1 00:00:01,400 --> 00:00:05,600 Speaker 1: An entertainment of put on your Dance and shifts. Don't 2 00:00:05,640 --> 00:00:09,160 Speaker 1: give me your best shot. That's from the Daily Oz. 3 00:00:09,280 --> 00:00:11,760 Speaker 2: She is the deputy editor, Emma Gillespie. 4 00:00:11,760 --> 00:00:16,680 Speaker 1: Hahoo, good morning, hy and what a massive weekend for cinema. 5 00:00:16,840 --> 00:00:20,599 Speaker 2: Cinema is back, baby, Barbenheimer. I don't know if you've 6 00:00:20,600 --> 00:00:25,520 Speaker 2: heard this term, this phrase, Barbenheimer, Barbie and Oppenheimer, two 7 00:00:25,760 --> 00:00:30,040 Speaker 2: incredibly successful, already films out at the exact same time 8 00:00:30,080 --> 00:00:33,480 Speaker 2: that have just set the movie industry completely a buzz 9 00:00:33,600 --> 00:00:35,520 Speaker 2: and brought it back to life after the pandemic. 10 00:00:35,640 --> 00:00:37,800 Speaker 1: And because I think it opened in Australia, in the 11 00:00:37,840 --> 00:00:39,880 Speaker 1: States that I've been everywhere that we've all had the 12 00:00:39,920 --> 00:00:41,000 Speaker 1: same weekend. 13 00:00:40,680 --> 00:00:42,879 Speaker 2: Exactly, we've all had the same weekend. The numbers, the 14 00:00:42,920 --> 00:00:45,919 Speaker 2: final numbers, we won't really know until tomorrow, but New 15 00:00:46,000 --> 00:00:48,960 Speaker 2: York media are reporting CNN New York Times in the 16 00:00:49,040 --> 00:00:52,760 Speaker 2: US that it's the fourth highest grossing weekend of all 17 00:00:52,840 --> 00:00:57,560 Speaker 2: time in North American film history. So the combined Barbenheimer 18 00:00:57,640 --> 00:01:01,040 Speaker 2: hype has so far garnered them three hundred and two 19 00:01:01,240 --> 00:01:03,920 Speaker 2: US million dollars only in North America. So when you 20 00:01:03,960 --> 00:01:08,640 Speaker 2: account for the Australian market overseas, markets the UK Asia. 21 00:01:08,720 --> 00:01:11,200 Speaker 2: You know this is going to be into the billions 22 00:01:11,200 --> 00:01:14,360 Speaker 2: pretty quickly. He cost one hundred million dollars to make? 23 00:01:14,520 --> 00:01:14,720 Speaker 2: Was that? 24 00:01:14,880 --> 00:01:15,319 Speaker 1: Is that right? 25 00:01:15,520 --> 00:01:18,360 Speaker 2: One hundred and fifty to make right? And I think 26 00:01:18,480 --> 00:01:21,360 Speaker 2: by day two we were already climbing towards one fifty. 27 00:01:21,440 --> 00:01:24,040 Speaker 2: So you know that's the thing that's made their money. 28 00:01:24,160 --> 00:01:27,640 Speaker 1: Yeah it's not Rock Boys too, but or yeahoo's serious? 29 00:01:27,680 --> 00:01:31,000 Speaker 1: Maybe are they? Which of these two films are people? 30 00:01:31,120 --> 00:01:33,600 Speaker 1: If you've got the weekend and you're only seeing one movie, 31 00:01:33,600 --> 00:01:34,520 Speaker 1: which one are they choosing? 32 00:01:34,760 --> 00:01:36,880 Speaker 2: Well, it depends how much time you have because Oppenheimer 33 00:01:36,959 --> 00:01:40,280 Speaker 2: does go for three hours. And in case you're not sure, 34 00:01:40,400 --> 00:01:42,320 Speaker 2: this is the film that follows the life of J. 35 00:01:42,520 --> 00:01:45,440 Speaker 2: Robert Oppenheimer, played by Killian Murphy, who you may know 36 00:01:45,480 --> 00:01:49,360 Speaker 2: from Peaky Blinders. You know all about the spearheading of 37 00:01:49,360 --> 00:01:53,480 Speaker 2: the construction of the first atomic bomb. Christopher Nolan, who's 38 00:01:53,560 --> 00:01:55,760 Speaker 2: you know, the person that brought us inception into sell 39 00:01:55,840 --> 00:02:03,320 Speaker 2: art exactly. So very epic cinematic cinematography, very like, you know, 40 00:02:03,560 --> 00:02:06,480 Speaker 2: the whole thing. Good to see it in a big cinema. 41 00:02:06,600 --> 00:02:10,160 Speaker 2: Barbie is a film about a feminist utopia gone wrong 42 00:02:10,960 --> 00:02:15,600 Speaker 2: from Greta Gerwig. It's incredible. It's only maybe two hours, 43 00:02:16,160 --> 00:02:19,800 Speaker 2: Margot Robbie. It's a Barbie world, you know. So it 44 00:02:19,840 --> 00:02:25,919 Speaker 2: depends if pink is your thing, Barbie if world, yeah, exactly, 45 00:02:26,040 --> 00:02:28,240 Speaker 2: if you're a Holocaust or they were, which one do 46 00:02:28,240 --> 00:02:28,560 Speaker 2: you want? 47 00:02:28,600 --> 00:02:34,399 Speaker 1: I saw the British Prime Minister Rishi Sunak he put 48 00:02:34,440 --> 00:02:36,720 Speaker 1: on his Instagram with his wife and two daughters. Well, 49 00:02:36,760 --> 00:02:39,560 Speaker 1: I guess we're seeing Barbie first. I'm sure a lot 50 00:02:39,560 --> 00:02:40,560 Speaker 1: of families are like that. 51 00:02:40,480 --> 00:02:43,080 Speaker 2: And I found that Barbie is exactly that if I 52 00:02:43,120 --> 00:02:45,360 Speaker 2: had a teenage daughter, you know, it would be the 53 00:02:45,400 --> 00:02:46,040 Speaker 2: movie for. 54 00:02:46,000 --> 00:02:47,480 Speaker 1: A dad to take his teenage daughters. 55 00:02:47,639 --> 00:02:50,080 Speaker 2: I think Barbie is the one to see first, yes, 56 00:02:50,280 --> 00:02:52,720 Speaker 2: but people are seeing them back to back. So cinema 57 00:02:52,800 --> 00:02:56,800 Speaker 2: is everywhere all around in Sydney are doing these Barbenheimer 58 00:02:56,840 --> 00:03:00,240 Speaker 2: double features where you see both of them back to back. 59 00:03:00,520 --> 00:03:03,000 Speaker 2: And I haven't yet seen Oppenheimer. I saw Barbie on 60 00:03:03,040 --> 00:03:06,720 Speaker 2: the weekend and I just couldn't. I couldn't pivot. The 61 00:03:06,800 --> 00:03:11,200 Speaker 2: contrast between them would just be really jarring. But dedicated, 62 00:03:11,520 --> 00:03:14,280 Speaker 2: you know, cinema files people who love their movies are 63 00:03:14,320 --> 00:03:18,000 Speaker 2: seeing both, and I think that's what's interesting is that Barbie. 64 00:03:18,000 --> 00:03:21,040 Speaker 2: Obviously he's a really different movie, But people who love 65 00:03:21,120 --> 00:03:24,160 Speaker 2: movies are loving both and loving going to see both. 66 00:03:24,520 --> 00:03:26,320 Speaker 2: It's you know, you go to the foyer of your 67 00:03:26,360 --> 00:03:29,600 Speaker 2: local movies in Ustfield and there's all kinds of people 68 00:03:29,720 --> 00:03:32,040 Speaker 2: going to both of them. And I think that's really 69 00:03:32,280 --> 00:03:35,280 Speaker 2: refreshing to see for an industry that really struggled during 70 00:03:35,360 --> 00:03:35,920 Speaker 2: the pandemic. 71 00:03:35,920 --> 00:03:37,720 Speaker 1: As we know, but as you said at the beginning, 72 00:03:37,760 --> 00:03:40,000 Speaker 1: cinema is back. Is it really back? Because now the 73 00:03:40,040 --> 00:03:41,920 Speaker 1: writers strike, we may not be seeing this for a 74 00:03:41,960 --> 00:03:42,680 Speaker 1: while exactly. 75 00:03:42,720 --> 00:03:44,560 Speaker 2: We will have to wait and see how long the 76 00:03:44,640 --> 00:03:47,520 Speaker 2: strike goes on, how long the actors strike continues, you 77 00:03:47,560 --> 00:03:48,600 Speaker 2: know how that will impact. 78 00:03:48,680 --> 00:03:50,920 Speaker 1: And actors aren't allowed to strike movies anymore, They're not 79 00:03:50,960 --> 00:03:52,560 Speaker 1: allowed to do any of exactly. 80 00:03:52,880 --> 00:03:54,840 Speaker 2: And I mentioned that, you know, this is the fourth 81 00:03:54,960 --> 00:03:57,680 Speaker 2: highest grossing weekend of all time in North America. But 82 00:03:57,800 --> 00:04:01,320 Speaker 2: the films ahead of it are your events and Spider 83 00:04:01,360 --> 00:04:04,960 Speaker 2: Man types, Marvel films, and those are the films most 84 00:04:05,080 --> 00:04:08,720 Speaker 2: kind of vulnerable to this AI. You know, what will 85 00:04:08,760 --> 00:04:11,560 Speaker 2: AI do to cinema? And those are the movies that 86 00:04:11,680 --> 00:04:13,920 Speaker 2: the you know, the experts are saying AI will be 87 00:04:14,000 --> 00:04:16,680 Speaker 2: able to generate scripts. AI will be able to make 88 00:04:17,080 --> 00:04:19,680 Speaker 2: you know the likenesses of all these stars. 89 00:04:19,360 --> 00:04:21,880 Speaker 1: And superher strikes about and so. 90 00:04:21,800 --> 00:04:23,359 Speaker 2: You know, these movies may still be made and be 91 00:04:23,400 --> 00:04:26,440 Speaker 2: released and still raking huge money without the writers and 92 00:04:26,480 --> 00:04:28,760 Speaker 2: the actors. Joe Walsh of The Eagle said he's not 93 00:04:28,800 --> 00:04:32,080 Speaker 2: concerned until AI throws a TV out of a hotel room. 94 00:04:32,200 --> 00:04:34,480 Speaker 1: Trash's entirely possible. 95 00:04:34,680 --> 00:04:39,760 Speaker 2: Until AI goes full Diva. Joe's not worried. Ema. 96 00:04:39,839 --> 00:04:41,720 Speaker 1: It's always great to talk to you. 97 00:04:41,800 --> 00:04:45,640 Speaker 2: Thank you. You'll find more from Emma on Instagram. Pat 98 00:04:45,800 --> 00:04:47,360 Speaker 2: m lower score, Gileslie