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Speaker 1: Will we ever find out what the number one rom

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Speaker 1: com of all time is?

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Speaker 2: Oh wow, I kept that from you.

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Speaker 3: You never revealed it.

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Speaker 4: I kept that from you never. So there was a

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Speaker 4: dog move, wasn't it.

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Speaker 3: People will be pissed off because that true.

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Speaker 4: You threw up the absolute piece of poo. That was

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Speaker 4: how to lose a guy in ten days. And we're

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Speaker 4: talking about top ten rom coms of all time.

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Speaker 2: We're there, we're on there.

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Speaker 3: I mean we can get the back track.

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Speaker 2: Yeah, we get the back track, we get the backcheck.

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Speaker 4: Yeah, so so so, And keep in mind, just to

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Speaker 4: give you guys an idea of the pedigree of the

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Speaker 4: top ten. At number eleven outside the top ten is

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Speaker 4: Jack Nicholson and Day and Keating with as good as

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Speaker 4: it gets.

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Speaker 1: I'm not sure about that as a top ten top ten.

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Speaker 2: It's eleventh.

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Speaker 1: Well, it seems too high, but it's a great.

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Speaker 2: But it's a good sign. It's a good sign of

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Speaker 2: the top.

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Speaker 1: Ten, Diane Keaton, Jack Nicholson, you're gonna.

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Speaker 2: Get a decent point. My point is just as good

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Speaker 2: as it gets, is better, Yeah, but you're not. It

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Speaker 2: is as good as it gets.

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Speaker 1: Although it was Wait, you're just as good as he

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Speaker 1: gets that's not dying.

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Speaker 3: Kington said, you said something's got to give.

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Speaker 2: Somebody's got to give. As good as that's a good movie?

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Speaker 3: Is that the one you're talking about?

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Speaker 2: I'm talking about. I always get confused with those two

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Speaker 2: the same movie. It's the same movie, Something as It

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Speaker 2: Gets and Something's Got to Give. It's the same movie.

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Speaker 3: It's same, same characters, the same actors. So you've got

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Speaker 3: Jack nigs In in both.

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Speaker 2: Yeah yeah, and then Keaton Keaton swamps with Hunt, yes.

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Speaker 3: Yes, yes, yes, So what what is the better film?

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Speaker 2: I like? I personally like as good as it gets?

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Speaker 1: Well, he won an oscar for as good as it gets?

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Speaker 3: Yeah, yeah, something's got to give?

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Speaker 4: Give just pain well he just They were just like,

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Speaker 4: can you bring back the same eccentric bastard that you

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Speaker 4: hadn't as good as it gets? And bring Diane Keaton's

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Speaker 4: joining it. We're doing fifty million each.

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Speaker 2: I'll take it.

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Speaker 3: And it was always going to work. So sorry, where

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Speaker 3: is so as good as it gets?

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Speaker 2: And they give an idea the pedigree of the top ten.

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Speaker 3: Where something's got to give?

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Speaker 2: Though I'm not sure, okay, fair enough, I'm not sure.

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Speaker 3: Nowhere near that though, I'm not sure.

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Speaker 2: I'm not going to bring up the list. Well, I'll

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Speaker 2: bring up the list because I need to.

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Speaker 4: Maybe I will bring up the list because I need to,

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Speaker 4: just so that that gives you the argue the pedigree of.

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Speaker 2: The top ten. That's why I was wrenching as good

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Speaker 2: as it gets.

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Speaker 4: And then you came in and suggested that how to

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Speaker 4: lose a guy in ten days was going to be

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Speaker 4: the doctor.

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Speaker 3: I just want to have a chuck at the stumps?

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Speaker 4: Fill sure, okay, playing you're playing a movie game. You're

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Speaker 4: playing a movie game. You're playing against other people who

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Speaker 4: are playing the movie game. You can't just waltz in

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Speaker 4: with a chuck of the stumps. I mean, it's to

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Speaker 4: be fair. I think it's insulting for everybody else is

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Speaker 4: playing the game, and who would like the privilege of

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Speaker 4: sitting opposite me and playing lost the plot daily, which

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Speaker 4: you frequently stink up. I think a lot of people

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Speaker 4: would be offended about the fact that you had a

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Speaker 4: chuck at the stumps.

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Speaker 3: I had to win today. Can I just say it

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Speaker 3: was before you wasn't it? At a time no one.

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Speaker 2: Was going to question today she rocked up with a

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Speaker 2: tub of tub brown snakes will have killed her. They

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Speaker 2: were baby tigers.

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Speaker 5: Anyway, anyone who was listening to the show live today

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Speaker 5: would have heard you. Eventually after lost the plot, go

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Speaker 5: over the full top ten rom coms of all time,

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Speaker 5: ranked by the Ringer dot Com by the Ringer yep.

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Speaker 3: Moving on to the website.

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Speaker 2: BuzzFeed and yeah, all the all the good website and

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Speaker 2: Trailette and all these ones.

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Speaker 5: Anyway, but on air, you just you went to the

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Speaker 5: traffic because we were so offended, would he?

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Speaker 3: Yes, because we got and you shouldn't have punished Australia

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Speaker 3: for my rowe at the stumps. That wasn't fair.

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Speaker 2: Heavy lies the Crown, my friend, you know you were

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Speaker 2: in the Crown there. Yes, you're on air. There's a

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Speaker 2: lot of power responsibility. Yeah, I was drunk with power

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Speaker 2: and I punished everyone for it and you never.

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Speaker 3: Revealed You never revealed number one. So I still Prince,

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Speaker 3: I still don't know what number one is in orders Australia. Well,

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Speaker 3: I could go to rinker dot com or whatever it's Ringer.

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Speaker 4: I think you would just find some pretty dusty ice

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Speaker 4: rinks if you go to rinker dot com ranking the

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Speaker 4: best rinks in the in the world a shocking joke.

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Speaker 2: All right, here we go. So I've got ten. Ten

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Speaker 2: Do you mean to go to the top ten?

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Speaker 3: Go for it again? Worry five?

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Speaker 2: Ten, ten forgetting Sarah Marshall.

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Speaker 3: Coming at one.

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Speaker 2: Ten forgetting Sarah Marshall.

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Speaker 4: Now remind there are two actresses who are equal with

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Speaker 4: movies in the top ten. They've both got three each.

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Speaker 4: We'll find out here we go. I mean, it's nice

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Speaker 4: having this power, isn't it. You got the top ten ROMs.

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Speaker 4: Everyone knows, we know they are. Everyone wants to know,

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Speaker 4: even I know, and I want to know if you

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Speaker 4: know what I mean?

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Speaker 2: All right, here we go. Top ten forgetting Sarah Marshall.

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Speaker 3: Great movie, Great movie.

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Speaker 4: Nine Sandler pops up with the wedding singer, stiff not

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Speaker 4: to get Jack and Jill, But.

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Speaker 3: So Sandler and Barrymore. They Jack and Jill, Sandaler and

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Speaker 3: Barrymore have done three or four together, haven't they?

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Speaker 6: They?

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Speaker 2: Jack?

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Speaker 3: And had they had blended, they had the weddings again,

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Speaker 3: the wedding singer, they might have fourth on the way.

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Speaker 3: I think, good chemistry, good chemistry.

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Speaker 2: It's no better.

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Speaker 4: His friend's wedding, which comes in at eight, well and

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Speaker 4: is Roberts's first movie in the top ten. Keeping eye

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Speaker 4: on the Roberts versus Meg Ryan race here Sleepless in

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Speaker 4: Seattle seven your guests for number one. Hanks and Ryan

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Speaker 4: show up again, number one pairing in the top ten.

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Speaker 3: Hanks and Ryan number one pairing, amazing chemistry.

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Speaker 4: Sleepless in Seattle comes in at seven. Meg Ryan gets

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Speaker 4: her first, so it's one all between her and Roberts

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Speaker 4: in the top ten. Nodding Hill, Roberts goes bang. She

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Speaker 4: joins the race number six, notting Hill. Hugh Grant first

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Speaker 4: movie in the top ten. Stiff to not have more.

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Speaker 4: We have to say love actually because it's about thirteenth

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Speaker 4: fourteenth funeral.

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Speaker 2: It's up there as well.

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Speaker 4: It's in the top twenty, the top twenty. Yeah, so

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Speaker 4: he's had a good run, unlike you only get one

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Speaker 4: in the top ten. And say, Jerry maguire, bit of

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Speaker 4: a rogue, bit of a dark horse, great movie.

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Speaker 2: Is it a rom com? We've discussed? What do you

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Speaker 2: convinced me it's a love story? Four? I mean this

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Speaker 2: is the howl for me, this is the.

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Speaker 3: Black sheep.

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Speaker 7: Yeah.

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Speaker 4: I was just compecial awards being without offending someone, but

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Speaker 4: pretty much impossible, Number four Clueless.

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Speaker 5: Yeah, we're both good movie if you grew up in

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Speaker 5: the nineties. But I think a lot of girls.

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Speaker 2: It's a comedy.

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Speaker 3: Yeah, I think it's iconic. It's an iconic film, but

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Speaker 3: it's not a classic rom comedy.

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Speaker 1: In the forty i'd be like, okay, random line, but

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Speaker 1: not four.

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Speaker 2: It's not a rom com. I stand by that. It's

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Speaker 2: a comedy.

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Speaker 4: They end up with like some sort of like weird

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Speaker 4: incest gig cabs out the.

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Speaker 3: Front, ge whiz, keep moving.

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Speaker 2: Number three, Here we go.

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Speaker 4: Ryan hits back at Roberts goes go up to two.

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Speaker 4: All you've got mail with Hanks again, robertson Hanks, that's

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Speaker 4: number that's number three.

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Speaker 3: Whose chemistry think is better? Sandaler and Barrymore or Hanks

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Speaker 3: and Ryan? Who's got better chemistry?

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Speaker 2: Thanks and Ryan Hanks?

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Speaker 4: Ryan, Yeah, number two, here we go.

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Speaker 2: Keep in mind Meg, Ryan's on two. Julia.

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Speaker 4: Roberts takes it to three movies in the top ten.

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Speaker 4: Best Rum comes in top fifty with Pretty Woman, Huge Massive,

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Speaker 4: probably my favor it rom come Yeah, probably.

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Speaker 3: And this is where I said unbelievable the hell beat

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Speaker 3: Pretty Woman. We were live on air and then I

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Speaker 3: stupidly said, oh maybe how it looks a days and

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Speaker 3: then you punished Australia by not revealing the number one.

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Speaker 4: Please keep in mind Julie Roberts on three movies in

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Speaker 4: the top ten. Meg Ryan makes it three all with

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Speaker 4: when Harry met Sally as number one.

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Speaker 2: She and Billie Crystal the big o in the diner

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Speaker 2: with the soup. Yeah we're there, We're there.

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Speaker 3: Yeah, brilliant.

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Speaker 2: There you go.

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Speaker 5: Not sure about when Harry met Sally, Joe, it's not

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Speaker 5: bad Billy Crystal having the number one rom com of

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Speaker 5: all time just doesn't sit great.

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Speaker 4: Great final scene, good final scene, but is it a

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Speaker 4: better side?

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Speaker 2: Yes, the Pretty Woman final scene was ship.

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Speaker 4: That's probably the only thing that took Pretty Woman from

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Speaker 4: number one is Oh my god, Richard Gere rocking up

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Speaker 4: to her house is just spare me. They should have

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Speaker 4: finished it where they were meant to finish Pretty Woman,

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Speaker 4: which is that you know they go their different ways.

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Speaker 3: Yeah, they don't do it.

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Speaker 4: That's how he's got a better final scene.

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Speaker 2: All right, that's it number one. We're got to go.

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Speaker 8: I've got a capt This is the Will and Woody Podcast.

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Speaker 4: You're one of our absolute favorites in the studio Judith Lucy,

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Speaker 4: who joins the boys Jus in Melbourne at the moment

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Speaker 4: doing Still Here, her brand new show with Denise Scott.

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Speaker 4: The two of you guys on stage together again, Jude,

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Speaker 4: I'm actually really excited to go and see you guys.

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Speaker 2: Haven't seen you on stage together. It's just for my

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Speaker 2: Is she opening for you or are you no?

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Speaker 9: No, it's an act, it's a play. It's well, we

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Speaker 9: use that word incredibly lose.

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Speaker 8: Basically, it's kind of we like to say, it's like

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Speaker 8: waiting for Godo meets Flying High. Essentially, management everyone we

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Speaker 8: knew said, don't do a show about COVID being in lockdown.

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Speaker 8: So that's what the show is. The show is about Denise.

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Speaker 9: Scott and I being in lockdown.

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Speaker 8: For two years. Demographic call it waiting for COVID.

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Speaker 4: Okay, the demographic for our audience, and they're kind of

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Speaker 4: like sub thirty five year old people flying high and

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Speaker 4: waiting for God.

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Speaker 2: Oh God forgot by Samuel Beckett.

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Speaker 9: Well, it is and that should have nothing to do

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Speaker 9: with age.

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Speaker 8: People should just know that they're just idiots, is exactly.

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Speaker 8: And I knew about it in the eighties, so get

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Speaker 8: with gurglers.

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Speaker 2: People just gurgle basically making reference for the show.

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Speaker 8: What I will say is that we have just cobbled

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Speaker 8: every joke about COVID and Lockdown that you ever heard,

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Speaker 8: and we have tied them all together and loosely called

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Speaker 8: the collection of bad gags a play, not anything that

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Speaker 8: happened in COVID from you know, bortom problem, drinking excessive.

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Speaker 8: Oh gosh, we're talk an awful lot about facial hair,

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Speaker 8: and this show talks a lot about shaving a face.

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Speaker 8: I'm just going to jump in there, and I.

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Speaker 3: Was shaving the peach firlfriend.

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Speaker 9: Yes, that's exactly what the well.

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Speaker 8: I had a shocking experience where I looked in the

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Speaker 8: Mara one day and thought I looked like a woman

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Speaker 8: crossed with a bee.

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Speaker 9: And I thought, this is so good. I like a

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Speaker 9: German shepherd. So I started shaving.

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Speaker 8: Scotty talks about the face that she decided to abandon

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Speaker 8: the shaving and just grew a goatee, as.

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Speaker 9: A lot of middle aged women did.

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Speaker 8: But I kept up with a daily face shaving. But gentlemen,

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Speaker 8: if this isn't too concroding, I will tell you that from.

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Speaker 9: The neck down, I just let everything go. It was

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Speaker 9: a jungle.

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Speaker 8: I was like the Amazon rainforest. To be honest with you,

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Speaker 8: I was storing carbon. So I was doing what I

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Speaker 8: called for the younger generation. I mean, for goodness sake,

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Speaker 8: if you'd seen my armpits, it was like I popped

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Speaker 8: a beanie and a couple of gurgly eyes down there.

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Speaker 8: You would have thought I was holding a couple of

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Speaker 8: bearded hipsters. It was just a terrifying, terrifying experience. So

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Speaker 8: we we tackle the big topics we have that we

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Speaker 8: have a special appearance from someone who is a Scottish

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Speaker 8: doctor that many people took comfort in this man and

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Speaker 8: his statistics during the pandemic.

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Speaker 9: He might make a little guess.

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Speaker 8: The show Sutton, no her Scottish accent, There no Scottish accent.

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Speaker 9: All I've bread dust. Certainly get a mention and.

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Speaker 8: I might that might involve an apron and me being naked.

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Speaker 8: I'll say, what's really exciting is that both of my

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Speaker 8: shoulders went on me during lockdown. And Scotty hasn't really

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Speaker 8: been able to walk properly for about twenty years, and

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Speaker 8: so she's got real knee issues. So what I'm trying

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Speaker 8: to say to you, is that between the tour of

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Speaker 8: us we are barely one physically functioned human, which is

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Speaker 8: why you.

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Speaker 9: Have three dance numbers in.

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Speaker 2: The show, not two, but three.

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Speaker 8: And one of them is a liturgical dance. I don't

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Speaker 8: know if that means anything to either of.

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Speaker 9: You now it is, it is well, but.

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Speaker 8: You're still both going to hell. It's essentially it's dancing

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Speaker 8: to him. So yeah, he gets pretty hot and heavy

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Speaker 8: with Denise and out there in these sort of blue

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Speaker 8: smocks dancing. For god, it's just an incredible show and

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Speaker 8: there really is something for everyone.

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Speaker 4: Oh my god, we've got more with Judith Flice has

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Speaker 4: got a brand new show at the Comedy Festival called

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Speaker 4: Still Here. It's with Denise Scott Judith, are you guys obviously,

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Speaker 4: I mean you're obviously great mates with Denise.

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Speaker 8: It will be a miracle of Scottie and I are

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Speaker 8: actually talking when people come and see the show because

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Speaker 8: I got COVID when we were in Adelaide doing the

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Speaker 8: French Festival, and of course I just thought I had

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Speaker 8: a bad cold because I had two negative rats. Because

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Speaker 8: those things are a complaine waste of time, and I

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Speaker 8: know we have taken a pregnancy tests interesting was that

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Speaker 8: it went to my chest like bang one afternoon, like

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Speaker 8: really quickly. We were meant to have a show that night,

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Speaker 8: but the next thing I know, I'm off to emergency.

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Speaker 9: Austin stopped doing while I.

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Speaker 8: Was off to emergency. My close friend and colleague for

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Speaker 8: twenty plus years. What was she doing while I was

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Speaker 8: being whisked off not knowing whether I was going to

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Speaker 8: live or die?

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Speaker 9: Gentlemen?

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Speaker 8: She was packing her bag and getting on the first

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Speaker 8: flight back to Melbourne.

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Speaker 9: Because I guess that is what friendship looks like.

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Speaker 8: And to really add insult to injury, we weren't having

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Speaker 8: a great time and not Adelaide's fault. Ticket sales were down.

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Speaker 8: We were at a tricky venue. But two days before

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Speaker 8: this happened DEDI. Scott turned to me and said, Judith,

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Speaker 8: my fantasy is that you get COVID. We have to

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Speaker 8: cancel the rest of the season and I get to

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Speaker 8: go back to Melbourne. And it really hasn't been the

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Speaker 8: same since You've got to be honest with you.

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Speaker 4: You do manage managed to get on stage and do

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Speaker 4: the show.

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Speaker 9: Barely sorry the end.

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Speaker 8: One of the little tid that I must tell you

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Speaker 8: is because I'm there having terrible trouble sleeping. Scotty and

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Speaker 8: I were in rooms next to each other in the hotel.

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Speaker 8: So after having been an emergency for hours, I texted

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Speaker 8: her and I said, I'm so sorry, Scotty. I knew

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Speaker 8: she had some sleeping pills. I said, can you please

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Speaker 8: just leave a sleeping pill outside my door? And that's

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Speaker 8: when she texted back, I can't.

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Speaker 2: I'm home in bye, good luck friends.

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Speaker 8: So actually we do tell that story on stage too,

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Speaker 8: so you know, there's dancing, there's arguing and costume changes.

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Speaker 4: I was reading your interview and this is I think

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Speaker 4: something I would love to hear you guys talk about,

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Speaker 4: is the the wellness industry. You also great, give that

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Speaker 4: a bit of a treatment?

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Speaker 2: Is that right?

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Speaker 10: Not?

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Speaker 9: Really, that's interesting.

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Speaker 1: Oh maybe Julie.

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Speaker 9: Maybe Julie's show.

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Speaker 8: Julie's comedy show says a lot about wellness.

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Speaker 7: No, we don't.

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Speaker 2: I mean, let's have a look what else they're putting there.

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Speaker 3: I heard you also address the big question of will

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Speaker 3: you ever wear a bra again? I'm keeping this strictly

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Speaker 3: eye line.

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Speaker 4: Yeah.

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Speaker 8: Sure, that is much more a Denise Scott's story, which

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Speaker 8: makes it that much more terrifying. Because that woman's jugs

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Speaker 8: are frankly just enormous. And she tells the story about

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Speaker 8: how during lockdown, I mean, we all got more relaxed,

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Speaker 8: and Scotty talks about the fact that she just took

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Speaker 8: her braw off wherever wherever she was and one day

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Speaker 8: she just lost it, couldn't find it for days, and

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Speaker 8: then happened upon it under the rose bush she had

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Speaker 8: been several days earlier. So yes, we go into that,

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Speaker 8: and in fact that there are some amazing stunt breasts

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Speaker 8: in the show as well.

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Speaker 9: Yeah, and there's even I make a fridge. Is it

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Speaker 9: a frige?

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Speaker 8: It's ridiculously white and wriggle free? Or a portrait of

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Speaker 8: Nicole Kidman. You be the judge. We've got props, we've

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Speaker 8: got wigs, we've got costumes.

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Speaker 9: Come on, I can't come on.

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Speaker 2: I'm going it's going.

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Speaker 3: It's pitch like that.

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Speaker 2: You can hear the desperation.

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Speaker 4: Can you get please you're on the ropes, Please get

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Speaker 4: off the air.

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Speaker 2: You've had enough. Go and see her.

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Speaker 4: Judith Lucy still here her show with Denise Scott, Melbourne

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Speaker 4: Comedy Festival in costumes.

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Speaker 9: Any of that, and then Brisbane and then Sidney doing

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Speaker 9: the works. Oh we're going everywhere.

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Speaker 2: Bloody Well, hope those poor people.

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Speaker 3: It's a gift.

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Speaker 9: It's a guest to Australia.

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Speaker 8: Coming in. Well and Woody, what Easter all about?

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Speaker 3: The Easter egg hunt? The bunny comes to you.

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Speaker 4: It's all about new life and Christ being resurrected from

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Speaker 4: the dead.

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Speaker 2: I would have thought.

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Speaker 3: Sorry that obviously, but as a close second, it is

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Speaker 3: all about that Easter egg hunt.

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Speaker 4: Well, the Easter egg hunt is also about that, mate,

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Speaker 4: because the egg represents new life and Christ being resurrected

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Speaker 4: for our since.

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Speaker 3: Yeah. Perfect, So that's exactly what I'm saying. But if

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Speaker 3: we can just lean into the actual Easter egg hunt

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Speaker 3: and the practicalities around it.

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Speaker 2: Not sure where the bunny comes in when we be honest.

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Speaker 3: Within the whole story. Yeah, No, that is confusion, isn't

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Speaker 3: It is?

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Speaker 2: Because the egg get it new life.

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Speaker 4: Because the Greeks just paint eggs Greek Easter. They don't

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Speaker 4: find them, and the bunny certainly doesn't hide them.

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Speaker 3: Yeah right, but I don't know is that strictly an

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Speaker 3: Australian thing Easter Bunny. No, the Greeks.

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Speaker 2: They do the bilbi, they do the bilbi in the bush.

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Speaker 2: They are the easter bilby.

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Speaker 4: That's a strictly Australian thingtly Australian rural easter.

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Speaker 3: So people have been interchangeable with the animal that's dropping

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Speaker 3: the eggs.

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Speaker 2: I think in rural Australia they do what they want.

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Speaker 4: Will they shoot bunnies in the bush, right, So if

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Speaker 4: you're on a farm, in a farm there's a bunny

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Speaker 4: dropping eggs, it's like, well, don't we shoot bunny's dad?

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Speaker 3: Yeah?

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Speaker 2: And I'm sure there would have at an incident where

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Speaker 2: someone was trying to put eggs in a kid's backyard

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Speaker 2: and he.

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Speaker 3: Got shot potentially Will, But for the kids listening, the

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Speaker 3: easter bunny has never been shot. The easter bunny is

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Speaker 3: very safe. And I hope he came he or she

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Speaker 3: came to your house.

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Speaker 4: Wouldn't go to the rural Australia though, No, we hounded

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Speaker 4: out of there with a twenty two.

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Speaker 3: Yeah, well that's chocolate or not. That's why it's a

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Speaker 3: building in the country. Will, as you so eloquently put

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Speaker 3: about four minutes ago, how long we've been talking about this. Anyway,

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Speaker 3: here bunnies commonly come and they hide the eggs and

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Speaker 3: you go and hunt for those eggs. Now occasionally will

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Speaker 3: I would say that something goes wrong on these Easter

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Speaker 3: egg hunts. The bunny tries too hard with the hiding.

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Speaker 2: Position, bunny gets shot.

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Speaker 3: Well, yeah, we'd take that call. But thirty one oh

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Speaker 3: sixty five is our number. What went wrong on your

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Speaker 3: Easter egg hunt doesn't have to be from the most

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Speaker 3: recent one, could be when you were a kid or something,

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Speaker 3: but just anything going wrong on that morning Easter egg hunting.

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Speaker 4: Can we call when you say going wrong? Can we

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Speaker 4: say going wrong being like that you didn't find it?

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Speaker 3: Yeah, take the mean that's average call.

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Speaker 2: But because I was because I was talking to someone the.

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Speaker 4: Other day about about on Easter egg hunts. The number

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Speaker 4: one thing that Dad's like saying is standing at the

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Speaker 4: back door of the house and going from where I'm standing, Yes,

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Speaker 4: I can see three eggs you haven't found yet.

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Speaker 2: Yeah, what do they need to kick that off with?

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Speaker 2: From where I'm standing because of the power play, But

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Speaker 2: obviously it's.

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Speaker 4: From where you're standing. Yeah, true, so you also laid

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Speaker 4: them in the back garden.

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Speaker 3: I think the bunny does I think the bunny? I

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Speaker 3: think unless from Dad's vantage point, he can see. Of

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Speaker 3: course bunny has hidden them. Now, my beautiful partner, mem

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Speaker 3: and this is the reason we're taking these calls, my

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Speaker 3: beautiful part you're talking about killing the thing for about

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Speaker 3: fifteen minutes. Now, Mim, you're the inspiration behind this topic

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Speaker 3: today because there was a bit of a or a mistake.

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Speaker 4: It was.

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Speaker 3: There was a mistake with the Easter bunny with your

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Speaker 3: Easter egg hunt.

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Speaker 7: Yeah, that old trickster wasn't shot, surprisingly, which is a

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Speaker 7: good thing.

448
00:20:06,480 --> 00:20:09,200
Speaker 2: You were rural, you're not rural.

449
00:20:09,240 --> 00:20:09,879
Speaker 9: No, I don't know.

450
00:20:10,080 --> 00:20:12,160
Speaker 11: We were at home and but I don't think since

451
00:20:12,160 --> 00:20:12,880
Speaker 11: I've changed my.

452
00:20:19,800 --> 00:20:21,199
Speaker 2: Go on.

453
00:20:23,359 --> 00:20:26,840
Speaker 7: Okay, thank you for putting for the intro there. So

454
00:20:28,480 --> 00:20:30,760
Speaker 7: I was quite young and I woke up and I

455
00:20:30,800 --> 00:20:33,399
Speaker 7: was quite shook because the Easter bunny hair.

456
00:20:33,320 --> 00:20:35,280
Speaker 12: Thought that it was a really good idea to hide.

457
00:20:35,040 --> 00:20:38,520
Speaker 7: Like majority of my eggs inside my bed. But by

458
00:20:38,560 --> 00:20:41,600
Speaker 7: the time I woke up, it was quite warm in

459
00:20:41,640 --> 00:20:44,160
Speaker 7: the bed and toasty, and so I woke up thinking

460
00:20:44,240 --> 00:20:51,439
Speaker 7: that I had food myself really badly actually was mixed

461
00:20:51,520 --> 00:20:53,840
Speaker 7: in with it. So I thought that like I had

462
00:20:53,920 --> 00:20:56,480
Speaker 7: just like eaten smarties and then they were coming out whole.

463
00:20:57,040 --> 00:20:58,479
Speaker 9: So she just runs through bars.

464
00:20:59,480 --> 00:21:04,400
Speaker 3: Oh down myself, but it's all the bunny, an absolute

465
00:21:04,440 --> 00:21:08,040
Speaker 3: stitch up from the bunny. Well, anyway, it's funny.

466
00:21:08,080 --> 00:21:08,920
Speaker 11: It was a traumatic.

467
00:21:09,119 --> 00:21:12,520
Speaker 3: Sorry, I don't mean to laugh. I don't mean it's smart.

468
00:21:15,600 --> 00:21:18,840
Speaker 3: I love that story. Now, thirteen one six, five minutes

469
00:21:18,840 --> 00:21:20,720
Speaker 3: that number. If you've got any story like that, does

470
00:21:20,760 --> 00:21:23,479
Speaker 3: something going wrong on the Easter egg? Give us a

471
00:21:23,480 --> 00:21:25,440
Speaker 3: call on thirteen one oh six.

472
00:21:25,560 --> 00:21:27,240
Speaker 2: If the bunny was shot, we'd take the call.

473
00:21:27,400 --> 00:21:29,920
Speaker 4: Jeez, No, I've got to say we would.

474
00:21:30,000 --> 00:21:33,760
Speaker 2: It'd be a good call train wreck radio, don't get

475
00:21:33,800 --> 00:21:37,919
Speaker 2: me wrong, but it would be good. Was the bunny shot?

476
00:21:40,800 --> 00:21:42,840
Speaker 4: Before we get into these calls, because we're talking the

477
00:21:42,880 --> 00:21:44,520
Speaker 4: worst thing that's happened on an Easter account.

478
00:21:44,760 --> 00:21:45,760
Speaker 2: I thought we had some very.

479
00:21:45,680 --> 00:21:49,440
Speaker 4: Valid chat in the song just then, which occasionally I

480
00:21:49,560 --> 00:21:51,320
Speaker 4: like to let you know, let the curtain down for

481
00:21:51,359 --> 00:21:51,840
Speaker 4: you guys.

482
00:21:52,600 --> 00:21:53,920
Speaker 2: Privilege. You're listening to this show.

483
00:21:54,200 --> 00:21:56,320
Speaker 3: Yeah you didn't.

484
00:21:56,359 --> 00:21:58,760
Speaker 4: You didn't seem to think that your parents would make

485
00:21:58,800 --> 00:22:01,119
Speaker 4: you divide your eggs after your hunt.

486
00:22:01,320 --> 00:22:03,159
Speaker 3: No, I thought it was. It was all on for

487
00:22:03,359 --> 00:22:04,520
Speaker 3: which is outrageous.

488
00:22:04,760 --> 00:22:07,720
Speaker 4: I mean, quite about to become a dad. I quite

489
00:22:07,720 --> 00:22:10,800
Speaker 4: appreciate the parenting. That's a that's a lays a fair,

490
00:22:11,280 --> 00:22:13,119
Speaker 4: no holds barred business.

491
00:22:12,720 --> 00:22:13,400
Speaker 2: Model for kids.

492
00:22:13,440 --> 00:22:15,639
Speaker 3: And I think it's a healthy level of competitiveness to

493
00:22:15,800 --> 00:22:17,639
Speaker 3: ingrain into your children from an early age. So you

494
00:22:17,680 --> 00:22:19,480
Speaker 3: know what I mean, Like there are no handouts in life.

495
00:22:19,720 --> 00:22:22,199
Speaker 3: You're an egg, You go and get it, and if

496
00:22:22,200 --> 00:22:24,320
Speaker 3: your brother or is in the way, you take them out.

497
00:22:24,920 --> 00:22:25,520
Speaker 3: You take them out.

498
00:22:25,560 --> 00:22:27,480
Speaker 4: We had to sit down and share. We had the

499
00:22:27,520 --> 00:22:30,040
Speaker 4: car Martz model afterwards, and then we'd all get a

500
00:22:30,040 --> 00:22:31,720
Speaker 4: little you know, we'd all get our equal and it

501
00:22:31,800 --> 00:22:34,600
Speaker 4: was very particular that we got the same amount of eggs.

502
00:22:34,760 --> 00:22:36,679
Speaker 3: So boring, and what's the point of even looking for

503
00:22:36,720 --> 00:22:38,200
Speaker 3: the eggs? You just watch your brother's sport.

504
00:22:38,320 --> 00:22:39,320
Speaker 2: It was the sport of the egg.

505
00:22:39,480 --> 00:22:41,520
Speaker 3: There's no sport in it at the end.

506
00:22:43,359 --> 00:22:49,240
Speaker 2: All right, let's go to Kate. If everyone who Kate,

507
00:22:49,760 --> 00:22:51,840
Speaker 2: what happened to your Kate? Are you on?

508
00:22:52,000 --> 00:22:55,680
Speaker 4: Are you on to divvying up the eggs model as well?

509
00:22:55,680 --> 00:22:57,399
Speaker 4: Those are just a winner takes all set up.

510
00:22:57,600 --> 00:23:00,000
Speaker 11: Well, I've got five kids, so there's always the level.

511
00:23:00,040 --> 00:23:01,680
Speaker 11: There's always fringing fights overs.

512
00:23:02,600 --> 00:23:05,600
Speaker 4: They sit around and have a round table, your discussion

513
00:23:05,640 --> 00:23:07,000
Speaker 4: and a divvy up afterwards.

514
00:23:07,000 --> 00:23:09,280
Speaker 11: Well, they're now at the stage we're actually happy to

515
00:23:09,320 --> 00:23:12,919
Speaker 11: share because that they don't like. They'll just go, oh,

516
00:23:12,960 --> 00:23:13,679
Speaker 11: well you can have that one.

517
00:23:13,720 --> 00:23:15,560
Speaker 3: I don't want that one, and that's beautiful they figuring

518
00:23:15,600 --> 00:23:19,199
Speaker 3: out the.

519
00:23:18,119 --> 00:23:20,040
Speaker 11: Yeah, that's not always happy happy days.

520
00:23:20,200 --> 00:23:21,280
Speaker 2: Yeah.

521
00:23:21,320 --> 00:23:23,960
Speaker 3: So what something happened to your kid this Easter which

522
00:23:24,000 --> 00:23:24,600
Speaker 3: went a bit wrong?

523
00:23:25,240 --> 00:23:25,480
Speaker 2: Yeah?

524
00:23:25,520 --> 00:23:28,399
Speaker 11: Well it was actually my daughter's first Easter.

525
00:23:28,920 --> 00:23:29,200
Speaker 13: Three.

526
00:23:29,520 --> 00:23:33,760
Speaker 11: We put everything out the night before and went out

527
00:23:33,800 --> 00:23:35,800
Speaker 11: with filming it and actually goes and there was no

528
00:23:35,880 --> 00:23:36,600
Speaker 11: friggin eggs.

529
00:23:36,800 --> 00:23:42,480
Speaker 6: Oh, someone shut the bunny.

530
00:23:42,320 --> 00:23:44,680
Speaker 11: Maybe the rabbits has been out even than.

531
00:23:44,600 --> 00:23:45,480
Speaker 7: There was not one.

532
00:23:45,600 --> 00:23:47,920
Speaker 4: So I heard fox, and I just associated the gun

533
00:23:47,960 --> 00:23:50,200
Speaker 4: with the fox as well, the fox ate the bunny.

534
00:23:50,240 --> 00:23:51,960
Speaker 11: Potentially I had a gun too, I would have.

535
00:23:53,840 --> 00:23:57,920
Speaker 2: Wow Crystal. Six Five worst thing to happen during the

536
00:23:58,000 --> 00:23:58,640
Speaker 2: hunt Crystal.

537
00:24:00,160 --> 00:24:02,560
Speaker 14: When I was five years old, I came back to

538
00:24:02,600 --> 00:24:04,880
Speaker 14: the bucket of tiger snakes.

539
00:24:04,560 --> 00:24:06,640
Speaker 7: And thought, without reggs.

540
00:24:06,720 --> 00:24:09,920
Speaker 3: Oh and didn't you didn't get bitten?

541
00:24:09,960 --> 00:24:11,600
Speaker 7: Did you? No?

542
00:24:11,760 --> 00:24:16,399
Speaker 3: Obviously no, obviously, I'm a stupid question. I'm still alive with.

543
00:24:18,240 --> 00:24:21,840
Speaker 2: Killed your child? That was a tiger snake. Tiger sneak

544
00:24:21,840 --> 00:24:25,280
Speaker 2: will start with that you're just putting mayo on it

545
00:24:25,359 --> 00:24:27,720
Speaker 2: without even knowing it. Look at you, it was a

546
00:24:27,720 --> 00:24:28,520
Speaker 2: bucket of sharks.

547
00:24:31,440 --> 00:24:34,320
Speaker 3: I don't want to move on. Let's go to Jesse Jesse.

548
00:24:34,600 --> 00:24:36,720
Speaker 2: Did Crystal have anything to do with the.

549
00:24:38,480 --> 00:24:40,000
Speaker 4: Don't know the worst thing that happened to you when

550
00:24:40,000 --> 00:24:42,000
Speaker 4: you were a kid's Easter egg hunting?

551
00:24:42,080 --> 00:24:42,520
Speaker 2: That story?

552
00:24:42,680 --> 00:24:43,800
Speaker 3: For some reason, she didn't come.

553
00:24:43,760 --> 00:24:47,040
Speaker 4: Up with a bucket of tiger snakes that was out

554
00:24:47,040 --> 00:24:48,280
Speaker 4: of a tree and broke my leg that was on

555
00:24:48,320 --> 00:24:49,160
Speaker 4: the easter egg hunt.

556
00:24:49,359 --> 00:24:54,560
Speaker 2: She was, She didn't establish that she deliable crystal. Crystal Crystal.

557
00:24:55,040 --> 00:24:58,159
Speaker 4: We're looking at well, in what way did the snakes

558
00:24:58,200 --> 00:24:59,479
Speaker 4: have anything to do with the eggs?

559
00:25:00,200 --> 00:25:00,240
Speaker 6: No?

560
00:25:00,440 --> 00:25:02,159
Speaker 7: So like I went out looking for the eggs, she

561
00:25:02,320 --> 00:25:03,160
Speaker 7: said that nine.

562
00:25:03,080 --> 00:25:05,080
Speaker 2: Of us and then he came back with the snakes.

563
00:25:05,560 --> 00:25:06,240
Speaker 10: Yeah.

564
00:25:06,040 --> 00:25:07,600
Speaker 2: Yeah, it was just a silly, chilly kid.

565
00:25:07,640 --> 00:25:10,840
Speaker 4: Then worried about for my kid.

566
00:25:11,080 --> 00:25:12,800
Speaker 2: You're looking for eggs, you come up with snakes.

567
00:25:13,280 --> 00:25:14,639
Speaker 3: Well, no, you see, if you're a kid out there

568
00:25:14,680 --> 00:25:18,000
Speaker 3: looking for things, you come back with weird stuff chocolate eggs.

569
00:25:20,600 --> 00:25:23,480
Speaker 2: What I think we've got an issue with this one.

570
00:25:23,840 --> 00:25:26,479
Speaker 3: Let's go to Jesse. Let's go to Jesse Jesse you

571
00:25:26,480 --> 00:25:30,120
Speaker 3: had you had a camping Eastern trip. Yeah, something went wrong.

572
00:25:31,200 --> 00:25:31,440
Speaker 14: Yeah.

573
00:25:31,520 --> 00:25:34,560
Speaker 12: I was actually at a camping trip with my father

574
00:25:34,640 --> 00:25:37,560
Speaker 12: in law and we woke up and my father in

575
00:25:37,640 --> 00:25:39,480
Speaker 12: law said to me, do you want to go out

576
00:25:39,600 --> 00:25:41,760
Speaker 12: for you know, a hunt? And that was my first

577
00:25:41,800 --> 00:25:48,320
Speaker 12: time shooting, and yeah, went out and we popped, we

578
00:25:48,359 --> 00:25:51,240
Speaker 12: popped and eat, we popped the bunny and we brought

579
00:25:51,240 --> 00:25:55,239
Speaker 12: it back to camp and the kids came out at

580
00:25:55,240 --> 00:26:01,560
Speaker 12: the time and they said, it's got the bunny and no, no, no, no, no, no, no,

581
00:26:01,760 --> 00:26:05,240
Speaker 12: the bunnies come, the bunny has already been and for

582
00:26:05,280 --> 00:26:08,320
Speaker 12: the last, for the last you know, hour or that.

583
00:26:08,480 --> 00:26:12,080
Speaker 12: I had to reassure the kids that the bunny's already been.

584
00:26:12,160 --> 00:26:16,360
Speaker 12: And it was hard because my son, he's only sixteen months,

585
00:26:16,400 --> 00:26:20,280
Speaker 12: so he's running around the campsite and he's crying.

586
00:26:20,359 --> 00:26:27,680
Speaker 13: I'm like, no, no, no, Coming up next more Will

587
00:26:27,760 --> 00:26:30,800
Speaker 13: and Woody the Will and Woody Podcast.

588
00:26:30,960 --> 00:26:33,199
Speaker 2: How much is the perfect amount of vigi mind? That's

589
00:26:33,200 --> 00:26:36,920
Speaker 2: where we're at. That's where and look, you might think

590
00:26:36,920 --> 00:26:41,480
Speaker 2: to yourself, that's a lazy, very general radio question, Will,

591
00:26:41,560 --> 00:26:43,040
Speaker 2: and You're going to get it in feedback.

592
00:26:43,200 --> 00:26:47,960
Speaker 3: And I thought that, Yeah, what changed your mind.

593
00:26:48,600 --> 00:26:51,600
Speaker 4: I didn't have anything else to talk about, so I'm

594
00:26:51,640 --> 00:26:55,800
Speaker 4: glossing it up. No, no, no, I do think though in Australia. Look,

595
00:26:55,800 --> 00:26:57,600
Speaker 4: if I was asking this question in any other country,

596
00:26:57,920 --> 00:27:00,639
Speaker 4: take me off their sure. In this country, every single

597
00:27:00,640 --> 00:27:02,640
Speaker 4: person has a preference is how much vegimiters? And I'm

598
00:27:02,640 --> 00:27:04,439
Speaker 4: going to go so far as to say that I

599
00:27:04,480 --> 00:27:07,040
Speaker 4: actually think that there is a there is an amount

600
00:27:07,640 --> 00:27:10,880
Speaker 4: that fits the quota for ninety nine percent of people.

601
00:27:10,960 --> 00:27:12,119
Speaker 3: Are you going to deliver that to me?

602
00:27:12,400 --> 00:27:12,600
Speaker 11: Well?

603
00:27:12,600 --> 00:27:14,440
Speaker 4: See, this is where it gets interesting because, as you

604
00:27:14,600 --> 00:27:18,200
Speaker 4: so eloquently pointed out before, my simplistic friend, we are

605
00:27:18,240 --> 00:27:21,840
Speaker 4: in an audible medium, so it's very hard to describe

606
00:27:22,240 --> 00:27:25,440
Speaker 4: just exactly what is the perfect amount of vegimie.

607
00:27:25,480 --> 00:27:26,520
Speaker 3: Yeah, so why are we doing this?

608
00:27:27,000 --> 00:27:28,520
Speaker 2: Because we're going to get to the bottom of it? Mate?

609
00:27:28,480 --> 00:27:30,560
Speaker 2: Oh I like a challenge. Yeah, no, I like that.

610
00:27:30,640 --> 00:27:33,200
Speaker 2: So how much is the perfect amount of vegimi? I'll

611
00:27:33,200 --> 00:27:33,639
Speaker 2: start with you?

612
00:27:34,200 --> 00:27:37,760
Speaker 3: Thank you so much? So for me personally, I like

613
00:27:37,840 --> 00:27:39,560
Speaker 3: to I obviously like to put butter on the bottom.

614
00:27:40,080 --> 00:27:43,600
Speaker 3: We all agreed that it goes best with you. What

615
00:27:43,720 --> 00:27:46,199
Speaker 3: do you now, digital producer?

616
00:27:46,200 --> 00:27:50,320
Speaker 4: I said, no, but don't know under the bus, she said,

617
00:27:50,440 --> 00:27:51,880
Speaker 4: Butter on vegimie.

618
00:27:51,600 --> 00:27:53,359
Speaker 3: She just goes straight by the straight vegimi. She just

619
00:27:53,359 --> 00:27:54,600
Speaker 3: goes straight veggie onto bread.

620
00:27:54,960 --> 00:27:56,919
Speaker 4: Do you take the lens cap off when you shoot

621
00:27:56,920 --> 00:28:00,600
Speaker 4: a video cage?

622
00:28:00,640 --> 00:28:01,760
Speaker 3: I had to put that out there.

623
00:28:01,880 --> 00:28:04,359
Speaker 4: It's like brushing your teeth without toothpaste.

624
00:28:04,720 --> 00:28:05,840
Speaker 2: She doesn't, savage?

625
00:28:05,840 --> 00:28:10,600
Speaker 3: Are you try to defend yourself? Kate? Press the button there. Look,

626
00:28:11,000 --> 00:28:13,080
Speaker 3: I just didn't really like butter growing up, so it's

627
00:28:13,119 --> 00:28:15,560
Speaker 3: went straight in and I'm fine with that. And I'm

628
00:28:15,560 --> 00:28:18,280
Speaker 3: fine with that. Everyone has a right to a taste.

629
00:28:18,720 --> 00:28:22,600
Speaker 2: No, you don't taste his right arm is right off.

630
00:28:22,800 --> 00:28:25,480
Speaker 4: But okay, so like wiping your ass with your hand,

631
00:28:26,080 --> 00:28:28,800
Speaker 4: I'm sorry, it's in the same areas.

632
00:28:28,680 --> 00:28:30,880
Speaker 3: And some people do that and apparently go bear.

633
00:28:30,720 --> 00:28:33,240
Speaker 4: Back with vegimite on toast. Christ you as well just

634
00:28:33,240 --> 00:28:34,160
Speaker 4: scoop it out of the jar.

635
00:28:34,400 --> 00:28:37,320
Speaker 3: So so for me, for me, I mean I put butter.

636
00:28:37,440 --> 00:28:38,920
Speaker 2: She's got an active pole on this by the way

637
00:28:38,920 --> 00:28:41,800
Speaker 2: as well. kV oh, yeah, put it online. So do

638
00:28:41,840 --> 00:28:42,800
Speaker 2: you hear about that? Shortly?

639
00:28:42,840 --> 00:28:45,080
Speaker 3: But carry on Instagram stories if you want to see

640
00:28:45,080 --> 00:28:48,560
Speaker 3: the active pole. But so I put butter on the bottom.

641
00:28:48,640 --> 00:28:51,200
Speaker 3: Ye okay, but then my level of vegimite is that

642
00:28:51,240 --> 00:28:52,760
Speaker 3: I don't want to see any butter.

643
00:28:53,280 --> 00:28:54,280
Speaker 2: You want to see any.

644
00:28:54,280 --> 00:28:56,000
Speaker 3: So I would get so much vegemar.

645
00:28:56,080 --> 00:28:59,040
Speaker 4: Right, so you're on the anomaly here, so I'm surrounded

646
00:28:59,040 --> 00:29:01,320
Speaker 4: by app Can I, mate, you're.

647
00:29:01,200 --> 00:29:03,160
Speaker 2: Going to donkey vote at the next election. I know

648
00:29:03,240 --> 00:29:05,560
Speaker 2: that about you. Yes, you are. That's the only thing

649
00:29:05,600 --> 00:29:06,160
Speaker 2: you know how to do.

650
00:29:06,520 --> 00:29:09,560
Speaker 15: Now it's the quickst Can I Can I just go

651
00:29:09,760 --> 00:29:15,720
Speaker 15: to Joel? You have absolutely Flabba is very into pologics.

652
00:29:16,200 --> 00:29:18,200
Speaker 15: I just want to go to Joel here, but he's

653
00:29:18,200 --> 00:29:20,440
Speaker 15: the only other sane person in the room.

654
00:29:20,520 --> 00:29:20,800
Speaker 2: I've got.

655
00:29:20,840 --> 00:29:22,840
Speaker 4: Well, sorry, but what one person has put butter on

656
00:29:22,880 --> 00:29:24,920
Speaker 4: the toast the next one who shmeers it like Natella?

657
00:29:25,240 --> 00:29:27,320
Speaker 2: How much veggimite is the perfect amount of vegemite?

658
00:29:27,360 --> 00:29:29,120
Speaker 1: I actually can't have Veggimi has too much.

659
00:29:30,680 --> 00:29:32,920
Speaker 5: But my wife gets me to make her vegimar toast

660
00:29:32,960 --> 00:29:33,480
Speaker 5: every morning.

661
00:29:35,200 --> 00:29:37,200
Speaker 2: She's a nurse, she's a normal but I like keys.

662
00:29:37,360 --> 00:29:40,400
Speaker 5: It has become so heated between the two of us.

663
00:29:40,440 --> 00:29:43,280
Speaker 5: I now every morning take her toast out, butter the

664
00:29:43,320 --> 00:29:45,720
Speaker 5: toast evenly and leave it for her to enter the

665
00:29:45,800 --> 00:29:49,560
Speaker 5: room and appropriate amount because if you were to describe

666
00:29:49,600 --> 00:29:53,360
Speaker 5: the amount, I would say enough veggiemite, Yes, to consistently

667
00:29:53,440 --> 00:29:55,720
Speaker 5: melt with the butter, so that you get an even

668
00:29:55,800 --> 00:29:59,760
Speaker 5: spread across the toast without too much dark texture of

669
00:30:00,120 --> 00:30:00,840
Speaker 5: exactly the bread.

670
00:30:00,880 --> 00:30:01,440
Speaker 2: It's a scrape.

671
00:30:02,120 --> 00:30:04,000
Speaker 3: Are you saying a fifty to fifty ratio between butter

672
00:30:04,040 --> 00:30:05,280
Speaker 3: and vegimon and bread?

673
00:30:05,680 --> 00:30:05,840
Speaker 4: Enough?

674
00:30:06,360 --> 00:30:08,440
Speaker 3: Your enough bread the bread to come.

675
00:30:08,320 --> 00:30:10,360
Speaker 2: To its fifty?

676
00:30:10,720 --> 00:30:14,360
Speaker 3: Is asking from a bloke? You know, I'd be seventy

677
00:30:14,400 --> 00:30:17,080
Speaker 3: five twenty five more vegimi. Now I appreciate them a freak,

678
00:30:17,520 --> 00:30:18,880
Speaker 3: but I'm just asking.

679
00:30:18,840 --> 00:30:23,640
Speaker 2: Normal seventy twenty five. I love my vegeb twenty five butter?

680
00:30:24,160 --> 00:30:24,920
Speaker 3: What is going on?

681
00:30:25,120 --> 00:30:27,960
Speaker 2: You know over in a room with jennibalistic psychos?

682
00:30:28,000 --> 00:30:29,520
Speaker 3: I eat it by the teaspoon, all right?

683
00:30:29,640 --> 00:30:33,440
Speaker 4: Love? Can I can I just try and weigh in, please,

684
00:30:33,440 --> 00:30:35,120
Speaker 4: something that's relatable to our audience.

685
00:30:35,280 --> 00:30:36,960
Speaker 2: We've got a bloke who puts the knife.

686
00:30:36,680 --> 00:30:38,920
Speaker 4: Through the toast, We've got a chick who doesn't put

687
00:30:38,920 --> 00:30:40,000
Speaker 4: butter on the toast, and we've.

688
00:30:39,920 --> 00:30:42,560
Speaker 2: Got another guy who shmeers it like it's his last tub.

689
00:30:42,640 --> 00:30:43,280
Speaker 3: Yeah, what do you do?

690
00:30:43,360 --> 00:30:47,160
Speaker 2: All right? I think when it comes to vegimie if.

691
00:30:47,000 --> 00:30:50,680
Speaker 4: You've put too much on, you've probably overdone it.

692
00:30:50,760 --> 00:30:52,280
Speaker 2: That's what my mum used to say to me when

693
00:30:52,280 --> 00:30:53,840
Speaker 2: I used to go and make her toast. She'd be like.

694
00:30:53,840 --> 00:30:56,360
Speaker 4: Vegemon on number one rule is, first of all, it's

695
00:30:56,400 --> 00:30:58,480
Speaker 4: not a lathering. It's not peanut butter.

696
00:30:58,680 --> 00:31:00,800
Speaker 2: It's not gonna tell okay, just scraping.

697
00:31:01,080 --> 00:31:04,160
Speaker 4: You'll hear quite a caustic sort of a noise as

698
00:31:04,200 --> 00:31:07,040
Speaker 4: the knife whips across the top of the bread, preferably

699
00:31:07,040 --> 00:31:09,240
Speaker 4: a sour dough of sorts. Obviously you're doing it while

700
00:31:09,240 --> 00:31:11,600
Speaker 4: it's hot. Obviously you're doing it after the butter has melted.

701
00:31:11,680 --> 00:31:14,120
Speaker 3: Is there still a crisping noise when you've got butter

702
00:31:14,200 --> 00:31:15,120
Speaker 3: on the surface.

703
00:31:14,800 --> 00:31:16,120
Speaker 2: Absolutely, there is, my friend.

704
00:31:16,200 --> 00:31:18,000
Speaker 4: It's more of like a more of like a dense

705
00:31:18,000 --> 00:31:21,080
Speaker 4: sort of crispness to it. But more importantly, but more

706
00:31:21,120 --> 00:31:24,040
Speaker 4: importantly though, when you're looking at the bread afterwards, you

707
00:31:24,040 --> 00:31:27,080
Speaker 4: don't want to see you said, even spread of vegemi outrageous.

708
00:31:27,280 --> 00:31:29,320
Speaker 4: You want like a like a spec like like it

709
00:31:29,400 --> 00:31:32,640
Speaker 4: was like a graceful smattering of vegimite.

710
00:31:32,720 --> 00:31:34,120
Speaker 2: So it is not overdone.

711
00:31:34,160 --> 00:31:36,000
Speaker 3: If you're at a cafe. This is a good test.

712
00:31:36,080 --> 00:31:38,600
Speaker 3: Is to describe vegiemi you want?

713
00:31:38,840 --> 00:31:40,920
Speaker 4: You would couldn't take the last two and a half minutes,

714
00:31:41,280 --> 00:31:43,320
Speaker 4: but you would you But you would say, oh, yeah.

715
00:31:43,320 --> 00:31:46,560
Speaker 3: It's a good questions. I would like, what was the

716
00:31:46,600 --> 00:31:47,400
Speaker 3: way you described it?

717
00:31:47,600 --> 00:31:49,560
Speaker 4: I'd say, if you think you put too much on,

718
00:31:49,600 --> 00:31:51,160
Speaker 4: you probably have That's all.

719
00:31:51,200 --> 00:31:51,840
Speaker 3: You would say.

720
00:31:52,040 --> 00:31:55,520
Speaker 2: Yes, I think that's ridiculous direction. It's a tough thing

721
00:31:55,680 --> 00:31:59,120
Speaker 2: to say. Let's let's tart over to other people, because

722
00:31:59,160 --> 00:31:59,920
Speaker 2: this is my point.

723
00:32:00,080 --> 00:32:02,400
Speaker 4: It's a very hard thing, and I'll bow with everybody

724
00:32:02,400 --> 00:32:04,760
Speaker 4: else in my shoes right now. This is for you,

725
00:32:04,760 --> 00:32:07,240
Speaker 4: guys thirty and one and six five. You're asking someone

726
00:32:07,280 --> 00:32:11,000
Speaker 4: to make you veggie might toast. What's the instruction you

727
00:32:11,080 --> 00:32:13,960
Speaker 4: give them as to how much veggimight.

728
00:32:13,600 --> 00:32:14,360
Speaker 2: You want on the toast?

729
00:32:14,360 --> 00:32:16,520
Speaker 3: And it can only be one line? Yeah, it can

730
00:32:16,560 --> 00:32:17,800
Speaker 3: only be one line.

731
00:32:18,280 --> 00:32:19,640
Speaker 2: I think we've got an issue. I think we're no

732
00:32:19,680 --> 00:32:20,000
Speaker 2: one here.

733
00:32:20,080 --> 00:32:23,640
Speaker 4: Yours is if the next person that calls up and

734
00:32:23,680 --> 00:32:26,360
Speaker 4: says there's no but I gets a show man question

735
00:32:26,400 --> 00:32:26,760
Speaker 4: for everyone.

736
00:32:26,840 --> 00:32:29,120
Speaker 2: Thirday and one and six five. Bit of role play

737
00:32:29,160 --> 00:32:29,360
Speaker 2: for you.

738
00:32:29,400 --> 00:32:31,200
Speaker 4: Put yourself in the position you've asked someone to order

739
00:32:31,240 --> 00:32:33,040
Speaker 4: you some veggiemight toasts.

740
00:32:33,760 --> 00:32:37,120
Speaker 2: Right now, here's the question, how do you explain?

741
00:32:38,240 --> 00:32:42,120
Speaker 4: How do you describe to somebody how much Veggie might

742
00:32:42,440 --> 00:32:44,800
Speaker 4: you want? Because I think we're finding out that it's

743
00:32:44,800 --> 00:32:47,239
Speaker 4: a very very hard thing to do.

744
00:32:47,440 --> 00:32:50,840
Speaker 3: Your best attempt was if you think you've put too much,

745
00:32:51,120 --> 00:32:51,800
Speaker 3: it is too much.

746
00:32:51,840 --> 00:32:52,800
Speaker 2: You probably have now.

747
00:32:53,000 --> 00:32:54,920
Speaker 3: I just don't know that you're explaining it enough. You're

748
00:32:54,920 --> 00:32:55,560
Speaker 3: not described.

749
00:32:55,600 --> 00:32:58,240
Speaker 4: But I think it's it's something quite ethereal. I think

750
00:32:58,240 --> 00:33:00,320
Speaker 4: it's quite hard to put your finger on exactly what

751
00:33:00,360 --> 00:33:00,640
Speaker 4: this is.

752
00:33:00,640 --> 00:33:01,720
Speaker 2: It's very ambiguous.

753
00:33:01,760 --> 00:33:04,280
Speaker 4: And that's why I've gone with, you know, quite broad terminology.

754
00:33:04,280 --> 00:33:05,640
Speaker 4: You've got to use your intuition a bit.

755
00:33:05,880 --> 00:33:07,800
Speaker 3: Yeah, but I think you're setting up the way to fail,

756
00:33:07,920 --> 00:33:10,000
Speaker 3: way to a waitress to fail. There you want them

757
00:33:10,040 --> 00:33:10,640
Speaker 3: to put too much.

758
00:33:10,680 --> 00:33:13,680
Speaker 2: I want them to fail. I don't want a part

759
00:33:13,720 --> 00:33:18,400
Speaker 2: of me afterwards. It is a bit ethereal. Now if we.

760
00:33:18,920 --> 00:33:21,440
Speaker 4: Who would have thought Veggie might But before I go

761
00:33:21,480 --> 00:33:23,640
Speaker 4: to Gavin, I think that our button push of Joel

762
00:33:23,640 --> 00:33:23,840
Speaker 4: had a.

763
00:33:23,800 --> 00:33:26,280
Speaker 2: Wonderful point before. Yeah, and I just want it and

764
00:33:26,320 --> 00:33:28,000
Speaker 2: it's about the color palette.

765
00:33:28,240 --> 00:33:29,840
Speaker 3: Oh yeah, Joel, And I.

766
00:33:29,760 --> 00:33:32,040
Speaker 4: Think I'm going to do it more succinctly than I'm

767
00:33:32,040 --> 00:33:35,840
Speaker 4: not going to throw to you, he said, and he's

768
00:33:35,920 --> 00:33:38,480
Speaker 4: bang on if you've got it right right, So you

769
00:33:38,480 --> 00:33:40,719
Speaker 4: put the butter on first, goes without saying apart from

770
00:33:40,760 --> 00:33:43,680
Speaker 4: our freak of a digital producer, Av. You put the

771
00:33:43,680 --> 00:33:46,160
Speaker 4: butter on, it melts in, and then you get the veggiemite,

772
00:33:46,200 --> 00:33:49,080
Speaker 4: and if you do it right, there'll be darker patches

773
00:33:49,120 --> 00:33:53,440
Speaker 4: on the toast, and then with the shmear as it

774
00:33:53,480 --> 00:33:57,040
Speaker 4: blends with the butter, the color palette will become lighter,

775
00:33:57,200 --> 00:33:59,160
Speaker 4: so it'll be like almost like a golden brown in

776
00:33:59,240 --> 00:33:59,760
Speaker 4: some points.

777
00:34:00,080 --> 00:34:00,959
Speaker 2: Ah, that's good.

778
00:34:00,960 --> 00:34:03,360
Speaker 3: Okay, so that's a good direction. I want my toast

779
00:34:03,360 --> 00:34:04,880
Speaker 3: to look golden brown at the end.

780
00:34:05,680 --> 00:34:08,799
Speaker 4: You're not making French toast? Mate, No, how can you

781
00:34:08,880 --> 00:34:11,640
Speaker 4: not get this before? You said to me, on that's nice.

782
00:34:11,680 --> 00:34:14,640
Speaker 4: You mix it up like you're making cupcakes. Let's go

783
00:34:14,719 --> 00:34:17,360
Speaker 4: to Gavin. You would not make my toast.

784
00:34:17,400 --> 00:34:19,000
Speaker 3: I would never.

785
00:34:19,040 --> 00:34:20,680
Speaker 2: Gavin's called on thirty one and sixty five.

786
00:34:20,680 --> 00:34:22,680
Speaker 4: Gavin, how do you describe to someone how to put

787
00:34:22,680 --> 00:34:23,760
Speaker 4: your vegemin on your toast?

788
00:34:24,520 --> 00:34:24,959
Speaker 7: Yeah, it's.

789
00:34:26,440 --> 00:34:35,400
Speaker 11: The same ratio you would, oh.

790
00:34:31,880 --> 00:34:33,920
Speaker 2: God, because you're salting the toast effectively.

791
00:34:33,960 --> 00:34:36,040
Speaker 10: Gavin effectively. That's right.

792
00:34:37,960 --> 00:34:39,560
Speaker 4: I'm sorry, I disagree, Like, if you're going to get

793
00:34:39,960 --> 00:34:42,160
Speaker 4: a chip, you want to chip more salted than you

794
00:34:42,200 --> 00:34:43,400
Speaker 4: want your toast?

795
00:34:43,840 --> 00:34:47,520
Speaker 3: I dare proper woulds when you I'm confused? He is

796
00:34:47,520 --> 00:34:51,880
Speaker 3: Gavin sat put vegimion like you put salt on.

797
00:34:52,160 --> 00:34:54,520
Speaker 4: He said, you're salting it in the same proportion as

798
00:34:54,520 --> 00:34:55,600
Speaker 4: you would salt anything.

799
00:34:56,000 --> 00:34:57,160
Speaker 3: That's ridiculous.

800
00:34:57,520 --> 00:34:58,799
Speaker 2: I'm not going to go back to then.

801
00:35:00,000 --> 00:35:01,560
Speaker 3: It's a completely different process.

802
00:35:01,600 --> 00:35:04,560
Speaker 6: I was going to get into explain, but completely is

803
00:35:04,600 --> 00:35:06,840
Speaker 6: a completely Gavin to a twist.

804
00:35:06,920 --> 00:35:08,680
Speaker 2: Gavin clinically and Sand agreed.

805
00:35:09,080 --> 00:35:12,319
Speaker 4: Aaron has called on thirty one six five, Aaron, how

806
00:35:12,320 --> 00:35:15,440
Speaker 4: would you describe the perfect amount of vegemite on toast?

807
00:35:16,239 --> 00:35:19,879
Speaker 14: Firstly, Guy, I love the show, Welcome back, appreciate I

808
00:35:19,960 --> 00:35:23,800
Speaker 14: would so I'm completely opposite. I'm completely opposite to Woody.

809
00:35:23,880 --> 00:35:26,680
Speaker 14: I think not being able to see the butter is freakish.

810
00:35:26,800 --> 00:35:28,480
Speaker 14: But anyway, I would go.

811
00:35:29,239 --> 00:35:31,000
Speaker 2: But he's a freak, Karen, I think we have to

812
00:35:31,440 --> 00:35:32,200
Speaker 2: he is a free.

813
00:35:32,680 --> 00:35:33,680
Speaker 11: I think we need to say that.

814
00:35:33,800 --> 00:35:38,280
Speaker 14: I would go seventy five percent butter, twenty five percent vegemite.

815
00:35:38,280 --> 00:35:39,960
Speaker 14: So I would like a light spread.

816
00:35:40,200 --> 00:35:40,520
Speaker 3: That's good.

817
00:35:40,520 --> 00:35:43,560
Speaker 4: I think erin's as close as we've got. And I

818
00:35:43,760 --> 00:35:45,920
Speaker 4: like you, are you a numbers person? Errand do you

819
00:35:45,960 --> 00:35:46,840
Speaker 4: work in taxis?

820
00:35:47,120 --> 00:35:49,520
Speaker 14: I am No, I am a numbers person. I'm in

821
00:35:49,600 --> 00:35:50,160
Speaker 14: a cant major.

822
00:35:51,560 --> 00:35:54,080
Speaker 4: Let's make it practical, so you take it out of

823
00:35:54,080 --> 00:35:55,960
Speaker 4: the ethereal air that it was breathing before.

824
00:35:56,040 --> 00:35:59,000
Speaker 3: If you're directing the water or a waitress to make

825
00:35:59,040 --> 00:36:02,000
Speaker 3: your vegimite toast, would you ask for a full knife

826
00:36:02,040 --> 00:36:04,160
Speaker 3: of butter? So if we say that's one hundred percent,

827
00:36:04,200 --> 00:36:05,759
Speaker 3: it's a full knife, like like.

828
00:36:05,719 --> 00:36:13,560
Speaker 4: The length of knife, leal the length of the knife.

829
00:36:14,000 --> 00:36:16,280
Speaker 6: You can't even get the length of the knife in them.

830
00:36:16,480 --> 00:36:21,480
Speaker 3: Okay, okay, I'm just trying to make a real direction, kitchen. No,

831
00:36:21,600 --> 00:36:23,440
Speaker 3: I'm just going on. I'm just trying to make this

832
00:36:23,480 --> 00:36:26,040
Speaker 3: a real direction, because if you give a weight or

833
00:36:26,040 --> 00:36:28,200
Speaker 3: a waitress percentages, they're going to be confused again. So

834
00:36:28,320 --> 00:36:33,280
Speaker 3: they're not they will they're not enough people. You can't

835
00:36:33,280 --> 00:36:34,719
Speaker 3: say to them. You can't if you said to a

836
00:36:34,719 --> 00:36:36,520
Speaker 3: way a wait, if you call a cafe right now

837
00:36:36,520 --> 00:36:39,040
Speaker 3: and say hi, comes bege my toast on a seventy

838
00:36:39,080 --> 00:36:41,640
Speaker 3: five to twenty five percent ratio, that would be confused.

839
00:36:41,719 --> 00:36:44,360
Speaker 2: No, they wouldn't make it. That's why it's a percentage.

840
00:36:44,719 --> 00:36:46,200
Speaker 4: So even if you did put the whole knife in

841
00:36:46,239 --> 00:36:47,960
Speaker 4: the butter, then you gus a quarter of that.

842
00:36:48,160 --> 00:36:50,480
Speaker 2: I'm should say a third of that. That's what I'm saying,

843
00:36:51,239 --> 00:36:55,680
Speaker 2: a quarter of Jesus, I'm killing it.

844
00:36:56,160 --> 00:36:56,440
Speaker 10: Use it.

845
00:36:56,440 --> 00:36:58,480
Speaker 2: It's tough. Now. Look you made You've made a very

846
00:36:58,480 --> 00:36:59,560
Speaker 2: good point before, which is.

847
00:36:59,480 --> 00:37:00,960
Speaker 4: We need to be able to test this out in

848
00:37:01,000 --> 00:37:04,000
Speaker 4: some way, totally inadvertently as usual. And so what I've

849
00:37:04,040 --> 00:37:06,680
Speaker 4: done is I brought in Analyse, who's our junior producer

850
00:37:06,719 --> 00:37:07,080
Speaker 4: in here.

851
00:37:07,360 --> 00:37:08,680
Speaker 2: Analys welcome, thank you.

852
00:37:08,719 --> 00:37:11,880
Speaker 4: So she hasn't heard any of the former chat around

853
00:37:11,920 --> 00:37:13,080
Speaker 4: us trying to describe this.

854
00:37:13,280 --> 00:37:14,480
Speaker 3: Have you worked at a cafe?

855
00:37:14,840 --> 00:37:15,280
Speaker 10: No?

856
00:37:15,280 --> 00:37:17,880
Speaker 3: No, that's good, that's right, Great, she's the normal person.

857
00:37:17,960 --> 00:37:19,080
Speaker 2: Okay, I'm going.

858
00:37:19,080 --> 00:37:20,879
Speaker 4: To go to Matthew before because she's going to test

859
00:37:20,880 --> 00:37:21,160
Speaker 4: it out.

860
00:37:21,160 --> 00:37:22,920
Speaker 2: We're going to give it to Analyse. She's got a

861
00:37:22,920 --> 00:37:25,160
Speaker 2: piece of looks like the crust.

862
00:37:25,480 --> 00:37:31,120
Speaker 4: Yet Breakfast had a six hundred dollars bath of chocolate

863
00:37:31,200 --> 00:37:33,960
Speaker 4: this morning and we've got a frozen piece of wholemealk

864
00:37:34,000 --> 00:37:35,400
Speaker 4: crust from the back of the freezer.

865
00:37:35,680 --> 00:37:39,200
Speaker 2: I mean, what the hell is this? Come back from

866
00:37:39,200 --> 00:37:41,239
Speaker 2: breaking You're like, what great national show? Would be great

867
00:37:41,280 --> 00:37:43,360
Speaker 2: to be back in the chair of a professional outfit.

868
00:37:43,600 --> 00:37:47,000
Speaker 4: Analyst got a plastic knife the top of flora mind you,

869
00:37:47,040 --> 00:37:48,399
Speaker 4: where the hell's the lur back?

870
00:37:49,120 --> 00:37:52,160
Speaker 2: She's running around with a crust? Get all my days.

871
00:37:52,920 --> 00:37:53,880
Speaker 2: Let's go to Matthew.

872
00:37:54,360 --> 00:37:56,720
Speaker 4: Matthew, how would you describe the perfect piece of vegimin

873
00:37:56,719 --> 00:37:58,640
Speaker 4: on the toast before I sent analse out with some

874
00:37:58,680 --> 00:38:00,360
Speaker 4: crude instruments to try and put it together.

875
00:38:01,520 --> 00:38:04,400
Speaker 10: Look, it's pretty easy, guys, it's simple. If you haven't vegemite,

876
00:38:04,440 --> 00:38:07,359
Speaker 10: you've got to do it properly. You got to put

877
00:38:07,400 --> 00:38:11,120
Speaker 10: the vegemite on. And if if it's not fool and

878
00:38:11,239 --> 00:38:14,280
Speaker 10: I can see toast through the vegemite, don't speak.

879
00:38:14,080 --> 00:38:16,440
Speaker 2: To me ever again Matthew's Matthew's lost the point. Hang on,

880
00:38:16,600 --> 00:38:18,960
Speaker 2: he's a sh Mira, he's a Shmera. He's talking about.

881
00:38:18,840 --> 00:38:21,400
Speaker 3: You're talking my language. So hang on, okay, so hang on.

882
00:38:21,440 --> 00:38:23,000
Speaker 3: So thank you for the We.

883
00:38:23,000 --> 00:38:24,560
Speaker 2: Will also be donkey voting in the veil.

884
00:38:25,560 --> 00:38:27,240
Speaker 3: So what do you think then, from all the calls

885
00:38:27,239 --> 00:38:29,080
Speaker 3: were taken, what do you think is the best direction?

886
00:38:29,120 --> 00:38:31,319
Speaker 3: Because we got lost in percentages. We've done that.

887
00:38:31,320 --> 00:38:33,000
Speaker 2: If you can't do that percentage, yours have.

888
00:38:32,880 --> 00:38:37,520
Speaker 3: Been ethereal or whatever you're describing it as you're maybe percentages.

889
00:38:37,719 --> 00:38:39,840
Speaker 3: I just if you want to try percentages, go for it.

890
00:38:39,840 --> 00:38:44,800
Speaker 3: But I think analyst, no offense. We'll totally cook it.

891
00:38:45,000 --> 00:38:45,680
Speaker 2: That's the direction.

892
00:38:45,840 --> 00:38:46,440
Speaker 3: That's not not.

893
00:38:48,320 --> 00:38:50,319
Speaker 4: Eron's the most sane person that we had on and

894
00:38:50,360 --> 00:38:52,080
Speaker 4: I reckon Jesus close to it as we've got.

895
00:38:52,160 --> 00:38:55,960
Speaker 3: Okay, so the seventy five percent, but.

896
00:38:58,920 --> 00:39:00,600
Speaker 4: What's the cave Well, I just want to throw it.

897
00:39:00,600 --> 00:39:03,520
Speaker 4: It's seventy five twenty five, and we want to see

898
00:39:04,280 --> 00:39:05,200
Speaker 4: some uh.

899
00:39:06,160 --> 00:39:10,799
Speaker 6: We want to see spectrum, spectrum of color in the

900
00:39:10,960 --> 00:39:11,760
Speaker 6: in the darkness.

901
00:39:12,280 --> 00:39:12,920
Speaker 3: Yes, you can add that.

902
00:39:15,640 --> 00:39:18,719
Speaker 2: Absolutely want to say some spectrum of brown. Okay, I

903
00:39:18,719 --> 00:39:19,200
Speaker 2: can tell you what.

904
00:39:19,400 --> 00:39:21,520
Speaker 3: We've got to go to a traffic or on the

905
00:39:21,560 --> 00:39:26,120
Speaker 3: other side. So with that direction, seventy with a spectrum.

906
00:39:25,640 --> 00:39:29,919
Speaker 2: Of full palette of brown, full pilats of brown. That's it.

907
00:39:30,160 --> 00:39:33,160
Speaker 4: Seventy five twenty five, full palette of brown. Analyst, you've

908
00:39:33,160 --> 00:39:34,920
Speaker 4: got the traffic which is seven minutes. You can see

909
00:39:34,920 --> 00:39:36,440
Speaker 4: it's on Will and Woody on the socials. If you

910
00:39:36,440 --> 00:39:37,399
Speaker 4: come back and it's not good.

911
00:39:37,400 --> 00:39:37,799
Speaker 2: You're fired.

912
00:39:37,880 --> 00:39:39,239
Speaker 9: I'm finding a fresh piece of toast.

913
00:39:40,440 --> 00:39:43,240
Speaker 4: We're just discussing how do you describe the perfect amount

914
00:39:43,719 --> 00:39:47,080
Speaker 4: of veggimite on your vegimite toasts? Now we came we

915
00:39:47,480 --> 00:39:49,680
Speaker 4: ended up with this, and now this is poor. This

916
00:39:49,760 --> 00:39:51,880
Speaker 4: is going to sound poor. But we sent out our

917
00:39:52,000 --> 00:39:54,440
Speaker 4: junior producer analyst to go and make the toast in

918
00:39:54,680 --> 00:39:58,680
Speaker 4: traffic and this were these were her instructions, seventy five,

919
00:39:58,800 --> 00:39:59,359
Speaker 4: twenty five.

920
00:39:59,800 --> 00:40:01,799
Speaker 2: And we want to see some.

921
00:40:03,520 --> 00:40:08,200
Speaker 6: We want to see spectrum, spectrum of color in the

922
00:40:08,360 --> 00:40:09,200
Speaker 6: in the darkness.

923
00:40:09,640 --> 00:40:17,200
Speaker 3: Yes, that couldn't have been messier. But the moment she's

924
00:40:17,239 --> 00:40:18,200
Speaker 3: walked in, we haven't.

925
00:40:18,040 --> 00:40:21,480
Speaker 4: Looked an say, it was like a full palette in

926
00:40:21,520 --> 00:40:23,960
Speaker 4: the color brown, which I think if you've scraped it

927
00:40:24,160 --> 00:40:25,960
Speaker 4: appropriately you should see.

928
00:40:26,320 --> 00:40:26,480
Speaker 2: Yeah.

929
00:40:26,719 --> 00:40:29,440
Speaker 3: I do think if you're a I know what you're

930
00:40:29,440 --> 00:40:31,320
Speaker 3: talking about. You get that, you get that lighter.

931
00:40:31,120 --> 00:40:34,120
Speaker 2: Shade and dark the darker patches. And yeah.

932
00:40:34,200 --> 00:40:37,320
Speaker 3: The question is could the average person who have decided

933
00:40:37,320 --> 00:40:39,640
Speaker 3: his analysts because she hasn't worked a cafe before, could

934
00:40:39,719 --> 00:40:42,600
Speaker 3: they follow those instructions and create that toast? Analyts reveal

935
00:40:42,680 --> 00:40:43,560
Speaker 3: the toast.

936
00:40:45,520 --> 00:40:50,520
Speaker 2: Shocking, I even melted way too much.

937
00:40:52,560 --> 00:40:55,839
Speaker 3: First, if you want to see this, by the way,

938
00:40:55,880 --> 00:40:57,120
Speaker 3: go to our socials, Will and Woody.

939
00:40:57,280 --> 00:41:01,960
Speaker 4: First cardinals, we'll start with You've got You've got margarine on.

940
00:41:01,960 --> 00:41:03,520
Speaker 2: The sides, which.

941
00:41:04,880 --> 00:41:05,400
Speaker 3: Seven minutes.

942
00:41:05,440 --> 00:41:06,160
Speaker 2: Well, it didn't melt.

943
00:41:06,360 --> 00:41:08,560
Speaker 4: I also saw it buttering the toast away from the toaster.

944
00:41:08,600 --> 00:41:11,560
Speaker 4: You're buttering the toast outside the studio here, which you know.

945
00:41:12,840 --> 00:41:17,719
Speaker 3: Throw that toast down.

946
00:41:18,560 --> 00:41:18,759
Speaker 13: Will.

947
00:41:19,600 --> 00:41:23,719
Speaker 3: A scientist, a professor excused me called Michael Sweet, has

948
00:41:23,760 --> 00:41:29,120
Speaker 3: put to bed the mystery of the Lockness Monster. Fell

949
00:41:29,120 --> 00:41:30,759
Speaker 3: out of a bed when I saw this story where

950
00:41:30,800 --> 00:41:32,800
Speaker 3: I was so bloody excited about it. The mystery of

951
00:41:32,840 --> 00:41:36,760
Speaker 3: the Lockness Monster has been solved. It turns out your child.

952
00:41:37,120 --> 00:41:38,600
Speaker 2: I just want to start by saying that.

953
00:41:38,480 --> 00:41:42,440
Speaker 3: It seems totally random because I'm talking about science. A

954
00:41:43,000 --> 00:41:46,080
Speaker 3: mystery for years has been put to bed because Professor

955
00:41:46,120 --> 00:41:48,600
Speaker 3: Michael Sweet has revealed that it wasn't in fact a

956
00:41:48,680 --> 00:41:54,759
Speaker 3: monster of the Lockness. It was a whales penis it

957
00:41:54,840 --> 00:41:57,040
Speaker 3: was being seen. I don't know what a whale was

958
00:41:57,040 --> 00:41:57,920
Speaker 3: doing in the Lockness.

959
00:41:57,960 --> 00:42:05,480
Speaker 16: By the way, it's a body of water, but I

960
00:42:05,480 --> 00:42:08,920
Speaker 16: didn't think waleses cucumber lock that that is.

961
00:42:08,920 --> 00:42:10,359
Speaker 3: Like a pond, isn't it like a lake?

962
00:42:10,440 --> 00:42:17,600
Speaker 2: It's enormous? How big the lot is anything? Anyway?

963
00:42:17,680 --> 00:42:21,160
Speaker 3: Well, well, one whale with a particularly large todger was

964
00:42:21,680 --> 00:42:23,200
Speaker 3: they've all got quite big penises.

965
00:42:23,239 --> 00:42:27,440
Speaker 4: Whales Okay, so enormous like a humpback whales penis.

966
00:42:27,760 --> 00:42:29,960
Speaker 2: Yeah, yeah, as a mind of its own.

967
00:42:30,600 --> 00:42:32,919
Speaker 3: So here's the thing I actually do. Yees, So here's

968
00:42:32,920 --> 00:42:34,919
Speaker 3: the thing. Don't don't give it all away, will, because

969
00:42:34,960 --> 00:42:36,440
Speaker 3: what I want to do right up next, we've got

970
00:42:36,480 --> 00:42:38,600
Speaker 3: to go to a song really quick. But right up next,

971
00:42:38,880 --> 00:42:42,560
Speaker 3: I've got a whole bunch of audio from documentaries talking

972
00:42:42,600 --> 00:42:45,279
Speaker 3: about whale todgers. What we're going to do is we're

973
00:42:45,320 --> 00:42:48,560
Speaker 3: going to fill your mouth full of water and then

974
00:42:48,600 --> 00:42:50,680
Speaker 3: you're just going to listen to the grabs that I've found,

975
00:42:50,880 --> 00:42:52,839
Speaker 3: and we keep going until you spit the water out

976
00:42:52,880 --> 00:42:55,560
Speaker 3: because you can't stop laughing, and we'll see who the

977
00:42:55,640 --> 00:43:00,440
Speaker 3: child is. Enjoy the song everywhere you are listening to Will.

978
00:43:00,440 --> 00:43:03,200
Speaker 2: I'm it's not funny. I'm just saying you're the one

979
00:43:03,239 --> 00:43:03,960
Speaker 2: who brought it up.

980
00:43:03,960 --> 00:43:06,480
Speaker 3: I'm gonna get it was Harry Styles, by the way,

981
00:43:07,200 --> 00:43:12,000
Speaker 3: what a sauce. The Mystery of the Lockness monster has

982
00:43:12,040 --> 00:43:16,400
Speaker 3: finally been put to bed by Professor Michael Sweet. He

983
00:43:16,520 --> 00:43:20,600
Speaker 3: has revealed that the Lockness Monster sightings were effectively just

984
00:43:20,760 --> 00:43:22,600
Speaker 3: whale penises, or.

985
00:43:22,640 --> 00:43:24,120
Speaker 2: Just a whales penis.

986
00:43:24,719 --> 00:43:27,680
Speaker 4: There might have been multiple whales with multiple penises, or

987
00:43:27,719 --> 00:43:31,960
Speaker 4: it could just be one very well renowned chop that likes.

988
00:43:31,800 --> 00:43:34,719
Speaker 3: To breach, because obviously that the sighting. The classic side

989
00:43:34,719 --> 00:43:36,600
Speaker 3: of the Lockness Monster is the neck above the water

990
00:43:36,600 --> 00:43:41,960
Speaker 3: looking like a bit like a Bronchosaurus, Broncosaurus brontosaurus. Turns

991
00:43:41,960 --> 00:43:43,600
Speaker 3: out that it's just a doodle going for a breach,

992
00:43:44,200 --> 00:43:46,120
Speaker 3: and that explained all the photos and the video.

993
00:43:46,360 --> 00:43:49,280
Speaker 2: You for a whale though, when.

994
00:43:49,160 --> 00:43:53,359
Speaker 3: I breached my Toddia, Yeah, for a gag. Would if

995
00:43:53,360 --> 00:43:56,719
Speaker 3: there was a whale viewing or something, you'd give him.

996
00:43:58,640 --> 00:44:00,919
Speaker 2: Then descend veck to the depth and they'll never know.

997
00:44:00,960 --> 00:44:03,880
Speaker 3: And you'd laughing. I think you're a Locknest monster. You

998
00:44:04,560 --> 00:44:06,399
Speaker 3: have a giggle if you found that out. Anyway, because

999
00:44:06,400 --> 00:44:09,480
Speaker 3: of this story coming out today, because of his story

1000
00:44:09,480 --> 00:44:11,799
Speaker 3: coming out today, Will I wanted to test if you

1001
00:44:11,840 --> 00:44:15,080
Speaker 3: are an immature child effectively, because you always call me that.

1002
00:44:15,360 --> 00:44:17,960
Speaker 3: So if you're can just feel your mouth full of water,

1003
00:44:19,640 --> 00:44:22,319
Speaker 3: you don't text while I'm talking to you.

1004
00:44:22,440 --> 00:44:25,000
Speaker 2: Just hear him from our driver Ma Ninj who takes

1005
00:44:25,040 --> 00:44:25,680
Speaker 2: cap charges.

1006
00:44:25,680 --> 00:44:28,800
Speaker 3: By the way, Oh that's huge. Actually, good job, Weird.

1007
00:44:28,800 --> 00:44:30,520
Speaker 3: Time to check your text messages that I'm going to

1008
00:44:30,600 --> 00:44:34,799
Speaker 3: be honest. Okay, So Will has filled his mouthful of

1009
00:44:34,880 --> 00:44:37,040
Speaker 3: water now and effectively, I've done a lot of research

1010
00:44:37,080 --> 00:44:40,120
Speaker 3: this morning. I found all these grabs from documentaries. There's

1011
00:44:40,120 --> 00:44:43,200
Speaker 3: are PG related documentaries. Can I just say and you

1012
00:44:43,360 --> 00:44:46,279
Speaker 3: a swallow? I know, I know you're going to have

1013
00:44:46,360 --> 00:44:48,000
Speaker 3: to hold it.

1014
00:44:47,440 --> 00:44:50,480
Speaker 2: Bring I know I've had COVID recently, you know.

1015
00:44:52,320 --> 00:44:56,200
Speaker 3: Anyway, So these are from PG documentaries, particular parts of

1016
00:44:56,239 --> 00:44:59,640
Speaker 3: docos where they're talking about whales penises. Will the test is,

1017
00:44:59,680 --> 00:45:01,799
Speaker 3: Can you hold the water in your mouth? Okay? Grab one?

1018
00:45:02,760 --> 00:45:05,440
Speaker 3: A slitch has opened and the males underside and the

1019
00:45:05,520 --> 00:45:10,960
Speaker 3: penis protrudes twelve, sweet, long and highly immobile. Oh he's

1020
00:45:11,800 --> 00:45:17,080
Speaker 3: well done. Grab two, Well done, We'll grab two male right,

1021
00:45:17,160 --> 00:45:24,200
Speaker 3: whales have gigantic testes. Oh it's very close. We go

1022
00:45:24,280 --> 00:45:26,480
Speaker 3: to grab three ladies and gentlemen, grab three?

1023
00:45:26,640 --> 00:45:28,160
Speaker 9: Can you hold for seconds?

1024
00:45:28,160 --> 00:45:30,840
Speaker 5: I can show the penis, guys, because we're just looking

1025
00:45:30,840 --> 00:45:31,400
Speaker 5: at something.

1026
00:45:31,760 --> 00:45:32,120
Speaker 1: You hold it.

1027
00:45:33,440 --> 00:45:34,480
Speaker 3: God, that is massive.

1028
00:45:34,719 --> 00:45:35,440
Speaker 11: It is massive.

1029
00:45:36,160 --> 00:45:37,720
Speaker 9: And this is only partly.

1030
00:45:41,400 --> 00:45:42,040
Speaker 4: Guys.

1031
00:45:42,680 --> 00:45:46,480
Speaker 3: Ah, you're a child, will go up anyway. That was

1032
00:45:46,520 --> 00:45:48,640
Speaker 3: good fun. How you can go and find those videos

1033
00:45:48,640 --> 00:45:51,520
Speaker 3: on YouTube if you like what was the video? You

1034
00:45:51,520 --> 00:45:53,319
Speaker 3: get these There's a there's a while that's dead on

1035
00:45:53,360 --> 00:45:57,960
Speaker 3: the beach and she goes and she goes and grabs.

1036
00:45:58,800 --> 00:46:01,719
Speaker 2: All this the next to a dead body. And the

1037
00:46:01,719 --> 00:46:03,759
Speaker 2: first penis with that.

1038
00:46:03,719 --> 00:46:06,840
Speaker 3: Imagery, meant to be a marine viol Yes, with that imagery,

1039
00:46:06,920 --> 00:46:08,719
Speaker 3: this is another grab. This is a woman kneeling down

1040
00:46:08,760 --> 00:46:11,880
Speaker 3: next to a dead whale with the Todja in her arms.

1041
00:46:12,560 --> 00:46:15,040
Speaker 9: Notice, by the way, that there's no bone in this penis.

1042
00:46:15,040 --> 00:46:17,000
Speaker 9: It's completely flexible.

1043
00:46:18,080 --> 00:46:22,040
Speaker 8: It's actually probably the most amazing penis in the animal world.

1044
00:46:22,560 --> 00:46:26,600
Speaker 4: You yeah, you're showing your tirt cls now good.

1045
00:46:26,920 --> 00:46:30,880
Speaker 15: You're the child Jesus Christ.

1046
00:46:31,200 --> 00:46:35,080
Speaker 2: Joy, I know you love the penis, but we have

1047
00:46:35,160 --> 00:46:35,560
Speaker 2: to stop.

1048
00:46:35,680 --> 00:46:37,600
Speaker 3: We haven't got to get this whale off the beach.

1049
00:46:37,640 --> 00:46:40,680
Speaker 2: And you finish at the nose and that's the same chick.

1050
00:46:41,160 --> 00:46:42,439
Speaker 2: She's still holding the dick.

1051
00:46:43,000 --> 00:46:47,880
Speaker 4: You might walk away, Julie, I know you love the

1052
00:46:49,080 --> 00:46:52,320
Speaker 4: it's will and Woody. I'm explaining a movie really poorly.

1053
00:46:52,360 --> 00:46:54,040
Speaker 4: You guys have to guess what the movie is based

1054
00:46:54,080 --> 00:46:55,680
Speaker 4: on the poor plot. It's called lost the plot.

1055
00:46:55,800 --> 00:46:57,640
Speaker 2: I just don't get what you're saying it that way, will,

1056
00:46:57,680 --> 00:47:03,799
Speaker 2: And I'm saying, what what way? Lost plot? Forget I will?

1057
00:47:04,280 --> 00:47:06,080
Speaker 2: I will forget it all right?

1058
00:47:06,360 --> 00:47:09,200
Speaker 4: So these are all This is a list today ranker

1059
00:47:09,440 --> 00:47:13,800
Speaker 4: BuzzFeed spend time scrolling on the toilet dot com. Whatever

1060
00:47:13,800 --> 00:47:16,960
Speaker 4: they are has pulled out top fifty best rom coms

1061
00:47:17,000 --> 00:47:20,600
Speaker 4: of all time. Yes, today, all the movies are from

1062
00:47:20,600 --> 00:47:22,200
Speaker 4: that list. I obviously tell you what number they are

1063
00:47:22,200 --> 00:47:25,080
Speaker 4: top ten controversial for mine. I'll get to that first

1064
00:47:25,120 --> 00:47:26,719
Speaker 4: movie though, thirty one six five.

1065
00:47:26,719 --> 00:47:27,960
Speaker 2: If you think you know what the movie.

1066
00:47:27,719 --> 00:47:30,920
Speaker 4: Is, Woody versus Australia is always and lost the plot

1067
00:47:31,440 --> 00:47:33,800
Speaker 4: best of three two seasons.

1068
00:47:33,360 --> 00:47:35,320
Speaker 3: In one movie, five hundred Days of Summer.

1069
00:47:35,320 --> 00:47:41,719
Speaker 2: Correct, well done, Bang, you're off to a flying I

1070
00:47:41,719 --> 00:47:44,120
Speaker 2: think it's official. I'm in love with Summer. I love

1071
00:47:44,160 --> 00:47:47,640
Speaker 2: how she makes me feel great stuff, very good. Now,

1072
00:47:47,640 --> 00:47:49,520
Speaker 2: why are there are two seasons in that movie?

1073
00:47:49,840 --> 00:47:50,000
Speaker 13: Well?

1074
00:47:50,040 --> 00:47:52,080
Speaker 3: I just figured this. Five hundred days if summer there

1075
00:47:52,719 --> 00:47:55,879
Speaker 3: long season? You haven't I got it, though, I still

1076
00:47:55,880 --> 00:47:56,360
Speaker 3: bloody got it.

1077
00:47:56,440 --> 00:47:56,840
Speaker 2: You got it.

1078
00:47:56,880 --> 00:47:57,840
Speaker 3: What is the reason behind it that?

1079
00:47:58,000 --> 00:48:01,480
Speaker 2: What was it? Her name Summer Zooey edition or whatever.

1080
00:48:01,480 --> 00:48:03,640
Speaker 2: She's got zooey ed zoey, zoey.

1081
00:48:04,239 --> 00:48:07,400
Speaker 5: It spelled zooey and it spelledy yeah, spelled with two o's,

1082
00:48:07,440 --> 00:48:10,080
Speaker 5: and why yeah z o o e.

1083
00:48:10,200 --> 00:48:15,800
Speaker 2: Why that's zooey in my book? Anyway, Zooey, she's Summer.

1084
00:48:16,600 --> 00:48:19,480
Speaker 4: And then in the worst line cinematic history at the

1085
00:48:19,560 --> 00:48:21,400
Speaker 4: end of the movie, after she breaks his heart and

1086
00:48:21,400 --> 00:48:24,360
Speaker 4: they actually write a cracker over rom com, he bumps

1087
00:48:24,360 --> 00:48:26,680
Speaker 4: into his chick. In the last two minutes, she turns

1088
00:48:26,719 --> 00:48:27,960
Speaker 4: around in her name's Autumn.

1089
00:48:28,160 --> 00:48:31,640
Speaker 3: Oh, I know, how does that get through a ride?

1090
00:48:31,680 --> 00:48:35,040
Speaker 4: It would have been amazing that movie. It stinks of

1091
00:48:35,120 --> 00:48:37,759
Speaker 4: producer a director's license at the last time. Can just

1092
00:48:37,800 --> 00:48:39,760
Speaker 4: give us an option where you say your name's Autumn?

1093
00:48:39,800 --> 00:48:42,239
Speaker 4: You know, we'll put it on the Christmas card. Then

1094
00:48:42,239 --> 00:48:43,759
Speaker 4: they end up putting it in the flick and it

1095
00:48:43,920 --> 00:48:47,720
Speaker 4: just Joseph Gordon Levitt sticks his hands in his eyes

1096
00:48:47,800 --> 00:48:48,520
Speaker 4: when he watches it.

1097
00:48:49,120 --> 00:48:52,959
Speaker 2: Anyway. Yeah, So that was the ranked number fifty, number

1098
00:48:53,000 --> 00:48:53,560
Speaker 2: fifty on the list.

1099
00:48:53,920 --> 00:48:55,080
Speaker 3: It's a good movie. I haven't seen it.

1100
00:48:55,080 --> 00:48:57,480
Speaker 4: It's a cracker up until she says, her name is Order,

1101
00:48:57,520 --> 00:48:58,960
Speaker 4: and I'm sorry if I've ruined it for you, but

1102
00:48:59,120 --> 00:49:01,479
Speaker 4: you know you just don't watch it if you haven't,

1103
00:49:01,680 --> 00:49:03,360
Speaker 4: just see them break up. And then just in the

1104
00:49:03,320 --> 00:49:07,279
Speaker 4: midde of all right, another one here, I'm going to

1105
00:49:07,320 --> 00:49:08,319
Speaker 4: go for one in the top ten.

1106
00:49:08,440 --> 00:49:09,319
Speaker 10: A m.

1107
00:49:11,160 --> 00:49:12,640
Speaker 2: Don't want you to have a win. But here we go.

1108
00:49:12,840 --> 00:49:15,279
Speaker 4: Yeah, one now, top ten. It's the best of three.

1109
00:49:15,280 --> 00:49:16,759
Speaker 4: You're right, you're on one nail up. Here we go,

1110
00:49:17,160 --> 00:49:20,480
Speaker 4: Windows ninety five version about Dating before Tinder.

1111
00:49:22,040 --> 00:49:28,960
Speaker 2: Hitch incorrect. This is the top three no h movies

1112
00:49:29,000 --> 00:49:29,319
Speaker 2: that you've.

1113
00:49:29,239 --> 00:49:31,560
Speaker 4: Got out in front of you there, mate, number three.

1114
00:49:31,960 --> 00:49:33,879
Speaker 4: This is on the list top fifty of all time

1115
00:49:33,960 --> 00:49:35,520
Speaker 4: rom coms, number three?

1116
00:49:35,640 --> 00:49:35,839
Speaker 16: Is it?

1117
00:49:35,920 --> 00:49:36,479
Speaker 2: Number three?

1118
00:49:36,680 --> 00:49:41,480
Speaker 4: Windows ninety five version about Dating before Tinder? The Windows

1119
00:49:41,600 --> 00:49:45,040
Speaker 4: ninety five version of that ninety five. Yeah, it's interesting,

1120
00:49:45,080 --> 00:49:45,680
Speaker 4: isn't it?

1121
00:49:45,760 --> 00:49:45,880
Speaker 7: So?

1122
00:49:45,960 --> 00:49:50,480
Speaker 4: Dating before Tenner, So you're obviously doing something involving, you know,

1123
00:49:50,640 --> 00:49:52,320
Speaker 4: sending messages and anyway.

1124
00:49:52,360 --> 00:49:54,480
Speaker 2: Kirsten, Oh you reckon, you've got it, Kirsten. What's the

1125
00:49:54,480 --> 00:49:57,200
Speaker 2: movie you've got? You've got mail?

1126
00:49:57,400 --> 00:49:57,759
Speaker 14: Very good.

1127
00:49:58,239 --> 00:50:00,680
Speaker 2: This woman is the most adorable creature I've ever got.

1128
00:50:00,600 --> 00:50:01,239
Speaker 4: In contact with.

1129
00:50:02,080 --> 00:50:07,440
Speaker 11: Had of course, I don't even number my little cyber sax. No, well,

1130
00:50:08,239 --> 00:50:08,919
Speaker 11: don't do it.

1131
00:50:09,160 --> 00:50:10,759
Speaker 5: There's a minute you do, they lose all.

1132
00:50:10,680 --> 00:50:11,640
Speaker 2: Respect for you.

1133
00:50:12,600 --> 00:50:14,279
Speaker 3: It's you've got Mail.

1134
00:50:14,200 --> 00:50:15,759
Speaker 2: Hanks and Meg Ryan.

1135
00:50:15,880 --> 00:50:18,600
Speaker 4: Meg Ryan who often overacts for mine. But she yeah,

1136
00:50:18,640 --> 00:50:20,080
Speaker 4: she did well there she doesn't one off a movie

1137
00:50:20,080 --> 00:50:22,120
Speaker 4: with Kevin Klin called French Kiss, where she also does

1138
00:50:22,120 --> 00:50:22,680
Speaker 4: a good rom com.

1139
00:50:22,800 --> 00:50:25,640
Speaker 3: She's good in rom coms. Actually, Meg with Tom Hanks

1140
00:50:25,680 --> 00:50:28,520
Speaker 3: would Sleepless in Seattle, where she faked a big o

1141
00:50:29,320 --> 00:50:30,359
Speaker 3: at the brand table.

1142
00:50:30,440 --> 00:50:31,479
Speaker 2: That's when Hory met Sally.

1143
00:50:31,560 --> 00:50:32,960
Speaker 3: Well, she's done three with Hanks.

1144
00:50:32,960 --> 00:50:34,560
Speaker 2: Then, no, that's with Billy Crystal.

1145
00:50:34,600 --> 00:50:40,360
Speaker 4: Excuse me, do you want to have another Craig, another

1146
00:50:40,480 --> 00:50:45,160
Speaker 4: incorrect Greg in the same movie with hankst with Hag.

1147
00:50:45,719 --> 00:50:47,360
Speaker 2: Okay, so the top ten, give.

1148
00:50:47,239 --> 00:50:49,560
Speaker 3: Me the top ten? Top five? Ten will take too long?

1149
00:50:49,560 --> 00:50:51,879
Speaker 4: Alright, we'll have We'll park the rest of us abot

1150
00:50:51,880 --> 00:50:53,640
Speaker 4: today because he is a good top ten to go through.

1151
00:50:53,880 --> 00:50:57,960
Speaker 4: Here we go, Number ten forgetting Sarah Marshall Ripper.

1152
00:50:58,560 --> 00:51:01,840
Speaker 2: She's up there, I tell you. Nine wedding singer. Oh,

1153
00:51:02,040 --> 00:51:03,400
Speaker 2: number eight, my best friend's wedding.

1154
00:51:03,680 --> 00:51:06,440
Speaker 3: I haven't seen it. Get kidding not kidding.

1155
00:51:06,560 --> 00:51:07,760
Speaker 2: That's a great movie.

1156
00:51:08,200 --> 00:51:13,120
Speaker 4: Number setting and then kicks off Julia Roberts is a

1157
00:51:13,120 --> 00:51:15,279
Speaker 4: little run there where she does you know, the runaway bride,

1158
00:51:15,280 --> 00:51:18,440
Speaker 4: et cetera. We'll carry on Sleepless in Seattle comes in

1159
00:51:18,440 --> 00:51:22,160
Speaker 4: at seven. Hanks, So Ryan's got Hanks and Ryan at seven?

1160
00:51:22,600 --> 00:51:25,520
Speaker 2: Good chemistry, good, they're gear. There's no gear and Roberts.

1161
00:51:25,560 --> 00:51:28,239
Speaker 2: I'll tell you that much anyway. Moving on six is

1162
00:51:28,280 --> 00:51:31,600
Speaker 2: nodding hill, yep, yep. Oh geez. How many is Hugh

1163
00:51:31,640 --> 00:51:33,279
Speaker 2: Grant going to have in the top ten? He's only

1164
00:51:33,280 --> 00:51:35,560
Speaker 2: got one? There, hasn't he at the moment, it's only

1165
00:51:35,560 --> 00:51:38,120
Speaker 2: got one? Jerry maguire And at five controversial? Is that

1166
00:51:38,200 --> 00:51:38,680
Speaker 2: a rom com?

1167
00:51:39,000 --> 00:51:40,960
Speaker 3: Yeah, at the end of the day, absolutely it is.

1168
00:51:41,000 --> 00:51:41,720
Speaker 3: It's a love story.

1169
00:51:41,800 --> 00:51:43,839
Speaker 2: It is a love story. You're got me there. I

1170
00:51:43,880 --> 00:51:45,200
Speaker 2: like it. Is there enough comedy in it though?

1171
00:51:45,239 --> 00:51:46,080
Speaker 4: For you? Oh?

1172
00:51:46,200 --> 00:51:53,040
Speaker 3: Yeah, one hundred percent? That little kid hilarious?

1173
00:51:53,360 --> 00:51:53,600
Speaker 2: Yeah?

1174
00:51:53,719 --> 00:51:53,839
Speaker 4: Right?

1175
00:51:57,600 --> 00:51:59,759
Speaker 2: Is good? Is heuche?

1176
00:52:00,640 --> 00:52:01,680
Speaker 3: She's on a good she's not.

1177
00:52:01,640 --> 00:52:07,240
Speaker 2: A grass all right? Four clueless? Yeah, I think that's.

1178
00:52:07,120 --> 00:52:10,160
Speaker 3: A stinker of a call. It's an iconic movie. It's

1179
00:52:10,200 --> 00:52:12,480
Speaker 3: a comedy, It's not a rom I agreed agreed.

1180
00:52:13,200 --> 00:52:16,120
Speaker 4: Uh, And there's a bit of an insisting totally that

1181
00:52:17,000 --> 00:52:18,719
Speaker 4: I'm running over the time. But it's a good list,

1182
00:52:18,760 --> 00:52:21,319
Speaker 4: you have to admit, all right. Number three, Yeah, you've

1183
00:52:21,320 --> 00:52:24,440
Speaker 4: got mail. We near that winner, Thanks Hanks and Crystal was.

1184
00:52:24,360 --> 00:52:28,080
Speaker 2: It with the big in the diner? The best twists?

1185
00:52:28,080 --> 00:52:29,960
Speaker 3: And I was saying a rom come when she finds out?

1186
00:52:30,320 --> 00:52:35,399
Speaker 2: All right? All right? Number two? Yeah Pretty Woman?

1187
00:52:35,920 --> 00:52:40,040
Speaker 3: Yeah, yeah, sat Emma. It's an incredible film. What be

1188
00:52:40,200 --> 00:52:40,799
Speaker 3: pretty Woman?

1189
00:52:40,840 --> 00:52:41,879
Speaker 2: What pretty Woman?

1190
00:52:41,960 --> 00:52:43,359
Speaker 3: That has to be a question urnal as a guy

1191
00:52:43,360 --> 00:52:44,239
Speaker 3: in ten days.

1192
00:52:46,640 --> 00:52:48,560
Speaker 2: And for that, I'm not giving a number one.

1193
00:52:49,320 --> 00:52:49,759
Speaker 7: I'm do