WEBVTT - REAL REALITY - MARRIED AT FIRST SIGHT - JOHN AIKEN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast past week that one. Hey guys,

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<v Speaker 1>welcome back to TV Reload, Thank you for clicking and downloading.

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<v Speaker 1>On today's episode with John Aiken, we will be talking

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<v Speaker 1>about Married at First side, of course, and his role

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<v Speaker 1>as a relationship expert. Married at First Sight, or as

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<v Speaker 1>most of us call it, Maths has launched this new

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<v Speaker 1>series with a new selection of singles or Willing to

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<v Speaker 1>Marry a Complete Stranger? I mean, as if we weren't

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<v Speaker 1>going to all watch. We have seen four weddings so far,

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<v Speaker 1>one memorial, a disastrous honeymoon, and at this stage all

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<v Speaker 1>the glasses seem to be used for drinking. Not one

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<v Speaker 1>person has thrown a drink. However, apparently for one bride

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<v Speaker 1>the tequila wasn't good enough. There is so much to

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<v Speaker 1>unpack with John. What he thinks of the twenty twenty

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<v Speaker 1>four married couples, why groomed Tim didn't interrupt that disastrous

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<v Speaker 1>best man speech, what he thinks of Lucinda Light and

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<v Speaker 1>her wingwoman crazy, if producers go too hard with grief

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<v Speaker 1>stricken participants, and if those celebrants are real Prince I

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<v Speaker 1>will ask John if in the history of being told

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<v Speaker 1>to calm down, if anyone has actually ever calmed down,

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<v Speaker 1>I'd like to know his take on that turn of

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<v Speaker 1>phrase in an argument. Anyway, let's bring John into the podcast.

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<v Speaker 1>So sit back and relax as we dive just that

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<v Speaker 1>little bit deeper into the world of Australian television. Do

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<v Speaker 1>you know what was really funny? I was watching Maths

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<v Speaker 1>and I was the person who was watching it with

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<v Speaker 1>said John is so good on this show, but don't

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<v Speaker 1>you think he looks like someone? And the person they said,

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<v Speaker 1>you look like who's your double ganger? I don't know

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<v Speaker 1>if you've ever heard this before, and I'm really worried

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<v Speaker 1>that it might upset you. But has anyone ever said

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<v Speaker 1>you look like the penguin from the original Batman TV series?

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<v Speaker 2>I don't know if that's a good thing. Is that

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<v Speaker 2>a good thing? Ellen? No?

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<v Speaker 1>Because no, no, no, because the penguin back then was not

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<v Speaker 1>the big penguin like Danny DeVito. He was quite slim.

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<v Speaker 1>He was, I mean, he did have a nasty.

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<v Speaker 2>I might have to google an image right now.

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<v Speaker 1>No, do you know what everyone has listening to this

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<v Speaker 1>will be like, did you just say to John that

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<v Speaker 1>he is the penguin, and they're gonna be like he

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<v Speaker 1>went there. I know, but you know what, sometimes you

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<v Speaker 1>want to hear these silly things.

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<v Speaker 3>I think I totally agree. And you know what, when

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<v Speaker 3>we talk, you get down to the honest true we do.

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<v Speaker 1>I sped image.

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<v Speaker 2>I've gone images. I mean, oh my god.

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<v Speaker 1>Look at it. At the end of the podcast, we'll

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<v Speaker 1>circle back to it. Welcome back to the podcast again.

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<v Speaker 2>Though it is great to be here, Ben.

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<v Speaker 3>I love the last time we spoke, and this time's

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<v Speaker 3>even better because I get to see you in person,

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<v Speaker 3>well on screen at least, of course.

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<v Speaker 1>Of course. You know what was interesting was the other

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<v Speaker 1>day when we were watching we watched a preview of

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<v Speaker 1>the first episode for People who isn't It? And I

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<v Speaker 1>told you that you ranked in the top three of

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<v Speaker 1>the podcast. So I've got those names for you. Claudia

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<v Speaker 1>Carvon was number one, as she's big, you know what

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<v Speaker 1>I mean, like, can't beat Claudia Cuhen and you were

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<v Speaker 1>number two, which is great, and number three was George

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<v Speaker 1>from Survivor. So I don't know how that lands for you.

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<v Speaker 2>Okay, okay, well, I mean I'll take it.

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<v Speaker 3>I think we can all say that Claudia's a runaway,

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<v Speaker 3>you know.

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<v Speaker 2>Number one.

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<v Speaker 1>I turned for Claudia. She's got the wrong climbing for me.

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<v Speaker 1>But you know, come on, she's not eight.

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<v Speaker 2>You know she's still amazing.

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<v Speaker 1>I actually sat next to her at the movies. Anyway,

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<v Speaker 1>that's a boring story. I'm not going to tell that story.

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<v Speaker 1>I'll tell that for another time. But we're back. What

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<v Speaker 1>was your reaction to watching the episode last night? I

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<v Speaker 1>know you'd already seen it, but as Australia was watching it,

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<v Speaker 1>I imagine you were watching it along with them. What

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<v Speaker 1>was a reaction.

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<v Speaker 3>Yes, well, I'll paint the scene. I'm sitting there with

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<v Speaker 3>my wife. We are drinking wine and we're basically sort

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<v Speaker 3>of watching it unfold. She doesn't know what's coming, but

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<v Speaker 3>she is loving every minute of it. And I'm kind

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<v Speaker 3>of looking at Twitter, sort of getting a sense of

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<v Speaker 3>what's coming through and what the public are saying.

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<v Speaker 2>And you know, I wasn't sure, to be honest, Ben, initially.

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<v Speaker 3>Because it's a very relatable class cast, but they're quite

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<v Speaker 3>different from last year, and so I was really keen

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<v Speaker 3>to see what the audience was saying and who they

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<v Speaker 3>were responding to. But it really pleased me that they

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<v Speaker 3>were kind of getting invested. Particularly I noticed on Cassandra's story,

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<v Speaker 3>you know, she had that last early on and now

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<v Speaker 3>she was diving back into love. And Tristan is such

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<v Speaker 3>a kind, warm and at times very awkward guy.

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<v Speaker 2>So it was good feedback for me.

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<v Speaker 1>Yeah. Well, I mean, I guess when it comes to

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<v Speaker 1>doing a new series, John, do you do a factory

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<v Speaker 1>reset on what you've seen the year before? Because we

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<v Speaker 1>do see different characters every year. We're not seeing the

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<v Speaker 1>same thing because if we saw that, Mass wouldn't be

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<v Speaker 1>number one, you know with the ratings, and so I

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<v Speaker 1>wonder how you do that, Like do you just go,

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<v Speaker 1>I'm going to forget all of the personalities I saw

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<v Speaker 1>this year and just come in with a fresh take,

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<v Speaker 1>Like how do you evolve with these new personalities?

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<v Speaker 2>Well, that's kind of exactly what I do. I do.

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<v Speaker 3>I put aside the previous seasons and I just say

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<v Speaker 3>I'm going to watch now and be surprised. I think

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<v Speaker 3>when the when the show first started and became really popular,

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<v Speaker 3>I was worried initially that, you know, how do we

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<v Speaker 3>keep evolving, how do we keep the interest going? Because

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<v Speaker 3>it's a relationship show, it's talking heads on a couch.

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<v Speaker 3>You know, what in the world is going to keep

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<v Speaker 3>people coming back? But then I realized by about series five, oh.

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<v Speaker 2>It's the cast.

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<v Speaker 3>And the cast always change because they always have different backstories,

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<v Speaker 3>different problem patterns, they have different family and friends. I mean,

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<v Speaker 3>we saw last night the best Man's speech from Hell.

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<v Speaker 3>You know, it constantly keeps evolving, and all I've got

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<v Speaker 3>to do is sit and watch it, and it surprises.

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<v Speaker 2>Me every year.

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<v Speaker 1>Yeah, it does. I mean, we'll talk about that speech

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<v Speaker 1>in a second. But I kind of feel like, you know,

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<v Speaker 1>the show penetrates the audience in a way that no

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<v Speaker 1>other show has ever connected, especially a dating show. I mean,

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<v Speaker 1>what is it about maths that resonates with a straight.

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<v Speaker 2>On Well, I'll tell you what.

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<v Speaker 3>I'll tell you my answer, but then I want to

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<v Speaker 3>hear yours, because you have lived and bathe the reality world,

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<v Speaker 3>and I'd be curious to know your take on it.

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<v Speaker 3>From my point of view, I think there's a number

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<v Speaker 3>of ingredients that make it successful. One is, obviously this

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<v Speaker 3>idea of the fairy tale. Can two strangers fall in love?

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<v Speaker 3>That's at the core, and that's compelling to watch, you know,

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<v Speaker 3>when they turn around, the eyes lock. Do they like

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<v Speaker 3>each other? I think in a strange way. Now people

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<v Speaker 3>watch it to learn things about relationships, particularly learn what

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<v Speaker 3>not to do, which is a very valuable way of learning.

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<v Speaker 3>It's just a bit different. And then I think you've

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<v Speaker 3>got the experts who we get in this combative, sort

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<v Speaker 3>of accountable role with the participants and they come back

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<v Speaker 3>at as hard, and I think that's very interesting for

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<v Speaker 3>people to watch, and you don't often see that on

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<v Speaker 3>reality TV. There's John and you know the guy sitting

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<v Speaker 3>across from him, he's coming at me hard. Harrison said,

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<v Speaker 3>I was full of it last year, and that is

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<v Speaker 3>unusual to watch that and really quite interesting and certainly

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<v Speaker 3>exciting for me to be on the receiving end of it.

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<v Speaker 3>And I also think, strangely enough, i'd say this Ben

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<v Speaker 3>people have said to me that it reminds them of

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<v Speaker 3>high school.

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<v Speaker 2>So when they watch it, they've taken back.

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<v Speaker 3>In time to when they're thirteen, fourteen, fifteen, and they've

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<v Speaker 3>got these little clicks, and they've also had their heart

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<v Speaker 3>broking it broken at sixteen, and they watch someone getting

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<v Speaker 3>dumped or they've been cheated on, or they've gone out

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<v Speaker 3>with a guy who promised the world and absolutely left

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<v Speaker 3>them heartbroken. All of that just reminds them of when

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<v Speaker 3>they were young, and they are invested in it, and

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<v Speaker 3>I think that would be the way I'd answer it.

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<v Speaker 3>A whole lot of ingredients, but there are four ones

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<v Speaker 3>there that I think are compelling.

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<v Speaker 1>Yeah. I think the thing for me is I believe

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<v Speaker 1>that all of us want to see ourselves reflected back

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<v Speaker 1>to us when we watch television. We want to watch

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<v Speaker 1>ourselves in some weird way and resonate with them and

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<v Speaker 1>connect with that and think about ourselves and think, you know,

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<v Speaker 1>what would I do if I'm in that situation. And

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<v Speaker 1>we're as humans, we all believe that we're entitled to love.

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<v Speaker 1>We all want to find love, and this show will

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<v Speaker 1>be resonating with audio answers and rating really high as

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<v Speaker 1>long as we see a true reflection of society. And

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<v Speaker 1>I think that Maths isn't a show about a whole

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<v Speaker 1>bunch of people with washboard abs. Sure, a couple of

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<v Speaker 1>them have got it. You know, some people might be

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<v Speaker 1>there for the boobs and the big lips and all

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<v Speaker 1>the right kind of stuff. But what the casting does

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<v Speaker 1>really well with this show is it actually represents a

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<v Speaker 1>large part of Australia, very real Australians, even if they

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<v Speaker 1>are Liscinda.

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<v Speaker 2>Light, that's exactly right.

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<v Speaker 3>And I do think like some people have obviously stopped

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<v Speaker 3>me over the years and said, these people aren't real.

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<v Speaker 3>Surely not, it must be scripted. But you are right.

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<v Speaker 3>They are real people. You may not bump into them

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<v Speaker 3>all the time, but they are out there. They are

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<v Speaker 3>doing these things, making these poor choices China fall in

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<v Speaker 3>love and doing it terribly, and that's really intriguing when

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<v Speaker 3>you watch that. And I think the other thing that's

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<v Speaker 3>really fascinating, and it still fascinates me, is that when

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<v Speaker 3>you hold a mirror up to them and say here's

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<v Speaker 3>what's going on now, you need to do better, often.

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<v Speaker 2>They just say, well, I'm sorry, John, but you're wrong.

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<v Speaker 3>And the audience is watching going, oh no, no, no, no,

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<v Speaker 3>you do need to change.

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<v Speaker 2>But they are fixed.

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<v Speaker 3>They have blinkers on and there's no insight, and that

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<v Speaker 3>is really challenging and very interesting to watch when you

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<v Speaker 3>get into that situation.

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<v Speaker 1>It's juicy. Liscinda Light, though, is actually one of the

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<v Speaker 1>most bonkers participants Mass has ever seen. But I actually

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<v Speaker 1>really love her and I feel like Mass does this

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<v Speaker 1>thing very well, which is at baits and switches how

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<v Speaker 1>we are going to interpret people. And so when you

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<v Speaker 1>see Liscinda to start with, you will think that woman's bonkers.

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<v Speaker 1>But I actually believe that Australia is going to fall

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<v Speaker 1>in love with her. I actually think that she's quite brilliant.

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<v Speaker 3>Yeah, I agree, and I take your point. I think

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<v Speaker 3>when you're putting together a selection of different individuals, you

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<v Speaker 3>want complexity, you want layers and texture, and I think

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<v Speaker 3>we've got that this year, particularly with the diversity of

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<v Speaker 3>the cast. It's very fascinating when you see, let's say,

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<v Speaker 3>a personal trainer who's ripped, who looks like he's a player,

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<v Speaker 3>and you make that first impression and then you watch

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<v Speaker 3>this person then show different sides to themselves as the

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<v Speaker 3>experiment plays out. That is something that is a secret

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<v Speaker 3>source to the show, that you have all these different

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<v Speaker 3>personalities showing different sides. And sometimes it's right off the bat,

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<v Speaker 3>but sometimes it's halfway through when you least expect it.

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<v Speaker 3>This big personality comes out of this big rivalry occurs,

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<v Speaker 3>or suddenly they don't commit when you really thought there

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<v Speaker 3>are hands on, rock solid commitment type.

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<v Speaker 1>It's interesting when you were talking about looking on Twitter

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<v Speaker 1>last night, X is what they call it now, looking

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<v Speaker 1>on Yeah? Yeah, the people looking at I was doing

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<v Speaker 1>the same thing. And there was quite a few people

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<v Speaker 1>talking about does this show play family tragedy too hard?

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<v Speaker 1>And there are a lot of setups. We saw that

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<v Speaker 1>with Cassandra and hers backstory was heartbreaking. What are your

0:10:59.280 --> 0:11:02.560
<v Speaker 1>thoughts on getting contestants participants I should say, to be

0:11:02.559 --> 0:11:05.200
<v Speaker 1>a part of this show when they've had such tragedy

0:11:05.240 --> 0:11:08.679
<v Speaker 1>in their life? Are they broken people? Are they should

0:11:08.679 --> 0:11:10.400
<v Speaker 1>they not be put on a show like this?

0:11:10.960 --> 0:11:12.720
<v Speaker 2>I don't think that they're broken.

0:11:12.920 --> 0:11:17.400
<v Speaker 3>I think there's certainly people that have I guess experiences

0:11:17.440 --> 0:11:21.080
<v Speaker 3>are past that have you know, essentially shaped them. But

0:11:21.200 --> 0:11:24.400
<v Speaker 3>to your point earlier, I mean it makes these people

0:11:24.840 --> 0:11:28.920
<v Speaker 3>real and it allows the audience to invest more in them.

0:11:29.120 --> 0:11:32.160
<v Speaker 3>And I think of reality shows outside of this, you know,

0:11:32.640 --> 0:11:36.360
<v Speaker 3>where you might be meeting someone who's about to audition

0:11:36.559 --> 0:11:39.280
<v Speaker 3>for a singing contest and you see what they've.

0:11:39.080 --> 0:11:40.920
<v Speaker 2>Been through and the family and the.

0:11:40.920 --> 0:11:42.520
<v Speaker 3>Lost and all that sort of stuff, and there's that

0:11:42.640 --> 0:11:44.480
<v Speaker 3>sense of well, I'm going to ride this with them,

0:11:44.600 --> 0:11:48.600
<v Speaker 3>And so I think it's a reality television sort of

0:11:48.640 --> 0:11:51.880
<v Speaker 3>format point where you are really trying to get the

0:11:51.960 --> 0:11:56.120
<v Speaker 3>audience to know who it is that's in front of you,

0:11:56.360 --> 0:12:00.439
<v Speaker 3>and it gives you an understanding, a deeper understand and

0:12:00.920 --> 0:12:02.800
<v Speaker 3>a faster way of getting to know them. But I

0:12:02.800 --> 0:12:07.480
<v Speaker 3>would also say that you know they are very well assessed.

0:12:07.040 --> 0:12:08.679
<v Speaker 1>And they're aut a task.

0:12:09.960 --> 0:12:11.160
<v Speaker 2>They know what they know.

0:12:11.640 --> 0:12:14.120
<v Speaker 3>I mean, we're now season eleven, so they've watched it all,

0:12:14.320 --> 0:12:18.080
<v Speaker 3>They've gone through pyite tests, they are trained with social media,

0:12:18.320 --> 0:12:19.240
<v Speaker 3>and we prepare.

0:12:18.920 --> 0:12:21.120
<v Speaker 2>Them as best we can that they are going to

0:12:21.120 --> 0:12:22.040
<v Speaker 2>be able to cope with it.

0:12:22.080 --> 0:12:25.680
<v Speaker 3>But it is very, very intense when that spotlights on them.

0:12:25.720 --> 0:12:25.840
<v Speaker 2>Well.

0:12:25.880 --> 0:12:28.199
<v Speaker 1>I thought with Timothy, it was really lovely about him,

0:12:28.200 --> 0:12:30.880
<v Speaker 1>who's matched with Lycinda, was that he as well, was

0:12:31.120 --> 0:12:32.960
<v Speaker 1>not who you kind of expected him to be. And

0:12:33.000 --> 0:12:35.920
<v Speaker 1>when he revealed that his whole family was not there

0:12:35.960 --> 0:12:38.240
<v Speaker 1>at the wedding because they were dead, what I thought

0:12:38.320 --> 0:12:41.920
<v Speaker 1>was really quite compelling about that was Lucinda's ability to

0:12:41.960 --> 0:12:46.120
<v Speaker 1>take that in her stride and to be able to

0:12:46.200 --> 0:12:48.480
<v Speaker 1>process that in a really human way, in a really

0:12:48.480 --> 0:12:51.120
<v Speaker 1>empathetic way, And it makes me think of who I

0:12:51.160 --> 0:12:53.600
<v Speaker 1>am in the real world when someone says something like that,

0:12:53.640 --> 0:12:56.720
<v Speaker 1>which is quite heavy and how to better myself in

0:12:56.800 --> 0:13:00.200
<v Speaker 1>being able to communicate because she did that so well.

0:13:00.280 --> 0:13:02.719
<v Speaker 2>Yeah, that is a really good point about her.

0:13:02.800 --> 0:13:07.120
<v Speaker 3>I think she's the most emotionally evolved person certainly we've

0:13:07.160 --> 0:13:10.840
<v Speaker 3>had in this series, but also throughout all the eleventh seasons.

0:13:10.840 --> 0:13:14.120
<v Speaker 3>When you watch her in different situations of high conflict

0:13:14.360 --> 0:13:19.160
<v Speaker 3>or betrayal or heartbreak, her ability to immediately go in

0:13:19.559 --> 0:13:22.920
<v Speaker 3>and say the right thing at the right time, to.

0:13:23.040 --> 0:13:27.320
<v Speaker 2>Hold the space as she says, you know and look frequently.

0:13:27.320 --> 0:13:30.200
<v Speaker 3>There were times when I was telling off participants in

0:13:30.280 --> 0:13:33.600
<v Speaker 3>the commitment ceremony and then over my shoulder Lucinda would say, John,

0:13:33.600 --> 0:13:37.000
<v Speaker 3>can I just jump in here? Can I just you know,

0:13:37.320 --> 0:13:40.560
<v Speaker 3>have a different way of looking at this? And you

0:13:40.679 --> 0:13:43.360
<v Speaker 3>kind of realize this is part of her DNA And

0:13:43.400 --> 0:13:46.600
<v Speaker 3>when people would say, oh, Lucinda, is she real?

0:13:46.960 --> 0:13:48.400
<v Speaker 2>She never broke.

0:13:48.240 --> 0:13:52.360
<v Speaker 3>Character, changed character was anybody other than what you see

0:13:52.360 --> 0:13:55.520
<v Speaker 3>on the screen. You know, she has that real ability

0:13:55.600 --> 0:14:00.440
<v Speaker 3>to swim in intense emotions that are around her and

0:14:00.480 --> 0:14:01.640
<v Speaker 3>feel really comfortable with it.

0:14:01.920 --> 0:14:04.000
<v Speaker 1>It was great to watch. I mean her Wingwoman was

0:14:04.040 --> 0:14:06.200
<v Speaker 1>a little bit creepy. I mean, what do you say

0:14:06.240 --> 0:14:09.199
<v Speaker 1>when you hear someone's best friend come up and say

0:14:09.240 --> 0:14:11.440
<v Speaker 1>they've got a dead crow and their freezer at home,

0:14:11.840 --> 0:14:12.920
<v Speaker 1>like John.

0:14:13.320 --> 0:14:14.079
<v Speaker 2>I know, I know.

0:14:14.160 --> 0:14:16.640
<v Speaker 3>I mean, I remember when I first met with Cinder

0:14:16.679 --> 0:14:19.600
<v Speaker 3>and she brought out the scroll with all those lists

0:14:19.640 --> 0:14:22.280
<v Speaker 3>of things that she wanted from a guy, and then said, look,

0:14:22.320 --> 0:14:23.320
<v Speaker 3>I'm a creatrix.

0:14:23.560 --> 0:14:25.600
<v Speaker 2>And I just thought that she's wonderful.

0:14:25.600 --> 0:14:28.280
<v Speaker 3>I've got no idea what she's talking about, but you know,

0:14:28.360 --> 0:14:32.160
<v Speaker 3>I think probably the people around her are very similar,

0:14:32.360 --> 0:14:36.320
<v Speaker 3>and so like you say, you know, her friends, her family, people,

0:14:36.400 --> 0:14:39.360
<v Speaker 3>she hangs around with a very like minded in that way.

0:14:40.160 --> 0:14:41.640
<v Speaker 1>I mean. The other thing I was going to ask

0:14:41.640 --> 0:14:43.000
<v Speaker 1>you about before we go is, you know, when we

0:14:43.080 --> 0:14:46.520
<v Speaker 1>left Tim and Sarah, we saw them navigating a few frustrations,

0:14:46.640 --> 0:14:48.920
<v Speaker 1>you know, and then that has sort of continued on

0:14:49.000 --> 0:14:51.360
<v Speaker 1>last night. Do you think in the history of telling

0:14:51.400 --> 0:14:55.600
<v Speaker 1>someone to calm down, that anyone has actually ever calmed down?

0:14:55.880 --> 0:14:59.280
<v Speaker 3>It is, once again a great example of what not

0:14:59.400 --> 0:15:02.880
<v Speaker 3>to do and when you're in a relationship, and you know,

0:15:02.960 --> 0:15:06.680
<v Speaker 3>I think back to so many key moments in Marred

0:15:06.720 --> 0:15:09.400
<v Speaker 3>at First Sight over eleven seasons, where you know.

0:15:09.360 --> 0:15:13.120
<v Speaker 2>People just seem to pick the worst possible time.

0:15:13.360 --> 0:15:16.040
<v Speaker 3>To speak up. And to drop a clanger. You know

0:15:16.160 --> 0:15:19.360
<v Speaker 3>in this situation. You know, you're on a honeymoon, it's

0:15:19.360 --> 0:15:21.560
<v Speaker 3>a beautiful date, You're on the beach.

0:15:21.960 --> 0:15:23.120
<v Speaker 1>How can we ruin the Liz?

0:15:24.120 --> 0:15:27.160
<v Speaker 3>And then he says, come down, And that was after

0:15:27.240 --> 0:15:29.960
<v Speaker 3>he said to her at the wedding, Oh, you know,

0:15:30.000 --> 0:15:32.840
<v Speaker 3>I'm six months out of a relationship of six years

0:15:32.880 --> 0:15:34.200
<v Speaker 3>where I thought I'd proposed to her.

0:15:34.480 --> 0:15:37.200
<v Speaker 1>She's got a dorseer now of things that she's got

0:15:37.240 --> 0:15:40.480
<v Speaker 1>to be worried about with this man. I mean, from

0:15:40.560 --> 0:15:43.160
<v Speaker 1>your perspective, though, can they get past these sort of

0:15:43.160 --> 0:15:46.800
<v Speaker 1>teething issues, because for me, being fascinated by people, I

0:15:46.840 --> 0:15:50.320
<v Speaker 1>actually think when people meet and they are designing their relationship,

0:15:50.320 --> 0:15:52.760
<v Speaker 1>they're drawing battle lines. Do you think that these two

0:15:52.960 --> 0:15:55.440
<v Speaker 1>are quite suited and are just trying to draw their

0:15:55.480 --> 0:15:56.400
<v Speaker 1>battle lines early?

0:15:56.680 --> 0:15:59.000
<v Speaker 3>I think they are very well suited on a number

0:15:59.000 --> 0:16:01.960
<v Speaker 3>of different levels. But I think their challenge is the

0:16:02.000 --> 0:16:05.240
<v Speaker 3>same as pretty much everyone that we've seen on the show,

0:16:05.720 --> 0:16:11.520
<v Speaker 3>and that is can they stop look at their relationship.

0:16:10.840 --> 0:16:14.240
<v Speaker 2>Patterns and say, well, I need to change this up.

0:16:14.440 --> 0:16:15.960
<v Speaker 2>I need to actually do it differently.

0:16:16.280 --> 0:16:19.200
<v Speaker 3>Now, you and I both know that probably over the years,

0:16:19.480 --> 0:16:23.200
<v Speaker 3>most of them will go no, I'm either perfect or

0:16:23.520 --> 0:16:28.440
<v Speaker 3>I'm right, you're wrong, and so they just essentially sabotage

0:16:28.480 --> 0:16:31.280
<v Speaker 3>the relationship that we put them in and they blow up.

0:16:31.480 --> 0:16:34.080
<v Speaker 3>So for Sarah and Tim and everybody else this year,

0:16:34.360 --> 0:16:36.880
<v Speaker 3>the same goes. They are going to have to stop

0:16:37.160 --> 0:16:40.560
<v Speaker 3>and look at themselves and say, our fights start. What

0:16:40.640 --> 0:16:44.000
<v Speaker 3>we're like when someone's understress, what happens We're at a

0:16:44.080 --> 0:16:47.840
<v Speaker 3>dinner party and someone throws out accusations? How do we

0:16:47.920 --> 0:16:50.760
<v Speaker 3>handle this? And then when the experts give us feedback,

0:16:50.800 --> 0:16:53.160
<v Speaker 3>are we going to listen? And the ones that do

0:16:53.320 --> 0:16:56.840
<v Speaker 3>well are either Camon Jules, or the Michael and Martha's

0:16:57.000 --> 0:17:00.600
<v Speaker 3>or you know, the Johnny and Carys, they'll stop and go, yeah, actually,

0:17:00.640 --> 0:17:04.440
<v Speaker 3>we're going to do this different, and that's they're.

0:17:04.240 --> 0:17:06.600
<v Speaker 1>Going to evolve with a big experiment, and a.

0:17:06.560 --> 0:17:08.640
<v Speaker 2>Lot of them can't do that, won't do that.

0:17:08.760 --> 0:17:10.520
<v Speaker 1>Bryce and Melissa didn't do it, by the way, but

0:17:10.560 --> 0:17:14.159
<v Speaker 1>they're still together. They didn't. I mean, that's still a

0:17:14.200 --> 0:17:14.879
<v Speaker 1>success story.

0:17:14.960 --> 0:17:17.800
<v Speaker 3>John, you know, and you know, I think with those

0:17:17.840 --> 0:17:21.399
<v Speaker 3>two what they did do is they said, regardless of

0:17:21.440 --> 0:17:23.560
<v Speaker 3>what gets thrown at us, thrown at us. Because the

0:17:23.600 --> 0:17:26.639
<v Speaker 3>group really was very anti there and gave them a

0:17:26.680 --> 0:17:29.840
<v Speaker 3>lot of well Bryce and gave him a lot of feedback.

0:17:30.960 --> 0:17:32.400
<v Speaker 2>They stayed true to themselves.

0:17:32.440 --> 0:17:36.160
<v Speaker 3>They never broke rank and to right to the end

0:17:36.280 --> 0:17:37.680
<v Speaker 3>they said no, no, no, you've got.

0:17:37.520 --> 0:17:40.520
<v Speaker 2>Us wrong, and we're going to make this And everyone's like,

0:17:40.960 --> 0:17:43.840
<v Speaker 2>really are they? And they did and they they true

0:17:44.000 --> 0:17:44.679
<v Speaker 2>formed and.

0:17:44.680 --> 0:17:47.040
<v Speaker 1>They're going to die trying. They're going to die proving

0:17:47.119 --> 0:17:50.159
<v Speaker 1>us all wrong. The only question that I thought you

0:17:50.280 --> 0:17:52.000
<v Speaker 1>might be able to give a bit of perspective on

0:17:52.359 --> 0:17:54.719
<v Speaker 1>that happened in that first episode was the speech that

0:17:54.800 --> 0:17:58.280
<v Speaker 1>was quite a horrent from Tim's best man. Why did

0:17:58.400 --> 0:18:01.560
<v Speaker 1>Tim not stop him halfway through that speech? That's a

0:18:01.640 --> 0:18:04.399
<v Speaker 1>very long speech with a lot of touch points that

0:18:04.440 --> 0:18:07.960
<v Speaker 1>were quite rated and probably painting him in a bad life.

0:18:08.359 --> 0:18:11.520
<v Speaker 1>Why didn't he just say, you know, mate, shut up?

0:18:11.680 --> 0:18:14.119
<v Speaker 3>Well and I go him one step further, because you know,

0:18:14.160 --> 0:18:16.920
<v Speaker 3>I don't know they're family and friends, any of the couples.

0:18:17.240 --> 0:18:18.720
<v Speaker 2>We don't know what they're going to be like.

0:18:19.000 --> 0:18:21.320
<v Speaker 3>You know, my first thought when I watched it was

0:18:21.560 --> 0:18:23.560
<v Speaker 3>to why are you hanging around with that guy?

0:18:24.080 --> 0:18:25.440
<v Speaker 1>Does that mean about you? Tim?

0:18:25.760 --> 0:18:26.480
<v Speaker 2>Exactly?

0:18:26.560 --> 0:18:28.840
<v Speaker 1>If that's your choice for a best man who's going

0:18:28.880 --> 0:18:30.000
<v Speaker 1>to make your best speech?

0:18:30.200 --> 0:18:33.359
<v Speaker 2>Yeah, do you like kind of thinking? Who are you? Tim?

0:18:33.600 --> 0:18:36.119
<v Speaker 3>Which I'm sure is what Sarah started to think like

0:18:36.280 --> 0:18:39.399
<v Speaker 3>and her bridesmaids. But to your point, why didn't he

0:18:39.440 --> 0:18:42.479
<v Speaker 3>step in? I think one of Tim's biggest challenges is

0:18:42.520 --> 0:18:46.040
<v Speaker 3>that he struggles with asserting himself. He's a guy that

0:18:46.280 --> 0:18:49.760
<v Speaker 3>likes to please and likes to keep the peace, and

0:18:49.800 --> 0:18:53.280
<v Speaker 3>he will be challenged all the time throughout the experiment

0:18:53.359 --> 0:18:58.440
<v Speaker 3>on this, and I think in that situation it required

0:18:58.720 --> 0:19:02.760
<v Speaker 3>a person to just literally put in place a boundary

0:19:02.840 --> 0:19:06.040
<v Speaker 3>and say enough, stop, sit down, your way out of line.

0:19:06.320 --> 0:19:09.879
<v Speaker 3>But it goes to this whole theme throughout the experiment

0:19:09.920 --> 0:19:11.760
<v Speaker 3>this year, which is boundary.

0:19:11.359 --> 0:19:13.680
<v Speaker 2>Crossing what's appropriate and what's inappropriate.

0:19:14.359 --> 0:19:16.920
<v Speaker 3>The group had their thoughts on it, the bridesmaids, the

0:19:17.000 --> 0:19:18.920
<v Speaker 3>friends had their thoughts on it last night. So it's

0:19:18.960 --> 0:19:22.320
<v Speaker 3>there right from the word go, and it consistently is

0:19:22.320 --> 0:19:23.359
<v Speaker 3>a theme that comes up.

0:19:23.520 --> 0:19:26.639
<v Speaker 1>Yeah, I like boundaries. Boundaries is something that upsets people.

0:19:26.680 --> 0:19:29.000
<v Speaker 1>If you tell people to be accountable, they get upset.

0:19:29.080 --> 0:19:31.040
<v Speaker 1>No one wants to be made accountable, you know, No.

0:19:31.359 --> 0:19:33.440
<v Speaker 2>Why is that? Ben? Do you have a take on that?

0:19:33.560 --> 0:19:35.920
<v Speaker 1>I do, because you know, John, If you say to someone,

0:19:35.920 --> 0:19:37.800
<v Speaker 1>I'm going to make you accountable of something, it's the

0:19:37.840 --> 0:19:42.200
<v Speaker 1>new fuck you because people hate It's like the nastiest

0:19:42.200 --> 0:19:44.600
<v Speaker 1>thing you could say to someone in twenty twenty four,

0:19:44.800 --> 0:19:47.359
<v Speaker 1>and it rubs people the wrong way, in the exact

0:19:47.440 --> 0:19:51.080
<v Speaker 1>same way that someone says, respect my boundaries. Those two

0:19:51.160 --> 0:19:56.080
<v Speaker 1>phrases are polarizing to people because you're asking them to

0:19:56.119 --> 0:19:59.640
<v Speaker 1>do something that they feel really uncomfortable about. And most

0:19:59.680 --> 0:20:01.200
<v Speaker 1>of the time, if you're saying to someone, I'm making

0:20:01.280 --> 0:20:04.680
<v Speaker 1>you accountable, can you respect respect my boundaries, it's because

0:20:04.680 --> 0:20:07.600
<v Speaker 1>that person hasn't noticed that they've been doing anything wrong,

0:20:07.880 --> 0:20:09.960
<v Speaker 1>and no one likes to be told hang on a

0:20:09.960 --> 0:20:12.600
<v Speaker 1>sec you're doing that wrong, especially by someone that they

0:20:12.760 --> 0:20:14.760
<v Speaker 1>possibly are in love with or they care for.

0:20:15.000 --> 0:20:16.880
<v Speaker 2>Yeah. No, that's that's very well put.

0:20:16.920 --> 0:20:19.080
<v Speaker 3>I think the other thing that's closely related to that

0:20:19.240 --> 0:20:21.600
<v Speaker 3>is when, and it came started coming out about two

0:20:21.680 --> 0:20:27.240
<v Speaker 3>years ago, when you would challenge someone and they would say, hey, John,

0:20:27.280 --> 0:20:32.080
<v Speaker 3>I'm just speaking my truth. I would hear someone be

0:20:32.320 --> 0:20:37.280
<v Speaker 3>offensive and disrespectful and abhorrent in what they're saying and doing,

0:20:37.400 --> 0:20:40.240
<v Speaker 3>and then they have them they go, come on, don't

0:20:40.280 --> 0:20:40.800
<v Speaker 3>silence me.

0:20:40.880 --> 0:20:41.480
<v Speaker 2>John, I'm just.

0:20:41.520 --> 0:20:44.280
<v Speaker 1>Wond when someone says that to me, there's the biggest

0:20:44.280 --> 0:20:46.800
<v Speaker 1>cop out. It's again out of jail free card that

0:20:47.480 --> 0:20:49.480
<v Speaker 1>lands like a fuck you, John. I wish that I

0:20:49.480 --> 0:20:51.720
<v Speaker 1>could talk to and I'm hopefully throughout the season I'll

0:20:51.720 --> 0:20:53.399
<v Speaker 1>get a chance to talk to you again because we

0:20:53.440 --> 0:20:57.600
<v Speaker 1>need to talk about replacement LGBTI brides, which well i'll

0:20:57.600 --> 0:21:02.679
<v Speaker 1>rephrase that replacement runaway brides that we will see this season.

0:21:02.880 --> 0:21:05.000
<v Speaker 1>I also, I don't know if you can quickly answer this,

0:21:05.040 --> 0:21:07.280
<v Speaker 1>do you know if the marriage selements are real? Are

0:21:07.280 --> 0:21:10.800
<v Speaker 1>they actors that people keep asking me this question today?

0:21:10.640 --> 0:21:12.880
<v Speaker 2>They are all real, all.

0:21:12.840 --> 0:21:15.720
<v Speaker 1>Real people that wanted to go on and do they apply?

0:21:15.880 --> 0:21:17.360
<v Speaker 1>Do you know how they get onto the show?

0:21:17.960 --> 0:21:18.840
<v Speaker 2>That's a good question.

0:21:18.960 --> 0:21:22.359
<v Speaker 3>I don't know exactly how they come to be on

0:21:22.400 --> 0:21:26.000
<v Speaker 3>the show, but they are real marriage celebrants.

0:21:26.200 --> 0:21:28.399
<v Speaker 1>There was also a good question to ask you was

0:21:28.520 --> 0:21:32.760
<v Speaker 1>I was really happy with the acknowledgment of doctor Trisha Stafford,

0:21:32.880 --> 0:21:35.080
<v Speaker 1>who was your mate, and I thought that was really

0:21:35.080 --> 0:21:38.200
<v Speaker 1>well handled. Because this was a show about love and marriages,

0:21:38.240 --> 0:21:39.879
<v Speaker 1>it would have been really hard. I mean, it's not

0:21:39.920 --> 0:21:42.560
<v Speaker 1>for weddings and a funeral, but you know, we were

0:21:42.640 --> 0:21:45.040
<v Speaker 1>able to acknowledge her in a really tasteful way. How

0:21:45.040 --> 0:21:47.720
<v Speaker 1>did that make you feel watching that last part of

0:21:47.760 --> 0:21:48.240
<v Speaker 1>the episode.

0:21:48.440 --> 0:21:50.280
<v Speaker 3>Well, you know what, I appreciate you bringing that up, Ben,

0:21:50.320 --> 0:21:53.159
<v Speaker 3>because I was watching it with my wife and it

0:21:53.240 --> 0:21:57.159
<v Speaker 3>came up and it just sort of it stopped me

0:21:57.200 --> 0:22:00.160
<v Speaker 3>in my tracks because Tricia and I had been as

0:22:00.400 --> 0:22:03.720
<v Speaker 3>on this show since twenty fourteen, the first seven seasons,

0:22:03.760 --> 0:22:06.760
<v Speaker 3>and you know, when you start anything that's new and fresh,

0:22:06.840 --> 0:22:08.399
<v Speaker 3>you don't know how to do it, and so you

0:22:08.520 --> 0:22:09.960
<v Speaker 3>lean on people to.

0:22:10.000 --> 0:22:11.280
<v Speaker 2>Kind of get you through it.

0:22:11.359 --> 0:22:14.560
<v Speaker 3>And she was that person for me, and so I

0:22:14.560 --> 0:22:18.679
<v Speaker 3>didn't know how they would recognize her, and I just

0:22:19.760 --> 0:22:21.920
<v Speaker 3>it just stopped me. It made me think a lot

0:22:21.960 --> 0:22:25.200
<v Speaker 3>about her last you know, after I saw that, and

0:22:26.200 --> 0:22:28.960
<v Speaker 3>I just it's kind of strange that she's not here anymore.

0:22:29.119 --> 0:22:31.520
<v Speaker 3>This is the major juggernaut of a show which she

0:22:31.680 --> 0:22:33.080
<v Speaker 3>had a big part of early on.

0:22:33.359 --> 0:22:35.840
<v Speaker 1>I also thought of you, John, because I thought to myself,

0:22:36.119 --> 0:22:40.080
<v Speaker 1>channel Line, doing something like that really acknowledges your position

0:22:40.160 --> 0:22:43.040
<v Speaker 1>as well, and it really acknowledges all of the relationship

0:22:43.119 --> 0:22:46.159
<v Speaker 1>experts and having them be able to acknowledge her in

0:22:46.160 --> 0:22:48.520
<v Speaker 1>a way like that. I think would make you feel like,

0:22:48.760 --> 0:22:50.840
<v Speaker 1>you know, they understand that this is a big job.

0:22:50.920 --> 0:22:52.760
<v Speaker 3>You know, it's a big job, and it gets bigger

0:22:52.760 --> 0:22:56.000
<v Speaker 3>every year. And I think the experts, well, we are

0:22:56.080 --> 0:22:57.560
<v Speaker 3>a part of the big machine.

0:22:58.680 --> 0:23:00.879
<v Speaker 2>It's the cast that makes the show.

0:23:01.040 --> 0:23:04.240
<v Speaker 3>I still think, you know, it was the right thing

0:23:04.240 --> 0:23:07.320
<v Speaker 3>to do to pay tribute to Tricia and also just

0:23:07.400 --> 0:23:08.200
<v Speaker 3>remember that.

0:23:08.240 --> 0:23:10.320
<v Speaker 2>You know, she was one of the ogs, you.

0:23:10.280 --> 0:23:13.520
<v Speaker 1>Know ogs, and she did a good job, and people

0:23:13.600 --> 0:23:14.520
<v Speaker 1>still care, you know.

0:23:14.760 --> 0:23:17.520
<v Speaker 2>I think that's really people still care and I love that. Yeah.

0:23:17.640 --> 0:23:19.400
<v Speaker 1>The last question I ask everyone who joins the pod,

0:23:19.440 --> 0:23:21.400
<v Speaker 1>what is something from behind the scenes, something we didn't

0:23:21.440 --> 0:23:23.720
<v Speaker 1>see that we won't see? Kind of your behind the

0:23:23.720 --> 0:23:26.360
<v Speaker 1>scenes secret for being a part of Maths that we're

0:23:26.359 --> 0:23:27.720
<v Speaker 1>about to see for twenty twenty four.

0:23:27.840 --> 0:23:30.359
<v Speaker 3>Well, every time I go on, I come in, I

0:23:30.359 --> 0:23:32.720
<v Speaker 3>get here in my makeup done, and then the fight

0:23:32.840 --> 0:23:35.240
<v Speaker 3>for me is whether I'm going to stay away from

0:23:35.240 --> 0:23:39.040
<v Speaker 3>the carps that are sitting there in the cafeteria all night.

0:23:39.600 --> 0:23:42.639
<v Speaker 3>I mean, it is delicious, Ben, but if you can

0:23:42.720 --> 0:23:44.720
<v Speaker 3>imagine that I'm going to be sitting in a commitment

0:23:44.760 --> 0:23:48.480
<v Speaker 3>ceremony for ten hours, I can't tuck into the tacos,

0:23:48.800 --> 0:23:50.600
<v Speaker 3>the nachos.

0:23:50.280 --> 0:23:54.040
<v Speaker 2>The potatoes. It's just it's a feast every single time

0:23:54.080 --> 0:23:54.520
<v Speaker 2>we're there.

0:23:54.600 --> 0:23:59.679
<v Speaker 3>So behind the scenes, I am torn between eating and

0:23:59.720 --> 0:24:03.640
<v Speaker 3>make good choices, healthy choices, versus just throwing it out

0:24:03.680 --> 0:24:06.880
<v Speaker 3>the window and having a car fist. Sometimes I can

0:24:06.960 --> 0:24:11.119
<v Speaker 3>be strong, other times unfortunately it gets me.

0:24:11.359 --> 0:24:14.240
<v Speaker 1>It's very relatable, John, It's very relatable. We'd all be

0:24:14.400 --> 0:24:16.440
<v Speaker 1>like that. And I think you look great on the show.

0:24:16.600 --> 0:24:19.240
<v Speaker 1>And it was definitely not me who said you look

0:24:19.320 --> 0:24:21.200
<v Speaker 1>like the penguin from the original Batman.

0:24:21.320 --> 0:24:23.199
<v Speaker 3>You know what, you know what, You've got to be

0:24:23.200 --> 0:24:24.960
<v Speaker 3>able to laugh at yourself, don't you.

0:24:24.960 --> 0:24:25.399
<v Speaker 2>You got it?

0:24:25.680 --> 0:24:26.760
<v Speaker 1>Yeah, I mean I've been.

0:24:26.600 --> 0:24:30.760
<v Speaker 3>Called many things plenty, plenty bad over the years that

0:24:30.800 --> 0:24:32.600
<v Speaker 3>I've been on it, but no one's called me the penguin.

0:24:32.680 --> 0:24:35.440
<v Speaker 2>So I'm going to take it. It's unique and I'll

0:24:35.480 --> 0:24:36.000
<v Speaker 2>run with it.

0:24:38.040 --> 0:24:40.000
<v Speaker 1>Enjoy chatting to the media. I just you know what

0:24:40.200 --> 0:24:43.600
<v Speaker 1>I always say to people who ask me about interviewing you, John,

0:24:43.960 --> 0:24:46.800
<v Speaker 1>is how generous you are, how kind and how generous

0:24:46.800 --> 0:24:49.080
<v Speaker 1>and how thoughtful you are of your answers. If everyone

0:24:49.119 --> 0:24:51.479
<v Speaker 1>could join the podcast and be as kind and as

0:24:51.480 --> 0:24:54.120
<v Speaker 1>thoughtful and as generous as you, I think my podcast

0:24:54.119 --> 0:24:55.800
<v Speaker 1>would be an even bigger success.

0:24:56.240 --> 0:24:59.240
<v Speaker 2>Well, I appreciate that. Ben. I do think you're very.

0:24:59.040 --> 0:25:02.119
<v Speaker 3>Easy to sit and talk to because you have a

0:25:02.280 --> 0:25:04.880
<v Speaker 3>very acute understanding of the world that I live in,

0:25:05.359 --> 0:25:08.560
<v Speaker 3>being the reality world, having come from that, and you

0:25:08.640 --> 0:25:09.600
<v Speaker 3>know how to interview.

0:25:09.680 --> 0:25:11.400
<v Speaker 2>And I think also the.

0:25:11.440 --> 0:25:13.760
<v Speaker 3>Questions you will and you will have had this on

0:25:13.840 --> 0:25:16.760
<v Speaker 3>both sides when people are interviewing you. Some people take

0:25:16.800 --> 0:25:18.920
<v Speaker 3>a lot of time to think about what they want

0:25:18.960 --> 0:25:21.160
<v Speaker 3>to ask you, and then others it's really top line

0:25:21.160 --> 0:25:22.000
<v Speaker 3>and superficial.

0:25:22.160 --> 0:25:24.680
<v Speaker 2>So you always go deep and I love that. I

0:25:24.760 --> 0:25:26.520
<v Speaker 2>don't prepare because I don't.

0:25:26.400 --> 0:25:28.359
<v Speaker 3>Know what you're going to ask, but it just means

0:25:28.359 --> 0:25:31.240
<v Speaker 3>that what we get is really, in your words, juicy.

0:25:31.400 --> 0:25:32.920
<v Speaker 1>Yeah, I wanted to be juicy, but I want it

0:25:32.960 --> 0:25:36.160
<v Speaker 1>to be real and authentic. I have already gone over

0:25:36.160 --> 0:25:38.880
<v Speaker 1>my time with you today. Hopefully John will circle back

0:25:38.880 --> 0:25:42.359
<v Speaker 1>and if not this season, for next year and for

0:25:42.400 --> 0:25:44.240
<v Speaker 1>the next many years that you keep doing the show.

0:25:44.440 --> 0:25:46.800
<v Speaker 2>Love it, love it. And what about this background day.

0:25:46.760 --> 0:25:47.480
<v Speaker 1>It's brilliant.

0:25:47.720 --> 0:25:50.600
<v Speaker 2>I mean, we've just transported you onto set definite.

0:25:51.600 --> 0:25:53.800
<v Speaker 1>Are you telling me it's not real? It's real?

0:25:53.960 --> 0:25:54.280
<v Speaker 3>Well?

0:25:54.320 --> 0:25:56.440
<v Speaker 2>You know it's TV. Okay, we'll just leave it at that.

0:25:58.160 --> 0:26:01.040
<v Speaker 1>I love it the best day guys cheer. Thank you

0:26:01.040 --> 0:26:03.440
<v Speaker 1>so much. H