1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,240 --> 00:00:06,520 Speaker 2: What did I say to you just moments ago? 3 00:00:06,680 --> 00:00:09,360 Speaker 3: You said, Darryl has hit on his hands with that he. 4 00:00:09,400 --> 00:00:11,920 Speaker 2: Does, You've got a big hit on your hands, Darryl. 5 00:00:12,000 --> 00:00:20,079 Speaker 1: We love it, Okay, thank you? You are right very much. 6 00:00:20,360 --> 00:00:24,599 Speaker 4: That is seriously, that is and we always work. I 7 00:00:24,680 --> 00:00:26,480 Speaker 4: like to think that we're good friends, Daryl. And it's 8 00:00:26,520 --> 00:00:28,720 Speaker 4: always hard when an artist gives you a song. And 9 00:00:28,720 --> 00:00:30,159 Speaker 4: I've been in this business for a long time and 10 00:00:30,160 --> 00:00:31,920 Speaker 4: you hear the song you have, please let it be good. 11 00:00:31,960 --> 00:00:34,720 Speaker 4: Please let it be good. That is so good. That 12 00:00:34,880 --> 00:00:35,640 Speaker 4: is so good. 13 00:00:36,760 --> 00:00:40,160 Speaker 1: Well, thank you very much. Yeah, I was pretty happy 14 00:00:40,159 --> 00:00:42,320 Speaker 1: with it when we finished finished it a couple of 15 00:00:42,360 --> 00:00:45,599 Speaker 1: months off, a few months back now, and Sony said, yeah, 16 00:00:45,720 --> 00:00:49,360 Speaker 1: I think it sounds all right, and I went, okay. 17 00:00:48,520 --> 00:00:51,960 Speaker 3: It sounds now, Darryl apparody was written for Pink. 18 00:00:52,000 --> 00:00:54,160 Speaker 2: How did it come to be in your hot little hands? 19 00:00:55,160 --> 00:00:58,400 Speaker 1: Wow? I stole it from her? No? No, what happened 20 00:00:58,440 --> 00:01:00,680 Speaker 1: to a friend of mine, Peter gave Savis a song 21 00:01:00,720 --> 00:01:02,800 Speaker 1: maybe about five six months ago. He sent it to 22 00:01:02,880 --> 00:01:06,959 Speaker 1: him email. He said, can you send it through? Like 23 00:01:07,040 --> 00:01:08,720 Speaker 1: I was a messenger? He said, can you send it 24 00:01:08,760 --> 00:01:12,880 Speaker 1: through to your ex manager Sherbet manager Roger Davies, who 25 00:01:12,920 --> 00:01:15,320 Speaker 1: manages Pink, and I said, oh okay. So I had 26 00:01:15,319 --> 00:01:19,000 Speaker 1: to listen to it and I thought, my god, it 27 00:01:19,120 --> 00:01:21,880 Speaker 1: sounds so good and it just sounds like Pink. It's 28 00:01:21,880 --> 00:01:24,080 Speaker 1: got Pink written all over it. So I sent it 29 00:01:24,120 --> 00:01:28,600 Speaker 1: off on my phone and Amanda jonesy, you both know. 30 00:01:28,920 --> 00:01:31,240 Speaker 1: Maybe I'm aware, you're aware. I'm not that good with 31 00:01:31,440 --> 00:01:34,360 Speaker 1: sending things on my phone, so we can't send it 32 00:01:34,400 --> 00:01:38,800 Speaker 1: off to him. Yeah, no, And anyway, he I didn't 33 00:01:38,840 --> 00:01:41,400 Speaker 1: hear from him for maybe three months when he said, 34 00:01:41,400 --> 00:01:43,600 Speaker 1: why don't we have lunch? You're in Sydney, etc. So 35 00:01:43,640 --> 00:01:46,200 Speaker 1: we had lunch. Over lunch, I said, do you like 36 00:01:46,280 --> 00:01:48,200 Speaker 1: that song I sent to you three months back? And 37 00:01:48,240 --> 00:01:53,040 Speaker 1: he said what song? And I said, oh okay. Anyway, 38 00:01:53,040 --> 00:01:56,240 Speaker 1: he went home, had to listen to it, and came 39 00:01:56,280 --> 00:01:58,960 Speaker 1: back and said, it's a really really good song, but 40 00:01:59,040 --> 00:02:02,040 Speaker 1: I think it suits you more than Pink. So he 41 00:02:02,120 --> 00:02:06,040 Speaker 1: was very gracious, and maybe Pink was. She'd just finished 42 00:02:06,040 --> 00:02:08,960 Speaker 1: that big tour anyway, and she'd gone into recess, so 43 00:02:09,040 --> 00:02:12,720 Speaker 1: it was it was just luck. I reckon, we'll forget Pink. 44 00:02:12,919 --> 00:02:16,320 Speaker 3: I think it sounds great does It's a beautiful, fabulous song, 45 00:02:16,480 --> 00:02:19,480 Speaker 3: and it's you know, thirty years after the Horses when 46 00:02:19,520 --> 00:02:21,960 Speaker 3: you first recorded that. Would you ever thought in thirty 47 00:02:22,040 --> 00:02:25,160 Speaker 3: years time, I'll be a god because of this? 48 00:02:26,360 --> 00:02:31,639 Speaker 1: I've got no, no, but only over the last couple 49 00:02:31,639 --> 00:02:34,040 Speaker 1: of days I've been giving it some thought to when 50 00:02:34,720 --> 00:02:37,680 Speaker 1: Shay it like in Sherbet when we started in seventy, 51 00:02:38,639 --> 00:02:40,920 Speaker 1: I thought they must have I'm sure I must have 52 00:02:40,960 --> 00:02:43,240 Speaker 1: been asked, do you think you'll be doing this in 53 00:02:43,320 --> 00:02:45,120 Speaker 1: ten years time or fifteen years? 54 00:02:45,160 --> 00:02:45,200 Speaker 4: So? 55 00:02:45,840 --> 00:02:49,240 Speaker 1: And here it is, what nearly forty five fifty years 56 00:02:49,280 --> 00:02:51,480 Speaker 1: down the track. It's weird. 57 00:02:51,840 --> 00:02:52,120 Speaker 2: I was. 58 00:02:52,680 --> 00:02:54,880 Speaker 4: I like the band that you have with James Rain 59 00:02:55,000 --> 00:02:57,839 Speaker 4: and that running joke of calling each other each time 60 00:02:57,840 --> 00:03:00,000 Speaker 4: you hear one of the other songs in a supermarket 61 00:03:00,120 --> 00:03:01,120 Speaker 4: when you're in the supermarket. 62 00:03:01,160 --> 00:03:10,400 Speaker 1: Eye. Yes, he loves that. He does ring and he 63 00:03:10,440 --> 00:03:12,760 Speaker 1: doesn't like the horses that much because he thinks that 64 00:03:12,840 --> 00:03:17,640 Speaker 1: I exploited, you know, with making it go for too long. 65 00:03:17,720 --> 00:03:24,800 Speaker 1: Sometimes he does. And his daughter, Actually, when I was 66 00:03:24,800 --> 00:03:27,120 Speaker 1: in hospital a couple of years ago, they brought they 67 00:03:27,160 --> 00:03:31,040 Speaker 1: both came in Molly and he in deceased, and they 68 00:03:31,040 --> 00:03:34,960 Speaker 1: brought in an egg timer that Molly had made that 69 00:03:35,160 --> 00:03:37,560 Speaker 1: ran for fifteen minutes and I said, God, that's a 70 00:03:37,600 --> 00:03:40,040 Speaker 1: long egg He said, no, no, that's how long the 71 00:03:40,080 --> 00:03:46,119 Speaker 1: horses goes for. Yeah, the longest version you've ever done. 72 00:03:46,200 --> 00:03:48,520 Speaker 4: Well to take James, you don't have to come up 73 00:03:48,560 --> 00:03:51,360 Speaker 4: with other songs. But actually, James, we spoke to James before. 74 00:03:51,520 --> 00:03:53,920 Speaker 4: He had this to say about your new song and. 75 00:03:53,800 --> 00:03:56,320 Speaker 2: What aisle at the supermarket? Will you be hearing that one? 76 00:03:56,400 --> 00:03:56,720 Speaker 3: You look? 77 00:03:57,600 --> 00:04:03,440 Speaker 1: I know, I say that obvious the cheese sections in 78 00:04:03,520 --> 00:04:07,000 Speaker 1: the tot paper. It's a good pop song. It's a 79 00:04:07,040 --> 00:04:07,640 Speaker 1: great pop song. 80 00:04:08,400 --> 00:04:11,800 Speaker 2: He's jealous. He's jealous, jealous. 81 00:04:11,840 --> 00:04:15,600 Speaker 1: Well, to his credit and as a loyal friend, he 82 00:04:16,000 --> 00:04:18,280 Speaker 1: did bring me up about a week ago when he 83 00:04:18,279 --> 00:04:21,960 Speaker 1: heard it, and he said he had all expletives and 84 00:04:21,960 --> 00:04:26,679 Speaker 1: stuff and he said, no, it's really really a great song. 85 00:04:27,040 --> 00:04:29,440 Speaker 1: And I said, thank you, James, it was, but it 86 00:04:30,040 --> 00:04:34,120 Speaker 1: is no full credit to Michael Fatkins who wrote it 87 00:04:34,160 --> 00:04:38,040 Speaker 1: with Rossie and Charlie, you know, and I was just 88 00:04:38,120 --> 00:04:39,920 Speaker 1: lucky to get it. All right, Well, that's great. 89 00:04:40,040 --> 00:04:42,360 Speaker 2: And like we said before, you have hits all over 90 00:04:42,440 --> 00:04:45,599 Speaker 2: your hands. Let's listen to it. This is what it is. 91 00:04:45,600 --> 00:04:46,600 Speaker 2: It is down a breakway. 92 00:04:46,880 --> 00:04:48,080 Speaker 1: It doesn't matter what all you're in. 93 00:04:48,160 --> 00:04:50,359 Speaker 2: It's great. I can't get you out of my head. Geez, 94 00:04:52,960 --> 00:04:53,760 Speaker 2: this is great. 95 00:04:53,760 --> 00:04:56,919 Speaker 3: It's brilliant and it's available to download and stream. 96 00:04:57,000 --> 00:05:00,679 Speaker 2: Now, get it go and get it right now, Daryl, 97 00:05:00,720 --> 00:05:02,200 Speaker 2: it's always nice to talk to you. 98 00:05:03,360 --> 00:05:06,239 Speaker 1: Well, thank you very much. And was James was like nice? 99 00:05:06,279 --> 00:05:09,640 Speaker 1: He was, you know, yeah, friendly and stuffy. 100 00:05:10,360 --> 00:05:11,800 Speaker 3: Is he like your kind of a friend who's a 101 00:05:11,800 --> 00:05:12,679 Speaker 3: bit of a rot wheeler. 102 00:05:15,839 --> 00:05:17,800 Speaker 1: Yeah, No, he's good at that. But he's got his 103 00:05:18,320 --> 00:05:20,680 Speaker 1: new album coming out too. I don't want to double. 104 00:05:20,480 --> 00:05:23,040 Speaker 2: This isn't about him. I'll never forget James Rayin. 105 00:05:23,120 --> 00:05:25,599 Speaker 3: This is about you, about you, We'll for you when 106 00:05:25,640 --> 00:05:27,200 Speaker 3: his songs in the supermarket. 107 00:05:27,240 --> 00:05:28,920 Speaker 2: You can beg him when he puts a new song. 108 00:05:30,240 --> 00:05:32,239 Speaker 1: And he didn't say I was in the cheese ale. 109 00:05:33,279 --> 00:05:35,680 Speaker 2: Outrageous, darryl Oh, that's. 110 00:05:35,680 --> 00:05:38,880 Speaker 1: Just unbelonging to ring him after this right after. 111 00:05:39,080 --> 00:05:41,600 Speaker 4: That's a few Darrel. It's always a treat to talk 112 00:05:41,600 --> 00:05:43,839 Speaker 4: to you. Thank you for joining us. 113 00:05:43,839 --> 00:05:46,360 Speaker 1: Thank you both joins the and Amanda in the morning 114 00:05:46,640 --> 00:05:47,640 Speaker 1: at one point seven, t