1 00:00:00,120 --> 00:00:04,000 Speaker 1: The Psychedelic Firs are playing at the Asta Theater November fifteen. 2 00:00:04,040 --> 00:00:07,000 Speaker 1: You can get tickets through Tiker Tech and joining us now. 3 00:00:07,080 --> 00:00:09,840 Speaker 1: Bass player for Psychedelic Firs, Tim Butler, Good. 4 00:00:09,680 --> 00:00:12,879 Speaker 2: Morning, Tim, How are you doing out there? 5 00:00:13,160 --> 00:00:13,760 Speaker 3: Very well? 6 00:00:13,880 --> 00:00:15,319 Speaker 1: How many times have you been to Perth? 7 00:00:15,760 --> 00:00:16,000 Speaker 2: Never? 8 00:00:16,320 --> 00:00:16,560 Speaker 1: Never? 9 00:00:16,840 --> 00:00:17,079 Speaker 3: Never? 10 00:00:17,200 --> 00:00:19,320 Speaker 1: I thought so that would explain why. 11 00:00:19,120 --> 00:00:23,560 Speaker 2: I've never seen to We toured in America in Australia 12 00:00:23,640 --> 00:00:27,440 Speaker 2: twice and never got over to Perth. So we're looking 13 00:00:27,480 --> 00:00:28,080 Speaker 2: forward to it. 14 00:00:28,560 --> 00:00:30,280 Speaker 1: There's a lot of people looking forward to it. 15 00:00:30,280 --> 00:00:31,760 Speaker 3: Here, no doubt. 16 00:00:32,120 --> 00:00:34,800 Speaker 1: So Tim tell us the band took eight years off 17 00:00:34,880 --> 00:00:37,600 Speaker 1: from the early nineties to the year two thousand. What 18 00:00:37,680 --> 00:00:38,680 Speaker 1: did you do in that time? 19 00:00:39,640 --> 00:00:42,280 Speaker 2: Richard and I had a band called Glass Bitt Love 20 00:00:42,560 --> 00:00:47,159 Speaker 2: and then I left that. And when I was an 21 00:00:47,320 --> 00:00:51,680 Speaker 2: engineer at the Electric Lady Studios in New York, which 22 00:00:51,840 --> 00:00:55,720 Speaker 2: was Jimmy Hendrickson's studio, I was on the other side 23 00:00:55,720 --> 00:01:00,160 Speaker 2: of the glass doing the production engineer in as as 24 00:01:00,200 --> 00:01:02,680 Speaker 2: to being in the librarom. 25 00:01:02,360 --> 00:01:04,679 Speaker 3: Right, Tim, A lot of bands have come out and 26 00:01:04,720 --> 00:01:07,120 Speaker 3: you know, recorded your songs and proven their fans. And 27 00:01:07,160 --> 00:01:09,200 Speaker 3: I know that Robert Smith of the Cure is one 28 00:01:09,200 --> 00:01:11,440 Speaker 3: of the Killers and Dave Growl from the Food Fighters. 29 00:01:11,480 --> 00:01:13,360 Speaker 3: Have there ever been any bands that have come out 30 00:01:13,360 --> 00:01:15,160 Speaker 3: and said they were influenced by you guys or loved 31 00:01:15,160 --> 00:01:17,440 Speaker 3: you guys and you were really surprised or shocked at 32 00:01:17,440 --> 00:01:17,880 Speaker 3: who it was. 33 00:01:18,240 --> 00:01:22,319 Speaker 2: Yes. I was really surprised when Corn did a couple 34 00:01:22,360 --> 00:01:26,440 Speaker 2: of Love My Ways, Yeah, because that doesn't seem like, 35 00:01:26,600 --> 00:01:29,200 Speaker 2: you know, the sort of song that they'd be into. 36 00:01:29,480 --> 00:01:33,640 Speaker 2: I mean, you can't tell me. Some people have really 37 00:01:34,080 --> 00:01:39,560 Speaker 2: broad musical taste. The singer of Death lepart Camber us 38 00:01:39,640 --> 00:01:44,600 Speaker 2: in a couple of hours ago in Ireland, how come 39 00:01:44,760 --> 00:01:48,320 Speaker 2: you, you know, like our sort of music? And he goes, oh, 40 00:01:48,440 --> 00:01:50,680 Speaker 2: you know, just because I'm in a heavy metal band 41 00:01:50,680 --> 00:01:55,280 Speaker 2: doesn't mean they don't have a broad spectrum of musical taste. 42 00:01:55,760 --> 00:02:00,480 Speaker 2: And he particularly likes President Gas to him, could totally 43 00:02:00,520 --> 00:02:03,160 Speaker 2: play in Ireland if you're if you're home con touring, 44 00:02:03,400 --> 00:02:05,920 Speaker 2: you know, tell us and come down and you know, 45 00:02:05,960 --> 00:02:08,560 Speaker 2: maybe maybe sing a couple of verses, you know, trade 46 00:02:08,560 --> 00:02:12,400 Speaker 2: off with Richard. Yeah, and he's beamed up for the idea, 47 00:02:12,520 --> 00:02:14,560 Speaker 2: so we'll see he does. 48 00:02:14,760 --> 00:02:17,680 Speaker 3: Yeah, very Colctic music toys, Joe Earlier, Love Loves You. 49 00:02:17,720 --> 00:02:20,560 Speaker 1: Tunes, Tim You're one of my favorite bands from the eighties. 50 00:02:20,600 --> 00:02:23,000 Speaker 1: Who were some of your favorite bands from the eighties. 51 00:02:23,400 --> 00:02:27,919 Speaker 2: Oh, I'd have to say probably early here, the peche 52 00:02:28,000 --> 00:02:31,840 Speaker 2: Mode you two of course, you know our contemporaries that 53 00:02:32,040 --> 00:02:33,600 Speaker 2: started up about the same. 54 00:02:33,440 --> 00:02:35,560 Speaker 3: Time, Tim, Is it true? Might be honest? 55 00:02:35,600 --> 00:02:35,760 Speaker 2: Here? 56 00:02:35,880 --> 00:02:38,000 Speaker 3: Did you really want to tell David Bowie you couldn't act? 57 00:02:38,160 --> 00:02:43,160 Speaker 2: Oh? Yes, one drunken night he had the best comeback. 58 00:02:43,240 --> 00:02:46,360 Speaker 2: He said, that's because I didn't take your advice. And 59 00:02:46,400 --> 00:02:49,320 Speaker 2: I said, well, I didn't give you any And he said, 60 00:02:49,440 --> 00:02:53,320 Speaker 2: bad fits a great comeback, you know to a drunken 61 00:02:53,680 --> 00:03:00,000 Speaker 2: teenager who was a huge fan of Bowies. Yeah. Alcohol, alcohol, 62 00:03:00,160 --> 00:03:01,560 Speaker 2: that was weird and stews. 63 00:03:02,160 --> 00:03:04,160 Speaker 3: Yeah, absolutely want to come back back. 64 00:03:04,200 --> 00:03:09,160 Speaker 1: In nineteen eighty six, John Hughes named his movie Pretty 65 00:03:09,160 --> 00:03:12,800 Speaker 1: in Pink after your song Pretty in Pink, and of 66 00:03:12,840 --> 00:03:17,080 Speaker 1: course it appeared on the soundtrack. John Hughes was just 67 00:03:17,200 --> 00:03:20,240 Speaker 1: such a force in movies at that time. What was 68 00:03:20,280 --> 00:03:22,639 Speaker 1: that like, being the center of that sort of attention. 69 00:03:22,960 --> 00:03:26,560 Speaker 2: It had its plus and minuses, and the plus work 70 00:03:26,639 --> 00:03:29,240 Speaker 2: that got us through to our name through to a 71 00:03:29,280 --> 00:03:31,920 Speaker 2: lot of a lot more people because it was, you know, 72 00:03:32,040 --> 00:03:35,640 Speaker 2: in a big successful movie. The bad side of it 73 00:03:35,680 --> 00:03:39,280 Speaker 2: was the fact that our original fans soillt We've sold 74 00:03:39,320 --> 00:03:42,360 Speaker 2: out and like you know, you know, I'm not going 75 00:03:42,440 --> 00:03:44,480 Speaker 2: to not going to go and see him anymore. You know, 76 00:03:45,640 --> 00:03:49,720 Speaker 2: had its plus as minuses. Nowadays we have, you know, 77 00:03:49,800 --> 00:03:53,200 Speaker 2: a bit of both. We have. After that whole period 78 00:03:53,880 --> 00:03:58,720 Speaker 2: of Midnight to Midnight and the movie, our original fans 79 00:03:58,720 --> 00:04:02,120 Speaker 2: started to come back. Of course, we retained the fans 80 00:04:02,160 --> 00:04:05,360 Speaker 2: we had got, you know, from the movie, So it's 81 00:04:05,360 --> 00:04:06,800 Speaker 2: a lot healthier nowadays. 82 00:04:06,880 --> 00:04:10,120 Speaker 1: The audience, Yeah, don't I expect you picked up a 83 00:04:10,120 --> 00:04:13,200 Speaker 1: whole bunch of a new, younger fan base after the 84 00:04:13,200 --> 00:04:15,800 Speaker 1: Ghost and new featured in season two of Stranger Things. 85 00:04:16,120 --> 00:04:18,320 Speaker 2: Yeah, I mean that. And the fact that it was 86 00:04:18,360 --> 00:04:21,440 Speaker 2: being called by my nail, call it by my aim 87 00:04:21,640 --> 00:04:25,360 Speaker 2: or yeah that may bee for quite a few times. 88 00:04:25,560 --> 00:04:28,320 Speaker 2: And we actually did a food nailed dancing up in 89 00:04:28,360 --> 00:04:31,080 Speaker 2: the street they're talking about one of them went to 90 00:04:31,080 --> 00:04:35,960 Speaker 2: theto Psychedelic first and that Richard, but is amazing. So 91 00:04:36,400 --> 00:04:37,200 Speaker 2: that all. 92 00:04:37,080 --> 00:04:40,400 Speaker 3: Helps absolutely bit of popular culture about I once read 93 00:04:40,440 --> 00:04:42,839 Speaker 3: that Richard had an unusual way to Mikey's voice taper, 94 00:04:42,880 --> 00:04:44,960 Speaker 3: but it wasn't whiskey or vodka. Is that true? 95 00:04:45,120 --> 00:04:48,479 Speaker 2: Milk. You always told if you were seeing it in 96 00:04:48,560 --> 00:04:50,800 Speaker 2: the studio not to drink milk because you get the 97 00:04:50,880 --> 00:04:55,200 Speaker 2: phlam in your throat. That's what made his voice like 98 00:04:55,320 --> 00:04:56,919 Speaker 2: it is very distinctive. 99 00:04:57,160 --> 00:05:01,599 Speaker 1: Absolutely, speaking of Richard, what the key to successfully working 100 00:05:01,600 --> 00:05:03,640 Speaker 1: with the sibling in the music industry, because there's great 101 00:05:03,680 --> 00:05:05,400 Speaker 1: a few that haven't worked well. 102 00:05:05,440 --> 00:05:07,880 Speaker 2: I mean, it's just a matter of I mean, back 103 00:05:07,920 --> 00:05:10,960 Speaker 2: in the day when news, drink and party, you know, 104 00:05:11,200 --> 00:05:13,840 Speaker 2: we were more on each other's backs about you know, 105 00:05:14,240 --> 00:05:18,120 Speaker 2: our egos were on fire. But when we got back 106 00:05:18,160 --> 00:05:21,760 Speaker 2: together in two thousands, we realized that we both have 107 00:05:22,240 --> 00:05:26,279 Speaker 2: equally important jobs in the sound of the psychoatic first, 108 00:05:26,800 --> 00:05:29,839 Speaker 2: so we appreciate each other more than you did back then. 109 00:05:30,160 --> 00:05:32,200 Speaker 3: Right, So, mate, when you and Richard started playing in 110 00:05:32,200 --> 00:05:34,279 Speaker 3: that front room at the family home, could you imagine 111 00:05:34,279 --> 00:05:37,000 Speaker 3: your dad being above Dylan fan. Dylan would actually send 112 00:05:37,040 --> 00:05:39,599 Speaker 3: you a song cause Jacob his boy, loved you. Guys. 113 00:05:39,600 --> 00:05:41,200 Speaker 3: It's mind boggling stuff, isn't it. 114 00:05:41,200 --> 00:05:43,240 Speaker 2: It is? That was crazy when you got that we 115 00:05:43,400 --> 00:05:47,600 Speaker 2: were recording forever now and we got it to us 116 00:05:47,600 --> 00:05:52,480 Speaker 2: a yer our in our person at CBS. It was amazing. 117 00:05:52,600 --> 00:05:56,640 Speaker 2: Not that we ever thought about doing it because we 118 00:05:56,960 --> 00:05:59,680 Speaker 2: never did cover so at that point we didn't. But 119 00:05:59,720 --> 00:06:03,640 Speaker 2: it was like a fifteen verse song. It's a typical 120 00:06:03,720 --> 00:06:04,640 Speaker 2: Dylan song. 121 00:06:06,360 --> 00:06:08,440 Speaker 3: Like Hurricane Hurl. 122 00:06:08,480 --> 00:06:11,520 Speaker 2: Clip was cool clip it was. It was called clean 123 00:06:11,560 --> 00:06:13,680 Speaker 2: cut clit believe. 124 00:06:13,920 --> 00:06:18,000 Speaker 1: I have to be careful with that, Tim. So I've 125 00:06:18,000 --> 00:06:20,640 Speaker 1: always loved the name psychedelic first. Is there any story 126 00:06:20,680 --> 00:06:21,160 Speaker 1: there at all? 127 00:06:21,320 --> 00:06:25,159 Speaker 2: Well, the major part of it was the psychedelic was 128 00:06:25,160 --> 00:06:28,240 Speaker 2: that we wanted to show that when we started, all 129 00:06:28,279 --> 00:06:30,960 Speaker 2: the plant bands were having names like you know, the 130 00:06:31,080 --> 00:06:34,120 Speaker 2: sex Pistols and Venus and the Razor Blades and the 131 00:06:34,240 --> 00:06:38,120 Speaker 2: Clash and the Stranglers. Yeah, they were making fun of 132 00:06:38,279 --> 00:06:41,320 Speaker 2: sixties music, you know that, like you know, one generation 133 00:06:41,520 --> 00:06:45,080 Speaker 2: does the generation before. But we just wanted to tell 134 00:06:45,160 --> 00:06:48,520 Speaker 2: people that we were influenced by they bands. So that 135 00:06:48,640 --> 00:06:50,839 Speaker 2: was a psychedelic part of it. And the furs. I 136 00:06:50,839 --> 00:06:55,760 Speaker 2: guess we're out discussing it one drunken night and someone 137 00:06:55,800 --> 00:06:58,920 Speaker 2: came up with how about the psychedelic first? And they're like, hey, 138 00:06:58,920 --> 00:06:59,680 Speaker 2: it sounds good. 139 00:07:00,480 --> 00:07:03,080 Speaker 3: That sounds great. But I've read recently. I always heard 140 00:07:03,080 --> 00:07:05,080 Speaker 3: that Chrissy Hinde is no longer playing when she does 141 00:07:05,120 --> 00:07:07,960 Speaker 3: Love shows playing pretender songs. Obviously you guys wouldn't do that, 142 00:07:08,080 --> 00:07:09,720 Speaker 3: not play your back cattalog. But is there a song 143 00:07:09,760 --> 00:07:11,480 Speaker 3: that if you didn't play it then the crowd would 144 00:07:11,480 --> 00:07:13,120 Speaker 3: go nuts and they wouldn't be happy. Is there a 145 00:07:13,160 --> 00:07:15,400 Speaker 3: particular favorite amongst fans around the world. 146 00:07:15,520 --> 00:07:18,120 Speaker 2: I'd have to say probably pretty emtinct. 147 00:07:18,400 --> 00:07:20,360 Speaker 1: Oh way, Yeah, okay, I would have thought it was 148 00:07:20,440 --> 00:07:24,520 Speaker 1: Love My Way, right, Yeah, okay, Yeah. 149 00:07:25,800 --> 00:07:28,760 Speaker 2: There's certain songs we have to do. Yeah, as we 150 00:07:28,840 --> 00:07:33,200 Speaker 2: would get Lynch goes give you Love my Way heartbeat, 151 00:07:33,320 --> 00:07:36,720 Speaker 2: be pretty emptinct, can happen all the fame? Which is 152 00:07:37,920 --> 00:07:45,680 Speaker 2: that's it's yeah, yeah, we just decide what the other 153 00:07:45,800 --> 00:07:47,240 Speaker 2: two thirds is going to be. 154 00:07:48,200 --> 00:07:51,200 Speaker 3: Well worked hard for their tickets, mate, Yeah, Tim, Before 155 00:07:51,200 --> 00:07:53,040 Speaker 3: you go, mate, what was the last band or artist 156 00:07:53,040 --> 00:07:55,920 Speaker 3: T shirt that you wore? You into wearing band merchant or. 157 00:07:57,040 --> 00:08:00,280 Speaker 2: I don't don't. I don't wear T shirts with at 158 00:08:00,320 --> 00:08:01,600 Speaker 2: least of writing on them. 159 00:08:01,760 --> 00:08:07,560 Speaker 3: It's always one or the other. It is never good Tim. 160 00:08:07,800 --> 00:08:10,440 Speaker 1: It's been an absolute pleasure to talk to you. We 161 00:08:10,600 --> 00:08:13,640 Speaker 1: are so thrilled that you're finally getting to Perth. The 162 00:08:13,720 --> 00:08:16,400 Speaker 1: Psychedelic Furs will be at the ASTA Theater November fifteen. 163 00:08:16,440 --> 00:08:18,080 Speaker 1: You can get tickets through ticket Tech. 164 00:08:18,240 --> 00:08:20,560 Speaker 3: Thank you Tim, Thanks mate, finally we get to see you. 165 00:08:20,680 --> 00:08:23,200 Speaker 2: Thank you. I'm sorry it's taken so long ago. 166 00:08:24,000 --> 00:08:26,600 Speaker 3: I may have rained the album talk thirty years speak 167 00:08:26,640 --> 00:08:32,600 Speaker 3: away now. We're very patient. Thanks Tim, thank you, Thanks man. 168 00:08:32,679 --> 00:08:33,040 Speaker 3: Take care,