WEBVTT - Coffee and a caca ☕

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<v Speaker 1>Hello, it's Art Simone. I'll let you in a little secret.

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<v Speaker 2>I live a double life, and I'm not the only one.

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<v Speaker 2>So I've taken it upon myself to find other people

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<v Speaker 2>just like me who do something in their personal life

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<v Speaker 2>that is very different from their professional life. Well, they

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<v Speaker 2>seem very regular in person, but have a scandalous career.

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<v Speaker 1>Sounds fun, right.

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<v Speaker 2>I know it gets even better because I actually don't

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<v Speaker 2>know who I'll be speaking with or what they're concealing.

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<v Speaker 2>This is concealed with me, Art Simone, let's meet our guests.

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<v Speaker 1>Roll that type.

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<v Speaker 3>My name is eighty. I am from Tasmania. I'm thirty

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<v Speaker 3>six years old and I am a consent educator. I

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<v Speaker 3>work in high schools talking to young people about respectful

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<v Speaker 3>relationships and how to have great intimacy if and when

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<v Speaker 3>they want to do that. In my spare time to

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<v Speaker 3>do anything that doesn't involve sitting still, I don't think

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<v Speaker 3>Art will guess what I'm concealing because it's so left

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<v Speaker 3>of center and at first glance, completely different from my

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<v Speaker 3>day to day.

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<v Speaker 1>Hello, Adi, how are you?

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<v Speaker 3>Hello?

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<v Speaker 2>You look nice and cozy. You wearing glasses and you've

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<v Speaker 2>got a nice little silver necklace. Singing, what's on the

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<v Speaker 2>end of it? What's that?

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<v Speaker 3>That's a Tasmanian devil?

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<v Speaker 1>Poor print, not life size.

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<v Speaker 3>No, no, it's a little medallion. I just wear that

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<v Speaker 3>because I've traveled a fair bit. So, ok, I like

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<v Speaker 3>to have a little reminder of home.

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<v Speaker 2>Are they actually like in the wild and Tasmania Tasmanian devils?

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<v Speaker 3>Yeah?

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<v Speaker 1>Oh my god, yuck.

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<v Speaker 3>No, they're wonderful. They're so cute.

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<v Speaker 1>Don't they make those horrible noises?

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<v Speaker 3>You're like, yes, yeah, yeah, I don't know about that.

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<v Speaker 1>They're a bit scary. Have you ever been attacked by

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<v Speaker 1>a Tasmanian? I don't know. This is not the interview.

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<v Speaker 3>I haven't, but I know someone that has.

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<v Speaker 1>Oh my god, it's a new podcast. You're doing totally

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<v Speaker 1>Wild instead.

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<v Speaker 2>All right, forget Ranger Stacy, she's out, it's me instead.

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<v Speaker 1>Okay.

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<v Speaker 2>So a consent educator, How did you get into that?

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<v Speaker 2>What pathway led you to that? Is this also a

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<v Speaker 2>new thing that's being added into high schools. I didn't

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<v Speaker 2>have that when I was in high school.

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<v Speaker 3>I came to it in twenty seventeen, and I was

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<v Speaker 3>at a point where I was looking for something else

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<v Speaker 3>in my life and It just really aligned with my values.

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<v Speaker 3>I guess I wanted to be making a difference in

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<v Speaker 3>the world, and I wanted to be helping people, and

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<v Speaker 3>this seemed like a really positive way to do that.

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<v Speaker 3>I also really enjoy working with young people. I think

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<v Speaker 3>they're far more interesting than adults.

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<v Speaker 2>You're doing God's work, Dowling, You're doing God's work because

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<v Speaker 2>I can't stand those little shits, but I have no patience.

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<v Speaker 2>I just find them really stinky and annoying. But I

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<v Speaker 2>think it's very important that you're doing what you do.

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<v Speaker 2>So what I'm going to do is I'm going to

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<v Speaker 2>ask you three questions, and from the answers to those

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<v Speaker 2>three questions, plus combined with the background info I have

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<v Speaker 2>now and the visuals in front of me, I'm going

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<v Speaker 2>to try and guess what you're concealing from me.

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<v Speaker 1>Okay, so here we go. Fire away Question number one,

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<v Speaker 1>what is your star sign?

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<v Speaker 3>I am an aquarian?

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<v Speaker 1>Oh what's that one?

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<v Speaker 3>It's the water carrier and a lot of people think

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<v Speaker 3>that it's a water sign, but it's actually an air sign.

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<v Speaker 2>I'm a virgo and I just know that's the pretty

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<v Speaker 2>lady and I resonate with I resonate with that.

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<v Speaker 1>I think she's quite nice looking. Okay.

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<v Speaker 2>Question number two, what is one crazy thing that you've

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<v Speaker 2>got on your bucket list?

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<v Speaker 3>I really want to do wing walking? What do you

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<v Speaker 3>know those those biplanes, the YOLDI biplanes with the two

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<v Speaker 3>sets of wings and how sometimes people used to walk

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<v Speaker 3>on top of them.

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<v Speaker 1>As they're flying while it's in the air.

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<v Speaker 3>Yeah, I really want to do that.

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<v Speaker 1>Jesus Christ, why would you what? What?

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<v Speaker 2>What are you sitting down one day and he said, Oh,

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<v Speaker 2>I'd love to do that. That'd be fun.

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<v Speaker 3>It just really appeals to me. I like wing walking,

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<v Speaker 3>being up high, and it's just I really like the

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<v Speaker 3>kudos that would go with that as well, and it

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<v Speaker 3>would just be so fun. And it's something that not

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<v Speaker 3>many people do.

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<v Speaker 2>And yeah, but if you want to get up high,

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<v Speaker 2>I love just go at an elevator. Same thing, maybe

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<v Speaker 2>one that as a window. Question number three, what is

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<v Speaker 2>your go to karaoke song?

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<v Speaker 1>Ah?

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<v Speaker 3>Well, Wicked is my favorite musical?

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<v Speaker 2>Oh?

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<v Speaker 1>Yes, a bit of define gravity or yeah, more of

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<v Speaker 1>a yeah.

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<v Speaker 3>Not that I would want to step on a Dina

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<v Speaker 3>Menzol's toes. I could ever hold a torch, but that

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<v Speaker 3>song is epic.

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<v Speaker 2>Yeah, I only for the first time saw Wicked this year.

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<v Speaker 2>I know it's been around for like twenty years hashtag

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<v Speaker 2>bad gay. I finally saw it and I was like,

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<v Speaker 2>oh my god, it's pretty good because I've heard define

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<v Speaker 2>gravity million times drag queens love to perform that, of course,

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<v Speaker 2>but like, it was actually pretty good.

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<v Speaker 3>It's a good story.

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<v Speaker 2>The twist at the end, I was, It's like, how

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<v Speaker 2>has this not been spoil for me after twenty years?

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<v Speaker 2>How did I exist in pop culture in the world

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<v Speaker 2>and not have this room for me?

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<v Speaker 1>So it was a great moment.

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<v Speaker 3>I was like, wow, what a great experience.

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<v Speaker 1>I was like, it's all just linked together.

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<v Speaker 2>Oh wow, yeah, it's quite Norris actually, Okay, so what

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<v Speaker 2>have I got? Let's recap. Okay, you work with teenagers

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<v Speaker 2>young adults. You have a Tasmanian devil miniature poor print

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<v Speaker 2>around your nick. You're in aquarius. You want to walk

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<v Speaker 2>on wings and be up high and define gravity. Okay,

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<v Speaker 2>I know where we're leaning towards, flying in the sky,

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<v Speaker 2>in the sky high, define gravity. Oh that's air. It's

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<v Speaker 2>all up in the air, okay, air.

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<v Speaker 3>Okay, there's a lot of clues there.

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<v Speaker 2>Yeah, So it's all pointing to this air and the sky.

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<v Speaker 2>Do you fly a blimp? Are you a blimp pilot?

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<v Speaker 2>A blimp pilot?

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<v Speaker 3>Hot air finalance? Yes, I'm sorry, I do not fly

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<v Speaker 3>a bar.

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<v Speaker 2>Oh.

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<v Speaker 3>I am a trapeze artist, and I've worked all around

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<v Speaker 3>the globe across twenty four countries, performing with a few

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<v Speaker 3>different circuses, and I now run a circus school.

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<v Speaker 2>Ah, you're you're a circus the former.

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<v Speaker 1>You're a trapeze artist. You're an aerialist.

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<v Speaker 3>That's me.

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<v Speaker 1>No wonder you want to be on a bloody winden walker. Ah,

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<v Speaker 1>you mustn't be afraid of anything scary.

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<v Speaker 2>So we have just found out that eighty is not

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<v Speaker 2>in fact a limp pilot. Oh, she's actually a trapeze artist.

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<v Speaker 2>She's doing with the circus.

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<v Speaker 1>Can I join? Where is it? Can I help?

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<v Speaker 2>I could be a clown or I could just do popcorn?

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<v Speaker 2>I want to hello. Okay, we are here with and

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<v Speaker 2>we found out that no, she's not a blimp pilot.

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<v Speaker 2>She's in fact a trapeze artist. So she likes to

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<v Speaker 2>be up high and swing from things. So how did

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<v Speaker 2>you become a trapeze artist?

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<v Speaker 3>I guess the short story is that My mother is

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<v Speaker 3>a physiotherapist and when I was four, she noticed that

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<v Speaker 3>I couldn't touch my toes. I was very tight and inflexible.

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<v Speaker 3>So she enrolled me in gymnastics and I loved it.

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<v Speaker 3>And then when I was sixteen, I was having a

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<v Speaker 3>really tough time at school and mum discovered NIKER at

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<v Speaker 3>the National Institute of Circus Arts, and so she told

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<v Speaker 3>me about that and she took me up there for

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<v Speaker 3>a summer course and that was it pretty much. I

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<v Speaker 3>was like, school can get out of here. I need

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<v Speaker 3>to get the splits and I need to get into NIKA.

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<v Speaker 3>And that's what I did. So I graduated year twelve

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<v Speaker 3>and I went straight to NIKER before my eighteenth birthday.

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<v Speaker 3>I did a three year degree there and then and

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<v Speaker 3>I did literally anything I could to work in circus.

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<v Speaker 3>I basically worked free for a year just doing all

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<v Speaker 3>sorts of things, trying to get experience built up the

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<v Speaker 3>CV and then I landed a really amazing contract with

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<v Speaker 3>a UK circus and the rest is history.

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<v Speaker 1>Yeah.

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<v Speaker 2>So during circus school, because I know, you can pick

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<v Speaker 2>like a specialty, so was that trapeze? Did you have

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<v Speaker 2>a secondary circus type thing that you were like almost

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<v Speaker 2>going to go with but you said, nah, trapez is

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<v Speaker 2>it for me?

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<v Speaker 3>Pretty much back when I did it, and it was

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<v Speaker 3>three years. The first year was everything basic, so we

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<v Speaker 3>learned handstands and tumbling and acrobatics and clowning.

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<v Speaker 1>I know they do clowning. Did they do clouding then yep?

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<v Speaker 3>Yeah, bit of clouding yes, ah, I love it. Ballet

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<v Speaker 3>every morning, history of circus, business management, anatoman, physiology, all

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<v Speaker 3>of the things that you could possibly need. And then

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<v Speaker 3>we had specialized so I really wanted to do flying trapeze,

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<v Speaker 3>so I had to rally a group to do that

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<v Speaker 3>with me, and then I needed a secondary one and

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<v Speaker 3>I wanted to do swinging trippees. So all of the

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<v Speaker 3>trapez is it wasn't encouraged because they try to encourage

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<v Speaker 3>you to be a more rounded performer so that you

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<v Speaker 3>are employable. Yes, and flying trapezes and swinging trepees are

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<v Speaker 3>not super sellable, like you have to have all of

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<v Speaker 3>this rigging and set up and it's expensive.

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<v Speaker 2>And are they the ones where you need like a

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<v Speaker 2>full net underneath you, like.

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<v Speaker 3>It's that kind of thing. The flying typiez that I

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<v Speaker 3>trained in is actually a smaller version, so it's exactly

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<v Speaker 3>what you're imagining with the net, just a little bit

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<v Speaker 3>smaller and has mats instead of a net.

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<v Speaker 1>Oh okay, my goodness.

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<v Speaker 3>And then swinging trapez is the one where it's one

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<v Speaker 3>person standing on a bar pushing it backwards and forwards,

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<v Speaker 3>and then you sort of jump and do flips and

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<v Speaker 3>stuff and recatch the same bar.

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<v Speaker 1>So I was speechless to that. I just I can't.

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<v Speaker 1>Where have you tued? Where have you traveled? Well?

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<v Speaker 2>You know, because I know that circus artists can do

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<v Speaker 2>anything from like being a cabaret show with a I'm

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<v Speaker 2>going to say something controversial yet brave, not another bloody

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<v Speaker 2>light lira hoop, not another one, because any any any

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<v Speaker 2>bitch thing. So you can strap one to roof and

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<v Speaker 2>sit in it and be like, look I do circus.

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<v Speaker 1>No you don't, No, you don't.

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<v Speaker 2>If I see another set of silks again, go away

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<v Speaker 2>not interested.

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<v Speaker 3>Well that's because they're the most easy to rig.

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<v Speaker 1>Yeah, yeah they are.

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<v Speaker 3>They just take one point, yeah, one thing to hang

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<v Speaker 3>from the roof.

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<v Speaker 1>You've just got your caribbean or you're strapped up off

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<v Speaker 1>your guard.

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<v Speaker 3>That's it. Yeah, it's very cheap. It's very easy to

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<v Speaker 3>get it.

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<v Speaker 2>Yeah, in there, so I know that circus can be

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<v Speaker 2>in places like that, But then I'm more interested in,

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<v Speaker 2>you know, the bigger shows and things. So you know,

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<v Speaker 2>what's the most exciting thing you've done?

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<v Speaker 1>Tell me?

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<v Speaker 3>Tell me, Well, yes, I have done my fair share

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<v Speaker 3>of cabarets, yes, but for most of my career I

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<v Speaker 3>was working on large scale touring, tended shows, like.

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<v Speaker 1>An actual circus.

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<v Speaker 3>Yeah, I lived in a caravan.

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<v Speaker 1>Oh my goodness, that's so exciting.

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<v Speaker 2>Like I've been on tour before, but I haven't actually

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<v Speaker 2>gone with a bloody tent.

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<v Speaker 1>That's like, what? How long on the How long do

0:11:00.920 --> 0:11:01.320
<v Speaker 1>you do that?

0:11:01.360 --> 0:11:04.040
<v Speaker 3>For about eight months of the year and then the

0:11:04.120 --> 0:11:07.280
<v Speaker 3>off season that's when you sort of pick up the

0:11:07.360 --> 0:11:11.560
<v Speaker 3>extra sort of cabarets or festival work or other stuff,

0:11:12.000 --> 0:11:15.040
<v Speaker 3>usually for a month at a time, and then you

0:11:15.080 --> 0:11:17.000
<v Speaker 3>pack the tent down, you put it in trucks, and

0:11:17.000 --> 0:11:19.079
<v Speaker 3>then you drive somewhere else and then you put it

0:11:19.160 --> 0:11:21.240
<v Speaker 3>all back up again and then you do another month

0:11:21.280 --> 0:11:22.520
<v Speaker 3>of shows six days a week.

0:11:22.720 --> 0:11:24.160
<v Speaker 1>Yeah, do you have to be involved in that?

0:11:24.360 --> 0:11:24.600
<v Speaker 3>Yeah?

0:11:24.720 --> 0:11:27.920
<v Speaker 1>Oh really, I always wanted to join the circus, but

0:11:27.960 --> 0:11:28.800
<v Speaker 1>I don't know if I want you.

0:11:28.880 --> 0:11:32.080
<v Speaker 3>Now, it's a really nice way that I think really

0:11:32.080 --> 0:11:35.079
<v Speaker 3>contributes to that sense of community and sense of family. Like,

0:11:35.280 --> 0:11:38.760
<v Speaker 3>as this swinging chrapeze artist, there's a fair amount of

0:11:39.520 --> 0:11:42.600
<v Speaker 3>star power or like you know, like you're in the

0:11:42.640 --> 0:11:45.400
<v Speaker 3>spotlight for that one moment in the show. Yeah, but

0:11:45.520 --> 0:11:48.920
<v Speaker 3>then there's a real leveling when you all have to

0:11:48.920 --> 0:11:52.760
<v Speaker 3>put your gum boots on and hit sledgehammers into the mud.

0:11:53.360 --> 0:11:58.360
<v Speaker 3>And so then the people that are working the popcorn

0:11:58.400 --> 0:12:01.320
<v Speaker 3>machine are then the people that you're reporting to when

0:12:01.320 --> 0:12:04.320
<v Speaker 3>you're loading a truck and like, it's really great.

0:12:04.640 --> 0:12:06.000
<v Speaker 1>What's the circus you to it with?

0:12:06.160 --> 0:12:07.920
<v Speaker 3>The one that I spend the most amount of time

0:12:07.960 --> 0:12:11.880
<v Speaker 3>on is a UK based contemporary circus called No Fit State. Okay,

0:12:12.000 --> 0:12:15.200
<v Speaker 3>but I worked for a French flying trapeze company for

0:12:15.240 --> 0:12:19.280
<v Speaker 3>a few years. I also did some traditional circus in

0:12:19.280 --> 0:12:23.800
<v Speaker 3>India which was an experience. Rode some elephants there for all.

0:12:23.840 --> 0:12:27.559
<v Speaker 2>While, Wow, how does your body cope with that? Because

0:12:28.200 --> 0:12:30.040
<v Speaker 2>how you do six shows a week, unpacked, the tent

0:12:30.160 --> 0:12:33.040
<v Speaker 2>down and stay in good physical form?

0:12:33.440 --> 0:12:37.560
<v Speaker 3>Yeah, And I've definitely noticed just as I've aged and

0:12:37.640 --> 0:12:41.199
<v Speaker 3>as I've grown as a person, that relationship with my

0:12:41.320 --> 0:12:45.479
<v Speaker 3>body has certainly changed. Like, I definitely had some unhealthy

0:12:45.559 --> 0:12:50.040
<v Speaker 3>attitudes from growing up in a sporting environment, and then

0:12:50.280 --> 0:12:54.000
<v Speaker 3>Nika was pretty similar, and I had some attitudes towards

0:12:54.080 --> 0:12:57.400
<v Speaker 3>training and things that weren't particularly helpful. But I was

0:12:57.440 --> 0:13:00.840
<v Speaker 3>young enough that my body was very resilient take a

0:13:00.880 --> 0:13:05.240
<v Speaker 3>lot of punishment. I think around twenty four, twenty five,

0:13:05.360 --> 0:13:08.880
<v Speaker 3>twenty six, I started to notice that I really needed

0:13:08.920 --> 0:13:11.720
<v Speaker 3>to make sure I was warming up properly and cooling

0:13:11.760 --> 0:13:14.400
<v Speaker 3>down properly, because if I didn't do that, it was

0:13:14.480 --> 0:13:17.640
<v Speaker 3>problematic and things would happen. But also we had a

0:13:17.640 --> 0:13:21.120
<v Speaker 3>physio on tour with us, so any sort of little

0:13:21.160 --> 0:13:23.800
<v Speaker 3>niggles or things we could get checked out really really

0:13:23.880 --> 0:13:28.000
<v Speaker 3>quickly and get a plan around. And then sauna. Sauna

0:13:28.160 --> 0:13:31.200
<v Speaker 3>was a real life saver. That is something that if

0:13:31.200 --> 0:13:34.400
<v Speaker 3>you work six days a week and you've got two

0:13:34.480 --> 0:13:38.080
<v Speaker 3>shows that on the weekend, if you have one day off,

0:13:38.160 --> 0:13:40.000
<v Speaker 3>the best thing that I could do was go and

0:13:40.000 --> 0:13:42.160
<v Speaker 3>have a sauna, because it really makes your body feel

0:13:42.160 --> 0:13:44.400
<v Speaker 3>like you've had two days off even though you haven't had.

0:13:44.840 --> 0:13:47.640
<v Speaker 2>You get your bang for your buck, You're right, all right, Yeah,

0:13:47.840 --> 0:13:50.080
<v Speaker 2>time slows down in the sauna. It's all right, guys,

0:13:50.080 --> 0:13:52.480
<v Speaker 2>and get my two days worth in this one day, and.

0:13:52.440 --> 0:13:55.319
<v Speaker 3>Then like sleeping and eating and making sure my routine

0:13:55.400 --> 0:13:58.880
<v Speaker 3>was it's good. My pre show routine would definitely be

0:13:59.000 --> 0:14:02.960
<v Speaker 3>like half my dinner early and then do costume makeup,

0:14:03.400 --> 0:14:06.280
<v Speaker 3>all that coffee and a kaka oh yes, pre show

0:14:06.320 --> 0:14:11.160
<v Speaker 3>poo yes, yeah, very important, and then two squares of

0:14:11.240 --> 0:14:16.040
<v Speaker 3>dark chocolate and interval and then post show cool down,

0:14:16.440 --> 0:14:19.680
<v Speaker 3>second dinner. Oh my goodness, that was pretty much how

0:14:19.720 --> 0:14:20.160
<v Speaker 3>I rolled.

0:14:20.640 --> 0:14:20.840
<v Speaker 1>Yeah.

0:14:20.840 --> 0:14:22.600
<v Speaker 2>Well, you've got to find what works for yourself too,

0:14:22.640 --> 0:14:25.560
<v Speaker 2>you know. But all gigs paid the same, Like you know,

0:14:25.640 --> 0:14:28.080
<v Speaker 2>you obviously get some danger money from hanging from the ceiling,

0:14:28.200 --> 0:14:31.000
<v Speaker 2>But do you get gigs that are paying more than

0:14:31.160 --> 0:14:32.560
<v Speaker 2>just your regular circus work.

0:14:32.920 --> 0:14:35.520
<v Speaker 3>Oh yeah, I've done the really well paid. I was

0:14:35.520 --> 0:14:38.280
<v Speaker 3>a stunt double for a flying trapeze artist once. It

0:14:38.360 --> 0:14:40.120
<v Speaker 3>was ridiculous.

0:14:39.360 --> 0:14:42.080
<v Speaker 1>Stunt double for another trapeze artist.

0:14:42.320 --> 0:14:45.760
<v Speaker 2>Yes, that's just like having two of the same thing.

0:14:45.960 --> 0:14:49.240
<v Speaker 3>What Yeah, Well, do you remember at the start I

0:14:49.280 --> 0:14:51.640
<v Speaker 3>told you that the flying chipiez that you were thinking

0:14:51.680 --> 0:14:53.600
<v Speaker 3>of is bigger it has the net, yes, and the

0:14:53.600 --> 0:14:56.320
<v Speaker 3>flying tupiece that I do is slightly smaller and has matts.

0:14:56.440 --> 0:14:56.720
<v Speaker 1>Yes.

0:14:56.800 --> 0:15:01.880
<v Speaker 3>So this big fancy bank was making an advertisement and

0:15:01.920 --> 0:15:05.520
<v Speaker 3>they wanted to show trust, so trapeze catch ah, And

0:15:05.560 --> 0:15:08.200
<v Speaker 3>they hired these trapeze artists, and then they got to

0:15:08.240 --> 0:15:10.120
<v Speaker 3>the venue and they realized that it was the little

0:15:10.200 --> 0:15:13.720
<v Speaker 3>rig not the big one. So the trapeze artist was like,

0:15:13.840 --> 0:15:17.560
<v Speaker 3>I don't know how to fly on this what?

0:15:18.400 --> 0:15:20.600
<v Speaker 2>So then what they call you in? You do the trick?

0:15:20.640 --> 0:15:21.920
<v Speaker 2>But then do they do a close up of the

0:15:21.960 --> 0:15:22.640
<v Speaker 2>other artists.

0:15:22.960 --> 0:15:26.680
<v Speaker 3>Yeah? Yeah, they dressed me up like the flying trapeze artists.

0:15:26.760 --> 0:15:27.840
<v Speaker 1>Oh my goodness.

0:15:28.520 --> 0:15:30.800
<v Speaker 3>She could do everything except the trick. Yeah, so I

0:15:30.880 --> 0:15:31.800
<v Speaker 3>just did the trick.

0:15:32.040 --> 0:15:34.160
<v Speaker 1>Sorry, she could do everything except for the hard bit.

0:15:34.240 --> 0:15:37.080
<v Speaker 1>All right, Okay, I'll see how it is.

0:15:37.760 --> 0:15:40.000
<v Speaker 3>But yeah I got to I got to go somewhere

0:15:40.000 --> 0:15:42.320
<v Speaker 3>in eastern Europe. It was really beautiful. I got paid

0:15:42.320 --> 0:15:44.160
<v Speaker 3>really well. That was pretty great.

0:15:44.400 --> 0:15:48.360
<v Speaker 2>I interviewed a Hollywood stunt double recently and I was

0:15:48.400 --> 0:15:51.840
<v Speaker 2>asking him. I was like, is it really annoying seeing

0:15:51.920 --> 0:15:54.760
<v Speaker 2>other people get like applauded for your work essentially because

0:15:54.760 --> 0:15:55.680
<v Speaker 2>you do all the hard bit?

0:15:56.120 --> 0:15:58.080
<v Speaker 1>Was that hard for you? Were you like, hey, I

0:15:58.080 --> 0:16:04.040
<v Speaker 1>did that trick? Actually, oh no, I got paid exactly.

0:16:04.480 --> 0:16:07.160
<v Speaker 3>There are some things that if you get paid enough whatever.

0:16:07.720 --> 0:16:12.720
<v Speaker 2>Yeah, So I want to know what the best and

0:16:12.760 --> 0:16:16.080
<v Speaker 2>the worst thing has been in your circus career, Like

0:16:16.120 --> 0:16:18.240
<v Speaker 2>what's the most exciting amazing thing that you think back

0:16:18.240 --> 0:16:20.280
<v Speaker 2>and you go, damn, I did that. That was great,

0:16:20.760 --> 0:16:24.680
<v Speaker 2>versus being like the moment where you're like, this is horrendous.

0:16:26.360 --> 0:16:28.600
<v Speaker 3>Okay, I can do the horrendous one off the top

0:16:28.640 --> 0:16:34.440
<v Speaker 3>of my head. I shut myself.

0:16:37.400 --> 0:16:45.880
<v Speaker 1>While you performing everyone.

0:16:47.920 --> 0:16:55.200
<v Speaker 3>So that's a that's a secret. The PSP, yes, the

0:16:55.320 --> 0:16:59.920
<v Speaker 3>coffee and a kaka. So that that happened in India

0:17:00.280 --> 0:17:02.840
<v Speaker 3>where I had a bit of Delli belly going on.

0:17:03.000 --> 0:17:06.719
<v Speaker 3>Thankfully I was wearing three pairs of tides. So my

0:17:06.840 --> 0:17:11.640
<v Speaker 3>first trick was actually pulling up an over onto my hips,

0:17:11.680 --> 0:17:15.000
<v Speaker 3>which just pressed things that couldn't take it at that time.

0:17:15.200 --> 0:17:17.399
<v Speaker 3>And so I very quickly just cut straight to the

0:17:17.440 --> 0:17:19.760
<v Speaker 3>final trick, did that and then took myself.

0:17:19.560 --> 0:17:20.600
<v Speaker 1>Oh my god.

0:17:20.680 --> 0:17:23.360
<v Speaker 2>So we didn't have any actual like overspray, you know,

0:17:23.480 --> 0:17:26.800
<v Speaker 2>any explosions, but it's that moment you go, something's got

0:17:26.880 --> 0:17:27.359
<v Speaker 2>gone wrong.

0:17:27.880 --> 0:17:30.919
<v Speaker 3>That's the benefit of being an erlis. You're constantly wearing

0:17:31.160 --> 0:17:34.920
<v Speaker 3>so many layers because it bruises and grazes.

0:17:34.480 --> 0:17:37.560
<v Speaker 1>And yeah, yeah, oh my goodness.

0:17:37.280 --> 0:17:40.880
<v Speaker 3>But it was not comfortable and I was mortified.

0:17:40.400 --> 0:17:42.479
<v Speaker 2>That Nappy would not have been fun to unwrap at

0:17:42.480 --> 0:17:43.640
<v Speaker 2>the end. Oh my goodness.

0:17:44.600 --> 0:17:47.320
<v Speaker 3>I don't I'm not going into details. I did my

0:17:47.520 --> 0:17:51.159
<v Speaker 3>five presents as is wanted in a traditional circuits.

0:17:55.960 --> 0:17:58.719
<v Speaker 1>That's scary. That's scary. But what about the best, right?

0:17:58.800 --> 0:17:59.040
<v Speaker 3>Yeah?

0:17:59.040 --> 0:18:00.520
<v Speaker 1>From shooting yourself too?

0:18:02.000 --> 0:18:05.359
<v Speaker 3>The best was I mentioned I had a number of

0:18:05.960 --> 0:18:11.000
<v Speaker 3>caravans that broke down. Yes, that had happened. I had

0:18:11.119 --> 0:18:14.080
<v Speaker 3>sourced a friend's caravan that I was going to move into,

0:18:14.640 --> 0:18:16.520
<v Speaker 3>but it was all very short notice and I didn't

0:18:16.520 --> 0:18:21.000
<v Speaker 3>have time, and so I was trying to move house

0:18:21.200 --> 0:18:24.359
<v Speaker 3>essentially as the show was going on. So I would

0:18:24.359 --> 0:18:26.280
<v Speaker 3>like do my act quickly, change for the next one,

0:18:26.359 --> 0:18:28.680
<v Speaker 3>come back and move some more stuff over. And then

0:18:28.880 --> 0:18:33.160
<v Speaker 3>after the show, everyone came and made a chain between

0:18:33.200 --> 0:18:35.800
<v Speaker 3>the two caravans and they took all of my stuff

0:18:36.280 --> 0:18:40.080
<v Speaker 3>literally piece by piece, in a human chain, from the

0:18:40.080 --> 0:18:42.080
<v Speaker 3>broken caravan to my new one. Like they pulled up

0:18:42.119 --> 0:18:44.760
<v Speaker 3>the floor and placed it in the new an for

0:18:44.920 --> 0:18:48.360
<v Speaker 3>me so that I kept like all my decort everything,

0:18:48.440 --> 0:18:52.359
<v Speaker 3>And so that was the highlight. That was like the

0:18:52.400 --> 0:18:54.359
<v Speaker 3>whole circus rallying around to give me a hand.

0:18:54.560 --> 0:18:56.040
<v Speaker 1>That's really interesting.

0:18:56.400 --> 0:18:58.560
<v Speaker 2>Out of everything you've done, it's nothing to do with

0:18:58.640 --> 0:19:02.200
<v Speaker 2>actually you've done, or a trick you've done, or an

0:19:02.240 --> 0:19:05.280
<v Speaker 2>audience you perform for. It comes back to community again.

0:19:05.720 --> 0:19:09.720
<v Speaker 2>That's so fascinating. Moving into you know what you do now?

0:19:10.000 --> 0:19:13.199
<v Speaker 2>Is there any like intersection with what you learned in

0:19:13.240 --> 0:19:16.520
<v Speaker 2>being the circus as to you know your role now

0:19:16.560 --> 0:19:17.920
<v Speaker 2>as a consent educator.

0:19:18.359 --> 0:19:22.119
<v Speaker 3>There is so much crossover. Yeah, so much crossover. So

0:19:23.040 --> 0:19:26.320
<v Speaker 3>I think when we're talking about consenting, we talk a

0:19:26.359 --> 0:19:31.360
<v Speaker 3>lot about listening to our intuition and getting to know ourselves,

0:19:31.400 --> 0:19:33.399
<v Speaker 3>and a lot of that is our early warning system,

0:19:33.920 --> 0:19:37.480
<v Speaker 3>where we have our brain stem that gives us those

0:19:37.560 --> 0:19:40.679
<v Speaker 3>really fun feelings of butterflies and our tummy and sweaty

0:19:40.720 --> 0:19:43.239
<v Speaker 3>palms and goose pumps and increase heart rate and all

0:19:43.280 --> 0:19:45.960
<v Speaker 3>of that stuff. And essentially that is our brain telling

0:19:46.080 --> 0:19:49.600
<v Speaker 3>us something is unsafe here, heads up, get ready, you

0:19:49.680 --> 0:19:52.000
<v Speaker 3>might need to fight, flight or freeze.

0:19:52.040 --> 0:19:55.240
<v Speaker 2>Would you say as a circus artist, half of it

0:19:55.359 --> 0:19:58.320
<v Speaker 2>is ignoring that because you like, because your body's like

0:19:58.440 --> 0:20:01.560
<v Speaker 2>probably should be jumping off there, not doing it anyway.

0:20:01.680 --> 0:20:02.360
<v Speaker 3>Freaking out.

0:20:02.560 --> 0:20:05.560
<v Speaker 1>Yeah. Yeah, it's like learning how to turn that voice off,

0:20:05.640 --> 0:20:06.400
<v Speaker 1>being like shut up.

0:20:07.560 --> 0:20:11.159
<v Speaker 3>Well, I don't think it's something to be suppressed. And

0:20:10.760 --> 0:20:13.560
<v Speaker 3>I think that's where the intersection lies is a lot

0:20:13.600 --> 0:20:15.520
<v Speaker 3>of people think that we have to ignore those things

0:20:15.600 --> 0:20:18.240
<v Speaker 3>and push through those things, but actually it's really valuable

0:20:18.280 --> 0:20:21.480
<v Speaker 3>information and that's our animal brain and it's existed like

0:20:21.520 --> 0:20:24.400
<v Speaker 3>that for as long as humans have because we need

0:20:24.480 --> 0:20:27.000
<v Speaker 3>it and it's a good thing, and it's also a

0:20:27.040 --> 0:20:30.080
<v Speaker 3>fun thing. It's why we do trapees, it's why we

0:20:30.119 --> 0:20:32.400
<v Speaker 3>go on roller coasters, and it's why we watch horror

0:20:32.480 --> 0:20:35.800
<v Speaker 3>movies because we like to get those feelings and it's great.

0:20:36.240 --> 0:20:38.960
<v Speaker 3>But ultimately, it's a message from our body. So I

0:20:38.960 --> 0:20:41.399
<v Speaker 3>think it's really important to listen to that. And that's

0:20:41.440 --> 0:20:43.919
<v Speaker 3>something that Circus taught me to do really, really well,

0:20:44.080 --> 0:20:47.040
<v Speaker 3>because I'm not always that self aware to go, you

0:20:47.080 --> 0:20:49.240
<v Speaker 3>know what, I had an argument with that person today.

0:20:49.280 --> 0:20:53.640
<v Speaker 3>I feel really betrayed by that person, or like this

0:20:53.840 --> 0:20:55.320
<v Speaker 3>thing didn't happen in the way I thought it was

0:20:55.320 --> 0:20:56.840
<v Speaker 3>going to be, and nu's just put me off a bit.

0:20:57.160 --> 0:20:59.639
<v Speaker 3>I don't think those things, but what I do is

0:20:59.680 --> 0:21:01.640
<v Speaker 3>I'm like, actually, I feel a bit shaky right now,

0:21:02.280 --> 0:21:04.800
<v Speaker 3>maybe I should treat this a little bit differently or

0:21:05.359 --> 0:21:08.440
<v Speaker 3>check in with myself or And I think being self

0:21:08.440 --> 0:21:12.680
<v Speaker 3>aware in that way is really helpful when navigating consenting conversations,

0:21:12.680 --> 0:21:15.159
<v Speaker 3>which is something that we are constantly doing. It's not

0:21:15.960 --> 0:21:18.800
<v Speaker 3>just for sex, because if you just start talking about

0:21:18.840 --> 0:21:21.840
<v Speaker 3>consent when you're talking about sex, it's really awkward and

0:21:21.920 --> 0:21:26.760
<v Speaker 3>uncomfortable and potentially harassment. So it's something that it's language

0:21:26.760 --> 0:21:30.600
<v Speaker 3>and role modeling behaviors that we need to do constantly,

0:21:30.760 --> 0:21:33.359
<v Speaker 3>and Circus is such a brilliant platform for that because

0:21:33.359 --> 0:21:36.840
<v Speaker 3>we already have a situation where we're interacting physically with

0:21:36.960 --> 0:21:40.200
<v Speaker 3>other people, and so we have to have those conversations

0:21:40.240 --> 0:21:43.000
<v Speaker 3>and it does become really normal to be like, actually,

0:21:43.000 --> 0:21:44.679
<v Speaker 3>I need you to throw me a little bit harder.

0:21:44.720 --> 0:21:46.920
<v Speaker 3>Can you grab a little bit lower on my foot?

0:21:46.960 --> 0:21:50.639
<v Speaker 3>Like now that I do the two roles, I really

0:21:50.680 --> 0:21:54.640
<v Speaker 3>feel like I talk the walk in my sex education

0:21:54.760 --> 0:21:58.320
<v Speaker 3>work and I walk the talk in the Circus studio.

0:21:58.480 --> 0:22:00.879
<v Speaker 3>And it's pretty amazing when you start teaching kids and

0:22:00.920 --> 0:22:03.720
<v Speaker 3>young people and they say no, and you're like, okay,

0:22:03.840 --> 0:22:06.320
<v Speaker 3>well let's do something else. Then let's find a way

0:22:06.400 --> 0:22:08.200
<v Speaker 3>to make this work for you. It's really empowering.

0:22:08.280 --> 0:22:10.400
<v Speaker 1>Yeah, I didn't even think that. It's just part of it.

0:22:10.440 --> 0:22:13.119
<v Speaker 2>Like in circus when you're working with other partners, you

0:22:13.200 --> 0:22:15.159
<v Speaker 2>need to be asking all these questions. It's almost just

0:22:15.280 --> 0:22:16.760
<v Speaker 2>like it's standard practice.

0:22:17.560 --> 0:22:18.080
<v Speaker 1>I love it.

0:22:20.359 --> 0:22:22.280
<v Speaker 2>To wrap it all up, I want to know what

0:22:22.400 --> 0:22:24.360
<v Speaker 2>are some of your tricks? You know, do you have

0:22:24.440 --> 0:22:27.800
<v Speaker 2>fancy names for them or do you rename them yourself?

0:22:27.840 --> 0:22:30.240
<v Speaker 2>Because I want to name a trick. Okay, you know

0:22:30.320 --> 0:22:33.840
<v Speaker 2>normally that name you know, name something after you if

0:22:33.840 --> 0:22:36.400
<v Speaker 2>you do it. But I'm just going to live vicariously

0:22:36.440 --> 0:22:36.800
<v Speaker 2>through you.

0:22:36.880 --> 0:22:37.800
<v Speaker 1>Okay, so great.

0:22:37.960 --> 0:22:40.840
<v Speaker 3>Yeah, I'll tell you this one and what I've named it,

0:22:40.920 --> 0:22:42.520
<v Speaker 3>and then i'll tell you what I don't have a

0:22:42.600 --> 0:22:43.840
<v Speaker 3>name for, and maybe you can name it.

0:22:43.880 --> 0:22:45.040
<v Speaker 1>Oh, perfect, perfect.

0:22:45.440 --> 0:22:48.600
<v Speaker 3>So the trick that I do is called a sovrie,

0:22:49.040 --> 0:22:54.480
<v Speaker 3>which means jump twist, and then a retu debut, which

0:22:54.520 --> 0:22:57.520
<v Speaker 3>is like a return up to standing, So it's a

0:22:57.520 --> 0:22:59.879
<v Speaker 3>back summersault from under the bar to land on.

0:23:00.440 --> 0:23:01.800
<v Speaker 1>Of course it is what else?

0:23:02.640 --> 0:23:06.840
<v Speaker 3>And I call that one a scary scary because the

0:23:06.840 --> 0:23:10.040
<v Speaker 3>first part is scary and the second part is also scary.

0:23:11.160 --> 0:23:13.000
<v Speaker 1>So I'm going to give you a new one, all right,

0:23:13.160 --> 0:23:15.280
<v Speaker 1>so what what do you need renamed?

0:23:15.920 --> 0:23:19.679
<v Speaker 3>There's one called a gallipet where you kneel on the

0:23:19.720 --> 0:23:20.960
<v Speaker 3>bar and flip off the front.

0:23:21.160 --> 0:23:24.240
<v Speaker 2>Kneel on bar, flip up front. Yes, just write notes

0:23:24.400 --> 0:23:26.320
<v Speaker 2>I want to get this right, yeah.

0:23:25.880 --> 0:23:30.080
<v Speaker 3>Yeah, followed by a hock salt. So your knees are

0:23:30.080 --> 0:23:32.480
<v Speaker 3>on the bar and then you let go of the

0:23:32.560 --> 0:23:35.000
<v Speaker 3>ropes and whip all the way around by your knees

0:23:35.119 --> 0:23:35.760
<v Speaker 3>back to sit.

0:23:36.240 --> 0:23:38.719
<v Speaker 2>Oh okay, well, the only logical thing to call that

0:23:38.880 --> 0:23:43.240
<v Speaker 2>is absolutely not, absolutely not not happening. So you're going

0:23:43.280 --> 0:23:46.640
<v Speaker 2>to go scary scary, absolutely not a big finish.

0:23:46.720 --> 0:23:48.560
<v Speaker 3>I don't know why I didn't think of it sooner.

0:23:54.280 --> 0:23:55.920
<v Speaker 1>So eighty isn't a blimp pilot.

0:23:56.040 --> 0:23:59.800
<v Speaker 2>No, she is a trapeze artist who has literally run

0:23:59.800 --> 0:24:03.359
<v Speaker 2>away and join the circus and has taught us today

0:24:03.359 --> 0:24:06.520
<v Speaker 2>that you can never trust a fart. You've been listening

0:24:06.520 --> 0:24:10.320
<v Speaker 2>to an iHeart Australia and Kiss production concealed with artsimone.

0:24:10.720 --> 0:24:12.960
<v Speaker 2>Listen for free on the iHeart app and listen to

0:24:13.000 --> 0:24:16.320
<v Speaker 2>your art's content and to see the gorgeous ring leader

0:24:16.359 --> 0:24:18.720
<v Speaker 2>of this circus, check us out on the socials