1 00:00:01,400 --> 00:00:03,360 Speaker 1: And Amanda jam Nation. 2 00:00:03,680 --> 00:00:06,520 Speaker 2: Well, our next guest is a three time Emmy Award 3 00:00:06,519 --> 00:00:08,920 Speaker 2: winning actor. You might know him best as the beloved, 4 00:00:08,960 --> 00:00:12,760 Speaker 2: eccentric Cosmo Kramer. Seinfeld's Michael Richards is pulling back the 5 00:00:12,800 --> 00:00:14,880 Speaker 2: curtain and giving us a glimpse into his world. As 6 00:00:14,920 --> 00:00:17,800 Speaker 2: one of the TV's most memorable characters. He has written 7 00:00:17,800 --> 00:00:20,680 Speaker 2: a book called Entrances and Exits. He joined us now 8 00:00:20,880 --> 00:00:25,520 Speaker 2: he's revealed to us that he's barefoot. Michael Richards Hello, Hello. 9 00:00:26,360 --> 00:00:30,080 Speaker 1: Yeah, I that's proof. 10 00:00:30,280 --> 00:00:30,760 Speaker 2: That's proof. 11 00:00:30,800 --> 00:00:33,120 Speaker 3: They're very, very clean souls there, Michael. 12 00:00:33,120 --> 00:00:35,159 Speaker 2: You've got a beautiful suit on in your barefoot it's 13 00:00:35,200 --> 00:00:37,479 Speaker 2: probably Is this your personality in a nutshell? 14 00:00:38,960 --> 00:00:42,040 Speaker 1: It could? Well, yeah, sure, there are times I go barefoot. 15 00:00:43,159 --> 00:00:43,880 Speaker 3: Yeah, freak. 16 00:00:44,520 --> 00:00:46,880 Speaker 1: I think that. What comes to mind is I'm thinking 17 00:00:46,920 --> 00:00:49,239 Speaker 1: of that cover of the Beatles where one of them 18 00:00:49,360 --> 00:00:53,360 Speaker 1: was walking across Abbey Road. He's barefoot Paul McCartney. Yeah, 19 00:00:53,400 --> 00:00:58,040 Speaker 1: well it's Bob, thanks, thank you. Yeah, yeah, that's very cool. 20 00:00:58,360 --> 00:00:59,200 Speaker 3: Yeah. 21 00:00:59,760 --> 00:01:02,640 Speaker 4: There was the long held rumor that because he was barefoot, 22 00:01:02,680 --> 00:01:05,600 Speaker 4: he was dead. There was that rumor that Paul McCartney 23 00:01:05,640 --> 00:01:09,199 Speaker 4: had died back in nineteen sixty seven, and you didn't 24 00:01:09,200 --> 00:01:09,560 Speaker 4: hear that. 25 00:01:11,080 --> 00:01:14,120 Speaker 1: Oh yes I did. I was just I was going 26 00:01:14,200 --> 00:01:19,640 Speaker 1: to segue into my death and view of removing myself 27 00:01:19,640 --> 00:01:22,320 Speaker 1: from show business all a while. 28 00:01:22,400 --> 00:01:24,039 Speaker 3: Well it has been. 29 00:01:26,040 --> 00:01:26,200 Speaker 1: Well. 30 00:01:26,200 --> 00:01:28,960 Speaker 4: I didn't think we'd get straight Well, I didn't think 31 00:01:29,000 --> 00:01:32,080 Speaker 4: we get straight into that because I've been reading your book, 32 00:01:32,160 --> 00:01:35,360 Speaker 4: and I really like this book because you deal with 33 00:01:35,360 --> 00:01:37,200 Speaker 4: what happened in two thousand and six, and I don't 34 00:01:37,200 --> 00:01:39,800 Speaker 4: think you need to know flagulate yourself anymore about it. 35 00:01:39,840 --> 00:01:42,600 Speaker 4: You've certainly gone to make amends about it what happened 36 00:01:43,800 --> 00:01:45,959 Speaker 4: at the laugh Factory back in two thousand and six, 37 00:01:46,120 --> 00:01:48,520 Speaker 4: But at the time you said it was about your anger. 38 00:01:48,560 --> 00:01:49,960 Speaker 3: Your anger got the better of you. 39 00:01:50,520 --> 00:01:53,000 Speaker 4: And I know what it's like to be on stage 40 00:01:53,000 --> 00:01:56,200 Speaker 4: and someone heckles here because you're going somewhere with somewhere 41 00:01:56,200 --> 00:01:59,720 Speaker 4: and you're almost tunnel focused. I'm not excusing what you said, 42 00:01:59,800 --> 00:02:02,720 Speaker 4: but at the same time, I get what happened. 43 00:02:04,320 --> 00:02:07,920 Speaker 1: If that helps, yeah, yeah, but still you know it's 44 00:02:08,520 --> 00:02:17,920 Speaker 1: there there are. What I did is certainly just really 45 00:02:18,400 --> 00:02:23,600 Speaker 1: not good anger. Anger. Anger. Yeah. Yeah, the trouble it 46 00:02:23,639 --> 00:02:26,440 Speaker 1: got me into, but it caused me to move into 47 00:02:26,480 --> 00:02:30,440 Speaker 1: something deeper in myself. So it was a catalyst for 48 00:02:33,880 --> 00:02:37,880 Speaker 1: going deeper into my life, and that took me into 49 00:02:37,919 --> 00:02:41,640 Speaker 1: places in relation to my mother and the nature of unwantedness. 50 00:02:41,720 --> 00:02:45,000 Speaker 1: And I can see how anger comes out of unwantedness. 51 00:02:45,720 --> 00:02:50,320 Speaker 1: If the heckler in the audience the way in which 52 00:02:50,520 --> 00:02:54,240 Speaker 1: my act was interrupted, I feel unwanted. I see there 53 00:02:54,240 --> 00:03:00,239 Speaker 1: are some issues that caused me to go into what 54 00:03:00,280 --> 00:03:06,480 Speaker 1: the hell is this anger? My god? Oh well, it 55 00:03:06,560 --> 00:03:09,480 Speaker 1: took some work work. 56 00:03:10,000 --> 00:03:13,680 Speaker 2: Crimer was such an iconic character. What a gift to 57 00:03:13,720 --> 00:03:19,200 Speaker 2: be given? Is he like you? Are you like him? 58 00:03:19,400 --> 00:03:25,720 Speaker 1: Yeah? I'm touched by the eccentric I was, yeah, I'm 59 00:03:27,960 --> 00:03:31,239 Speaker 1: you can't play an eccentric character like that without being 60 00:03:31,280 --> 00:03:39,000 Speaker 1: touched by that. It was grounded in the fool, the gesture. 61 00:03:39,400 --> 00:03:42,320 Speaker 1: I found this capacity to make my friends laugh since 62 00:03:42,360 --> 00:03:48,720 Speaker 1: I was a little guy. So it's talent and I 63 00:03:48,800 --> 00:03:51,560 Speaker 1: cultivated it for many, many years. Before I even got 64 00:03:51,600 --> 00:03:54,480 Speaker 1: to Seinfeld, I was around the block doing a lot 65 00:03:54,520 --> 00:03:58,440 Speaker 1: of comedy. Certainly started in the clubs where I worked 66 00:03:58,440 --> 00:04:02,680 Speaker 1: in a very unusual way without much material. I was 67 00:04:02,680 --> 00:04:08,800 Speaker 1: always improvising and letting this funny funny come through in 68 00:04:08,840 --> 00:04:13,200 Speaker 1: the most natural way. I take note, of course, what's 69 00:04:13,240 --> 00:04:16,279 Speaker 1: coming through and put together an act. But anyway, I 70 00:04:16,279 --> 00:04:16,760 Speaker 1: hope I'm not. 71 00:04:18,360 --> 00:04:22,520 Speaker 3: And it's but I look at when when you started. 72 00:04:22,560 --> 00:04:25,640 Speaker 4: So you're on Jay Leno's show as and you just 73 00:04:25,640 --> 00:04:28,760 Speaker 4: come on as this fitness guru to the stars, a 74 00:04:28,800 --> 00:04:31,760 Speaker 4: personal trainer to the stars, and Jerry Seinfeld sees you 75 00:04:31,839 --> 00:04:35,240 Speaker 4: do this bit and you're wearing a woman's costume, a 76 00:04:35,279 --> 00:04:39,560 Speaker 4: one piece swimming costume, a weight belt and a cigarette 77 00:04:39,760 --> 00:04:41,720 Speaker 4: that thing, and you've come on with Jay and you're 78 00:04:41,760 --> 00:04:44,400 Speaker 4: just riffing and Jerry's gone, well, this is the guy 79 00:04:44,440 --> 00:04:47,960 Speaker 4: I want for Kramer. But the NBC executives they had 80 00:04:48,000 --> 00:04:52,320 Speaker 4: other ideas, and Larry David wasn't overly keen on even 81 00:04:52,360 --> 00:04:54,560 Speaker 4: though he knew you. But Jerry really wanted you. But 82 00:04:54,640 --> 00:04:57,520 Speaker 4: you had to audition three times to get the role 83 00:04:57,600 --> 00:04:58,800 Speaker 4: of Kramer. 84 00:04:59,640 --> 00:05:03,960 Speaker 1: Yeah, that's that's the business show business. Yeah, I had to. 85 00:05:05,640 --> 00:05:10,040 Speaker 1: Jerry knew of me doing comedy and so forth. It'd 86 00:05:10,080 --> 00:05:13,800 Speaker 1: seen my work before. He had noticed me on the 87 00:05:13,839 --> 00:05:19,560 Speaker 1: Tonight Show. But the networks they were in doubt because 88 00:05:19,680 --> 00:05:23,520 Speaker 1: I was on a TV show just before Seinfeld that 89 00:05:23,640 --> 00:05:29,599 Speaker 1: was canceled, so they weren't that interested in bringing me 90 00:05:29,640 --> 00:05:33,080 Speaker 1: on to another show right after being canceled in the 91 00:05:33,120 --> 00:05:35,560 Speaker 1: show beforehand. So I had to go in there and 92 00:05:35,600 --> 00:05:40,400 Speaker 1: show my stuff and uh three times and I delivered. Well, 93 00:05:41,600 --> 00:05:44,200 Speaker 1: thank goodness for that. And I was cast. 94 00:05:45,000 --> 00:05:48,440 Speaker 2: Did you have a sense day one what it would become? 95 00:05:49,880 --> 00:05:52,400 Speaker 1: Oh? God, no, I knew it was going to be funny. 96 00:05:54,040 --> 00:05:54,520 Speaker 3: I knew that. 97 00:05:55,200 --> 00:05:58,640 Speaker 1: And along the way, we were we were we we 98 00:05:58,680 --> 00:06:01,120 Speaker 1: all we all been around the Let me tell you, 99 00:06:01,240 --> 00:06:05,880 Speaker 1: that's a very experienced ensemble. Everybody knew what comedy is, 100 00:06:06,839 --> 00:06:10,160 Speaker 1: so we knew we were funny. Now is it going 101 00:06:10,240 --> 00:06:14,240 Speaker 1: to take? And the network didn't think so. They weren't 102 00:06:14,279 --> 00:06:17,840 Speaker 1: interested in the pilot. They wanted to ditch it. So 103 00:06:19,000 --> 00:06:21,680 Speaker 1: but what kept us on with the reviews. We got 104 00:06:21,720 --> 00:06:24,839 Speaker 1: good reviews in the beginning of doing the shows. I 105 00:06:24,839 --> 00:06:28,760 Speaker 1: think we only got a four show pickup. Hell is 106 00:06:28,800 --> 00:06:33,600 Speaker 1: that they're certainly not committed. They wanted to see how 107 00:06:33,640 --> 00:06:34,160 Speaker 1: we would do. 108 00:06:34,920 --> 00:06:38,560 Speaker 5: Show did fairly well with the review with the with reviews, 109 00:06:38,640 --> 00:06:40,839 Speaker 5: so they gave us what did They give us a 110 00:06:40,880 --> 00:06:45,360 Speaker 5: twelve show pickup, and we just stayed at it and 111 00:06:45,600 --> 00:06:46,440 Speaker 5: made comedy. 112 00:06:47,000 --> 00:06:50,159 Speaker 1: That's what we can do. And we finally got the 113 00:06:50,160 --> 00:06:51,320 Speaker 1: twenty two show pickup. 114 00:06:51,680 --> 00:06:53,159 Speaker 3: You know, and that's all right. 115 00:06:53,640 --> 00:06:55,280 Speaker 1: I guess now they believe. 116 00:06:56,240 --> 00:06:58,919 Speaker 4: Out of all the because crime had some great wacky 117 00:06:59,000 --> 00:07:02,640 Speaker 4: money making scheme, which out of all of prime money 118 00:07:02,640 --> 00:07:04,560 Speaker 4: making skills, which do you think is the best one 119 00:07:04,560 --> 00:07:06,440 Speaker 4: that would fly out of all of them? 120 00:07:07,440 --> 00:07:11,280 Speaker 1: Well, you know, we opened up with crame America, you know, industries, 121 00:07:12,040 --> 00:07:16,080 Speaker 1: and you know he's operating from a cell phone in 122 00:07:16,080 --> 00:07:20,280 Speaker 1: his pocket. He has no office or anything. You know, 123 00:07:20,840 --> 00:07:24,720 Speaker 1: it's really a dream or as I played it, it 124 00:07:24,800 --> 00:07:28,040 Speaker 1: never really existed. I played it that it was all 125 00:07:28,080 --> 00:07:34,160 Speaker 1: part of his imagination. Kramer has a very active imagination. Yeah, yeah, 126 00:07:34,200 --> 00:07:37,280 Speaker 1: I guess you could say he's crazy, you know, but 127 00:07:37,480 --> 00:07:41,000 Speaker 1: he's so committed to his imagination. And everything comes out 128 00:07:41,040 --> 00:07:45,360 Speaker 1: of imagination, doesn't it. You know, the tallest building in 129 00:07:45,400 --> 00:07:48,960 Speaker 1: New York at one time was just imagined, right, So 130 00:07:49,160 --> 00:07:59,840 Speaker 1: Kramer is deeply imaginable, and that's his money making idea 131 00:08:00,040 --> 00:08:00,440 Speaker 1: for now. 132 00:08:01,080 --> 00:08:03,520 Speaker 4: We had Jerry on the show some years ago and 133 00:08:03,560 --> 00:08:05,960 Speaker 4: we asked, how would have Seinfeld gone in a post 134 00:08:06,080 --> 00:08:09,000 Speaker 4: a nine to eleven world, and he he and he 135 00:08:09,000 --> 00:08:10,880 Speaker 4: sort of said at first went all, now, I don't 136 00:08:10,880 --> 00:08:12,280 Speaker 4: think it would have worked, and then he thought, oh, 137 00:08:12,320 --> 00:08:14,360 Speaker 4: you know, George would have, you know, pretended to be 138 00:08:14,400 --> 00:08:16,240 Speaker 4: in one of the towers. Something would have happened. There 139 00:08:16,240 --> 00:08:18,480 Speaker 4: would have been something that would have come of it. 140 00:08:20,520 --> 00:08:25,280 Speaker 1: Yeah, Yeah, Kramer would have I think he would have 141 00:08:25,280 --> 00:08:25,760 Speaker 1: helped out. 142 00:08:26,120 --> 00:08:27,240 Speaker 3: It would have definitely helped out. 143 00:08:27,840 --> 00:08:29,880 Speaker 1: I think he would have got in there with a 144 00:08:29,880 --> 00:08:33,480 Speaker 1: fireman's outfit and. 145 00:08:32,240 --> 00:08:33,400 Speaker 3: There would have been a commendation. 146 00:08:34,480 --> 00:08:39,600 Speaker 1: He would carry his giddy up, you know, into helping people. 147 00:08:39,880 --> 00:08:43,360 Speaker 1: That's a great part to Kramer. He he does want 148 00:08:43,400 --> 00:08:46,760 Speaker 1: to help all his schemes, no matter what, even if 149 00:08:46,760 --> 00:08:49,840 Speaker 1: he goes in disguise and he's playing a character again 150 00:08:50,040 --> 00:08:55,040 Speaker 1: through his imagination, He's really all out for helping. 151 00:08:55,360 --> 00:08:57,360 Speaker 2: It's a very nice energy, the giddy up energy. 152 00:08:59,200 --> 00:09:01,200 Speaker 1: Yeah, we called it the Kovorka. 153 00:09:01,400 --> 00:09:03,600 Speaker 4: The Cavorka that he's got, the whay he comes into 154 00:09:03,600 --> 00:09:07,080 Speaker 4: the room, he comes into life and he's ready to go. 155 00:09:07,200 --> 00:09:08,640 Speaker 1: And that's the great giddy up. 156 00:09:08,840 --> 00:09:09,400 Speaker 3: Yeah. 157 00:09:09,640 --> 00:09:12,920 Speaker 4: Inspirational and it's true. And the book is just absolutely fantastic. 158 00:09:13,200 --> 00:09:17,880 Speaker 4: I'm loving reading it. At the moment I think I copy, 159 00:09:17,960 --> 00:09:20,360 Speaker 4: I'm smelling it. It smells like beach, it smells like beat 160 00:09:20,440 --> 00:09:22,800 Speaker 4: your book. I like it smells like your feet. 161 00:09:24,000 --> 00:09:24,800 Speaker 3: It's beautiful. 162 00:09:26,880 --> 00:09:29,080 Speaker 4: Look there they are. If only we had that on 163 00:09:29,120 --> 00:09:33,480 Speaker 4: the zoom. The smell, the smell of success. Michael, thank 164 00:09:33,520 --> 00:09:34,000 Speaker 4: you for Johnny. 165 00:09:34,120 --> 00:09:36,319 Speaker 1: You know there's palm reading. I wonder if there's foot 166 00:09:36,360 --> 00:09:38,840 Speaker 1: reading this. Can somebody tell my future? 167 00:09:39,320 --> 00:09:41,320 Speaker 4: They are the cleanest souls I've ever seen. For a 168 00:09:41,360 --> 00:09:44,360 Speaker 4: man that purports to not wear shoes. Usually those you know, 169 00:09:44,400 --> 00:09:46,360 Speaker 4: they're cracked and terrible. They are beautiful. 170 00:09:49,160 --> 00:09:53,160 Speaker 1: Thank you, thank you. Maybe I could get some foot commercial. 171 00:09:54,640 --> 00:09:57,520 Speaker 4: Somebody get him a foot deal. Buy the book. It's 172 00:09:57,559 --> 00:10:03,200 Speaker 4: so good and call now entrances and exits. It's available 173 00:10:03,240 --> 00:10:07,000 Speaker 4: of every good bookstore and bad. Michael Richards, thank you 174 00:10:07,040 --> 00:10:11,199 Speaker 4: for joining us. Thank you, thank you for being so 175 00:10:11,960 --> 00:10:14,319 Speaker 4: love you know, and the book is great. 176 00:10:14,559 --> 00:10:16,600 Speaker 3: Thank you, thank you very much. You sign it for me, 177 00:10:16,679 --> 00:10:17,360 Speaker 3: you sign it. 178 00:10:18,440 --> 00:10:20,880 Speaker 1: Oh god, I wish I could. If I could do that, boy, 179 00:10:20,920 --> 00:10:21,400 Speaker 1: what that would be? 180 00:10:21,960 --> 00:10:23,880 Speaker 3: You're just doing it? That would be That would be great. 181 00:10:23,880 --> 00:10:25,600 Speaker 3: But thank you so much for it's it's a real 182 00:10:25,720 --> 00:10:27,400 Speaker 3: honor to have you on. And thank you. 183 00:10:28,200 --> 00:10:30,040 Speaker 1: Yeah, thank you, thank you for having. 184 00:10:29,840 --> 00:10:31,520 Speaker 3: Me side of Beth. Thank you. 185 00:10:31,880 --> 00:10:34,520 Speaker 1: It made me feel comfortable. Thank you terrific. 186 00:10:34,960 --> 00:10:40,760 Speaker 3: You were great. You killed you killed Thank you Michael. 187 00:10:40,800 --> 00:10:41,360 Speaker 3: Take it easy,