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Speaker 1: Hello, Happy Thursday. It's the jam Nation podcast with Jonesy

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Speaker 1: and Amanda.

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Speaker 2: This is what I love about radio. We had a

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Speaker 2: very mixed bag of a show. We spoke to doctor

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Speaker 2: Kylie Moore Gilbert. She's an Australian academic who was imprisoned

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Speaker 2: in Iran for eight hundred days. We spoke to her

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Speaker 2: about the young women in Iran at the moment protesting

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Speaker 2: against the morality police.

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Speaker 3: Yeah.

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Speaker 1: We also, after our TikTok success, got on to be Real.

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Speaker 2: Yeah, we asked you how you felt about a new

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Speaker 2: app called be Real. We spoke to mif Warhurst about

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Speaker 2: her new memoir and she said that she kissed Darryl

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Speaker 2: Braithwaite when she was a kid. She kissed the television

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Speaker 2: screen when he was on. So that got us thinking

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Speaker 2: with the tribal drum pashing practice, who or what did

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Speaker 2: you kiss?

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Speaker 3: And Amanda dropped some big TV news. Enjoy our podcast.

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Speaker 4: Everybody I don't know about a miracle of recording, had

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Speaker 4: so many requests.

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Speaker 5: For them to do it again, Mistress Amanda and ms Killer.

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Speaker 6: Amanda doesn't work alone.

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Speaker 3: Friend making the tools of the train.

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Speaker 1: I've heard them describe him as a drunken idiot, the

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Speaker 1: legendary party Jonesy, Amanda the Actress. Congratulations, we're read right now,

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Speaker 1: Josey and Amanda, you're doing a great job.

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Speaker 2: Anyone that Selkie giant now the good radio.

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Speaker 1: Sorry but it's a tangled tongue twist set and Amanda.

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Speaker 3: Shoot, Timy, we're on the air. Top of the morning

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Speaker 3: to Amanda, Hello, how are you to that jacket world?

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Speaker 2: Joey the label sent me.

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Speaker 3: Joey the Label, Joey the labor.

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Speaker 2: They have beautiful women's clothing. Clothing's beautiful women. But it's

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Speaker 2: like a military jacket, isn't it fantastical?

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Speaker 3: Michael Jackson?

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Speaker 7: I love it?

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Speaker 3: Janet Jess jacksones.

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Speaker 2: Yeah, I'd rather be Janet than Michael.

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Speaker 3: Doesn't mean you're gonna pop out a nip though.

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Speaker 8: No.

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Speaker 2: She's had a rich career and she loves that it's

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Speaker 2: been reduced to that. You know how I said, if

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Speaker 2: you was only a week ago that I wondered why

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Speaker 2: the dog wasn't bugging me to be fed? And I thought, oh,

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Speaker 2: isn't she great? She's not bugging me. Here we go,

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Speaker 2: it's Patty, aren't you a lovely girl?

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Speaker 9: Here?

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Speaker 2: Here's your dinner? Well, Harley had already fed us. So

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Speaker 2: then we wonder why she's the size of a coffee tab.

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Speaker 3: Had dog's playing you through a couple of food.

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Speaker 2: I know absolutely well. We had some salmon the other

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Speaker 2: night and there was some salmon's skin left over, and

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Speaker 2: I put it in a bag and put it in

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Speaker 2: the fridge.

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Speaker 3: Is that good for the dog?

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Speaker 2: So good for the dog. Those fish oils are good

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Speaker 2: for their bones and all of that. And so I

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Speaker 2: said to Harley, make sure you give that the leftovers

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Speaker 2: in there to the dog. And so yesterday opened the

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Speaker 2: fridge and the skin, the salmon's skin was still there.

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Speaker 2: I said, I thought, we're going to give this to

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Speaker 2: the dog. He said I did. I said, well, it's

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Speaker 2: still here, he said, no. I gave her the stuff

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Speaker 2: in the tupperware. He given the dog banana pudding for breakfast.

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Speaker 2: She must think she's on a cruise where, you know,

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Speaker 2: with the buffet where you have a bit of dog biscuit,

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Speaker 2: you have a bit of banana pudding and a fruit

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Speaker 2: tingle and some haggers, you know, where all the foods

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Speaker 2: of the fair are all available at one time. Even

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Speaker 2: she who likes to eat, was reticent to have that

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Speaker 2: sugar for breakfast.

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Speaker 3: She's eating like your son at a buffet.

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Speaker 7: Yeah.

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Speaker 1: Absolutely, I've seen your son at a buffet. It's a

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Speaker 1: sight to behold.

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Speaker 2: Yeah, he will have sushi and Oreo biscuits on the

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Speaker 2: same plate and just walking around. He and the dog

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Speaker 2: are the same person.

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Speaker 1: I remember that time, remember when they were little, so

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Speaker 1: Morgan and Dominic, I mean Dominic and Morgan and Jack

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Speaker 1: went to sushi. One of those sushi trains were watching

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Speaker 1: a movie. I forgot what it was. It was years ago,

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Speaker 1: and Dominic and Jack would have been I reckon about

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Speaker 1: ten years of age. And I'm watching them down the

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Speaker 1: end of the sushi thing, and the octopus comes around,

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Speaker 1: and they don't put up the lid obviously don't want octopus.

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Speaker 1: Then they knock the octopus over, and then they're trying

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Speaker 1: to fix it, hoping no one's noticed. And then the

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Speaker 1: lady comes over and they grabbed the octopus and then.

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Speaker 2: They're eating like and then you have to open your

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Speaker 2: wallet for fifty thousand dollars exactly. Well, my brother has

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Speaker 2: observed my son eating like California rolls sliced up that

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Speaker 2: you know, the rolls. He said, it's like watching that

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Speaker 2: clown mouth at the Easter Show. That mouth just doesn't close,

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Speaker 2: It moves from side to side and just shoves food

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Speaker 2: in there.

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Speaker 1: I remember that time I went for sushi with Jack

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Speaker 1: and he said, will there be enough sushi train?

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Speaker 2: It was a sushi train coming.

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Speaker 3: Out on a train.

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Speaker 2: What he meant was, will you pay for it if

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Speaker 2: I eat everything?

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Speaker 3: How much sushi do you want?

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Speaker 1: And then when he was run of my place a

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Speaker 1: couple of weeks ago for Dom's party and we had some.

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Speaker 3: Sushi to eat it all, he stood there, he.

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Speaker 1: Was right at the sushi trains, made the zaw for

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Speaker 1: you knock yourself out.

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Speaker 2: He set up a sushi train for Jack, just for Jack.

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Speaker 3: It was the gang, his own express.

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Speaker 1: Actually pack show today with ten thousand dollars up for

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Speaker 1: grabs with the ten thousand dollars question. Also TikTok Tucker

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Speaker 1: makes its return and we can't do anything until we

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Speaker 1: do the magnificent seven.

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Speaker 2: Question one, who hosts Millionaire Hot Seat.

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Speaker 3: Podcast?

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Speaker 1: Where are the magnis and seven seven questions? Can you

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Speaker 1: go all the way and answer all seven questions correctly?

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Speaker 1: If you do that, Amanda will.

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Speaker 2: Say Jones is off to Crow's Nest.

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Speaker 3: Which is lovely this time is But it's about getting

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Speaker 3: questions seven.

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Speaker 2: Right, we're kicking off with Tony and went with force.

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Speaker 2: Hello Tony, very well, thank you. Question one for you?

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Speaker 2: Who hosts millionaire hot seat?

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Speaker 3: That's it? Public house is the formal term for what.

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Speaker 10: A pub?

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Speaker 7: Yeah?

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Speaker 2: The term public house?

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Speaker 3: How that you mentioned to Tony first?

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Speaker 2: A bet in the late seventeenth century to differentiate private

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Speaker 2: houses from those who are quite literally open to the

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Speaker 2: public is ale houses, taverns and inns.

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Speaker 1: It's always great when you go to the pub, isn't

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Speaker 1: it when someone says, let's go to the pub.

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Speaker 2: Yeah, I haven't been to the pub for a while.

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Speaker 2: Pubs women with Culturally women in the old days didn't

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Speaker 2: just go to the pub, did they know?

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Speaker 3: They would go to the ladies laubs?

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Speaker 2: Yeah, and wait there while their husbands are in the pub. O.

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Speaker 3: Good old dam Do miss those days, Tony?

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Speaker 10: Yes, it's no wrong.

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Speaker 11: Yeah.

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Speaker 1: Design in fifties, heaps of rain and you're in the pub. Yeah,

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Speaker 1: missus home making your dinner.

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Speaker 2: Oh weren't they the good old days? Brendan, Who would

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Speaker 2: you have done this show with Leonard Teal?

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Speaker 3: That would be great? Jonesy and teally.

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Speaker 7: No, you go first.

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Speaker 2: Obviously he's stronger than I am. Question number three Siries

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Speaker 2: sings Tony? What song is SII singing?

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Speaker 8: I love the way you talk, hour, you walk, hour,

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Speaker 8: you smile, our your style hour?

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Speaker 2: I hate it when you get skittish. Do you know

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Speaker 2: the song? Tony?

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Speaker 3: No, you've got me.

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Speaker 2: That's not what it's called. But thank you.

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Speaker 3: We'll see you down at the pub. Where did the

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Speaker 3: magni sixty seven? And we're up to question number three.

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Speaker 3: It's Sirius sings.

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Speaker 2: John's in Windsor Hollo John?

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Speaker 3: Hello, man, Hey, are you very well?

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Speaker 2: Thank you? Ever listened to serious singing?

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Speaker 8: The way you talk, hour, you walk, hour, you smile,

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Speaker 8: our your style hour?

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Speaker 2: What song is she singing?

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Speaker 12: I think that's a girl, is like, well.

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Speaker 2: Yes, that's the one.

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Speaker 1: What are puffer ship puffs? A puffer fish puffs? What

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Speaker 1: do they fill up with?

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Speaker 3: Is it a water? Be air or see blood? John,

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Speaker 3: I'm going to.

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Speaker 12: Go for water.

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Speaker 2: Is water? Question five? Which member of the Rolling Stones

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Speaker 2: admitted to snorting his father's ashes? Casual?

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Speaker 12: Uh?

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Speaker 11: What should I not?

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Speaker 12: Chaga?

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Speaker 11: The bloody?

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Speaker 2: Bloody bloody you know bloody you know ote? Oh mate,

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Speaker 2: you bloody you know, we need you to be more specific. John.

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Speaker 2: Did he say afterwards that he hadn't really done it?

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Speaker 3: Well, he said he hadn't. Then he said he.

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Speaker 2: Had remember Ozzie Osbourne, so that he's snorted ants. Yeah,

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Speaker 2: and uncle's question number six for you, John, where would

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Speaker 2: you most commonly find an SPF rating.

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Speaker 12: On your sunscreen?

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Speaker 3: On your sunscreen? Which huge supercarer event is happening this weekend?

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Speaker 11: Ah?

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Speaker 3: Yes, that's the high voice of fun.

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Speaker 2: What happens? Everyone have to slow down if it's wet.

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Speaker 13: Someone's mother will be saying, now, don't go out in that.

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Speaker 1: Who's chipping in for fuel as well? Va set chew

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Speaker 1: up a lot of petrol?

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Speaker 2: Yeah, passed the hat around.

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Speaker 3: It's going to be a slow old batist this year.

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Speaker 1: Congratulations to you, John, You've got the jam Packet's all

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Speaker 1: coming away. A one hundred and fifty dollars red balloon

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Speaker 1: experience the perfect gift to make memorable.

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Speaker 3: Life moments and amazing experiences that last forever. A double

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Speaker 3: past to Cables Wake Park Wakeboard.

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Speaker 1: National champions at Cables Wake Park, Penrith tenth to the.

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Speaker 3: Fifteenth of October.

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Speaker 1: You could be our next national champion, John, and Jones

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Speaker 1: in a medicate. You choose fit the coloring and some

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Speaker 1: state of the pencils.

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Speaker 3: Anything you would like to add.

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Speaker 1: Thanks for putting the small on most morning, Oh, most morning,

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Speaker 1: hang on John, most.

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Speaker 2: Mornings, which are the mornings where we don't well when

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Speaker 2: you're together.

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Speaker 11: It was great when you were.

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Speaker 1: It wasn't remember the day when Amanda was sick one

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Speaker 1: day out of sixteen you likened it to be in

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Speaker 1: the band Hall and notes it was like that time

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Speaker 1: Hall performed without aids.

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Speaker 2: I think you'll find that on that day Hall was

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Speaker 2: absent and Oates came out and there was no lead singer.

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Speaker 3: I don't know why you you have beef for not

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Speaker 3: being hurts.

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Speaker 2: Because you're then you should be happy you're I'm clearly

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Speaker 2: hal look what you've done, John, John.

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Speaker 3: Would you say, I'm.

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Speaker 2: Just whistle down the front?

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Speaker 3: John agrees, John's something got other things to do.

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Speaker 14: Jonesy and Amanda podcast.

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Speaker 3: Good Morning, good morning? Do you mean good morning with

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Speaker 3: a I wanted or not? All of them are once, I.

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Speaker 1: Suppose thumbing through the jamanac at Big the musical facts

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Speaker 1: on this day.

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Speaker 3: In nineteen seventy two.

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Speaker 1: David Bowie returned it recorded the gene Genie, which became

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Speaker 1: the lead single from his nineteen seventy three album Aladdin,

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Speaker 1: saying do you like that album?

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Speaker 4: Ladd?

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Speaker 2: Insane? Just hearing those words?

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Speaker 3: What a flashback? You know this line from the song

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Speaker 3: can't drive He can't drive his one, he can't drive

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Speaker 3: his module. Yeah, I think that's.

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Speaker 2: A space reference.

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Speaker 3: I think it's a space reference.

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Speaker 2: Not a maths module.

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Speaker 3: No, but do you know how who got their name

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Speaker 3: from that? In the music word module? Yeah? The modules?

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Speaker 7: Who?

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Speaker 2: The mods?

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Speaker 3: No? No, the spaces? Simple mind?

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Speaker 15: Oh?

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Speaker 2: Did they right? They'd never heard that expression before.

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Speaker 1: They they said, well, what are we going to call

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Speaker 1: our band? And they were listening to that and they went,

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Speaker 1: let's go with simple minds.

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Speaker 3: Simple minded?

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Speaker 2: So we wasn't someone saying, oh you're a simple minded?

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Speaker 2: You double for a bad Are we going to play

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Speaker 2: David Bowie? Are we playing simple mind?

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Speaker 3: What would you like?

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Speaker 2: Surprise me?

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Speaker 3: I love it? So yes. I couldn't do anything. All

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Speaker 3: I could do was my bow screening test.

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Speaker 2: That's so Sydney's weather has led you to testing.

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Speaker 1: Well, we've talked about doing it and it's not that

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Speaker 1: hard to do.

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Speaker 2: Do you do it every year? Because my mom had balcuees. Okay,

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Speaker 2: my mom had bow cancer. So I actually go and

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Speaker 2: have a colonoscopy every couple of years. So you get

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Speaker 2: sent that by the government every set two years, and

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Speaker 2: once you're over the age of fifty, you get sent

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Speaker 2: this in the mail. We're lucky to live in a

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Speaker 2: country that gives us this, that gives us free breast screening,

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Speaker 2: that sends these bow kits in the mail. I urge

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Speaker 2: you to do it all because this stuff literally saves

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Speaker 2: your life.

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Speaker 3: And it's quite a little bit of a dance to do.

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Speaker 3: But it's not ikey, it's not yet.

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Speaker 2: You use a tiny brush and some of the pooh.

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Speaker 3: Yeah.

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Speaker 2: You know, people have done worse than that. You've changed

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Speaker 2: the kids and appy, you've done worse.

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Speaker 3: Lucky. I wasn't on be Real while I was doing it.

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Speaker 3: If you heard about be real, be Real, Jackson, be Real.

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Speaker 2: I think Liam might be Lilliam's on Bira because he

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Speaker 2: asked me to take a picture of him. He said, quick,

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Speaker 2: I've got to do this. I wasn't aware that by

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Speaker 2: me taking the picture, I was in it too, and

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Speaker 2: I'm pulling such a rough head. So I ended up

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Speaker 2: in the picture as well.

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Speaker 1: What I've got out of this that mothers are on

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Speaker 1: it and kids are on it and no one in between.

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Speaker 2: So be Real is I think supposed to be a

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Speaker 2: reaction to Instagram with all the fake filters.

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Speaker 3: Yes, you get.

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Speaker 2: An alert that says, am I right, that says take

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Speaker 2: a picture now, and whatever you are, however you're looking,

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Speaker 2: whatever you're doing, you take a picture.

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Speaker 3: Why don't we get Jenna Jenna is one of our top.

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Speaker 2: People, She's our social media.

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Speaker 3: Top She's the head Haunch Jenna.

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Speaker 2: Jenna would be on be Real. Jenna would be real Jenna.

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Speaker 9: Yes, I'm on b Real?

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Speaker 2: Am I right in saying that this is a reaction

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Speaker 2: to the falseness of Instagram pretty much?

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Speaker 9: So it's all about being authentic. So you get one

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Speaker 9: notification a day. Everybody gets this same notification at.

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Speaker 2: The same time, at the same time, and.

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Speaker 9: You post whatever you're doing at that moment. So it's

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Speaker 9: as authentic as possible, and.

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Speaker 2: It's a snapshot of the so called world because everyone's

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Speaker 2: doing something at the same time.

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Speaker 9: So your front and back camera, So what does that

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Speaker 9: mean to them? On my phone? You see camera? Yeah,

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Speaker 9: so it's pointing to you and it's not taking.

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Speaker 2: A picture of the front of hid in the back

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Speaker 2: of it.

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Speaker 9: No, it's taking a photo of you and me front

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Speaker 9: and back. Yes, why because just to show how authentic.

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Speaker 2: But how do you feel when you get that notification?

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Speaker 2: Does this just make you feel hyper vigilant in the

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Speaker 2: same way that we're our slaves to our phones. You

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Speaker 2: get that notifications, drop everything I've got to do this?

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Speaker 2: Do you feel a slave to it?

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Speaker 6: Not?

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Speaker 2: Really?

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Speaker 9: I mean, like you don't have to take a photo

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Speaker 9: because if.

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Speaker 2: You're on the toilet, so you're doing it?

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Speaker 3: Are you doing our screening tests? They're going to have

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Speaker 3: been quite fascinating.

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Speaker 9: I mean you're more than welcome to do that. Like

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Speaker 9: people are totally doing that. But it's just the fact

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Speaker 9: that everybody isn't as exciting as they appear on Instagram

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Speaker 9: and meeting. You're just doing it and you know.

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Speaker 3: What's going to happen? Do you see what's going to happen?

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Speaker 16: What?

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Speaker 3: Like Instagram? When that started, that was all.

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Speaker 1: About you know, being real, and now people are going

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Speaker 1: to start having filters and all that.

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Speaker 2: It's all Barbara Cartlan's makeup.

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Speaker 1: So when they're doing their bows screening tests will be

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Speaker 1: like doing duckface.

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Speaker 9: Yeah, I guess.

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Speaker 2: Do you all post them to the same place.

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Speaker 9: Yes, so you have your friends, but you can also

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Speaker 9: post it publicly, so there's a public feed as well

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Speaker 9: where you can see the whole world whatever they're doing,

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Speaker 9: and or you can just have it for your friends.

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Speaker 2: Right, and you all do it the same time, exact

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Speaker 2: same So so someone in New York is doing the

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Speaker 2: same time as.

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Speaker 9: Us, essentially, yes, and what time is that?

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Speaker 2: That could be the middle of our night.

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Speaker 9: Exactly exactly changes, all changes.

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Speaker 2: So it's not like three o'clock every day.

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Speaker 9: No, So you're unprepared and you can only take one.

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Speaker 9: If you've taken you are, you can take another, but

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Speaker 9: it'll say how many retakes you've taken.

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Speaker 2: And does says that publicly?

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Speaker 3: So we should we being on this? Is it hard

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Speaker 3: to do what I do?

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Speaker 9: Well, I've actually already signed both of you are.

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Speaker 2: Yes front of my head on the back of my

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Speaker 2: yes both.

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Speaker 9: So I thought, because you haven't taken one before, they

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Speaker 9: let you take it at any time. So I'm going

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Speaker 9: to open yours up. Jonesy, You've got less than two minutes. Okay,

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Speaker 9: what do.

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Speaker 3: What do I do?

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Speaker 9: Push that middle button of Amanda.

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Speaker 3: You look good. I see you're posing.

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Speaker 2: Am I allowed to pose?

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Speaker 9: You can do whatever you want.

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Speaker 3: It's the worst, let me.

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Speaker 2: Say, Ryan said, it's the worst one.

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Speaker 3: That my people.

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Speaker 2: I've got to put that through filter. This is the result.

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Speaker 3: We both look dreadful to send that.

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Speaker 2: So that's now live.

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Speaker 3: We're on be real.

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Speaker 9: Yeah, anyone wants to add us, it's Jonesy and Amanda.

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Speaker 2: And from now on we get a notification saying now yes,

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Speaker 2: now ye do your bowl screen now be real.

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Speaker 3: I don't know if I could be bothered.

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Speaker 2: When you see that face, people will know that that's

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Speaker 2: not filter.

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Speaker 3: Thank you for that. Jenna, get back to doing whatever

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Speaker 3: you do around.

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Speaker 2: Comcast. We know and love Mif Warhurst from her radio shows,

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Speaker 2: from Spicks and Specs from Eurovision. Well, now, what a

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Speaker 2: giant hog. She's going to add author to her resume.

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Speaker 2: She's got a new memoir called Time of My Life myth.

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Speaker 17: Hello, Hello, Amanda Jonesy, lovely to see you.

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Speaker 2: We've both written autobiographies and it's hard, isn't it, working

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Speaker 2: out what you put in what you leave out In

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Speaker 2: the end, I just cherry picked things that made me

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Speaker 2: laugh for emotional bits and pieces because it's hard focusing

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Speaker 2: on yourself. How did you feel?

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Speaker 18: Oh, look, I've got to say, after writing this book,

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Speaker 18: I'm sick to death of myself and thinking about myself.

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Speaker 17: But look, it was lovely because I used.

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Speaker 18: Music, which is what most people know me for, as

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Speaker 18: a way to kind of access those memories. Because I

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Speaker 18: think everybody has music attached to a lot of memories,

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Speaker 18: whether they be really good ones or a very sad ones.

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Speaker 18: So I use that as a device, and it made

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Speaker 18: it a hell of a lot easier, I have to say,

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Speaker 18: because otherwise it was just I felt like I was

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Speaker 18: waiting in a big pool and I didn't know kind

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Speaker 18: of what bits I needed to grab, And so yeah,

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Speaker 18: it was a learning experience.

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Speaker 4: I can tell you. How did you guys? Did you

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Speaker 4: survive it? When you did it?

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Speaker 1: It's just funny to say that for a song. I'll

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Speaker 1: hear any song and it takes me to a time

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Speaker 1: and place.

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Speaker 4: It's funny, isn't it.

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Speaker 17: Like as soon as you hear it's like having a

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Speaker 17: taste or a smell.

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Speaker 18: I think music attaches itself to you really kind of

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Speaker 18: really strong internal memories, and as soon as you hear it,

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Speaker 18: you're right back in that moment. So yeah, I've got

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Speaker 18: loads of those, and I reckon everybody does. So Hopefully

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Speaker 18: if people when they read the book, they'll read it

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Speaker 18: and enjoy it because it is all the fun stuff

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Speaker 18: but also, you know, a bit of the tough stuff,

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Speaker 18: but then also have their own memories and have it

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Speaker 18: think about some of their own.

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Speaker 2: You were a countdown tragic as many of us were.

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Speaker 2: Who have you met that you thought my countdown watching

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Speaker 2: self would not believe that I'm actually hanging out with

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Speaker 2: so and so.

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Speaker 17: Well.

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Speaker 18: Funnily enough, the first chapter of the book is about me,

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Speaker 18: very very little. I was somehow I miraculously lifted myself

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Speaker 18: out of a nineteen seventies bean bag and kissed the television.

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Speaker 4: You remember when it was all X.

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Speaker 2: It's about electricity.

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Speaker 18: Yes, yes, it was like mums, you know, get step away,

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Speaker 18: you'll ruin your eyes.

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00:18:42,080 --> 00:18:44,120
Speaker 17: And I remember I kissed the television and.

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Speaker 18: It was Darryl Braith and she it so years later

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Speaker 18: it's very funny, like I did a podcast and I

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Speaker 18: talked about the appeal of the song Horses and why

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Speaker 18: no one knows why it's so successful. It's just got

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Speaker 18: that bit of magic. And again everyone can attach their

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Speaker 18: own stories to it. But anyway, he rang me up

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Speaker 18: to thank me a couple of months ago. Just get

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Speaker 18: a myth as TERRYL. Raths and I'm like little me insides.

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Speaker 17: Going, oh my god.

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Speaker 4: I kept it cool though he had no idea, but I'm.

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Speaker 2: Like, oh my god, did you still feel the static

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Speaker 2: electricity around him?

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00:19:18,200 --> 00:19:19,000
Speaker 4: You better idea?

453
00:19:20,720 --> 00:19:20,880
Speaker 6: Oh?

454
00:19:20,920 --> 00:19:23,000
Speaker 2: I love that. That's such a gift of the jobs

455
00:19:23,040 --> 00:19:25,600
Speaker 2: we do is that you're still so close to your

456
00:19:25,640 --> 00:19:28,000
Speaker 2: inner dag. You remember how you felt when you first

457
00:19:28,080 --> 00:19:30,359
Speaker 2: saw them. One of the things I'm very envious of

458
00:19:30,400 --> 00:19:32,800
Speaker 2: with your life is getting to travel with Joel Creasy

459
00:19:32,840 --> 00:19:37,040
Speaker 2: to your revision. Do you watch people backstage ironing the

460
00:19:37,080 --> 00:19:39,480
Speaker 2: pleats on their national costumes? I mean, do you must

461
00:19:39,480 --> 00:19:41,960
Speaker 2: get to see all the hilarity that goes around it.

462
00:19:42,760 --> 00:19:44,399
Speaker 18: I do, I do, And I've just got to say

463
00:19:44,400 --> 00:19:48,040
Speaker 18: apologies for the banging in the background. Yeah, a bathroom

464
00:19:48,119 --> 00:19:49,680
Speaker 18: renovation currently going on so big.

465
00:19:49,840 --> 00:19:52,280
Speaker 2: Don't stop them, don't stop trading.

466
00:19:52,520 --> 00:19:55,960
Speaker 3: Do not stop Once they're going, it's like a super tanker.

467
00:19:56,000 --> 00:19:56,680
Speaker 3: You can't stop it.

468
00:19:56,720 --> 00:19:58,119
Speaker 2: But also you don't want to stop it. You'll never

469
00:19:58,160 --> 00:19:58,600
Speaker 2: get them back.

470
00:19:58,720 --> 00:19:59,680
Speaker 3: You just got a mess.

471
00:20:00,040 --> 00:20:03,160
Speaker 18: Exactly exactly, but no, it's always hilarious at Eurovision Becausejoel

472
00:20:03,160 --> 00:20:06,439
Speaker 18: and I are backstage because everyone's lumped together and you

473
00:20:06,480 --> 00:20:08,919
Speaker 18: think that everyone would be real divers and putting on

474
00:20:08,960 --> 00:20:12,959
Speaker 18: a performance of how important they are, but they're not. Like,

475
00:20:13,280 --> 00:20:16,320
Speaker 18: it's actually really basic and budget backstage. So there's people

476
00:20:16,320 --> 00:20:19,879
Speaker 18: that you love who are huge stars of you know,

477
00:20:20,040 --> 00:20:22,399
Speaker 18: killing it on stage, and then you see them at

478
00:20:22,400 --> 00:20:25,120
Speaker 18: the little bar buying a sandwich in a plastic wrapper,

479
00:20:25,200 --> 00:20:25,639
Speaker 18: you know, just.

480
00:20:28,320 --> 00:20:31,200
Speaker 4: Trying to count the European coins in a different country.

481
00:20:31,240 --> 00:20:34,600
Speaker 18: And it's a real level of backstage at Eurovision is

482
00:20:34,600 --> 00:20:35,480
Speaker 18: a real level How.

483
00:20:35,480 --> 00:20:37,840
Speaker 3: Many rule pools will have cost me for this jelly?

484
00:20:40,080 --> 00:20:42,720
Speaker 1: Do you think with the last year because Ukraine won

485
00:20:42,960 --> 00:20:45,399
Speaker 1: last year, was that a bit of a sympathy vote?

486
00:20:45,440 --> 00:20:50,160
Speaker 3: You know? I know, and deservedly so I will say, yeah, Look.

487
00:20:50,000 --> 00:20:52,800
Speaker 18: I think I think it was more a supportive vote

488
00:20:53,000 --> 00:20:56,520
Speaker 18: to show that the world and at least or at

489
00:20:56,560 --> 00:21:00,800
Speaker 18: least Europe and the voters of Eurovision, we're not not

490
00:21:00,960 --> 00:21:03,520
Speaker 18: at all cool with what's happening. So I think it

491
00:21:03,560 --> 00:21:08,359
Speaker 18: was an inevitable vote, to be honest, and probably in

492
00:21:08,400 --> 00:21:09,199
Speaker 18: the best possible way.

493
00:21:09,280 --> 00:21:11,000
Speaker 4: But it also means we're going to England.

494
00:21:11,160 --> 00:21:15,119
Speaker 2: Oh, no, best option the Ukraine wins. You get to

495
00:21:15,119 --> 00:21:17,720
Speaker 2: go to England and you must have gone whoa we did?

496
00:21:17,760 --> 00:21:19,560
Speaker 4: We did, but then we found out it's not London,

497
00:21:19,720 --> 00:21:20,160
Speaker 4: so you.

498
00:21:20,119 --> 00:21:22,960
Speaker 17: Know where is it? We don't know yet.

499
00:21:23,040 --> 00:21:25,359
Speaker 4: It could be probably Manchester.

500
00:21:25,160 --> 00:21:29,359
Speaker 18: Manchester Leeds, which will be great, but it's yeah, it

501
00:21:29,400 --> 00:21:32,359
Speaker 18: won't be quite the same as being in swinging London.

502
00:21:32,520 --> 00:21:34,720
Speaker 2: You found yourself in Middlesbrough and sucker.

503
00:21:36,320 --> 00:21:36,520
Speaker 3: Well.

504
00:21:36,520 --> 00:21:39,000
Speaker 1: Congratulations Smith, This is great. And does it come with

505
00:21:39,040 --> 00:21:41,479
Speaker 1: a warning do not kiss your television set?

506
00:21:41,960 --> 00:21:44,080
Speaker 17: Yeah, it does, it does, because I mean, look how

507
00:21:44,119 --> 00:21:44,760
Speaker 17: I turned out.

508
00:21:45,720 --> 00:21:48,159
Speaker 1: And imagine imagine if Daryl disappeared and all of a

509
00:21:48,160 --> 00:21:49,800
Speaker 1: sudden you're kissing Molly Meldrum.

510
00:21:50,040 --> 00:21:53,320
Speaker 4: Oh I know that would be confusing for everyone.

511
00:21:53,440 --> 00:21:54,600
Speaker 2: Timing was everything on that.

512
00:21:55,640 --> 00:21:56,480
Speaker 3: What's happening here?

513
00:21:57,280 --> 00:21:58,520
Speaker 4: Exactly exactly.

514
00:21:58,880 --> 00:22:00,880
Speaker 1: It's great to catch up with you again, Mith, Warhurst,

515
00:22:00,960 --> 00:22:03,520
Speaker 1: time of my life and now in all good bookstores

516
00:22:03,520 --> 00:22:04,240
Speaker 1: and online.

517
00:22:04,280 --> 00:22:06,480
Speaker 3: Thank you for joining us, Thank you so.

518
00:22:06,440 --> 00:22:08,800
Speaker 4: Much for having me. Lovely to see you, jam.

519
00:22:10,560 --> 00:22:12,320
Speaker 17: There's a couple of questions that I have to ask you.

520
00:22:12,440 --> 00:22:14,560
Speaker 4: I don't answer a question, just ask it a question.

521
00:22:14,680 --> 00:22:18,320
Speaker 3: Okay, what's in it for me? Dollars? A dollar reward.

522
00:22:19,240 --> 00:22:22,040
Speaker 1: Yeah, every morning we have ten thousand dollars up for

523
00:22:22,080 --> 00:22:24,360
Speaker 1: grabs right here, right now, you could win a ten

524
00:22:24,440 --> 00:22:26,080
Speaker 1: questions and sixty seconds.

525
00:22:26,600 --> 00:22:28,960
Speaker 2: Do it, man, Four people have done this. You do

526
00:22:29,000 --> 00:22:30,240
Speaker 2: it as a group, or you can do it on

527
00:22:30,240 --> 00:22:33,040
Speaker 2: your own. But what happens the minute you're on you

528
00:22:33,119 --> 00:22:35,360
Speaker 2: answer as many questions as you can. You hesitate, you're wrong,

529
00:22:35,400 --> 00:22:38,240
Speaker 2: You're out. Someone takes your place. The person who answers

530
00:22:38,280 --> 00:22:41,640
Speaker 2: question ten correctly gets ten thousand dollars.

531
00:22:41,960 --> 00:22:46,200
Speaker 3: Teresa in Wiolawere, Hello Teresa.

532
00:22:44,960 --> 00:22:47,120
Speaker 12: Hello, Josie, Hello, man go hell are you?

533
00:22:47,160 --> 00:22:49,480
Speaker 2: We're very well Teresa. Now you know the rules here

534
00:22:49,640 --> 00:22:53,320
Speaker 2: sixty seconds, ten questions. The minute you hesitated, you're wrong,

535
00:22:53,320 --> 00:22:55,399
Speaker 2: you're out. Good luck. Let's see how far you can go.

536
00:22:55,520 --> 00:22:59,240
Speaker 2: Ready to start, I'm ready, let's do it. Question one,

537
00:22:59,480 --> 00:23:02,200
Speaker 2: starting with g what would you find in aoli.

538
00:23:04,200 --> 00:23:04,520
Speaker 16: Charli?

539
00:23:04,800 --> 00:23:07,240
Speaker 2: Question two, who's the captain of the Australian Rugby League

540
00:23:07,240 --> 00:23:11,760
Speaker 2: World Cup team? Okay, on now, Crystal's in South Windsor

541
00:23:11,800 --> 00:23:13,760
Speaker 2: who is the captain of the Australian Rugby League World

542
00:23:13,760 --> 00:23:20,320
Speaker 2: Cup team? Paul's in caring Who's the captain of the

543
00:23:20,320 --> 00:23:22,040
Speaker 2: Australian Rugby League World Cup team?

544
00:23:23,760 --> 00:23:26,040
Speaker 3: Jerry even Charlotte's in Windsor.

545
00:23:26,040 --> 00:23:31,800
Speaker 2: Who's the captain of Australian Rugby League World Cup team?

546
00:23:31,880 --> 00:23:32,879
Speaker 3: Jeffs in Glenwood.

547
00:23:32,880 --> 00:23:35,480
Speaker 2: Who's the captain of the Australian Rugby League World Cup team?

548
00:23:36,840 --> 00:23:39,240
Speaker 2: Question three? Shlley Beach is located in? Which northern beach

549
00:23:39,280 --> 00:23:43,320
Speaker 2: is Sydney suburb? Question four? How many AFL premierships is

550
00:23:43,400 --> 00:23:46,359
Speaker 2: Gelong Cats? One?

551
00:23:46,640 --> 00:23:47,680
Speaker 3: Darren's in Rosebury.

552
00:23:47,680 --> 00:23:50,040
Speaker 2: How many AFL premierships have the Gelong Cats? One?

553
00:23:51,160 --> 00:23:51,400
Speaker 11: Four?

554
00:23:52,440 --> 00:23:53,880
Speaker 3: Michelle's in South winds How.

555
00:23:53,760 --> 00:23:56,800
Speaker 2: Many AFL premierships have the Gelong Cats? One? Oh?

556
00:23:56,840 --> 00:23:57,359
Speaker 11: Good? Five?

557
00:23:58,400 --> 00:24:01,280
Speaker 3: Marie in Glenborn Our premierships.

558
00:24:00,720 --> 00:24:08,200
Speaker 2: Of the Geelong Cats one? Any idea Marao? No, it

559
00:24:08,359 --> 00:24:14,280
Speaker 2: was ten. We got a question for James Tedesco my

560
00:24:14,359 --> 00:24:15,280
Speaker 2: boyfriend Teddy.

561
00:24:15,760 --> 00:24:17,800
Speaker 3: No one knows James Tedesco.

562
00:24:17,480 --> 00:24:20,200
Speaker 2: Is coaching, the coaching captain captaining.

563
00:24:20,560 --> 00:24:21,840
Speaker 3: He could coach him if you wanted.

564
00:24:22,960 --> 00:24:28,280
Speaker 2: We'll play again tomorrow and we'll be back. I loved this.

565
00:24:28,320 --> 00:24:30,560
Speaker 2: We were talking to mith Warhurst a little bit earlier

566
00:24:30,840 --> 00:24:35,600
Speaker 2: about just written an autobiography and about her early days

567
00:24:35,640 --> 00:24:38,120
Speaker 2: of being obsessed with countdown, and I loved it when

568
00:24:38,119 --> 00:24:38,720
Speaker 2: she said this.

569
00:24:40,480 --> 00:24:42,960
Speaker 17: The first chapter of the book is about me, very

570
00:24:43,040 --> 00:24:43,560
Speaker 17: very little.

571
00:24:43,720 --> 00:24:46,800
Speaker 18: I was somehow I miraculously lifted myself out of his

572
00:24:46,920 --> 00:24:49,800
Speaker 18: nineteen seventy span bag and kissed the television.

573
00:24:49,840 --> 00:24:50,520
Speaker 4: You remember when it.

574
00:24:50,480 --> 00:24:53,280
Speaker 2: Was all it's about electricity.

575
00:24:53,760 --> 00:24:56,280
Speaker 18: Yes, yes, it was like mums, you get to step away,

576
00:24:56,400 --> 00:24:57,520
Speaker 18: you're ruin your eyes.

577
00:24:57,920 --> 00:25:01,000
Speaker 17: And I remember I kissed the television and it was Daryl.

578
00:25:00,760 --> 00:25:07,840
Speaker 2: Ray kissing the TV. I know that you probably never

579
00:25:07,880 --> 00:25:11,200
Speaker 2: did this, Brendant, but girls did this stuff. You'd kiss posts. Actually,

580
00:25:11,200 --> 00:25:13,320
Speaker 2: I think Andrew Denton had a Sheryl Tig's poster on

581
00:25:13,320 --> 00:25:15,359
Speaker 2: his wall. I think he may have kissed them, rubbed

582
00:25:15,359 --> 00:25:18,320
Speaker 2: the mouth raw. What with with a kissing it?

583
00:25:18,680 --> 00:25:20,840
Speaker 3: What are you doing with it? His old man kid

584
00:25:20,880 --> 00:25:22,760
Speaker 3: would have been in the door. What are you doing that?

585
00:25:24,280 --> 00:25:27,080
Speaker 2: I thought. When I was younger, i'd practiced kissing on

586
00:25:27,160 --> 00:25:29,840
Speaker 2: an orange, because you try the mirror, but you just can't.

587
00:25:29,960 --> 00:25:31,600
Speaker 2: It's just to see how you look when you were

588
00:25:32,400 --> 00:25:33,640
Speaker 2: I know, but you want to see how you looked

589
00:25:33,640 --> 00:25:37,120
Speaker 2: when you were kissing. This is early teens, and so

590
00:25:37,359 --> 00:25:40,560
Speaker 2: the orange was my next subject. Did you try your hand.

591
00:25:40,600 --> 00:25:43,200
Speaker 2: You try your hand, you know, just when you put

592
00:25:43,240 --> 00:25:44,440
Speaker 2: your hand like that and try and kiss it to

593
00:25:44,440 --> 00:25:46,800
Speaker 2: see if that's what it would be like. And then

594
00:25:46,800 --> 00:25:48,040
Speaker 2: I did. I cut a hole in the top of

595
00:25:48,080 --> 00:25:51,000
Speaker 2: the orange and then tried to pash it. I don't

596
00:25:51,000 --> 00:25:55,800
Speaker 2: think there was any tongues involved, just just lip pash.

597
00:25:55,280 --> 00:25:56,360
Speaker 3: And what did the orange think?

598
00:25:56,760 --> 00:25:56,920
Speaker 11: Well?

599
00:25:56,960 --> 00:26:01,320
Speaker 2: The orange hung around for some time still afternoon, I

600
00:26:01,520 --> 00:26:05,879
Speaker 2: under the recycling. But often, you know, girls would have

601
00:26:05,920 --> 00:26:09,199
Speaker 2: posters and they kiss the posters and the you know,

602
00:26:09,560 --> 00:26:11,760
Speaker 2: I don't want to out our executive producer of Millie,

603
00:26:11,760 --> 00:26:14,000
Speaker 2: but I will. She used to kiss the poster of

604
00:26:14,040 --> 00:26:19,960
Speaker 2: Rob Mills. Mills MILSI idol And now Millsey comes in

605
00:26:20,000 --> 00:26:23,679
Speaker 2: here quite a few times and Millie's hello, I'm the

606
00:26:23,720 --> 00:26:26,879
Speaker 2: executive producer and she's pashing his picture on a wall.

607
00:26:26,960 --> 00:26:28,320
Speaker 3: How does Millsy feel about this?

608
00:26:28,440 --> 00:26:28,640
Speaker 19: Now?

609
00:26:29,680 --> 00:26:31,840
Speaker 2: She thought that she'd be Millie Millsey by now.

610
00:26:32,320 --> 00:26:34,200
Speaker 3: Yeah, I guess it's the domain of women.

611
00:26:34,880 --> 00:26:36,639
Speaker 2: What did you do? You didn't kiss anything.

612
00:26:36,760 --> 00:26:40,040
Speaker 1: I remember when I was young, my cousin who was

613
00:26:40,040 --> 00:26:42,720
Speaker 1: a bit older than me, male. Yeah, he was pretty cool,

614
00:26:43,000 --> 00:26:45,560
Speaker 1: but he had a poster of Linda ronstad On his

615
00:26:45,920 --> 00:26:49,960
Speaker 1: cupboard door in the shorty shorts and shorts and and

616
00:26:50,000 --> 00:26:51,959
Speaker 1: I remember just sitting on his bed just looking at

617
00:26:51,960 --> 00:26:52,520
Speaker 1: that picture.

618
00:26:52,760 --> 00:26:55,000
Speaker 2: But you didn't kiss it, no, but just looking at it.

619
00:26:55,280 --> 00:26:57,119
Speaker 2: But she also said you once got weepy looking at

620
00:26:57,160 --> 00:26:57,960
Speaker 2: John Denver's post.

621
00:26:58,119 --> 00:27:01,840
Speaker 3: There was that Did you kiss that? No, No, don't

622
00:27:01,840 --> 00:27:02,480
Speaker 3: make this weird.

623
00:27:02,520 --> 00:27:04,320
Speaker 2: It's not weird. This is just teenager.

624
00:27:04,560 --> 00:27:08,040
Speaker 1: You're in the newspaper when John Denver was huge, and

625
00:27:08,400 --> 00:27:13,359
Speaker 1: you know Rocky Mountain, Yeah, of course whatever, that's what's all.

626
00:27:13,920 --> 00:27:15,040
Speaker 3: You know that song?

627
00:27:15,880 --> 00:27:17,520
Speaker 1: Yeah, there was a poster I had in my bedroom.

628
00:27:17,560 --> 00:27:20,080
Speaker 1: I remember listening to that song and then just weeping

629
00:27:20,200 --> 00:27:20,800
Speaker 1: looking at.

630
00:27:21,600 --> 00:27:24,679
Speaker 2: These were the teenage emotions. You felt the emotions but

631
00:27:24,720 --> 00:27:27,920
Speaker 2: didn't know what they were. But teenage girls, maybe I'd

632
00:27:27,920 --> 00:27:30,480
Speaker 2: be intrigued in other it's guys as well. You'd put

633
00:27:30,480 --> 00:27:33,040
Speaker 2: a poster up, or you'd have a book, or like

634
00:27:33,119 --> 00:27:37,320
Speaker 2: mif you'd kiss the television the tribal drama, al might.

635
00:27:37,200 --> 00:27:39,320
Speaker 3: Kiss the television when you're on it.

636
00:27:39,400 --> 00:27:41,240
Speaker 2: Beyond two thousand days, you never know.

637
00:27:41,400 --> 00:27:44,400
Speaker 3: It could have been a young man that had impure thoughts.

638
00:27:44,520 --> 00:27:48,040
Speaker 2: I'm up for it. Practice Pash, Who or what did

639
00:27:48,080 --> 00:27:50,200
Speaker 2: you kiss?

640
00:27:49,160 --> 00:27:51,880
Speaker 3: The Tribal Drama Pole.

641
00:27:54,920 --> 00:27:59,359
Speaker 1: Podcast, The Tribal Dramas, Beating Practice, Pash, Who or what

642
00:27:59,520 --> 00:28:00,000
Speaker 1: did you care?

643
00:28:00,480 --> 00:28:01,600
Speaker 20: Has there cash?

644
00:28:02,080 --> 00:28:03,840
Speaker 2: What kicked us off this morning with This was our

645
00:28:03,880 --> 00:28:06,320
Speaker 2: interview with Mith Warhurst earlier, who said that she used

646
00:28:06,320 --> 00:28:08,879
Speaker 2: to kiss Darryl Braith when he was on that Telly

647
00:28:09,720 --> 00:28:12,520
Speaker 2: countdown those early years, the big static electricity.

648
00:28:12,560 --> 00:28:16,760
Speaker 3: She risked it all, She risked it all. Linda's joined us.

649
00:28:16,800 --> 00:28:21,439
Speaker 2: Hello, Linda, Hi, guys, how are you grat? Who or

650
00:28:21,480 --> 00:28:27,240
Speaker 2: what did you pash? Andy William the Country Western No,

651
00:28:27,359 --> 00:28:29,440
Speaker 2: He's not a country and Western singer. He was kind

652
00:28:29,440 --> 00:28:33,399
Speaker 2: of a crooner. He had a TV show that's right.

653
00:28:33,760 --> 00:28:35,920
Speaker 12: To watch it, And when he was singing Moon River,

654
00:28:36,520 --> 00:28:38,440
Speaker 12: I used to melt and I'd go over and give

655
00:28:38,480 --> 00:28:39,280
Speaker 12: him a big kiss.

656
00:28:39,520 --> 00:28:40,760
Speaker 2: How old were you, Linda?

657
00:28:42,360 --> 00:28:45,080
Speaker 12: I was thirteen and there was a boy lift up

658
00:28:45,120 --> 00:28:47,280
Speaker 12: the road who looked like him and I liked him,

659
00:28:47,320 --> 00:28:50,280
Speaker 12: so if I kissed him, I can pretend it's that boy.

660
00:28:51,400 --> 00:28:54,400
Speaker 3: Wow did the boy ever? Did that ever eventuate?

661
00:28:56,320 --> 00:28:58,520
Speaker 12: I walked me to the train station a couple of

662
00:28:58,520 --> 00:29:00,640
Speaker 12: times on the way to school when a haircut.

663
00:29:00,680 --> 00:29:01,120
Speaker 15: He dumped me.

664
00:29:01,160 --> 00:29:04,320
Speaker 2: He didn't like what kind of haircut, was it?

665
00:29:05,840 --> 00:29:06,000
Speaker 11: Well?

666
00:29:06,040 --> 00:29:08,600
Speaker 12: I had really long hair and my dad made me

667
00:29:08,640 --> 00:29:10,840
Speaker 12: get a cut and I had really short hair after that,

668
00:29:10,920 --> 00:29:12,480
Speaker 12: and he just didn't want.

669
00:29:12,360 --> 00:29:15,240
Speaker 3: To Why don't make you get a cut.

670
00:29:17,160 --> 00:29:20,080
Speaker 12: Because that was Scottish and very strict and he didn't

671
00:29:20,200 --> 00:29:22,680
Speaker 12: like my hair out loose side where it tied up

672
00:29:22,680 --> 00:29:25,960
Speaker 12: all the after school I get around the corner take

673
00:29:26,000 --> 00:29:27,720
Speaker 12: it out, and he caught me a couple of times,

674
00:29:27,760 --> 00:29:29,480
Speaker 12: so he told right, getting cut.

675
00:29:29,480 --> 00:29:31,720
Speaker 1: That's and that's would have been the time because long

676
00:29:31,760 --> 00:29:34,120
Speaker 1: hair would have indicated all the all the boys would

677
00:29:34,120 --> 00:29:34,719
Speaker 1: have been around.

678
00:29:34,880 --> 00:29:37,520
Speaker 2: You're saying that girls with short hair can't get boyfriends, Brendan,

679
00:29:37,560 --> 00:29:39,040
Speaker 2: is so what you're saying to a woman with short

680
00:29:39,040 --> 00:29:39,840
Speaker 2: hair of.

681
00:29:39,680 --> 00:29:42,960
Speaker 1: The time before we get too triggered triggery, is that

682
00:29:43,040 --> 00:29:45,280
Speaker 1: when you had the long hair was more of a lure.

683
00:29:45,440 --> 00:29:47,680
Speaker 2: It's interesting though that, Linda, So while you were kissing

684
00:29:47,720 --> 00:29:49,800
Speaker 2: Andy Williams, because he reminded you of the boy up

685
00:29:49,840 --> 00:29:51,640
Speaker 2: the road. The boy up the road was kissing you

686
00:29:51,720 --> 00:29:52,960
Speaker 2: picturing someone with long hair.

687
00:29:53,080 --> 00:29:59,280
Speaker 12: Yeah, yeah, it could have been a.

688
00:29:57,520 --> 00:29:59,880
Speaker 2: Alison Derb and he thought you were Allison Durban. Remember

689
00:30:00,200 --> 00:30:02,400
Speaker 2: she had hair down past her backside.

690
00:30:04,440 --> 00:30:07,680
Speaker 3: I wondered about that. Diana has joined us as well.

691
00:30:07,680 --> 00:30:12,680
Speaker 2: How Diane, good morning, Hello Diane. Who was it for you?

692
00:30:12,760 --> 00:30:17,080
Speaker 2: Who and what did you kiss? Donnie Osmond?

693
00:30:17,640 --> 00:30:21,160
Speaker 21: Yes, I had not the I said to say vinyls,

694
00:30:21,200 --> 00:30:25,280
Speaker 21: but they were LPs back in our days nowadays. Yeah,

695
00:30:25,320 --> 00:30:28,840
Speaker 21: and I used to have the bedroom covered in posters.

696
00:30:29,040 --> 00:30:30,920
Speaker 21: I never got changed in the bedroom because they were

697
00:30:31,040 --> 00:30:34,600
Speaker 21: thought they were looking at me. Yes, kiss another.

698
00:30:39,200 --> 00:30:40,680
Speaker 10: Amanda tried the orange.

699
00:30:40,720 --> 00:30:41,760
Speaker 12: That wasn't the good though.

700
00:30:41,960 --> 00:30:43,000
Speaker 21: Kind of made the lips a bit.

701
00:30:43,360 --> 00:30:45,840
Speaker 3: Yeah, yeah, too much citrus.

702
00:30:46,040 --> 00:30:47,479
Speaker 2: Too much citrus made your lips a bit.

703
00:30:47,480 --> 00:30:48,760
Speaker 3: Steam may make it dry.

704
00:30:48,960 --> 00:30:51,680
Speaker 2: Yeah, So would you kiss Donnie? Like the album covers

705
00:30:51,680 --> 00:30:52,880
Speaker 2: and the posters, Oh.

706
00:30:52,920 --> 00:30:54,920
Speaker 21: Yeah, yes, I still have them.

707
00:30:55,280 --> 00:31:05,200
Speaker 3: Really weather these thank you?

708
00:31:05,960 --> 00:31:08,040
Speaker 2: I love that wouldn't get changed in the bedroom because

709
00:31:08,040 --> 00:31:09,800
Speaker 2: Donnie had seen imagine.

710
00:31:09,400 --> 00:31:11,480
Speaker 3: That you'd have to break out a laminator as well

711
00:31:11,520 --> 00:31:13,880
Speaker 3: after a while. Just didn't get too.

712
00:31:14,120 --> 00:31:16,720
Speaker 2: Too pashed, too pashed. We're going to take more of

713
00:31:16,720 --> 00:31:19,000
Speaker 2: your calls practice, Pash. Who or what did you kiss?

714
00:31:19,040 --> 00:31:21,600
Speaker 3: Thirteen WSFM is our number of seven twenty nine.

715
00:31:21,840 --> 00:31:24,720
Speaker 14: Jonesy and Amanda podcast.

716
00:31:26,920 --> 00:31:29,000
Speaker 2: Bang Ready to Go, Bill So Ready to Go.

717
00:31:30,680 --> 00:31:32,760
Speaker 1: Earlier on the show we had Mick wore her. She's

718
00:31:32,760 --> 00:31:35,360
Speaker 1: got a new book called Time of My Life. But

719
00:31:35,440 --> 00:31:39,560
Speaker 1: in it she recounts the time when she discovered Darryl

720
00:31:39,600 --> 00:31:41,680
Speaker 1: Blaithwaite on Countdown.

721
00:31:41,400 --> 00:31:43,840
Speaker 2: And she lurched herself out of the bean bag and

722
00:31:43,880 --> 00:31:45,080
Speaker 2: did this, And.

723
00:31:45,280 --> 00:31:48,040
Speaker 17: I remember kissed the television and it was Daryl Brath.

724
00:31:50,640 --> 00:31:53,480
Speaker 2: She patched him on the telly. We've had a number

725
00:31:53,480 --> 00:31:56,680
Speaker 2: of calls this morning, people kissing record covers. I love

726
00:31:56,720 --> 00:31:59,000
Speaker 2: that one that she was a fan of Donnie Osmond

727
00:31:59,000 --> 00:32:01,240
Speaker 2: and she'd kiss his record and all the posters couldn't

728
00:32:01,240 --> 00:32:03,120
Speaker 2: get changed in the bedroom because he was looking out

729
00:32:03,240 --> 00:32:03,800
Speaker 2: of looking.

730
00:32:05,560 --> 00:32:07,960
Speaker 1: I think it's the domain of women largely. I remember

731
00:32:08,000 --> 00:32:12,160
Speaker 1: as a kid being taken by a poster of Linda.

732
00:32:11,960 --> 00:32:14,320
Speaker 3: Ronstad and shortly shorts roll skates, but I didn't do

733
00:32:14,360 --> 00:32:15,280
Speaker 3: anything weird to it.

734
00:32:15,360 --> 00:32:17,680
Speaker 2: Well, that's what the tribal drama is bidding for today.

735
00:32:17,880 --> 00:32:21,040
Speaker 2: Practice Pashore, what did your kiss?

736
00:32:21,440 --> 00:32:22,800
Speaker 3: Has joined as Hello Lannette?

737
00:32:23,880 --> 00:32:26,880
Speaker 2: Hello, how are you lan Nette? Who was it? And

738
00:32:26,920 --> 00:32:28,360
Speaker 2: how did you pash them?

739
00:32:28,800 --> 00:32:32,959
Speaker 10: It was John Denver as well. I loved John Dember.

740
00:32:33,000 --> 00:32:37,400
Speaker 10: I loved Rocky Mountain High and Calypso, but I also

741
00:32:37,560 --> 00:32:43,320
Speaker 10: loved Grandma's feather bed. Yeah, yeah, special time of our

742
00:32:43,360 --> 00:32:44,080
Speaker 10: life back then.

743
00:32:44,360 --> 00:32:47,320
Speaker 2: And did you did you find yourself kissing his image?

744
00:32:47,880 --> 00:32:48,040
Speaker 7: Oh?

745
00:32:48,120 --> 00:32:52,720
Speaker 10: Yeah, of course I had a post of them. Dad

746
00:32:52,840 --> 00:32:55,600
Speaker 10: used to get the Sydney Morning Heralds. There was a

747
00:32:55,640 --> 00:33:01,240
Speaker 10: poster in there John Dember and yeah, I had my walls.

748
00:33:02,000 --> 00:33:03,840
Speaker 1: I think I had the same post as John with

749
00:33:03,880 --> 00:33:06,360
Speaker 1: a little bowl cut and he's little round glasses.

750
00:33:07,560 --> 00:33:10,480
Speaker 10: Yes, exactly, that's it. Yes, that's the one.

751
00:33:10,520 --> 00:33:12,520
Speaker 3: Actually, that's pretty much John Denver's whole career.

752
00:33:12,560 --> 00:33:15,000
Speaker 2: I think it was. He looked like a young Robert

753
00:33:15,000 --> 00:33:19,560
Speaker 2: Irwin and you'd give him a passion.

754
00:33:19,640 --> 00:33:21,320
Speaker 3: Yeah, I'd never kissed John Denver.

755
00:33:21,480 --> 00:33:24,520
Speaker 1: I'd actually i'd actually just look at it and be

756
00:33:24,960 --> 00:33:27,960
Speaker 1: you know, something was going on there, but not in

757
00:33:28,000 --> 00:33:28,920
Speaker 1: a kiss stage.

758
00:33:29,400 --> 00:33:32,760
Speaker 3: Thank you for that. Kelly's joined us as well. Hello Kelly, Hi.

759
00:33:32,680 --> 00:33:33,760
Speaker 2: How are you great?

760
00:33:35,360 --> 00:33:35,719
Speaker 11: Okay?

761
00:33:35,880 --> 00:33:39,760
Speaker 12: I kissed David Cassidy from The Tiger went out of

762
00:33:39,760 --> 00:33:40,440
Speaker 12: the Tiger beat.

763
00:33:40,840 --> 00:33:42,200
Speaker 3: That was that teen magazine?

764
00:33:42,520 --> 00:33:43,200
Speaker 2: Was it a poster?

765
00:33:45,120 --> 00:33:46,280
Speaker 21: See in the magazine?

766
00:33:46,400 --> 00:33:48,000
Speaker 12: And then I would cut it out and sleep with

767
00:33:48,040 --> 00:33:48,880
Speaker 12: it under my pillow.

768
00:33:49,000 --> 00:33:50,600
Speaker 3: Oh wow, that's it.

769
00:33:50,800 --> 00:33:55,160
Speaker 2: They used to also, that's next levels. Also, they used

770
00:33:55,160 --> 00:33:58,040
Speaker 2: to also have iron on transfers, Remember those. Remember getting

771
00:33:58,040 --> 00:34:00,640
Speaker 2: a David Cassidy one from the newspaper and you'd iron

772
00:34:00,680 --> 00:34:03,000
Speaker 2: it onto your pillow case so you could sleep with

773
00:34:03,040 --> 00:34:05,400
Speaker 2: his face next to you, drool on him.

774
00:34:05,480 --> 00:34:06,320
Speaker 3: Kelly, did you do that?

775
00:34:07,200 --> 00:34:08,479
Speaker 11: I did? I did?

776
00:34:08,840 --> 00:34:11,239
Speaker 2: See good memories, good times.

777
00:34:11,040 --> 00:34:11,800
Speaker 11: Very good memory.

778
00:34:12,160 --> 00:34:14,480
Speaker 3: Oh okay, Kelly, so creepy.

779
00:34:14,680 --> 00:34:18,640
Speaker 2: It's not creepy. This was teenage angst at its earliest.

780
00:34:18,680 --> 00:34:20,160
Speaker 3: Kelly's dropped it octave.

781
00:34:20,200 --> 00:34:23,680
Speaker 2: Then if a government could harness that teenage angst, you

782
00:34:23,719 --> 00:34:24,759
Speaker 2: could fight a war with it.

783
00:34:25,040 --> 00:34:27,920
Speaker 1: Sure you don't see people doing that with little poopy

784
00:34:27,960 --> 00:34:30,279
Speaker 1: these days. Days, I don't know no one's ironing on

785
00:34:30,360 --> 00:34:31,560
Speaker 1: little poopy over there.

786
00:34:34,080 --> 00:34:35,520
Speaker 2: If you did, you smack the cat.

787
00:34:35,840 --> 00:34:36,560
Speaker 3: Thank you, Kelly.

788
00:34:36,960 --> 00:34:37,320
Speaker 6: Sam.

789
00:34:38,239 --> 00:34:40,279
Speaker 3: Let's get on down to the Jonesy demand around to

790
00:34:40,360 --> 00:34:44,000
Speaker 3: the pub test be real? Is it past the part test?

791
00:34:44,040 --> 00:34:45,680
Speaker 3: This started at six p'in forty this morning.

792
00:34:45,920 --> 00:34:48,600
Speaker 1: It seems to me that young girls are into be

793
00:34:49,200 --> 00:34:51,680
Speaker 1: real and middle aged women are into be real.

794
00:34:51,760 --> 00:34:54,520
Speaker 2: Well, my twenty one year old son is on be real.

795
00:34:55,160 --> 00:34:57,160
Speaker 2: We got our social media guru Jenna to come and

796
00:34:57,200 --> 00:35:00,680
Speaker 2: explain it to us earlier. Hello, Jenna, your real name,

797
00:35:01,280 --> 00:35:05,160
Speaker 2: be real. So from what we what I understand, be

798
00:35:05,320 --> 00:35:08,600
Speaker 2: Real is a reaction to the falseness and the filters

799
00:35:08,600 --> 00:35:11,279
Speaker 2: of Instagram. Yep, that once a day you get an

800
00:35:11,680 --> 00:35:14,680
Speaker 2: alert and at that very moment you take a photo

801
00:35:15,160 --> 00:35:17,680
Speaker 2: of what's around you, yourself and what's around you.

802
00:35:17,719 --> 00:35:20,560
Speaker 9: Exactly what you're doing, so you can see the photo

803
00:35:20,600 --> 00:35:23,400
Speaker 9: that you're taking. But then it takes another photo of yourself.

804
00:35:23,440 --> 00:35:27,719
Speaker 9: You can't see yourself and that upload so yourself is

805
00:35:27,719 --> 00:35:30,440
Speaker 9: in a little corner and then whatever you've taken.

806
00:35:30,440 --> 00:35:32,680
Speaker 2: Is the main part of the photo. Yes, and do

807
00:35:32,760 --> 00:35:35,680
Speaker 2: you can you amend it? Can you put filters on it?

808
00:35:35,880 --> 00:35:35,960
Speaker 11: No?

809
00:35:36,120 --> 00:35:39,800
Speaker 9: Filters, you can retake, but that is public so people

810
00:35:39,800 --> 00:35:42,239
Speaker 9: can see how many takes you've taken, So.

811
00:35:42,680 --> 00:35:43,359
Speaker 3: Do a kim kay.

812
00:35:44,200 --> 00:35:47,759
Speaker 2: Essentially, No, that's right, and a lot of attempts to

813
00:35:47,760 --> 00:35:50,080
Speaker 2: get it right, which is what this is countering. On

814
00:35:50,120 --> 00:35:53,960
Speaker 2: the other hand, this is just another level of hypervigilance

815
00:35:54,040 --> 00:35:57,439
Speaker 2: that keeps you attached to your phone. Quick my phone

816
00:35:57,480 --> 00:36:00,520
Speaker 2: saying take a photo now. It's another way of keeping

817
00:36:00,560 --> 00:36:04,560
Speaker 2: you glued to your phone. We joined earlier this morning

818
00:36:04,760 --> 00:36:08,000
Speaker 2: and you took a very unattractive photo.

819
00:36:08,400 --> 00:36:10,000
Speaker 3: Did was a rough headed jamboree.

820
00:36:10,040 --> 00:36:12,239
Speaker 2: Well that's the thing. If you're not puncing, you get

821
00:36:12,239 --> 00:36:15,200
Speaker 2: a rough head, well, I mean for well, then maybe

822
00:36:15,239 --> 00:36:17,759
Speaker 2: you shouldn't be on it. Since we've uploaded that, have

823
00:36:17,800 --> 00:36:19,879
Speaker 2: other people joined our rough head jamboree?

824
00:36:20,000 --> 00:36:22,560
Speaker 9: Yes, we've got quite a lot of requests, so we

825
00:36:22,640 --> 00:36:26,680
Speaker 9: accepted them and we can now see their photos.

826
00:36:26,840 --> 00:36:27,920
Speaker 2: What are they doing today?

827
00:36:28,040 --> 00:36:31,600
Speaker 9: So we've John O, who appears to be on his

828
00:36:31,760 --> 00:36:37,040
Speaker 9: laptop as you can see here. We've also got and

829
00:36:37,080 --> 00:36:42,160
Speaker 9: funnily enough, these are all males. So we've got Benny

830
00:36:42,400 --> 00:36:44,680
Speaker 9: who's working on Jonesy.

831
00:36:44,760 --> 00:36:48,719
Speaker 3: You know what he's wearing on a gas pipe pipe?

832
00:36:48,840 --> 00:36:51,760
Speaker 2: Okay, he's not sucking on a gas pipe.

833
00:36:51,800 --> 00:36:53,960
Speaker 3: No, he's working on them. He's probably might be checking

834
00:36:53,960 --> 00:36:55,360
Speaker 3: the gas meter exactly.

835
00:36:55,680 --> 00:36:58,680
Speaker 9: And then we've got Silvia who's at work. She's taken

836
00:36:58,719 --> 00:37:02,960
Speaker 9: a photo of the job. You see, it's just whatever

837
00:37:03,000 --> 00:37:04,279
Speaker 9: people are doing at that moment.

838
00:37:04,600 --> 00:37:07,920
Speaker 3: Is that nothing stallacious? No one in the shower, no or.

839
00:37:07,880 --> 00:37:10,560
Speaker 2: On the toilet. This is the point I've interesed to

840
00:37:10,600 --> 00:37:13,440
Speaker 2: know what you think of this be real is exactly

841
00:37:13,480 --> 00:37:16,080
Speaker 2: that it's boring because our lives are boring and we're real,

842
00:37:16,160 --> 00:37:18,840
Speaker 2: there's no filters. The other side of that is this

843
00:37:19,080 --> 00:37:21,560
Speaker 2: just another phone gimmick, another app.

844
00:37:21,680 --> 00:37:24,319
Speaker 3: I couldn't be bothered, But what about you?

845
00:37:24,800 --> 00:37:27,080
Speaker 2: How do you feel be real? Does it pass the

846
00:37:27,120 --> 00:37:32,400
Speaker 2: pub test? Comcast? Every day we're reading it another horror

847
00:37:32,400 --> 00:37:34,920
Speaker 2: story about the treatment of women in Iran. Protests are

848
00:37:34,920 --> 00:37:37,279
Speaker 2: happening right now and they're the biggest the country has

849
00:37:37,320 --> 00:37:40,439
Speaker 2: ever seen. They're being led by women publicly cutting their hair,

850
00:37:40,640 --> 00:37:43,520
Speaker 2: burning their headge ups. Thousands are taking to the streets

851
00:37:43,520 --> 00:37:48,040
Speaker 2: in mass demonstrations against Iran's oppressive regime and the morality police.

852
00:37:48,560 --> 00:37:51,520
Speaker 2: Australian academic Carlie Moore Gilbert was in Iran when she

853
00:37:51,600 --> 00:37:54,840
Speaker 2: was accused of espionage, and she was detained and imprisoned

854
00:37:54,840 --> 00:37:59,120
Speaker 2: for eight hundred and four days, most been in solitary confinement,

855
00:37:59,280 --> 00:38:04,400
Speaker 2: resisting making a false confession despite relentless interrogation and psychological torture.

856
00:38:04,640 --> 00:38:06,239
Speaker 2: She's got a lot to say about what's going on

857
00:38:06,360 --> 00:38:07,840
Speaker 2: right now. I thought it was a perfect time to

858
00:38:07,880 --> 00:38:10,359
Speaker 2: be talking to her. Doctor Kylie Moore Gilbert.

859
00:38:10,040 --> 00:38:13,240
Speaker 11: Hello, Hello, thanks for having you back on.

860
00:38:13,160 --> 00:38:14,520
Speaker 3: Well, it's great to talk to you again.

861
00:38:14,840 --> 00:38:18,080
Speaker 1: In completing your book, these morality Police, what I learned

862
00:38:18,120 --> 00:38:20,960
Speaker 1: from them. They're not actually police, they're just what sort

863
00:38:20,960 --> 00:38:21,719
Speaker 1: of police are they?

864
00:38:21,760 --> 00:38:23,600
Speaker 3: They're morality police.

865
00:38:24,200 --> 00:38:26,680
Speaker 11: I mean, since when do you need police to tell

866
00:38:26,680 --> 00:38:29,520
Speaker 11: you what to wear on the street, right, It's a

867
00:38:29,640 --> 00:38:32,840
Speaker 11: very strange concept. And I should also say that a

868
00:38:32,840 --> 00:38:35,480
Speaker 11: lot of these so called morality police are fellow women.

869
00:38:35,719 --> 00:38:38,360
Speaker 11: You know, they're women policing the attire of other women,

870
00:38:38,480 --> 00:38:40,400
Speaker 11: which is quite shocking as well.

871
00:38:41,040 --> 00:38:43,839
Speaker 2: So these protests have really been triggered following the death

872
00:38:43,880 --> 00:38:46,560
Speaker 2: of the twenty two year old Massa Amini, who is

873
00:38:46,560 --> 00:38:48,680
Speaker 2: in police custody in September. Can you tell us the

874
00:38:48,760 --> 00:38:51,200
Speaker 2: story about Masa. She was just minding her own business,

875
00:38:51,239 --> 00:38:52,359
Speaker 2: walking down the street with her.

876
00:38:52,239 --> 00:38:56,520
Speaker 11: Brother exactly, and she was actually wearing her job. It's

877
00:38:56,560 --> 00:38:58,920
Speaker 11: not that she had taken off her job or something

878
00:38:58,960 --> 00:39:02,800
Speaker 11: like that. A few days after her arrest and after

879
00:39:02,920 --> 00:39:06,240
Speaker 11: the unrest began, we heard that she'd actually been arrested

880
00:39:06,239 --> 00:39:10,160
Speaker 11: for having tight trousers. So it wasn't even that she

881
00:39:10,280 --> 00:39:12,920
Speaker 11: wasn't wearing her job. She was wearing everything properly. Her

882
00:39:12,960 --> 00:39:16,640
Speaker 11: trousers were two tights, and these morality police picked her

883
00:39:16,719 --> 00:39:20,480
Speaker 11: up because of that. Sometime between putting her in a

884
00:39:20,480 --> 00:39:24,040
Speaker 11: police fan and when they called her family a few

885
00:39:24,040 --> 00:39:27,880
Speaker 11: hours later, she died. And it's likely she died because

886
00:39:27,960 --> 00:39:30,759
Speaker 11: of some blunt instrument or some sort of fall that

887
00:39:32,000 --> 00:39:34,919
Speaker 11: hit her on the head and caused her brain damage.

888
00:39:35,200 --> 00:39:38,319
Speaker 11: So it's quite shocking that this poor woman died for

889
00:39:38,360 --> 00:39:42,320
Speaker 11: no reason whatsoever, simply because somebody didn't like her tight trousers.

890
00:39:42,719 --> 00:39:45,880
Speaker 2: Those women who are protesting and cutting their hair and

891
00:39:45,920 --> 00:39:49,000
Speaker 2: burning their clothes, they're so brave because this isn't an

892
00:39:49,040 --> 00:39:51,520
Speaker 2: easy regime to protest about, is it.

893
00:39:52,800 --> 00:39:56,120
Speaker 11: No, And there's been cracking down on them horrifically. We've

894
00:39:56,120 --> 00:39:59,760
Speaker 11: had so many young girls, teenage girls and young women

895
00:40:00,040 --> 00:40:03,520
Speaker 11: shopped and killed for simply taking to the streets and

896
00:40:03,600 --> 00:40:07,480
Speaker 11: taking off their hijab and protesting. It's really horrific. They've

897
00:40:07,520 --> 00:40:10,800
Speaker 11: shut down the internet to the entire country. They're rounding

898
00:40:10,840 --> 00:40:14,120
Speaker 11: people up. They attacked a university and rounded up hundreds

899
00:40:14,120 --> 00:40:16,400
Speaker 11: and hundreds of students and took them away to prison.

900
00:40:16,480 --> 00:40:19,200
Speaker 11: The other day, you have high school, you have girls

901
00:40:19,280 --> 00:40:22,040
Speaker 11: high schools where all the fifteen year old girls are

902
00:40:22,080 --> 00:40:25,359
Speaker 11: protesting in the school. You know, it's a real nationwide

903
00:40:25,400 --> 00:40:28,839
Speaker 11: society ride uprising, and women are at the helm and

904
00:40:28,880 --> 00:40:32,960
Speaker 11: not just any women, young girls, So it's quite remarkable. Really.

905
00:40:33,440 --> 00:40:36,080
Speaker 1: Could you see this as being a way out of

906
00:40:36,120 --> 00:40:38,920
Speaker 1: the dark ages for the Middle East as how they

907
00:40:38,920 --> 00:40:39,520
Speaker 1: treat women.

908
00:40:41,560 --> 00:40:43,560
Speaker 11: I think it's a way out of the dark ages

909
00:40:43,640 --> 00:40:45,719
Speaker 11: for Iran. I don't know about the rest of the

910
00:40:45,719 --> 00:40:49,560
Speaker 11: Middle East, but it's certainly some way we need to

911
00:40:49,600 --> 00:40:51,720
Speaker 11: pass before we get to the point when this regime

912
00:40:51,800 --> 00:40:54,960
Speaker 11: is removed. The regime is incapable of reforming itself. It

913
00:40:55,000 --> 00:40:58,080
Speaker 11: will never compromise on hijob that's one of the core

914
00:40:58,160 --> 00:41:02,840
Speaker 11: pillars of its ideology. And oppressing women and having women

915
00:41:02,880 --> 00:41:05,120
Speaker 11: have a lesser status in law is also a pillar

916
00:41:05,160 --> 00:41:08,160
Speaker 11: of its ideology. It's it's you know, Sharia law. So

917
00:41:08,640 --> 00:41:11,120
Speaker 11: this regime needs to go, and that's what the people want.

918
00:41:11,160 --> 00:41:13,760
Speaker 11: They're on the streets calling for it. Down with the regime,

919
00:41:13,840 --> 00:41:17,239
Speaker 11: Death to the dictator. It's beyond the morality police now.

920
00:41:17,280 --> 00:41:19,760
Speaker 11: They want this regime gone and they want equality between

921
00:41:19,800 --> 00:41:20,439
Speaker 11: women and men.

922
00:41:21,080 --> 00:41:25,239
Speaker 2: Many women around the world and men supporting these women

923
00:41:25,280 --> 00:41:28,680
Speaker 2: are pledging their help. Is this useful? What can we do?

924
00:41:30,400 --> 00:41:33,719
Speaker 11: I think keeping this in the news and in the headlines,

925
00:41:34,120 --> 00:41:37,040
Speaker 11: continuing to draw attention and shine a spotlight on what's

926
00:41:37,040 --> 00:41:41,280
Speaker 11: happening in Run is really important because the regime uses

927
00:41:41,360 --> 00:41:45,360
Speaker 11: the cover of lack of attention, of lack of coverage

928
00:41:45,680 --> 00:41:49,160
Speaker 11: to commit its worst atrocities. So if we continue to

929
00:41:49,200 --> 00:41:52,160
Speaker 11: shine a spotlight and you know, sanctioning some of the

930
00:41:52,239 --> 00:41:55,839
Speaker 11: morality police, sanctioning some of the individuals who are participating

931
00:41:55,840 --> 00:41:59,359
Speaker 11: in the crackdown would also help. Anything we can do

932
00:41:59,440 --> 00:42:02,000
Speaker 11: to try and prevent their work successes and prevent some

933
00:42:02,040 --> 00:42:04,880
Speaker 11: sort of massacre of protests, I think would do a

934
00:42:04,920 --> 00:42:06,840
Speaker 11: lot to help the Uranian people right now. We just

935
00:42:06,840 --> 00:42:09,359
Speaker 11: shouldn't forget them, and we should keep speaking about it.

936
00:42:09,520 --> 00:42:11,440
Speaker 1: Well, you've been very brave of your book. The Young

937
00:42:11,520 --> 00:42:14,239
Speaker 1: Cage Sky is such a great read. And those eight

938
00:42:14,320 --> 00:42:16,880
Speaker 1: hundred and four days that you spend in jail, your

939
00:42:16,960 --> 00:42:19,160
Speaker 1: life was constantly you had that fear that you were

940
00:42:19,160 --> 00:42:20,320
Speaker 1: constantly going.

941
00:42:20,200 --> 00:42:20,760
Speaker 3: To be killed.

942
00:42:22,360 --> 00:42:25,640
Speaker 11: Oh, thank you. You know, like at the beginning, I

943
00:42:25,680 --> 00:42:28,239
Speaker 11: had a lot of fears. But after a while I

944
00:42:28,320 --> 00:42:31,480
Speaker 11: came to understand that I had value to these guys.

945
00:42:31,560 --> 00:42:33,759
Speaker 11: You know, they hadn't arrested me for no reason. They'd

946
00:42:33,800 --> 00:42:37,000
Speaker 11: arrested me because they wanted something for my government. I

947
00:42:37,080 --> 00:42:40,400
Speaker 11: was a diplomatic hostage. So even though they threatened me

948
00:42:40,440 --> 00:42:43,640
Speaker 11: with the death penalty and etc. I came to understand

949
00:42:43,680 --> 00:42:45,640
Speaker 11: after a while that they would be mad to kill

950
00:42:45,680 --> 00:42:48,200
Speaker 11: me because what would they get through my dead body. Nothing.

951
00:42:48,600 --> 00:42:50,520
Speaker 11: They wanted to keep me alive so that they could

952
00:42:50,520 --> 00:42:53,560
Speaker 11: trade me for some sort of concession from the Australian government.

953
00:42:54,160 --> 00:42:56,880
Speaker 2: Well, the Supreme Leader in Irani Iatollah has blamed all

954
00:42:56,920 --> 00:42:59,560
Speaker 2: of the thesee protests on foreign media. But we still

955
00:42:59,560 --> 00:43:01,720
Speaker 2: need to re absolutely vigilant.

956
00:43:01,760 --> 00:43:03,600
Speaker 1: Bring it on, bro, That's what we say to you.

957
00:43:03,680 --> 00:43:05,600
Speaker 1: Kylie Moore Gilbert, thank you for joining us.

958
00:43:06,520 --> 00:43:07,839
Speaker 11: No, thanks for having me.

959
00:43:08,360 --> 00:43:13,719
Speaker 3: Jean God again, I want you to get on right now.

960
00:43:14,320 --> 00:43:18,760
Speaker 16: I'm taking pleasing now your windows, your head.

961
00:43:18,600 --> 00:43:20,920
Speaker 3: On a jel hell.

962
00:43:23,280 --> 00:43:25,560
Speaker 1: Dam to jonesy amount of arms for the pub test.

963
00:43:25,760 --> 00:43:28,440
Speaker 1: And today let's talk about be Real. These days social

964
00:43:28,480 --> 00:43:31,880
Speaker 1: media seems to be full of pictures that have been filtered, photoshopped,

965
00:43:32,000 --> 00:43:32,960
Speaker 1: or altered.

966
00:43:32,560 --> 00:43:34,759
Speaker 3: In some other way. But that's not the case with

967
00:43:34,840 --> 00:43:35,320
Speaker 3: be Real.

968
00:43:35,400 --> 00:43:38,440
Speaker 2: It's a new app and its job is to capture

969
00:43:38,880 --> 00:43:42,759
Speaker 2: your actual life. You get an alert once a day.

970
00:43:42,840 --> 00:43:44,680
Speaker 2: Everyone gets an alert at the same time, but it's

971
00:43:44,719 --> 00:43:47,319
Speaker 2: a different time. Every day. You take a photo of

972
00:43:47,360 --> 00:43:49,360
Speaker 2: what you're seeing, and it also gets a photo of

973
00:43:49,400 --> 00:43:53,200
Speaker 2: yourself in that moment. No filters. If you take three

974
00:43:53,239 --> 00:43:55,400
Speaker 2: goes to get a photo you're happy with, it shows

975
00:43:55,400 --> 00:43:56,880
Speaker 2: that you've taken three goes. Toget it.

976
00:43:57,040 --> 00:43:59,160
Speaker 3: We did a be reel this morning at six forty.

977
00:43:59,520 --> 00:44:01,440
Speaker 1: We're part of this now, we're part of the community,

978
00:44:01,560 --> 00:44:03,080
Speaker 1: and you complained about the pictures.

979
00:44:03,080 --> 00:44:04,320
Speaker 3: So that's a terrible it's.

980
00:44:04,160 --> 00:44:06,799
Speaker 2: A terrible photo of both of us. And I don't

981
00:44:06,840 --> 00:44:08,799
Speaker 2: want to be even more vigilant to my phone than

982
00:44:08,840 --> 00:44:09,239
Speaker 2: I have to be.

983
00:44:09,320 --> 00:44:09,919
Speaker 3: It's too much.

984
00:44:10,360 --> 00:44:12,520
Speaker 2: On one hand, I see what they're doing. It's taking

985
00:44:12,520 --> 00:44:15,560
Speaker 2: the filters away, it's saying this is how real life is.

986
00:44:15,800 --> 00:44:17,719
Speaker 2: On the other hand, it's yet another app that keeps

987
00:44:17,719 --> 00:44:18,080
Speaker 2: you glued.

988
00:44:18,160 --> 00:44:20,239
Speaker 3: Did you watch Hate Stu Well's Time Machine?

989
00:44:20,640 --> 00:44:21,120
Speaker 2: I think so.

990
00:44:21,280 --> 00:44:22,880
Speaker 3: Remember the Eloy and the Morlocks?

991
00:44:22,920 --> 00:44:23,440
Speaker 2: What did they do?

992
00:44:23,560 --> 00:44:24,840
Speaker 3: And remember the Eloy?

993
00:44:25,040 --> 00:44:27,560
Speaker 1: The Morlocks get the Eloy to come down into the

994
00:44:27,640 --> 00:44:30,160
Speaker 1: underworld so they can eat them by putting up this

995
00:44:30,239 --> 00:44:32,399
Speaker 1: big siren a part of the day.

996
00:44:34,000 --> 00:44:36,600
Speaker 3: This is exactly the same. We're going to be eaten well,

997
00:44:36,640 --> 00:44:39,160
Speaker 3: This is exactly this is part of it. It's controlling

998
00:44:39,480 --> 00:44:40,920
Speaker 3: be real I couldn't be.

999
00:44:40,880 --> 00:44:43,680
Speaker 2: Bothered, but some people may find it liberating. It's getting

1000
00:44:43,800 --> 00:44:47,040
Speaker 2: rid of all the fakeness of Instagram. How do you

1001
00:44:47,080 --> 00:44:48,759
Speaker 2: feel be real? Does it pass the.

1002
00:44:48,719 --> 00:44:52,360
Speaker 9: Pub test social media?

1003
00:44:51,960 --> 00:44:54,520
Speaker 12: The new one's coming out all the time.

1004
00:44:54,560 --> 00:44:55,520
Speaker 6: It's just ridiculous.

1005
00:44:55,680 --> 00:44:57,160
Speaker 12: People on their phones too much.

1006
00:44:57,480 --> 00:44:58,759
Speaker 3: Be real, get real.

1007
00:44:58,840 --> 00:45:01,439
Speaker 11: I'm with Joney be Bothered. Look.

1008
00:45:01,480 --> 00:45:03,360
Speaker 16: I like the concept of it. I think it he

1009
00:45:03,640 --> 00:45:06,239
Speaker 16: asks people to be more real and not so fake

1010
00:45:06,280 --> 00:45:09,360
Speaker 16: on social media. But then also I think it shows

1011
00:45:09,520 --> 00:45:11,840
Speaker 16: that how boring our lives are, you know, to me,

1012
00:45:12,160 --> 00:45:14,200
Speaker 16: like you have to take a picture of what you're doing.

1013
00:45:14,200 --> 00:45:15,560
Speaker 16: You Most of the time, I'm just playing your bed

1014
00:45:15,600 --> 00:45:17,880
Speaker 16: watching TV. So then people say how boring I actually have?

1015
00:45:18,120 --> 00:45:21,240
Speaker 11: This would have to be the worst waste of time.

1016
00:45:21,520 --> 00:45:23,040
Speaker 11: I mean, seriously, why do you want to see what

1017
00:45:23,080 --> 00:45:25,280
Speaker 11: everyone else is doing? Go and live in the real

1018
00:45:25,320 --> 00:45:26,640
Speaker 11: world and there's more to life.

1019
00:45:26,719 --> 00:45:28,960
Speaker 10: It's ridiculous. Another thing that keeps can do on their

1020
00:45:28,960 --> 00:45:32,640
Speaker 10: phone people occupied, but it doesn't really appeal to me,

1021
00:45:32,760 --> 00:45:34,239
Speaker 10: is yeah, I don't want to be doing that full

1022
00:45:34,320 --> 00:45:36,200
Speaker 10: stuff because really couldn't be bothered.

1023
00:45:36,600 --> 00:45:38,600
Speaker 1: You know where I get my b real fixed being

1024
00:45:38,640 --> 00:45:42,200
Speaker 1: on the radio. That's being real, and you're going to

1025
00:45:42,280 --> 00:45:44,719
Speaker 1: be real next. You've got a big announcement, big.

1026
00:45:44,640 --> 00:45:45,920
Speaker 2: Real announcement next.

1027
00:45:46,280 --> 00:45:48,720
Speaker 3: Sure, mess, Well.

1028
00:45:48,880 --> 00:45:50,480
Speaker 2: I've said I've got a big announcement.

1029
00:45:50,640 --> 00:45:51,520
Speaker 3: You're not leaving here.

1030
00:45:52,040 --> 00:45:54,239
Speaker 2: No, it's about the living room.

1031
00:45:54,440 --> 00:45:55,600
Speaker 3: What's wrong with the living room?

1032
00:45:55,640 --> 00:45:59,040
Speaker 2: Nothing's wrong with it. Living room is great, but it's

1033
00:45:59,080 --> 00:46:03,319
Speaker 2: going to be rested next year. So what's next year?

1034
00:46:03,400 --> 00:46:07,520
Speaker 2: Twenty twenty? Threep in the living room won't beyond in

1035
00:46:07,560 --> 00:46:08,080
Speaker 2: twenty twenty.

1036
00:46:08,160 --> 00:46:08,720
Speaker 3: That's right.

1037
00:46:09,040 --> 00:46:12,879
Speaker 2: Well, it's felt that it's time to take a breath.

1038
00:46:12,960 --> 00:46:15,719
Speaker 2: We've been on air for eleven years. Thirty EPs a

1039
00:46:15,840 --> 00:46:19,759
Speaker 2: year is a lot to produce, So we're going to

1040
00:46:19,800 --> 00:46:21,720
Speaker 2: take a breath. We're going to fluff up the cushions

1041
00:46:21,719 --> 00:46:23,680
Speaker 2: on the sofa. We're going to renovate Barry's hair and

1042
00:46:23,760 --> 00:46:28,399
Speaker 2: maybe work on Miguel's Australian accent, and take next year

1043
00:46:28,440 --> 00:46:29,520
Speaker 2: off about Brownie.

1044
00:46:29,520 --> 00:46:31,240
Speaker 3: What happens with brand Brownie.

1045
00:46:30,800 --> 00:46:34,800
Speaker 2: Can go back to doing the glands at various animals.

1046
00:46:35,000 --> 00:46:40,480
Speaker 2: Brannie be free, but we are working on regrouping the

1047
00:46:40,560 --> 00:46:42,919
Speaker 2: following year. That's the future, isn't it? Twenty twenty four?

1048
00:46:43,080 --> 00:46:44,040
Speaker 3: It is Wow.

1049
00:46:44,560 --> 00:46:48,080
Speaker 2: We hope and pray and assume that we will be

1050
00:46:48,120 --> 00:46:49,359
Speaker 2: back in twenty twenty four.

1051
00:46:49,440 --> 00:46:50,680
Speaker 3: So this isn't your decision.

1052
00:46:51,880 --> 00:46:56,000
Speaker 2: It's a network decision. But I think that it probably

1053
00:46:56,120 --> 00:46:59,359
Speaker 2: they want the show to continue, as do we, so

1054
00:46:59,719 --> 00:47:04,240
Speaker 2: were working on just tweaking it. Taking a breath. It's great,

1055
00:47:04,280 --> 00:47:06,279
Speaker 2: and we've got five more episodes this year that I

1056
00:47:06,280 --> 00:47:09,040
Speaker 2: think are the funniest we've done. This year's show has

1057
00:47:09,120 --> 00:47:11,479
Speaker 2: just We've hit the sweet spot. I've loved this year's show.

1058
00:47:11,719 --> 00:47:13,719
Speaker 2: It's always been a shame during COVID that we lost

1059
00:47:13,719 --> 00:47:16,480
Speaker 2: our audience because I loved that kind of Tonight's show

1060
00:47:16,520 --> 00:47:17,520
Speaker 2: feel we had on a Friday.

1061
00:47:17,560 --> 00:47:19,560
Speaker 3: And you've got good audiences, oh.

1062
00:47:19,480 --> 00:47:22,239
Speaker 2: I mean our live audience. People coming in to watch the.

1063
00:47:24,239 --> 00:47:24,640
Speaker 3: Yell.

1064
00:47:24,760 --> 00:47:27,120
Speaker 2: People love the living room, and I love that they do.

1065
00:47:27,280 --> 00:47:30,120
Speaker 2: I've never worked on a show that's had more comments

1066
00:47:30,120 --> 00:47:32,000
Speaker 2: from people in the street about how much they love

1067
00:47:32,000 --> 00:47:34,880
Speaker 2: it Friday night, the four of us sit back and

1068
00:47:34,920 --> 00:47:37,160
Speaker 2: relax with your friends, and it happens also to be

1069
00:47:37,200 --> 00:47:40,359
Speaker 2: a lifestyle show. It has been brilliant and it will

1070
00:47:40,400 --> 00:47:42,440
Speaker 2: be again. We're just going to take a breath for

1071
00:47:42,680 --> 00:47:46,520
Speaker 2: a year and beyond in some form that following year.

1072
00:47:47,520 --> 00:47:49,120
Speaker 3: But as I said, how are you feeling?

1073
00:47:49,360 --> 00:47:52,919
Speaker 2: You know, sad because I love these boys. We all

1074
00:47:52,960 --> 00:47:54,759
Speaker 2: love each other, we love the show. We've got a

1075
00:47:54,760 --> 00:47:59,000
Speaker 2: great production team, so that none of that will change.

1076
00:47:59,040 --> 00:48:02,240
Speaker 2: None of those friendship, some of that professional arrangement will change.

1077
00:48:02,400 --> 00:48:06,400
Speaker 2: We're still the awesome Forsome and in twenty twenty four

1078
00:48:06,960 --> 00:48:09,840
Speaker 2: we'll be back, but just taking a break next year.

1079
00:48:10,320 --> 00:48:12,880
Speaker 2: But we still, as I said, have five great shows

1080
00:48:12,920 --> 00:48:15,520
Speaker 2: this year. So if you love the living Room, please

1081
00:48:15,600 --> 00:48:17,520
Speaker 2: join us for the remainder of this year and a

1082
00:48:17,560 --> 00:48:19,640
Speaker 2: great Christmas episode. We've got a whole lot of stuff

1083
00:48:19,680 --> 00:48:23,120
Speaker 2: coming up, but we will catch our breath and return.

1084
00:48:23,680 --> 00:48:27,200
Speaker 3: So when they renovated Luna Park and was it good,

1085
00:48:27,440 --> 00:48:29,319
Speaker 3: well they took ages for it to come back.

1086
00:48:29,360 --> 00:48:31,919
Speaker 2: Don't be like renovations take a while.

1087
00:48:32,000 --> 00:48:33,759
Speaker 3: Yeah, remember there's a little kid.

1088
00:48:33,800 --> 00:48:35,560
Speaker 1: I'd stand out in the front of Luna Park's big

1089
00:48:35,600 --> 00:48:37,640
Speaker 1: mouth hoping for it to come back.

1090
00:48:37,880 --> 00:48:40,400
Speaker 2: Well, that's the thing. It's a good analogy. Luna Park

1091
00:48:40,600 --> 00:48:43,400
Speaker 2: is iconic and part of the culture. I'd like to

1092
00:48:43,400 --> 00:48:46,320
Speaker 2: think the living Room is the same, and we're just taking.

1093
00:48:46,200 --> 00:48:47,439
Speaker 3: The big mouth is coming back.

1094
00:48:47,520 --> 00:48:49,440
Speaker 2: The big mouth is going to be back.

1095
00:48:49,560 --> 00:48:51,960
Speaker 3: I'm going to stand in front I'll hold you to that.

1096
00:48:52,160 --> 00:48:54,840
Speaker 2: Yeah, and please do I'm desperate to come back, so

1097
00:48:54,920 --> 00:48:55,319
Speaker 2: we will.

1098
00:48:55,800 --> 00:48:57,920
Speaker 3: Well good, I don't know how I feel now.

1099
00:48:58,040 --> 00:48:59,759
Speaker 2: No, And it's taken a few days for us to

1100
00:48:59,760 --> 00:49:02,200
Speaker 2: get is to the idea, but we all get now, okay,

1101
00:49:02,200 --> 00:49:04,000
Speaker 2: we're not going away. We're just taking a breather.

1102
00:49:04,800 --> 00:49:06,799
Speaker 3: That's the way that that's the way you need some

1103
00:49:06,840 --> 00:49:07,640
Speaker 3: ideas for the show.

1104
00:49:08,040 --> 00:49:11,400
Speaker 2: Well, Brendan, no, are you sure we do it?

1105
00:49:11,440 --> 00:49:13,080
Speaker 1: Because I know a lot of people come up to

1106
00:49:13,080 --> 00:49:14,360
Speaker 1: me and say, do it was good when you're in

1107
00:49:14,400 --> 00:49:15,560
Speaker 1: the living room that one time?

1108
00:49:15,640 --> 00:49:17,800
Speaker 2: And a lot of people say to me, sorry, that's

1109
00:49:17,840 --> 00:49:18,440
Speaker 2: what did.

1110
00:49:18,280 --> 00:49:21,000
Speaker 3: This one type one time?

1111
00:49:21,320 --> 00:49:22,040
Speaker 2: That's what did it?

1112
00:49:22,320 --> 00:49:23,840
Speaker 3: I hear a lot of people say the house in

1113
00:49:23,960 --> 00:49:24,719
Speaker 3: days when that Jones?

1114
00:49:25,160 --> 00:49:28,160
Speaker 2: Could this not be about you for one.

1115
00:49:28,239 --> 00:49:31,279
Speaker 3: Just saying no idea? Sometimes in TV you need to

1116
00:49:31,360 --> 00:49:32,319
Speaker 3: you know, Well, we will be.

1117
00:49:32,880 --> 00:49:35,840
Speaker 2: We will be open two ideas and the four of

1118
00:49:35,920 --> 00:49:40,799
Speaker 2: us will be returning pomcast. All right, let's get into

1119
00:49:40,840 --> 00:49:44,839
Speaker 2: this start that you do it.

1120
00:49:44,880 --> 00:49:50,279
Speaker 13: That's a fancy The moldy bacteria infested slavs meat fall

1121
00:49:50,400 --> 00:49:50,719
Speaker 13: off the.

1122
00:49:54,520 --> 00:49:55,040
Speaker 3: Tends to give you.

1123
00:49:55,880 --> 00:49:58,240
Speaker 2: The whole point of this segment is we sample foods

1124
00:49:58,400 --> 00:50:04,360
Speaker 2: from TikTok and to This is something I'm seeing everywhere.

1125
00:50:03,760 --> 00:50:06,480
Speaker 3: We are so on the pulse around b Real were

1126
00:50:06,640 --> 00:50:07,800
Speaker 3: do a TikTok taka?

1127
00:50:08,200 --> 00:50:09,160
Speaker 2: Do you know what this one is?

1128
00:50:09,719 --> 00:50:10,239
Speaker 3: Piercings.

1129
00:50:10,360 --> 00:50:13,640
Speaker 2: You're not going to like it much because this is

1130
00:50:13,719 --> 00:50:17,480
Speaker 2: replacing the cheese board in a lot of places. It's

1131
00:50:17,520 --> 00:50:20,799
Speaker 2: the butter board. I know you've seen it everywhere. What

1132
00:50:20,840 --> 00:50:23,800
Speaker 2: you do is you put softened butter on a board

1133
00:50:24,320 --> 00:50:26,440
Speaker 2: just like that, not a plate, just on a board,

1134
00:50:27,080 --> 00:50:29,239
Speaker 2: and you add various toppings to it, and then you

1135
00:50:29,280 --> 00:50:32,320
Speaker 2: smear bread on it. I think it looks delicious.

1136
00:50:31,880 --> 00:50:32,800
Speaker 3: It looks dreadful.

1137
00:50:33,000 --> 00:50:35,520
Speaker 2: You wouldn't like it because you don't like congee. I'm

1138
00:50:35,520 --> 00:50:36,880
Speaker 2: going to do one today. You can do lots of

1139
00:50:36,920 --> 00:50:42,920
Speaker 2: different kinds. You can put bits of savory seeds and

1140
00:50:42,960 --> 00:50:46,280
Speaker 2: stuff like that, savory seeds, you know, bits of garnish

1141
00:50:46,360 --> 00:50:48,640
Speaker 2: and some herbs.

1142
00:50:48,280 --> 00:50:49,280
Speaker 3: Like what sort of garnish?

1143
00:50:50,080 --> 00:50:52,040
Speaker 2: Or you could put anything you like. But what I'm

1144
00:50:52,040 --> 00:50:54,319
Speaker 2: going to do today is one that I've seen that

1145
00:50:54,480 --> 00:50:57,959
Speaker 2: involves fruit and peanut butter and you serve it on bread.

1146
00:50:58,360 --> 00:51:00,680
Speaker 2: But it all begins, what the butter?

1147
00:51:00,760 --> 00:51:03,160
Speaker 3: Why don't you just make me a sandwich because of that.

1148
00:51:03,280 --> 00:51:05,319
Speaker 2: Well, you could do that, but I'm not going to

1149
00:51:05,360 --> 00:51:08,640
Speaker 2: because this is TikTok food. We've got softened butter here,

1150
00:51:09,120 --> 00:51:10,880
Speaker 2: so I'm just going to put some stops of that

1151
00:51:11,080 --> 00:51:16,080
Speaker 2: onto the board. Yes, we'll keep the dairy industry alive.

1152
00:51:16,120 --> 00:51:18,400
Speaker 2: And well, I'm just going that's a lot of butter.

1153
00:51:18,560 --> 00:51:21,000
Speaker 2: Well it's not just for you. You make a butter board

1154
00:51:21,120 --> 00:51:23,680
Speaker 2: for a group of people. So and I'm not here

1155
00:51:23,920 --> 00:51:26,319
Speaker 2: to sell it. I'm just here to make what they do.

1156
00:51:26,719 --> 00:51:30,560
Speaker 2: So we've I've dotted butter, softened butter, and now you

1157
00:51:30,640 --> 00:51:31,920
Speaker 2: munch it into waves.

1158
00:51:32,520 --> 00:51:33,279
Speaker 3: I don't like this.

1159
00:51:33,640 --> 00:51:35,839
Speaker 2: Don't you want to talk me through your home?

1160
00:51:35,880 --> 00:51:37,360
Speaker 3: I think you've put too much butter on you.

1161
00:51:38,040 --> 00:51:40,040
Speaker 2: Take a look at the pictures of them all. This

1162
00:51:40,120 --> 00:51:43,080
Speaker 2: is what you don't know, you feel. This is what

1163
00:51:43,120 --> 00:51:46,239
Speaker 2: they look like. It's scoops of butter that take up

1164
00:51:46,280 --> 00:51:51,520
Speaker 2: an entirely. This is how it looks. That's exactly how

1165
00:51:51,560 --> 00:51:54,360
Speaker 2: it looks on TikTok. No, this is how it looks.

1166
00:51:54,719 --> 00:51:58,720
Speaker 2: So we've got these waves of butter down the side.

1167
00:51:58,800 --> 00:52:02,480
Speaker 2: Now I'm going to put some peanut butter, a scoop

1168
00:52:02,520 --> 00:52:07,120
Speaker 2: of scoops of this down down the side, because imagine

1169
00:52:07,120 --> 00:52:10,719
Speaker 2: this is for a group. Your mate scam, your friends say,

1170
00:52:10,840 --> 00:52:18,200
Speaker 2: scam animal, animals dead. So I apologize too. Fruits em you.

1171
00:52:18,760 --> 00:52:20,520
Speaker 2: They're all over and you're watching.

1172
00:52:21,000 --> 00:52:22,080
Speaker 3: You ran off with two.

1173
00:52:21,920 --> 00:52:25,239
Speaker 2: Foods and you're watching the football, which is finished now,

1174
00:52:25,320 --> 00:52:27,960
Speaker 2: but the sharks keep you going and you get put

1175
00:52:28,000 --> 00:52:31,040
Speaker 2: out this. So we've got peanut butter down the side.

1176
00:52:31,400 --> 00:52:33,279
Speaker 2: I now I'm just going to over the top of

1177
00:52:33,320 --> 00:52:35,120
Speaker 2: the butter put some passion fruit.

1178
00:52:35,160 --> 00:52:37,239
Speaker 3: I don't like this at all? Why not because it

1179
00:52:37,280 --> 00:52:39,960
Speaker 3: looks like hell? And you know what, I know what

1180
00:52:40,000 --> 00:52:40,399
Speaker 3: you're doing.

1181
00:52:40,840 --> 00:52:41,120
Speaker 2: What's that?

1182
00:52:41,320 --> 00:52:42,399
Speaker 3: And it's not clever or fun.

1183
00:52:42,440 --> 00:52:45,879
Speaker 2: This is the biggest trend, not just on TikTok. I've

1184
00:52:45,880 --> 00:52:49,520
Speaker 2: seen the Washington Post do a thing. And now I'm

1185
00:52:49,520 --> 00:52:53,520
Speaker 2: going to put fruit. I'm put all that with my fingers.

1186
00:52:54,000 --> 00:52:54,919
Speaker 2: Put all that on the top.

1187
00:52:55,080 --> 00:52:55,640
Speaker 3: How about we?

1188
00:52:55,760 --> 00:52:58,000
Speaker 2: And I'm also going to put some banana on the top.

1189
00:52:58,440 --> 00:53:00,520
Speaker 2: And on top of that, I'm going to put some bacon.

1190
00:53:00,880 --> 00:53:03,000
Speaker 2: This is the one that I saw that has all

1191
00:53:03,000 --> 00:53:06,359
Speaker 2: these things on it. Bacon, And when we return, right,

1192
00:53:06,560 --> 00:53:11,920
Speaker 2: we're going to scoop this onto bread and eat it.

1193
00:53:11,600 --> 00:53:13,040
Speaker 3: It seems pointless, No.

1194
00:53:13,080 --> 00:53:13,919
Speaker 2: It's a butter board.

1195
00:53:14,040 --> 00:53:16,880
Speaker 14: Enjoy be Real Jonesy and Amanda.

1196
00:53:16,560 --> 00:53:22,799
Speaker 3: Gama podcast started in what you do that you do it?

1197
00:53:22,840 --> 00:53:28,440
Speaker 13: That's a fancy the moldy, bacteria infested slab of meat fall.

1198
00:53:28,320 --> 00:53:30,200
Speaker 2: Off, the.

1199
00:53:31,760 --> 00:53:33,640
Speaker 3: Too much chance to give your diary.

1200
00:53:33,560 --> 00:53:36,000
Speaker 1: Look at us go TikTok Taka where we sample foods

1201
00:53:36,000 --> 00:53:36,600
Speaker 1: from TikTok.

1202
00:53:36,640 --> 00:53:39,400
Speaker 3: We joined be Real this morning. What next? Only fans

1203
00:53:39,440 --> 00:53:40,400
Speaker 3: for Jonesy and a Manda.

1204
00:53:40,400 --> 00:53:42,680
Speaker 2: I think we're on only fans. Oh yeah, we've only

1205
00:53:42,680 --> 00:53:43,399
Speaker 2: got one fan.

1206
00:53:43,640 --> 00:53:44,480
Speaker 3: What do we do on that?

1207
00:53:45,760 --> 00:53:49,680
Speaker 2: I don't know. But today I'm very excited because this

1208
00:53:49,719 --> 00:53:54,040
Speaker 2: is true TikTok Tucker. This is something that everyone's doing

1209
00:53:54,080 --> 00:53:57,480
Speaker 2: at the moment, whether it's TikTok Instagram. What you're seeing

1210
00:53:57,840 --> 00:54:00,920
Speaker 2: is the butter board. This is replacing the cheese board.

1211
00:54:01,280 --> 00:54:05,200
Speaker 2: And since my preparation of this, and now you've done

1212
00:54:05,280 --> 00:54:09,560
Speaker 2: nothing but dry heave like you don't like anything that

1213
00:54:09,719 --> 00:54:12,720
Speaker 2: slightly is congealed. What I've done so far, I've taken

1214
00:54:12,760 --> 00:54:16,759
Speaker 2: some soft some butter that's softened, and I've made it

1215
00:54:16,800 --> 00:54:20,040
Speaker 2: into like scoops on this board. Down one side, I'm

1216
00:54:20,040 --> 00:54:24,000
Speaker 2: following a recipe here. We've got peanut butter. So there's fruit. Now,

1217
00:54:24,200 --> 00:54:28,320
Speaker 2: there's bananas, kiwi fruit, pear sprinkled on top, and passion

1218
00:54:28,320 --> 00:54:31,200
Speaker 2: fruit and on top of that some cooked bacon bits.

1219
00:54:31,680 --> 00:54:33,320
Speaker 2: What we do now, And you're not going to like

1220
00:54:33,360 --> 00:54:35,560
Speaker 2: it because you don't like congeal. You need to have

1221
00:54:35,640 --> 00:54:38,440
Speaker 2: hard bread. You need like a sour dough. This is

1222
00:54:38,440 --> 00:54:42,319
Speaker 2: a sour dough, Sonoma, beautiful sour dough bread. So I'm

1223
00:54:42,320 --> 00:54:43,799
Speaker 2: going to rip it in half so we can get

1224
00:54:43,840 --> 00:54:47,360
Speaker 2: good purchase. And what you don't use a knife to No, no,

1225
00:54:47,480 --> 00:54:52,080
Speaker 2: you don't. That's what you do. You scoop. I'm going

1226
00:54:52,120 --> 00:54:54,000
Speaker 2: to scoop here. I use a spoon to help me

1227
00:54:54,040 --> 00:54:56,400
Speaker 2: scoop it on. And I get a bit of peanut

1228
00:54:56,400 --> 00:55:02,320
Speaker 2: butter and we scoop that and Brendan, this now terrible.

1229
00:55:02,480 --> 00:55:05,240
Speaker 2: Is what you eat? It looks pretty good, It looks fat,

1230
00:55:05,320 --> 00:55:08,200
Speaker 2: it looks like Look, you eat things and like them.

1231
00:55:08,239 --> 00:55:09,319
Speaker 2: I think you'll like all this.

1232
00:55:09,640 --> 00:55:16,520
Speaker 3: I don't feel well, I really don't. You can eat

1233
00:55:16,520 --> 00:55:17,680
Speaker 3: those things, but the butter is.

1234
00:55:17,680 --> 00:55:20,319
Speaker 2: Really they're all nice things. It's just got melted butter

1235
00:55:20,400 --> 00:55:26,239
Speaker 2: on it, winding in it. It'll be over open. I'll

1236
00:55:26,239 --> 00:55:32,680
Speaker 2: open your mouth. Don't just pull a face. I bet

1237
00:55:32,719 --> 00:55:40,120
Speaker 2: it's delicious. Let me scoop another one for you. Let's

1238
00:55:40,120 --> 00:55:43,120
Speaker 2: scoop another one. There's some butter and some stuff on

1239
00:55:43,160 --> 00:55:45,359
Speaker 2: it like that. I don't know what do you think?

1240
00:55:46,920 --> 00:55:49,440
Speaker 2: There's a lot going on. If you and your mates

1241
00:55:49,640 --> 00:55:52,640
Speaker 2: scamping and bum nuts and tofu, we're all hanging around

1242
00:55:53,840 --> 00:55:55,920
Speaker 2: and you presented one of these and you're sitting there

1243
00:55:55,920 --> 00:55:59,839
Speaker 2: in the sun, imagine how beautiful this would be? Another big?

1244
00:56:00,200 --> 00:56:00,440
Speaker 2: Come on?

1245
00:56:00,800 --> 00:56:01,439
Speaker 3: What's this one?

1246
00:56:01,600 --> 00:56:05,359
Speaker 2: Same but different combinations? Go on?

1247
00:56:05,400 --> 00:56:07,399
Speaker 3: It's got too much butter on it? Man, I'm gonna

1248
00:56:07,440 --> 00:56:10,799
Speaker 3: kill me. That was good?

1249
00:56:13,920 --> 00:56:18,400
Speaker 2: Oh, what's happened? What's happened?

1250
00:56:20,040 --> 00:56:21,440
Speaker 3: It's okay? I almost throw up?

1251
00:56:22,000 --> 00:56:24,560
Speaker 2: Literally almost what what would make you throw up?

1252
00:56:25,480 --> 00:56:27,879
Speaker 3: It's the butter. It's too much better. I can't eat

1253
00:56:27,960 --> 00:56:28,560
Speaker 3: that much better?

1254
00:56:29,239 --> 00:56:32,800
Speaker 2: Do another one out of five? What would you give it?

1255
00:56:35,000 --> 00:56:38,160
Speaker 3: I give it? Are you okay?

1256
00:56:38,239 --> 00:56:41,360
Speaker 2: I've never seen you like this? You you like everything?

1257
00:56:41,480 --> 00:56:42,200
Speaker 3: No, it's not for me.

1258
00:56:42,239 --> 00:56:43,319
Speaker 2: It's just another one.

1259
00:56:44,360 --> 00:56:46,359
Speaker 3: Can you just put it another one?

1260
00:56:47,200 --> 00:56:48,759
Speaker 2: I'll just skip some more butter on there.

1261
00:56:48,840 --> 00:56:49,560
Speaker 3: I just stop it.

1262
00:56:49,680 --> 00:56:50,239
Speaker 2: Try and eat that.

1263
00:56:50,640 --> 00:56:51,319
Speaker 3: I'm not gonna eat that.

1264
00:56:51,560 --> 00:56:54,000
Speaker 2: Just hold it, just hold just hold it and look

1265
00:56:54,000 --> 00:56:55,360
Speaker 2: at it because it's what people are doing. This is

1266
00:56:55,360 --> 00:56:56,440
Speaker 2: the TikTok kids.

1267
00:56:58,200 --> 00:56:59,040
Speaker 3: I can't eat that.

1268
00:56:59,000 --> 00:56:59,600
Speaker 2: By one bite.

1269
00:56:59,600 --> 00:57:02,080
Speaker 3: One bite. I got to look at it.

1270
00:57:01,880 --> 00:57:04,520
Speaker 2: One more bite and then I let it go big bite.

1271
00:57:04,880 --> 00:57:09,239
Speaker 1: No, it's too No, it's on my it's too and

1272
00:57:09,280 --> 00:57:10,200
Speaker 1: now it's on my pants.

1273
00:57:10,360 --> 00:57:12,359
Speaker 3: Look now it's on my pants.

1274
00:57:15,400 --> 00:57:15,880
Speaker 4: That you do.

1275
00:57:15,920 --> 00:57:20,080
Speaker 13: It's a fancy the moldy bacteria invested slab.

1276
00:57:19,800 --> 00:57:21,800
Speaker 3: Of meat fall off.

1277
00:57:21,880 --> 00:57:26,280
Speaker 1: The results too much tends to give you.

1278
00:57:26,760 --> 00:57:28,600
Speaker 2: I've never seen you like this. You eat the worst

1279
00:57:28,600 --> 00:57:32,280
Speaker 2: concoctions of food, and yet you've got butter on bread

1280
00:57:32,880 --> 00:57:34,760
Speaker 2: covered in nice things and you can't have.

1281
00:57:34,960 --> 00:57:37,040
Speaker 3: Can you just put the butter in the fridge? Please?

1282
00:57:37,120 --> 00:57:38,800
Speaker 2: No, I'm going to stay here till the end of

1283
00:57:38,800 --> 00:57:41,720
Speaker 2: the show. This is what you do with these No,

1284
00:57:41,840 --> 00:57:44,440
Speaker 2: because with these butter boards, they stay out and everyone

1285
00:57:44,440 --> 00:57:47,160
Speaker 2: helps themselves.

1286
00:57:47,920 --> 00:57:51,800
Speaker 18: Fueled by Sinclair Automotive, penrith Ford I, Susu you and

1287
00:57:51,920 --> 00:57:55,240
Speaker 18: sang you on sales, service and parts Sinclair Automotive.

1288
00:57:55,360 --> 00:57:56,120
Speaker 2: We're a family.

1289
00:57:56,560 --> 00:58:00,680
Speaker 3: Wa it's one hundred thousand dollars of bowser.

1290
00:58:01,720 --> 00:58:04,160
Speaker 2: We have two people going up against each other to

1291
00:58:04,160 --> 00:58:06,280
Speaker 2: see how much money they can win to put in

1292
00:58:06,320 --> 00:58:10,280
Speaker 2: their car So who we got today. We've got Kylie

1293
00:58:10,320 --> 00:58:12,000
Speaker 2: in Sutherland. Can you speak Brendan or.

1294
00:58:12,080 --> 00:58:13,480
Speaker 3: Are all the words?

1295
00:58:13,560 --> 00:58:15,360
Speaker 2: Well? You look like your face is all squenched up,

1296
00:58:15,400 --> 00:58:16,720
Speaker 2: but like you're going to throw up.

1297
00:58:17,440 --> 00:58:20,240
Speaker 3: We've got Kylie of Sutherland and Craig of Gospein.

1298
00:58:20,440 --> 00:58:24,000
Speaker 2: Hi, Kylie, Hello, are you going very well? And hello? Craig?

1299
00:58:24,760 --> 00:58:25,040
Speaker 12: Hello?

1300
00:58:25,080 --> 00:58:26,200
Speaker 7: How are you very well?

1301
00:58:26,200 --> 00:58:28,480
Speaker 2: Thank you? So you know how this works. When it's

1302
00:58:28,520 --> 00:58:31,080
Speaker 2: time for you to bail out, You call out your name.

1303
00:58:31,120 --> 00:58:32,240
Speaker 2: What do you say, Kylie?

1304
00:58:32,720 --> 00:58:33,080
Speaker 11: Kylie?

1305
00:58:33,160 --> 00:58:36,800
Speaker 2: And what do you say Craig? And make sure hopefully

1306
00:58:36,960 --> 00:58:39,880
Speaker 2: someone cries out before the bowser bursts.

1307
00:58:40,600 --> 00:58:42,480
Speaker 3: Okay, let's go.

1308
00:58:44,400 --> 00:59:02,640
Speaker 6: Twenty dollars dollars, ninety dollars.

1309
00:59:01,240 --> 00:59:04,320
Speaker 2: Craig on two hundred, two hundred dollars Craig, is that

1310
00:59:04,320 --> 00:59:05,479
Speaker 2: the amount you had in your head?

1311
00:59:06,240 --> 00:59:06,439
Speaker 20: Yeah?

1312
00:59:06,480 --> 00:59:06,920
Speaker 3: That's right.

1313
00:59:07,560 --> 00:59:10,880
Speaker 2: Well congratulations. Let's see how high it would have gone today.

1314
00:59:11,680 --> 00:59:33,120
Speaker 5: Three hundred dollars, four twenty dollars, hundred and thirty dollars,

1315
00:59:33,520 --> 00:59:35,080
Speaker 5: five hundred dollars.

1316
00:59:35,680 --> 00:59:39,080
Speaker 2: Oh there she was, Well I went to five ninety.

1317
00:59:39,120 --> 00:59:41,400
Speaker 2: But Craig, you have two hundred dollars that you did

1318
00:59:41,440 --> 00:59:42,600
Speaker 2: not have earlier this morning.

1319
00:59:43,400 --> 00:59:44,120
Speaker 3: Thank you very much.

1320
00:59:44,240 --> 00:59:47,040
Speaker 1: Commiserations there, Kylie, and it'll be back after nine o'clock

1321
00:59:47,080 --> 00:59:49,640
Speaker 1: this morning. One hundred thousand dollars worth of free fuel

1322
00:59:49,880 --> 00:59:50,720
Speaker 1: is on the line.

1323
00:59:50,960 --> 00:59:52,520
Speaker 3: Bill Weaver has another chance for.

1324
00:59:52,480 --> 01:00:03,120
Speaker 7: You, gamulation, my favorite goode of the year.

1325
01:00:03,120 --> 01:00:05,360
Speaker 2: We'll win twenty thousand dollars cash and a year supply

1326
01:00:05,400 --> 01:00:06,800
Speaker 2: of chocolate from Darryl Lee.

1327
01:00:07,000 --> 01:00:07,800
Speaker 3: What have we got?

1328
01:00:08,760 --> 01:00:11,640
Speaker 20: I've got two ghoulies. The first one is I hate

1329
01:00:11,640 --> 01:00:15,840
Speaker 20: it when you message people and they reply after two

1330
01:00:16,000 --> 01:00:20,000
Speaker 20: or three hours. And my second gulie is I can't

1331
01:00:20,040 --> 01:00:24,160
Speaker 20: stand people who buy the takeaway coffee and hold onto

1332
01:00:24,320 --> 01:00:27,720
Speaker 20: that coffee cup for the rest of the day. Just

1333
01:00:27,880 --> 01:00:29,200
Speaker 20: drink the bloody.

1334
01:00:28,880 --> 01:00:32,000
Speaker 2: Coffee fair And I think about not getting back to people.

1335
01:00:32,360 --> 01:00:35,120
Speaker 2: You know, if you're busy, you can't always respond to

1336
01:00:35,160 --> 01:00:38,320
Speaker 2: people straight away. What if you're a brain surgeon. What

1337
01:00:38,400 --> 01:00:40,560
Speaker 2: if you're you know, doing stuff with that you can't leave.

1338
01:00:40,560 --> 01:00:42,120
Speaker 2: What if you're working with glue all over your hand?

1339
01:00:42,160 --> 01:00:44,160
Speaker 1: Well, most brain surgeons right now would be doing there

1340
01:00:44,240 --> 01:00:47,480
Speaker 1: be real moment we made sure look at those in it.

1341
01:00:48,360 --> 01:00:49,560
Speaker 3: What else have we got?

1342
01:00:49,720 --> 01:00:52,400
Speaker 15: We were supporting the wishes of one of our children

1343
01:00:52,520 --> 01:00:55,240
Speaker 15: and undertook a friend of theirs to Judo photography of

1344
01:00:55,280 --> 01:00:58,880
Speaker 15: one of our children's weddings, after having paid thousands of

1345
01:00:58,920 --> 01:01:02,120
Speaker 15: dollars for their service photography at the wedding, we never

1346
01:01:02,160 --> 01:01:05,040
Speaker 15: got the photos. I chased up and was lied to

1347
01:01:05,160 --> 01:01:07,920
Speaker 15: every time. The thing that made it worse was that

1348
01:01:07,960 --> 01:01:10,440
Speaker 15: then they proceeded to do the same thing to our

1349
01:01:10,480 --> 01:01:13,479
Speaker 15: other child's weddings. Of all the photos that were taken,

1350
01:01:13,480 --> 01:01:15,640
Speaker 15: and we were lucky to get one decent one of

1351
01:01:15,680 --> 01:01:19,280
Speaker 15: each of our children's marriages, Otherwise there is no recorded

1352
01:01:19,320 --> 01:01:22,600
Speaker 15: memories of these special days. It makes me so angry

1353
01:01:22,600 --> 01:01:25,280
Speaker 15: and gets my gholly that you help people out and

1354
01:01:25,320 --> 01:01:26,520
Speaker 15: you get kicked in the gup.

1355
01:01:26,960 --> 01:01:30,480
Speaker 2: Oh that's hard. That's a day not to use a friend,

1356
01:01:30,520 --> 01:01:30,840
Speaker 2: I think.

1357
01:01:31,080 --> 01:01:34,480
Speaker 1: Yeah, do not use a friend with wedding photography or

1358
01:01:34,600 --> 01:01:35,840
Speaker 1: boudoir photography.

1359
01:01:36,080 --> 01:01:37,800
Speaker 2: Ah, who's ever done that?

1360
01:01:39,360 --> 01:01:39,960
Speaker 3: How with about him?

1361
01:01:39,960 --> 01:01:41,160
Speaker 1: With the good If you dipped at doesn't mean you

1362
01:01:41,160 --> 01:01:42,880
Speaker 1: can always call our whole line number nine oh six

1363
01:01:42,880 --> 01:01:44,000
Speaker 1: one seventy nine eight four.

1364
01:01:46,200 --> 01:01:48,840
Speaker 2: I call that email the Facebook friend wins five hundred

1365
01:01:48,840 --> 01:01:51,920
Speaker 2: dollars suspend at Howard's storage world love being organized. It's

1366
01:01:51,960 --> 01:01:52,640
Speaker 2: easy with Howard.

1367
01:01:52,720 --> 01:01:55,320
Speaker 1: You also get the jonesy demanded detail and fridge magnet.

1368
01:01:55,320 --> 01:01:58,160
Speaker 1: We've got an email today from Karen in Castle Hill.

1369
01:01:58,600 --> 01:02:02,280
Speaker 1: Karen writes, Dear a man, I'm so sad to hear

1370
01:02:02,320 --> 01:02:05,160
Speaker 1: about the living Room. It is mine and my husband's

1371
01:02:05,400 --> 01:02:08,760
Speaker 1: Friday night routine. We would take turns in choosing what

1372
01:02:08,920 --> 01:02:11,320
Speaker 1: takeaway we would have each week and settle.

1373
01:02:11,040 --> 01:02:13,640
Speaker 3: In to watch the awesome forsome. We will now go

1374
01:02:13,680 --> 01:02:15,880
Speaker 3: out for dinners on Friday and protest, Karen.

1375
01:02:16,560 --> 01:02:18,760
Speaker 2: Karen, thank you. I did announce earlier that The Living

1376
01:02:18,840 --> 01:02:21,920
Speaker 2: Room will not be on air next year. We are

1377
01:02:21,920 --> 01:02:23,640
Speaker 2: going to do as I said, fluff the cushions and

1378
01:02:23,680 --> 01:02:26,880
Speaker 2: fluff Berry's hair and we will fingers crossed you'll be

1379
01:02:26,920 --> 01:02:29,520
Speaker 2: back return the year after. But we're taking back a

1380
01:02:29,640 --> 01:02:32,440
Speaker 2: break next year. And the show is so loved and

1381
01:02:32,520 --> 01:02:34,320
Speaker 2: we love it and we want to do it, so

1382
01:02:34,440 --> 01:02:35,120
Speaker 2: we will be back.

1383
01:02:35,200 --> 01:02:37,600
Speaker 1: It's like Luna Park, you know, Luna Park when they

1384
01:02:37,640 --> 01:02:41,120
Speaker 1: did some renovations and it came back. I used to

1385
01:02:41,160 --> 01:02:44,080
Speaker 1: sit outside in front of that big clown mouth waiting

1386
01:02:44,080 --> 01:02:44,800
Speaker 1: for it to come over.

1387
01:02:44,920 --> 01:02:47,680
Speaker 2: This clown mouth will be open again, don't you worry.

1388
01:02:47,760 --> 01:02:49,880
Speaker 2: Bride a U two. That's enough.

1389
01:02:49,920 --> 01:02:50,040
Speaker 11: Well.

1390
01:02:50,040 --> 01:02:52,000
Speaker 2: Bill Weaver is up next he's got more free fuel

1391
01:02:52,040 --> 01:02:53,480
Speaker 2: to give away with Beat the Bowser.

1392
01:02:54,480 --> 01:02:57,120
Speaker 3: We'll be back from six tonight for jam Nacy. Good

1393
01:02:57,160 --> 01:02:59,520
Speaker 3: day to you, well, thank god that's over.

1394
01:03:00,080 --> 01:03:03,360
Speaker 11: Bye, good bye, Wipe the two.

1395
01:03:03,560 --> 01:03:04,920
Speaker 2: Baby, You're right.

1396
01:03:05,200 --> 01:03:08,560
Speaker 19: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1397
01:03:08,560 --> 01:03:16,120
Speaker 19: wherever you get your podcasts.

1398
01:03:17,560 --> 01:03:20,040
Speaker 14: Jonesy and Amanda Podcast.

1399
01:03:20,200 --> 01:03:22,880
Speaker 13: Catch up on what you've missed on the free iHeartRadio

1400
01:03:22,960 --> 01:03:23,240
Speaker 13: app