1 00:00:00,520 --> 00:00:02,560 Speaker 1: Who what are you that bite sized? 2 00:00:02,680 --> 00:00:03,720 Speaker 2: Were there? Right now? 3 00:00:03,760 --> 00:00:06,120 Speaker 3: We're going to legend on the show. One of our 4 00:00:06,160 --> 00:00:07,200 Speaker 3: absolute favorites. 5 00:00:08,200 --> 00:00:10,960 Speaker 1: Excuse me while I get my hair right for this one. 6 00:00:11,560 --> 00:00:12,360 Speaker 2: Our next case. 7 00:00:12,400 --> 00:00:16,320 Speaker 4: There's had an impressive career across twenty years and accomplished 8 00:00:16,320 --> 00:00:21,680 Speaker 4: presenter and host, celebrated actor, had a huge success on 9 00:00:21,720 --> 00:00:24,360 Speaker 4: the musical stage. To be honest, they could be here 10 00:00:24,440 --> 00:00:27,120 Speaker 4: to promote any order of things, but they're. 11 00:00:27,000 --> 00:00:29,800 Speaker 3: Here to promote that, says Spray. 12 00:00:29,880 --> 00:00:34,200 Speaker 2: By the way, it's Rob Mills's good. That's cute, guys, 13 00:00:34,320 --> 00:00:34,840 Speaker 2: Thanks Mane. 14 00:00:34,840 --> 00:00:38,720 Speaker 4: I love that really short neighbors bit there, like, oh 15 00:00:38,880 --> 00:00:40,080 Speaker 4: two soon, guys, too soon? 16 00:00:40,159 --> 00:00:42,280 Speaker 3: Well, we kind of canvas it last week. We're not 17 00:00:42,280 --> 00:00:43,440 Speaker 3: getting into it again today. 18 00:00:43,560 --> 00:00:45,959 Speaker 2: That's okay? Are you okay with that? Do you want 19 00:00:46,000 --> 00:00:47,479 Speaker 2: to talk about it? We can move on. 20 00:00:47,520 --> 00:00:50,760 Speaker 3: I can ask you, did you see Kylie on set? 21 00:00:51,840 --> 00:00:53,440 Speaker 2: You did have one of the best debts ever there 22 00:00:53,520 --> 00:00:55,120 Speaker 2: or neighbors? Sorry, can we just touch that for a 23 00:00:55,160 --> 00:00:57,160 Speaker 2: few seconds? Me dying in a hole? 24 00:00:57,840 --> 00:01:00,080 Speaker 4: Yeah, in the grave that I dug for Susan and 25 00:01:00,200 --> 00:01:03,720 Speaker 4: I slipped over whilst getting out to get Susan, I 26 00:01:03,760 --> 00:01:07,039 Speaker 4: slipped over into it, broke my neck was paralyzed and 27 00:01:07,080 --> 00:01:10,360 Speaker 4: the water that was filling up the whole filled up 28 00:01:10,400 --> 00:01:11,480 Speaker 4: over my head and I drowned. 29 00:01:11,560 --> 00:01:14,839 Speaker 3: Yeah, you droned in your own grave or you drowned 30 00:01:14,840 --> 00:01:15,720 Speaker 3: in Susan's grave. 31 00:01:15,959 --> 00:01:17,640 Speaker 2: Yeah, it's pretty sad, tragic. 32 00:01:17,920 --> 00:01:22,440 Speaker 4: But then I came back as a ghost the year after. 33 00:01:21,160 --> 00:01:24,800 Speaker 2: Mate and peaks moments. Yeah, killed someone with a bow 34 00:01:24,880 --> 00:01:25,280 Speaker 2: and arrow. 35 00:01:25,640 --> 00:01:28,440 Speaker 1: I nearly I tried to kill Tody. 36 00:01:28,240 --> 00:01:29,000 Speaker 2: Trying to kill. 37 00:01:28,840 --> 00:01:31,240 Speaker 4: Tody, yeah, especially him overhead with the rock. Put him 38 00:01:31,240 --> 00:01:32,680 Speaker 4: in a dingy and send him out to sea. 39 00:01:33,400 --> 00:01:36,800 Speaker 2: Wow, Yeah, you were stupid. That was stupid though, Like 40 00:01:36,840 --> 00:01:38,560 Speaker 2: if you want to kill him, why put him in 41 00:01:38,560 --> 00:01:39,959 Speaker 2: a dingy as a soap? 42 00:01:40,000 --> 00:01:40,200 Speaker 4: Mate? 43 00:01:40,360 --> 00:01:42,080 Speaker 2: Yeah, fair enough. 44 00:01:42,200 --> 00:01:44,120 Speaker 3: We can't carry on about that as as I'll get 45 00:01:44,160 --> 00:01:47,680 Speaker 3: in trouble. Let's talk about Hairspray. Hairspray musical dot com 46 00:01:47,760 --> 00:01:50,560 Speaker 3: dot you if you want to go get tickets in Melbourne, Adelaide. 47 00:01:50,560 --> 00:01:52,920 Speaker 3: It'll be very shortly. But Melbourne from now must be great. 48 00:01:52,960 --> 00:01:56,120 Speaker 4: Bank doing back live shows, mate, I mean this is huge. 49 00:01:56,160 --> 00:01:57,760 Speaker 4: I mean I was lucky enough to do Chest the 50 00:01:57,840 --> 00:01:59,880 Speaker 4: Musical last year. We just did I think we did 51 00:02:00,040 --> 00:02:03,160 Speaker 4: all shows here in Melbourne, traveled around the country during. 52 00:02:02,880 --> 00:02:05,240 Speaker 2: A sort of wed lockdown. That was it. 53 00:02:05,360 --> 00:02:07,640 Speaker 4: Wow, and then Adelaide four and then we went around 54 00:02:07,640 --> 00:02:09,400 Speaker 4: the country, just did four little concerts. But this is 55 00:02:09,440 --> 00:02:13,680 Speaker 4: actually a proper musical in town and the East end 56 00:02:13,720 --> 00:02:16,920 Speaker 4: of Melbourne Theater district is it's pumping Hamilton on at 57 00:02:16,919 --> 00:02:21,160 Speaker 4: the moment music Harry Potter still going. Cinderellas just finished 58 00:02:21,200 --> 00:02:23,320 Speaker 4: up and we're about to open. So this is a 59 00:02:23,320 --> 00:02:25,520 Speaker 4: feel good show. It is for the whole family. 60 00:02:26,639 --> 00:02:28,760 Speaker 2: Yeah. Set in the sixties of Baltimore. 61 00:02:29,800 --> 00:02:32,959 Speaker 4: Yeah, great, great cast, hell of a cast, the best. 62 00:02:33,000 --> 00:02:35,000 Speaker 4: Who do you love Tom mc kenny of course? Who 63 00:02:35,000 --> 00:02:36,640 Speaker 4: are going to see Shane Jacobson in address? 64 00:02:36,720 --> 00:02:37,280 Speaker 2: Is that where you're going? 65 00:02:38,320 --> 00:02:38,840 Speaker 3: Address? Oh? 66 00:02:38,919 --> 00:02:39,880 Speaker 2: Yeah, he talk to me. 67 00:02:40,040 --> 00:02:43,639 Speaker 4: He's Edna So he's Tracy Turnblade's mum. 68 00:02:43,840 --> 00:02:44,720 Speaker 2: Wow. 69 00:02:45,520 --> 00:02:47,320 Speaker 1: Who causes the most issues backstage? 70 00:02:47,320 --> 00:02:49,519 Speaker 2: And by most issues, I mean who demands the most. 71 00:02:49,880 --> 00:02:52,239 Speaker 1: Of course it's just the Yeah, it's always Birch for 72 00:02:52,480 --> 00:02:54,040 Speaker 1: she's the diva. 73 00:02:54,240 --> 00:02:55,880 Speaker 2: Yeah, she is an absolute queint. 74 00:02:55,960 --> 00:02:58,240 Speaker 4: She's the queen mate, She's a Queen of TV and 75 00:02:58,480 --> 00:03:01,120 Speaker 4: exactly she's the Darling of Australian theater. 76 00:03:01,360 --> 00:03:04,040 Speaker 1: Really are you in darling areas yet? 77 00:03:04,639 --> 00:03:06,560 Speaker 2: Oh? Look, I don't think so it's been your bag 78 00:03:06,600 --> 00:03:07,120 Speaker 2: for a while. 79 00:03:08,000 --> 00:03:10,120 Speaker 1: I don't think I'm darling yet though, Well, how do 80 00:03:10,160 --> 00:03:10,960 Speaker 1: you get to a darling? 81 00:03:11,040 --> 00:03:14,720 Speaker 2: I don't. I think you need thirty years? I think yeah, 82 00:03:14,800 --> 00:03:15,720 Speaker 2: I think done? 83 00:03:15,760 --> 00:03:16,079 Speaker 3: How many? 84 00:03:16,240 --> 00:03:17,680 Speaker 2: How many years after about fifteen? 85 00:03:17,800 --> 00:03:20,359 Speaker 1: Okay, so are you sweetie? 86 00:03:20,360 --> 00:03:24,520 Speaker 3: Are you the honey of Australian. 87 00:03:26,720 --> 00:03:29,320 Speaker 2: He's one of them, he's one of the blocks. Yeah, 88 00:03:31,240 --> 00:03:34,640 Speaker 2: not really quite yet. No, no, no. 89 00:03:35,240 --> 00:03:36,760 Speaker 4: Do you want to be darling or do you think 90 00:03:36,800 --> 00:03:39,280 Speaker 4: when you get to darling you're like, oh no, it's made. 91 00:03:39,280 --> 00:03:42,080 Speaker 2: I'm near the end. Oh no, no, you definitely want telling 92 00:03:42,120 --> 00:03:44,400 Speaker 2: status you're sure? Oh yeah, yeah, yeah, yeah, oh yeah 93 00:03:44,480 --> 00:03:45,200 Speaker 2: yeah do you want? 94 00:03:45,440 --> 00:03:50,680 Speaker 4: And then there's the pinnacle, which is Australias own, Australisan 95 00:03:50,800 --> 00:03:55,720 Speaker 4: Kylie Australis on Olivia, Australis O Margo you know Australis. 96 00:03:56,040 --> 00:03:58,560 Speaker 4: So to get that, you need to be doing stuff overseas, 97 00:03:58,560 --> 00:04:00,840 Speaker 4: though you do because because. 98 00:04:00,800 --> 00:04:02,440 Speaker 3: Because you say it's why do you say street say 99 00:04:02,480 --> 00:04:05,160 Speaker 3: Australia's own, because's like just confirming they are from Australia. 100 00:04:05,240 --> 00:04:08,400 Speaker 2: Yes, they've done big things. I can see australia'swn Russell 101 00:04:08,400 --> 00:04:11,720 Speaker 2: crow et cetera. Now Milk Nicole of course Australia. So 102 00:04:11,960 --> 00:04:17,239 Speaker 2: just Melbourne's Melvin. 103 00:04:17,880 --> 00:04:21,520 Speaker 3: Yeah, so that they'll say that when Hairspray goes to Adelaide, 104 00:04:21,680 --> 00:04:21,880 Speaker 3: you can. 105 00:04:23,040 --> 00:04:25,960 Speaker 1: I'll get to Gloverley's Glove. 106 00:04:27,480 --> 00:04:29,320 Speaker 3: Hairspray music going it comes on, You're going tickets. 107 00:04:29,320 --> 00:04:31,280 Speaker 2: We've got more Rod Mills up next to mill. We've 108 00:04:31,279 --> 00:04:32,480 Speaker 2: got Rod Mills in the studio. 109 00:04:33,240 --> 00:04:34,359 Speaker 3: Hey, you've got to go and see. 110 00:04:34,240 --> 00:04:37,240 Speaker 2: Crazy good crowdy, very crowded. It's been a while, guys, 111 00:04:37,240 --> 00:04:39,320 Speaker 2: I've been locked down. It's nasty, a crowd, noise. 112 00:04:39,200 --> 00:04:42,440 Speaker 3: Hairspray, musical dot com dot au even see Mills hair 113 00:04:42,480 --> 00:04:44,960 Speaker 3: sprays down in Melbourne. As you said, things are popping 114 00:04:44,960 --> 00:04:46,560 Speaker 3: off for musical theater at the moment, mate, and it's 115 00:04:46,560 --> 00:04:50,240 Speaker 3: now your bag. You've you've moved into sort of like a. 116 00:04:50,480 --> 00:04:52,280 Speaker 2: You say, thespian territory. Is that gonna say? 117 00:04:52,440 --> 00:04:53,840 Speaker 3: I was going to say, well, you know that, I'm 118 00:04:53,880 --> 00:04:55,560 Speaker 3: just trying to find the right word for darling. I 119 00:04:55,560 --> 00:04:57,440 Speaker 3: mean we we toyed around with it before. 120 00:04:58,160 --> 00:05:00,280 Speaker 2: Sweetie Sweet sweet. 121 00:05:02,000 --> 00:05:04,680 Speaker 3: A musical theater in Australia, Honey of the stage. 122 00:05:05,279 --> 00:05:06,560 Speaker 2: But I was going to ask you, like do you 123 00:05:06,600 --> 00:05:08,800 Speaker 2: ever get sick of like. 124 00:05:11,240 --> 00:05:12,520 Speaker 3: But like, you know, do you get sick of the 125 00:05:12,600 --> 00:05:13,599 Speaker 3: songs in a musical? 126 00:05:14,120 --> 00:05:16,560 Speaker 4: Not yet where We're still a month in and I 127 00:05:16,600 --> 00:05:18,560 Speaker 4: love the two songs that I get to sing. I 128 00:05:18,640 --> 00:05:20,920 Speaker 4: get to sing the nicest kids in Town, which is 129 00:05:20,960 --> 00:05:24,480 Speaker 4: the big openings Corny Colin Show, big high energy number. 130 00:05:24,760 --> 00:05:26,960 Speaker 4: All the kids are dancing like crazy. I was told 131 00:05:27,080 --> 00:05:29,320 Speaker 4: just to stand there, which is good, it's good advice. 132 00:05:29,400 --> 00:05:30,520 Speaker 4: I was like, do you want me to dances? 133 00:05:30,560 --> 00:05:33,400 Speaker 1: But they're like, no, no, no, just standing still is strong. 134 00:05:35,680 --> 00:05:37,200 Speaker 3: To you before about dancing, because I don't know when 135 00:05:37,200 --> 00:05:39,320 Speaker 3: you were doing Greece, you had like a big dance scene. 136 00:05:39,360 --> 00:05:41,000 Speaker 3: Oh yeah, it was just about to win the to 137 00:05:41,000 --> 00:05:44,200 Speaker 3: win the dance dance contest and that dancing is just 138 00:05:44,240 --> 00:05:44,840 Speaker 3: not your bag. 139 00:05:45,120 --> 00:05:47,680 Speaker 4: It's not so did you see did you watch anyone 140 00:05:47,720 --> 00:05:51,719 Speaker 4: watch Dancing with the Stars snips? 141 00:05:51,760 --> 00:05:53,920 Speaker 2: Yeah it's not impressive now it's not. 142 00:05:55,000 --> 00:05:58,480 Speaker 4: But in my head I go and go musicals and 143 00:05:58,560 --> 00:06:03,120 Speaker 4: had a mood so off you Look, I think it 144 00:06:03,160 --> 00:06:04,880 Speaker 4: was a little bit rigged this year. They needed someone 145 00:06:04,920 --> 00:06:06,800 Speaker 4: to be I feel like they needed someone to be 146 00:06:06,800 --> 00:06:10,839 Speaker 4: the whipping boy, and okay that was me. But look, Todd, 147 00:06:10,880 --> 00:06:11,960 Speaker 4: Tom mckenniy probably tell. 148 00:06:11,880 --> 00:06:13,720 Speaker 2: You the other ones who won Dancing with the Stars. 149 00:06:14,120 --> 00:06:19,200 Speaker 2: I stopped. I stopped watching Celebrity Apprentice as soon as 150 00:06:19,200 --> 00:06:20,320 Speaker 2: we're watching. 151 00:06:20,880 --> 00:06:24,160 Speaker 3: But because MCKENNI because mckenniezey in hairspray as well. Can 152 00:06:24,200 --> 00:06:25,000 Speaker 3: m kenny sing? 153 00:06:25,200 --> 00:06:26,040 Speaker 2: Oh yeah he can. 154 00:06:27,200 --> 00:06:29,440 Speaker 3: Is mckennie a genuine, genuine triple threat. 155 00:06:29,880 --> 00:06:30,719 Speaker 2: Isn't he? 156 00:06:30,720 --> 00:06:33,719 Speaker 3: He's like, we're so what I'm asking you though, Look 157 00:06:33,800 --> 00:06:34,520 Speaker 3: what do you have to hear? 158 00:06:34,560 --> 00:06:35,280 Speaker 2: If we put. 159 00:06:35,080 --> 00:06:37,680 Speaker 3: Mills and McKenny head to head in terms of performance, 160 00:06:39,040 --> 00:06:40,719 Speaker 3: what have you got him on? Because because you know 161 00:06:40,760 --> 00:06:43,719 Speaker 3: he's currently got you on the dancing acting, do you 162 00:06:43,720 --> 00:06:48,080 Speaker 3: reckon you've got him after shooting people with the Crossbown Neighbors. 163 00:06:49,880 --> 00:06:51,040 Speaker 2: It's a very hard. 164 00:06:52,880 --> 00:06:53,279 Speaker 3: Singing. 165 00:06:53,960 --> 00:06:58,200 Speaker 2: Yeah, I reckon, I've gone, But you've got to an 166 00:06:58,279 --> 00:07:00,880 Speaker 2: incredibly successful single. I've forgotten the name. 167 00:07:02,520 --> 00:07:10,040 Speaker 3: Sorry, well wow, miss miss miss profanity, miss miss Vanity. 168 00:07:09,560 --> 00:07:13,120 Speaker 4: There was there was a whole album of original of 169 00:07:13,200 --> 00:07:13,840 Speaker 4: original hits. 170 00:07:13,960 --> 00:07:15,720 Speaker 2: Actually we've got one we haven't seen. 171 00:07:15,720 --> 00:07:16,160 Speaker 3: We will have. 172 00:07:20,240 --> 00:07:23,280 Speaker 2: Play all get the streams up and played that live 173 00:07:23,440 --> 00:07:26,320 Speaker 2: one time. One guitar that was I was trying to 174 00:07:26,360 --> 00:07:29,400 Speaker 2: get the royalties up with you? 175 00:07:29,440 --> 00:07:31,360 Speaker 1: Didn't we where we asked you how much you received? 176 00:07:31,480 --> 00:07:31,600 Speaker 3: Oh? 177 00:07:31,680 --> 00:07:34,240 Speaker 4: Yeah, guy, because I think I had just had a 178 00:07:34,320 --> 00:07:38,360 Speaker 4: million streams and I had had none because my songs 179 00:07:38,400 --> 00:07:39,600 Speaker 4: weren't streaming at the time. 180 00:07:40,320 --> 00:07:41,720 Speaker 2: But now they've been. 181 00:07:42,000 --> 00:07:43,520 Speaker 1: There must have been a couple of years now that 182 00:07:43,560 --> 00:07:45,800 Speaker 1: I've been streaming. Can you see I'm about to find 183 00:07:45,800 --> 00:07:46,480 Speaker 1: it more than numbers? 184 00:07:46,920 --> 00:07:48,920 Speaker 2: What you what sort of cash? Are we talking? 185 00:07:48,960 --> 00:07:49,160 Speaker 4: Mills? 186 00:07:49,200 --> 00:07:51,200 Speaker 2: If you don't Mammy asking four dollar checks? 187 00:07:51,360 --> 00:07:56,000 Speaker 4: I'm getting like, yeah, like if there's anything more, okay, 188 00:07:56,040 --> 00:07:58,200 Speaker 4: this is we needed to. 189 00:07:58,160 --> 00:07:59,520 Speaker 2: Play for more than thirty seconds. 190 00:07:59,880 --> 00:08:00,360 Speaker 4: I I'm. 191 00:08:03,400 --> 00:08:07,760 Speaker 3: So Miss Bennedy has got hundred and twelve thousand. 192 00:08:07,880 --> 00:08:08,520 Speaker 2: That's pretty good. 193 00:08:08,600 --> 00:08:09,320 Speaker 3: That's pretty good. 194 00:08:09,440 --> 00:08:10,400 Speaker 2: Really, that's pretty good. 195 00:08:10,640 --> 00:08:15,120 Speaker 3: And then and then your next one is is a 196 00:08:15,160 --> 00:08:15,880 Speaker 3: song from Greece. 197 00:08:16,720 --> 00:08:22,280 Speaker 2: Also every single Day great song. I wrote this with 198 00:08:22,480 --> 00:08:24,360 Speaker 2: Phil Buckle from Southern Sons. 199 00:08:24,360 --> 00:08:26,239 Speaker 3: I'm gonna say, You're gonna have to tell us who. 200 00:08:26,080 --> 00:08:30,200 Speaker 2: That remember was? He banded Southern Sons. 201 00:08:30,680 --> 00:08:34,880 Speaker 3: Jack Jones's streams every single day the two thousand and 202 00:08:34,960 --> 00:08:38,680 Speaker 3: four album Up All Night? What What who. 203 00:08:38,200 --> 00:08:38,760 Speaker 2: Comes up with? 204 00:08:38,800 --> 00:08:38,880 Speaker 3: That? 205 00:08:39,679 --> 00:08:40,000 Speaker 1: I was up? 206 00:08:40,320 --> 00:08:41,679 Speaker 2: I was a hot after Idole. 207 00:08:41,920 --> 00:08:46,360 Speaker 4: I was up a lot was the was the marketing team. 208 00:08:46,600 --> 00:08:49,240 Speaker 2: Let's let's lean intoday, Let's lean in. Let me Rob Mills, 209 00:08:49,240 --> 00:08:50,120 Speaker 2: bit of a party. 210 00:08:50,120 --> 00:08:52,280 Speaker 3: A party boy, A bit of a party boy on 211 00:08:52,280 --> 00:08:52,600 Speaker 3: the cover. 212 00:08:52,760 --> 00:08:57,600 Speaker 2: Yeah, I look like Katie Lang on the cover. I 213 00:08:58,120 --> 00:08:58,360 Speaker 2: was that. 214 00:09:01,559 --> 00:09:05,720 Speaker 3: I can't be like, oh my god, I need to 215 00:09:05,760 --> 00:09:09,719 Speaker 3: put it up on on Instagram. 216 00:09:09,800 --> 00:09:14,600 Speaker 1: It So that was me twenty one, trying to be sexy. 217 00:09:14,960 --> 00:09:16,200 Speaker 2: I don't know how to do. I don't know how 218 00:09:16,240 --> 00:09:18,760 Speaker 2: to do sexy. I still I'm not. I'm not a 219 00:09:18,840 --> 00:09:22,680 Speaker 2: sexy guy. So funny, Millsy look like you. 220 00:09:22,840 --> 00:09:25,360 Speaker 4: It looks like I've got like beautiful lips though yeah 221 00:09:25,520 --> 00:09:28,079 Speaker 4: yeahs lushes, thin lips. 222 00:09:29,080 --> 00:09:30,480 Speaker 2: God, oh man, I love it. 223 00:09:30,520 --> 00:09:33,480 Speaker 3: It's so good to see you. Good luck. Hairspray the 224 00:09:33,559 --> 00:09:36,520 Speaker 3: musical tickets available Hespray Musical dot com. Donna you if 225 00:09:36,559 --> 00:09:41,959 Speaker 3: you want to see Millsey the absolute sweetie of Australians 226 00:09:42,000 --> 00:09:44,680 Speaker 3: on melbn's on Hell of the Cast we touched on before, 227 00:09:44,720 --> 00:09:48,479 Speaker 3: Ron Birch, Moore, Shane Jackson, Tom McKenny, Carmel Rodriguez. 228 00:09:48,720 --> 00:09:50,119 Speaker 2: She's well phenomenal. 229 00:09:50,200 --> 00:09:54,160 Speaker 4: So you want your Tracy Turnblad to be super genuine, authentic. 230 00:09:54,240 --> 00:09:56,960 Speaker 4: Just in love with just being in the moment, mate. 231 00:09:57,000 --> 00:09:59,839 Speaker 4: She is so good enthusiasm. She's the star of the 232 00:10:00,280 --> 00:10:02,200 Speaker 4: I'm looking forward to it, mate, don't say Mills Espy. 233 00:10:02,200 --> 00:10:05,200 Speaker 4: The music dot com dot aulls love it. 234 00:10:05,600 --> 00:10:09,280 Speaker 1: More of the boys on the full podcast just scroll up.