1 00:00:00,320 --> 00:00:04,200 Speaker 1: Chris John O'Connell Breakfast Show podcast. It's time for knock 2 00:00:04,240 --> 00:00:13,000 Speaker 1: Off Friday. You jump on the lines on nine four 3 00:00:13,000 --> 00:00:15,239 Speaker 1: one four one four three. Just tell us what time 4 00:00:15,240 --> 00:00:17,919 Speaker 1: you're knocking off today, What time you finishing work, whether 5 00:00:17,920 --> 00:00:21,079 Speaker 1: that's in your kitchen now, there's no long commute back home. 6 00:00:21,160 --> 00:00:23,200 Speaker 1: You just walk from one room to the other, or 7 00:00:23,440 --> 00:00:25,360 Speaker 1: just walk to the fridge and pop open that first 8 00:00:25,440 --> 00:00:28,200 Speaker 1: drink of the weekend. Or you are at work and 9 00:00:28,200 --> 00:00:29,720 Speaker 1: you are going to be doing something. Let me know 10 00:00:29,800 --> 00:00:31,840 Speaker 1: what time you're knocking off and what then are you 11 00:00:31,880 --> 00:00:34,000 Speaker 1: going to be doing? Jack, What are you up to today? 12 00:00:35,000 --> 00:00:38,800 Speaker 2: Well, I have an audition today that I have to 13 00:00:38,800 --> 00:00:41,240 Speaker 2: do from my home. You have voice a voice acting 14 00:00:41,280 --> 00:00:42,440 Speaker 2: audition Bluey. 15 00:00:42,640 --> 00:00:43,839 Speaker 1: You a new character in Bluey. 16 00:00:44,080 --> 00:00:46,280 Speaker 2: I can't say what it is. It's not Bluey, but 17 00:00:47,159 --> 00:00:50,920 Speaker 2: it is an animation. And I've never been a voice 18 00:00:50,960 --> 00:00:53,519 Speaker 2: actor before, so I have no idea why they approached me, 19 00:00:53,560 --> 00:00:56,400 Speaker 2: but they're asking me to submit an audition. I just 20 00:00:56,440 --> 00:00:58,120 Speaker 2: have to do an American accent, is all? 21 00:00:58,360 --> 00:01:02,040 Speaker 1: Wait, what that's a tough accent for an Australian to 22 00:01:02,080 --> 00:01:04,919 Speaker 1: put off me. In US Brits, we're allowed voice artists 23 00:01:04,959 --> 00:01:07,280 Speaker 1: all over the world. I mean there's Hugh Lorrie in House, 24 00:01:07,440 --> 00:01:10,320 Speaker 1: Damian Lewis in Homeland. You know, you wouldn't know who's 25 00:01:10,319 --> 00:01:12,760 Speaker 1: a brit And you know, think about Christian Beoo. You 26 00:01:12,800 --> 00:01:15,199 Speaker 1: know in every movie he's got an amazing American accent, 27 00:01:15,240 --> 00:01:18,160 Speaker 1: but you never see even Hammersworth doesn't bother you know, 28 00:01:18,200 --> 00:01:19,440 Speaker 1: it's a slight American. 29 00:01:19,560 --> 00:01:22,679 Speaker 2: Actually, I can't think of any Australians doing American accents 30 00:01:22,680 --> 00:01:24,400 Speaker 2: that instantly come to mind. 31 00:01:24,480 --> 00:01:27,240 Speaker 1: I mean, what's the name even a crocodile Dundee. You know, 32 00:01:27,400 --> 00:01:30,200 Speaker 1: in his whole Hollywood career, Sean Connery didn't eve want 33 00:01:30,200 --> 00:01:32,480 Speaker 1: to try to change that Scottish accent. Even when he 34 00:01:32,560 --> 00:01:35,920 Speaker 1: was a Russian submarine commander in The Hunt for Red October. 35 00:01:36,280 --> 00:01:39,119 Speaker 1: It was still just a great, big Scottish bedded guy 36 00:01:39,440 --> 00:01:42,040 Speaker 1: running a Russian summary. Can you audition for me and 37 00:01:42,080 --> 00:01:42,679 Speaker 1: Pats now? 38 00:01:43,400 --> 00:01:46,000 Speaker 2: Oh I haven't practiced yet. They only they only emailed 39 00:01:46,040 --> 00:01:48,760 Speaker 2: me last night. Come on, no, you need a dry run, 40 00:01:48,800 --> 00:01:52,720 Speaker 2: Come on, give us a taste. Well, sorry, I'm just 41 00:01:52,760 --> 00:01:55,960 Speaker 2: trying to I'm stretching into it. I'm stretching into that. 42 00:01:57,400 --> 00:01:58,320 Speaker 2: I'm stretching. 43 00:02:00,080 --> 00:02:00,280 Speaker 1: Yeah. 44 00:02:01,200 --> 00:02:03,880 Speaker 2: Well, Christian, yeah, good to speak to you. Good to 45 00:02:03,880 --> 00:02:08,960 Speaker 2: speak to you, Patrini Charms. Are you trying to be He'll? Yeah, 46 00:02:09,840 --> 00:02:12,240 Speaker 2: I'm not trying to be anyone. I mean, I'm not 47 00:02:12,280 --> 00:02:15,360 Speaker 2: trying to be anyone. I'm just trying to be Forrest Gump. 48 00:02:15,720 --> 00:02:22,120 Speaker 2: I'm just trying to be an animate. It's a Daisily Jack. 49 00:02:25,120 --> 00:02:26,919 Speaker 1: He's meant to have that elector surgery for them to 50 00:02:27,000 --> 00:02:31,680 Speaker 1: denly thing. Yeah, maybe they want a nasal character. Maybe 51 00:02:31,680 --> 00:02:33,440 Speaker 1: this is not be nasal on Bluey. 52 00:02:33,720 --> 00:02:36,400 Speaker 2: The only thing it said is don't be southern or 53 00:02:36,440 --> 00:02:37,360 Speaker 2: don't be in New Yorker. 54 00:02:37,560 --> 00:02:39,600 Speaker 1: Just you've just done a southern. 55 00:02:41,440 --> 00:02:44,239 Speaker 2: Mid Atlantic. I don't know what that means. Mid Atlantic 56 00:02:44,280 --> 00:02:48,360 Speaker 2: American accent and he's Christian. I'm coming here to do 57 00:02:48,400 --> 00:02:50,280 Speaker 2: a mid Atlantic. No, that is southern. 58 00:02:51,080 --> 00:02:53,200 Speaker 1: You're going into Mississippi? 59 00:02:53,240 --> 00:02:56,480 Speaker 2: Now, Yeah, can you guys do one and set me 60 00:02:56,560 --> 00:02:57,680 Speaker 2: up and then I'll be able to do it back 61 00:02:57,680 --> 00:02:57,880 Speaker 2: to you. 62 00:02:58,160 --> 00:03:01,200 Speaker 1: I'm hopeless that those things about you. See it's a 63 00:03:01,360 --> 00:03:03,840 Speaker 1: very very multicultural city, isn't it, Melbourne? Right? You get 64 00:03:03,840 --> 00:03:06,720 Speaker 1: people thorn over the order. Is there an American listening 65 00:03:06,800 --> 00:03:09,960 Speaker 1: right now? Who is mid Atlantic? Could you call in 66 00:03:10,200 --> 00:03:12,720 Speaker 1: so Jack can at least have some idea. I love 67 00:03:12,760 --> 00:03:14,680 Speaker 1: the way as well. Like for this show, the preparation 68 00:03:14,919 --> 00:03:18,160 Speaker 1: is amazing. I haven't done anything yet. I've got a 69 00:03:18,160 --> 00:03:20,880 Speaker 1: big audition in a couple of hours. You won't even 70 00:03:20,960 --> 00:03:23,519 Speaker 1: learn Spanish of your mother and law. Someone says, do 71 00:03:23,560 --> 00:03:27,480 Speaker 1: you'll earn some more money? Not really? Not really? Mops 72 00:03:27,480 --> 00:03:35,120 Speaker 1: and chocolateads. Have I got the role? Who do I voice? 73 00:03:35,800 --> 00:03:39,200 Speaker 1: The Christian O'Connell Breakfast Show podcast. Jack, I'm just trying 74 00:03:39,200 --> 00:03:40,320 Speaker 1: to give you some tips here of how do you 75 00:03:40,440 --> 00:03:43,119 Speaker 1: use your voice in different ways. You've got this voice. 76 00:03:43,040 --> 00:03:46,600 Speaker 2: There, Christian. Thank you for doing that, and I agree 77 00:03:46,600 --> 00:03:50,080 Speaker 2: with you on the different intonations you can put in 78 00:03:50,120 --> 00:03:54,240 Speaker 2: your voice to make the same words give different meaning. 79 00:03:55,240 --> 00:03:58,480 Speaker 1: Again, it's st all down sounds. 80 00:03:58,840 --> 00:03:59,880 Speaker 2: It's not Southern anymore. 81 00:04:00,000 --> 00:04:02,800 Speaker 1: So it is it's so southern. Jack's got a voice 82 00:04:02,880 --> 00:04:05,440 Speaker 1: audition today for something and I can't obviously say what 83 00:04:05,440 --> 00:04:07,520 Speaker 1: it's for, but he has to play and so it's 84 00:04:07,560 --> 00:04:09,280 Speaker 1: an American voice they want you to do. 85 00:04:09,840 --> 00:04:11,920 Speaker 2: Yeah, it's a voice acting role. So I'm actually doing 86 00:04:11,960 --> 00:04:14,760 Speaker 2: the audition from my home. I just send him my 87 00:04:15,040 --> 00:04:19,520 Speaker 2: American voice. 88 00:04:16,560 --> 00:04:19,120 Speaker 1: I have on the other son of it. When they 89 00:04:19,200 --> 00:04:22,880 Speaker 1: click open this and go what guys, guys get everyone in. 90 00:04:23,160 --> 00:04:26,600 Speaker 1: We've got a real I mean, they got Forrest Gumps 91 00:04:26,640 --> 00:04:30,279 Speaker 1: emailed in. He's obviously got a speech impediment in this 92 00:04:30,320 --> 00:04:34,000 Speaker 1: one as well. Christian, you said that Australians struggle the 93 00:04:34,040 --> 00:04:37,000 Speaker 1: actors to do American accent. What about Hugh Jackman, Nicole Kidman, 94 00:04:37,080 --> 00:04:40,880 Speaker 1: Kate Blanchet, Jackie Weaver, Rita. That's a great point, but 95 00:04:41,120 --> 00:04:43,280 Speaker 1: let me read those names out against if this feels right, 96 00:04:43,600 --> 00:04:46,960 Speaker 1: Hugh Jackman, Nicole Kidman, Jackie Weaver, Jack Post. 97 00:04:49,640 --> 00:04:51,440 Speaker 2: Yeah, this will just be the start for me. I'll 98 00:04:52,200 --> 00:04:54,240 Speaker 2: do the voice acting gig in the animation. Then I'll 99 00:04:54,240 --> 00:04:55,400 Speaker 2: probably be in the next X men. 100 00:04:55,560 --> 00:04:58,800 Speaker 1: All that's missing is a rocking chair and a banjo. 101 00:04:59,160 --> 00:05:06,480 Speaker 2: Okay, in California, Jack in California, Kay Man in California. 102 00:05:06,520 --> 00:05:07,599 Speaker 1: That's better, Actually, isn't it? 103 00:05:07,640 --> 00:05:13,320 Speaker 2: Pats better? That's better? Okay, Well, no, let's get ONSTA again. 104 00:05:13,360 --> 00:05:15,400 Speaker 1: He's gone over to India. On the night down. We 105 00:05:15,560 --> 00:05:18,599 Speaker 1: have Marcus. Good morning, Marcus, give money, christ And how 106 00:05:18,600 --> 00:05:20,760 Speaker 1: are you see? This is? This is how it needs 107 00:05:20,800 --> 00:05:23,640 Speaker 1: to sound. So you're from originally from North Carolina. 108 00:05:23,480 --> 00:05:26,640 Speaker 3: North Carolina, little town called lafayet, but being down under 109 00:05:26,680 --> 00:05:28,520 Speaker 3: now for the best part of twenty years. 110 00:05:28,839 --> 00:05:31,440 Speaker 2: Now, that sounds like does you sound like me? I 111 00:05:31,480 --> 00:05:32,880 Speaker 2: thought I was getting myself back. 112 00:05:32,800 --> 00:05:35,960 Speaker 1: For a second. Can you answering stout before you do 113 00:05:36,080 --> 00:05:39,200 Speaker 1: the gig? Marcus has got a great accent, Marcus, and 114 00:05:39,680 --> 00:05:41,080 Speaker 1: so what can you advise Jack? 115 00:05:42,200 --> 00:05:44,480 Speaker 3: I think his main problem is he's trying to uh, 116 00:05:44,960 --> 00:05:47,680 Speaker 3: he's trying to be in a stream speaking an American accent. 117 00:05:47,760 --> 00:05:49,080 Speaker 3: So what he needs to do a little bit more 118 00:05:49,080 --> 00:05:53,160 Speaker 3: effectively is punchy sentence. You know, North Carolina, South Carolina, 119 00:05:53,200 --> 00:05:54,480 Speaker 3: to the same sort of extent. What we do is 120 00:05:54,560 --> 00:05:57,240 Speaker 3: we finish our sence. Get it said. Let the other 121 00:05:57,279 --> 00:06:00,000 Speaker 3: person speaking Jack sounds like he's always asked him questions 122 00:06:00,400 --> 00:06:01,479 Speaker 3: like what are your asking to do? 123 00:06:02,760 --> 00:06:06,000 Speaker 2: All right, I didn't notice we did that, So punch 124 00:06:06,080 --> 00:06:07,840 Speaker 2: my sentences. So just stop abruptly. 125 00:06:08,880 --> 00:06:11,320 Speaker 3: It's not not being abrupt that you're not asking question. 126 00:06:11,440 --> 00:06:13,520 Speaker 3: You guys will do this thing at the end. Yeah, 127 00:06:13,560 --> 00:06:16,400 Speaker 3: you do like you're asking a question. Really strange. I 128 00:06:16,440 --> 00:06:18,240 Speaker 3: think you just should say what you be confident what 129 00:06:18,279 --> 00:06:18,839 Speaker 3: you got to say? 130 00:06:19,920 --> 00:06:22,840 Speaker 2: Okay, let me try again. My name is Jack. I'm 131 00:06:22,880 --> 00:06:25,880 Speaker 2: sitting in an audition today for a voice part and. 132 00:06:28,960 --> 00:06:31,120 Speaker 1: Voice broke. We pay a nine year old. 133 00:06:32,960 --> 00:06:35,360 Speaker 2: My name is Jack. I'm going to be sorry, Marcus, 134 00:06:35,640 --> 00:06:38,200 Speaker 2: just give me one more shock. My name is Jack. 135 00:06:38,200 --> 00:06:39,680 Speaker 2: I'm going to be sitting in an audition for an 136 00:06:39,680 --> 00:06:42,479 Speaker 2: animated character tonight, and I hope it goes well. 137 00:06:43,720 --> 00:06:45,279 Speaker 3: Look, I think that's sound a lot better. Jack. I 138 00:06:45,320 --> 00:06:47,600 Speaker 3: think you're starting to get there. Uh, same sort of thing. 139 00:06:47,720 --> 00:06:49,359 Speaker 3: Be confident what you got to see. You've got to 140 00:06:49,360 --> 00:06:51,919 Speaker 3: push through that sense at the moment you're sort of 141 00:06:51,920 --> 00:06:54,520 Speaker 3: holding it back. You know you're gonna stuff up. They 142 00:06:54,520 --> 00:06:55,880 Speaker 3: don't care. They want to know what you can do. 143 00:06:56,120 --> 00:06:59,320 Speaker 3: Take directions. So take direction. I'm sure you're sentence of Jack, 144 00:06:59,400 --> 00:07:01,800 Speaker 3: or get out the I love. 145 00:07:01,720 --> 00:07:05,000 Speaker 1: This, Marcus. I'll get I'll get his agent's details. If 146 00:07:05,040 --> 00:07:07,160 Speaker 1: I were you, I just get that you should get 147 00:07:07,200 --> 00:07:07,560 Speaker 1: the gig. 148 00:07:09,040 --> 00:07:12,600 Speaker 3: I'll leave out to Jack. That's your thing, Marcaus. 149 00:07:12,640 --> 00:07:15,480 Speaker 2: I think I just struggle with my confidence in speaking anyway, 150 00:07:15,520 --> 00:07:17,360 Speaker 2: regardless of if I'm doing an Australian accent. 151 00:07:18,320 --> 00:07:20,760 Speaker 1: There there's no wallflour on this show from chap Post. 152 00:07:20,960 --> 00:07:23,160 Speaker 1: You kidding? So yeah, give it again. So Marcus has 153 00:07:23,160 --> 00:07:24,520 Speaker 1: helping try and sound like Marcus. 154 00:07:24,560 --> 00:07:26,480 Speaker 2: Then, all right, what do you want me to talk about? 155 00:07:26,520 --> 00:07:27,520 Speaker 2: Give me something to talk about. 156 00:07:27,680 --> 00:07:29,600 Speaker 1: Tell us, tell us today what you had for breakfast, 157 00:07:29,840 --> 00:07:32,200 Speaker 1: but in a mid Atlantic voice, or you know, South 158 00:07:32,240 --> 00:07:33,320 Speaker 1: Carolina like Marcus. 159 00:07:33,880 --> 00:07:35,640 Speaker 2: Well, I got up out of bed. First thing I 160 00:07:35,640 --> 00:07:38,120 Speaker 2: did was made myself a smoothie. What I put in 161 00:07:38,160 --> 00:07:41,120 Speaker 2: there was fruit and different things that go in a smoothie, 162 00:07:41,160 --> 00:07:43,080 Speaker 2: and I drank it. 163 00:07:43,200 --> 00:07:46,520 Speaker 3: Not bad, not bad. Now, just be careful, don't drop 164 00:07:46,560 --> 00:07:49,520 Speaker 3: back into that southern thing, you know, the certain thing 165 00:07:49,600 --> 00:07:52,440 Speaker 3: as you slow down and you drag your words out 166 00:07:52,440 --> 00:07:55,520 Speaker 3: because they're so boring down there, got nothing to say, 167 00:07:56,000 --> 00:07:58,000 Speaker 3: so punch your words. You'll be fine. 168 00:07:59,560 --> 00:08:02,680 Speaker 1: Another way, he said, fine, say fine, He went fine. 169 00:08:03,040 --> 00:08:05,560 Speaker 2: Marcus, I think with your coaching, I'm gonna just be 170 00:08:05,760 --> 00:08:07,040 Speaker 2: super fun today. 171 00:08:07,280 --> 00:08:08,840 Speaker 3: Ah, there you go, Now, there you go. 172 00:08:09,480 --> 00:08:11,640 Speaker 1: It's in the bag, Jackie White, Marcus, you're a star. 173 00:08:11,760 --> 00:08:13,360 Speaker 1: Let me send you a price. Have a good weekend, 174 00:08:13,760 --> 00:08:17,120 Speaker 1: love your work, Bye guys. The Christian O'Connell Breakfast Show 175 00:08:17,280 --> 00:08:17,840 Speaker 1: Podcast