she can't turn you tried. Okay, guys, all right, 601 00:28:03,440 --> 00:28:05,639 Speaker 2: let's go to Lin and see how they're doing this morning. Julie, 602 00:28:05,720 --> 00:28:07,840 Speaker 2: good morning, Good morning, Christian. 603 00:28:08,040 --> 00:28:10,000 Speaker 3: Okay, you're trying to win these philm Colon tickets. 604 00:28:10,040 --> 00:28:12,720 Speaker 2: You're ready, I am. This is what we need to 605 00:28:12,800 --> 00:28:26,560 Speaker 2: do after you go, Julie. Straight, Julie, I'm sorry, we 606 00:28:26,680 --> 00:28:28,440 Speaker 2: go straight to the whole today with that one. 607 00:28:28,600 --> 00:28:29,440 Speaker 9: What what was that? 608 00:28:29,680 --> 00:28:31,840 Speaker 2: Julie? Thank you for trying mat have a good day. 609 00:28:32,080 --> 00:28:32,240 Speaker 8: Lee. 610 00:28:33,200 --> 00:28:36,480 Speaker 2: Hello, I'm just gonna start laughing at Julie. 611 00:28:38,400 --> 00:28:41,160 Speaker 3: Christian is picky today though, Lee, So bring your best 612 00:28:41,400 --> 00:28:42,160 Speaker 3: foot forward. 613 00:28:42,880 --> 00:28:49,480 Speaker 2: What right we need you to do this unless you 614 00:28:49,600 --> 00:28:56,920 Speaker 2: feel go. I'm ready, very good. That's good strong stuff. 615 00:28:56,960 --> 00:29:00,280 Speaker 2: They're from me, all right, Lie, stay there could be 616 00:29:00,280 --> 00:29:05,200 Speaker 2: your buddy going to final Nikki Nikki you ready? 617 00:29:06,160 --> 00:29:06,360 Speaker 3: Yeah? 618 00:29:07,120 --> 00:29:16,320 Speaker 2: This is what we need something to start the Muppet Show. 619 00:29:20,160 --> 00:29:21,320 Speaker 2: It did not sound like this. 620 00:29:24,000 --> 00:29:27,720 Speaker 5: No, come on, girls, you're letting us down today. 621 00:29:28,480 --> 00:29:33,120 Speaker 2: Frankie, good morning, good morning, Good morning. Frank, Good morning, Frank. 622 00:29:33,120 --> 00:29:34,840 Speaker 2: He's not having any of that franky stuff. My name 623 00:29:34,920 --> 00:29:37,080 Speaker 2: is Frank. Okay, you will address me as Frank, not 624 00:29:37,160 --> 00:29:37,880 Speaker 2: Frankie Pommy. 625 00:29:38,240 --> 00:29:41,160 Speaker 6: All right, Frank, Frank off you go shots you Phil 626 00:29:41,200 --> 00:29:52,080 Speaker 6: coins Okay, Coop, what. 627 00:29:52,200 --> 00:29:53,040 Speaker 3: Didn't you like about that? 628 00:29:57,240 --> 00:29:58,360 Speaker 5: I need some guts in it. 629 00:29:58,600 --> 00:30:00,400 Speaker 2: That's it. We need some guts in it. Greg. 630 00:30:01,560 --> 00:30:03,040 Speaker 3: Good Christian, how are you going? 631 00:30:03,120 --> 00:30:05,320 Speaker 2: I'm pretty good, Greg. I hope you're well this one now, Greg, 632 00:30:05,360 --> 00:30:07,840 Speaker 2: I'm relying on you, buddy. When he grutted a grunt, 633 00:30:08,160 --> 00:30:12,480 Speaker 2: I'm here here. We need he cuts and we need balls. Okay, 634 00:30:13,000 --> 00:30:17,880 Speaker 2: I made him, I got him at itues. Greg's got 635 00:30:17,960 --> 00:30:22,320 Speaker 2: balls this official? Go Greg. 636 00:30:27,480 --> 00:30:27,920 Speaker 1: Going? 637 00:30:30,400 --> 00:30:33,760 Speaker 2: Oh, I love that, I love Give it to me, 638 00:30:33,920 --> 00:30:35,880 Speaker 2: give it to me, try it again. And you just 639 00:30:36,000 --> 00:30:37,880 Speaker 2: keep singing it. That was beautiful. 640 00:30:38,000 --> 00:30:47,960 Speaker 11: Okay, go Greggy and calling and yet now it's. 641 00:30:52,520 --> 00:30:57,320 Speaker 3: He going, Greg, come on, come on. 642 00:30:57,440 --> 00:31:07,080 Speaker 8: Greg, Yes, lonell. 643 00:31:12,280 --> 00:31:14,120 Speaker 2: That is the spirit. Well done, Greg. 644 00:31:14,320 --> 00:31:18,080 Speaker 1: He is the winner the Christian O'Connell Breakfast Show on 645 00:31:18,320 --> 00:31:20,000 Speaker 1: Gold one oh four point three. 646 00:31:20,240 --> 00:31:22,760 Speaker 2: Time for this week's isolated Vocal. We get a lot 647 00:31:22,840 --> 00:31:25,160 Speaker 2: of emails. People have never heard about these before. When 648 00:31:25,200 --> 00:31:27,200 Speaker 2: you go and find your own ones, you send them 649 00:31:27,200 --> 00:31:28,960 Speaker 2: over to me for us to play as well, which 650 00:31:29,000 --> 00:31:31,320 Speaker 2: I absolutely love. Ifeople want to do that. It's Christian 651 00:31:31,360 --> 00:31:33,560 Speaker 2: at Gold one four to three dot com dot au. 652 00:31:33,920 --> 00:31:35,239 Speaker 2: If you don't know how these work, then you can 653 00:31:35,280 --> 00:31:37,480 Speaker 2: find them on YouTube. There are hundreds of them, and 654 00:31:37,680 --> 00:31:41,440 Speaker 2: isolated vocals are from the original recording sessions where it's 655 00:31:41,560 --> 00:31:44,480 Speaker 2: just a vocal track. There's no guitars, there's no orchestra, 656 00:31:44,600 --> 00:31:47,240 Speaker 2: there's nothing else added. It's really stripped back. And when 657 00:31:47,280 --> 00:31:50,680 Speaker 2: you hear the vocal, even though it's bearer and rawer, 658 00:31:51,040 --> 00:31:54,400 Speaker 2: it storm makes you feel something greater more. I don't 659 00:31:54,400 --> 00:31:56,320 Speaker 2: know how. It's just a voice, and what you realize 660 00:31:56,400 --> 00:31:58,720 Speaker 2: is how great a singer they are. They can storm 661 00:31:58,760 --> 00:32:02,200 Speaker 2: make you feel something in a deeper way without anything else. 662 00:32:02,520 --> 00:32:05,200 Speaker 2: And this is in a time before also tune as well. 663 00:32:05,400 --> 00:32:06,600 Speaker 2: So the last couple of weeks we brought you some 664 00:32:06,680 --> 00:32:09,760 Speaker 2: amazing ones. Eddie Vedder last week was stunning Chris Cornell. 665 00:32:09,840 --> 00:32:12,680 Speaker 2: Another high light Beach Boys as well. This one's a 666 00:32:12,720 --> 00:32:14,959 Speaker 2: bit different. Actually, perhaps will be very happy to hear. 667 00:32:14,960 --> 00:32:19,480 Speaker 2: It's Brian Adams myself. Now have you heard this which 668 00:32:19,600 --> 00:32:21,360 Speaker 2: I don't know which song it is, it's a Summer 669 00:32:21,360 --> 00:32:24,760 Speaker 2: of sixty nine, just his isolated vocal. Check this out. 670 00:32:24,840 --> 00:32:28,160 Speaker 2: This is brilliant Brian Adams this week isolated vocal. And 671 00:32:28,240 --> 00:32:29,560 Speaker 2: then what we do at the end of this, we'll 672 00:32:29,560 --> 00:32:31,600 Speaker 2: play the song and you can hear it and appreciate 673 00:32:31,640 --> 00:32:32,320 Speaker 2: it in a different way. 674 00:32:32,440 --> 00:32:36,200 Speaker 13: You know, you thing and complain him when you got 675 00:32:36,280 --> 00:32:41,520 Speaker 13: a job to do, the maimings down at the job him. 676 00:32:42,680 --> 00:32:44,200 Speaker 3: And laugh when at you. 677 00:32:44,640 --> 00:32:49,880 Speaker 13: Yeah, standing on your mama's porch, you told me that 678 00:32:50,040 --> 00:32:52,800 Speaker 13: you wait forever on. 679 00:32:53,280 --> 00:32:54,640 Speaker 5: When you're hell made him. 680 00:32:55,920 --> 00:33:00,240 Speaker 13: I knew that it was now one never. Those were 681 00:33:00,440 --> 00:33:08,120 Speaker 13: the best days of my love. Oh yeah, back in 682 00:33:08,240 --> 00:33:10,200 Speaker 13: the summer of sixty nine. 683 00:33:14,400 --> 00:33:16,640 Speaker 2: I love that. Here it is then, summer of sixty nine, 684 00:33:16,720 --> 00:33:20,040 Speaker 2: Bright Animals. This week's start on isolated vocals. 685 00:33:20,600 --> 00:33:23,960 Speaker 1: For Christian O'Connell Breakfast Show Melbourne's Gold one oh four 686 00:33:24,040 --> 00:33:25,880 Speaker 1: point three Got. 687 00:33:25,680 --> 00:33:29,400 Speaker 2: Adam Summer sixty nine. This week's isolated vocal Gold one 688 00:33:29,440 --> 00:33:32,240 Speaker 2: A four point three Good Mornings to Christian O'Connell Breakfast Show. 689 00:33:33,440 --> 00:33:35,840 Speaker 2: Here's that the song that's going to repeat it again 690 00:33:35,880 --> 00:33:39,920 Speaker 2: between now and six o'clock tonight. No, it's not that song. 691 00:33:40,160 --> 00:33:42,160 Speaker 2: If you call it in hang up. 692 00:33:42,840 --> 00:33:46,920 Speaker 12: Christian O'Connell Breakfast Shows Grand Final, the same brand News 693 00:33:47,040 --> 00:33:51,160 Speaker 12: Kicking Yes Gran, We're on the search for Melbourne's Grin 694 00:33:51,320 --> 00:33:54,280 Speaker 12: with the longest kick nine days. 695 00:33:54,080 --> 00:33:54,920 Speaker 2: To Go Go Go. 696 00:33:57,400 --> 00:34:02,080 Speaker 3: Special in the mix. You know what I love about that? 697 00:34:02,440 --> 00:34:04,320 Speaker 3: Is there still nine to go and it's now got 698 00:34:04,400 --> 00:34:05,200 Speaker 3: to get better and better. 699 00:34:05,400 --> 00:34:07,360 Speaker 2: Yeah, yeah, they've got to get crazier and crazy with 700 00:34:07,440 --> 00:34:10,800 Speaker 2: the countdowns. Brian, All right, then, so nine days to 701 00:34:10,840 --> 00:34:14,440 Speaker 2: go until the Grand Final. Cut off point is midnight 702 00:34:14,520 --> 00:34:17,719 Speaker 2: tonight for the grands to enter gold one I four 703 00:34:17,719 --> 00:34:19,799 Speaker 2: to three dot com dot au. What are they entering 704 00:34:20,640 --> 00:34:23,200 Speaker 2: at the moment. If we get no more grands stepping 705 00:34:23,280 --> 00:34:26,680 Speaker 2: forward to enter and they all go, everyone who's entered 706 00:34:26,719 --> 00:34:29,879 Speaker 2: to say I'm up for this, we will have one 707 00:34:30,040 --> 00:34:34,840 Speaker 2: hundred and four grands. That's all four grands. When we 708 00:34:35,000 --> 00:34:38,520 Speaker 2: started this, we were just hoping we might might might 709 00:34:38,600 --> 00:34:41,720 Speaker 2: be able to get eight. One hundred and four grands 710 00:34:41,960 --> 00:34:44,160 Speaker 2: said I'm up for this, and we're saying to all 711 00:34:44,200 --> 00:34:47,239 Speaker 2: of them, come down please, I hope they all turn up. 712 00:34:47,560 --> 00:34:49,640 Speaker 2: Imagine that if there are one hundred and four grands 713 00:34:49,800 --> 00:34:52,080 Speaker 2: lined up waiting to kick the ball to see who 714 00:34:52,160 --> 00:34:53,880 Speaker 2: can kick at the furthest, They're all going to be 715 00:34:54,000 --> 00:34:55,719 Speaker 2: cheering each other on. We'll be cheering them all on 716 00:34:55,760 --> 00:34:57,759 Speaker 2: as well. You can come down and watch us at 717 00:34:57,800 --> 00:35:01,960 Speaker 2: the VU Wittenoval a week Saturday, nine days. 718 00:35:01,760 --> 00:35:03,000 Speaker 3: Time, ten a m. 719 00:35:03,320 --> 00:35:06,440 Speaker 2: Is when it's kickoff. Now. We do need some help 720 00:35:06,520 --> 00:35:09,239 Speaker 2: making it happen because obviously, as you appreciate, we had 721 00:35:09,320 --> 00:35:10,680 Speaker 2: no idea it was going to get this bag. We 722 00:35:10,719 --> 00:35:12,440 Speaker 2: didn't know one hundred went into one hundred and four 723 00:35:12,520 --> 00:35:14,839 Speaker 2: now and could it be one hundred and ten by 724 00:35:14,920 --> 00:35:17,440 Speaker 2: midnight tonight when the culp on is, who knows? Are 725 00:35:17,480 --> 00:35:21,239 Speaker 2: there any more grands left in Melbourne? Have we reached 726 00:35:21,239 --> 00:35:22,480 Speaker 2: saturation point? Peak? 727 00:35:22,640 --> 00:35:24,600 Speaker 3: Grand? Well, my auntie wanted to do it. I don't 728 00:35:24,600 --> 00:35:27,720 Speaker 3: know if there's something in terms and conditions where family 729 00:35:27,760 --> 00:35:29,799 Speaker 3: and friends can't win, but I told it's because there's 730 00:35:29,840 --> 00:35:31,400 Speaker 3: one thousand dollars up there. Yeah, I said that. 731 00:35:31,480 --> 00:35:34,200 Speaker 5: I don't know my mom can't do it, then she's 732 00:35:34,239 --> 00:35:34,880 Speaker 5: been practiced. 733 00:35:34,880 --> 00:35:36,919 Speaker 2: What's to say? Thank you very much to Pancake Parlor. 734 00:35:36,960 --> 00:35:39,080 Speaker 2: They've got involved. You'll be able to get your pancakes 735 00:35:39,080 --> 00:35:40,320 Speaker 2: if you're coming down to watch as well for a 736 00:35:40,400 --> 00:35:44,320 Speaker 2: limited time Pancake Parlor free kids meal with every adult 737 00:35:44,440 --> 00:35:46,520 Speaker 2: meal you get to limited offers, so check it out 738 00:35:46,560 --> 00:35:49,520 Speaker 2: while you can. They've actually sent them in this morning. 739 00:35:49,600 --> 00:35:52,759 Speaker 2: We've all got pancakes. It's actually will you irritate because 740 00:35:52,800 --> 00:35:54,960 Speaker 2: the songs you know you're tucking into it. 741 00:35:56,360 --> 00:35:58,960 Speaker 3: Thirty seconds left from b I might just stick on 742 00:35:59,040 --> 00:36:00,000 Speaker 3: stairway to heaven a minute. 743 00:36:00,080 --> 00:36:02,360 Speaker 2: You'll know why. This gives me enough time to go 744 00:36:02,400 --> 00:36:06,440 Speaker 2: to tourter and enjoy a pancake. All right, So we 745 00:36:06,520 --> 00:36:10,080 Speaker 2: need some help. Yesterday we got down the camera mount 746 00:36:10,080 --> 00:36:11,719 Speaker 2: because we need some extra people to help fil it. 747 00:36:11,960 --> 00:36:15,120 Speaker 2: We've got that, We've got security. We need face painters, 748 00:36:15,320 --> 00:36:17,319 Speaker 2: I think. Also hopefully family are going to come down 749 00:36:17,400 --> 00:36:19,239 Speaker 2: bringing kids along, not just with the kids to get 750 00:36:19,239 --> 00:36:21,200 Speaker 2: the old Butterfly and the Tiger. They only have those two, 751 00:36:21,239 --> 00:36:24,840 Speaker 2: don't they. So did the Butterfly the Tiger. I've not 752 00:36:24,920 --> 00:36:29,640 Speaker 2: seen a spider Man mai now have they? But I'm 753 00:36:29,719 --> 00:36:33,719 Speaker 2: thinking the grands get your war paint face one. You know, 754 00:36:33,800 --> 00:36:35,959 Speaker 2: if you're a fan of the Hawks, or if they're 755 00:36:35,960 --> 00:36:37,480 Speaker 2: going to barrack for someone, then they can get their 756 00:36:37,520 --> 00:36:39,959 Speaker 2: face painted up with the team's colors on their face. 757 00:36:40,280 --> 00:36:43,800 Speaker 2: So we need face painters. Also, we need a smoke machine. 758 00:36:44,600 --> 00:36:46,319 Speaker 3: Yeah, I still don't think that would work. 759 00:36:46,560 --> 00:36:50,279 Speaker 2: If you people in this life that have visions that 760 00:36:50,360 --> 00:36:53,400 Speaker 2: are visionaries, I can see them running out the tunnel. 761 00:36:53,440 --> 00:36:56,359 Speaker 2: What are they running through? A swirling mist? I'm there? 762 00:36:57,960 --> 00:36:59,920 Speaker 3: Oh, you're you're handling the. 763 00:37:01,719 --> 00:37:03,439 Speaker 2: Guy working with me as well as the whole team. 764 00:37:05,280 --> 00:37:07,200 Speaker 2: Put more coals in it, whatever you do to get it. 765 00:37:09,920 --> 00:37:12,040 Speaker 3: I don't know how they make that match, isn't it? 766 00:37:12,160 --> 00:37:13,880 Speaker 3: And then you go away for a one hundred grannies 767 00:37:13,920 --> 00:37:15,480 Speaker 3: to run through that. So you're holding that hose for 768 00:37:15,480 --> 00:37:15,880 Speaker 3: a long time. 769 00:37:15,960 --> 00:37:17,680 Speaker 2: Actually, yeah, they might run into each other. Might be 770 00:37:17,719 --> 00:37:19,759 Speaker 2: a nan pine on or something as well, because they 771 00:37:19,760 --> 00:37:22,000 Speaker 2: can't say where they got an email yesterday. You know 772 00:37:22,080 --> 00:37:25,240 Speaker 2: a word about security. Yep. This guy's a bingo caller, 773 00:37:25,320 --> 00:37:27,640 Speaker 2: so he's used to handling grands on mass. 774 00:37:27,680 --> 00:37:30,759 Speaker 3: He said they get rough, but has he got bound 775 00:37:30,760 --> 00:37:31,360 Speaker 3: through experience. 776 00:37:31,440 --> 00:37:33,400 Speaker 2: Well, he says, sometimes they do start getting a bit. 777 00:37:34,120 --> 00:37:37,120 Speaker 2: They have split them up. There have been incidents right 778 00:37:37,160 --> 00:37:39,520 Speaker 2: where they will square up to each other. I know 779 00:37:39,719 --> 00:37:42,799 Speaker 2: they It happens so often at Binker right. He says, 780 00:37:42,840 --> 00:37:44,759 Speaker 2: they have a protocol. He said, this is what you 781 00:37:44,880 --> 00:37:49,520 Speaker 2: guys need to do. He said, we bring out of 782 00:37:49,640 --> 00:37:51,879 Speaker 2: biscuits and tea and it calms in down. 783 00:37:52,440 --> 00:37:53,200 Speaker 3: So we need. 784 00:37:53,160 --> 00:37:55,600 Speaker 2: Biscuits and tea. We need like a tea. And so 785 00:37:55,640 --> 00:37:58,439 Speaker 2: if they start rocking or fighting or you know, giving 786 00:37:58,480 --> 00:38:01,160 Speaker 2: it a shoulder push that you're seeing in the ANFL games. Now, 787 00:38:02,200 --> 00:38:03,120 Speaker 2: I'll give you the queue. 788 00:38:03,160 --> 00:38:05,959 Speaker 3: You going, Jack, get the biscuits quick, right they kicking 789 00:38:06,040 --> 00:38:09,080 Speaker 3: off here. Just like when my dog's doing something bad 790 00:38:09,120 --> 00:38:11,000 Speaker 3: and I get the schmackers out and try and rattle 791 00:38:11,040 --> 00:38:11,399 Speaker 3: them around. 792 00:38:11,560 --> 00:38:13,160 Speaker 2: I think it's too aggressive as well. If I turn 793 00:38:13,239 --> 00:38:15,000 Speaker 2: up with my German shepherd dog as well, just in 794 00:38:15,120 --> 00:38:16,319 Speaker 2: case I need to go get her out the car. 795 00:38:16,520 --> 00:38:19,879 Speaker 3: Well, just by sheer numbers, one hundred grands, something's gonna happen. 796 00:38:20,280 --> 00:38:21,239 Speaker 3: Something's gonna happen. 797 00:38:21,239 --> 00:38:22,800 Speaker 2: It will, there'd be a rough one. And I'm not 798 00:38:22,880 --> 00:38:25,440 Speaker 2: just talking about maybe the pies ones, not mentioning any teens. 799 00:38:25,680 --> 00:38:28,040 Speaker 2: All right, so we need if there's anything you think 800 00:38:28,080 --> 00:38:30,640 Speaker 2: will make this even better as well, the day even bigger. 801 00:38:30,680 --> 00:38:33,240 Speaker 2: We need banner makers, please give us a call down. 802 00:38:33,160 --> 00:38:36,480 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 803 00:38:36,560 --> 00:38:37,000 Speaker 1: point three. 804 00:38:37,239 --> 00:38:39,640 Speaker 2: All right, So nine days ago. 805 00:38:40,120 --> 00:38:45,600 Speaker 12: Christian O'Connell Breakfast Shows, Grand final S Brand News kicking. Yes, 806 00:38:46,760 --> 00:38:49,640 Speaker 12: we're on the search for Melbourne's Grand with the longest kick. 807 00:38:50,280 --> 00:38:57,040 Speaker 2: Nine days to go, Go go, nine days ago until 808 00:38:57,120 --> 00:38:59,920 Speaker 2: the big Grand Final. Hopefully can come down chair all 809 00:39:00,080 --> 00:39:02,640 Speaker 2: the grands on At the moment, one one hundred and 810 00:39:02,800 --> 00:39:05,520 Speaker 2: four grands are going to be kicking. Steve can kick 811 00:39:05,560 --> 00:39:09,840 Speaker 2: them all the furthest a week Saturday Vu Whittenoble, great grounds. 812 00:39:09,880 --> 00:39:10,719 Speaker 2: It's gonna be great fun. 813 00:39:10,800 --> 00:39:12,480 Speaker 3: What are you actually going to be doing on the day, 814 00:39:12,520 --> 00:39:14,839 Speaker 3: because I'll be measuring who has the longest kick. It's 815 00:39:14,880 --> 00:39:17,720 Speaker 3: funny mentioned that you said you might run the smoke machine. 816 00:39:17,800 --> 00:39:18,160 Speaker 6: I am. 817 00:39:18,600 --> 00:39:20,120 Speaker 2: I'm going to get someone else to a smoke machine. 818 00:39:20,760 --> 00:39:23,520 Speaker 2: Probably get Huggy. I'm going to see Actually seriously, I'm 819 00:39:23,520 --> 00:39:25,640 Speaker 2: going to get Huggy to do the warm up. Apparently 820 00:39:25,640 --> 00:39:28,279 Speaker 2: he's great that kind of stuff, stretching in no, not that, 821 00:39:28,480 --> 00:39:30,840 Speaker 2: no no, no, no, no no. He's going to be 822 00:39:31,200 --> 00:39:33,480 Speaker 2: getting the crowd going and stuff like that. He's in 823 00:39:33,640 --> 00:39:36,719 Speaker 2: charge of the pre entertainment show. They have this at 824 00:39:36,760 --> 00:39:39,080 Speaker 2: the super Bowl, we will have at the Grand Final. 825 00:39:39,400 --> 00:39:41,400 Speaker 3: Don't put him up against the Life of Beyonce and 826 00:39:41,480 --> 00:39:41,880 Speaker 3: that kind of. 827 00:39:42,040 --> 00:39:43,799 Speaker 2: Yeah, it's it's more of a Janet Jackson. I think 828 00:39:43,800 --> 00:39:46,520 Speaker 2: we're going to have a wardrobe into simple Gate going 829 00:39:46,600 --> 00:39:48,200 Speaker 2: to go, okay, do you want to say that? But 830 00:39:48,239 --> 00:39:50,400 Speaker 2: perhaps he's happy that loose cannon put it into it. 831 00:39:50,440 --> 00:39:54,280 Speaker 2: To bio. So he's gonna do that. I am the ingest. 832 00:39:54,320 --> 00:39:56,520 Speaker 2: I'm going to be the compare the master of ceremonies. 833 00:39:56,520 --> 00:39:58,920 Speaker 2: You are the master of data capture. 834 00:39:59,120 --> 00:39:59,799 Speaker 3: Yep, what. 835 00:40:01,360 --> 00:40:02,719 Speaker 2: I think I need to wear us? Do we need 836 00:40:02,760 --> 00:40:07,400 Speaker 2: to get into this now? However, there was a very 837 00:40:07,440 --> 00:40:10,080 Speaker 2: important meeting yesterday. What I notice would either you nor 838 00:40:10,160 --> 00:40:12,080 Speaker 2: Pats were there about how this is all. 839 00:40:12,000 --> 00:40:13,560 Speaker 5: Going to work now? 840 00:40:14,239 --> 00:40:15,840 Speaker 2: I was heading into the meeting as I saw you 841 00:40:15,960 --> 00:40:19,640 Speaker 2: walking out the building, going see us sorry, And it 842 00:40:19,760 --> 00:40:21,800 Speaker 2: kept coming down to is Jack going to be okay 843 00:40:21,920 --> 00:40:23,799 Speaker 2: with this? And Jack will catch us. He's not even 844 00:40:23,880 --> 00:40:26,279 Speaker 2: the ear. The most important job on the day is 845 00:40:26,360 --> 00:40:29,400 Speaker 2: caturing how far the ball goes and bounces, first bounce 846 00:40:29,600 --> 00:40:30,240 Speaker 2: being measured. 847 00:40:30,440 --> 00:40:32,719 Speaker 3: You weren't there, so then they start going. 848 00:40:33,400 --> 00:40:35,640 Speaker 2: He will then shout out the information to the person 849 00:40:35,640 --> 00:40:37,480 Speaker 2: who's writing it all down. We've decided that's gonna be 850 00:40:37,520 --> 00:40:40,239 Speaker 2: Pats working with an unpineadjudicated and not there. 851 00:40:41,760 --> 00:40:43,680 Speaker 3: I can do that, yuh, just put it put it 852 00:40:43,760 --> 00:40:44,480 Speaker 3: all in an email. 853 00:40:48,120 --> 00:40:50,919 Speaker 2: Chaos awaits us. Everybody palls on the line. You're morning, Paul. 854 00:40:52,160 --> 00:40:55,200 Speaker 2: I'm pretty good, Paul. So our grand final what do 855 00:40:55,239 --> 00:40:57,239 Speaker 2: you do? What could you add to it, mate, We. 856 00:40:57,280 --> 00:40:59,879 Speaker 11: Couldn't add a unique delivery system for the ball. 857 00:41:00,239 --> 00:41:03,359 Speaker 3: Yeah, what do you mean bring it in from the sky? 858 00:41:04,239 --> 00:41:07,520 Speaker 2: How your skydiver? 859 00:41:08,239 --> 00:41:08,680 Speaker 11: That's right? 860 00:41:09,040 --> 00:41:11,160 Speaker 2: So what would you do? Release the ball? Sort of 861 00:41:11,200 --> 00:41:12,160 Speaker 2: one thousand feet? 862 00:41:18,680 --> 00:41:20,440 Speaker 3: You know there's one hundred games kicking as well, so 863 00:41:20,520 --> 00:41:21,960 Speaker 3: that's a lot of balls coming out the side of 864 00:41:21,960 --> 00:41:22,480 Speaker 3: the airplane. 865 00:41:25,120 --> 00:41:26,640 Speaker 2: So how can we can we really do this? 866 00:41:28,400 --> 00:41:31,279 Speaker 11: Well, we did air traffic control clearance, but I reckon 867 00:41:31,360 --> 00:41:32,480 Speaker 11: you can assist with that. 868 00:41:33,760 --> 00:41:36,279 Speaker 3: Well. So Paul, let me let me understand. Are you 869 00:41:36,400 --> 00:41:38,000 Speaker 3: really kicking the ball out of the plane or are 870 00:41:38,080 --> 00:41:41,680 Speaker 3: you you're coming not that accurate? 871 00:41:41,800 --> 00:41:42,560 Speaker 2: You're coming down. 872 00:41:47,719 --> 00:41:49,400 Speaker 3: I thought it was a low flying plane. Like we 873 00:41:49,440 --> 00:41:52,239 Speaker 3: would see him come in, we would give ball. You're 874 00:41:52,280 --> 00:41:54,120 Speaker 3: close enough that we give you the thumbs up, and 875 00:41:54,239 --> 00:41:55,520 Speaker 3: you cook it for the bors. 876 00:41:56,000 --> 00:42:01,160 Speaker 2: Open goes on in that brain or yours? Let's go 877 00:42:01,400 --> 00:42:03,759 Speaker 2: into the mind you know of Jack bost What goes 878 00:42:03,880 --> 00:42:06,840 Speaker 2: on in that brain as we got there? That's the 879 00:42:06,880 --> 00:42:09,040 Speaker 2: always the music that's on a loop in Jack's brain. 880 00:42:11,200 --> 00:42:13,479 Speaker 2: Open the cockpit window, I just get the old foot 881 00:42:13,520 --> 00:42:17,000 Speaker 2: out and they go. Guys coming down. 882 00:42:17,640 --> 00:42:20,080 Speaker 3: So Paul, my second guess would be you tack the 883 00:42:20,120 --> 00:42:22,400 Speaker 3: footy under your arm, you skydive. 884 00:42:22,360 --> 00:42:25,280 Speaker 11: Thing like that and we bring it down under a parachute. 885 00:42:25,680 --> 00:42:26,560 Speaker 2: That is incredible. 886 00:42:26,920 --> 00:42:29,040 Speaker 11: All the logistics are sort of We've got Aussie from 887 00:42:29,080 --> 00:42:31,839 Speaker 11: the Experience series looking after things on the ground, jump 888 00:42:31,880 --> 00:42:35,040 Speaker 11: out of the plane that normally drops skydivers over Sint 889 00:42:35,120 --> 00:42:38,720 Speaker 11: Kilda Harbor and then we bring. 890 00:42:38,640 --> 00:42:41,560 Speaker 3: Them ball in. So can you skydive anywhere? You just 891 00:42:41,600 --> 00:42:42,640 Speaker 3: got to get clearance for it. 892 00:42:43,200 --> 00:42:45,880 Speaker 2: Yeah, And how easy is it to get clearanced? Do 893 00:42:45,960 --> 00:42:47,400 Speaker 2: you think we could do this? And have we got 894 00:42:47,480 --> 00:42:48,399 Speaker 2: enough time? Nine days? 895 00:42:48,520 --> 00:42:51,399 Speaker 11: I reckon we've got enough peer pressure that they might 896 00:42:51,480 --> 00:42:52,200 Speaker 11: be able to help. 897 00:42:53,000 --> 00:42:54,480 Speaker 3: Who do you? Who do you apply to? 898 00:42:54,880 --> 00:42:58,719 Speaker 2: Eddie McGuire at the weekend, Eddie only looks off the pie. 899 00:42:58,840 --> 00:43:05,120 Speaker 2: He looks after all the planes the sky. They come 900 00:43:05,200 --> 00:43:08,920 Speaker 2: in Alpha Papa Lima one five to three westbound reduce 901 00:43:09,080 --> 00:43:10,880 Speaker 2: speech to five. Is any maguire bring any. 902 00:43:10,760 --> 00:43:14,880 Speaker 3: Indesfet Well, this is amazing, I can't believe. 903 00:43:15,239 --> 00:43:18,160 Speaker 2: So you'll jump out of the plane yep with the 904 00:43:18,239 --> 00:43:21,799 Speaker 2: ball yep and at some point you're the power chute 905 00:43:21,840 --> 00:43:25,000 Speaker 2: canopy will open, Yes, you will then as you call it, 906 00:43:25,280 --> 00:43:27,880 Speaker 2: coming into the ground to the witn Oval. You'll release 907 00:43:27,960 --> 00:43:29,719 Speaker 2: the ball so it drops in the middle of the pitch. 908 00:43:30,600 --> 00:43:33,319 Speaker 11: Oh, we can either drop a close or I can 909 00:43:33,560 --> 00:43:36,239 Speaker 11: just have it in a little pouch and hand it 910 00:43:36,360 --> 00:43:37,960 Speaker 11: over to the Master of ceremony. 911 00:43:38,040 --> 00:43:39,400 Speaker 3: Thank you, you've got a footy pouch. 912 00:43:40,280 --> 00:43:40,920 Speaker 11: I can make one. 913 00:43:41,400 --> 00:43:44,479 Speaker 2: Okay, this is incredible. We have to make this happen. 914 00:43:44,719 --> 00:43:45,400 Speaker 3: I can't believe it. 915 00:43:45,680 --> 00:43:48,560 Speaker 2: You know what, Paul, this is an amazing call. Thank 916 00:43:48,600 --> 00:43:50,479 Speaker 2: you so much for giving us a call this morning. 917 00:43:50,760 --> 00:43:54,440 Speaker 2: These grands deserve a start like this to the Grand Final. 918 00:43:54,560 --> 00:43:55,920 Speaker 3: So what do we have to do is people on 919 00:43:55,960 --> 00:43:57,680 Speaker 3: the ground. Do we have to make space for you? 920 00:43:57,760 --> 00:43:59,359 Speaker 10: Paul a little bit? 921 00:43:59,400 --> 00:44:00,600 Speaker 11: But we can all organize all that. 922 00:44:01,200 --> 00:44:03,080 Speaker 2: But you guys are pretty accurate, are there in terms 923 00:44:03,080 --> 00:44:04,000 Speaker 2: of where you land? 924 00:44:04,640 --> 00:44:07,319 Speaker 3: Yeah? Because be you watch out for somebody's making us 925 00:44:07,360 --> 00:44:10,239 Speaker 3: a one point five meters steel trophy. So don't you 926 00:44:11,320 --> 00:44:11,840 Speaker 3: landing on that? 927 00:44:12,200 --> 00:44:14,799 Speaker 2: You know? No, you pop the ball and I don't 928 00:44:14,840 --> 00:44:16,399 Speaker 2: mean that one, I mean the one, the match ball. 929 00:44:19,120 --> 00:44:20,879 Speaker 3: Well, I mean if we could do this, this would 930 00:44:20,880 --> 00:44:21,759 Speaker 3: be a sensational I know. 931 00:44:21,880 --> 00:44:23,680 Speaker 2: We have to make this happen. Okay, we just want 932 00:44:23,719 --> 00:44:26,319 Speaker 2: to work out does anyone know anyone who works at 933 00:44:26,400 --> 00:44:30,640 Speaker 2: air traffic Control? All right, that's our next question. Does 934 00:44:30,680 --> 00:44:33,919 Speaker 2: anyone know anyone? Does it? Mate? Yours work at air 935 00:44:34,040 --> 00:44:34,920 Speaker 2: traffic Control? 936 00:44:35,120 --> 00:44:38,480 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 937 00:44:38,560 --> 00:44:39,240 Speaker 1: point three. 938 00:44:41,560 --> 00:44:43,279 Speaker 3: Rex Springfield Jesse's Girl. 939 00:44:44,080 --> 00:44:46,719 Speaker 2: Could this be the song that gets badagam between now 940 00:44:46,840 --> 00:44:49,000 Speaker 2: and six o'clock and that's your chance to win ten 941 00:44:49,120 --> 00:44:49,880 Speaker 2: thousand dollars? 942 00:44:51,120 --> 00:44:54,200 Speaker 3: Yes, sorry, I shouldn't have done. I shouldn't have been 943 00:44:54,200 --> 00:44:56,000 Speaker 3: in charge of that because I've got a big voice. 944 00:44:56,239 --> 00:44:58,840 Speaker 2: It just makes me reconsider my whole decision to have 945 00:44:59,000 --> 00:45:01,000 Speaker 2: you as a guy that's fighting down where the ball 946 00:45:01,120 --> 00:45:04,960 Speaker 2: lines for the Grand Final. Chaos awaits us at the 947 00:45:05,080 --> 00:45:06,000 Speaker 2: Grand Final. 948 00:45:06,320 --> 00:45:09,200 Speaker 3: Yess this Girl will be repeated today by six pm. 949 00:45:09,560 --> 00:45:11,799 Speaker 2: Cool oko, good look everyone. Hopefully's a Breakfast Show winner 950 00:45:11,800 --> 00:45:14,759 Speaker 2: that gets to ten thousand dollars. All right, So Paul 951 00:45:14,880 --> 00:45:17,800 Speaker 2: just called in ten minutes ago. He's a skydiver. He 952 00:45:18,000 --> 00:45:20,800 Speaker 2: is up for throwing himself out of a plane and 953 00:45:20,920 --> 00:45:24,440 Speaker 2: then him landing in the middle of the vu Witnoval 954 00:45:24,680 --> 00:45:27,719 Speaker 2: with the ball the first ball that Grand number one 955 00:45:28,000 --> 00:45:28,960 Speaker 2: will kick one of. 956 00:45:29,000 --> 00:45:31,239 Speaker 3: One hundred and four for our Grand Final. So this 957 00:45:31,440 --> 00:45:33,800 Speaker 3: this would be amazing. He said, he's all clear to go, 958 00:45:33,960 --> 00:45:35,600 Speaker 3: he just needs clearance from air traffic. 959 00:45:35,760 --> 00:45:38,040 Speaker 2: His whole team they are ready to go. All we 960 00:45:38,120 --> 00:45:39,759 Speaker 2: need is clearance. I say, well we need like it's 961 00:45:39,760 --> 00:45:42,080 Speaker 2: a small thing. Now you need is clearance some air 962 00:45:42,160 --> 00:45:44,239 Speaker 2: traffic control. We all know how easy it is to 963 00:45:44,280 --> 00:45:46,239 Speaker 2: get that. So we're asking at the moment as we 964 00:45:46,320 --> 00:45:48,600 Speaker 2: try and make this happen on nine four one four 965 00:45:48,640 --> 00:45:50,839 Speaker 2: one oh four three? Do you know anyone who works 966 00:45:50,880 --> 00:45:54,080 Speaker 2: at air traffic control? Do we have an inn? David? 967 00:45:55,880 --> 00:45:56,279 Speaker 8: There going? 968 00:45:56,440 --> 00:45:58,360 Speaker 2: Oh listen, we're really excited. We're trying to make the 969 00:45:58,480 --> 00:46:01,560 Speaker 2: sky diving entrance happen, and the grands deserve it. We 970 00:46:01,640 --> 00:46:04,040 Speaker 2: all want it. David, do you know anyone who works 971 00:46:04,080 --> 00:46:06,440 Speaker 2: at air traffic control? I certainly do. 972 00:46:06,640 --> 00:46:08,880 Speaker 8: My silly little brothers one of the one of the 973 00:46:09,040 --> 00:46:12,719 Speaker 8: head to Unebergers that Toyle marine in ATC. He's been 974 00:46:12,800 --> 00:46:14,600 Speaker 8: there I think since the right brothers flew. 975 00:46:16,680 --> 00:46:18,719 Speaker 3: But if he's your little brother, then how did that 976 00:46:18,840 --> 00:46:19,080 Speaker 3: make you? 977 00:46:19,880 --> 00:46:24,520 Speaker 8: I'm a fossil. They don't be up in the dinosaur 978 00:46:24,600 --> 00:46:25,279 Speaker 8: digs years ago. 979 00:46:26,600 --> 00:46:30,800 Speaker 2: So younger brother then he's been working their years and 980 00:46:30,880 --> 00:46:32,080 Speaker 2: he's one of the big cheeses there. 981 00:46:32,560 --> 00:46:35,160 Speaker 8: Yeah, he is, He certainly is. His name is Derek. 982 00:46:35,239 --> 00:46:36,919 Speaker 8: He's been there, like I said, for one hundred years, 983 00:46:36,920 --> 00:46:40,759 Speaker 8: and he's a bit conservative side, don't know. I'm sure 984 00:46:40,760 --> 00:46:43,239 Speaker 8: you get him on side. But he's definitely worth it, 985 00:46:43,400 --> 00:46:45,680 Speaker 8: worth and ark and I'm sure he could probably put 986 00:46:45,760 --> 00:46:48,000 Speaker 8: in something there, put in a good word, or organize 987 00:46:48,080 --> 00:46:49,000 Speaker 8: or to do something for him. 988 00:46:50,760 --> 00:46:51,800 Speaker 2: I've got a better idea. 989 00:46:52,400 --> 00:46:53,360 Speaker 8: Yeah, you go ahead. 990 00:46:53,600 --> 00:46:56,000 Speaker 3: Would you David be able to ask your brother? 991 00:46:57,400 --> 00:46:57,520 Speaker 2: Oh? 992 00:46:57,600 --> 00:46:58,600 Speaker 8: I could probably ask him. 993 00:46:58,880 --> 00:47:01,040 Speaker 2: I mean he's your brother and also your big brother, 994 00:47:01,080 --> 00:47:03,000 Speaker 2: because there's always that sort of relation between little brother 995 00:47:03,080 --> 00:47:05,200 Speaker 2: big brother even as adults, isn't there you know? 996 00:47:05,719 --> 00:47:07,560 Speaker 8: Well, it's funny actually big brother. I mean he's two 997 00:47:07,640 --> 00:47:11,040 Speaker 8: years younger, but he's about six inches taller, and it 998 00:47:11,200 --> 00:47:12,840 Speaker 8: most of me feel a bit infurior. But anyway, I 999 00:47:12,960 --> 00:47:14,720 Speaker 8: got he got the heart and I've got the brains. 1000 00:47:14,880 --> 00:47:16,960 Speaker 2: Right. Is he at work? Now? 1001 00:47:18,000 --> 00:47:19,680 Speaker 8: I couldn't tell you. You have to give him a 1002 00:47:19,719 --> 00:47:21,879 Speaker 8: call and find out if he's at work. He can't 1003 00:47:21,920 --> 00:47:24,680 Speaker 8: be contacted the course because he's busy directing planes everywhere. 1004 00:47:24,680 --> 00:47:25,960 Speaker 2: Absolutely so, is it? 1005 00:47:26,040 --> 00:47:27,960 Speaker 3: Tullamarine Maine? 1006 00:47:28,040 --> 00:47:28,239 Speaker 9: Yep? 1007 00:47:28,520 --> 00:47:31,799 Speaker 2: Wow, I think there's someone else on the line as well, 1008 00:47:31,920 --> 00:47:35,040 Speaker 2: his brother. Now he's dropped off. All right, David, stay there, Okay, 1009 00:47:35,120 --> 00:47:36,560 Speaker 2: might see if we can see if we can get 1010 00:47:36,560 --> 00:47:37,680 Speaker 2: the number off you and give them a call. 1011 00:47:38,200 --> 00:47:40,640 Speaker 3: Okay, sure, hey listen, but thanks for calling in, David. 1012 00:47:41,560 --> 00:47:45,200 Speaker 1: Alright, buddy, The Christian O'Connell breakfast Show Melbourne's Gold one 1013 00:47:45,280 --> 00:47:46,200 Speaker 1: oh four point three. 1014 00:47:46,520 --> 00:47:49,400 Speaker 2: So this morning we're asking you which TV theme tune 1015 00:47:49,480 --> 00:47:59,000 Speaker 2: feels like the soundtrack to your life for me? So 1016 00:47:59,080 --> 00:48:01,640 Speaker 2: maybe might be staying on the You're thinking, what TV 1017 00:48:01,800 --> 00:48:05,960 Speaker 2: theme tune had this real downer? It's a beautiful theme tune. 1018 00:48:05,960 --> 00:48:08,000 Speaker 2: It was the end. They always played the end credits 1019 00:48:08,160 --> 00:48:11,799 Speaker 2: every episode of The Incredible Hulk Dr Bruce Banner when 1020 00:48:11,840 --> 00:48:14,920 Speaker 2: he walked away alone during the episode he would help 1021 00:48:14,960 --> 00:48:17,640 Speaker 2: people with his incredible strength when he halked it up, 1022 00:48:18,040 --> 00:48:19,320 Speaker 2: and then he would go back to the doctor and 1023 00:48:19,400 --> 00:48:21,080 Speaker 2: he was almost like he had something wrong with him. 1024 00:48:21,200 --> 00:48:24,799 Speaker 2: He felt ashamed and he just sorted off into the off, 1025 00:48:24,840 --> 00:48:27,000 Speaker 2: into the distance. As a kid watching it, I always 1026 00:48:27,000 --> 00:48:29,480 Speaker 2: felt so sighed for this lonely man. That's what this 1027 00:48:29,640 --> 00:48:31,040 Speaker 2: actual piece of music is called. 1028 00:48:31,400 --> 00:48:33,520 Speaker 3: And I didn't know until today that you identified so 1029 00:48:33,640 --> 00:48:37,480 Speaker 3: strongly with the incredible Hulk. I haven't yet seen your outbursts. 1030 00:48:37,680 --> 00:48:38,799 Speaker 3: I'm not made you mad yet. 1031 00:48:38,880 --> 00:48:39,279 Speaker 2: Give it time. 1032 00:48:39,360 --> 00:48:41,120 Speaker 3: Let's see what happens next time at the Grand Final 1033 00:48:41,160 --> 00:48:51,200 Speaker 3: when he got going. All right, So that's it for me. 1034 00:48:52,400 --> 00:48:53,279 Speaker 2: This is Jack's one. 1035 00:48:54,800 --> 00:48:56,759 Speaker 3: This is to get excited, to get pumped up every 1036 00:48:56,840 --> 00:48:58,680 Speaker 3: morning when I come in here. I know we have 1037 00:48:58,840 --> 00:48:59,680 Speaker 3: to be bright and. 1038 00:49:02,160 --> 00:49:06,879 Speaker 2: And you're that. Let's remember twenty minutes ago he asked 1039 00:49:06,920 --> 00:49:08,480 Speaker 2: a guy if you could kick a ball out of 1040 00:49:08,640 --> 00:49:18,520 Speaker 2: flying plane and then this is Pats. I love that. 1041 00:49:18,560 --> 00:49:19,360 Speaker 2: Perhaps you picked this. 1042 00:49:21,160 --> 00:49:22,000 Speaker 5: Twilight zone. 1043 00:49:22,200 --> 00:49:24,800 Speaker 2: Yeah, Pats is in the twilight zone. We never know 1044 00:49:25,000 --> 00:49:27,560 Speaker 2: which way, all right? So what's the TV theme tune 1045 00:49:27,600 --> 00:49:30,000 Speaker 2: for you? Who sums up the soundtrack to your life? 1046 00:49:30,120 --> 00:49:33,440 Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four 1047 00:49:33,520 --> 00:49:33,960 Speaker 1: point three. 1048 00:49:34,280 --> 00:49:36,759 Speaker 2: Right now they're asking which TV theme tune feels like 1049 00:49:36,840 --> 00:49:38,960 Speaker 2: the soundtrack to your life? 1050 00:49:39,160 --> 00:49:42,360 Speaker 3: And Marie, good morning, Good morning, Christian. How are you. 1051 00:49:42,719 --> 00:49:44,719 Speaker 2: I'm good Marie, and I hope you are as well 1052 00:49:44,760 --> 00:49:47,080 Speaker 2: this morning. So what's the TV theme tune for you? 1053 00:49:47,200 --> 00:49:52,520 Speaker 3: Mate? Definitely Hawaii Fiat. 1054 00:49:54,400 --> 00:49:57,120 Speaker 2: Great theme tune. So why is this the soundtrack to 1055 00:49:57,160 --> 00:50:01,719 Speaker 2: Your Life tell Us Summary, then Feet I was the up. 1056 00:50:01,800 --> 00:50:04,719 Speaker 3: Ten feet is basically me as soon as I get 1057 00:50:04,760 --> 00:50:08,440 Speaker 3: out of there and it's uninspected, solve. 1058 00:50:08,280 --> 00:50:11,399 Speaker 2: Problems and that's my day, a kick ass day every 1059 00:50:11,520 --> 00:50:15,160 Speaker 2: day with Amrie. It's the Amrie way pretty much. This 1060 00:50:15,360 --> 00:50:16,880 Speaker 2: was a great theme tune. You would have been too 1061 00:50:16,920 --> 00:50:17,840 Speaker 2: young against from Jackson. 1062 00:50:22,719 --> 00:50:25,000 Speaker 8: Jack is my absolute first love. 1063 00:50:25,280 --> 00:50:27,800 Speaker 2: Oh I bet, yeah, Yeah, there's a Then it's a 1064 00:50:27,880 --> 00:50:30,080 Speaker 2: it's a TV show now, isn't it? James Carn's sons 1065 00:50:30,080 --> 00:50:30,279 Speaker 2: in it. 1066 00:50:31,200 --> 00:50:35,640 Speaker 3: That's Alexa Laughlin from Australia. 1067 00:50:35,920 --> 00:50:40,719 Speaker 2: Wow, someone's a big fan. You follow it all? Yeah 1068 00:50:40,880 --> 00:50:43,480 Speaker 2: they do now? Yeah a Marie, thank you very much. 1069 00:50:43,520 --> 00:50:44,359 Speaker 2: You kill have a good day. 1070 00:50:46,520 --> 00:50:48,600 Speaker 3: When I asked they solved crimes, you said they do? 1071 00:50:48,719 --> 00:50:49,799 Speaker 3: Now what did they do before? 1072 00:50:50,080 --> 00:50:52,799 Speaker 2: Are they manager served? You know? Heather? 1073 00:50:53,920 --> 00:50:55,000 Speaker 3: Hello, Hello Heather. 1074 00:50:55,080 --> 00:50:56,400 Speaker 2: What's the theme tune for you? 1075 00:50:57,960 --> 00:50:59,920 Speaker 8: The theme tune is the Days of Air. 1076 00:51:06,320 --> 00:51:10,000 Speaker 1: Like Sands through the hour Glass saw the Days of 1077 00:51:10,120 --> 00:51:10,880 Speaker 1: our lives? 1078 00:51:13,200 --> 00:51:14,960 Speaker 2: Big sweeping theme tune. This You know what? 1079 00:51:15,080 --> 00:51:18,440 Speaker 3: This reminds me of taking a sick day home from school. 1080 00:51:18,560 --> 00:51:22,440 Speaker 3: And I used to love all the daytime programs until 1081 00:51:22,480 --> 00:51:24,600 Speaker 3: this came and I was like, this is this seems 1082 00:51:24,680 --> 00:51:28,000 Speaker 3: pretty boring. Even math class could be this. I reckon, 1083 00:51:29,960 --> 00:51:31,760 Speaker 3: But Heather, is the soundtrack to your life. 1084 00:51:32,600 --> 00:51:34,680 Speaker 8: It is or even named my son Bo. 1085 00:51:36,520 --> 00:51:38,359 Speaker 2: No way, that's amazing. 1086 00:51:40,800 --> 00:51:42,719 Speaker 3: I love that. That's great, Heather, have a good day, 1087 00:51:42,760 --> 00:51:45,080 Speaker 3: thanks to cooling the show. Thank you all. 1088 00:51:45,440 --> 00:51:47,960 Speaker 2: Take one, final one. We have to find time for 1089 00:51:48,040 --> 00:51:49,879 Speaker 2: this guy because this is one of my favorite TV 1090 00:51:50,000 --> 00:51:55,240 Speaker 2: theme tunes after the Lonely Man. Kevin, good morning, Good morning, Christian. 1091 00:51:55,239 --> 00:51:55,600 Speaker 11: How are you. 1092 00:51:55,760 --> 00:51:57,600 Speaker 2: I'm good. I'm excited to be playing at your one. 1093 00:51:57,680 --> 00:51:59,040 Speaker 2: So tell us about your theme tune. 1094 00:51:59,520 --> 00:52:01,560 Speaker 7: Well, I knew you'd like this because you're you're a 1095 00:52:01,600 --> 00:52:04,480 Speaker 7: similar vintage to me and from a similar similar place. 1096 00:52:04,520 --> 00:52:07,680 Speaker 7: I'm from London and you're from Winchester. And if you're 1097 00:52:07,680 --> 00:52:09,880 Speaker 7: gonna if you like the incredible Hope Music area and 1098 00:52:09,960 --> 00:52:12,440 Speaker 7: you've got a love of us, hogo. It's a bitter 1099 00:52:12,560 --> 00:52:14,759 Speaker 7: sweet sound at the end of a show where a 1100 00:52:14,880 --> 00:52:17,480 Speaker 7: lovely dog has helped out people. If he doesn't get angry. 1101 00:52:17,520 --> 00:52:19,880 Speaker 7: So he's a bit better than mister Banister, but he 1102 00:52:20,000 --> 00:52:22,600 Speaker 7: helps out people and he says there saved their lives 1103 00:52:22,680 --> 00:52:24,320 Speaker 7: and he's talked it all out He's act to be 1104 00:52:24,320 --> 00:52:29,719 Speaker 7: a more sophisticated version of blessing you know, yeah book 1105 00:52:29,800 --> 00:52:30,160 Speaker 7: as well. 1106 00:52:30,360 --> 00:52:33,479 Speaker 3: Yeah, but it's definitely more upbeat than the Incredible Hulk. 1107 00:52:36,120 --> 00:52:44,120 Speaker 3: It keeps un calm. That's where all oh, helpris don 1108 00:52:44,239 --> 00:52:44,640 Speaker 3: I make? 1109 00:52:45,239 --> 00:52:46,520 Speaker 1: I maybe a new prayers? 1110 00:52:47,080 --> 00:52:50,200 Speaker 3: Maybe tomorrow love turn around and up gone? 1111 00:52:50,600 --> 00:52:51,399 Speaker 2: What's together? Now? 1112 00:52:51,880 --> 00:52:52,799 Speaker 5: Maybe it's a love? 1113 00:52:54,000 --> 00:52:56,000 Speaker 3: Say this song from the dog's point of view? Is 1114 00:52:56,120 --> 00:52:57,400 Speaker 3: this the dog's monologue? 1115 00:52:57,520 --> 00:52:59,360 Speaker 2: The dog you need to imagine now same as he 1116 00:52:59,719 --> 00:53:02,880 Speaker 2: could hold. The dog is walking out of town. He 1117 00:53:03,000 --> 00:53:08,719 Speaker 2: saved another boy. There's been some amazing episodes. There was 1118 00:53:08,800 --> 00:53:12,040 Speaker 2: one where Hobo little as Hobo mash to get a 1119 00:53:12,200 --> 00:53:17,560 Speaker 2: criminal to confess to murder. Joke, right, you know what, 1120 00:53:19,160 --> 00:53:20,960 Speaker 2: we all find time on the show, and that's got 1121 00:53:21,000 --> 00:53:23,759 Speaker 2: of shows. I will go through our get up Wikipedia, right, 1122 00:53:23,800 --> 00:53:27,080 Speaker 2: they've got exhaustive episode guide to Little Hobo. Some of 1123 00:53:27,120 --> 00:53:28,920 Speaker 2: the episodes are hilarious. 1124 00:53:29,360 --> 00:53:31,680 Speaker 3: That's been so amazing talking dog was he no? 1125 00:53:31,920 --> 00:53:32,600 Speaker 9: It do? 1126 00:53:33,400 --> 00:53:33,440 Speaker 5: So? 1127 00:53:33,560 --> 00:53:35,480 Speaker 3: How do you get a criminal to confess? 1128 00:53:35,680 --> 00:53:39,080 Speaker 2: Well, because he's Hobo, that's the bats is telepathy. But 1129 00:53:39,160 --> 00:53:40,600 Speaker 2: do you think we should end every show with this? 1130 00:53:42,320 --> 00:53:44,800 Speaker 3: Goodbye back tomorrow morning? 1131 00:53:44,880 --> 00:53:48,480 Speaker 2: We got Phil Collins tickets at seven point thirty. Hey, miss, 1132 00:53:48,520 --> 00:53:49,920 Speaker 2: we've got going to be on talking about how much 1133 00:53:49,920 --> 00:53:53,000 Speaker 2: he loves weeks and how he loves to saddle up 1134 00:53:53,000 --> 00:53:55,280 Speaker 2: and ride. That's where. 1135 00:53:57,640 --> 00:53:58,840 Speaker 5: Every stunk. 1136 00:53:59,239 --> 00:54:01,239 Speaker 2: It's a good mind it It's a good way to 1137 00:54:01,400 --> 00:54:03,439 Speaker 2: end the show. Kevin, thank you very much for bringing 1138 00:54:03,440 --> 00:54:06,640 Speaker 2: it up. Thanks Christian, Okay, Thanksgivin. It was like I've 1139 00:54:06,640 --> 00:54:07,440 Speaker 2: got a friend there everyone. 1140 00:54:07,880 --> 00:54:11,799 Speaker 1: The Christian O'Connell Breakfast Show's Gold one oh four point three. 1141 00:54:15,560 --> 00:54:18,200 Speaker 2: So at some point between now and six o'clock tonight 1142 00:54:18,239 --> 00:54:20,759 Speaker 2: with Gavin Minner on God one I four point three, 1143 00:54:20,920 --> 00:54:22,560 Speaker 2: Jesse's Girl Like Past has said it is going to 1144 00:54:22,560 --> 00:54:25,319 Speaker 2: be played again. I mean the chance have been playing 1145 00:54:25,360 --> 00:54:28,600 Speaker 2: for the next hour with us after wippened last week 1146 00:54:28,760 --> 00:54:32,120 Speaker 2: we had a Friday Winner and the f bomb. You remember, Yeah, 1147 00:54:32,280 --> 00:54:35,680 Speaker 2: we're going to be frozen out. I don't think they 1148 00:54:35,760 --> 00:54:38,800 Speaker 2: trusted him that we're frozen out? All right, Today's that 1149 00:54:38,960 --> 00:54:42,279 Speaker 2: work time waste ruin a TV show. We're asking to 1150 00:54:42,400 --> 00:54:48,520 Speaker 2: ruin a TV show. Gimp My Bride, Gimp My Bride, 1151 00:54:51,480 --> 00:54:53,120 Speaker 2: Pimped My Bride and that was a huge show for 1152 00:54:53,200 --> 00:54:57,040 Speaker 2: while this is Gimp My Bride the O J. Simpsons 1153 00:54:58,600 --> 00:55:00,560 Speaker 2: and Malcolm in the midd least. 1154 00:55:03,480 --> 00:55:05,160 Speaker 3: There Gold, all right, what have you got? 1155 00:55:05,280 --> 00:55:05,480 Speaker 2: Jack? 1156 00:55:07,000 --> 00:55:08,000 Speaker 3: Married the children? 1157 00:55:08,960 --> 00:55:09,120 Speaker 2: Oh? 1158 00:55:10,160 --> 00:55:16,320 Speaker 3: What's the brief? What's the brief? 1159 00:55:16,560 --> 00:55:16,680 Speaker 8: Right? 1160 00:55:16,880 --> 00:55:17,200 Speaker 2: All right? 1161 00:55:17,320 --> 00:55:24,560 Speaker 3: Rodney Rude, the walking dud that's family friendly but boring, 1162 00:55:26,160 --> 00:55:27,880 Speaker 3: and Glee becomes ugly. 1163 00:55:34,160 --> 00:55:36,759 Speaker 2: Open the studio window, please for a whiff from those? 1164 00:55:36,920 --> 00:55:39,000 Speaker 2: All right, send us yours, then with asking you to 1165 00:55:39,160 --> 00:55:42,040 Speaker 2: ruin a TV show Texas now, oh four seven five 1166 00:55:42,440 --> 00:55:45,400 Speaker 2: three one oh four three one. Then we'll get tickets 1167 00:55:45,440 --> 00:55:48,240 Speaker 2: to go to the big New Disney movie, the Christopher 1168 00:55:48,320 --> 00:55:51,239 Speaker 2: Robin movie. Oh four seven five O three one one 1169 00:55:51,280 --> 00:55:52,040 Speaker 2: O four three, The. 1170 00:55:52,120 --> 00:55:56,040 Speaker 1: Christian O'Connell breakfast show, Men's Gold one oh four point three. 1171 00:55:56,120 --> 00:55:58,719 Speaker 2: Sign up for Jack to mark your at work time 1172 00:55:58,760 --> 00:56:04,879 Speaker 2: wasters today and a TV show How I Hate Your Mother? 1173 00:56:06,160 --> 00:56:13,000 Speaker 2: Good civil plus that's Lisa. Just root me what some 1174 00:56:13,440 --> 00:56:14,920 Speaker 2: erin in Mount Even. 1175 00:56:23,320 --> 00:56:23,560 Speaker 3: Park? 1176 00:56:23,680 --> 00:56:24,480 Speaker 2: Some pro creation? 1177 00:56:24,760 --> 00:56:25,120 Speaker 1: What is that? 1178 00:56:26,560 --> 00:56:28,520 Speaker 2: We've got the old the frown. 1179 00:56:28,320 --> 00:56:34,240 Speaker 3: On, Yes, yeah, is in the studio? Who said nipple 1180 00:56:34,440 --> 00:56:35,200 Speaker 3: an our and a half ago? 1181 00:56:36,640 --> 00:56:37,840 Speaker 2: Park? Some pro creation? 1182 00:56:38,440 --> 00:56:41,799 Speaker 3: That's a nicer way to say, Just route me gold 1183 00:56:41,840 --> 00:56:44,640 Speaker 3: plus guess the second Merchant myth Busters. 1184 00:56:46,360 --> 00:56:49,480 Speaker 2: Silver the blockage. I was trying to think of one 1185 00:56:49,520 --> 00:56:51,839 Speaker 2: for the block that's that's that's that's good, that's good 1186 00:56:51,920 --> 00:56:54,640 Speaker 2: gold breaking bad wind for brand. 1187 00:56:54,560 --> 00:56:57,840 Speaker 3: No I actually passed. I passed over my where's he 1188 00:56:57,960 --> 00:56:58,439 Speaker 3: gone again? 1189 00:56:58,480 --> 00:56:59,960 Speaker 2: The middle of the show, after the tour. 1190 00:57:00,400 --> 00:57:02,320 Speaker 3: I think now he goes to do those bad farts 1191 00:57:02,400 --> 00:57:04,400 Speaker 3: in a different room, in a different part of the building. 1192 00:57:04,440 --> 00:57:07,920 Speaker 2: Honestly, you know what we need to do an interpension. 1193 00:57:08,040 --> 00:57:10,480 Speaker 3: We need to get a doctor to sort out his problem. 1194 00:57:11,560 --> 00:57:12,000 Speaker 5: Breakfast. 1195 00:57:12,280 --> 00:57:14,520 Speaker 2: He's been I've been counterack. He's been to tour about 1196 00:57:14,520 --> 00:57:15,000 Speaker 2: eight times. 1197 00:57:15,360 --> 00:57:16,800 Speaker 3: This is unfit like, it's unfair. 1198 00:57:16,840 --> 00:57:19,120 Speaker 2: But listening, it's going to be on your news all right, 1199 00:57:19,120 --> 00:57:20,240 Speaker 2: they're going to be blocking. 1200 00:57:20,000 --> 00:57:20,600 Speaker 3: Up that yarra. 1201 00:57:21,160 --> 00:57:23,040 Speaker 5: You know what it's like when your pipes are old. 1202 00:57:23,080 --> 00:57:27,000 Speaker 2: Though it's a bit laky, and you know, god, poor man, 1203 00:57:27,160 --> 00:57:29,280 Speaker 2: he's not yet even hear us. 1204 00:57:29,320 --> 00:57:32,240 Speaker 3: He's bumbled back alright. So we got breaking bad win. 1205 00:57:32,320 --> 00:57:37,200 Speaker 3: That's some Sarah and fitzro La Coleslaw. What's that? 1206 00:57:37,840 --> 00:57:40,400 Speaker 2: I guess La Law be a law show, So I 1207 00:57:40,480 --> 00:57:44,000 Speaker 2: love that. But Jimmy Smith's from Luke and Nooser Puffy 1208 00:57:44,160 --> 00:57:45,480 Speaker 2: the Vampire Sprayer. 1209 00:57:47,240 --> 00:57:48,720 Speaker 3: No I didn't like the spray a bit silver. 1210 00:57:48,920 --> 00:57:52,720 Speaker 2: Now, how I left your mother? That's good gold Dr pooh, 1211 00:57:54,320 --> 00:57:58,560 Speaker 2: about eighty seven of those through a collective gold plus 1212 00:57:58,680 --> 00:58:00,200 Speaker 2: for all of those, all right, one of the he's 1213 00:58:00,200 --> 00:58:02,000 Speaker 2: got to give the tickets. Then Disney've got this bignie 1214 00:58:02,040 --> 00:58:05,920 Speaker 2: movie called Christopher Robin. Uh. It's out now in cinemas. 1215 00:58:06,560 --> 00:58:07,120 Speaker 2: Who's going. 1216 00:58:07,560 --> 00:58:09,360 Speaker 3: I can only think of the just shoot me one 1217 00:58:10,000 --> 00:58:11,400 Speaker 3: and we don't want to talk about it anymore. 1218 00:58:11,480 --> 00:58:15,160 Speaker 2: Okay, So they get that one. That is from Lisa. Lisa, 1219 00:58:15,240 --> 00:58:16,160 Speaker 2: you're off to see the movie. 1220 00:58:16,360 --> 00:58:19,960 Speaker 1: Enjoy the Christian O'Connell Breakfast Show Melbourne's Gold one oh 1221 00:58:20,080 --> 00:58:20,800 Speaker 1: four point three? 1222 00:58:21,080 --> 00:58:23,600 Speaker 3: How many days ago until the big Grand Final. 1223 00:58:24,360 --> 00:58:29,800 Speaker 12: Christian O'Connell Breakfast Show's Grand Final said, grand new kick it. Yes, 1224 00:58:30,960 --> 00:58:33,880 Speaker 12: we're on the search for Melbourne's grind with the longest kick. 1225 00:58:34,520 --> 00:58:38,000 Speaker 2: Nine days to go, Go go, you hurt the man, 1226 00:58:38,080 --> 00:58:40,240 Speaker 2: you know, Ryan, it is nine days ago. We had 1227 00:58:40,280 --> 00:58:43,400 Speaker 2: a cool this morning from Paul, a skydiver who is 1228 00:58:43,560 --> 00:58:46,360 Speaker 2: up for throwing himself out of a plane with a 1229 00:58:46,480 --> 00:58:50,200 Speaker 2: ball landing at the vu Whitten Oval and a parachute. 1230 00:58:50,680 --> 00:58:52,000 Speaker 2: Now he's just going to land on the pitch. 1231 00:58:53,200 --> 00:58:56,040 Speaker 3: We all have to catch him. One hundred grands will 1232 00:58:56,080 --> 00:58:56,760 Speaker 3: break his form. 1233 00:58:56,880 --> 00:58:59,360 Speaker 2: That's be like a giant blanket for him. We will 1234 00:58:59,400 --> 00:58:59,720 Speaker 2: catch you. 1235 00:58:59,760 --> 00:58:59,920 Speaker 1: Four. 1236 00:59:00,960 --> 00:59:03,280 Speaker 2: We just need to clear it with small matter. Just 1237 00:59:03,360 --> 00:59:05,800 Speaker 2: cleared up with air traffic control, so it's all building 1238 00:59:05,840 --> 00:59:08,720 Speaker 2: at the moment cut up point midnight tonight for the 1239 00:59:08,800 --> 00:59:12,000 Speaker 2: grands to enter. One hundred and eight grands are up 1240 00:59:12,080 --> 00:59:14,840 Speaker 2: for this. Thank you very much the Pancake Parlor as 1241 00:59:14,880 --> 00:59:17,720 Speaker 2: well for getting on board and being our official Grand 1242 00:59:17,920 --> 00:59:18,920 Speaker 2: Match Day sponsor. 1243 00:59:19,360 --> 00:59:21,040 Speaker 3: At the moment, they do not forget it's a free 1244 00:59:21,160 --> 00:59:23,200 Speaker 3: kid's mill. One free kid's mill. 1245 00:59:23,360 --> 00:59:25,720 Speaker 2: With every grown up meal you buy a Pancake Pilot 1246 00:59:25,840 --> 00:59:28,360 Speaker 2: limited edition offer, so make sure you take it while 1247 00:59:28,400 --> 00:59:30,840 Speaker 2: you can. Now one of the one hundred and eight 1248 00:59:30,960 --> 00:59:35,120 Speaker 2: grands that's entered is on the line right now. She's 1249 00:59:35,160 --> 00:59:37,040 Speaker 2: no ordinary grand Good morning, Liz. 1250 00:59:37,000 --> 00:59:39,280 Speaker 3: Jones, Good morning Christian. 1251 00:59:39,760 --> 00:59:43,880 Speaker 2: Now this is exciting because you're actually so your mum 1252 00:59:44,160 --> 00:59:47,280 Speaker 2: to Nathan Jones, Yes, I am, and Zach. 1253 00:59:47,840 --> 00:59:49,360 Speaker 10: I've got three beautiful sums. 1254 00:59:49,520 --> 00:59:55,520 Speaker 2: Yeah, Nathan, Zach and Josh. Now obviously Nathan in action 1255 00:59:55,640 --> 00:59:56,760 Speaker 2: tomorrow night. You excited. 1256 00:59:57,640 --> 00:59:59,760 Speaker 5: I am very excited, very excited. 1257 01:00:00,040 --> 01:00:02,520 Speaker 2: Now I've only been in Melbourne five months this and 1258 01:00:02,840 --> 01:00:05,280 Speaker 2: these are my team, so I can't wait for tomorrow. 1259 01:00:05,440 --> 01:00:08,680 Speaker 2: Do you think we're going to win? Yes, yeah, we're 1260 01:00:08,720 --> 01:00:09,120 Speaker 2: going to win. 1261 01:00:09,240 --> 01:00:09,640 Speaker 3: I reckon. 1262 01:00:10,560 --> 01:00:12,600 Speaker 7: I think if they do what they did last week 1263 01:00:12,680 --> 01:00:15,200 Speaker 7: and probably kicked straight, I think we've got a good chance. 1264 01:00:15,960 --> 01:00:17,840 Speaker 2: And is your boy fit? Is he looking forward to 1265 01:00:17,920 --> 01:00:18,200 Speaker 2: the game. 1266 01:00:19,120 --> 01:00:22,000 Speaker 10: He's very very excited, very very excited and. 1267 01:00:22,120 --> 01:00:23,760 Speaker 2: Ready to go. Liz. 1268 01:00:23,840 --> 01:00:26,080 Speaker 3: Have you seen the mural that they did of Nathan 1269 01:00:26,160 --> 01:00:28,320 Speaker 3: Jones in I think it's in hose E Lane in 1270 01:00:28,360 --> 01:00:28,720 Speaker 3: the city. 1271 01:00:29,600 --> 01:00:29,800 Speaker 9: Yeah. 1272 01:00:29,840 --> 01:00:33,760 Speaker 7: I did actually a little bit when I actually look 1273 01:00:33,840 --> 01:00:36,440 Speaker 7: back at the photo that was taken and I actually 1274 01:00:36,800 --> 01:00:39,560 Speaker 7: could see that, Yes, that was Nathan from a distance. 1275 01:00:39,640 --> 01:00:41,560 Speaker 8: You probably thought you wasn't. 1276 01:00:43,720 --> 01:00:45,960 Speaker 3: But you don't think they got his facial features correct? 1277 01:00:46,760 --> 01:00:50,840 Speaker 2: Not quite spoken? True, Mum, that's not my Nathan. I 1278 01:00:51,040 --> 01:00:54,360 Speaker 2: know my Nathan. They should have got you to do 1279 01:00:54,440 --> 01:00:57,520 Speaker 2: it this. Now listen to this. 1280 01:00:57,880 --> 01:01:02,240 Speaker 10: When you actually looked at the photo, his facial expression. 1281 01:01:01,800 --> 01:01:02,480 Speaker 7: World worth that. 1282 01:01:04,480 --> 01:01:06,160 Speaker 2: How far do you think you are going to kick 1283 01:01:06,200 --> 01:01:07,960 Speaker 2: the ball? So, first of all, thank you very much 1284 01:01:08,000 --> 01:01:09,680 Speaker 2: for getting involved, But how far do you think you 1285 01:01:09,720 --> 01:01:11,440 Speaker 2: can kick it? Oh? 1286 01:01:11,520 --> 01:01:15,479 Speaker 4: Well, I went practicing last night with my partner Jamie Urso, 1287 01:01:16,360 --> 01:01:19,960 Speaker 4: who used to play for Melbourne, and he was giving. 1288 01:01:19,760 --> 01:01:23,000 Speaker 8: Me a couple of tips and I think I probably 1289 01:01:23,120 --> 01:01:24,680 Speaker 8: hit it about thirty meters. 1290 01:01:25,320 --> 01:01:27,680 Speaker 3: That's amazing for a first go, and then you can 1291 01:01:27,720 --> 01:01:30,680 Speaker 3: improve that. There's still nine days of training ahead of you. 1292 01:01:31,040 --> 01:01:32,880 Speaker 11: Yeah, every day I'm going to train. 1293 01:01:32,960 --> 01:01:36,480 Speaker 2: Now, Well, listen, we need a nickname, your kind of 1294 01:01:36,760 --> 01:01:39,800 Speaker 2: kicking nickname. What's yours going to be? Liz Well, it's 1295 01:01:39,840 --> 01:01:44,080 Speaker 2: going to have to be Jones Jonesy, All right, Jonesy. Well, listen, 1296 01:01:44,160 --> 01:01:47,120 Speaker 2: we'll see you a week Saturday at the wit and Oval. 1297 01:01:47,200 --> 01:01:50,200 Speaker 2: Good luck, Thank you very much, and listen, come on 1298 01:01:50,280 --> 01:01:50,760 Speaker 2: the d's. 1299 01:01:51,520 --> 01:01:54,000 Speaker 3: Yeah, god, thank you very much. 1300 01:01:54,120 --> 01:01:54,880 Speaker 2: Let's have a good day. 1301 01:01:55,480 --> 01:01:58,720 Speaker 1: Thank you by by the Christian O'Connell Breakfast show Melbourne's 1302 01:01:58,760 --> 01:01:59,880 Speaker 1: Gold one oh four boy. 1303 01:02:00,520 --> 01:02:03,000 Speaker 2: So earlier we were talking about which TV theme tune 1304 01:02:03,760 --> 01:02:06,280 Speaker 2: sums up your life, could be the soundtrack to your life, 1305 01:02:06,320 --> 01:02:08,720 Speaker 2: and was reminded what great TV theme tune this is. 1306 01:02:10,920 --> 01:02:13,000 Speaker 2: So we're going to end every show. This is our 1307 01:02:13,120 --> 01:02:16,120 Speaker 2: outro music everyone, as we say goodbye to everyone. Hick 1308 01:02:16,160 --> 01:02:19,160 Speaker 2: He's coming up next. Don't forget ten thousand dollars must 1309 01:02:19,240 --> 01:02:22,280 Speaker 2: go today when you hear Rick Sprenfield. 1310 01:02:21,760 --> 01:02:23,920 Speaker 3: Jesse's Girl, that's your chance to call in and win. 1311 01:02:24,360 --> 01:02:25,320 Speaker 3: Tomorrow morning our show. 1312 01:02:25,360 --> 01:02:28,240 Speaker 2: Then Friday morning, last pair of tickets, ten weeks of 1313 01:02:28,280 --> 01:02:30,800 Speaker 2: tickets kicks off this week and this week call that 1314 01:02:30,880 --> 01:02:33,160 Speaker 2: Phil Connins, last pair of Field Connors tickets. Seven thirty 1315 01:02:33,240 --> 01:02:36,520 Speaker 2: to Our morning, the last round and the mouth comes back. 1316 01:02:36,640 --> 01:02:38,640 Speaker 2: They are back and they need to be bigger and 1317 01:02:38,720 --> 01:02:40,560 Speaker 2: better than what the stink that went down at seven 1318 01:02:40,720 --> 01:02:44,600 Speaker 2: thirty today we're not talking about our producer Brad and also. 1319 01:02:45,120 --> 01:02:49,000 Speaker 3: Hamish mcgochlin is on. He's got some brand new drawings 1320 01:02:49,000 --> 01:02:52,920 Speaker 3: he's been doing over the week off winks. Are we 1321 01:02:53,000 --> 01:02:54,680 Speaker 3: doing this music every day or just today? 1322 01:02:54,800 --> 01:02:54,840 Speaker 10: No? 1323 01:02:55,000 --> 01:02:56,840 Speaker 3: Every day for now when we have show every day 1324 01:02:57,360 --> 01:03:00,720 Speaker 3: and title today's show is can You Kick a Ball 1325 01:03:01,040 --> 01:03:02,880 Speaker 3: out of a plane? Bye bye everyone. 1326 01:03:03,080 --> 01:03:06,439 Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four 1327 01:03:06,480 --> 01:03:06,960 Speaker 1: point three