1 00:00:00,440 --> 00:00:03,320 Speaker 1: Jersey and Amanda jam Nation. 2 00:00:03,600 --> 00:00:05,520 Speaker 2: It's a legend in the world of radio, with a 3 00:00:05,600 --> 00:00:09,360 Speaker 2: voice that has guided countless listeners through the golden eras 4 00:00:09,440 --> 00:00:10,600 Speaker 2: of music. 5 00:00:10,480 --> 00:00:17,759 Speaker 1: Rocking around the nation on your favorite station, Welcome back. 6 00:00:17,760 --> 00:00:20,160 Speaker 1: I I'm Barry Bistile and you're listening to Australia's forty 7 00:00:20,200 --> 00:00:23,000 Speaker 1: biggest hits on the Nation's biggest countdown of the hits, 8 00:00:23,280 --> 00:00:26,160 Speaker 1: Take the forty Australia Still to come. On this week's show, 9 00:00:26,200 --> 00:00:29,720 Speaker 1: this Week's fastest Rising Hit, we'll visit the earliest performances 10 00:00:29,720 --> 00:00:32,680 Speaker 1: by John Farnham and the Shantusis, and we'll meet some 11 00:00:32,760 --> 00:00:37,080 Speaker 1: of rock's most outrageous personalities. But first dropping seven places 12 00:00:37,080 --> 00:00:39,400 Speaker 1: this week the Eurythmics and can. 13 00:00:39,280 --> 00:00:43,320 Speaker 2: You believe it? Take forty Australia is now forty years 14 00:00:43,320 --> 00:00:46,480 Speaker 2: of age. Barry Bissel doesn't look a day over thirty nine. 15 00:00:46,560 --> 00:00:47,519 Speaker 2: How are you, mate? 16 00:00:48,159 --> 00:00:51,680 Speaker 3: Creat'm to assure you well over thirty nine mate. This 17 00:00:51,760 --> 00:00:55,480 Speaker 3: is a bit of a reality check seeing that I 18 00:00:55,520 --> 00:00:59,040 Speaker 3: was thirty seven when we started it so gives you 19 00:00:59,120 --> 00:00:59,600 Speaker 3: an idea. 20 00:01:01,000 --> 00:01:03,120 Speaker 2: You know, when I first started in radio, I was 21 00:01:03,160 --> 00:01:05,280 Speaker 2: at six Ka Kratha on a Sunday night. I don't 22 00:01:05,319 --> 00:01:07,480 Speaker 2: play Take forty Australia. And this is back when I 23 00:01:07,560 --> 00:01:10,399 Speaker 2: used to smoke. I'd stand outside the studio having a 24 00:01:10,440 --> 00:01:12,360 Speaker 2: smoke and I locked myself out of the studio. So 25 00:01:12,400 --> 00:01:16,640 Speaker 2: Take forty was running, okay, so I'm watching it run, 26 00:01:16,880 --> 00:01:19,960 Speaker 2: and but I hadn't put the spool lock on the tape, 27 00:01:20,360 --> 00:01:23,400 Speaker 2: so the tape actually fell off. So it was on 28 00:01:23,480 --> 00:01:27,080 Speaker 2: the desk just spooling away and I had to run 29 00:01:27,080 --> 00:01:29,080 Speaker 2: next door to the pub to get the keys to 30 00:01:29,120 --> 00:01:32,480 Speaker 2: the radio station to come back. And no one noticed 31 00:01:32,520 --> 00:01:35,000 Speaker 2: that the tape was just spooling around on the It 32 00:01:35,040 --> 00:01:38,880 Speaker 2: was gathering from the floor into the real, real machine. 33 00:01:40,400 --> 00:01:43,640 Speaker 2: I still made it through on air bass well. 34 00:01:43,680 --> 00:01:45,760 Speaker 3: I did the same thing at three of SATs one 35 00:01:45,800 --> 00:01:48,520 Speaker 3: WHO way back when I first started, and it was 36 00:01:48,520 --> 00:01:51,280 Speaker 3: back to the Bible, and it didn't when it fell 37 00:01:51,320 --> 00:01:55,120 Speaker 3: off the spool. It just just took off a rapid speed, 38 00:01:56,600 --> 00:01:58,240 Speaker 3: very religious episodes. 39 00:01:58,360 --> 00:02:00,240 Speaker 2: And it was always it was always the pro grand 40 00:02:00,240 --> 00:02:02,000 Speaker 2: wrecks of the bosses. They always said, make sure you 41 00:02:02,080 --> 00:02:05,760 Speaker 2: put a spool lock on that spool, and you go, yeah, mate, whatever. 42 00:02:06,000 --> 00:02:07,840 Speaker 3: Yeah, yeah, it's not going. 43 00:02:07,760 --> 00:02:08,360 Speaker 2: To fall off. 44 00:02:08,560 --> 00:02:10,960 Speaker 4: Hey Barry, I remember listening to you and you had 45 00:02:10,960 --> 00:02:14,600 Speaker 4: this special gift of taking the listeners on a journey 46 00:02:14,600 --> 00:02:17,160 Speaker 4: with the stories behind the hits. Now, there was no 47 00:02:17,360 --> 00:02:19,840 Speaker 4: Internet and no social media back in the day. Where 48 00:02:19,840 --> 00:02:21,640 Speaker 4: did you get all your gots? Where'd you get all 49 00:02:21,680 --> 00:02:22,120 Speaker 4: your info? 50 00:02:22,840 --> 00:02:26,760 Speaker 3: Well, we had a wonderful writer, Ed Nimobol, who was 51 00:02:26,840 --> 00:02:31,520 Speaker 3: famous for starting go Set and magazine or writing for 52 00:02:31,600 --> 00:02:35,080 Speaker 3: ghost Set and started another one Duke magazine. He's no 53 00:02:35,160 --> 00:02:37,000 Speaker 3: longer with us, but he was just in one of 54 00:02:37,000 --> 00:02:41,800 Speaker 3: those guys you had just everything in his head about music. 55 00:02:43,400 --> 00:02:46,520 Speaker 4: Amazing. Can you remember all the stuff now? Like if 56 00:02:46,560 --> 00:02:50,160 Speaker 4: I if I threw you a trivia question about I 57 00:02:50,160 --> 00:02:53,160 Speaker 4: don't know Billy Idol's first hit, what could you tell me? 58 00:02:54,200 --> 00:02:57,720 Speaker 3: No idea great love it day for a wide wedding. 59 00:02:58,520 --> 00:03:01,120 Speaker 2: It might have been White Wedding. I think that was 60 00:03:01,600 --> 00:03:02,480 Speaker 2: one of his first ones. 61 00:03:02,520 --> 00:03:03,639 Speaker 4: But pree pre l. 62 00:03:04,200 --> 00:03:07,920 Speaker 2: And now we've got at one o'clock today the top 63 00:03:07,960 --> 00:03:10,040 Speaker 2: ten from the first ever countdown. So what are we 64 00:03:10,080 --> 00:03:11,840 Speaker 2: talking about? This is nineteen eighty four. 65 00:03:12,800 --> 00:03:15,560 Speaker 3: Yes, this week in nineteen eighty four. 66 00:03:15,720 --> 00:03:17,840 Speaker 2: This week in nineteen eighty four. 67 00:03:17,800 --> 00:03:20,120 Speaker 4: Were there a lot of Australian songs in the top ten? 68 00:03:20,160 --> 00:03:22,440 Speaker 4: Were there more Australian songs in the top forty back then. 69 00:03:23,840 --> 00:03:29,440 Speaker 3: No, not so many of the europe riders. Who else 70 00:03:30,360 --> 00:03:30,880 Speaker 3: in excess? 71 00:03:31,120 --> 00:03:32,720 Speaker 4: Yeah were there? 72 00:03:33,160 --> 00:03:36,440 Speaker 3: Yeah, very early in excess, so I think that's about all. 73 00:03:36,880 --> 00:03:39,760 Speaker 2: Yeah, well in excess around that time, nineteen eighty four, 74 00:03:39,800 --> 00:03:42,440 Speaker 2: it was it was before Kick, but they were well 75 00:03:42,480 --> 00:03:44,920 Speaker 2: on their way. It was a very exciting time. You 76 00:03:45,000 --> 00:03:48,240 Speaker 2: written it, shabouchebar, shabouche bar. That was a bit before that. 77 00:03:48,480 --> 00:03:50,160 Speaker 2: Before I've not been a big radio nerd. 78 00:03:50,280 --> 00:03:51,880 Speaker 4: No, you being a nerd, that's your job. 79 00:03:51,920 --> 00:03:55,800 Speaker 3: You written that a big it was. It was the 80 00:03:55,840 --> 00:04:01,320 Speaker 3: one before Kick, the sen before Seen Yeah, which was 81 00:04:01,400 --> 00:04:02,480 Speaker 3: a great album. 82 00:04:02,920 --> 00:04:05,520 Speaker 2: And like really like take for the Australia for me 83 00:04:05,800 --> 00:04:08,240 Speaker 2: is if you're a radio nerd. It was one of 84 00:04:08,280 --> 00:04:11,520 Speaker 2: the greatest radio shows in the world and it just 85 00:04:11,640 --> 00:04:13,840 Speaker 2: lasted for so long. It was such a it was 86 00:04:13,880 --> 00:04:14,760 Speaker 2: such a great show. 87 00:04:15,960 --> 00:04:18,560 Speaker 3: It was great Thunderdo. I mean, I learnt a lot 88 00:04:20,120 --> 00:04:23,040 Speaker 3: getting into edge mine views for writing, but also I 89 00:04:23,160 --> 00:04:29,880 Speaker 3: got to meet so many amazing people drop sick. There's 90 00:04:29,920 --> 00:04:33,320 Speaker 3: a lot of movie stars as well as as well 91 00:04:33,360 --> 00:04:36,400 Speaker 3: as musical artist but and Michael Jackson I met. I 92 00:04:36,400 --> 00:04:40,680 Speaker 3: didn't unforse I didn't get interview him because Molly had 93 00:04:40,680 --> 00:04:43,760 Speaker 3: the exclusive for Countdown, but spent some time at Think 94 00:04:43,880 --> 00:04:46,839 Speaker 3: and it was a nice little boat, nice. 95 00:04:46,680 --> 00:04:50,760 Speaker 2: Little bloke, nice amazing Michael Jackson. Well but you can 96 00:04:50,839 --> 00:04:53,800 Speaker 2: hear today at one o'clock the top ten from the 97 00:04:53,839 --> 00:05:00,480 Speaker 2: first ever Countdown take forty Australia. Thanks to to go 98 00:05:00,480 --> 00:05:03,600 Speaker 2: over and I'll make sure that I'll put the school 99 00:05:03,640 --> 00:05:05,480 Speaker 2: lock on, so do the tap does fall on. 100 00:05:05,400 --> 00:05:09,719 Speaker 3: The ground, please do? Alright guys you. 101 00:05:09,800 --> 00:05:13,159 Speaker 2: Barry, thank you mate, look after yourself. We'll have that 102 00:05:13,200 --> 00:05:15,039 Speaker 2: for one o'clock today, Barry Bistle there