1 00:00:00,680 --> 00:00:04,800 Speaker 1: Well we can start talking about Fringe again because it 2 00:00:04,840 --> 00:00:07,360 Speaker 1: will be upon us before we know it. And the 3 00:00:07,440 --> 00:00:12,120 Speaker 1: show Disco Spectacular is on February sixth to eighteen during Fringe. 4 00:00:12,160 --> 00:00:14,920 Speaker 2: You can't get tickets through fringeworld dot com dot are you. 5 00:00:15,120 --> 00:00:21,120 Speaker 1: The star of the spectacular is Hans Oh my. 6 00:00:21,360 --> 00:00:23,520 Speaker 3: Can you believe it's been four years since I've been 7 00:00:23,560 --> 00:00:24,759 Speaker 3: in this studio and I'm going to. 8 00:00:24,760 --> 00:00:28,160 Speaker 4: Say, Fred, you are looking better than ever. Honey. 9 00:00:28,560 --> 00:00:29,760 Speaker 5: It's my new cereal meeting. 10 00:00:30,280 --> 00:00:33,960 Speaker 3: I think it's a little more than cereal. Lisa, So 11 00:00:34,120 --> 00:00:37,680 Speaker 3: good to see you again, honey. What a thriller needs 12 00:00:37,720 --> 00:00:40,040 Speaker 3: to be back here in Western Australia. I was at 13 00:00:40,040 --> 00:00:43,360 Speaker 3: the telethon over the weekend. Y noticed you enjoy That 14 00:00:43,640 --> 00:00:44,400 Speaker 3: is wild? 15 00:00:44,720 --> 00:00:44,960 Speaker 4: That's what. 16 00:00:45,120 --> 00:00:47,600 Speaker 3: That is the most wild thing to hit this town 17 00:00:47,760 --> 00:00:51,680 Speaker 3: since Rose Hagcock. Let's be real, true it is. It's 18 00:00:51,720 --> 00:00:54,680 Speaker 3: a beast, isn't it It is? At one point I thought, 19 00:00:54,880 --> 00:00:56,120 Speaker 3: is this now my life? 20 00:00:56,200 --> 00:00:59,360 Speaker 4: Do I live here? Like? You know, we were just there. 21 00:00:59,440 --> 00:01:02,560 Speaker 3: It just it's huge, but people get into it. 22 00:01:02,560 --> 00:01:03,840 Speaker 4: It's like a cult. It is. 23 00:01:04,000 --> 00:01:06,120 Speaker 3: I thought I was in the sea or or something 24 00:01:06,200 --> 00:01:10,720 Speaker 3: like that. You know, it's like scientology seventy seven dollars. 25 00:01:10,920 --> 00:01:11,440 Speaker 4: Amazing. 26 00:01:11,480 --> 00:01:13,360 Speaker 2: It's amazing, especially. 27 00:01:12,880 --> 00:01:15,120 Speaker 4: You know these days the cost of living. 28 00:01:15,640 --> 00:01:20,600 Speaker 3: I'm across the news they do that's what the young 29 00:01:20,600 --> 00:01:23,440 Speaker 3: people are lives, which means it's probably the first time 30 00:01:23,520 --> 00:01:25,160 Speaker 3: it's been said on ninety six FM. 31 00:01:25,240 --> 00:01:26,200 Speaker 4: But that's wonderful. 32 00:01:27,640 --> 00:01:30,600 Speaker 1: Now, last time we were supposed to chat to you, Yes, 33 00:01:30,680 --> 00:01:32,880 Speaker 1: we all had to cancel because you'd hurt yourself. 34 00:01:33,000 --> 00:01:36,920 Speaker 3: Oh my god, I'm very worried about, Lisa. Some people 35 00:01:36,920 --> 00:01:38,720 Speaker 3: would do anything for attention, weren't they? 36 00:01:38,840 --> 00:01:40,279 Speaker 4: Could you please tell us what happened? 37 00:01:40,319 --> 00:01:43,080 Speaker 3: So I was on a cruise ship overseas. I was 38 00:01:43,120 --> 00:01:46,040 Speaker 3: performing and the stage you know, had kind of moving 39 00:01:46,080 --> 00:01:49,080 Speaker 3: lifts that go up and down. It's basically well, we're 40 00:01:49,120 --> 00:01:51,560 Speaker 3: not sure for legal reasons whether it was a human 41 00:01:51,760 --> 00:01:55,080 Speaker 3: error or a mechanical fault, but Lisa, I'm looking forward 42 00:01:55,120 --> 00:01:59,120 Speaker 3: to finding out. One of the lifts was left down 43 00:01:59,160 --> 00:02:04,240 Speaker 3: and I managed to four meters a long way. Look, 44 00:02:04,240 --> 00:02:07,240 Speaker 3: it was not the dream. And just imagine me turning 45 00:02:07,320 --> 00:02:12,200 Speaker 3: up like this to a hospital in Turkey. They were 46 00:02:12,240 --> 00:02:15,400 Speaker 3: they were very Look, I don't think they've ever seen 47 00:02:15,400 --> 00:02:19,400 Speaker 3: anything like it in Bodrum. It was not the dream. 48 00:02:19,480 --> 00:02:21,400 Speaker 3: They ended up. I got an air lift, I had 49 00:02:21,400 --> 00:02:24,040 Speaker 3: an air ambulance that took me to London, and actually 50 00:02:24,200 --> 00:02:27,480 Speaker 3: I ended up in London. Two days later, the queen died. 51 00:02:27,880 --> 00:02:30,400 Speaker 3: Apparently it's not big enough for two queens, so she 52 00:02:30,520 --> 00:02:33,560 Speaker 3: had to go some room. One had to leave and 53 00:02:33,600 --> 00:02:37,040 Speaker 3: it wasn't going to be met us exactly. But you know, 54 00:02:37,200 --> 00:02:40,799 Speaker 3: one year later, here we are back in action and 55 00:02:40,880 --> 00:02:43,680 Speaker 3: I cannot wait to finally get back to Fringe World 56 00:02:43,720 --> 00:02:44,200 Speaker 3: next year. 57 00:02:44,639 --> 00:02:46,440 Speaker 4: Can you believe we're already talking about it? 58 00:02:46,880 --> 00:02:49,400 Speaker 2: Believe that we are already talking about it? 59 00:02:49,960 --> 00:02:51,560 Speaker 1: But I did want to ask you how the recovery 60 00:02:51,600 --> 00:02:53,239 Speaker 1: went though, or can we not look? 61 00:02:53,280 --> 00:02:54,560 Speaker 2: Can we not talk about it? 62 00:02:54,680 --> 00:02:57,960 Speaker 4: No? At this stage, No, it's still going. It's still 63 00:02:58,040 --> 00:03:02,040 Speaker 4: an ongoing beast. But you know, just glad you better exactly. 64 00:03:02,080 --> 00:03:04,520 Speaker 5: Exactly Physio has got me Mercedes. 65 00:03:05,680 --> 00:03:09,480 Speaker 4: She had one before High Kirsty. If you're listening. 66 00:03:09,400 --> 00:03:13,480 Speaker 1: Disc Spec with a K check you las yes and 67 00:03:14,320 --> 00:03:17,720 Speaker 1: you're bringing Frene. I'm guessing that the hint is in 68 00:03:17,760 --> 00:03:20,519 Speaker 1: the title. It's exactly what it says on the tin. 69 00:03:20,880 --> 00:03:24,600 Speaker 1: It's very spectacular then and it's very disco. 70 00:03:24,840 --> 00:03:27,560 Speaker 3: Now. What were the names of the nightclubs you used 71 00:03:27,600 --> 00:03:30,799 Speaker 3: to go to Clazy Tell me to think back. 72 00:03:31,040 --> 00:03:32,760 Speaker 5: I went one before it burned down. 73 00:03:33,040 --> 00:03:35,240 Speaker 4: One were you the cause of the fire. 74 00:03:37,480 --> 00:03:38,840 Speaker 5: But I was there the night they first played the 75 00:03:38,880 --> 00:03:40,480 Speaker 5: thriller video for Michael Jackson. 76 00:03:40,240 --> 00:03:42,880 Speaker 4: Hang on the minute. Oh my god, I imagine seeing 77 00:03:42,880 --> 00:03:43,839 Speaker 4: that for the first time. 78 00:03:44,000 --> 00:03:46,240 Speaker 1: Now, Red Parrot didn't play a lot of disco, but 79 00:03:46,280 --> 00:03:47,800 Speaker 1: the Red Lion did. 80 00:03:48,160 --> 00:03:54,600 Speaker 4: The Red Man a few moves there. So yes, fifty 81 00:03:54,680 --> 00:03:56,680 Speaker 4: two some of your. 82 00:03:56,560 --> 00:04:07,000 Speaker 3: Better boy, Oh oh yes, I love Oh well, you're 83 00:04:07,000 --> 00:04:08,680 Speaker 3: going to love this show. You're going to know every 84 00:04:08,680 --> 00:04:09,840 Speaker 3: bloody song in this show. 85 00:04:11,000 --> 00:04:12,160 Speaker 5: So we're talking. 86 00:04:12,840 --> 00:04:16,000 Speaker 3: Talking is a lot of Donna Summer, a lot of 87 00:04:16,080 --> 00:04:19,279 Speaker 3: Donna Summer, a lot of in the Earth, Wind and Fire. 88 00:04:20,200 --> 00:04:20,599 Speaker 4: It's me. 89 00:04:20,760 --> 00:04:23,800 Speaker 3: I've got a live band, the Ungrateful Bastards. I've got 90 00:04:23,800 --> 00:04:29,039 Speaker 3: my dancers, Yes, exactly exactly. What the girls, the dancing girls, 91 00:04:29,080 --> 00:04:34,000 Speaker 3: the lucky bitches. You you would love them, actually exactly. 92 00:04:34,800 --> 00:04:36,680 Speaker 3: And you know it's just a lot of fun. You know, 93 00:04:37,080 --> 00:04:40,560 Speaker 3: my show is just a chance to escape reality. And Lisa, 94 00:04:41,120 --> 00:04:43,160 Speaker 3: don't we need that more than ever at the moment. 95 00:04:43,320 --> 00:04:46,279 Speaker 3: I mean, the only good news story is Hugh Jackman 96 00:04:46,320 --> 00:04:50,360 Speaker 3: being single again. These days wasn't that a shot? Tell me, 97 00:04:51,160 --> 00:04:54,680 Speaker 3: did you there a collective gasp when that wasn't you're 98 00:04:54,760 --> 00:04:55,159 Speaker 3: kidding me? 99 00:04:56,080 --> 00:04:58,160 Speaker 5: Relationships, marriage is all over after. 100 00:04:59,520 --> 00:05:02,000 Speaker 4: Some Yeah, they were so in love. 101 00:05:03,520 --> 00:05:07,279 Speaker 3: It almost it was a marriage or a hostage situation. 102 00:05:07,520 --> 00:05:12,599 Speaker 3: But it's okay, I can say it. I'm in a costume, 103 00:05:12,680 --> 00:05:14,039 Speaker 3: so people will think I'm joking. 104 00:05:16,600 --> 00:05:19,880 Speaker 1: What are your favorite disco or who are your favorite 105 00:05:19,880 --> 00:05:20,679 Speaker 1: disco artists? 106 00:05:20,720 --> 00:05:23,440 Speaker 3: You know what I loved on a summer actually watched 107 00:05:23,480 --> 00:05:26,240 Speaker 3: a documentary on her recently. She has had a very 108 00:05:26,240 --> 00:05:30,400 Speaker 3: interesting life, very religious, which was kind of in conflict 109 00:05:30,440 --> 00:05:30,720 Speaker 3: with her. 110 00:05:30,760 --> 00:05:35,840 Speaker 4: You know, I love your baby and you know she 111 00:05:35,920 --> 00:05:36,839 Speaker 4: died quite young. 112 00:05:37,320 --> 00:05:41,240 Speaker 3: Apparently she had cancer caused from the debris of nine 113 00:05:41,240 --> 00:05:41,719 Speaker 3: to eleven. 114 00:05:42,560 --> 00:05:43,440 Speaker 4: This has taken a. 115 00:05:43,440 --> 00:05:47,719 Speaker 6: Very bleak interview. It was a little more fun at yes, 116 00:05:50,400 --> 00:05:54,520 Speaker 6: yes that's what happened, but educational, Yes, exactly. We will 117 00:05:54,600 --> 00:05:56,560 Speaker 6: be talking about that in my show. Part of that 118 00:05:56,640 --> 00:05:59,400 Speaker 6: docsur because there's a lot of her voice in that documentary. Yes, 119 00:05:59,600 --> 00:06:03,000 Speaker 6: someone it's her talking. It feels like from beyond the ground. Yes, 120 00:06:03,120 --> 00:06:05,720 Speaker 6: it's what you've seen that I didn't get to the 121 00:06:05,800 --> 00:06:06,480 Speaker 6: nine eleven bit. 122 00:06:06,520 --> 00:06:09,560 Speaker 4: Didn't get Maybe it was seven eleven. 123 00:06:09,640 --> 00:06:14,239 Speaker 3: I'm not sure there is a little bit. 124 00:06:15,160 --> 00:06:17,799 Speaker 2: But about Amy, what's her face knocking on? 125 00:06:19,360 --> 00:06:23,600 Speaker 7: Is that Amy grant A? 126 00:06:24,120 --> 00:06:25,760 Speaker 3: You know what the best part of knock on wood 127 00:06:25,839 --> 00:06:28,919 Speaker 3: is though, I mean that film clip in front of 128 00:06:28,920 --> 00:06:32,080 Speaker 3: the screen and she's just repeated over a headdress. 129 00:06:33,080 --> 00:06:37,799 Speaker 7: Yeah, iconic. I mean that word is so overused. That 130 00:06:38,440 --> 00:06:41,880 Speaker 7: is iconic. And you know, I mean that was almost 131 00:06:41,880 --> 00:06:45,120 Speaker 7: a telephone budget that that video you're right at the 132 00:06:45,160 --> 00:06:52,120 Speaker 7: time created next year, next year is not stretch. We're 133 00:06:52,160 --> 00:06:54,279 Speaker 7: not doing. 134 00:06:54,640 --> 00:06:57,160 Speaker 3: Look, there's a bit of a request time in there, 135 00:06:57,279 --> 00:06:59,719 Speaker 3: so you've got something you want, you know, I'm like 136 00:06:59,760 --> 00:07:03,719 Speaker 3: a living jukebox team. Put your coin in my slot 137 00:07:03,800 --> 00:07:06,359 Speaker 3: and away I go, Darling, that's what happens. 138 00:07:06,800 --> 00:07:11,840 Speaker 4: Well, it's not that. Oh the world its winded up. 139 00:07:12,840 --> 00:07:13,480 Speaker 2: Wind it up. 140 00:07:13,800 --> 00:07:16,240 Speaker 1: Speaking of winding you up, you've brought in your Accordion. 141 00:07:16,480 --> 00:07:19,120 Speaker 4: Oh my god, Oh you have to and Lisa there 142 00:07:19,120 --> 00:07:21,400 Speaker 4: it is. What are you kidding me? Honey? 143 00:07:21,600 --> 00:07:21,760 Speaker 3: Right? 144 00:07:22,000 --> 00:07:23,840 Speaker 5: And you're not mister Accordion that we saw in the 145 00:07:23,840 --> 00:07:24,720 Speaker 5: phone room, tell. 146 00:07:24,600 --> 00:07:27,360 Speaker 3: Me about you did me? 147 00:07:27,520 --> 00:07:30,040 Speaker 5: Though I did meet Julian Accordions. 148 00:07:30,880 --> 00:07:33,600 Speaker 3: Look, he was a lovely person and I'm looking forward 149 00:07:33,600 --> 00:07:36,360 Speaker 3: to my lawyers contacting mister record. 150 00:07:38,120 --> 00:07:39,480 Speaker 4: Very soon we'll be speaking. 151 00:07:39,720 --> 00:07:41,600 Speaker 3: Do you have shall we do a bit of a 152 00:07:41,600 --> 00:07:43,200 Speaker 3: disco classes? 153 00:07:43,280 --> 00:07:47,800 Speaker 4: I think it is the sweet sounds of the piano. 154 00:07:47,840 --> 00:07:50,000 Speaker 4: According on Tuesday Morning. 155 00:07:49,960 --> 00:07:52,720 Speaker 3: Yes, Lisa Clazy, this one says. 156 00:07:53,720 --> 00:07:56,000 Speaker 4: First, I was also afree. 157 00:07:57,000 --> 00:08:01,240 Speaker 3: I was petrified, kept thinking I never leave without you 158 00:08:01,400 --> 00:08:06,160 Speaker 3: between my But then I spent so many nights thinking 159 00:08:06,680 --> 00:08:09,800 Speaker 3: how you do me wrong? And I grew strong and 160 00:08:09,960 --> 00:08:11,400 Speaker 3: I learned how to get along. 161 00:08:11,560 --> 00:08:15,160 Speaker 4: And so you're back. Let's go from my space. I 162 00:08:15,280 --> 00:08:15,800 Speaker 4: just walked in. 163 00:08:15,920 --> 00:08:18,440 Speaker 3: I find you here with that sad look on your face. 164 00:08:18,480 --> 00:08:20,240 Speaker 3: I should have changed that to you, but luck I 165 00:08:20,240 --> 00:08:22,320 Speaker 3: should have made you leave it. How God, this song 166 00:08:22,400 --> 00:08:25,360 Speaker 3: goes on as I get you a back bottle of it. Gone, 167 00:08:25,400 --> 00:08:28,760 Speaker 3: now go walk out the door. I'm not even through 168 00:08:28,800 --> 00:08:34,120 Speaker 3: halfway through it, and I forget the words they're thinking, 169 00:08:34,240 --> 00:08:34,520 Speaker 3: how you? 170 00:08:34,640 --> 00:08:43,960 Speaker 4: Then I will survive. I will survive, come on the impression. 171 00:08:44,360 --> 00:08:46,520 Speaker 5: That's a different version. 172 00:08:46,720 --> 00:08:49,760 Speaker 3: I often wonder what people from overseas who are just 173 00:08:49,800 --> 00:08:53,040 Speaker 3: tuning into the radio, who would be thinking about this time? 174 00:08:54,480 --> 00:08:56,000 Speaker 3: What the thinking? 175 00:08:56,160 --> 00:08:57,640 Speaker 2: Where do I get tickets? 176 00:08:57,800 --> 00:09:00,760 Speaker 4: Well, that's a very very good question. LISTA and I'm 177 00:09:00,800 --> 00:09:03,559 Speaker 4: glad you asked. Tickets are already. 178 00:09:03,160 --> 00:09:05,720 Speaker 3: On sale through Fringe World, or you can go to 179 00:09:05,760 --> 00:09:10,319 Speaker 3: my website which is harndsofficial dot com. Yes, kids, that 180 00:09:10,480 --> 00:09:11,800 Speaker 3: soundsofficial dot com. 181 00:09:11,840 --> 00:09:14,560 Speaker 2: February six to eighteen, during Fringe we cannot wait. 182 00:09:15,040 --> 00:09:18,560 Speaker 3: Oh honeys. Thank you so so much, you know, pleasure 183 00:09:18,800 --> 00:09:22,120 Speaker 3: and I apologize for everything. Those that Nathan Matt and 184 00:09:22,320 --> 00:09:25,920 Speaker 3: the other one that Neva said about you yesterday they did. 185 00:09:26,520 --> 00:09:28,679 Speaker 3: Actually they've given the present that I need to. I've 186 00:09:28,679 --> 00:09:32,680 Speaker 3: got a stale loaf of bread. Yes they have. We'll 187 00:09:32,679 --> 00:09:33,520 Speaker 3: take a photo with them. 188 00:09:33,760 --> 00:09:34,320 Speaker 5: That's lovely. 189 00:09:34,559 --> 00:09:39,120 Speaker 3: That's the budget over ATVA, not an R and budget 190 00:09:39,200 --> 00:09:39,640 Speaker 3: is a kid. 191 00:09:39,960 --> 00:09:40,199 Speaker 7: It's not. 192 00:09:40,640 --> 00:09:43,640 Speaker 4: It's darlings. Thank you so much. This has been a 193 00:09:43,640 --> 00:09:44,880 Speaker 4: contractual obligation.