1 00:00:00,840 --> 00:00:05,480 Speaker 1: Yeah, itinerary number one. 2 00:00:06,600 --> 00:00:07,960 Speaker 2: What sort of our genery is it? Oh? 3 00:00:08,039 --> 00:00:12,039 Speaker 1: Sorry, well, I think it's like signing, like yeah, sort 4 00:00:12,039 --> 00:00:14,080 Speaker 1: of like waking up, like you've just been woken up. 5 00:00:14,120 --> 00:00:16,959 Speaker 1: You've been camping and you've been woken up, and like 6 00:00:17,040 --> 00:00:18,400 Speaker 1: a big journey away to you. 7 00:00:18,480 --> 00:00:20,840 Speaker 3: But it's the early, early in the morning before a 8 00:00:20,840 --> 00:00:24,919 Speaker 3: big journey. So inspiration sorry, before we play, inspiration would 9 00:00:24,920 --> 00:00:33,400 Speaker 3: be morning has It's like a bird morning has fruit 10 00:00:37,680 --> 00:00:39,240 Speaker 3: like the first. 11 00:00:40,440 --> 00:00:40,680 Speaker 4: More. 12 00:00:40,920 --> 00:00:42,839 Speaker 5: Would you like to welcome our YouTube? 13 00:00:43,240 --> 00:00:43,360 Speaker 1: Oh? 14 00:00:43,440 --> 00:00:45,519 Speaker 2: Yeah, hi everyone, here are you going on YouTube? 15 00:00:45,560 --> 00:00:51,440 Speaker 4: This is our first video. We are gonna simultaneously. 16 00:00:51,520 --> 00:00:54,240 Speaker 3: They're already impressed. Obviously you're going to be in for 17 00:00:54,240 --> 00:00:55,800 Speaker 3: the whole video now after. 18 00:00:55,600 --> 00:00:59,200 Speaker 4: This simultaneously put this in our YouTube channel, so if 19 00:00:59,200 --> 00:01:01,160 Speaker 4: you love what you're hearing, you can actually watch these. 20 00:01:01,600 --> 00:01:05,280 Speaker 2: Yes, which I think we are the claiment. 21 00:01:05,400 --> 00:01:07,280 Speaker 4: We're the first podcast to do a daily podcast to 22 00:01:07,319 --> 00:01:10,000 Speaker 4: also have a video going up every day in Australia. 23 00:01:10,040 --> 00:01:10,520 Speaker 3: Surely not. 24 00:01:11,200 --> 00:01:11,840 Speaker 2: Kate told me that. 25 00:01:12,080 --> 00:01:14,319 Speaker 3: Surely not like a whole of all. 26 00:01:14,200 --> 00:01:18,920 Speaker 4: The podcasts in Australia, like a whole unedited live just 27 00:01:19,000 --> 00:01:20,040 Speaker 4: feed of our podcast. 28 00:01:20,560 --> 00:01:22,920 Speaker 3: But there's no podcast in the world that records the 29 00:01:22,959 --> 00:01:23,440 Speaker 3: whole thing. 30 00:01:23,520 --> 00:01:26,240 Speaker 2: The world, the world Australia old. 31 00:01:26,120 --> 00:01:30,639 Speaker 3: Radio as in like so the very small subset category of. 32 00:01:30,560 --> 00:01:34,920 Speaker 2: What's that in the bate around there? It could be annow, 33 00:01:35,280 --> 00:01:36,760 Speaker 2: it could a mystical creak. 34 00:01:36,880 --> 00:01:38,479 Speaker 5: I've got something for the itinery. 35 00:01:38,640 --> 00:01:41,560 Speaker 3: Yeah okay, oh sorry, well you can be number two. 36 00:01:41,760 --> 00:01:43,360 Speaker 2: Oh so yeah, we're in number one. 37 00:01:43,600 --> 00:01:46,559 Speaker 1: We're in it, We're in it old. Mine's quite big, 38 00:01:46,680 --> 00:01:47,960 Speaker 1: and I feel like we'll take a lot of time. 39 00:01:48,000 --> 00:01:49,600 Speaker 1: So Tom, I only sneak in with subsets. 40 00:01:50,280 --> 00:01:53,000 Speaker 2: Why is yours quite big? I feel like you brushed. 41 00:01:52,720 --> 00:01:54,600 Speaker 4: Over a number of my itineries last time as well. 42 00:01:54,760 --> 00:01:55,960 Speaker 3: I got it, I got right around them. 43 00:01:56,240 --> 00:01:58,360 Speaker 1: But I told you I want a written submission before 44 00:01:58,400 --> 00:02:00,400 Speaker 1: the meeting, so I know I I don't know how 45 00:02:00,400 --> 00:02:02,880 Speaker 1: to strucure my itineries right, And Tom, I'm gonna have 46 00:02:02,920 --> 00:02:04,680 Speaker 1: to slap you on the wrist as well here mate, 47 00:02:04,720 --> 00:02:09,360 Speaker 1: because guys before we record written submission. Hey, you've got 48 00:02:09,400 --> 00:02:11,520 Speaker 1: my dinner. Because I'm trying to write a structure. I'm 49 00:02:11,520 --> 00:02:13,160 Speaker 1: trying to write a structure for a meeting. Don't read 50 00:02:13,200 --> 00:02:14,000 Speaker 1: what I've written now. 51 00:02:15,440 --> 00:02:20,400 Speaker 2: I don't remember who was watching this press pause written down? 52 00:02:20,440 --> 00:02:23,119 Speaker 2: What have you got there. Well, business, what I saw 53 00:02:23,240 --> 00:02:25,320 Speaker 2: was ducks or bucks? Question marks a thing. 54 00:02:25,800 --> 00:02:27,720 Speaker 3: Would you take a hundred bucks or a hundred ducks 55 00:02:27,760 --> 00:02:31,040 Speaker 3: if you were offered anyway, Tom, I'm going to allow it, 56 00:02:31,120 --> 00:02:32,040 Speaker 3: but never again. 57 00:02:32,120 --> 00:02:33,960 Speaker 5: My itinery is about the itinery. 58 00:02:34,560 --> 00:02:38,000 Speaker 3: Oh so we'll get understand fact for that itinery zero 59 00:02:38,080 --> 00:02:39,120 Speaker 3: point five blah blah. 60 00:02:39,160 --> 00:02:39,679 Speaker 2: What did you want? 61 00:02:39,680 --> 00:02:41,960 Speaker 5: What it's business? 62 00:02:42,200 --> 00:02:44,880 Speaker 3: Oh? Yeah, okay, I don't think we can have this 63 00:02:44,960 --> 00:02:45,760 Speaker 3: delay every time. 64 00:02:45,960 --> 00:02:48,639 Speaker 5: Well, look, I think we should record several itinery stings 65 00:02:48,639 --> 00:02:49,640 Speaker 5: and the yeah play them. 66 00:02:50,080 --> 00:02:53,239 Speaker 3: You got a ship from the heather bit more man, Oh, 67 00:02:53,280 --> 00:02:56,400 Speaker 3: I liked it. I like that. Oh that was aggressive. 68 00:02:56,639 --> 00:02:58,079 Speaker 2: But what is that? 69 00:02:58,560 --> 00:03:08,320 Speaker 3: It's called wood awesome. That's actually awesome. It's so perfect. 70 00:03:08,520 --> 00:03:10,080 Speaker 2: I thought it was going to be like a gavel, 71 00:03:10,120 --> 00:03:15,519 Speaker 2: but it's literally it's awesome. Sticks together. 72 00:03:15,840 --> 00:03:18,320 Speaker 3: I'm with your itinerary, Okay, go on. 73 00:03:18,400 --> 00:03:19,320 Speaker 2: That was worthwhile. 74 00:03:19,440 --> 00:03:20,720 Speaker 3: Those worth the way. That was great. 75 00:03:20,720 --> 00:03:24,160 Speaker 5: I think now that we have people beautiful people watching 76 00:03:24,240 --> 00:03:26,919 Speaker 5: us on Beautiful free on, watching us on YouTube, and 77 00:03:27,120 --> 00:03:30,240 Speaker 5: people listening to us on the audio medium, I think 78 00:03:30,280 --> 00:03:32,040 Speaker 5: it would be a good idea to tell people what's 79 00:03:32,080 --> 00:03:35,800 Speaker 5: coming up in the show at the start, as in 80 00:03:35,920 --> 00:03:40,040 Speaker 5: like like the itinery. Actually, yeah, so you should list 81 00:03:40,080 --> 00:03:43,280 Speaker 5: the itinery at the start. Yep, that's going to bring people. 82 00:03:43,840 --> 00:03:44,600 Speaker 2: For example, I. 83 00:03:44,480 --> 00:03:47,040 Speaker 4: Agree, because then you'll do a written submission. Then I 84 00:03:47,040 --> 00:03:48,840 Speaker 4: will do written submission because then you just read it 85 00:03:48,840 --> 00:03:49,640 Speaker 4: out at the start. 86 00:03:49,680 --> 00:03:50,720 Speaker 3: Take that feedback on board. 87 00:03:50,760 --> 00:03:53,320 Speaker 5: For example, today we have a forty year old mystery 88 00:03:53,320 --> 00:03:54,000 Speaker 5: that we want to sell. 89 00:03:54,120 --> 00:03:55,880 Speaker 2: Yeah, well done, I think that's right. 90 00:03:55,920 --> 00:04:02,360 Speaker 3: That was itinerian, that was that was itinery number one, 91 00:04:02,360 --> 00:04:05,680 Speaker 3: and you've just given it away. Well, I feel a 92 00:04:05,680 --> 00:04:06,080 Speaker 3: bit hurt. 93 00:04:06,120 --> 00:04:07,280 Speaker 2: That is yours, that's your space. 94 00:04:07,280 --> 00:04:07,920 Speaker 3: I feel bit hurt. 95 00:04:08,000 --> 00:04:09,600 Speaker 1: Like I'm going to I appreciate. I'm going to get 96 00:04:09,600 --> 00:04:11,440 Speaker 1: a bit defensive here. Okay, I don't mean to be 97 00:04:11,440 --> 00:04:14,360 Speaker 1: getting defensive. I'm going to take no, no, it's happened. 98 00:04:14,360 --> 00:04:14,520 Speaker 2: Now. 99 00:04:15,080 --> 00:04:17,440 Speaker 3: We're not allowed to edit the YouTube videos. Don't you 100 00:04:17,480 --> 00:04:20,599 Speaker 3: give me wood droppers? Don't you give me wood droppers? Okay, 101 00:04:20,640 --> 00:04:25,160 Speaker 3: So forty year old, forty years oldty years old, we're there. 102 00:04:25,160 --> 00:04:27,840 Speaker 5: Well, you were taking your time to be I was. 103 00:04:27,760 --> 00:04:30,240 Speaker 3: Taking my time. You take twenty minutes to think of 104 00:04:30,279 --> 00:04:32,880 Speaker 3: a sound effect before an itinery item. I was trying. 105 00:04:33,000 --> 00:04:35,400 Speaker 1: I'm that close to stripping you of music, sound effects 106 00:04:35,400 --> 00:04:39,080 Speaker 1: to itinery it. 107 00:04:39,320 --> 00:04:41,760 Speaker 4: Well, we can't do because we're putting this on YouTube now, 108 00:04:42,120 --> 00:04:45,000 Speaker 4: we can't use any actual music, so we have to 109 00:04:45,080 --> 00:04:45,720 Speaker 4: use the keyboard. 110 00:04:45,760 --> 00:04:47,760 Speaker 1: We have to make organics and that's took close to 111 00:04:48,080 --> 00:04:50,680 Speaker 1: licensing time to just give me sound effects such as 112 00:04:51,040 --> 00:04:51,799 Speaker 1: worldy freak. 113 00:04:53,160 --> 00:04:54,280 Speaker 3: It could just give us a wash. 114 00:04:55,000 --> 00:04:56,920 Speaker 4: Yeah, it sounds better. You could just give us a 115 00:04:57,440 --> 00:04:59,600 Speaker 4: bit of flavor and the keyboard. Anyway, Can we talk 116 00:04:59,600 --> 00:05:01,400 Speaker 4: about the Can we talk about the forty year old mister? 117 00:05:01,440 --> 00:05:01,600 Speaker 5: Yeah? 118 00:05:01,600 --> 00:05:01,840 Speaker 3: We can. 119 00:05:02,000 --> 00:05:07,360 Speaker 1: So, Tommy, you brought this to us January nineteen. That's 120 00:05:07,360 --> 00:05:08,640 Speaker 1: bloody specific. 121 00:05:09,120 --> 00:05:10,920 Speaker 3: January January nineteen. 122 00:05:11,480 --> 00:05:15,560 Speaker 1: We had a chat about it. Okay, I think it's 123 00:05:15,600 --> 00:05:18,039 Speaker 1: worth exploring more. But I think before we take the 124 00:05:18,080 --> 00:05:22,760 Speaker 1: next step, we're gonna have to play the audio or 125 00:05:22,800 --> 00:05:26,520 Speaker 1: show you guys on YouTube the vision of us talking 126 00:05:26,520 --> 00:05:28,320 Speaker 1: about this on January nineteen. 127 00:05:29,080 --> 00:05:30,040 Speaker 2: So is there vision? 128 00:05:30,400 --> 00:05:33,680 Speaker 1: Yeah, there's vis got vish from January. I want some 129 00:05:33,720 --> 00:05:34,800 Speaker 1: sort of like we're going back. 130 00:05:34,680 --> 00:05:36,640 Speaker 2: In time, something mystical. 131 00:05:36,960 --> 00:05:40,440 Speaker 3: Well, yeah, mystical go back in time? Bill and Ted's 132 00:05:40,560 --> 00:05:42,840 Speaker 3: Ted's are like, what's that called? Bill and Ted's It's. 133 00:05:42,720 --> 00:05:52,760 Speaker 5: Excellent visue you think that? Yeah, there I have a 134 00:05:52,800 --> 00:05:56,440 Speaker 5: mystery that I found in my house. You found it 135 00:05:56,520 --> 00:05:59,839 Speaker 5: needs solving. I found something in my house that is, 136 00:06:01,000 --> 00:06:01,919 Speaker 5: here's what happened. 137 00:06:01,920 --> 00:06:04,040 Speaker 3: All right, Oh you're gonna go, yeah, let's do it. 138 00:06:04,120 --> 00:06:07,440 Speaker 2: Let's be a funny all right, you go. I'm happy 139 00:06:07,480 --> 00:06:07,720 Speaker 2: to hear it. 140 00:06:07,760 --> 00:06:08,080 Speaker 3: All right. 141 00:06:08,120 --> 00:06:10,320 Speaker 5: So I bought this house. We've been living in it 142 00:06:10,360 --> 00:06:14,360 Speaker 5: for six months and next to my fireplace because a 143 00:06:14,480 --> 00:06:16,960 Speaker 5: super old house was built in eighteen eighty seven. Right, 144 00:06:17,200 --> 00:06:20,960 Speaker 5: there's like a bunch of shells. My partner, Seth, he 145 00:06:21,080 --> 00:06:23,599 Speaker 5: was up on the stairs talking to me one night 146 00:06:23,680 --> 00:06:25,640 Speaker 5: going to bed, and he's like, there's something on the 147 00:06:25,640 --> 00:06:27,960 Speaker 5: top shelf over there. Now, we don't use the top 148 00:06:28,000 --> 00:06:30,960 Speaker 5: shelf because it's way too high up for anything. Sure, 149 00:06:31,279 --> 00:06:33,240 Speaker 5: so he's like, there's something on the top shelf. So 150 00:06:33,279 --> 00:06:37,720 Speaker 5: he goes, you're talking, Well, they're they're high ceilings because 151 00:06:37,720 --> 00:06:38,640 Speaker 5: it's an old school house. 152 00:06:38,640 --> 00:06:42,000 Speaker 2: So it's a vaulted ceiling. 153 00:06:41,080 --> 00:06:44,279 Speaker 5: Which means it's probably it's one and a half to 154 00:06:44,279 --> 00:06:46,320 Speaker 5: two people talk. It's a big ceiling. 155 00:06:46,520 --> 00:06:49,920 Speaker 1: Okay, but if we're talking behind Lebron James, Lebron James 156 00:06:49,960 --> 00:06:51,160 Speaker 1: are probably more than Lebron. 157 00:06:51,480 --> 00:06:52,280 Speaker 3: Okay, that's huge. 158 00:06:52,320 --> 00:06:52,680 Speaker 5: It's big. 159 00:06:53,080 --> 00:06:56,000 Speaker 2: Can he reach? Can he reach the top shelf? You 160 00:06:56,040 --> 00:06:58,440 Speaker 2: need a ladder, need a ladder. It's a high shell, right, 161 00:06:58,440 --> 00:06:58,960 Speaker 2: okay shelf. 162 00:06:59,000 --> 00:07:00,000 Speaker 5: You can only see it on the stairs. 163 00:07:00,440 --> 00:07:00,640 Speaker 2: Right. 164 00:07:00,680 --> 00:07:01,680 Speaker 5: So he's like this something up there. 165 00:07:01,680 --> 00:07:02,240 Speaker 2: Okay, okay. 166 00:07:02,400 --> 00:07:05,040 Speaker 5: He grabs the thing from up there, gets the ladder, 167 00:07:05,120 --> 00:07:10,200 Speaker 5: gets the thing right, He pulls it down and from 168 00:07:10,240 --> 00:07:15,720 Speaker 5: the top shelf comes a photo album covered in dust. 169 00:07:16,240 --> 00:07:18,040 Speaker 3: Terow, absolutely terrifio. 170 00:07:18,480 --> 00:07:22,560 Speaker 5: We open the photo album and it says, visit to 171 00:07:22,680 --> 00:07:25,679 Speaker 5: Grandma's house nineteen eighty five. 172 00:07:26,840 --> 00:07:28,040 Speaker 4: Oh. 173 00:07:28,200 --> 00:07:32,600 Speaker 5: In the front page of the photo album, he's an 174 00:07:32,640 --> 00:07:37,440 Speaker 5: American address. Would you like to see thus photo album? 175 00:07:37,520 --> 00:07:38,000 Speaker 2: I have it. 176 00:07:38,200 --> 00:07:40,760 Speaker 1: Yeah, it's like it's from a horror movie. 177 00:07:41,200 --> 00:07:41,760 Speaker 3: It's like a. 178 00:07:41,680 --> 00:07:48,040 Speaker 1: Small what small leather bound It says mini album on it, 179 00:07:48,080 --> 00:07:50,400 Speaker 1: so it's it's got. It's got what appears to be 180 00:07:50,440 --> 00:07:53,280 Speaker 1: like a painting of some flowers on the front. 181 00:07:53,360 --> 00:07:55,520 Speaker 5: It is how every good horror movie starts. 182 00:07:55,600 --> 00:07:58,080 Speaker 3: Are you ducks? For you that you touched that? 183 00:07:58,120 --> 00:08:03,120 Speaker 2: By the way, would he you're now cursed? Oh? Bugger yeah, 184 00:08:03,240 --> 00:08:04,360 Speaker 2: suffering your jocks mate? 185 00:08:04,640 --> 00:08:08,600 Speaker 1: Set me up now, I'm part of this, okay, okay, 186 00:08:08,640 --> 00:08:11,400 Speaker 1: so but I'm I'm bloody in and I'm into it. 187 00:08:11,440 --> 00:08:19,800 Speaker 1: So it says at Grammar's House. At Gramma's House, Gramma's House, Headwaters, USA, 188 00:08:20,080 --> 00:08:24,119 Speaker 1: August sixteen to thirty one, nineteen eighty five, Ian's book. 189 00:08:24,400 --> 00:08:27,240 Speaker 1: But Ian, interestingly is written in text to the rest 190 00:08:27,240 --> 00:08:29,040 Speaker 1: of it is in print, like old school print. 191 00:08:29,080 --> 00:08:30,480 Speaker 5: Now if you turn the page, you can see the 192 00:08:30,600 --> 00:08:34,200 Speaker 5: contents of the photos. So he's written a little contents page, 193 00:08:34,240 --> 00:08:37,559 Speaker 5: little index page. And then in the photo album, it's 194 00:08:37,640 --> 00:08:40,199 Speaker 5: just these beautiful photos from nineteen eighty five of Ian's 195 00:08:40,240 --> 00:08:42,240 Speaker 5: visit to his grandma's house in. 196 00:08:43,240 --> 00:08:45,480 Speaker 2: You think beautiful but in the background. 197 00:08:45,040 --> 00:08:45,840 Speaker 3: In New York State. 198 00:08:46,240 --> 00:08:48,640 Speaker 1: I don't know why you think this is beautiful, Tom. 199 00:08:48,679 --> 00:08:51,160 Speaker 1: This is like straight out of a horror movie. There's 200 00:08:51,200 --> 00:08:51,719 Speaker 1: something going. 201 00:08:51,760 --> 00:08:53,520 Speaker 3: I don't know what it is yet. Obviously this is 202 00:08:53,559 --> 00:08:54,679 Speaker 3: the first time looked at it. 203 00:08:54,720 --> 00:08:55,760 Speaker 2: I don't want to have anything to do it, but 204 00:08:55,760 --> 00:08:57,240 Speaker 2: I'm sure it's going to be I'm not gonna look 205 00:08:57,280 --> 00:08:58,120 Speaker 2: at that. I want to look at it. 206 00:08:59,080 --> 00:09:01,359 Speaker 1: So they were just like kids playing in a backyard, 207 00:09:02,040 --> 00:09:05,640 Speaker 1: kids in a kiddie pool, family kids in a kidy pool, 208 00:09:05,760 --> 00:09:10,120 Speaker 1: like family shots, family shots. 209 00:09:09,720 --> 00:09:11,960 Speaker 3: It just looks like standard life. 210 00:09:12,800 --> 00:09:15,680 Speaker 1: But there's a reason why this photo album was left 211 00:09:15,679 --> 00:09:19,679 Speaker 1: on top of a shelf for what forty years and 212 00:09:19,760 --> 00:09:20,720 Speaker 1: never been recovered. 213 00:09:20,720 --> 00:09:22,800 Speaker 2: And I think it's been there for forty years. 214 00:09:23,240 --> 00:09:25,400 Speaker 5: It was covered in a very thick layer of dust. 215 00:09:25,480 --> 00:09:28,079 Speaker 2: Yeah, right, okay, have you most likely asbestos? 216 00:09:28,200 --> 00:09:29,920 Speaker 3: Would you reach out to the previous owners? 217 00:09:31,000 --> 00:09:35,079 Speaker 5: Well, so the previous owner of the house always rented 218 00:09:35,080 --> 00:09:37,080 Speaker 5: the house out, so he bought it in the eighties 219 00:09:37,400 --> 00:09:40,199 Speaker 5: and never lived in it. So the previous owner has 220 00:09:40,200 --> 00:09:41,840 Speaker 5: got nothing to do with it. It would have to be 221 00:09:41,920 --> 00:09:45,000 Speaker 5: either previous tenants or the owner before that owner. 222 00:09:45,520 --> 00:09:46,079 Speaker 2: Oh wow. 223 00:09:46,559 --> 00:09:48,880 Speaker 1: I don't mean to get real creepy here, and I'm 224 00:09:48,920 --> 00:09:52,080 Speaker 1: sorry if I'm jumping to conclusions, but it's like happy families, 225 00:09:52,080 --> 00:09:54,840 Speaker 1: happy families, happy families, and then two photos that looks 226 00:09:54,880 --> 00:09:55,760 Speaker 1: like destroying evidence. 227 00:09:55,800 --> 00:09:57,079 Speaker 3: Not joking, that's odd. 228 00:09:57,320 --> 00:09:59,559 Speaker 2: We're destroying evidence. 229 00:09:59,480 --> 00:10:02,360 Speaker 1: An excav he's just in his camp, no picking up 230 00:10:02,360 --> 00:10:06,400 Speaker 1: a bin, right, okay, why would you take your photo? 231 00:10:06,640 --> 00:10:08,280 Speaker 3: I'm sorry, let me let me finish my trailer. 232 00:10:08,280 --> 00:10:12,000 Speaker 1: Thought clearly for my for my eyes, clearly just destroying 233 00:10:12,080 --> 00:10:14,319 Speaker 1: some sort of evidence of something that's happened. Flick to 234 00:10:14,360 --> 00:10:16,960 Speaker 1: the final page. Just a plane and the family's gone 235 00:10:18,800 --> 00:10:25,480 Speaker 1: and clearly fled to Australia in I think, I think 236 00:10:25,480 --> 00:10:28,040 Speaker 1: this is really crook. I think I's come. I think 237 00:10:28,040 --> 00:10:30,120 Speaker 1: he's gone on a plane. He's covered up a crime. 238 00:10:30,600 --> 00:10:33,240 Speaker 4: I'm not going to Okay, if Ian committed the crime, 239 00:10:33,240 --> 00:10:35,080 Speaker 4: why would you take a photo of him hiding the 240 00:10:35,080 --> 00:10:36,480 Speaker 4: body and then the plane that he. 241 00:10:36,880 --> 00:10:39,520 Speaker 1: Escaped, Because people who do crimes like to keep the 242 00:10:39,600 --> 00:10:44,040 Speaker 1: record of it. But Trophy and he's and he's left 243 00:10:44,080 --> 00:10:46,880 Speaker 1: it on top of your shelf, Tom, and I think 244 00:10:46,920 --> 00:10:50,120 Speaker 1: it would be remissive us not to solve the crime. 245 00:10:50,640 --> 00:10:52,600 Speaker 2: Well, I don't think that's the crime that Tom's after. 246 00:10:52,679 --> 00:10:55,200 Speaker 5: I just want to return it to Ian because it 247 00:10:55,240 --> 00:10:56,120 Speaker 5: might be last night. 248 00:10:57,120 --> 00:11:00,000 Speaker 1: I think mine's way more exciting. 249 00:11:01,000 --> 00:11:07,320 Speaker 3: So you know, it's just a brainstorm. Why the picture 250 00:11:07,360 --> 00:11:08,080 Speaker 3: of a plane at the end? 251 00:11:09,080 --> 00:11:11,480 Speaker 5: Cool play that's the index page and read what the 252 00:11:11,520 --> 00:11:12,160 Speaker 5: last photo? 253 00:11:13,200 --> 00:11:16,040 Speaker 3: Of course, as an index page explains the photos. 254 00:11:15,880 --> 00:11:19,400 Speaker 2: Classic serial killer play Index Photos. 255 00:11:19,320 --> 00:11:24,400 Speaker 3: Twenty two the plane hang on, I do want to 256 00:11:24,440 --> 00:11:24,719 Speaker 3: go to. 257 00:11:24,679 --> 00:11:30,400 Speaker 1: The tree trimmer and and his bucket the pig farm. 258 00:11:31,080 --> 00:11:33,120 Speaker 3: What do pigs do in all crime movies? 259 00:11:33,480 --> 00:11:34,160 Speaker 2: Eat the bodies? 260 00:11:35,600 --> 00:11:37,520 Speaker 5: So at the front of the book Wood he there's 261 00:11:37,520 --> 00:11:38,720 Speaker 5: a there's an address. 262 00:11:39,240 --> 00:11:42,120 Speaker 2: Oh yep, oh yeah, in America. 263 00:11:42,440 --> 00:11:47,960 Speaker 1: Elsie Meyers, Staington one seven three five ellis Hollow Road, Ithaca, 264 00:11:48,520 --> 00:11:54,360 Speaker 1: New Ithaca, Ithaca, New York, one four eight five zero. 265 00:11:54,360 --> 00:11:56,320 Speaker 3: What are you thinking, Team Trip, Let's hit it. 266 00:11:56,480 --> 00:12:00,800 Speaker 4: I think it's cool that the island Odysseus is from. 267 00:12:00,840 --> 00:12:02,280 Speaker 4: That's the place that he's got to travel home to, 268 00:12:02,400 --> 00:12:04,480 Speaker 4: and we're traveling home to Ian. 269 00:12:05,760 --> 00:12:08,280 Speaker 3: You met Greek mythology. 270 00:12:08,360 --> 00:12:12,120 Speaker 5: But don't we want to get this back to Ian though? 271 00:12:12,160 --> 00:12:14,560 Speaker 5: Don't we think surely we can find someone in Ithaca. 272 00:12:14,800 --> 00:12:17,160 Speaker 3: I don't think. I don't think Ian lives there anymore. 273 00:12:17,640 --> 00:12:19,360 Speaker 3: I think Ian flew here. 274 00:12:19,640 --> 00:12:21,200 Speaker 2: Oh mate, enough with the. 275 00:12:23,000 --> 00:12:24,679 Speaker 4: Cant we just give this guy his photo book break. 276 00:12:24,679 --> 00:12:27,880 Speaker 4: He doesn't have to have killed anyone. You can continue 277 00:12:27,920 --> 00:12:28,360 Speaker 4: running with that. 278 00:12:28,920 --> 00:12:31,600 Speaker 3: Good you can be a good cup with in the 279 00:12:31,640 --> 00:12:32,080 Speaker 3: next step. 280 00:12:32,120 --> 00:12:33,280 Speaker 2: What's what's the next step? Then? 281 00:12:33,320 --> 00:12:35,680 Speaker 5: Well, I think we need someone in Ithaca that can 282 00:12:35,679 --> 00:12:36,199 Speaker 5: go to this. 283 00:12:36,160 --> 00:12:40,440 Speaker 4: Address in it in New York, New York. It's a 284 00:12:40,480 --> 00:12:43,040 Speaker 4: town in New York, yes, right, okay, in the state 285 00:12:43,080 --> 00:12:43,640 Speaker 4: of New York. 286 00:12:43,720 --> 00:12:44,000 Speaker 2: New York. 287 00:12:44,040 --> 00:12:44,960 Speaker 3: Send into a trap. 288 00:12:45,880 --> 00:12:47,199 Speaker 2: He's not going to kill them. 289 00:12:48,000 --> 00:12:49,280 Speaker 3: I haven't said anything of that. 290 00:12:49,320 --> 00:12:50,880 Speaker 2: I've got a friend who lives in New York that 291 00:12:50,960 --> 00:12:51,719 Speaker 2: I could get to go. 292 00:12:53,080 --> 00:12:56,760 Speaker 3: Are you thinking Robber, he's not trustworthy? Are you thinking Robert? 293 00:12:56,800 --> 00:12:58,000 Speaker 2: No, thinking Daniel. 294 00:12:58,040 --> 00:13:00,400 Speaker 4: I was thinking Daniel, thinking about saying Daniel, Oh, yeah, 295 00:13:00,520 --> 00:13:01,280 Speaker 4: they do a good job. 296 00:13:02,480 --> 00:13:06,079 Speaker 3: Let's send robo there. No, send both of them? 297 00:13:06,160 --> 00:13:08,640 Speaker 4: No, okay, so we'll let Yeah, all right, I think 298 00:13:08,640 --> 00:13:09,360 Speaker 4: it's a really nice idea. 299 00:13:09,400 --> 00:13:11,559 Speaker 2: We'll just return the photo of the person. Whether or 300 00:13:11,559 --> 00:13:13,120 Speaker 2: not they're a murder or not, we'll find out later. 301 00:13:13,800 --> 00:13:15,720 Speaker 2: After we send our friend into the bear's trap. 302 00:13:23,120 --> 00:13:24,240 Speaker 3: We're back in the present. 303 00:13:25,720 --> 00:13:31,840 Speaker 1: Amazing. Hopefully you guys are as excited about this as us. 304 00:13:32,559 --> 00:13:34,400 Speaker 4: And not scared. Don't be scared. It seems like a 305 00:13:34,400 --> 00:13:36,440 Speaker 4: bit of fun you're making. You're making it scary. 306 00:13:36,520 --> 00:13:40,360 Speaker 2: It's not. It's not. Don't do that. Don't shake your head. 307 00:13:40,559 --> 00:13:42,880 Speaker 3: You need my candy here, I can't. I can't need 308 00:13:42,880 --> 00:13:47,080 Speaker 3: you need my canda. I can't go into what you said. 309 00:13:47,120 --> 00:13:53,240 Speaker 5: I need your candy, candy, you need make candy. 310 00:13:53,640 --> 00:13:54,160 Speaker 3: No, I can't. 311 00:13:54,200 --> 00:13:54,520 Speaker 2: I can't. 312 00:13:54,840 --> 00:13:57,560 Speaker 3: I can't be an investigator on there and be pissing 313 00:13:57,559 --> 00:13:59,080 Speaker 3: in your pocket. You don't want that from me. 314 00:14:00,240 --> 00:14:01,839 Speaker 1: When were you pissing in my pocket'd be pissing in 315 00:14:01,840 --> 00:14:03,600 Speaker 1: your pocket. But I think this is a dangerous quest. 316 00:14:03,679 --> 00:14:07,280 Speaker 1: I think we're potentially pissing in the pocket. Is who cares? 317 00:14:07,600 --> 00:14:09,280 Speaker 1: All I'm saying is I need to be honest about 318 00:14:09,280 --> 00:14:11,840 Speaker 1: my feel about this turning tom. 319 00:14:11,880 --> 00:14:14,400 Speaker 5: There is one detail I'll give you tomorrow that could 320 00:14:14,400 --> 00:14:16,520 Speaker 5: support Woodies haunting. 321 00:14:16,800 --> 00:14:19,360 Speaker 2: No, I just don't want it to be scary. 322 00:14:19,480 --> 00:14:21,640 Speaker 3: I don't wanted to. I'm the biggest cow, would you know? 323 00:14:22,080 --> 00:14:23,680 Speaker 5: And I just doesn't want it to be scary. It's 324 00:14:23,680 --> 00:14:24,560 Speaker 5: me who lives in the house. 325 00:14:24,600 --> 00:14:27,280 Speaker 3: Yeah that's fair, but there are red flags all over 326 00:14:27,280 --> 00:14:30,960 Speaker 3: the floor. All right, anyway, we're back tomorrow. I reckon tomorrow. 327 00:14:30,960 --> 00:14:32,920 Speaker 3: By the way, we should call one of our what's 328 00:14:32,920 --> 00:14:33,360 Speaker 3: going on there? 329 00:14:33,480 --> 00:14:33,840 Speaker 2: Scary? 330 00:14:34,160 --> 00:14:34,600 Speaker 3: Oh yeah? 331 00:14:34,720 --> 00:14:35,120 Speaker 2: Nice? 332 00:14:35,520 --> 00:14:38,240 Speaker 5: And if anybody's from New York State please get in touch. 333 00:14:38,560 --> 00:14:40,480 Speaker 3: Well yeah, or we can call our mate Robbo. 334 00:14:40,720 --> 00:14:46,120 Speaker 2: We'll do both. Robo it's a liability with the microphone, 335 00:14:46,120 --> 00:14:46,720 Speaker 2: but yeah. 336 00:14:47,120 --> 00:14:49,680 Speaker 3: Yeah, but he's also he'd be up for stuff like that. 337 00:14:49,720 --> 00:14:50,440 Speaker 2: He's the longest. 338 00:14:50,600 --> 00:14:52,080 Speaker 3: How far is Ithaca from? 339 00:14:52,480 --> 00:14:54,240 Speaker 5: I think we looked it up in New York City. 340 00:14:54,600 --> 00:14:57,360 Speaker 2: We did look it up. All right, we'll look it up, 341 00:14:57,520 --> 00:14:59,040 Speaker 2: and then tomorrow. 342 00:14:59,400 --> 00:15:03,760 Speaker 4: He'd go, Robbo would go, well, anyway, we'll talk about 343 00:15:03,800 --> 00:15:04,440 Speaker 4: it tomorrow, guys. 344 00:15:04,480 --> 00:15:06,000 Speaker 2: I mean yeah, I mean I don't I don't know 345 00:15:06,040 --> 00:15:12,400 Speaker 2: whether to be excited or yeah, a bit scared. I'm 346 00:15:12,440 --> 00:15:13,160 Speaker 2: a bit scared. 347 00:15:13,400 --> 00:15:15,680 Speaker 1: Well, I think being scared is a good place to be. 348 00:15:16,520 --> 00:15:19,560 Speaker 1: Your senses are heightened, so we'll be ready whatever's waiting 349 00:15:19,600 --> 00:15:23,960 Speaker 1: for us. All right, amazing, See you tomorrow, everyone, Bye bye, 350 00:15:24,240 --> 00:15:24,680 Speaker 1: bye bye.