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Speaker 1: Did you lie about your injury because you were embarrassed

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Speaker 1: about how you got it? So this is from a story.

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Speaker 1: It's gonna be the worst story of the year.

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Speaker 2: But I feel sorry for the child.

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Speaker 1: A child got burnt virus celery stick, so clary is

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Speaker 1: quite cooling.

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Speaker 2: Yeah, you would have thought so.

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Speaker 1: So anyway, he had a tooth coming through. His parents

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Speaker 1: chuck him outside with a bit of celery something to

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Speaker 1: chew on. Great idea.

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Speaker 2: Celery is good for that sort of gear.

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Speaker 1: Anyway, the juice of the vegetable mixes with the sun's rays,

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Speaker 1: causing phyto photo dermatitis, which is a skin like burn

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Speaker 1: around the child's mouth, which apparently you can get such

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Speaker 1: bad scars that you know, you can have those scars

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Speaker 1: for a very long time.

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Speaker 2: Oh dance right.

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Speaker 1: But I just kept thinking, like the child, you know,

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Speaker 1: it's got this awful burn around its mouth. It can't

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Speaker 1: rock up to kindergarten and admit to everybody that had

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Speaker 1: got burnt with a bit of salary.

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Speaker 2: Oh no, it's embarrassing, he laughed. Playground shocking set up.

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Speaker 3: What would you go for though? So you've effectively got

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Speaker 3: a rash around your mouth. If you if you're trying

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Speaker 3: to come up with a cover of reason as to

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Speaker 3: how that happens. Yes, take yourself there, you're in the kindergarten.

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Speaker 3: Tommy's walked up to you.

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Speaker 1: How did you get around your mouth? I think I

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Speaker 1: have to be putting my mouth around something. Yeah, and

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Speaker 1: I think this is an area I'm going to walk

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Speaker 1: away from it.

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Speaker 2: Okay, yeah, not fair enough.

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Speaker 3: I've got an example of an embarrassing injury then that

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Speaker 3: that I I had to lie about this for a

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Speaker 3: long time. You were actually there when I when I

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Speaker 3: sustained the injury. I don't even know what it was,

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Speaker 3: but some sort of party and some it's just idiot

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Speaker 3: host brought out hot pies like this is fresh out

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Speaker 3: of the oven hot pies. Now it is just moronic.

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Speaker 3: And I'm going to say her full name, Danny Shuey.

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Speaker 3: If you're there, you go back. So she just brings

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Speaker 3: out these hot pies, ridiculous, absolutely piping. Now you know,

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Speaker 3: I was a sucker for a hot pie back in

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Speaker 3: the day, So like grab one of those hot pies

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Speaker 3: immediately and bit straight into it, and like like like

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Speaker 3: Mount Vesuvius, the the the hot meat from the pipe

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Speaker 3: burst through the roof of the pie as I bit in.

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Speaker 1: Did you explain though, that your nose sort of operates

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Speaker 1: like one of those I don't think we needed to

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Speaker 1: say this, like an awning over a back deck like

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Speaker 1: it's it really does covers a lot of ground.

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Speaker 3: I've got a bit of a beak on my nose,

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Speaker 3: so so the tip of my nose took the brunt

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Speaker 3: of the meat bursting out of the roof of the

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Speaker 3: hot pie. And then for I'm going to say five weeks,

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Speaker 3: I had just this huge scab on the end of

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Speaker 3: my nose, which and I never wanted to tell.

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Speaker 4: People the real stories, so I'm pretty sure what I

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Speaker 4: went for was bike accident and somehow falling off of

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Speaker 4: buying only my nose off the gray.

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Speaker 1: Rachel's cold, Rachel, you lied about You lied about an injury.

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Speaker 5: I did. Yeah, So I actually fractured my fema while

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Speaker 5: overseas on a trip second day, and I literally just

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Speaker 5: broke it by thought like slipping on wet grass.

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Speaker 1: You fractured your femur by slipping on wet grass.

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Speaker 5: Yeah, terrible story, so of course I had to make

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Speaker 5: it up. I told people it was a soccer Grand

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Speaker 5: final last all. Another time I said it. You know,

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Speaker 5: it was a horse competition and I fell off my horse.

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Speaker 2: Horse competition? Would ride horses?

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Speaker 5: Just did.

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Speaker 1: The believable there, Rachel, because people know you're talking ship

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Speaker 1: when you rock up and you're like wrestling a lion.

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Speaker 2: Yeah.

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Speaker 1: Yeah, just keep it within the realms of believability and

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Speaker 1: people won't ask any more questions. Just so you fell over.

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Speaker 2: No, that's embarrassing.

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Speaker 3: I think four of the horses good, But don't make

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Speaker 3: it the Grand Final or the Olympic Equestrian or whatever.

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Speaker 6: Let's go.

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Speaker 1: You came here and tell me you fell off a horse.

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Speaker 2: And I don't ride horses. She owns them.

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Speaker 1: Kaylee, Kaylie, you lied about an injury. Actually, Kaylee, you

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Speaker 1: know the way we're going to do this if you

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Speaker 1: can tell me what you lie was first, and then

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Speaker 1: I want to find out what the real story was

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Speaker 1: after that.

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Speaker 7: Okay. So I told people that I just bit my

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Speaker 7: lip really hard and that's why I had a scab

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Speaker 7: and it was puffy.

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Speaker 2: Okay, So what really happened.

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Speaker 7: I was staying at my name's house and she tucks

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Speaker 7: the sheets in so hard when I laid down in

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Speaker 7: bed and went to pull the sheets up really hard.

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Speaker 7: So they weren't touched in anymore. I punched myself in

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Speaker 7: the path.

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Speaker 2: She's so good.

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Speaker 1: Haha.

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Speaker 2: Oh that's not really funny, Jeseson, tell you what.

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Speaker 1: It's a testament to a nantuch shape, though, isn't it.

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Speaker 2: Those things The mattress in the.

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Speaker 1: Base is basically a vice. Yeah, I know. It was good,

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Speaker 1: like a hotel beds.

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Speaker 2: Sometimes you're like, he it's a hazard.

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Speaker 1: Obviously you can have a hundred bucks of spent red rooster.

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Speaker 2: It's very funny.

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Speaker 1: Called Abby's called on thirty one and sixty five Abby Again.

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Speaker 1: We'll start with the lie that you were peddling about

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Speaker 1: your injury.

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Speaker 8: I told everyone that I slipped over in the shower

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Speaker 8: and that's how I got my bald patch in my head.

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Speaker 2: Okay, old patchy bald patch.

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Speaker 1: Wow, okay, And how did you actually get it?

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Speaker 8: I it was the day before school photos, and I

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Speaker 8: thought it was a great idea to sit my hair out,

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Speaker 8: and I got a leg razor and I was thinning

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Speaker 8: out my hair and I accidentally unintentionally shaved the like

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Speaker 8: a fifty cent piece bold patch right at the front

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Speaker 8: of my head. And it was the day before school photos.

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Speaker 3: So you've got photos from that day with a little

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Speaker 3: ended up.

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Speaker 8: Getting a fringe.

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Speaker 9: I ended up.

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Speaker 8: The fringe had to start from the like the middle

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Speaker 8: of my head.

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Speaker 2: That's amazing.

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Speaker 1: In what world is taking a leg raiser to your

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Speaker 1: head going to work out?

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Speaker 2: Because you glide it through the hair, and.

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Speaker 1: You glide it through there. Have you done it?

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Speaker 6: No?

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Speaker 2: No, I never have, but I can see the point

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Speaker 2: of it.

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Speaker 3: Well's go to Madeline here, Madeline, all right, let's start

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Speaker 3: off with the lie you told about how you got injured.

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Speaker 10: Yeah, so I lied that I was skateboarding and I

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Speaker 10: stacked it and broke my leg.

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Speaker 3: Okay, can I ask you before we find out the

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Speaker 3: real reason? Do you actually skateboard?

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Speaker 6: Yeah?

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Speaker 10: Yeah, no, And everybody knew.

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Speaker 2: Such a humid lie. So what was the real reason

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Speaker 2: that you got injured?

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Speaker 11: So?

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Speaker 10: I was on an international boarding school because I was studying,

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Speaker 10: and the guy that I had a crush on at

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Speaker 10: the time was away. I heard him come back during

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Speaker 10: the night, so I got super excited and I rushed

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Speaker 10: down the stairs at night time, and you know how

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Speaker 10: you kind of jumped the last two or three stairs

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Speaker 10: because you're.

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Speaker 2: In a rush.

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Speaker 10: I did that, but three stairs highcacident't realize I was

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Speaker 10: that higher and then I've broken my leg as I've

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Speaker 10: come crafted down face planeted and was like, oh, I

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Speaker 10: know I broken something. But then I heard him coming

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Speaker 10: around the corner. So I tried to quickly save myself

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Speaker 10: and like pathetically limp over to him and be like, hey,

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Speaker 10: what's up, and then like pluay it cool. I'm like,

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Speaker 10: try not to cry. Then I go to the hospital,

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Speaker 10: I get fixed, and then but hey, he's like, well,

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Speaker 10: you didn't break the leg yesterday, wasn't broken And I said, oh,

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Speaker 10: because I was skateboarding last.

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Speaker 5: Night and I broke.

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Speaker 11: Right now though, thick your guard, picking pick a card,

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Speaker 11: pick a guard, pick a card, pick a cudn't.

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Speaker 2: Leave your thoughts in our heat, pick a card and

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Speaker 2: take a lap.

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Speaker 1: All right?

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Speaker 6: So you get it. You get it.

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Speaker 1: So if you haven't heard of the relationship therapist and

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Speaker 1: scientist Esther Perell, she is truly one of the great

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Speaker 1: minds when it comes to social science psychology, particularly relationship psychology.

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Speaker 1: And she's got this new game. It's called Where Do

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Speaker 1: We Begin? And it's basically a whole bunch of cards.

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Speaker 1: You and I are playing it at home, Button Push

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Speaker 1: Tom was playing it at home and it was stimulating

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Speaker 1: as all this wonderful conversation between us and our partners

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Speaker 1: and our families.

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Speaker 2: So we thought, you know what, we're a bit short

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Speaker 2: on content with check that in the show. That's hot gear.

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Speaker 1: So we're now choosing one of these cards live on

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Speaker 1: the show. So we're just going to turn we've got

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Speaker 1: the pack in front of us right now, and turn

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Speaker 1: over one of the cards.

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Speaker 3: And then you guys, when when you hear what the

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Speaker 3: thought starter is or the Queen is, you guys can

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Speaker 3: engage as well. So thirteen one oh six ' five

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Speaker 3: is our number. If this grabs you, join us. But

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Speaker 3: all right, here is the card for today. Finish this sentence.

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Speaker 3: I'm particularly stubborn about.

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Speaker 2: So what are you stubborn about?

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Speaker 1: I'm particularly stubborn about.

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Speaker 2: Finish this sentence. I first, you know, the first thing

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Speaker 2: that comes to mind for me is the washing. That's outrageous.

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Speaker 3: But like so, I was at a point where I

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Speaker 3: where I banned my partner Min from just getting involved

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Speaker 3: in the washing.

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Speaker 2: It all socks were going missing.

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Speaker 3: But then far worse than that, she was hanging the

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Speaker 3: clothes not in color coordination, and that for me was

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Speaker 3: doing my heading to the point where she would sometimes

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Speaker 3: go to hang clothes. I would take it all down,

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Speaker 3: sometimes resh it, and then hang the clothes up again.

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Speaker 2: And I'm I'm very stubborn just about doing that the

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Speaker 2: right way.

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Speaker 12: You know.

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Speaker 1: Do you think that that's because because like when I

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Speaker 1: think of stubbornness, right, and this is something I spoke

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Speaker 1: about on the show recently, is about how you there

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Speaker 1: are certain things that you seek to control because you're

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Speaker 1: afraid of them being messed up for whatever reason. I

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Speaker 1: think stubbornness is a great indicator.

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Speaker 2: Of yah fear.

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Speaker 1: Yeah, you're really afraid of something being tampered with for

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Speaker 1: whatever reason, Like you know, whether whether it's you know,

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Speaker 1: touches on an OCD of yours or like you feel

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Speaker 1: like it's going to impact impact your life, or it's

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Speaker 1: going to make you angry or whatever it.

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Speaker 2: Is, and it does.

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Speaker 3: It's really it makes me angry. I get angry and

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Speaker 3: it's really not fair. It's totally over the top. And

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Speaker 3: it's like I realize in the moment I'm getting angry

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Speaker 3: about washing not being hung in color code, and you know,

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Speaker 3: it's outrageous, and then all at the moment I go like,

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Speaker 3: this is outrageous, but I'll be like, but I still

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Speaker 3: have to change all of that. Yeah, which is which

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Speaker 3: had been Yeah, I'd say the other one, which is

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Speaker 3: slightly more normal. I should have led with this one bedtime.

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Speaker 3: I'm really stubborn about time we go to bed.

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Speaker 1: Yeah, but why is that? What do you what are

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Speaker 1: you worried about there?

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Speaker 3: Probably because if I don't go to bed at this time,

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Speaker 3: then I won't get enough sleep and that's a big problem.

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Speaker 3: So it's funny, like we'll have the discussion every night

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Speaker 3: where we'll be watching a TV show, for example, and

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Speaker 3: she'll be like, oh, I got to watch one more

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Speaker 3: app and it will sometimes lead to a far I'm like, no, yeah,

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Speaker 3: we have to go to bed now, and it's it's funny.

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Speaker 2: It doesn't become a discussion between It's like, no, that's

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Speaker 2: what I'm doing bedtime.

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Speaker 1: Wow.

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Speaker 2: Yeah, No, I know it's funny, but she also knows.

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Speaker 2: She's just like, why, I'm not going to try and

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Speaker 2: argue with that, And.

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Speaker 3: Now you know we also can go to bed at

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Speaker 3: different times, which took It's funny. Took us a while

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Speaker 3: to get there. We've been together there for two and

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Speaker 3: a bit years, and it was like we always got

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Speaker 3: a bed at the same time because that's you know,

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Speaker 3: that's the thing we do together. And it was like,

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Speaker 3: oh for this moment, like it took us two years

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Speaker 3: where it was like.

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Speaker 2: We can go to bed at different times. Yeah, it's funny.

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Speaker 1: I can't think of things necessarily. I'm stubborn about a

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Speaker 1: lot of things, if I'm being really honest. But I

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Speaker 1: remember one in particular recently. Again just getting on touching

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Speaker 1: on that theme of protecting things that you that you

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Speaker 1: are worried are going to get taken away from you,

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Speaker 1: and that you're scared of being tampered with. That's when

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Speaker 1: you start getting stubborn, I think. Any yeah, for whatever

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Speaker 1: reason that is. But Sam tried to change max aswimming

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Speaker 1: lesson on me recently, but that was the only time

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Speaker 1: I could do the swimming lesson and we ended up

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Speaker 1: having this massive bluff about it and I couldn't. I

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Speaker 1: was like, oh my god, that was just a swimm

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Speaker 1: lesson time. I wasn't so worried about it. And then

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Speaker 1: when I thought about it a little bit more, I

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Speaker 1: realized that the reason that I was so upset about

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Speaker 1: it was because I was thinking behind that that I

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Speaker 1: wasn't spending enough time with her at that point. So

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Speaker 1: often I think when when someone has an argument with

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Speaker 1: you and they're really stubborn about something, it might be

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Speaker 1: a good moment to sort of just stop and go.

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Speaker 1: You're being irrationally annoyed.

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Speaker 2: About this, Yeah, and there's probably a reason why.

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Speaker 1: There is always, yeah, a reason why.

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Speaker 11: Pick a card, pick a card, pick a card, pick

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Speaker 11: a card, pick a card, pick a card, pick a card.

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Speaker 3: Pick you don't believe your thoughts in our heat, pick

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Speaker 3: a card and take a leap.

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Speaker 2: Taken a leap.

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Speaker 3: So today the card we picked out, well, it was

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Speaker 3: finished this sentence I'm particularly stubborn about.

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Speaker 2: So I think if you're just joined.

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Speaker 3: Us, I feel like through discussion we were realizing that

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Speaker 3: if someone or if you are being really stubborn about something,

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Speaker 3: there's something sitting underneath the surface there. There's there's a

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Speaker 3: reason why you're getting so emotional about that thing, whether

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Speaker 3: it's a a fear or in your head you're going

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Speaker 3: if it's not done this way, then that will lead

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Speaker 3: to X y Z.

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Speaker 2: It's it's an interesting thing to kind of break down.

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Speaker 1: I also think it's interesting that, like often when you

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Speaker 1: find out that somebody is stubborn about something, or for

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Speaker 1: some people, when you find out that someone's stubborn about something,

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Speaker 1: and I know I've certainly done this before, and I'm

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Speaker 1: not proud of it, you can be a bit of

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Speaker 1: a moth to a flame with it. Like if you

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Speaker 1: find out that someone's a stickler for something, there's often

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Speaker 1: nothing more enjoyable than going, how do I get a

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Speaker 1: reaction out of that thing? Oh, I know that you

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Speaker 1: hate it when I do this. I know that you

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Speaker 1: hate it when I push that, Like, and you're really

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Speaker 1: stubborn about the fact that I don't do that. It's

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Speaker 1: not a nice part of human nature to think that

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Speaker 1: we do that. You're right, it's better to go like, yo, WHOA,

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Speaker 1: Obviously there's nothing about that, because there's something underneath it.

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Speaker 2: Let's go to Jordan here, Jordan, what are you particularly

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Speaker 2: stubborn about? My friend?

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Speaker 13: Hey, so I'm particularly stubborn about washing the dishes after

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Speaker 13: I cook, Jenner.

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Speaker 2: So, what about washing the dishes? Do do you get

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Speaker 2: really stubborn about?

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Speaker 13: Well, I get stubborn because my partner doesn't cook. Well,

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Speaker 13: he tries to, but he's really bad at it. Okay,

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Speaker 13: so I've become the cook of the family. Yeah, and

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Speaker 13: I don't feel like I should have to clean enough

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Speaker 13: for all of the dishes after that's done while he's

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Speaker 13: sitting on the couch watching TV.

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Speaker 2: I think that's fair enough.

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Speaker 1: I thought you were saying you wash the dishes after

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Speaker 1: you cook, But you're saying you're stubborn about him washing

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Speaker 1: the dishes after you cook.

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Speaker 13: No, I have to wash the dishes what after I cook?

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Speaker 2: Yeah, this doesn't make sense, but you but you think

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Speaker 2: that he should be washing the dishes.

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Speaker 13: I think that he should be washing the dishes.

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Speaker 2: Okay, I think that. I think that's fair enough because

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Speaker 2: I'm got to see what he's stubborn about, Jordan, what

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Speaker 2: bit he is stubborn about.

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Speaker 13: Well, I'm stubborn about after cooking a beautiful, delicious meal,

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Speaker 13: I'm tired.

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Speaker 1: Yeah, I see what I mean. The person who cooks

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Speaker 1: shouldn't clean. I get it. I think that's a pretty

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Speaker 1: prestandard thing to do.

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Speaker 7: I reckon.

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Speaker 2: Yeah, I think you're well within your ards to be

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Speaker 2: stubborn amount.

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Speaker 3: I'm sure you'd be the same as me because we

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Speaker 3: work until let's say so. Yeah, so we get home

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Speaker 3: probably after dinner's prep Monday, to Friday.

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Speaker 2: Yeah, so it's always like okay, well if you've cooked.

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Speaker 1: And that's just like so, I don't think there's like

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Speaker 1: it necessarily like there's there's underlying you know, desire there

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Speaker 1: for for an equilibrium in a relationship. You want to

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Speaker 1: nothing worse than feeling like you're tipping in more to

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Speaker 1: the relationship with the other person doesn't give a shit.

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Speaker 1: But that makes total sense. Go to Shanna thirty one

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Speaker 1: and six five. What are you stubbing about, Shara?

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Speaker 14: I'm really really stubbing someone about my bedding situation.

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Speaker 2: Oh yeah, what about it? What you're like a punt?

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Speaker 14: Nobody in my whole household is allowed to go to

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Speaker 14: bed before a shower. They have to in It's shower bed,

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Speaker 14: no downtime, no movies, no couch time or anything in between.

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Speaker 14: It's shower, beds, nothing in between.

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Speaker 3: What so, why do you think you'll get dirty if

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Speaker 3: you live life between sharer and bed.

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Speaker 15: I don't know.

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Speaker 14: I just think, like, I don't know, it's the one,

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Speaker 14: like really super clean place. I don't want to get

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Speaker 14: into bed. If a greasy, grimy and I.

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Speaker 1: Had a house man this as well, he would he

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Speaker 1: would religiously like cleanse himself before he went into bed

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Speaker 1: to keep his sheets really clean.

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Speaker 2: So so, I really we're a family friendly show. But

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Speaker 2: are you are you single? Shanna? Are you in a relationship?

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Speaker 10: No, I'm married with three kids, so you're you're married?

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Speaker 3: Okay, So Shanna, if so, you've got this very strict

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Speaker 3: shower straight to sleep. If if things got warm in

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Speaker 3: the bedroom between you and your husband, would that be like, no,

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Speaker 3: I've showered, We're going to sleep.

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Speaker 14: No, generally, because it would have to be shower first

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Speaker 14: and then and then activities, and then it would be

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Speaker 14: back in the shower.

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Speaker 2: A double shower. The double shower saves you very good. Ah,

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Speaker 2: found a loophole?

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Speaker 9: Kat?

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Speaker 2: What are you stubborn about?

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Speaker 16: So I'm really stubborn for some reason. I don't let

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Speaker 16: my partner affectually touch my hand or anything like that

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Speaker 16: beyond that without like free like set submissions without permission.

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Speaker 2: Wow, where does that come from?

384
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Speaker 1: Cash?

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Speaker 2: I don't know.

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Speaker 14: It's strange.

387
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Speaker 16: So like if I'm like expecting it, it's all good unexpected,

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Speaker 16: I like freak out and go like pretty much shut

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Speaker 16: down and go, oh good, I'm just going to go

390
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Speaker 16: into the other room and just.

391
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Speaker 2: Like on TV, is that in public?

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Speaker 10: Or is that even at home?

393
00:18:18,760 --> 00:18:21,720
Speaker 14: Wow, I'm dead, we're asleep, or like whatever.

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Speaker 16: And then all of a sudden, I feel an arm

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Speaker 16: come around me. I'm like, oh, oh good, mother.

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00:18:27,080 --> 00:18:29,639
Speaker 1: Cat, that's extraordinary. So he says, can I put.

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Speaker 12: My arm on you?

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Speaker 16: He has to the pretty much check around like, oh, hey,

399
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Speaker 16: are you feeling like can I have a cuddle? And

400
00:18:37,600 --> 00:18:39,399
Speaker 16: I'm like, yeah, no, that's all good. Like if I

401
00:18:39,520 --> 00:18:41,959
Speaker 16: say like yeah, even like the broadness of like can

402
00:18:42,000 --> 00:18:44,000
Speaker 16: I have a cuddle, that's fine or can I do this?

403
00:18:44,280 --> 00:18:44,720
Speaker 15: That's all good.

404
00:18:44,800 --> 00:18:47,800
Speaker 16: But if it's not presets, it's just like you shut down.

405
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Speaker 1: Wow, you have no idea where that comes from?

406
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Speaker 7: Cat, no idea.

407
00:18:51,480 --> 00:18:52,880
Speaker 1: Wow, that is fascinating.

408
00:18:53,000 --> 00:18:55,480
Speaker 2: But again, there's a solution to body communicating with.

409
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Speaker 1: Your rules, right like do whatever you want, whatever works

410
00:18:58,040 --> 00:18:58,200
Speaker 1: for you.

411
00:18:58,760 --> 00:19:02,280
Speaker 2: Great stuff. Jeeves that in cause I was thinking for about.

412
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Speaker 1: Some of the other ones that people get really stubborn

413
00:19:03,760 --> 00:19:06,520
Speaker 1: about where they sit on a plane, people being punctual,

414
00:19:07,119 --> 00:19:10,000
Speaker 1: making sure they pay for you at a restaurant, you know,

415
00:19:10,119 --> 00:19:12,200
Speaker 1: like they're and they're all things that can't love that one.

416
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Speaker 2: I love when people are stabborn about that and go

417
00:19:14,400 --> 00:19:17,960
Speaker 2: for it mane go for it. I'm doing this for you.

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00:19:18,320 --> 00:19:22,359
Speaker 1: You pay for It's I got to be quick here

419
00:19:22,359 --> 00:19:24,600
Speaker 1: because we're going to get into the Quiz Awards. But

420
00:19:24,800 --> 00:19:29,920
Speaker 1: Kate Winslet has been spotted flying economy class love that

421
00:19:30,560 --> 00:19:32,160
Speaker 1: Isn't that just awesome?

422
00:19:32,359 --> 00:19:35,960
Speaker 2: The she's the best Kate Winsley, Well, I think she

423
00:19:36,119 --> 00:19:39,119
Speaker 2: might be. And it's funny though, because she can.

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Speaker 1: She obviously has the ability and the status to be

425
00:19:41,720 --> 00:19:47,760
Speaker 1: probably flying private jet to cant really and there's something

426
00:19:48,000 --> 00:19:52,160
Speaker 1: more respectful about the fact that she's flying an economy,

427
00:19:52,280 --> 00:19:54,240
Speaker 1: Like I'm so much more respect for her like that,

428
00:19:54,720 --> 00:19:56,680
Speaker 1: And it got me on this concept because like a

429
00:19:56,800 --> 00:20:00,360
Speaker 1: junior producer, An Elyse uses the word slay a bit,

430
00:20:00,600 --> 00:20:03,119
Speaker 1: loves to slay, loves to slay, slade to the funeral

431
00:20:03,200 --> 00:20:04,240
Speaker 1: last week actually.

432
00:20:07,040 --> 00:20:09,800
Speaker 3: Controversial area to slave, but we'll probably address that in

433
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Speaker 3: tomorrow show.

434
00:20:11,119 --> 00:20:17,760
Speaker 2: Yeah, she's good, that's the landing on. But you know,

435
00:20:19,640 --> 00:20:24,920
Speaker 2: all right, so reverse so the opposite. So when you

436
00:20:25,240 --> 00:20:28,880
Speaker 2: to slay, and to use Young UN's terms, two, slay

437
00:20:29,040 --> 00:20:31,520
Speaker 2: is to kill it, right, to kill it, to like

438
00:20:31,680 --> 00:20:32,320
Speaker 2: dominate a.

439
00:20:32,840 --> 00:20:34,680
Speaker 1: Yes, you know, so if she was slaying, she'd be

440
00:20:34,720 --> 00:20:38,240
Speaker 1: flying private jet I think a reverse sleigh is arguably

441
00:20:38,480 --> 00:20:42,399
Speaker 1: more respectful or respectable than an actual slagh. Let me

442
00:20:42,440 --> 00:20:43,720
Speaker 1: give you some examples. I'm not sure if you can

443
00:20:43,760 --> 00:20:47,440
Speaker 1: follow them. The concept here, but that's a track.

444
00:20:47,560 --> 00:20:48,200
Speaker 2: The tracker.

445
00:20:49,880 --> 00:20:53,440
Speaker 1: A non electric toothbrush. I feel like people that non

446
00:20:53,520 --> 00:20:56,080
Speaker 1: electric toothbrushes these days, you're like, it's a bit of.

447
00:20:56,080 --> 00:20:56,879
Speaker 2: A reverse sleigh.

448
00:20:57,480 --> 00:20:59,040
Speaker 1: The toothbrush is the electric toothbrush.

449
00:20:59,119 --> 00:21:01,800
Speaker 2: That's so common that you have more respect for them.

450
00:21:01,960 --> 00:21:04,240
Speaker 2: What about ordering a decaf reverse sleigh?

451
00:21:04,359 --> 00:21:07,400
Speaker 1: No, No, I think you can go too far down

452
00:21:07,440 --> 00:21:07,919
Speaker 1: the other end.

453
00:21:08,280 --> 00:21:09,199
Speaker 2: Sometimes it's just.

454
00:21:12,240 --> 00:21:15,600
Speaker 1: Jennifer Lawrence j law she wore thongs. Speaking of cans,

455
00:21:15,680 --> 00:21:19,040
Speaker 1: she wore thongs, which she took it. She took her

456
00:21:19,240 --> 00:21:21,280
Speaker 1: shoes off, her high heels off, and more thongs at

457
00:21:21,280 --> 00:21:23,359
Speaker 1: the vestival because her feet. We saw reverse. That's a

458
00:21:23,440 --> 00:21:26,720
Speaker 1: reverse sleigh. Right, you can't wear thongs at an international

459
00:21:26,800 --> 00:21:27,359
Speaker 1: film festival.

460
00:21:27,400 --> 00:21:27,800
Speaker 2: That's awesome.

461
00:21:27,840 --> 00:21:29,680
Speaker 3: What about when you say you've spotted a Hemsworth in

462
00:21:29,720 --> 00:21:32,320
Speaker 3: bar and Bay and then you go, yeah, I saw luke.

463
00:21:33,720 --> 00:21:36,680
Speaker 2: Reverse reverse.

464
00:21:38,280 --> 00:21:39,000
Speaker 6: Reverse sleigh.

465
00:21:39,160 --> 00:21:47,119
Speaker 1: I'd got a reverse sleigh. Headphones with the cord in

466
00:21:47,560 --> 00:21:50,360
Speaker 1: like people who wear Apple headphones with the cord. Now

467
00:21:50,560 --> 00:21:52,600
Speaker 1: that is one hundred percent reverse sleigh.

468
00:21:52,920 --> 00:21:53,320
Speaker 8: I like that.

469
00:21:54,240 --> 00:21:59,239
Speaker 3: Ah, this is maybe showing my age, but getting an

470
00:21:59,280 --> 00:22:02,040
Speaker 3: e bugs gouda over a razor.

471
00:22:03,200 --> 00:22:06,840
Speaker 2: Now if anyone gets that, If anyone gets that.

472
00:22:06,880 --> 00:22:07,919
Speaker 7: You're over thirty.

473
00:22:10,640 --> 00:22:18,040
Speaker 2: Reverse save. Oh how does a man get fired for

474
00:22:18,240 --> 00:22:22,440
Speaker 2: dropping his phone? Well, let me explain.

475
00:22:22,840 --> 00:22:26,240
Speaker 3: So government official in India is taking a selfie of

476
00:22:26,359 --> 00:22:28,359
Speaker 3: himself next to a reservoir.

477
00:22:29,440 --> 00:22:31,760
Speaker 2: That's what he's doing on a Monday afternoon.

478
00:22:31,840 --> 00:22:34,520
Speaker 3: He's a big reservoir. Better take a shot for the

479
00:22:34,680 --> 00:22:37,679
Speaker 3: for the wife and kids. Yeah, he's taking a selfie,

480
00:22:37,680 --> 00:22:41,600
Speaker 3: a reservoir selfie. Drops his phone in the reservoir. Now

481
00:22:41,720 --> 00:22:45,000
Speaker 3: this is where things get interesting. He then pays for

482
00:22:45,720 --> 00:22:51,600
Speaker 3: a whole bunch of divers so the reservoir two million liters.

483
00:22:53,680 --> 00:22:58,359
Speaker 2: I think that's that big, but just your average excuse

484
00:22:58,520 --> 00:23:02,720
Speaker 2: me snuck through the cracks there from old button, push

485
00:23:02,760 --> 00:23:04,879
Speaker 2: and tongue. It was supposed to be a splash.

486
00:23:08,080 --> 00:23:13,160
Speaker 3: Goodness, and has completely distracted me then and then has

487
00:23:13,200 --> 00:23:14,200
Speaker 3: set thro around me.

488
00:23:14,840 --> 00:23:17,440
Speaker 2: He didn't put his pants while he was taking his reservoir.

489
00:23:22,320 --> 00:23:26,240
Speaker 15: Hi, what is.

490
00:23:35,080 --> 00:23:35,119
Speaker 12: So?

491
00:23:36,480 --> 00:23:38,560
Speaker 2: So after he's dropped his phone, he's taking a poop

492
00:23:38,600 --> 00:23:48,200
Speaker 2: in the reservoir as well, I don't know what's walking. Sorry,

493
00:23:48,280 --> 00:23:50,920
Speaker 2: let me let me try and get back on track.

494
00:23:51,680 --> 00:23:57,720
Speaker 2: So he's okay, come on, come on.

495
00:23:59,760 --> 00:23:59,879
Speaker 9: Run.

496
00:24:01,680 --> 00:24:04,560
Speaker 3: So dropped his phone in the reservoir. He then pays

497
00:24:04,680 --> 00:24:07,560
Speaker 3: divers to search for the phone. The divers don't find

498
00:24:07,600 --> 00:24:08,920
Speaker 3: the phone. This is government money.

499
00:24:09,440 --> 00:24:12,320
Speaker 4: Then he decides, well, if you haven't found me phone,

500
00:24:12,560 --> 00:24:14,440
Speaker 4: I'm just going to drain the reservoir.

501
00:24:14,720 --> 00:24:18,240
Speaker 2: So he just drains two million liters of water out

502
00:24:18,320 --> 00:24:18,480
Speaker 2: of a.

503
00:24:18,560 --> 00:24:23,040
Speaker 3: Reservoir, finds his phone, which is the good news. Exact,

504
00:24:23,080 --> 00:24:31,320
Speaker 3: his phone his phone doesn't work, so of that fan

505
00:24:31,359 --> 00:24:32,800
Speaker 3: nothing ah.

506
00:24:32,920 --> 00:24:34,120
Speaker 2: And he's been fighting.

507
00:24:35,240 --> 00:24:38,760
Speaker 4: Obviously, firstly for pooon in the reservoir and secondly for

508
00:24:38,880 --> 00:24:39,320
Speaker 4: draining it.

509
00:24:39,680 --> 00:24:45,919
Speaker 3: Anyway, amazingly, I'd like to get some calls here if

510
00:24:45,960 --> 00:24:49,880
Speaker 3: you're still with us, thirteen one oh six five's out number.

511
00:24:50,560 --> 00:24:55,640
Speaker 3: Have you used your job for selfish reasons? Right, he's

512
00:24:55,800 --> 00:25:00,280
Speaker 3: using his position of power as avoir trainer reserv war

513
00:25:00,800 --> 00:25:01,800
Speaker 3: to find his phone.

514
00:25:01,880 --> 00:25:02,720
Speaker 7: You and me will.

515
00:25:02,800 --> 00:25:07,240
Speaker 3: When we were doing radio in PERV, we once used

516
00:25:07,400 --> 00:25:12,399
Speaker 3: the rooftop at the radio station. Previous employer I mentioned

517
00:25:12,440 --> 00:25:16,240
Speaker 3: that as well, we once used the rooftop to host

518
00:25:16,400 --> 00:25:17,120
Speaker 3: pre drinks.

519
00:25:17,440 --> 00:25:20,560
Speaker 2: Ah, yes, with all our mates. Yep, we rearguon. We

520
00:25:20,640 --> 00:25:21,719
Speaker 2: had twenty people up there.

521
00:25:21,760 --> 00:25:24,720
Speaker 3: We'd just used the work rooftop and then we emptied

522
00:25:24,800 --> 00:25:27,360
Speaker 3: the fridge full of booze.

523
00:25:27,119 --> 00:25:28,440
Speaker 2: And then went to another party.

524
00:25:28,920 --> 00:25:30,280
Speaker 1: Well that was in Perth. We used to do the

525
00:25:30,320 --> 00:25:32,400
Speaker 1: same thing in Melbourne with the previous employer as well.

526
00:25:32,640 --> 00:25:33,879
Speaker 2: We've pretty much done it.

527
00:25:33,960 --> 00:25:38,160
Speaker 1: To fleece the drink fridge, get drunk and then host

528
00:25:38,240 --> 00:25:40,439
Speaker 1: drunken board meetings around the boardroom table.

529
00:25:42,040 --> 00:25:44,920
Speaker 2: So that's an example of using your job for self

530
00:25:45,000 --> 00:25:47,520
Speaker 2: is reasons one six five.

531
00:25:47,560 --> 00:25:50,800
Speaker 1: If you've done it, yes, it was a girl, all right,

532
00:25:51,440 --> 00:25:54,480
Speaker 1: leveraging your job for your own purposes?

533
00:25:57,880 --> 00:26:01,280
Speaker 2: Do we find out? Did we find out reservo was

534
00:26:01,320 --> 00:26:01,920
Speaker 2: on his phone?

535
00:26:02,000 --> 00:26:06,320
Speaker 1: Because he's something pretty dodgy if he wants it that bad.

536
00:26:06,480 --> 00:26:13,000
Speaker 3: He said sensitive government data, which is code for nerds. Anyway,

537
00:26:13,119 --> 00:26:15,360
Speaker 3: he finally got his phone because they drained the whole reservoir.

538
00:26:15,359 --> 00:26:18,159
Speaker 3: I fine, didn't work, but it's a perfect example of

539
00:26:18,400 --> 00:26:21,800
Speaker 3: leveraging your job for selfish reasons. Let's go to Danny here. Danny,

540
00:26:21,880 --> 00:26:27,159
Speaker 3: you're a technician of sprinklers. Yep, how do you how

541
00:26:27,200 --> 00:26:29,840
Speaker 3: do you leverage your job for selfish reasons, Danny.

542
00:26:30,600 --> 00:26:33,080
Speaker 17: So I'm had to follow me here, set it fire hydrant,

543
00:26:33,400 --> 00:26:35,919
Speaker 17: Sam got the sluice valve key and opened her up

544
00:26:35,920 --> 00:26:38,120
Speaker 17: and pulled up me pool for nothing and quite quick.

545
00:26:38,840 --> 00:26:42,600
Speaker 1: Oh genius, off a fire hydrant.

546
00:26:42,880 --> 00:26:43,440
Speaker 7: That's the one.

547
00:26:44,480 --> 00:26:45,200
Speaker 2: Well, how long did it?

548
00:26:45,240 --> 00:26:46,720
Speaker 1: How big is you pull Danny?

549
00:26:47,560 --> 00:26:47,840
Speaker 17: Sorry?

550
00:26:48,000 --> 00:26:48,920
Speaker 1: How big is your pool?

551
00:26:50,000 --> 00:26:51,800
Speaker 17: I was there welling fighting sort of pools, but it

552
00:26:51,880 --> 00:26:53,120
Speaker 17: was still How long did it take?

553
00:26:53,160 --> 00:26:54,520
Speaker 1: How long did it take you to fill it up?

554
00:26:57,320 --> 00:26:57,639
Speaker 13: Jeez?

555
00:26:57,880 --> 00:27:04,280
Speaker 3: That's good, great workdown Janias illegal, Oh totally. But let's

556
00:27:04,280 --> 00:27:07,240
Speaker 3: go to Dean Jolley, Dino, how did you leverage your

557
00:27:07,320 --> 00:27:08,479
Speaker 3: job for selfish reasons?

558
00:27:08,560 --> 00:27:10,160
Speaker 2: Good afternoon, boys, afternoon.

559
00:27:11,960 --> 00:27:15,320
Speaker 17: So I work for the gas gas industry, and a

560
00:27:15,400 --> 00:27:18,879
Speaker 17: friend of mine told me that she needed her gas fixed.

561
00:27:18,920 --> 00:27:21,440
Speaker 17: And I didn't know this bird at the time, so

562
00:27:21,560 --> 00:27:23,439
Speaker 17: I used my job I'm not supposed to be doing

563
00:27:23,480 --> 00:27:27,320
Speaker 17: by myself, to actually pretend I'm fixing the appliance, but

564
00:27:27,359 --> 00:27:30,480
Speaker 17: actually meeting this girl. And then after a few days later,

565
00:27:30,560 --> 00:27:33,159
Speaker 17: I'm in a relationship with her because she was already

566
00:27:33,200 --> 00:27:36,119
Speaker 17: in a relationship. And then she swapped her boyfriend and

567
00:27:36,320 --> 00:27:36,879
Speaker 17: became with me.

568
00:27:37,520 --> 00:27:42,120
Speaker 2: Oh, so, Dean, what was the moment you're in there,

569
00:27:42,240 --> 00:27:44,520
Speaker 2: you're working the plumbers.

570
00:27:44,280 --> 00:27:49,399
Speaker 3: Or you're working the pipes the plumb now, But he wasn't, well,

571
00:27:49,400 --> 00:27:51,400
Speaker 3: what do you think we're so sexy about you working

572
00:27:51,440 --> 00:27:52,040
Speaker 3: the pipes there?

573
00:27:52,119 --> 00:27:55,880
Speaker 17: Jan Oh, just the plumber's crack. And she's like, oh,

574
00:27:55,960 --> 00:27:57,760
Speaker 17: you know what you're doing. My man doesn't know. He

575
00:27:57,760 --> 00:27:58,760
Speaker 17: doesn't know how to fix a thing.

576
00:27:58,800 --> 00:28:04,240
Speaker 2: I'm like, I water, let's be seriously.

577
00:28:04,840 --> 00:28:07,960
Speaker 17: And the funny part about it was is that her

578
00:28:08,160 --> 00:28:12,480
Speaker 17: partner at the time was an old friend of mine

579
00:28:12,520 --> 00:28:13,480
Speaker 17: that I realized.

580
00:28:13,720 --> 00:28:18,359
Speaker 2: Oh, I tell you what, he's got layers, I mean

581
00:28:18,720 --> 00:28:22,440
Speaker 2: worse and worse. And he's literally laughing at his mates

582
00:28:23,080 --> 00:28:23,560
Speaker 2: on radio.

583
00:28:23,760 --> 00:28:26,040
Speaker 1: The radio station is celebrating everything totally.

584
00:28:26,080 --> 00:28:26,800
Speaker 6: Well Dan, now.

585
00:28:26,800 --> 00:28:31,639
Speaker 2: Let's go to Blade. Firstly, love the name Blade, Thanks boys,

586
00:28:34,720 --> 00:28:38,000
Speaker 2: he picked his own name. So Blade, how do you

587
00:28:38,160 --> 00:28:40,040
Speaker 2: use your job to your advantage? My friends?

588
00:28:41,320 --> 00:28:44,440
Speaker 15: I work at Raging Waters. So one time I was

589
00:28:44,480 --> 00:28:46,600
Speaker 15: there it was a bit warm, so I chuck on

590
00:28:46,640 --> 00:28:49,520
Speaker 15: the work the uniform, going to work, go to the

591
00:28:49,560 --> 00:28:52,360
Speaker 15: bath room, Thanks, off the uniform and start playing on

592
00:28:52,440 --> 00:28:53,040
Speaker 15: all the rods.

593
00:28:55,280 --> 00:28:55,840
Speaker 7: Where do you go?

594
00:28:56,200 --> 00:28:56,880
Speaker 2: Where do you work?

595
00:28:57,040 --> 00:28:57,440
Speaker 1: Blade?

596
00:28:58,000 --> 00:29:01,280
Speaker 15: Where Sydney. It's like a world rage.

597
00:29:02,160 --> 00:29:05,720
Speaker 1: So you sorry, raising waters, raging.

598
00:29:07,400 --> 00:29:10,520
Speaker 2: They could do better with the name raging waters. Sorry, Blade,

599
00:29:10,520 --> 00:29:12,680
Speaker 2: but it's like a floodplane. So you take off all

600
00:29:12,720 --> 00:29:14,560
Speaker 2: your clothes and leave him in the in the bathroom.

601
00:29:14,600 --> 00:29:16,640
Speaker 2: So you just out there nude on all the water

602
00:29:16,760 --> 00:29:17,320
Speaker 2: slides and.

603
00:29:18,800 --> 00:29:21,320
Speaker 15: Yeah, no, no take a bag in.

604
00:29:30,000 --> 00:29:31,560
Speaker 2: He told the story.

605
00:29:32,760 --> 00:29:37,440
Speaker 3: All assumed naked, and I mean a water slide naked

606
00:29:37,480 --> 00:29:39,920
Speaker 3: though is an idea in that shocking is an idea

607
00:29:39,960 --> 00:29:41,960
Speaker 3: and joking radio if there's.

608
00:29:41,880 --> 00:29:45,280
Speaker 1: Like anything sticking up on the radio on the water slide,

609
00:29:46,040 --> 00:29:47,360
Speaker 1: well that's not a good idea.

610
00:29:47,520 --> 00:29:49,000
Speaker 2: But it's the risk that.

611
00:29:53,520 --> 00:29:55,080
Speaker 1: We're spinning a heap of this song at the moment

612
00:30:02,000 --> 00:30:07,720
Speaker 1: because Therapy is out now you can download and stream

613
00:30:07,760 --> 00:30:13,160
Speaker 1: it wherever you get your music. And the Man, the myth,

614
00:30:13,200 --> 00:30:16,000
Speaker 1: the legend joins us right now. Welcome will him money?

615
00:30:16,280 --> 00:30:16,400
Speaker 8: Hi?

616
00:30:16,880 --> 00:30:17,480
Speaker 9: How are you guys?

617
00:30:17,760 --> 00:30:18,160
Speaker 1: So good?

618
00:30:18,200 --> 00:30:19,320
Speaker 2: Mate, so good?

619
00:30:19,560 --> 00:30:22,360
Speaker 1: I gotta say, man, that song, that that the theme

620
00:30:22,480 --> 00:30:26,920
Speaker 1: of that song, the motif, the message about only being

621
00:30:26,960 --> 00:30:29,600
Speaker 1: able to be with someone if they look after themselves

622
00:30:29,880 --> 00:30:33,640
Speaker 1: is awesome. I absolutely love that. And the idea of

623
00:30:33,840 --> 00:30:37,160
Speaker 1: like a relationship not being able to survive. I always say,

624
00:30:37,160 --> 00:30:38,920
Speaker 1: you can only look after someone as much as they're

625
00:30:38,960 --> 00:30:41,600
Speaker 1: willing to look after themselves. And it's a really hard

626
00:30:41,680 --> 00:30:43,200
Speaker 1: chat to have in a relationship. And I think he's

627
00:30:43,200 --> 00:30:45,360
Speaker 1: a twenty one year old to be singing about that

628
00:30:45,480 --> 00:30:47,920
Speaker 1: and sharing that with people is so spot on because

629
00:30:47,920 --> 00:30:49,840
Speaker 1: it took me a really long time to figure that out.

630
00:30:50,000 --> 00:30:51,800
Speaker 2: So awesome, Absolutely love it.

631
00:30:52,280 --> 00:30:54,320
Speaker 9: Thanks, Thanks, I'm glad you think so.

632
00:30:55,800 --> 00:30:57,560
Speaker 2: Hey, Budra, how did you get to a place?

633
00:30:57,640 --> 00:30:59,560
Speaker 3: I'm just trying to picture myself as a twenty one

634
00:30:59,640 --> 00:31:02,600
Speaker 3: year old and I'll tell you, mate, I would have

635
00:31:02,680 --> 00:31:05,360
Speaker 3: been very uncomfortable about the idea of therapy. I would

636
00:31:05,400 --> 00:31:09,200
Speaker 3: have refused therapy at the age of twenty one. How

637
00:31:09,280 --> 00:31:10,960
Speaker 3: have you got to the place at the You know,

638
00:31:11,040 --> 00:31:12,680
Speaker 3: there's such a young age of twenty one to be

639
00:31:12,760 --> 00:31:16,600
Speaker 3: not only being open about going to therapy yourself, but yeah,

640
00:31:16,640 --> 00:31:17,960
Speaker 3: being so public about that.

641
00:31:18,600 --> 00:31:21,120
Speaker 9: Well, you can talk to your like your friends or

642
00:31:21,160 --> 00:31:21,640
Speaker 9: your family.

643
00:31:21,720 --> 00:31:24,000
Speaker 12: But I think sometimes it's really good to have someone

644
00:31:24,080 --> 00:31:27,400
Speaker 12: with like an unbiased opinion to a situation because then

645
00:31:27,480 --> 00:31:30,080
Speaker 12: it can help you give like a really good outside perspective.

646
00:31:31,080 --> 00:31:35,120
Speaker 12: But when I heard the demo for therapy from Sarah

647
00:31:35,200 --> 00:31:38,479
Speaker 12: Aaron's I was kind of like I was a bit

648
00:31:38,560 --> 00:31:41,400
Speaker 12: more upset at someone rather than oh you wish to.

649
00:31:41,440 --> 00:31:44,760
Speaker 9: Look after ourselves. It was only after till I say

650
00:31:44,840 --> 00:31:45,640
Speaker 9: this summer I was like.

651
00:31:45,720 --> 00:31:48,000
Speaker 2: Oh, yeah, maybe I should Maybe I should do the

652
00:31:48,040 --> 00:31:48,400
Speaker 2: same one.

653
00:31:49,360 --> 00:31:51,040
Speaker 9: Maybe I should do that too. Yeah.

654
00:31:51,680 --> 00:31:52,719
Speaker 1: Mate, it's a lovely message.

655
00:31:52,760 --> 00:31:52,880
Speaker 16: Man.

656
00:31:52,920 --> 00:31:54,840
Speaker 2: I love that you're sharing and spreading that at the

657
00:31:54,880 --> 00:31:56,320
Speaker 2: age of twenty one. That's awesome stuff.

658
00:31:56,560 --> 00:31:59,560
Speaker 1: Now recently performed or you have performed on stage with

659
00:31:59,640 --> 00:32:04,880
Speaker 1: Kyli No Advance, joy Ed Sheeran guy Sebastian backstage. Who's

660
00:32:04,880 --> 00:32:07,840
Speaker 1: the biggest toss U go hard, go for it?

661
00:32:10,920 --> 00:32:11,440
Speaker 9: None of them.

662
00:32:14,080 --> 00:32:17,880
Speaker 1: That's the professional answer. You see the record rep on

663
00:32:17,920 --> 00:32:21,880
Speaker 1: the zoom call, just going double thumbs up, keep it clean.

664
00:32:26,320 --> 00:32:27,040
Speaker 9: It's pretty funny.

665
00:32:27,080 --> 00:32:29,480
Speaker 12: One time I went to this photo shoot and I

666
00:32:29,560 --> 00:32:32,640
Speaker 12: brought my cousin who's he's my guitarist with me, and

667
00:32:32,760 --> 00:32:34,640
Speaker 12: I didn't actually tell him what it was for. But

668
00:32:34,760 --> 00:32:37,840
Speaker 12: it was for the Mushroom fiftieth anniversary. There was like

669
00:32:38,200 --> 00:32:41,400
Speaker 12: a big photo shoot for Mushroom and Jimmy Barnes was there,

670
00:32:41,560 --> 00:32:45,960
Speaker 12: Victorian Linda or like so many like legends. But I

671
00:32:46,040 --> 00:32:48,080
Speaker 12: didn't tell my I didn't tell my cousin where we're going.

672
00:32:48,240 --> 00:32:50,320
Speaker 12: We go to this restaurant in Melbourn. We walk upstairs

673
00:32:50,400 --> 00:32:54,200
Speaker 12: and like Jimmy Barnes is right there, and my cousin

674
00:32:54,280 --> 00:32:56,520
Speaker 12: just looks at me, like what the heck is going on.

675
00:32:57,160 --> 00:33:00,280
Speaker 12: He's like, that's that's the working class man there, and

676
00:33:00,320 --> 00:33:03,680
Speaker 12: the whole time like he's just that kept looking over

677
00:33:06,440 --> 00:33:10,720
Speaker 12: But it's I think everyone's slowly getting used to like

678
00:33:10,920 --> 00:33:14,240
Speaker 12: seeing these people. It's still like the coolest thing ever

679
00:33:14,320 --> 00:33:17,320
Speaker 12: seeing you know. Yeah, people that just are so inspiring

680
00:33:17,400 --> 00:33:17,520
Speaker 12: to you.

681
00:33:17,920 --> 00:33:18,320
Speaker 2: That's cool.

682
00:33:18,360 --> 00:33:18,479
Speaker 8: Man.

683
00:33:18,520 --> 00:33:20,360
Speaker 1: Well, if there's any consolation, would you nice to you'll

684
00:33:20,400 --> 00:33:22,200
Speaker 1: lose our ship when the right person walks in here.

685
00:33:22,360 --> 00:33:23,920
Speaker 2: So oh yeah, yeah.

686
00:33:24,200 --> 00:33:25,880
Speaker 1: But he had a whole interview with Mark Ronson where

687
00:33:25,880 --> 00:33:27,320
Speaker 1: he didn't actually ask him a question. He just sat

688
00:33:27,360 --> 00:33:28,080
Speaker 1: there and stared at him.

689
00:33:28,960 --> 00:33:30,800
Speaker 2: That's true story. It's a true story.

690
00:33:30,840 --> 00:33:32,840
Speaker 3: I think at the end because Will throw to me

691
00:33:32,880 --> 00:33:34,880
Speaker 3: because he assumed I had a question for Mark Ronson,

692
00:33:34,880 --> 00:33:35,880
Speaker 3: but I was just too nervous.

693
00:33:36,440 --> 00:33:39,200
Speaker 2: And so he's one of the best music producers in

694
00:33:39,280 --> 00:33:39,640
Speaker 2: the world.

695
00:33:39,720 --> 00:33:42,640
Speaker 3: He'd just done the Bruno Mars song like, so he's like,

696
00:33:42,760 --> 00:33:44,000
Speaker 3: couldn't be bigger right now.

697
00:33:44,320 --> 00:33:46,640
Speaker 2: And my question to him was where did you get

698
00:33:46,680 --> 00:33:47,320
Speaker 2: your shoes from?

699
00:33:50,480 --> 00:33:52,480
Speaker 3: And we're on radio, by the way, so know that

700
00:33:52,600 --> 00:33:55,479
Speaker 3: the audience can't see is shoes, And I said, where'd

701
00:33:55,480 --> 00:33:56,440
Speaker 3: you get your shoes from?

702
00:33:59,800 --> 00:34:02,560
Speaker 1: We made an offer to reader Aura yesterday, but we

703
00:34:02,640 --> 00:34:05,440
Speaker 1: suggested to her, after a lot of thinking and I

704
00:34:05,560 --> 00:34:09,520
Speaker 1: think creative genius, that she should collab with a pod

705
00:34:09,880 --> 00:34:14,400
Speaker 1: of killer whales and rebrand as Rita Orca. Look, we

706
00:34:14,480 --> 00:34:15,120
Speaker 1: gave her a sample.

707
00:34:15,400 --> 00:34:18,120
Speaker 3: Amazingly, she said no, And when you hear this, you'll

708
00:34:18,160 --> 00:34:18,960
Speaker 3: be as shocked as we are.

709
00:34:28,440 --> 00:34:29,400
Speaker 2: You're obviously impressed.

710
00:34:35,760 --> 00:34:38,279
Speaker 1: Okay, so obviously you know this went into a brainstorm.

711
00:34:38,360 --> 00:34:40,040
Speaker 1: We had new gaming up today. We were like, geez,

712
00:34:40,080 --> 00:34:41,359
Speaker 1: what are we going to do with the big fella?

713
00:34:42,239 --> 00:34:44,880
Speaker 1: I mean what he really struck gold though.

714
00:34:45,680 --> 00:34:48,680
Speaker 2: So off the back of Riata Orca we thought today

715
00:34:48,960 --> 00:34:50,920
Speaker 2: we could do but Giffe.

716
00:34:54,600 --> 00:34:59,560
Speaker 3: So the way this works is we've slowed down one

717
00:34:59,600 --> 00:35:02,799
Speaker 3: of your of songs here and we're going to play

718
00:35:02,840 --> 00:35:05,279
Speaker 3: it to you now, and you need to tell us

719
00:35:05,800 --> 00:35:09,000
Speaker 3: if it's your vocals that have been slowed down with

720
00:35:09,160 --> 00:35:12,520
Speaker 3: your music or if it's just giraffe sound effects.

721
00:35:12,840 --> 00:35:40,680
Speaker 2: Okay, Okay, he's number one sounds like Gothic chanting. Its

722
00:35:40,800 --> 00:35:42,360
Speaker 2: wannting was that.

723
00:35:44,040 --> 00:35:46,279
Speaker 9: I'm trying to think what song it could be.

724
00:35:47,000 --> 00:35:48,799
Speaker 12: I'm trying to think of the melodies, but I don't

725
00:35:48,800 --> 00:35:51,120
Speaker 12: know if like there was like harmonies in the back.

726
00:35:51,000 --> 00:35:52,600
Speaker 1: Of that to make a call there, man, could have

727
00:35:52,640 --> 00:35:54,239
Speaker 1: been Giraff's harmonizing for all you know.

728
00:35:57,800 --> 00:36:01,440
Speaker 9: Oh oh, I'm gonna go with drafts. I feel like

729
00:36:01,520 --> 00:36:03,400
Speaker 9: it like it's probably going to be giraffs.

730
00:36:03,520 --> 00:36:04,480
Speaker 2: Okay, here we go, Here we go.

731
00:36:11,600 --> 00:36:12,120
Speaker 1: That is you.

732
00:36:14,000 --> 00:36:14,400
Speaker 12: Around.

733
00:36:14,440 --> 00:36:16,799
Speaker 1: We'll have another crack, right, We'll get one more crack. Okay,

734
00:36:16,840 --> 00:36:33,680
Speaker 1: here we go, next one? All right, what do you reckon?

735
00:36:33,760 --> 00:36:33,920
Speaker 12: Made?

736
00:36:33,960 --> 00:36:35,600
Speaker 1: Is that butcher or butcher Raffe?

737
00:36:36,719 --> 00:36:37,440
Speaker 9: That was a hard one.

738
00:36:37,480 --> 00:36:40,120
Speaker 12: That one had like this hard noise both it is

739
00:36:40,160 --> 00:36:43,719
Speaker 12: pretty much an impossible Okay, Oh man, I.

740
00:36:46,320 --> 00:36:48,200
Speaker 9: Feel like this one has to be the draft because

741
00:36:48,200 --> 00:36:49,320
Speaker 9: the first one wasn't.

742
00:36:49,160 --> 00:36:52,120
Speaker 2: A Giraft logic.

743
00:36:52,280 --> 00:36:53,040
Speaker 9: This one must be.

744
00:36:54,160 --> 00:36:55,800
Speaker 1: Would like to say, is it Berger?

745
00:36:56,040 --> 00:36:56,640
Speaker 2: What are you going for?

746
00:36:57,840 --> 00:36:58,160
Speaker 11: But ger?

747
00:36:58,400 --> 00:36:58,960
Speaker 2: All right, here we go?

748
00:37:01,719 --> 00:37:05,760
Speaker 1: Is it's Giraffe's lay it over graff?

749
00:37:10,920 --> 00:37:11,280
Speaker 10: Gosh?

750
00:37:12,520 --> 00:37:15,520
Speaker 3: Okay, and look mate, the big question is and we

751
00:37:15,600 --> 00:37:19,080
Speaker 3: did offer this to Rita Aura before you. But are

752
00:37:19,160 --> 00:37:21,799
Speaker 3: you open to the idea of gerraffe becoming a thing?

753
00:37:21,840 --> 00:37:26,040
Speaker 3: We release a song your songs, except it's just giraffe sound.

754
00:37:25,800 --> 00:37:27,080
Speaker 2: Effects over your voice.

755
00:37:31,360 --> 00:37:43,200
Speaker 6: Yeah, I mean, yeah, yes, you're a legend.

756
00:37:43,239 --> 00:37:48,160
Speaker 2: But mate, thanks for the chat, great, thanks much having me.

757
00:37:48,280 --> 00:37:50,239
Speaker 1: It's been great fun. Man. We'll get back to you

758
00:37:50,320 --> 00:37:52,160
Speaker 1: about a deal. Obviously, We've got to talk to the

759
00:37:52,239 --> 00:37:52,839
Speaker 1: drafts as well.

760
00:37:52,920 --> 00:37:54,240
Speaker 7: But yeah.

761
00:37:57,160 --> 00:38:01,560
Speaker 2: Myselfe thanks for joining us. Drive again.

762
00:38:01,600 --> 00:38:04,359
Speaker 1: But music, Hey, going chick got therapy. It's right out now.

763
00:38:04,440 --> 00:38:06,040
Speaker 2: We are obviously playing a whole heap of that.

764
00:38:06,160 --> 00:38:06,520
Speaker 1: I'm sure.

765
00:38:06,600 --> 00:38:08,080
Speaker 2: I hope there's a record on the way as well.

766
00:38:08,120 --> 00:38:09,560
Speaker 1: Mate, It's been a love to talk to you. Good

767
00:38:09,640 --> 00:38:12,640
Speaker 1: luck with the tour in the States, and good luck

768
00:38:12,680 --> 00:38:13,360
Speaker 1: for everything ahead.

769
00:38:13,360 --> 00:38:13,480
Speaker 7: Man.

770
00:38:13,480 --> 00:38:15,000
Speaker 1: Hopefully it's not the last time we get to meet you.

771
00:38:15,320 --> 00:38:15,640
Speaker 9: Thanks.

772
00:38:21,480 --> 00:38:25,160
Speaker 1: Welcome to the end of the show. A bit of

773
00:38:25,280 --> 00:38:30,120
Speaker 1: archapella work, Yeah, one of the show stuff there on

774
00:38:30,239 --> 00:38:32,920
Speaker 1: the on the Stubbornness there pick a card pick a

775
00:38:33,000 --> 00:38:36,120
Speaker 1: card pick of God on the Stubbornness gear. I thought

776
00:38:36,160 --> 00:38:37,160
Speaker 1: that was super interesting.

777
00:38:39,640 --> 00:38:51,680
Speaker 2: Nice, definitely, Yeah, necessarily.

778
00:38:51,400 --> 00:38:53,959
Speaker 1: Can we talk about can we also just talk about Okay,

779
00:38:54,080 --> 00:38:55,879
Speaker 1: you can go into the stubborness gear if you want.

780
00:38:55,960 --> 00:38:58,239
Speaker 1: I'm just trying to find a point of conversation. Here

781
00:38:58,280 --> 00:38:59,880
Speaker 1: bro for the debrief again.

782
00:38:59,880 --> 00:39:01,759
Speaker 2: To sign out if you like, you can just be

783
00:39:01,880 --> 00:39:04,160
Speaker 2: a quick thanks for having us, man, I've got a point. Now,

784
00:39:04,800 --> 00:39:05,399
Speaker 2: it'll be brief.

785
00:39:05,640 --> 00:39:08,320
Speaker 3: I didn't necessarily find what people are stubborn about interesting,

786
00:39:08,480 --> 00:39:12,439
Speaker 3: But what I did find interesting is the reason why

787
00:39:12,680 --> 00:39:14,200
Speaker 3: people are stubborn about that thing.

788
00:39:14,320 --> 00:39:15,200
Speaker 2: I've never thought about that.

789
00:39:15,200 --> 00:39:18,240
Speaker 1: Before, the reason why people are stubborn.

790
00:39:18,320 --> 00:39:20,279
Speaker 3: Yeah, Like, if you've got stubborn people in your life,

791
00:39:20,360 --> 00:39:22,799
Speaker 3: it can often be like just infuriating, like, oh God,

792
00:39:22,840 --> 00:39:25,680
Speaker 3: why you been so stubborn? I'd probably stop replace that

793
00:39:25,880 --> 00:39:29,440
Speaker 3: like frustration with stubborn people and focus on there's probably

794
00:39:29,480 --> 00:39:31,560
Speaker 3: a reason why they're being stubborn, and then you know,

795
00:39:31,640 --> 00:39:35,239
Speaker 3: if you're there with that person, try and find out why. Yeah.

796
00:39:35,480 --> 00:39:37,520
Speaker 1: I didn't want Yeah, I definitely didn't want to reveal

797
00:39:37,600 --> 00:39:41,160
Speaker 1: this on radio, but I with Sammy, I know, like

798
00:39:41,960 --> 00:39:44,160
Speaker 1: I know when she's being stubborn about something, I can

799
00:39:44,239 --> 00:39:46,279
Speaker 1: tell immediately what she's scared of. Yeah, there you go

800
00:39:46,680 --> 00:39:52,160
Speaker 1: straight away wow, and straight away it's so obvious and

801
00:39:52,280 --> 00:39:54,400
Speaker 1: just go, Wow, you're being a real stickler for that.

802
00:39:55,719 --> 00:39:57,520
Speaker 1: And now if you worked, you know, if you know

803
00:39:57,560 --> 00:39:59,960
Speaker 1: a person well enough, you work two steps back very

804
00:40:00,080 --> 00:40:03,360
Speaker 1: quickly and just go that's obviously what's gonna So for example,

805
00:40:03,480 --> 00:40:06,279
Speaker 1: like if we've got people coming over or something, and

806
00:40:06,400 --> 00:40:10,400
Speaker 1: I go, I've got to go out beforehand, she's just

807
00:40:10,760 --> 00:40:13,800
Speaker 1: socially very awkward because bad social anxiety. So she'll be like,

808
00:40:14,760 --> 00:40:15,920
Speaker 1: you've got to be home in half an hour.

809
00:40:16,360 --> 00:40:16,560
Speaker 17: Yeah.

810
00:40:16,560 --> 00:40:18,680
Speaker 2: I look into that, I go, why are you think

811
00:40:18,719 --> 00:40:19,279
Speaker 2: a bitch about this?

812
00:40:20,800 --> 00:40:22,960
Speaker 1: I'm just going to go, you know, if I'm going

813
00:40:23,000 --> 00:40:25,239
Speaker 1: to go and meet somebody else beforehand or whatever, or

814
00:40:25,280 --> 00:40:26,959
Speaker 1: if I'm going to go to the record shop or whatever.

815
00:40:27,800 --> 00:40:29,040
Speaker 1: But I know, if I look at it, I go,

816
00:40:29,440 --> 00:40:32,040
Speaker 1: that's just because you're scared about beating myself. Yeah, so

817
00:40:32,160 --> 00:40:33,920
Speaker 1: I can I can be a dickhead about it and

818
00:40:34,000 --> 00:40:35,279
Speaker 1: I can kick up a stink, or I can go.

819
00:40:35,880 --> 00:40:37,279
Speaker 2: I'm really going to make sure I'm home in half

820
00:40:37,280 --> 00:40:37,560
Speaker 2: an hour.

821
00:40:37,960 --> 00:40:40,840
Speaker 1: Yeah, Or I can make your life a whole lot easier.

822
00:40:41,280 --> 00:40:41,480
Speaker 13: Yeah.

823
00:40:41,719 --> 00:40:44,840
Speaker 1: Yeah, you know, you don't get You don't I find

824
00:40:45,040 --> 00:40:48,400
Speaker 1: with stubbornness in people as well, you don't get anywhere.

825
00:40:48,560 --> 00:40:51,879
Speaker 1: In fact, you're just making it worse by doubling down,

826
00:40:52,440 --> 00:40:54,880
Speaker 1: so you just you're just gonna get resistance totally.

827
00:40:55,000 --> 00:40:59,600
Speaker 2: Resistance just feels resistance totally totally. Just read just rinse

828
00:40:59,640 --> 00:41:00,239
Speaker 2: and rip heat.

829
00:41:00,840 --> 00:41:03,600
Speaker 3: Handy yeah, handy, Yeah, that's interesting. Take that home with

830
00:41:03,760 --> 00:41:04,280
Speaker 3: your guys.

831
00:41:04,840 --> 00:41:08,640
Speaker 2: Utilize counterproductive reaction. Oh, you know, it was fun. Reverse slags.

832
00:41:08,920 --> 00:41:09,439
Speaker 9: That was good.

833
00:41:11,000 --> 00:41:11,920
Speaker 6: Actually I thought of it.

834
00:41:12,360 --> 00:41:14,080
Speaker 2: I thought of a few more. But you might like

835
00:41:15,719 --> 00:41:18,840
Speaker 2: in slighs when there's a reverse late, you know, when someone.

836
00:41:18,800 --> 00:41:19,640
Speaker 1: Well, you've got the scooter on.

837
00:41:19,760 --> 00:41:23,000
Speaker 2: First discuss that, I said, e bug, e bug.

838
00:41:22,800 --> 00:41:27,040
Speaker 1: Scooter over there, we all knew what you were talking about.

839
00:41:27,280 --> 00:41:29,040
Speaker 1: I did think you were talking about one of those

840
00:41:29,080 --> 00:41:32,719
Speaker 1: new while but then when you said razor, I was

841
00:41:32,719 --> 00:41:33,560
Speaker 1: like talking j.

842
00:41:36,160 --> 00:41:40,640
Speaker 2: Awesome. What about having tomato sauce in a glass bottle?

843
00:41:41,040 --> 00:41:43,960
Speaker 2: Reverse slay? Just impractical?

844
00:41:44,080 --> 00:41:47,359
Speaker 1: Impractical, I find I think Captain poop Pants is big

845
00:41:47,400 --> 00:41:54,160
Speaker 1: on the Rosello glass bottle tomato sauce. Have we had

846
00:41:54,160 --> 00:41:54,440
Speaker 1: you down?

847
00:41:54,600 --> 00:41:56,080
Speaker 2: It's a great tomato sauce to Rosella.

848
00:41:56,200 --> 00:41:59,080
Speaker 3: Would you obviously much prefer though Rosella came to the

849
00:41:59,120 --> 00:42:01,200
Speaker 3: party and just put it in one of those squeezy tubs.

850
00:42:01,800 --> 00:42:04,239
Speaker 1: Yeah, but I think there's a fact it's a reverse slide.

851
00:42:04,120 --> 00:42:06,960
Speaker 2: To get factor that's it's a reverse It is a

852
00:42:07,080 --> 00:42:07,760
Speaker 2: reverse slive.

853
00:42:08,800 --> 00:42:10,440
Speaker 1: I've got to admit it is a reverse.

854
00:42:10,239 --> 00:42:13,040
Speaker 3: Slate by sticking to the glass bottle, which they know

855
00:42:13,239 --> 00:42:15,440
Speaker 3: is in practical Yeah, there must.

856
00:42:15,360 --> 00:42:17,160
Speaker 1: Be a bit in reverse slaves. Maybe we should hit

857
00:42:17,239 --> 00:42:19,239
Speaker 1: him again tomorrow. I feel like they just keep coming up.

858
00:42:20,200 --> 00:42:23,760
Speaker 2: Is is chopsticks a reverse slide?

859
00:42:23,840 --> 00:42:30,400
Speaker 1: Yep, because maybe we wouldn't say that. I think it's

860
00:42:30,440 --> 00:42:32,520
Speaker 1: a reverse sleigh if you're a Westerner and you've got

861
00:42:32,600 --> 00:42:33,520
Speaker 1: no idea.

862
00:42:33,640 --> 00:42:35,719
Speaker 3: Yeah, because it was like, as a Westerner sitting into

863
00:42:35,719 --> 00:42:38,759
Speaker 3: the restaurant, you know you can more efficiently get the

864
00:42:38,800 --> 00:42:39,800
Speaker 3: food in with a fork.

865
00:42:39,760 --> 00:42:42,000
Speaker 1: Right, Yes, you know that, Yes, but you stick to

866
00:42:42,280 --> 00:42:44,600
Speaker 1: But if you watch someone or you know how to

867
00:42:44,680 --> 00:42:48,520
Speaker 1: use chopsticks properly, you know that you get like you

868
00:42:48,520 --> 00:42:50,360
Speaker 1: would look at a fork and be like that's a

869
00:42:50,440 --> 00:42:54,320
Speaker 1: reverse sleigh, yeah.

870
00:42:54,200 --> 00:42:56,080
Speaker 2: Because you get so much more you get.

871
00:42:58,280 --> 00:43:00,480
Speaker 1: You get so much more precision with chop sticks, like

872
00:43:00,560 --> 00:43:03,600
Speaker 1: particularly for Asian food, if you don't if you can

873
00:43:04,440 --> 00:43:08,200
Speaker 1: pick so precisely what you want versus a fork, which

874
00:43:08,280 --> 00:43:11,200
Speaker 1: you can't be as precise with, Like you can't choose

875
00:43:11,680 --> 00:43:16,400
Speaker 1: a single like shoot, yeah, with a fork, but you

876
00:43:16,520 --> 00:43:17,560
Speaker 1: can with chop sticks.

877
00:43:17,800 --> 00:43:20,000
Speaker 2: Chopstic also just controls how fast you eat as well,

878
00:43:20,200 --> 00:43:23,160
Speaker 2: much better for digestion. Yeah, it really is.

879
00:43:23,800 --> 00:43:26,319
Speaker 1: Much better for like portion control, exactly right.

880
00:43:26,640 --> 00:43:30,200
Speaker 2: Yeah, it's so much better my ice cream with chop sticks.

881
00:43:31,239 --> 00:43:40,680
Speaker 1: Yeah, you've got your pizza. You got your pizza, pizza.

882
00:43:41,280 --> 00:43:42,920
Speaker 3: What about if you're in the pet market, You're like,

883
00:43:42,960 --> 00:43:44,759
Speaker 3: I need to get a pet, and you get a

884
00:43:44,840 --> 00:43:45,800
Speaker 3: cat over a dog.

885
00:43:46,600 --> 00:43:48,759
Speaker 2: Reverse lane because cat sucks.

886
00:43:48,760 --> 00:43:51,399
Speaker 3: They've got part No, it's got to be, but there's

887
00:43:51,440 --> 00:43:53,640
Speaker 3: just a worse pet, right, it's gotta be a reverse

888
00:43:53,920 --> 00:43:55,120
Speaker 3: Like I got a cat.

889
00:43:56,280 --> 00:43:59,160
Speaker 2: I still get dogs. Awesome, cat suck. So isn't that

890
00:43:59,239 --> 00:44:00,960
Speaker 2: reverse lake by getting going I got a cat?

891
00:44:01,080 --> 00:44:05,080
Speaker 1: No, because it still has to be No, No, No,

892
00:44:05,200 --> 00:44:07,160
Speaker 1: I don't think it is. I do what Another one

893
00:44:07,200 --> 00:44:12,080
Speaker 1: that I thought of, though, is is if it's similar

894
00:44:12,160 --> 00:44:15,200
Speaker 1: to the Kate Winslet one. If I saw like a

895
00:44:15,320 --> 00:44:20,040
Speaker 1: really famous person, really wealthy famous person driving like a

896
00:44:20,120 --> 00:44:24,080
Speaker 1: Toyota Camery, it's a reverse sleigh, right, or even like

897
00:44:24,120 --> 00:44:27,399
Speaker 1: if you get the right old car like Daniel Craig

898
00:44:27,640 --> 00:44:29,520
Speaker 1: in one of those James Bond and the latest James

899
00:44:29,600 --> 00:44:32,960
Speaker 1: Bondfield driving that like gold Prato. That is such a

900
00:44:33,040 --> 00:44:36,560
Speaker 1: reverse slate, like he should be driving the latest land

901
00:44:36,640 --> 00:44:38,839
Speaker 1: Rover or whatever, and he's driving this like nineteen ninety

902
00:44:38,880 --> 00:44:41,520
Speaker 1: five Prato and it's fucking reverse slate.

903
00:44:41,640 --> 00:44:41,840
Speaker 9: Do you know.

904
00:44:41,880 --> 00:44:44,319
Speaker 2: I had a moment with I won't, I won't. Well

905
00:44:44,320 --> 00:44:45,640
Speaker 2: I name them, Yeah, here.

906
00:44:45,560 --> 00:44:49,160
Speaker 11: We go, we go.

907
00:44:50,440 --> 00:44:59,640
Speaker 2: I bet Dixon he's a reverse slive in general, is

908
00:44:59,640 --> 00:45:00,840
Speaker 2: a bit of a reverse sli.

909
00:45:00,880 --> 00:45:01,239
Speaker 5: There you go.

910
00:45:01,560 --> 00:45:02,960
Speaker 2: Yeah, well there's another.

911
00:45:03,120 --> 00:45:04,640
Speaker 3: I'm just going to say he's a well known Ish

912
00:45:04,719 --> 00:45:08,120
Speaker 3: person and we well we I won't say, just in

913
00:45:08,200 --> 00:45:09,920
Speaker 3: case they care about the story. But we went to

914
00:45:09,960 --> 00:45:16,280
Speaker 3: go and work out at one of bo Ryan's new gym's. Yeah, anyway,

915
00:45:16,520 --> 00:45:19,680
Speaker 3: I'm just this is just a like reverse slayer with anyway.

916
00:45:20,719 --> 00:45:22,239
Speaker 3: I said, oh, mate, I'll give you a lift home.

917
00:45:22,560 --> 00:45:25,359
Speaker 3: He's like, yeah, no worries. Anyway, he walked straight past

918
00:45:25,480 --> 00:45:28,719
Speaker 3: my car and I was like, oh mate, right, and

919
00:45:28,840 --> 00:45:32,600
Speaker 3: he was like, oh that's your yeah right, And and

920
00:45:32,640 --> 00:45:33,800
Speaker 3: then I got we got in the carr and I

921
00:45:33,880 --> 00:45:35,319
Speaker 3: was like, sorry, I've got to put you up there.

922
00:45:35,520 --> 00:45:37,279
Speaker 3: Why are you so shocked by the carne Like, oh,

923
00:45:37,800 --> 00:45:40,239
Speaker 3: it's just a piece of ship, and I just just

924
00:45:40,360 --> 00:45:42,319
Speaker 3: sort of expected a better car.

925
00:45:42,960 --> 00:45:45,080
Speaker 2: This is a piece of ship, and I kind of

926
00:45:45,120 --> 00:45:48,160
Speaker 2: respect that. So that is the reverse. That's what I'm

927
00:45:48,200 --> 00:45:48,840
Speaker 2: talking about.

928
00:45:49,400 --> 00:45:53,920
Speaker 1: I reckon somebody driving like a brand new car is

929
00:45:54,880 --> 00:45:57,960
Speaker 1: well for me through my eyes, like a brand new

930
00:45:58,320 --> 00:46:03,879
Speaker 1: hot car is a far greater light on them than

931
00:46:04,040 --> 00:46:07,279
Speaker 1: if they had driven a car that's just like pctical,

932
00:46:08,160 --> 00:46:10,160
Speaker 1: not necessarily a piece of ship, but just like gets

933
00:46:10,200 --> 00:46:10,879
Speaker 1: them from a to bat.

934
00:46:11,200 --> 00:46:13,880
Speaker 2: Yeah yeah, yeah, right, it's a reverse.

935
00:46:14,080 --> 00:46:16,600
Speaker 1: It's Kate. It's Kate wins It flying economy. I mean,

936
00:46:16,680 --> 00:46:18,160
Speaker 1: she is in the emergency row. If I was going

937
00:46:18,239 --> 00:46:19,400
Speaker 1: to pull her up for anything.

938
00:46:19,120 --> 00:46:22,239
Speaker 2: But she's paid extra for that. Just get lucky, surely.

939
00:46:22,360 --> 00:46:24,040
Speaker 2: Kate Winsley goes to check in and they go, we're

940
00:46:24,080 --> 00:46:26,399
Speaker 2: going to give you the the exit, bro, do you reckon?

941
00:46:26,800 --> 00:46:29,920
Speaker 1: Oh well I would, Well she did survive the Titanic.

942
00:46:32,840 --> 00:46:38,600
Speaker 1: Don't share the door though, Well, they're doing the emergency

943
00:46:38,640 --> 00:46:41,520
Speaker 1: exit roast pitch and winslet when the door flies off.

944
00:46:43,200 --> 00:46:47,839
Speaker 2: Yeah yeah, yeah, it'd be a great prank. Elaborate get

945
00:46:47,880 --> 00:46:50,440
Speaker 2: her on a plane, plane goes down, have the moment

946
00:46:50,800 --> 00:46:52,080
Speaker 2: where it's like oh, there's.

947
00:46:51,920 --> 00:46:54,040
Speaker 6: A fighting door. What are you going to do?

948
00:46:54,160 --> 00:46:56,560
Speaker 2: And we're filming the whole thing and we see if

949
00:46:56,600 --> 00:47:00,600
Speaker 2: she shares the cameras. That's that's expensive. Poop pants to

950
00:47:00,600 --> 00:47:05,560
Speaker 2: stop listening anyway, that's a good frank. You shut that outside.

951
00:47:05,960 --> 00:47:08,399
Speaker 2: That's expensive. But it's a big one. It's a big one.

952
00:47:09,360 --> 00:47:10,040
Speaker 2: It's a hot bit.

953
00:47:10,280 --> 00:47:11,280
Speaker 1: We'll see you guys tomorrow.

954
00:47:15,880 --> 00:47:15,920
Speaker 8: I