WEBVTT - RHOBH - RECAP - WEEK 6 - ALANA MCLEAN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload, the podcast last week that life. Hey guys,

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<v Speaker 1>welcome back to TV Reload. I want to thank you

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<v Speaker 1>for clicking and downloading on today's episode with Alana MacLean,

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<v Speaker 1>who continues to slay with her knowledge on the Housewives

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<v Speaker 1>right across the franchise. I am also very sorry that

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<v Speaker 1>I was late with this week's episode. It has been

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<v Speaker 1>crazy reporting on all the news right across the week,

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<v Speaker 1>so I'm a little bit delayed, and I apologize. The

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<v Speaker 1>fires in Los Angeles were dominating the news, and Alana

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<v Speaker 1>and I will address that early on in the podcast

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<v Speaker 1>because we want to show our respect to what has

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<v Speaker 1>been going on with that. Before we get into the

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<v Speaker 1>drama that is this episode called the Viper Room. We

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<v Speaker 1>will discuss the change of pace and what we thought

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<v Speaker 1>of the backstory for Bozeman, the interior design story for Erica,

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<v Speaker 1>and Garsell's very personal story about her son. I will

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<v Speaker 1>get some perspective as well on Derete's oversharing with so

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<v Speaker 1>much detail about her split with p K, considering that

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<v Speaker 1>her children will want the show at some stage, we

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<v Speaker 1>will address what the show will look like without Kyle

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<v Speaker 1>Richards and also discuss if Kyle's latest trips to the

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<v Speaker 1>injectables has had some kind of an effect on how

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<v Speaker 1>the women are able to read some of her intentions.

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<v Speaker 1>You were going to get plenty of chat on sudden

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<v Speaker 1>and her meddling ways, with Elana and I having a

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<v Speaker 1>very different opinion what we think of Kyle's secret phone

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<v Speaker 1>calls to PK if it to be continued, was the

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<v Speaker 1>right way to finish the episode considering we've been on

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<v Speaker 1>a two week break, and we will also talk about

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<v Speaker 1>the latest celebrity female singer Kyle Richards has been linked to.

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<v Speaker 1>There's actually so much to talk about with so many

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<v Speaker 1>inside revelations, So guys, sit back and relax as we

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<v Speaker 1>unpack the wonderful world of the Real Housewives of Beverly

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<v Speaker 1>Hills Season fourteen, Episode six. Can we start with the song.

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<v Speaker 2>Just call Me Anger of the Morning?

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<v Speaker 1>If there was ever a theme song for the Real

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<v Speaker 1>Housewives of Beverly Hills, I think you should sing it

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<v Speaker 1>and it would be like a Kath and Kim. What's

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<v Speaker 1>the Kath and Kim theme song?

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<v Speaker 3>Oh, there's always a joke in the pack dead and

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<v Speaker 3>if any us people are listening to that, then Oh,

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<v Speaker 3>I suppose kathink Kim got pretty big over there, but yeah,

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<v Speaker 3>I mean I wouldn't huge.

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<v Speaker 1>But are you're talking about Everyone's talking about it over

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<v Speaker 1>there like they're obsessed with it. Like even now, yes,

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<v Speaker 1>having a reconnaissance because these drag queens started watching it

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<v Speaker 1>in America and now America's falling in love with it.

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<v Speaker 1>There's been more activity talking about Kath and Kim because

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<v Speaker 1>of this new interest in the Americans.

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<v Speaker 2>Really, Oh, they can't bring.

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<v Speaker 1>It back unless they did it AI because the women

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<v Speaker 1>are too old.

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<v Speaker 4>Yeah, it's yeah, it would be like the Nursing Home edition,

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<v Speaker 4>which I mean.

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<v Speaker 2>Look that would have legs, that would actually have legs.

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<v Speaker 1>Do you know who would watch them?

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<v Speaker 4>Us on repeat?

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<v Speaker 5>The Green Housewives episodes recaps, You know, we should talk

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<v Speaker 5>about something very serious and then we have to pivot

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<v Speaker 5>back to the Real Housewives.

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<v Speaker 1>But what's going on in Los Angeles with those fires

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<v Speaker 1>is so scary.

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<v Speaker 2>Oh my god, it is heartbreaking. Firefighters in Los Angeles

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<v Speaker 2>are warning that increasing winds could potentially result in explosive

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<v Speaker 2>fire growth from the existing wildfires.

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<v Speaker 4>It's so devastating, it's so widespread, Like just even between

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<v Speaker 4>the time where I went to bed last night, and

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<v Speaker 4>then then waking up and seeing so many more videos

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<v Speaker 4>and things across social media, and it's just it's almost

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<v Speaker 4>taken the whole of Los Angeles down.

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<v Speaker 2>It's in peril.

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<v Speaker 1>I think people will be talking about this for a

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<v Speaker 1>very long time. The Daily Mail yesterday was listing all

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<v Speaker 1>of the houses of very famous people who've lost their homes.

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<v Speaker 1>But what was interesting to me was that I lived

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<v Speaker 1>in Los Angeles, so I know where all of those

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<v Speaker 1>homes are, and so it's strange to me to know

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<v Speaker 1>how far that fire has spread because I know all

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<v Speaker 1>of those homes, and even the visuals from the Grove,

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<v Speaker 1>which is my favorite shopping center in the world, from

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<v Speaker 1>the top of their car park, the visuals from Runyan Canyon,

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<v Speaker 1>like looking at terrifying, and then also Venice Beach, which

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<v Speaker 1>is the beach back from Sorry Santa Monica. That's wild

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<v Speaker 1>to me because you can really see how close those

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<v Speaker 1>fires have come.

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<v Speaker 4>I don't know if you saw this this morning, but

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<v Speaker 4>so Boseman, she must have a house that's in Malibu

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<v Speaker 4>and she has lost it. She wrote a post on

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<v Speaker 4>here this morning and I just thought, oh God, she

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<v Speaker 4>wrote this is the house that I wanted, the house

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<v Speaker 4>I prayed for, the house I worked in blood, sweat

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<v Speaker 4>and tears for the house. I put a keypad instead

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<v Speaker 4>of a keyhole in the front door because I wanted

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<v Speaker 4>all my family and friends to have a code and

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<v Speaker 4>to use the house whenever they wanted. This is the

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<v Speaker 4>house where I found peace after battling with racist neighbors

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<v Speaker 4>and a community that made me have to buy it

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<v Speaker 4>in a trust within a trust so no one would

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<v Speaker 4>know that a widowed, single black woman with a teenager

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<v Speaker 4>was buying exclusively owned.

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<v Speaker 2>Property on the beach. This was my few house.

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<v Speaker 4>I'm here, the house that I built a movie room

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<v Speaker 4>with dedicated to my sister so she could see films.

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<v Speaker 4>And this is the house where I finally felt like

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<v Speaker 4>I could choose to spend time when and how I

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<v Speaker 4>wanted to.

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<v Speaker 2>It is now gone, and she's put a.

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<v Speaker 4>Lot of pictures and vision and oh, it's just heartbreaking.

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<v Speaker 4>And that is a story of many And I thought

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<v Speaker 4>about Garcell's house in particular this week because there was

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<v Speaker 4>such an emphasis on it during the episode and we

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<v Speaker 4>really got to see, you know, it in its complete state.

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<v Speaker 4>I guess we've seeing little snippets along the way. But

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<v Speaker 4>she was sitting there having that first dinner, and I mean,

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<v Speaker 4>there's nothing on her Instagram, so fingers grass.

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<v Speaker 2>He's okay.

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<v Speaker 4>But I just thought, oh god, it's just you know,

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<v Speaker 4>it was only a few years ago we were watching

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<v Speaker 4>Denise and Camille go through those Malibu fires, and now

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<v Speaker 4>this is even bigger than that.

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<v Speaker 1>It's crazy. You know, a friend of mine she lost

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<v Speaker 1>her home yesterday. She was a friend of mine that

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<v Speaker 1>I knew while I was over there, and she put

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<v Speaker 1>up a post to say thank you to all of

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<v Speaker 1>the people that are homing us like that are how

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<v Speaker 1>do they ease.

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<v Speaker 2>And where do they go?

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<v Speaker 1>Like?

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<v Speaker 2>You know, that's one of the things that I was thinking.

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<v Speaker 4>You know, Okay, they get the evacuation audits, but where

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<v Speaker 4>do they go?

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<v Speaker 2>I mean, I understand a.

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<v Speaker 4>Lot of the celebrities along that Malibu strip that's their

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<v Speaker 4>holiday home. But when you're getting evacuated, do you get

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<v Speaker 4>sent to a center? Do you have to go to

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<v Speaker 4>a friend's house? What if you don't have a friend's

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<v Speaker 4>house to go to? I mean, the complexities of just

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<v Speaker 4>that getting your pets out. I saw that Airbnb were

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<v Speaker 4>doing a thing where you could reach out to them,

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<v Speaker 4>and you could go and stay there for a week,

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<v Speaker 4>but like, then, what this is the whole city?

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<v Speaker 2>Our hearts go.

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<v Speaker 4>Out to them, and yeah, it feels it does feel

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<v Speaker 4>a little bit frivolous to talk about an episode recap

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<v Speaker 4>when so much of that is happening. But that show

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<v Speaker 4>is there to bring light and levity to everyone, and

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<v Speaker 4>hopefully we can just park all of that heaviness just

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<v Speaker 4>for a minute so we can do our little recap

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<v Speaker 4>and hopefully bring people a few laughs and get their

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<v Speaker 4>minds off her.

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<v Speaker 1>So this episode is, to me the worst episode. I'm

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<v Speaker 1>going to already go to my Benjamin Norris scoreboard and

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<v Speaker 1>say one star. It was interesting that they gave us

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<v Speaker 1>as much backstory with Bozman, and I think it's a

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<v Speaker 1>bold move because you know, we don't really know her

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<v Speaker 1>and we need her, so it's kind of imperative that

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<v Speaker 1>they do something like this, and they hadn't done that

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<v Speaker 1>with some previous newbies before for us to get something

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<v Speaker 1>so in depth, But it was really flat, Like I'd

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<v Speaker 1>been loving Bozman up until that point, and then I

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<v Speaker 1>was like, Eh, maybe this is why we don't get

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<v Speaker 1>to see backstories like that for new bees.

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<v Speaker 4>Well, it was interesting in that I felt the same.

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<v Speaker 4>I didn't necessarily hate it as much as what you

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<v Speaker 4>were sort of saying, but I was like, oh, this

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<v Speaker 4>is very different because it was taking Garcel with her

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<v Speaker 4>beach house story and her son, and then Erica's decorating,

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<v Speaker 4>and then.

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<v Speaker 2>Bozman with this new guy, which, by the way, I thought,

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<v Speaker 2>this is ballsy if.

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<v Speaker 4>You're bringing him on camera that it sound like they've

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<v Speaker 4>been together for three months, and it was all very

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<v Speaker 4>new and it was such a deep dive into each

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<v Speaker 4>of those stories. We actually didn't have much group interaction

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<v Speaker 4>until I think there was a scene with Deret and

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<v Speaker 4>Erica talking about Phoenix doing the ballet and then Derete

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<v Speaker 4>talking to Bose about the therapy session. Until we got

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<v Speaker 4>to that final scene, there wasn't a group shot. So yeah,

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<v Speaker 4>it was a very different one. And maybe we have

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<v Speaker 4>spoken about this before, but that is intentional from the

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<v Speaker 4>producers so that every episode doesn't get hounded online as

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<v Speaker 4>being so heavy and toxic and dark and this, and

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<v Speaker 4>that they're trying to.

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<v Speaker 2>Add all these extra ayism in there.

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<v Speaker 1>But it does feel like Deret is carrying this whole

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<v Speaker 1>series on her back, because the only times we got

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<v Speaker 1>storylines between the women, as you mentioned, was Derete talking

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<v Speaker 1>to either Erica or Bothman, and we saw no Kyle.

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<v Speaker 1>We saw no Kathy, thankfully, we saw no Jennifer Tilly. Really,

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<v Speaker 1>it was bizarre to me. It felt like Kyle must

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<v Speaker 1>have sent Andy Cohen an email and said, ps of

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<v Speaker 1>going to the snow fuck you have a good time

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<v Speaker 1>filming the show.

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<v Speaker 2>Yes, you're so right. There was something.

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<v Speaker 4>There was something so different about it that we have

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<v Speaker 4>not seen in fifteen seasons. You are so fourteen, so

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<v Speaker 4>wherever we're up to that is so right. It did

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<v Speaker 4>feel like there was a break or something else going on,

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<v Speaker 4>and they've thought we have to you know, it's like

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<v Speaker 4>all the stuff that they would have popped maybe a

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<v Speaker 4>couple of minutes in as Villa, they've suddenly picked it

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<v Speaker 4>back up off the cutting room floor and said, well,

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<v Speaker 4>we're just going to have to plunk this in.

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<v Speaker 2>There because this is all we have for this week.

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<v Speaker 4>And it's not to say that some of it wasn't interesting.

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<v Speaker 4>It was just very drawn out for each of those stories.

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<v Speaker 4>It's not that I don't want to see what Erica

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<v Speaker 4>is doing, but I don't need a full.

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<v Speaker 2>Back catalog of every house.

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<v Speaker 4>That this guy's designed and exactly what they're going to

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<v Speaker 4>do in each room, Like it was very, very elaborate.

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<v Speaker 2>For such simple storylines.

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<v Speaker 1>I just finished with that man leaving the house, the

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<v Speaker 1>designer with Erica, and he was like, well that it

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<v Speaker 1>was great, you know, really looking forward to it. I

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<v Speaker 1>was thinking, Erica can't afford to do any of this.

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<v Speaker 1>She is wasting your time, my friend, that.

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<v Speaker 4>Is going to be yeah, Instagram hashtag partner, hashtag sponds,

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<v Speaker 4>hashtag gifted, hashtag ad whatever she can do to get

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<v Speaker 4>those bucks off the bill.

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<v Speaker 1>It reminded me of the time that my girlfriend rang

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<v Speaker 1>me and said, let's go to Louis Vauton. And we

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<v Speaker 1>went to Louis Vuitton and we looked around, we tried

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<v Speaker 1>stuff on think she bought like a like a purse

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<v Speaker 1>for her keys, like it was like this big, it

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<v Speaker 1>was a tiny the cheapest thing. Yeah, yeah, and we left.

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<v Speaker 1>That's her. She's like, thank you for coming. I really

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<v Speaker 1>like your ideas. Can you please style the toilet rollholder?

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<v Speaker 4>Yes, yes, or like thanks for your ideas, but now

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<v Speaker 4>I'm going to go to Walmart and get that mirror

0:10:46.120 --> 0:10:49.200
<v Speaker 4>that you talked about and I'll just I'll just get

0:10:49.440 --> 0:10:52.440
<v Speaker 4>Mikey and the glam squad to, like, you know.

0:10:52.440 --> 0:10:55.679
<v Speaker 1>Pop it in before we go away from Bozeman. What

0:10:55.720 --> 0:10:56.640
<v Speaker 1>do you think of her man?

0:10:56.880 --> 0:10:59.960
<v Speaker 2>I mean, I thought he was nice. I don't know.

0:11:00.000 --> 0:11:03.120
<v Speaker 4>Oh, I get a little bit red flag with some

0:11:03.160 --> 0:11:05.240
<v Speaker 4>of these guys that pop up on the show and

0:11:05.280 --> 0:11:08.160
<v Speaker 4>they've only been seeing them a couple of months, and

0:11:08.480 --> 0:11:11.080
<v Speaker 4>you know, and then he was talking about marriage and

0:11:11.400 --> 0:11:13.200
<v Speaker 4>that's the only reason.

0:11:12.920 --> 0:11:13.640
<v Speaker 2>That he dates.

0:11:13.720 --> 0:11:16.360
<v Speaker 4>I just sort of thought, oh, girl, be careful and

0:11:16.400 --> 0:11:18.480
<v Speaker 4>she's smart cooking. And she said that she'd had a

0:11:18.480 --> 0:11:21.959
<v Speaker 4>bad relationship, just coming out of one that seemed quite

0:11:22.040 --> 0:11:23.280
<v Speaker 4>quick as well, and I thought.

0:11:23.280 --> 0:11:26.480
<v Speaker 2>That's now, you put this guy on camera. I don't know.

0:11:26.720 --> 0:11:27.880
<v Speaker 2>I was just surprised.

0:11:27.960 --> 0:11:30.760
<v Speaker 4>I was surprised at that It felt like she hadn't

0:11:30.760 --> 0:11:31.720
<v Speaker 4>really thought that through.

0:11:31.840 --> 0:11:35.040
<v Speaker 1>The chemistry was not great, and her weave was not

0:11:35.120 --> 0:11:38.240
<v Speaker 1>great either, like in the wind, like I hadn't realized

0:11:38.240 --> 0:11:39.600
<v Speaker 1>that the bore her.

0:11:40.720 --> 0:11:47.440
<v Speaker 4>Oh her weave, I thought you said her queef. I

0:11:47.480 --> 0:11:54.800
<v Speaker 4>was like, hold up, what ill her weive? Okay, much better,

0:11:55.040 --> 0:11:57.839
<v Speaker 4>I'm gonna I know you're quief.

0:11:59.160 --> 0:12:01.440
<v Speaker 1>No, didn't you think the wig was weird?

0:12:01.760 --> 0:12:04.480
<v Speaker 4>Yeah, she's got a lot of hair weave going on.

0:12:04.600 --> 0:12:06.959
<v Speaker 4>I think she does that as a side business. I've

0:12:06.960 --> 0:12:09.600
<v Speaker 4>been trying to work out what this eve by Bo's

0:12:09.679 --> 0:12:12.360
<v Speaker 4>thing is on her Instagram, and I think it's hair

0:12:12.440 --> 0:12:15.720
<v Speaker 4>weaves and stuff. So maybe she's just using every episode

0:12:15.720 --> 0:12:18.240
<v Speaker 4>as a bit of a different you know, hashtag ad

0:12:18.520 --> 0:12:21.040
<v Speaker 4>that looks like a weave, a weave that needs to leave.

0:12:23.120 --> 0:12:25.520
<v Speaker 2>It was just so destryed Tymon Cow. It's a no

0:12:25.720 --> 0:12:25.959
<v Speaker 2>from me.

0:12:26.480 --> 0:12:28.520
<v Speaker 4>I mean, I think she's so beautiful though, Like I

0:12:28.640 --> 0:12:32.280
<v Speaker 4>love her smile, I love her energy she is. I

0:12:32.480 --> 0:12:35.040
<v Speaker 4>just am loving her with every episode. But yeah, I

0:12:35.200 --> 0:12:37.079
<v Speaker 4>just I can kind of see what they're trying to

0:12:37.160 --> 0:12:40.000
<v Speaker 4>do because I think with Anna, Marie and Crystal, maybe

0:12:40.400 --> 0:12:42.840
<v Speaker 4>the reason that people were bonding to them as quick

0:12:42.880 --> 0:12:45.439
<v Speaker 4>as because we didn't see as much backstory. And I

0:12:45.520 --> 0:12:47.760
<v Speaker 4>think the producers have taken a bit of that feedback

0:12:47.840 --> 0:12:49.840
<v Speaker 4>on and gone, Okay, well we need to start bringing

0:12:49.920 --> 0:12:53.240
<v Speaker 4>people in a lot quicker with these newbies so they

0:12:53.600 --> 0:12:55.360
<v Speaker 4>feel like they know them a bit better, they can

0:12:55.440 --> 0:12:59.040
<v Speaker 4>bond to them a bit better, they understand their background.

0:12:59.440 --> 0:13:01.079
<v Speaker 2>So I understan down what they were trying to do,

0:13:01.280 --> 0:13:02.559
<v Speaker 2>But I don't know if it quite.

0:13:02.880 --> 0:13:06.719
<v Speaker 1>Worked and how awkward was Boseman trying to react to

0:13:06.840 --> 0:13:10.120
<v Speaker 1>what Durit was trying to say about her first counseling

0:13:10.200 --> 0:13:13.920
<v Speaker 1>session with PK, like as she was like, what, oh, no,

0:13:14.320 --> 0:13:15.920
<v Speaker 1>it was so weird. I feel like she had to

0:13:16.040 --> 0:13:18.839
<v Speaker 1>really reach to sort of interact with it because what

0:13:19.000 --> 0:13:22.120
<v Speaker 1>did you make of Derete's retelling of her counseling session.

0:13:22.440 --> 0:13:27.679
<v Speaker 4>Well, it's so hard because is she exaggerating? Is this

0:13:27.840 --> 0:13:31.720
<v Speaker 4>another you know, secret sort of thing about their marriage

0:13:31.800 --> 0:13:34.240
<v Speaker 4>that we haven't been privy to? And I think it's

0:13:34.520 --> 0:13:37.920
<v Speaker 4>you know, Boseman didn't know PK, he didn't know them

0:13:37.960 --> 0:13:40.160
<v Speaker 4>as a couple. He's got you know, that was a

0:13:40.320 --> 0:13:42.719
<v Speaker 4>very one sided chat because what was she going to

0:13:42.800 --> 0:13:45.480
<v Speaker 4>do defend PK. She doesn't even know the guy, so

0:13:45.600 --> 0:13:48.520
<v Speaker 4>of course she's going to lean heavily into Derete's side.

0:13:48.840 --> 0:13:51.880
<v Speaker 4>Take everything that she's saying of face value. Had that

0:13:52.120 --> 0:13:54.000
<v Speaker 4>conversation happen.

0:13:53.880 --> 0:13:56.120
<v Speaker 2>With Erica, I don't know whether it would have been

0:13:56.240 --> 0:13:56.640
<v Speaker 2>the same.

0:13:56.920 --> 0:13:59.520
<v Speaker 1>What do you think My concern for Jarte and for

0:13:59.760 --> 0:14:02.160
<v Speaker 1>pa is this is a lot of information to be

0:14:02.240 --> 0:14:04.760
<v Speaker 1>putting out to the universe about their divorce, and I

0:14:04.920 --> 0:14:07.520
<v Speaker 1>just really worry for those children because at some point,

0:14:07.600 --> 0:14:09.400
<v Speaker 1>those kids are going to watch all of this back

0:14:09.679 --> 0:14:13.640
<v Speaker 1>and it's very toxic and it's very uncomfortable. And I

0:14:13.840 --> 0:14:16.160
<v Speaker 1>just don't think, I mean, this whole show is about

0:14:16.160 --> 0:14:19.320
<v Speaker 1>putting your real life on television, and I understand that.

0:14:19.720 --> 0:14:22.760
<v Speaker 1>I just think Jury might be oversharing, and if she

0:14:23.080 --> 0:14:26.280
<v Speaker 1>is exaggerating, I think that's a really dangerous territory to

0:14:26.400 --> 0:14:28.480
<v Speaker 1>be in because those kids are going to watch all

0:14:28.520 --> 0:14:30.040
<v Speaker 1>this back and they're going to have a reaction to that,

0:14:30.320 --> 0:14:31.400
<v Speaker 1>you know, in years to come.

0:14:31.560 --> 0:14:35.320
<v Speaker 4>And the irony of that whole situation is that she's

0:14:35.360 --> 0:14:38.200
<v Speaker 4>going so out of her way to protect the kids

0:14:38.560 --> 0:14:41.000
<v Speaker 4>as we're seeing it play out to the point where

0:14:41.320 --> 0:14:44.320
<v Speaker 4>you know, she fired back at Sutton again when Sutton said.

0:14:44.160 --> 0:14:46.120
<v Speaker 2>Well, you can't keep the kids unaware forever.

0:14:46.480 --> 0:14:51.600
<v Speaker 4>She's really really primal about keeping the kids away from this,

0:14:52.080 --> 0:14:55.400
<v Speaker 4>And you're so right. It's the irony of it all

0:14:55.560 --> 0:14:57.760
<v Speaker 4>when it's going to turn around, you know, when those

0:14:57.840 --> 0:15:00.400
<v Speaker 4>kids finally watch the episodes, they're going to be seeing

0:15:00.560 --> 0:15:03.520
<v Speaker 4>it all like she is mentioning it all, honey, and.

0:15:03.560 --> 0:15:05.920
<v Speaker 1>Then feel like we're getting the side hustle as to

0:15:06.000 --> 0:15:09.120
<v Speaker 1>where Deret's going to go and that is stage mama

0:15:09.520 --> 0:15:14.800
<v Speaker 1>likes in Phoenix is amazing, and like we all got

0:15:14.840 --> 0:15:16.400
<v Speaker 1>to see that over the Christmas break, We've got to

0:15:16.440 --> 0:15:19.320
<v Speaker 1>see her in real time still doing her dancing and

0:15:19.400 --> 0:15:23.200
<v Speaker 1>her singing. But I was like, oh, Dearite was born

0:15:23.280 --> 0:15:24.200
<v Speaker 1>to be a stage mum.

0:15:24.400 --> 0:15:27.720
<v Speaker 4>Oh yeah, she could lean right into that lean writing.

0:15:27.960 --> 0:15:31.400
<v Speaker 4>But look, Phoenix looks I watched those social media clips.

0:15:31.440 --> 0:15:33.960
<v Speaker 4>I mean, she she's got it. She's got the star power,

0:15:34.160 --> 0:15:37.120
<v Speaker 4>she's got the talent. So I mean, look, if Deret

0:15:37.240 --> 0:15:40.640
<v Speaker 4>loses their paycheck, come on in Phoenix, she's going to

0:15:40.640 --> 0:15:43.480
<v Speaker 4>be holding up the fort getting that in Sceno mansioned

0:15:43.560 --> 0:15:45.040
<v Speaker 4>back from pre foreclosure.

0:15:45.200 --> 0:15:48.440
<v Speaker 1>Who do you think would be a worse stage mum,

0:15:48.800 --> 0:15:53.960
<v Speaker 1>Derete or PK Dreid For sure, Nok is on the

0:15:54.040 --> 0:15:57.400
<v Speaker 1>other side. Deret is behind Curt number one, PK is

0:15:57.440 --> 0:16:01.600
<v Speaker 1>behind Kurt number two, and PK is there like yelling

0:16:01.640 --> 0:16:05.160
<v Speaker 1>at Phoenix, yeah, get the cash.

0:16:05.400 --> 0:16:08.680
<v Speaker 4>He just needs the cash. Whatever, whoever's bringing that cash.

0:16:08.720 --> 0:16:11.360
<v Speaker 4>She wouldn't care who's behind the curtain, not at all, you.

0:16:11.400 --> 0:16:14.000
<v Speaker 1>Know, talking about the children of these women, did you

0:16:14.240 --> 0:16:17.560
<v Speaker 1>feel like with Garsel talking about her first son. You

0:16:17.640 --> 0:16:19.600
<v Speaker 1>know him being on the show, don't you think that

0:16:19.800 --> 0:16:22.960
<v Speaker 1>her relationship with him is quite fragile and he seems

0:16:23.000 --> 0:16:25.240
<v Speaker 1>a bit fragile. That to me seems like a bit

0:16:25.240 --> 0:16:27.040
<v Speaker 1>of a no go zone. I mean, I guess that

0:16:27.160 --> 0:16:30.120
<v Speaker 1>she's opening herself up and allowing us to see her story,

0:16:30.400 --> 0:16:32.960
<v Speaker 1>and you know, I can clap for that, but I

0:16:33.200 --> 0:16:36.120
<v Speaker 1>just worry about putting that relationship out there because I

0:16:36.200 --> 0:16:39.400
<v Speaker 1>think that also doesn't have the ability to put that

0:16:39.520 --> 0:16:40.360
<v Speaker 1>much pressure on that.

0:16:41.040 --> 0:16:44.120
<v Speaker 4>Well, I think it was I mean, it was very

0:16:44.280 --> 0:16:49.440
<v Speaker 4>much emotional and very private, and she's obviously been through

0:16:49.480 --> 0:16:51.920
<v Speaker 4>a lot of struggles with him and his addiction. I

0:16:52.040 --> 0:16:55.160
<v Speaker 4>thought it was good for Garcel, like I enjoyed watching

0:16:55.280 --> 0:16:58.320
<v Speaker 4>that as a viewer, and particularly because we were like, well,

0:16:58.320 --> 0:17:00.880
<v Speaker 4>what are you bringing to the tape besides sort of

0:17:01.280 --> 0:17:03.560
<v Speaker 4>picking up on other people's stuff. So I thought that

0:17:03.760 --> 0:17:08.040
<v Speaker 4>part of it was valuable. But to your point, I

0:17:08.200 --> 0:17:12.480
<v Speaker 4>feel like we're the fragility. Where it's potentially going to

0:17:12.520 --> 0:17:15.639
<v Speaker 4>be an issue is if he had a relapse. His

0:17:15.880 --> 0:17:19.400
<v Speaker 4>situation is very much out there and not so much

0:17:19.520 --> 0:17:22.440
<v Speaker 4>that that would be detrimental for her, but degimental for him.

0:17:22.520 --> 0:17:24.840
<v Speaker 4>You know, he's still only in his early thirties. By

0:17:24.920 --> 0:17:26.960
<v Speaker 4>the sounds of it, I think he's thirty three or something.

0:17:28.119 --> 0:17:29.880
<v Speaker 2>I'm not too sure what he does for a living,

0:17:30.720 --> 0:17:33.960
<v Speaker 2>but you know he goes for a job, right, So yeah,

0:17:34.040 --> 0:17:36.080
<v Speaker 2>and there, they didn't know any of that.

0:17:36.280 --> 0:17:38.840
<v Speaker 4>They've just taken him on face value and seeing his

0:17:38.960 --> 0:17:41.000
<v Speaker 4>CV and seeing someone who's quite together.

0:17:41.119 --> 0:17:44.000
<v Speaker 2>Now he might be in a bad spot if they go, well,

0:17:44.040 --> 0:17:46.200
<v Speaker 2>hang on a second, we think you might be a risk.

0:17:46.320 --> 0:17:49.399
<v Speaker 4>I don't know how that all works into I've never

0:17:49.520 --> 0:17:52.520
<v Speaker 4>dealt with anyone that has those type of issues, but

0:17:52.640 --> 0:17:54.199
<v Speaker 4>I did feel like that last night.

0:17:54.240 --> 0:17:56.800
<v Speaker 2>I thought, Oh, you want to hope things stay on

0:17:56.880 --> 0:17:57.679
<v Speaker 2>a good track for him.

0:17:57.840 --> 0:18:00.639
<v Speaker 1>Were you emotional though watching her tell? That's because that

0:18:00.760 --> 0:18:02.840
<v Speaker 1>was something I talked about with a friend of mine yesterday,

0:18:03.080 --> 0:18:05.520
<v Speaker 1>and she said she had no emotion to watching it,

0:18:05.720 --> 0:18:08.480
<v Speaker 1>that it was a very very emotional scene with her

0:18:08.600 --> 0:18:12.399
<v Speaker 1>retelling of that story, but there was somehow limited connection

0:18:12.520 --> 0:18:14.359
<v Speaker 1>to what it was as well. I don't know how

0:18:14.400 --> 0:18:14.880
<v Speaker 1>did you feel.

0:18:15.560 --> 0:18:19.280
<v Speaker 2>I was quite you know, compelled and engaged in the story.

0:18:19.840 --> 0:18:21.680
<v Speaker 4>It was one of those moments where you sort of

0:18:21.800 --> 0:18:26.119
<v Speaker 4>felt a bit like like that must have been really scary.

0:18:26.280 --> 0:18:28.760
<v Speaker 4>And an awful time, and for her as a mother,

0:18:29.040 --> 0:18:32.359
<v Speaker 4>and obviously she wouldn't have had the financial backing behind

0:18:32.440 --> 0:18:35.080
<v Speaker 4>her that she probably does now. And how did they

0:18:35.160 --> 0:18:37.720
<v Speaker 4>get into rehab? I did think about all of that,

0:18:38.240 --> 0:18:41.080
<v Speaker 4>and so I feel like for her us getting an

0:18:41.119 --> 0:18:44.120
<v Speaker 4>insight into more of her background and her family life

0:18:44.160 --> 0:18:46.720
<v Speaker 4>and those sort of family dynamics and the struggles.

0:18:47.200 --> 0:18:49.520
<v Speaker 2>I quite enjoyed it on that level.

0:18:49.880 --> 0:18:51.639
<v Speaker 1>I was like, get to the viper room. I'm like,

0:18:51.880 --> 0:18:56.280
<v Speaker 1>by the time we had been to Bozman's backstory, Garsell's backstory,

0:18:56.520 --> 0:19:00.119
<v Speaker 1>Erica's backstory, this was a real opportunity for viewers to

0:19:00.119 --> 0:19:02.000
<v Speaker 1>see what the show would look like if Kyle wasn't

0:19:02.040 --> 0:19:04.720
<v Speaker 1>on the show, and it's just not strong enough. So

0:19:04.880 --> 0:19:06.640
<v Speaker 1>I was like, get me to the viper room.

0:19:06.880 --> 0:19:08.040
<v Speaker 2>Yeah, it's a good point.

0:19:08.119 --> 0:19:11.600
<v Speaker 4>And I think just having no other sort of dynamics

0:19:12.240 --> 0:19:15.920
<v Speaker 4>going on between the ladies separately, I think that, Yeah,

0:19:16.160 --> 0:19:18.119
<v Speaker 4>I don't know if that's a good way to go

0:19:18.359 --> 0:19:21.280
<v Speaker 4>for the show. I understand they're trying to calm it

0:19:21.400 --> 0:19:24.120
<v Speaker 4>down a bit, but I don't think it's as compelling.

0:19:24.440 --> 0:19:25.680
<v Speaker 1>Have you been to the viper room?

0:19:26.119 --> 0:19:29.159
<v Speaker 2>No, I've never been over there. What I've never been

0:19:29.200 --> 0:19:29.640
<v Speaker 2>to la.

0:19:29.960 --> 0:19:32.080
<v Speaker 1>Oh, well we need to cancel the podcast now.

0:19:33.080 --> 0:19:34.520
<v Speaker 2>Well I don't think Nail's the time to go.

0:19:36.680 --> 0:19:41.000
<v Speaker 1>No, no, So the Viper Room we finally got to

0:19:41.040 --> 0:19:44.119
<v Speaker 1>see what we've been teased for the last two weeks.

0:19:44.320 --> 0:19:47.359
<v Speaker 1>Another show down for Kyle and Durite. How did it

0:19:47.520 --> 0:19:48.159
<v Speaker 1>all sit with you?

0:19:48.560 --> 0:19:50.720
<v Speaker 2>First of all, can we just get to the sutton

0:19:50.760 --> 0:19:53.920
<v Speaker 2>of it all? That woman? I know I say this

0:19:54.080 --> 0:19:57.160
<v Speaker 2>every week, but it just gets worse every week.

0:19:57.320 --> 0:20:03.280
<v Speaker 4>Her volatility, her ratic, you know, engagement with the women.

0:20:03.640 --> 0:20:06.760
<v Speaker 4>I cannot believe she would sit there, first of all,

0:20:07.160 --> 0:20:11.520
<v Speaker 4>jumping in telling Dread about the kids. Well, you can't

0:20:11.560 --> 0:20:15.840
<v Speaker 4>shield the kids forever, which okay, but again I agree

0:20:16.000 --> 0:20:16.960
<v Speaker 4>with Erica and stuff.

0:20:17.000 --> 0:20:18.800
<v Speaker 2>It was all in the delivery. But then to go

0:20:19.119 --> 0:20:21.680
<v Speaker 2>off the way she did. We're not friends.

0:20:21.960 --> 0:20:25.920
<v Speaker 4>I want to be cordial, screaming talk to your real friend,

0:20:26.160 --> 0:20:27.160
<v Speaker 4>talk to your real friend.

0:20:27.440 --> 0:20:29.840
<v Speaker 2>She is insane? What is fun with her?

0:20:30.400 --> 0:20:33.560
<v Speaker 1>I can't This is the first season that I'm actually

0:20:33.760 --> 0:20:34.920
<v Speaker 1>enjoying sudden.

0:20:35.200 --> 0:20:39.520
<v Speaker 2>Really yeah, because she's so unpredictable.

0:20:39.880 --> 0:20:41.879
<v Speaker 1>I'm going to be really vain or whatever it is

0:20:41.880 --> 0:20:44.440
<v Speaker 1>about this. I'm going to be really shallow and say

0:20:45.160 --> 0:20:48.840
<v Speaker 1>I'm enjoying how crazy she is purely on the fact

0:20:48.840 --> 0:20:51.560
<v Speaker 1>that she has finally got her look right for the show.

0:20:52.000 --> 0:20:56.200
<v Speaker 1>She looks stunning. Oh, she looks stunning, gugeous. Like every

0:20:56.240 --> 0:20:59.160
<v Speaker 1>other season before she looked like a tamagotchi watch from

0:20:59.240 --> 0:21:05.879
<v Speaker 1>two thousand and one. But now that hair is on point,

0:21:06.040 --> 0:21:08.160
<v Speaker 1>her makeup at a point I don't know who her

0:21:08.320 --> 0:21:11.879
<v Speaker 1>surgeon is. Her styling is so much better. Like in

0:21:11.960 --> 0:21:13.760
<v Speaker 1>the previous seasons they used to put her in like

0:21:13.840 --> 0:21:17.320
<v Speaker 1>a ratsack and just walk around us, and she would

0:21:17.359 --> 0:21:20.000
<v Speaker 1>tell us it was cardiac, like, yeah, well, you know.

0:21:20.320 --> 0:21:22.480
<v Speaker 4>The clothing she used to kind of wear was the

0:21:22.560 --> 0:21:27.399
<v Speaker 4>Jennifertilli stuff really like coutua, like out there a little

0:21:27.400 --> 0:21:31.280
<v Speaker 4>bit hard. Yeah, yeah, so I agree with you. Look

0:21:31.359 --> 0:21:34.680
<v Speaker 4>she looks amazing, but that doesn't stop the cray kray.

0:21:34.920 --> 0:21:39.399
<v Speaker 4>And it was interesting last night watching Bozeman kind of

0:21:39.480 --> 0:21:42.359
<v Speaker 4>cotton onto it and she was like, hang on a second,

0:21:42.480 --> 0:21:46.920
<v Speaker 4>she's either Delulu or she's actually quite calculated and mean.

0:21:47.200 --> 0:21:50.520
<v Speaker 4>And then I just thought, Wow, you know how vindicated

0:21:50.680 --> 0:21:54.280
<v Speaker 4>must Erica feel, thinking she was really the first main

0:21:54.640 --> 0:21:58.320
<v Speaker 4>culprit where she really went after her with all that

0:21:58.440 --> 0:22:01.360
<v Speaker 4>Tom Girardi stuff. Then she went after Kyle, and now

0:22:01.400 --> 0:22:03.879
<v Speaker 4>it's happening again and people are actually opening.

0:22:03.640 --> 0:22:06.359
<v Speaker 2>Their eyes and going, hang on a second, this is

0:22:06.520 --> 0:22:09.040
<v Speaker 2>so true. This is what she does. And I just

0:22:09.119 --> 0:22:11.080
<v Speaker 2>thought that must be a good moment for Erica. And

0:22:11.160 --> 0:22:13.040
<v Speaker 2>amongst all that craziness, I just.

0:22:13.040 --> 0:22:15.840
<v Speaker 1>Don't think anyone's ever been read as well as the

0:22:15.880 --> 0:22:18.639
<v Speaker 1>way that Bozeman's reading some of these people. And that

0:22:18.840 --> 0:22:22.440
<v Speaker 1>read that she gave of Sudden was so accurate, and

0:22:22.560 --> 0:22:25.400
<v Speaker 1>I was like, okay, and someone's going to now take

0:22:25.440 --> 0:22:27.760
<v Speaker 1>her to task. And so I think even I don't

0:22:27.760 --> 0:22:29.800
<v Speaker 1>know how she phrased it, but she sort of said,

0:22:30.080 --> 0:22:33.080
<v Speaker 1>you know, she better not go after me first. That's yeah, move.

0:22:33.400 --> 0:22:36.119
<v Speaker 1>And I feel as though she is going to go

0:22:36.240 --> 0:22:40.000
<v Speaker 1>after Bozeman. And I cannot wait for the tactics of

0:22:40.119 --> 0:22:42.679
<v Speaker 1>Bozman on how she's going to address Sudden and how

0:22:42.760 --> 0:22:44.160
<v Speaker 1>she's going to dress her down.

0:22:45.000 --> 0:22:47.760
<v Speaker 4>That'll be like a chihuahua trying to go after like

0:22:48.200 --> 0:22:50.040
<v Speaker 4>a polar bear, do you know what I mean? Like

0:22:50.640 --> 0:22:54.240
<v Speaker 4>it will absolutely she will get torn to shreds. I

0:22:54.320 --> 0:22:56.800
<v Speaker 4>feel like that dynamic. She could tell she was toying

0:22:56.840 --> 0:22:59.440
<v Speaker 4>with it last night when she addressed her and said,

0:22:59.720 --> 0:23:02.120
<v Speaker 4>you know, I didn't like that term weaponize, and then

0:23:02.359 --> 0:23:04.879
<v Speaker 4>both said look, I think you could be dangerous and

0:23:04.960 --> 0:23:07.360
<v Speaker 4>she was like, well, I'm not like she was laughing,

0:23:07.680 --> 0:23:10.160
<v Speaker 4>she was toying with it, just testing it out.

0:23:10.240 --> 0:23:12.320
<v Speaker 2>But I feel like you're right that time will come

0:23:12.560 --> 0:23:13.760
<v Speaker 2>and it will be messy.

0:23:14.400 --> 0:23:16.520
<v Speaker 1>Sun's a little bit like Rove McManus. If they don't

0:23:16.520 --> 0:23:17.920
<v Speaker 1>know what to do, they just start yelling.

0:23:20.960 --> 0:23:24.640
<v Speaker 2>Well, yell, she did, and I feel like, down.

0:23:25.119 --> 0:23:27.960
<v Speaker 4>Yeah, It's just it's crazy to think that with all

0:23:28.119 --> 0:23:32.240
<v Speaker 4>the drama around Kyle and to read the worst of

0:23:32.280 --> 0:23:35.280
<v Speaker 4>it comes out of Sutton and we weren't even expecting.

0:23:34.840 --> 0:23:37.119
<v Speaker 1>It, Isn't it weird though, that we're moving into the

0:23:37.600 --> 0:23:39.639
<v Speaker 1>Kyle and to read of it all, it's so interesting

0:23:39.720 --> 0:23:42.359
<v Speaker 1>that Kyle is so wrong in what it is that

0:23:42.480 --> 0:23:45.879
<v Speaker 1>she's trying to defend. But yet I'm still on Kyle's side.

0:23:46.320 --> 0:23:49.960
<v Speaker 1>None of my friends would ever be texting the X.

0:23:50.320 --> 0:23:52.159
<v Speaker 1>That is a no go zone. No one would do that.

0:23:52.560 --> 0:23:55.520
<v Speaker 1>That is gay code, that is girl code. We don't

0:23:55.560 --> 0:23:59.320
<v Speaker 1>do that. But I still was watching Kyle and thinking, yeah,

0:23:59.320 --> 0:24:00.400
<v Speaker 1>I'm kind of on your side.

0:24:00.680 --> 0:24:03.480
<v Speaker 4>Yeah, as in, like, have you flipped because obviously when

0:24:03.800 --> 0:24:06.440
<v Speaker 4>the fight was starting, when the season started, we were like,

0:24:06.520 --> 0:24:07.800
<v Speaker 4>we're both on team Dreed.

0:24:08.520 --> 0:24:12.160
<v Speaker 2>So are you meaning like overall you're now on team

0:24:12.240 --> 0:24:12.960
<v Speaker 2>Kyle or.

0:24:13.080 --> 0:24:16.600
<v Speaker 4>Just in regards to this texting situation, you feel like

0:24:17.160 --> 0:24:19.280
<v Speaker 4>you can understand her point more where she's like, well,

0:24:19.280 --> 0:24:21.560
<v Speaker 4>we send memes and jokes, I don't need to do

0:24:21.680 --> 0:24:22.240
<v Speaker 4>it anymore.

0:24:22.440 --> 0:24:24.320
<v Speaker 1>She was definitely lying to cover it up. She was

0:24:24.400 --> 0:24:26.280
<v Speaker 1>definitely lying to cover it all up. But at the

0:24:26.320 --> 0:24:29.680
<v Speaker 1>same time I was I could hear the earnestness in

0:24:29.800 --> 0:24:32.800
<v Speaker 1>her voice, and I just believe that her connection with

0:24:32.920 --> 0:24:35.400
<v Speaker 1>Pik at this point might be stronger and she met

0:24:35.440 --> 0:24:37.480
<v Speaker 1>them both at the same time. I don't know, like,

0:24:37.600 --> 0:24:39.320
<v Speaker 1>I feel like if I was going to put money

0:24:39.359 --> 0:24:41.680
<v Speaker 1>on a horse, I would put money on the horse

0:24:41.800 --> 0:24:44.639
<v Speaker 1>being Kyle's friendship with Pico over putting money on the

0:24:44.720 --> 0:24:45.399
<v Speaker 1>horse of Derey.

0:24:45.640 --> 0:24:48.159
<v Speaker 4>You know, well it's yeah, well it is getting that

0:24:48.240 --> 0:24:51.480
<v Speaker 4>way now. I mean, look, I kind of we talked

0:24:51.480 --> 0:24:54.200
<v Speaker 4>about that a couple of weeks ago, where we said,

0:24:54.200 --> 0:24:55.639
<v Speaker 4>you know, would you text you know?

0:24:55.760 --> 0:24:56.399
<v Speaker 2>And we said no.

0:24:56.960 --> 0:24:58.960
<v Speaker 4>But I understand her sort of going, look, well we

0:24:59.080 --> 0:25:02.359
<v Speaker 4>had been sending these jokes. I don't need to do

0:25:02.440 --> 0:25:06.040
<v Speaker 4>it anymore, and I'm sorry. But when she started screaming

0:25:06.280 --> 0:25:10.119
<v Speaker 4>and really getting irate, and Darreite was saying, the veins

0:25:10.119 --> 0:25:11.880
<v Speaker 4>are popping out of your head, I think she did

0:25:11.960 --> 0:25:13.560
<v Speaker 4>take it to a place where it didn't need to go.

0:25:13.840 --> 0:25:16.320
<v Speaker 4>I think she should have probably at that point back

0:25:16.440 --> 0:25:19.960
<v Speaker 4>down and said I really honestly didn't give it a thought.

0:25:20.040 --> 0:25:23.480
<v Speaker 4>I've had a lot going on. I understand your point,

0:25:23.800 --> 0:25:25.760
<v Speaker 4>and I'll stop doing it, and that's the end of it.

0:25:26.040 --> 0:25:26.720
<v Speaker 2>It didn't need to.

0:25:26.720 --> 0:25:28.920
<v Speaker 4>Get to such an ugly place. I think Durite was

0:25:29.040 --> 0:25:31.280
<v Speaker 4>raising it quite calmly at the start.

0:25:31.600 --> 0:25:32.760
<v Speaker 2>It only turned.

0:25:32.640 --> 0:25:36.160
<v Speaker 4>Really sour, really crazy towards the end. And I don't

0:25:36.200 --> 0:25:40.320
<v Speaker 4>think her calling dreat bitter was any more helpful. I thought, well,

0:25:40.359 --> 0:25:42.680
<v Speaker 4>hang on, you've asked for grace when you've gone through

0:25:42.760 --> 0:25:46.240
<v Speaker 4>your divorce, and now you're turning around throwing around phrases

0:25:46.320 --> 0:25:48.399
<v Speaker 4>like that when she's just at the start of her

0:25:48.640 --> 0:25:50.920
<v Speaker 4>journey with it all. I thought, well, that's pretty double

0:25:51.000 --> 0:25:51.560
<v Speaker 4>stand it.

0:25:51.720 --> 0:25:53.960
<v Speaker 1>But it also to me was really interesting how the

0:25:54.080 --> 0:25:56.240
<v Speaker 1>women all were like, oh, this is where we make

0:25:56.320 --> 0:26:00.399
<v Speaker 1>our paycheck, because it clearly was a conversation that everyone

0:26:00.480 --> 0:26:02.320
<v Speaker 1>knew was going to camera, you know what I mean,

0:26:02.440 --> 0:26:04.520
<v Speaker 1>like a little bit of banter amongst the girls we're

0:26:04.560 --> 0:26:08.280
<v Speaker 1>at the viproum Erica Jane that bunweave looks amazing, and

0:26:08.359 --> 0:26:10.760
<v Speaker 1>then they were like, but the paycheck is Durit's going

0:26:10.840 --> 0:26:13.440
<v Speaker 1>to take Kyle to task over something we've all been

0:26:13.480 --> 0:26:16.000
<v Speaker 1>talking about behind the scenes, and that is do you

0:26:16.119 --> 0:26:18.680
<v Speaker 1>text the ex us. I felt like with Kyle, there's

0:26:18.680 --> 0:26:20.520
<v Speaker 1>a lot of work going on in her face. We're

0:26:20.520 --> 0:26:24.600
<v Speaker 1>starting to see a lotastic surgery, Like she and Kathy

0:26:24.640 --> 0:26:27.040
<v Speaker 1>are starting to look very similar because they're clearly going

0:26:27.040 --> 0:26:29.880
<v Speaker 1>to the same person. But it was almost as though

0:26:30.000 --> 0:26:31.680
<v Speaker 1>that vein that was in the middle of her head

0:26:31.840 --> 0:26:33.480
<v Speaker 1>is the only real thing that's still there.

0:26:36.960 --> 0:26:41.080
<v Speaker 4>Look, I agree that, Yeah, there's been a lot of

0:26:41.160 --> 0:26:44.240
<v Speaker 4>stuff happening. There's been a lot of appointments, I you.

0:26:44.280 --> 0:26:46.600
<v Speaker 2>Know, to each their own. Have the lips gone a

0:26:46.640 --> 0:26:47.280
<v Speaker 2>bit far from me?

0:26:47.840 --> 0:26:48.040
<v Speaker 1>Yep?

0:26:48.400 --> 0:26:52.040
<v Speaker 4>But look, she does look phenomenal overall, Like she is,

0:26:52.119 --> 0:26:55.520
<v Speaker 4>bitch's gorgeous. She was wearing that black sandy from Greece

0:26:56.000 --> 0:26:57.720
<v Speaker 4>like crun number. I mean, there's not many people that

0:26:57.800 --> 0:26:59.480
<v Speaker 4>can pull that off, So hats off.

0:26:59.640 --> 0:27:03.399
<v Speaker 1>But Washington phenomenal, like I would, we would sell our

0:27:03.440 --> 0:27:06.240
<v Speaker 1>bodies to be her, Like she looks great. But I

0:27:06.400 --> 0:27:08.800
<v Speaker 1>just was like in that moment, whether it was the

0:27:08.880 --> 0:27:12.399
<v Speaker 1>big hair, it just accentual, accentuated sort of all of

0:27:12.440 --> 0:27:15.119
<v Speaker 1>the work that she'd had done. And it was the

0:27:15.240 --> 0:27:19.359
<v Speaker 1>reason why I'm talking about something that's so shallow about

0:27:19.400 --> 0:27:22.200
<v Speaker 1>her look is that I wonder whether or not she

0:27:22.280 --> 0:27:25.359
<v Speaker 1>would relate to these women better and jow more authenticity

0:27:25.480 --> 0:27:28.160
<v Speaker 1>about what she's saying if she hadn't had all that work.

0:27:28.200 --> 0:27:29.560
<v Speaker 1>Do you know what I mean? Like it's a very

0:27:29.920 --> 0:27:30.639
<v Speaker 1>cold face.

0:27:31.119 --> 0:27:31.800
<v Speaker 2>Yeah, I don't know.

0:27:32.000 --> 0:27:34.160
<v Speaker 4>I mean I feel like they're all they're all getting

0:27:34.280 --> 0:27:36.920
<v Speaker 4>their nips and tucks and tweaks and all of that.

0:27:37.359 --> 0:27:40.440
<v Speaker 4>But I just feel like when I'm watching her in

0:27:40.560 --> 0:27:44.520
<v Speaker 4>these scenes, I just keep thinking pot kettle black or

0:27:44.640 --> 0:27:47.240
<v Speaker 4>like that's rich coming from you, because I feel like,

0:27:47.680 --> 0:27:50.880
<v Speaker 4>and maybe because she does have that og status, she's

0:27:51.000 --> 0:27:53.320
<v Speaker 4>really expected a lot of gray. So, I mean, we

0:27:53.600 --> 0:27:56.240
<v Speaker 4>think about that scene at the dinner party last year

0:27:56.240 --> 0:27:58.800
<v Speaker 4>where Sutton was asking her about is something going on

0:27:58.920 --> 0:28:01.000
<v Speaker 4>in your personal life? Is something going on in your marriage?

0:28:01.000 --> 0:28:03.200
<v Speaker 4>Why aren't you wearing your brin? And she was like well,

0:28:03.600 --> 0:28:04.800
<v Speaker 4>what else do you want from me?

0:28:05.400 --> 0:28:06.160
<v Speaker 2>Raahrah lahrah.

0:28:06.400 --> 0:28:09.800
<v Speaker 4>She was getting very defensive and she wanted everyone to

0:28:09.840 --> 0:28:12.200
<v Speaker 4>give her grace to back off. And then I feel

0:28:12.280 --> 0:28:15.719
<v Speaker 4>like with Dreat she's not doing any of that with her.

0:28:15.960 --> 0:28:19.080
<v Speaker 4>She's calling her bitter. She's screaming in her face. She

0:28:19.400 --> 0:28:21.960
<v Speaker 4>I mean the preview that I've seen for next week.

0:28:22.320 --> 0:28:24.840
<v Speaker 4>She's talking about that, and she says, the last time

0:28:24.920 --> 0:28:28.200
<v Speaker 4>I got that angry was with Camille Grammar. It's season one,

0:28:28.320 --> 0:28:31.280
<v Speaker 4>which is the iconic You're such a fucking liar of

0:28:31.359 --> 0:28:33.639
<v Speaker 4>Camille that clip. She said, I have not been that

0:28:33.760 --> 0:28:37.800
<v Speaker 4>angry since then. But why why are you getting so angry?

0:28:38.280 --> 0:28:40.480
<v Speaker 4>Dri should be the one which you know she was

0:28:40.560 --> 0:28:42.880
<v Speaker 4>getting slightly angry, but I don't feel like she was

0:28:42.920 --> 0:28:44.840
<v Speaker 4>at Kyle's level, and I feel like she had more

0:28:44.920 --> 0:28:45.360
<v Speaker 4>right to be.

0:28:45.720 --> 0:28:47.560
<v Speaker 1>I think she's just getting sick of what's going on.

0:28:47.840 --> 0:28:49.680
<v Speaker 1>Like I said, Duret's going to take her to task

0:28:49.800 --> 0:28:53.920
<v Speaker 1>every episode about everything. She'll be like going after her

0:28:54.320 --> 0:28:57.800
<v Speaker 1>for everything. What's it going to take for Dered to back.

0:28:57.680 --> 0:29:01.760
<v Speaker 4>Off Kyle an apology about diminishing their friendship. I think

0:29:01.840 --> 0:29:03.960
<v Speaker 4>that's the core of the herb for Derete, and I

0:29:04.000 --> 0:29:06.720
<v Speaker 4>think until she says, look, I was talking.

0:29:06.520 --> 0:29:08.240
<v Speaker 2>Out of spite. I was nasty.

0:29:08.640 --> 0:29:10.760
<v Speaker 4>We did have a real friendship, and I tried to

0:29:11.360 --> 0:29:14.120
<v Speaker 4>throw it under the bus and talk publicly about it

0:29:14.200 --> 0:29:15.800
<v Speaker 4>in a way that wasn't accurate.

0:29:16.120 --> 0:29:17.240
<v Speaker 2>And I don't know if she'll do that.

0:29:17.480 --> 0:29:19.360
<v Speaker 1>I don't know if she'll do that, to be honest,

0:29:19.520 --> 0:29:21.800
<v Speaker 1>we got it to be continued, which I thought was

0:29:22.040 --> 0:29:25.280
<v Speaker 1>really annoying because I'm like, what, we've just come back, Like,

0:29:25.440 --> 0:29:27.280
<v Speaker 1>I don't know if it to be continued with an

0:29:27.280 --> 0:29:29.440
<v Speaker 1>episode when you've returned from the Christmas period was the

0:29:29.520 --> 0:29:31.120
<v Speaker 1>right thing to do because and we.

0:29:31.200 --> 0:29:33.120
<v Speaker 2>Had to be continued on the premiere.

0:29:33.160 --> 0:29:35.880
<v Speaker 1>I remember, yeah, and I was like, are we going

0:29:35.920 --> 0:29:37.640
<v Speaker 1>to get it to be continued? Are they going to

0:29:38.000 --> 0:29:40.400
<v Speaker 1>stick a Kyle and Derete fight at the end of

0:29:40.480 --> 0:29:42.720
<v Speaker 1>these episodes to sort of pap us with the pull

0:29:42.800 --> 0:29:45.120
<v Speaker 1>through because they didn't give us a preview of next

0:29:45.160 --> 0:29:47.560
<v Speaker 1>week at the time. Yes, you can go now watch

0:29:47.640 --> 0:29:50.320
<v Speaker 1>it online, but we didn't get the preview of next week.

0:29:50.400 --> 0:29:52.360
<v Speaker 1>I just felt like that to be continued would have

0:29:52.400 --> 0:29:55.240
<v Speaker 1>been fine if we had, you know, coming up for

0:29:55.320 --> 0:29:57.200
<v Speaker 1>the rest of the season of the Real Housewives of

0:29:57.280 --> 0:30:00.400
<v Speaker 1>Beverly Hills. This is what's going to happen. Made that

0:30:00.560 --> 0:30:02.560
<v Speaker 1>feel a little less What the fuck?

0:30:02.840 --> 0:30:03.800
<v Speaker 2>Yeah, I agree with you.

0:30:04.040 --> 0:30:07.320
<v Speaker 4>I actually i'd sort of like hit stop on my

0:30:07.480 --> 0:30:10.400
<v Speaker 4>remote and then I thought, oh no, I must have

0:30:10.880 --> 0:30:13.120
<v Speaker 4>not watched the trailer, and I went to rewatch it,

0:30:13.200 --> 0:30:13.960
<v Speaker 4>and then I was like, oh.

0:30:13.880 --> 0:30:16.440
<v Speaker 2>There is no trailer. So I agree with you. It does.

0:30:16.800 --> 0:30:20.280
<v Speaker 4>It does feel very dissatisfying as a viewer when you

0:30:20.320 --> 0:30:22.800
<v Speaker 4>feel like you're putting all this time in watching all

0:30:22.880 --> 0:30:27.160
<v Speaker 4>these laborious bullshit backstories, you know, for fifteen minute chunks,

0:30:27.240 --> 0:30:29.400
<v Speaker 4>we get the real juice at the end, and then

0:30:29.400 --> 0:30:30.440
<v Speaker 4>we don't get the trailer.

0:30:30.920 --> 0:30:33.360
<v Speaker 2>You do feel, yeah, a little bit like flat.

0:30:33.760 --> 0:30:36.800
<v Speaker 1>Did you read about the rumors that Kyle Richards is

0:30:36.920 --> 0:30:39.800
<v Speaker 1>having a same sex relationship with Kesher.

0:30:39.720 --> 0:30:46.240
<v Speaker 4>The rumors and the nastiness that's little Salt Lake City reference. Well,

0:30:46.480 --> 0:30:50.520
<v Speaker 4>we saw all the stuff playing out with Kesha. I mean,

0:30:51.440 --> 0:30:54.880
<v Speaker 4>I just Kesher. I was like, she was talking about

0:30:54.920 --> 0:30:57.880
<v Speaker 4>her like she was Sabrina Carpenter. I was like, we

0:30:58.000 --> 0:31:00.760
<v Speaker 4>have not had a song from Kesha in like what

0:31:01.000 --> 0:31:04.040
<v Speaker 4>twenty years, and now she's on the red carpet and

0:31:04.160 --> 0:31:06.880
<v Speaker 4>she's talking about Kesha like we're all supposed to know her,

0:31:07.000 --> 0:31:09.480
<v Speaker 4>and I was like, oh, yeah, that throwback chick, I

0:31:09.560 --> 0:31:10.600
<v Speaker 4>don't know, weird.

0:31:11.080 --> 0:31:13.480
<v Speaker 1>It was so random. It was so random, like and

0:31:13.760 --> 0:31:17.440
<v Speaker 1>Kesha is so iconic to the year two thousand, like

0:31:17.560 --> 0:31:20.520
<v Speaker 1>with the dogs signs in her name, like you are

0:31:20.600 --> 0:31:23.040
<v Speaker 1>from when The Hills was on TV? What are you

0:31:23.120 --> 0:31:26.360
<v Speaker 1>hundred what are you doing here? Like if she turned

0:31:26.440 --> 0:31:28.760
<v Speaker 1>up on the Hills back in the day one hundred percent.

0:31:29.400 --> 0:31:29.760
<v Speaker 2>I don't know.

0:31:30.320 --> 0:31:32.920
<v Speaker 4>I'm still I feel like Kyle, you know, And a

0:31:32.960 --> 0:31:35.239
<v Speaker 4>lot of people are saying this online now because there

0:31:35.360 --> 0:31:37.720
<v Speaker 4>was a clip that recently resurfaced she was wearing her

0:31:37.720 --> 0:31:40.280
<v Speaker 4>wedding ring again and people like are we just being

0:31:40.360 --> 0:31:42.840
<v Speaker 4>played with this? Kyle and Mauricio thing like is this

0:31:43.000 --> 0:31:43.600
<v Speaker 4>even real?

0:31:44.040 --> 0:31:46.680
<v Speaker 2>Is this all the play? What is happening here?

0:31:47.040 --> 0:31:47.200
<v Speaker 1>Wow?

0:31:47.240 --> 0:31:47.560
<v Speaker 2>I don't know.

0:31:47.640 --> 0:31:49.840
<v Speaker 4>And I feel like she's playing into it too by

0:31:49.920 --> 0:31:53.400
<v Speaker 4>sort of saying, oh that clip, you know, Kesha's my friend,

0:31:53.440 --> 0:31:56.640
<v Speaker 4>she's a musician. Let the rumors start like she I

0:31:56.680 --> 0:31:59.280
<v Speaker 4>don't know. I can't with this game. It's gone on

0:31:59.360 --> 0:32:01.680
<v Speaker 4>a long time. Just tell us what is happening.

0:32:02.240 --> 0:32:05.520
<v Speaker 1>If you had to put money on being done for TV.

0:32:05.880 --> 0:32:08.320
<v Speaker 1>Like I said, it's not real, it's being staged, it's

0:32:08.400 --> 0:32:12.520
<v Speaker 1>being for a paycheck. Whose divorce storyline would you be

0:32:12.680 --> 0:32:15.920
<v Speaker 1>least surprised turned out to be just for camera? De

0:32:16.080 --> 0:32:19.120
<v Speaker 1>Reat and PKS or Kyle and Marizio's.

0:32:18.640 --> 0:32:21.640
<v Speaker 4>Kyler Marizzio's I thought that at the start. I was like,

0:32:21.840 --> 0:32:25.160
<v Speaker 4>it's the thing that's always stuck with me about the

0:32:25.240 --> 0:32:29.480
<v Speaker 4>Kyle and Mauricio thing. We never found out the reason.

0:32:29.920 --> 0:32:32.960
<v Speaker 4>We never found out the reason why they were split.

0:32:33.280 --> 0:32:36.080
<v Speaker 4>And then she's been protecting him, she's been defending him.

0:32:36.520 --> 0:32:38.840
<v Speaker 4>Then she gives us little nuggets like, oh, you know,

0:32:39.040 --> 0:32:42.080
<v Speaker 4>maybe down the line, you know, we might get back together.

0:32:42.320 --> 0:32:44.680
<v Speaker 4>She hasn't gone to see his conduct. It's like she

0:32:44.840 --> 0:32:47.840
<v Speaker 4>hasn't admitted that they're fully split, and we've never got

0:32:47.880 --> 0:32:50.440
<v Speaker 4>the reason. We never got the anger from her in

0:32:50.600 --> 0:32:54.040
<v Speaker 4>regards to what he had done, not done or whatever,

0:32:54.440 --> 0:32:56.680
<v Speaker 4>you know. Like with the read, I feel like, Okay,

0:32:56.760 --> 0:33:00.840
<v Speaker 4>well she's really turned the tables. She's hanging PK out

0:33:00.840 --> 0:33:03.640
<v Speaker 4>to drive, but we're getting a bit more insight, whereas

0:33:03.680 --> 0:33:06.080
<v Speaker 4>Kyle I never found like we got that, So maybe

0:33:06.520 --> 0:33:08.960
<v Speaker 4>she's done that so they could get back together.

0:33:09.160 --> 0:33:10.280
<v Speaker 2>I don't know. What do you think.

0:33:10.600 --> 0:33:14.040
<v Speaker 1>I think the Derete and PK are staging all of

0:33:14.120 --> 0:33:17.120
<v Speaker 1>that for some reason. I'm staying I think, yeah, I

0:33:17.160 --> 0:33:18.960
<v Speaker 1>feel like they're going to get back together and they're

0:33:19.000 --> 0:33:22.400
<v Speaker 1>going to be back to schmoopy woopy boopy baby, PK

0:33:22.680 --> 0:33:23.040
<v Speaker 1>my love.

0:33:23.360 --> 0:33:26.520
<v Speaker 2>You know, it's the leish, theleish.

0:33:27.000 --> 0:33:29.520
<v Speaker 4>Well, the only thing that makes me think the Derete

0:33:29.680 --> 0:33:33.760
<v Speaker 4>and PK thing could be real, which again we'll probably

0:33:33.840 --> 0:33:36.000
<v Speaker 4>never get the answer to this, but is like what

0:33:36.080 --> 0:33:39.200
<v Speaker 4>we've talked about, if there is some financial situation where

0:33:39.240 --> 0:33:43.640
<v Speaker 4>he's going to get taken for something, potentially there was

0:33:43.760 --> 0:33:46.600
<v Speaker 4>a window for her to separate herself and get out

0:33:46.640 --> 0:33:50.840
<v Speaker 4>of it legally. If they were separated and it was

0:33:50.920 --> 0:33:53.160
<v Speaker 4>going to be better for them from that sort of standpoint,

0:33:53.560 --> 0:33:56.680
<v Speaker 4>I wouldn't be surprised if that. But that's all purely

0:33:56.800 --> 0:34:00.920
<v Speaker 4>conjecture and that's just my opinion. But the Kylam I

0:34:00.920 --> 0:34:04.280
<v Speaker 4>don't know something about it is just a little bit strange.

0:34:04.440 --> 0:34:06.360
<v Speaker 1>I do hope that Dreit gets out of this alive.

0:34:06.680 --> 0:34:08.279
<v Speaker 1>I mean, I do feel bad with her, with her

0:34:08.360 --> 0:34:10.120
<v Speaker 1>losing her house and all of that kind of stuff

0:34:10.160 --> 0:34:12.799
<v Speaker 1>that we're only really reading about. In real time. How

0:34:12.880 --> 0:34:15.680
<v Speaker 1>many Alana maclean's are you giving this episode?

0:34:16.160 --> 0:34:18.960
<v Speaker 4>Oh? I think this was I think this was a three,

0:34:19.360 --> 0:34:22.920
<v Speaker 4>but only just if the three is based on getting

0:34:22.920 --> 0:34:24.880
<v Speaker 4>it up from a two point five, just for that

0:34:25.040 --> 0:34:27.880
<v Speaker 4>scene at the end. But that's me being generous and

0:34:28.000 --> 0:34:30.480
<v Speaker 4>the second coffee has kicked in, so that is why

0:34:30.640 --> 0:34:31.480
<v Speaker 4>I'm giving it a three.

0:34:31.840 --> 0:34:36.719
<v Speaker 1>I'm giving it one star. Oh one Savage, I'm not impressed.

0:34:37.040 --> 0:34:40.479
<v Speaker 1>I guess I'm just so invested in wanting more Kyle

0:34:40.600 --> 0:34:43.400
<v Speaker 1>Richards on an episode like I just felt like saving

0:34:43.480 --> 0:34:46.560
<v Speaker 1>her to the end. I felt starved by that point,

0:34:46.800 --> 0:34:49.440
<v Speaker 1>like I was like, oh, please get me there and

0:34:49.560 --> 0:34:52.239
<v Speaker 1>then Whilst the fight was very iconic and I do

0:34:52.400 --> 0:34:55.360
<v Speaker 1>appreciate their reference back to the Camille Grammar fight in

0:34:55.480 --> 0:34:58.320
<v Speaker 1>season one, I just felt like we're now seeing a

0:34:58.480 --> 0:35:01.560
<v Speaker 1>very similar scenario where we're at an event and the

0:35:01.600 --> 0:35:03.600
<v Speaker 1>two girls are screaming at each other, and I'm like, oh, well,

0:35:03.640 --> 0:35:07.040
<v Speaker 1>we've seen this, Like yeah, I wouldn't mind that conversation

0:35:07.280 --> 0:35:10.160
<v Speaker 1>to be held in a different forum. I wouldn't mind, Like,

0:35:10.320 --> 0:35:13.480
<v Speaker 1>do you remember the Lisa Renna Kathy Hilton sit down

0:35:13.600 --> 0:35:16.040
<v Speaker 1>at the end of two seasons ago, yeh. They got

0:35:16.080 --> 0:35:18.280
<v Speaker 1>to just be sitting around the couch and have a conversation.

0:35:18.680 --> 0:35:20.800
<v Speaker 1>And whilst it got heated and there was you know,

0:35:21.080 --> 0:35:22.960
<v Speaker 1>but they got to the meat of the problem. They

0:35:23.000 --> 0:35:25.880
<v Speaker 1>were like, this is the problem, Kathy, where It's like,

0:35:26.239 --> 0:35:28.440
<v Speaker 1>I don't feel that's what we need to see now.

0:35:28.520 --> 0:35:30.439
<v Speaker 1>We need to see Darreit and Kyle have a moment

0:35:30.520 --> 0:35:33.920
<v Speaker 1>away from this, away from the drama, and actually have

0:35:34.040 --> 0:35:36.480
<v Speaker 1>a heart to heart about their friendship. Because if any

0:35:36.560 --> 0:35:38.759
<v Speaker 1>of my friends were at this point and they were

0:35:38.760 --> 0:35:41.400
<v Speaker 1>at lockerheads, they would sit down now and have a

0:35:41.480 --> 0:35:43.319
<v Speaker 1>conversation and try and work it out.

0:35:43.640 --> 0:35:45.560
<v Speaker 2>Yeah, I agree with you one hundred percent.

0:35:45.640 --> 0:35:45.839
<v Speaker 1>There.

0:35:45.920 --> 0:35:48.160
<v Speaker 4>I feel like, yeah, we need to see it, We

0:35:48.280 --> 0:35:50.359
<v Speaker 4>need to see it in a different setting. We need

0:35:50.480 --> 0:35:54.680
<v Speaker 4>to see it without the input of the extra people

0:35:54.800 --> 0:35:57.600
<v Speaker 4>throwing fuel onto the fire. Because last week we were

0:35:57.680 --> 0:35:59.280
<v Speaker 4>in the midst of that and then all the Camille

0:35:59.280 --> 0:36:01.879
<v Speaker 4>Grammar stuff, and we're in the midst of that this week,

0:36:01.920 --> 0:36:05.120
<v Speaker 4>and then Sutton sticks her stupid mouth in the whole thing.

0:36:05.440 --> 0:36:09.759
<v Speaker 4>So it's getting diluted and complicated and confusing, and I

0:36:09.920 --> 0:36:13.319
<v Speaker 4>feel like Durete and Kyle are you know, they're quite

0:36:13.480 --> 0:36:16.520
<v Speaker 4>measured people. I feel like they could get to the

0:36:16.600 --> 0:36:19.200
<v Speaker 4>other side of it if all that messiness was taken

0:36:19.239 --> 0:36:21.359
<v Speaker 4>out of the equation. So you're right, and I think

0:36:21.600 --> 0:36:24.719
<v Speaker 4>definitely they were reaching from a production point of view

0:36:25.000 --> 0:36:27.759
<v Speaker 4>to give us something lighter, potentially because they had nothing

0:36:27.800 --> 0:36:30.000
<v Speaker 4>else to give us until that final scene.

0:36:30.160 --> 0:36:33.480
<v Speaker 2>But to be continued, but to be continued, Oh my god,

0:36:33.520 --> 0:36:35.000
<v Speaker 2>you've got a busy day. You need to go get

0:36:35.040 --> 0:36:35.920
<v Speaker 2>yourself sorted.

0:36:36.120 --> 0:36:38.399
<v Speaker 1>I know, we need to go and do something, Creio. Bye,

0:36:38.400 --> 0:36:38.719
<v Speaker 1>bye bye