1 00:00:01,440 --> 00:00:03,320 Speaker 1: And Amanda jam Nation. 2 00:00:03,800 --> 00:00:06,880 Speaker 2: It was a great weekend. Started off on Friday. 3 00:00:07,240 --> 00:00:10,959 Speaker 3: We're filming for Lift to Write magazine for our social 4 00:00:11,039 --> 00:00:13,600 Speaker 3: media selection of there because you know, I'm the chief 5 00:00:13,640 --> 00:00:14,680 Speaker 3: bike reviewer now of. 6 00:00:15,000 --> 00:00:17,000 Speaker 2: A dress is a chief at least chief. 7 00:00:17,120 --> 00:00:20,040 Speaker 3: Yeah, while we were doing the Harley Davidson that was 8 00:00:20,079 --> 00:00:22,520 Speaker 3: an Indian joke, the Indian motorcycle. 9 00:00:22,560 --> 00:00:24,920 Speaker 1: You see, I didn't understand. 10 00:00:25,079 --> 00:00:26,080 Speaker 2: You didn't understand. 11 00:00:26,760 --> 00:00:27,680 Speaker 1: And how did your filming go? 12 00:00:28,200 --> 00:00:30,360 Speaker 2: Well, it was good. We were filming under the Harbor 13 00:00:30,400 --> 00:00:32,160 Speaker 2: Bridge there and would. 14 00:00:32,000 --> 00:00:32,800 Speaker 1: You ta you permits? 15 00:00:35,200 --> 00:00:37,080 Speaker 2: Of course, of course we did. 16 00:00:37,600 --> 00:00:39,480 Speaker 1: All had it all in writing. 17 00:00:39,159 --> 00:00:42,800 Speaker 3: Which is fraud because you know, you can't do anything 18 00:00:42,800 --> 00:00:43,640 Speaker 3: in the city anymore. 19 00:00:43,680 --> 00:00:45,720 Speaker 2: You can't build a sand castleway and someone got mate, 20 00:00:45,720 --> 00:00:47,920 Speaker 2: you gotta have a permit, you gotta have ibies. This 21 00:00:48,040 --> 00:00:49,080 Speaker 2: is the four of the hotel. 22 00:00:49,440 --> 00:00:52,800 Speaker 3: So anyway, Pugsley from Live to Ride and I and 23 00:00:52,840 --> 00:00:55,279 Speaker 3: the whole camera crew were just set up there and 24 00:00:55,320 --> 00:00:58,080 Speaker 3: we've just got to get in there, do our bit. 25 00:00:58,160 --> 00:01:01,160 Speaker 2: And then buger off before youone notices. So we're all 26 00:01:01,160 --> 00:01:04,440 Speaker 2: ready to go and there's a guy next to us. 27 00:01:04,720 --> 00:01:06,679 Speaker 2: He's from out of town. He's from Paris. 28 00:01:06,720 --> 00:01:10,360 Speaker 3: I know this because we're about to film and this 29 00:01:10,400 --> 00:01:13,120 Speaker 3: guy on one of those crazy pushbikes. You know, those 30 00:01:13,120 --> 00:01:16,040 Speaker 3: pushbikes have got a big delivery parcel thing at the front. 31 00:01:17,200 --> 00:01:19,720 Speaker 3: He shows up just as we're about to roll and 32 00:01:19,840 --> 00:01:23,400 Speaker 3: starts chatting to this guy, where are you from? And 33 00:01:23,440 --> 00:01:26,880 Speaker 3: I'm thinking, okay, mate. He goes on for some seven minutes. 34 00:01:27,319 --> 00:01:30,760 Speaker 3: I started recording this guy at about the three minute mark. 35 00:01:31,200 --> 00:01:35,480 Speaker 2: Okay, he's got caught. He's not wrapping it up. 36 00:01:36,160 --> 00:01:40,319 Speaker 3: Okay, he's going, you guys, one of those crazy push 37 00:01:40,360 --> 00:01:44,440 Speaker 3: bikes as well, that's. 38 00:01:44,319 --> 00:01:48,320 Speaker 4: The last story again, and. 39 00:01:50,320 --> 00:01:52,960 Speaker 2: Wrap it up. I say something, Hey, I don't think 40 00:01:53,040 --> 00:01:57,080 Speaker 2: it's saying. It's like he's helmets off. Is he taking 41 00:01:57,080 --> 00:01:59,960 Speaker 2: the helmet off? No, there's roe those guys. 42 00:02:00,440 --> 00:02:03,200 Speaker 3: Just when you thought the conversation would wrap up, he'd 43 00:02:03,200 --> 00:02:06,880 Speaker 3: come back for another bite at the cherry and we're 44 00:02:06,920 --> 00:02:09,440 Speaker 3: just standing there. In the meantime, there's a ranger over here, 45 00:02:09,960 --> 00:02:12,200 Speaker 3: and we're trying to look like we're not filming anything, 46 00:02:12,240 --> 00:02:15,040 Speaker 3: even though we're going a tripod in the camera, and 47 00:02:15,080 --> 00:02:16,480 Speaker 3: this guy just kept coming back. 48 00:02:16,560 --> 00:02:19,160 Speaker 1: You know what I think, though, the arrogance of television 49 00:02:19,200 --> 00:02:21,919 Speaker 1: and being out people having a conversation behind you, yep. 50 00:02:21,960 --> 00:02:24,160 Speaker 2: And you can't tell people in society to bug off 51 00:02:24,720 --> 00:02:26,640 Speaker 2: because TV is god. It used to be. 52 00:02:26,760 --> 00:02:29,760 Speaker 1: No one does that anymore. Tried a cameraman, a German guy, Hans. 53 00:02:29,800 --> 00:02:32,359 Speaker 1: He was fantastic, his name was Hans Huns. But when 54 00:02:32,400 --> 00:02:35,400 Speaker 1: we were filming in China at a silkworm factory and 55 00:02:35,440 --> 00:02:38,440 Speaker 1: filming with these people who these local women who were 56 00:02:38,440 --> 00:02:40,400 Speaker 1: working in the factory, they couldn't care less that we 57 00:02:40,400 --> 00:02:43,239 Speaker 1: were there. And he asked one of them through an interpreter, 58 00:02:43,320 --> 00:02:48,840 Speaker 1: it was excruciating to pick up a piece of silkworm cocoon, 59 00:02:49,639 --> 00:02:51,880 Speaker 1: hold it just near her head, but not to look 60 00:02:51,919 --> 00:02:54,520 Speaker 1: at the camera, and then put it down again. And 61 00:02:54,560 --> 00:02:57,320 Speaker 1: then he changed camera angles and needed her to hold 62 00:02:57,360 --> 00:02:59,920 Speaker 1: it in exactly the same position. And when he didn't, 63 00:03:00,000 --> 00:03:01,480 Speaker 1: he said, how does she think we're going to edit 64 00:03:01,520 --> 00:03:03,920 Speaker 1: this top? I thought, she doesn't care less? 65 00:03:04,520 --> 00:03:07,200 Speaker 2: Can I just say this? You are the queen of 66 00:03:07,240 --> 00:03:08,160 Speaker 2: the piece to camera? 67 00:03:08,240 --> 00:03:10,160 Speaker 1: Well, this is what was hard at beyond two thousand 68 00:03:10,160 --> 00:03:12,040 Speaker 1: and you said that the ranger was coming. The timing 69 00:03:12,120 --> 00:03:14,680 Speaker 1: was fraught. I just did have to deliver pieces to 70 00:03:14,720 --> 00:03:18,919 Speaker 1: camera that were filled with dense scientific information. I'd write 71 00:03:18,960 --> 00:03:23,240 Speaker 1: them then I'd memorize them, and then the cameraman would say, Okay, 72 00:03:23,560 --> 00:03:25,400 Speaker 1: it's about to start to rain, but we're going to 73 00:03:25,400 --> 00:03:29,120 Speaker 1: have it. I can see there's a slither of sunset 74 00:03:29,160 --> 00:03:31,799 Speaker 1: happening in the background and the train's about to come 75 00:03:31,840 --> 00:03:34,560 Speaker 1: past in five minutes. You have to film it now 76 00:03:35,080 --> 00:03:36,279 Speaker 1: or we're out. 77 00:03:36,080 --> 00:03:38,880 Speaker 2: And the range is coming with that perm It's all. 78 00:03:38,800 --> 00:03:41,160 Speaker 1: Of That's like Bill and Ben Flower popman, the Farmer's 79 00:03:41,200 --> 00:03:44,800 Speaker 1: coming back quick. Everybody. It was so stressful and yet 80 00:03:44,800 --> 00:03:46,400 Speaker 1: you had to go bang and just you had to 81 00:03:46,440 --> 00:03:48,240 Speaker 1: do like five of them are day. Just get the 82 00:03:48,280 --> 00:03:49,160 Speaker 1: pieces to camera out. 83 00:03:49,440 --> 00:03:51,840 Speaker 2: This is you just walk it through a hospital or 84 00:03:51,960 --> 00:03:53,280 Speaker 2: you know, doing some stuff. 85 00:03:53,160 --> 00:03:55,160 Speaker 1: And this is me memorizing stuff. Have a listen. 86 00:03:55,440 --> 00:03:57,720 Speaker 4: It's not as simple as taking a plant along to 87 00:03:57,760 --> 00:04:01,800 Speaker 4: your local hospital. A standard MRI machine, well perfect for 88 00:04:01,880 --> 00:04:04,880 Speaker 4: medical scanning, is too coarse to tell us much about 89 00:04:04,880 --> 00:04:08,440 Speaker 4: a plant. Its resolution of about one millimeter would give 90 00:04:08,520 --> 00:04:11,280 Speaker 4: us a picture of a stem, and that's all. To 91 00:04:11,320 --> 00:04:14,960 Speaker 4: see the tiny vascular tubes inside a plant, we need 92 00:04:15,000 --> 00:04:19,640 Speaker 4: one hundred times more detail. Surprisingly, that doesn't mean building 93 00:04:19,680 --> 00:04:24,760 Speaker 4: a bigger MRI machine. By miniaturizing the receiver, we can 94 00:04:24,800 --> 00:04:27,000 Speaker 4: see down to ten microns. 95 00:04:26,680 --> 00:04:28,320 Speaker 1: One hundredth of a millimeter. 96 00:04:28,760 --> 00:04:29,080 Speaker 2: Wow. 97 00:04:29,120 --> 00:04:31,560 Speaker 1: I had to memorize all that before the farmer came 98 00:04:31,600 --> 00:04:32,640 Speaker 1: back and I got caught out of. 99 00:04:32,640 --> 00:04:35,560 Speaker 3: The podclant imagine old mate in these crazy bike came along. 100 00:04:38,120 --> 00:04:40,360 Speaker 1: I get a bit of PTSD just listening to that.