1 00:00:01,080 --> 00:00:04,800 Speaker 1: Dowered by the radio WAB from ninety six air FM 2 00:00:04,960 --> 00:00:07,000 Speaker 1: to whereever you're listening today. 3 00:00:07,160 --> 00:00:10,320 Speaker 2: This is Clearsy and Lisa's podcast. Coming up. 4 00:00:10,360 --> 00:00:13,120 Speaker 3: On the podcast, our movie man Benochet talks about bad 5 00:00:13,160 --> 00:00:15,520 Speaker 3: Boys Ride or Die, Bad Boys for We. 6 00:00:15,600 --> 00:00:18,479 Speaker 4: Took your calls on those cash strains. What keeps costing 7 00:00:18,520 --> 00:00:19,040 Speaker 4: you money? 8 00:00:19,280 --> 00:00:22,760 Speaker 3: Michael Theo and Darren Ashton talking about Austin on ABC, and. 9 00:00:22,720 --> 00:00:26,439 Speaker 4: There's been a giant increase in people wanting prenups. I 10 00:00:26,480 --> 00:00:29,560 Speaker 4: wonder what we want to talk about things that cost 11 00:00:29,600 --> 00:00:32,840 Speaker 4: you money. You know, some things just seem to never 12 00:00:33,040 --> 00:00:37,440 Speaker 4: end the money, like dogs can do it. Yes, Busy, 13 00:00:37,479 --> 00:00:40,720 Speaker 4: he's a bit of a seasonal, you know, money, a 14 00:00:40,760 --> 00:00:43,320 Speaker 4: bit of a drainer, but drainer because she gets those 15 00:00:43,400 --> 00:00:45,440 Speaker 4: you know, sort of allergy things where she's lit literally 16 00:00:45,479 --> 00:00:47,360 Speaker 4: loick on her foot and then she starts pulling her 17 00:00:47,360 --> 00:00:51,720 Speaker 4: hair out and that I threaten her with the collar down. 18 00:00:52,000 --> 00:00:53,840 Speaker 4: And every time you go to the vet, anyone who's 19 00:00:53,840 --> 00:00:56,720 Speaker 4: ever had an animal know how much that costs. 20 00:00:57,160 --> 00:00:59,720 Speaker 5: So it might be a pet in this case. 21 00:00:59,760 --> 00:01:02,760 Speaker 4: What brought this up today was Susie, our producer, telling 22 00:01:02,840 --> 00:01:08,200 Speaker 4: us about it plumbing. Oh and I do mean household 23 00:01:08,240 --> 00:01:11,520 Speaker 4: plumb ourseld now where she lives. They've had a bit 24 00:01:11,520 --> 00:01:15,959 Speaker 4: of an ongoing problem with a blockage in the pipes. 25 00:01:16,080 --> 00:01:18,600 Speaker 4: No one ever wants to hear the words blockage, good 26 00:01:18,640 --> 00:01:21,680 Speaker 4: and pipe and plumbing together because you know it's going 27 00:01:21,720 --> 00:01:24,280 Speaker 4: to be expensive. And they've had to get someone out 28 00:01:24,319 --> 00:01:28,000 Speaker 4: three times in two three years, four hundred and forty 29 00:01:28,000 --> 00:01:31,920 Speaker 4: dollars a pop. Get it right to get it, stop it, 30 00:01:32,040 --> 00:01:33,360 Speaker 4: stop it from doing what it's doing. 31 00:01:33,440 --> 00:01:34,520 Speaker 2: Al so you have to go to the shops to 32 00:01:34,560 --> 00:01:35,640 Speaker 2: go for a pool. It's not good. 33 00:01:36,280 --> 00:01:39,640 Speaker 3: It's really not good if you scared about your pipes 34 00:01:39,680 --> 00:01:43,120 Speaker 3: being blocked. Actually, how about it's horrible for Suis. I 35 00:01:43,160 --> 00:01:46,360 Speaker 3: didn't realize she had another one our well work mate 36 00:01:46,400 --> 00:01:49,320 Speaker 3: I know at the ser with his leaky roof and 37 00:01:49,400 --> 00:01:52,000 Speaker 3: he had a fancy house right, Oh my gosh. Right, 38 00:01:52,120 --> 00:01:53,640 Speaker 3: so he had a leaky roof and I'm not a 39 00:01:53,640 --> 00:01:56,120 Speaker 3: fan of picketry. But the packetry was destroyed, right, get 40 00:01:56,160 --> 00:01:58,720 Speaker 3: the roof fixed up, out of get the roof fixed up. 41 00:01:58,760 --> 00:01:59,559 Speaker 2: Then it leaked again. 42 00:02:00,080 --> 00:02:05,000 Speaker 5: It did avoided, so he got quite angry. 43 00:02:06,160 --> 00:02:08,480 Speaker 4: He was threatened to throw the person off the roof 44 00:02:08,560 --> 00:02:11,560 Speaker 4: who was up there. Good bars in secret harbor. What 45 00:02:11,760 --> 00:02:12,680 Speaker 4: is the money drain? 46 00:02:13,960 --> 00:02:17,760 Speaker 6: Okay, I've got a banjoe, right, I'm not a musical instrument. 47 00:02:18,600 --> 00:02:19,560 Speaker 6: A dog called. 48 00:02:19,400 --> 00:02:22,640 Speaker 2: Banjo okay, right, perfect. 49 00:02:23,000 --> 00:02:27,080 Speaker 6: So he's a rescue dog. Yes, he was a part 50 00:02:27,440 --> 00:02:31,480 Speaker 6: with the other part. We're not sure. And he's when 51 00:02:31,480 --> 00:02:33,800 Speaker 6: we got him. We got him as a five year 52 00:02:33,840 --> 00:02:39,799 Speaker 6: old and he had severe anxiety. So we got him 53 00:02:39,800 --> 00:02:44,119 Speaker 6: home and he hit escape from five houses. That's why 54 00:02:44,120 --> 00:02:46,119 Speaker 6: he was sort of at the pound. That was done 55 00:02:46,160 --> 00:02:48,280 Speaker 6: his last week, but we had him home in the 56 00:02:48,320 --> 00:02:48,880 Speaker 6: first week. 57 00:02:48,919 --> 00:02:49,600 Speaker 2: Hid he speak? 58 00:02:50,880 --> 00:02:54,480 Speaker 6: Costs us about three thousand dollars in damages, Oh dear, 59 00:02:54,840 --> 00:02:59,520 Speaker 6: so completely ripped up the reti. But also we've got 60 00:02:59,520 --> 00:03:03,040 Speaker 6: electric events. We're electric. Gay. He chewed all the wiring 61 00:03:03,080 --> 00:03:07,560 Speaker 6: out of the gate. He all the wiring of the RETI. 62 00:03:07,680 --> 00:03:09,600 Speaker 6: I mean, he wasn't happy just rip ripped the heads. 63 00:03:09,960 --> 00:03:13,359 Speaker 2: He wanted to lug in. He wanted the light. 64 00:03:13,520 --> 00:03:16,480 Speaker 6: You hit this guy. You've got to give him points 65 00:03:16,480 --> 00:03:21,520 Speaker 6: for intelligence as well. He's smart as a whip. 66 00:03:21,520 --> 00:03:24,480 Speaker 2: The problem is for all the wrong he could use 67 00:03:24,480 --> 00:03:30,280 Speaker 2: it for good far out. Yes, we've had. 68 00:03:30,240 --> 00:03:31,440 Speaker 6: Him now for four years. 69 00:03:31,760 --> 00:03:35,000 Speaker 4: Has changed, really, he's still costing him money. 70 00:03:35,280 --> 00:03:40,760 Speaker 6: No, yeah, absolutely. We put him on anxiety medication, didn't work. 71 00:03:40,800 --> 00:03:41,480 Speaker 2: We're took him off. 72 00:03:41,600 --> 00:03:45,600 Speaker 6: So now I just have a trade account with Bunnings 73 00:03:45,680 --> 00:03:51,760 Speaker 6: for pipework. Just basically looks looks at me a big, 74 00:03:52,160 --> 00:03:54,200 Speaker 6: big tongue hanging out and says, look what I did today. 75 00:03:54,400 --> 00:03:57,520 Speaker 2: Yeah, you got some buried treasure or something for your. 76 00:03:57,400 --> 00:03:59,320 Speaker 5: Beansjo wants to be a landscaper. 77 00:03:59,520 --> 00:04:08,080 Speaker 3: Yeah him, yeah, absolutely, thanks thanks for sharing. 78 00:04:08,440 --> 00:04:09,320 Speaker 5: I mean, what do you do? 79 00:04:09,720 --> 00:04:11,520 Speaker 4: It's like you know, I mean, it's like a fid 80 00:04:11,560 --> 00:04:13,480 Speaker 4: of your children. 81 00:04:14,240 --> 00:04:15,720 Speaker 5: I painted my wall again. 82 00:04:15,560 --> 00:04:16,680 Speaker 2: But all the worry as well. 83 00:04:16,920 --> 00:04:20,440 Speaker 4: Oh, Johnny como, what about you? What's what keeps costing 84 00:04:20,440 --> 00:04:20,880 Speaker 4: your money? 85 00:04:21,440 --> 00:04:22,240 Speaker 6: Before I get out. 86 00:04:22,440 --> 00:04:25,000 Speaker 7: I slight to say it's Clary go the Mighty Royals. 87 00:04:26,040 --> 00:04:31,000 Speaker 2: Yeah, good idea, John never mind, Yeah, good on you. 88 00:04:33,680 --> 00:04:34,720 Speaker 2: I don't let him forget it. 89 00:04:39,200 --> 00:04:44,480 Speaker 7: The garden, yes, because he's just playing, constantly playing for water. 90 00:04:45,760 --> 00:04:50,680 Speaker 7: I saw whether fertilizer, piss control, then numerous other things 91 00:04:50,720 --> 00:04:54,000 Speaker 7: to keep your plans going. Yeah, And I noticed when 92 00:04:54,000 --> 00:04:56,039 Speaker 7: I moved from the house from the garden to the 93 00:04:56,080 --> 00:04:57,880 Speaker 7: house that I'm now and that doesn't have a garden, 94 00:04:57,960 --> 00:04:59,800 Speaker 7: the water bill went from like two hundred dollars to. 95 00:05:02,040 --> 00:05:02,280 Speaker 2: Wow. 96 00:05:04,920 --> 00:05:07,800 Speaker 5: Wow, Yeah, that's amazing. 97 00:05:08,160 --> 00:05:10,680 Speaker 2: Especially Yeah and Lauren as well. John. 98 00:05:10,680 --> 00:05:12,120 Speaker 3: People with b lawns and all of a sudden you 99 00:05:12,120 --> 00:05:13,840 Speaker 3: get beatle and all that money has just been wasted. 100 00:05:13,960 --> 00:05:18,880 Speaker 3: It's trying to bring it back so much fun. Thanks John, 101 00:05:18,960 --> 00:05:21,280 Speaker 3: Thanks John, Thanks for that story, not the. 102 00:05:21,200 --> 00:05:25,920 Speaker 5: Other part they done. 103 00:05:26,520 --> 00:05:29,839 Speaker 4: What keeps costing you money? Nadine and forest Field, Hello. 104 00:05:30,120 --> 00:05:31,159 Speaker 8: Hello, what is it? 105 00:05:31,279 --> 00:05:31,520 Speaker 6: Oh? 106 00:05:31,560 --> 00:05:34,599 Speaker 9: Well, I've got the pool story. I've got a plumbing story. 107 00:05:35,080 --> 00:05:40,000 Speaker 2: Got a double banger us about the pool. Yeah, what 108 00:05:40,120 --> 00:05:40,360 Speaker 2: is it? 109 00:05:40,920 --> 00:05:41,400 Speaker 4: The pool? 110 00:05:41,800 --> 00:05:43,120 Speaker 9: The gift that keeps giving? 111 00:05:43,279 --> 00:05:45,479 Speaker 2: Yeah, we're taking We've. 112 00:05:45,680 --> 00:05:49,159 Speaker 9: Owned the house for about ten years, so over the time, 113 00:05:49,279 --> 00:05:53,560 Speaker 9: we've re paced the pull blanket twice. We've converted it 114 00:05:53,640 --> 00:05:58,039 Speaker 9: from salt from chlorine to salt. So yeah, lots of 115 00:05:58,400 --> 00:06:05,720 Speaker 9: new bits there. The coronators, fan filters, a pump. We've 116 00:06:05,760 --> 00:06:12,040 Speaker 9: had two coronators, We've had pump is shoe at the moment, 117 00:06:13,400 --> 00:06:15,080 Speaker 9: this is the second pump issue. 118 00:06:15,720 --> 00:06:16,360 Speaker 2: We've got. 119 00:06:16,400 --> 00:06:19,920 Speaker 9: The heating blanket on the roof is developed the leak, 120 00:06:20,080 --> 00:06:22,960 Speaker 9: so we've got to fix that at the moment. And 121 00:06:23,680 --> 00:06:25,920 Speaker 9: one morning it was a really good morning. We break 122 00:06:26,000 --> 00:06:27,520 Speaker 9: up and the pool was half empty. 123 00:06:28,640 --> 00:06:30,839 Speaker 5: Oh my god, where's it gone? 124 00:06:32,680 --> 00:06:44,839 Speaker 9: Well, mystery, we didn't find any big puddles. 125 00:06:41,800 --> 00:06:42,440 Speaker 2: That was fun. 126 00:06:43,800 --> 00:06:46,520 Speaker 9: So yeah, So it's it's the gift that keeps giving 127 00:06:46,600 --> 00:06:51,400 Speaker 9: at the moment, every bit that's major to it so far. 128 00:06:54,080 --> 00:06:56,320 Speaker 2: Yeah, I was going to say, got some value of it. 129 00:06:57,720 --> 00:06:59,520 Speaker 9: Well, the other half keeps threatening on. 130 00:06:59,520 --> 00:07:06,960 Speaker 2: I'm just gonna before that's not much fun. 131 00:07:08,000 --> 00:07:10,920 Speaker 5: The pool seems like such a good idea at the time. 132 00:07:11,160 --> 00:07:12,080 Speaker 2: You did be a pool story. 133 00:07:12,120 --> 00:07:15,920 Speaker 3: This morning's such money draining like a boat and start 134 00:07:15,920 --> 00:07:16,679 Speaker 3: people on the boats. 135 00:07:16,760 --> 00:07:19,800 Speaker 5: Peas are in Bentley. What keeps costing you money? 136 00:07:20,520 --> 00:07:26,040 Speaker 2: Morning, guys. But yeah, we wouldn't. 137 00:07:26,400 --> 00:07:28,440 Speaker 10: We wouldn't have it any other way. We don't have 138 00:07:28,480 --> 00:07:30,240 Speaker 10: him in a cage. All that budget that we've had, 139 00:07:30,280 --> 00:07:32,480 Speaker 10: we've believe it or not. You can sort of train 140 00:07:32,560 --> 00:07:35,800 Speaker 10: them to poo in their cage, so yeah you can, 141 00:07:36,000 --> 00:07:38,320 Speaker 10: and we've done it. So we don't have little dollops 142 00:07:38,360 --> 00:07:42,280 Speaker 10: of friendship around the house. So we leave him out. 143 00:07:42,360 --> 00:07:44,760 Speaker 10: He stays out for probably apart from when he goes 144 00:07:44,760 --> 00:07:47,480 Speaker 10: to bed. He's out all the time. But yeah, unless 145 00:07:47,520 --> 00:07:53,840 Speaker 10: you keep an eye on him, he'll rip the light shades, curtains, 146 00:07:54,120 --> 00:07:56,520 Speaker 10: you'll have a crack at the chairs and go with 147 00:07:56,600 --> 00:07:59,280 Speaker 10: the utensils. That if you leave a wooden spoon out, 148 00:07:59,320 --> 00:08:02,720 Speaker 10: that's in shred. And you just have to keep sweating 149 00:08:02,800 --> 00:08:04,160 Speaker 10: him away like like a fly. 150 00:08:04,360 --> 00:08:05,080 Speaker 5: Little devil. 151 00:08:05,440 --> 00:08:08,800 Speaker 4: I mean, you give him this, you know, this sort 152 00:08:08,840 --> 00:08:12,000 Speaker 4: of this lead freedom to this freedom as long as 153 00:08:12,000 --> 00:08:13,560 Speaker 4: he does his little pools back at home in the 154 00:08:14,000 --> 00:08:15,200 Speaker 4: he's a house trained budget. 155 00:08:15,640 --> 00:08:17,560 Speaker 5: You give him the freedom, give him an inch, he 156 00:08:17,640 --> 00:08:19,400 Speaker 5: takes a mile and has a laugh about you. 157 00:08:20,400 --> 00:08:22,400 Speaker 10: And what happens is yeah. The other thing is too, 158 00:08:22,440 --> 00:08:26,080 Speaker 10: he eats like a bloody horse, so well, you know, 159 00:08:26,120 --> 00:08:27,880 Speaker 10: if I gave him a mistake, he knocked the thing 160 00:08:27,920 --> 00:08:29,960 Speaker 10: off quicker than me, really, and he. 161 00:08:29,920 --> 00:08:30,680 Speaker 11: Doesn't provel it all. 162 00:08:30,760 --> 00:08:33,200 Speaker 10: And the other other thing is that when I get 163 00:08:33,240 --> 00:08:35,640 Speaker 10: cross with him, I mean, he's a lovely boy. He 164 00:08:35,679 --> 00:08:37,240 Speaker 10: sits on my shoulder and chats to me and give 165 00:08:37,240 --> 00:08:40,480 Speaker 10: me kisses on my cheek and lovely boy. If I 166 00:08:40,559 --> 00:08:43,199 Speaker 10: swat him off anything or the friends come. 167 00:08:43,040 --> 00:08:47,360 Speaker 2: Out, oh yeah. 168 00:08:47,720 --> 00:08:49,640 Speaker 10: And when he does that, I say to him, listen, 169 00:08:49,800 --> 00:08:50,840 Speaker 10: the toaster is plugged, and. 170 00:08:50,920 --> 00:08:51,599 Speaker 6: Go and have a go. 171 00:08:52,840 --> 00:08:58,400 Speaker 2: W's his name is hungry, Charlie, Charlie, I'm sure, Charlie 172 00:08:58,440 --> 00:08:59,160 Speaker 2: is a good Charlie boy. 173 00:09:01,080 --> 00:09:01,480 Speaker 11: Yeah, and he. 174 00:09:01,520 --> 00:09:03,320 Speaker 10: Runs along the windows still bobbing his head. 175 00:09:03,360 --> 00:09:03,640 Speaker 2: You know. 176 00:09:05,080 --> 00:09:05,679 Speaker 10: He could give you that. 177 00:09:05,960 --> 00:09:10,480 Speaker 2: Yeah, he's giving you the middle finger. Yeah. Yeah, it 178 00:09:10,520 --> 00:09:11,719 Speaker 2: sounds like you're give him a bit of freedom. He 179 00:09:11,760 --> 00:09:12,840 Speaker 2: takes off his ankle bracelets. 180 00:09:15,040 --> 00:09:18,920 Speaker 10: Yeah, and we're down at all the blonde shops for closing. 181 00:09:19,800 --> 00:09:23,720 Speaker 2: Some new light fittings. That's love, Peter, that's love, Peter. 182 00:09:23,880 --> 00:09:24,400 Speaker 5: Thank you. 183 00:09:24,960 --> 00:09:27,920 Speaker 4: I've got a wonderful image in my head now I'm 184 00:09:28,000 --> 00:09:30,280 Speaker 4: Charlie just bobbing along the window sill. 185 00:09:30,679 --> 00:09:32,480 Speaker 3: And then you give him another swat because he's having 186 00:09:32,480 --> 00:09:33,400 Speaker 3: a crack at something else. 187 00:09:33,559 --> 00:09:35,320 Speaker 5: Maria in Hamilton. 188 00:09:34,920 --> 00:09:37,800 Speaker 2: Hill, Hello, Hi, how you going good? 189 00:09:37,840 --> 00:09:39,280 Speaker 5: What keeps costing your money? 190 00:09:39,800 --> 00:09:45,240 Speaker 12: My electric hot water system. I've lived in my house. 191 00:09:45,040 --> 00:09:48,199 Speaker 9: For about thirty years now, Yeah, and every three years 192 00:09:48,240 --> 00:09:50,000 Speaker 9: it cost me over one thousand. 193 00:09:49,679 --> 00:09:51,320 Speaker 2: Dollars in that time. 194 00:09:51,480 --> 00:09:56,600 Speaker 8: But have saved the money and bought a storage system. 195 00:09:57,640 --> 00:10:03,280 Speaker 4: The instantaneous place it every three years every three years. 196 00:10:04,240 --> 00:10:07,559 Speaker 2: Wow, that sounds like that's a hot water jinx. 197 00:10:07,600 --> 00:10:07,840 Speaker 8: Maria. 198 00:10:07,920 --> 00:10:08,360 Speaker 2: That's not good. 199 00:10:08,559 --> 00:10:13,000 Speaker 4: That's water systems is one of those things that's at 200 00:10:13,000 --> 00:10:15,240 Speaker 4: the top of the list of please don't go wrong, 201 00:10:15,600 --> 00:10:20,040 Speaker 4: especially it's going to cost you and b you're without hot. 202 00:10:19,880 --> 00:10:21,400 Speaker 2: Water and it might happen in a couple of weeks 203 00:10:21,400 --> 00:10:22,280 Speaker 2: when it's cold. 204 00:10:22,200 --> 00:10:23,679 Speaker 5: Exactly you wake up in the morning. 205 00:10:23,880 --> 00:10:33,400 Speaker 2: Oh blow, it's water systems. I have a whole bar 206 00:10:36,400 --> 00:10:43,480 Speaker 2: a flannel, yeah call it. But anyway, my grandmother's. 207 00:10:46,840 --> 00:10:49,000 Speaker 5: Talking about get the flannel out. 208 00:10:49,640 --> 00:10:50,360 Speaker 12: What you can do. 209 00:10:58,640 --> 00:11:04,320 Speaker 5: You should have met my grandmother Alison in Camillo. What 210 00:11:04,559 --> 00:11:06,440 Speaker 5: keeps greeting money? Greetings? 211 00:11:07,040 --> 00:11:12,080 Speaker 12: I'll see you one naughty bunge raide you three beautiful 212 00:11:12,240 --> 00:11:13,400 Speaker 12: but naughty. 213 00:11:13,040 --> 00:11:14,199 Speaker 2: Quarter horses. 214 00:11:16,480 --> 00:11:17,400 Speaker 5: Up there with pools and. 215 00:11:19,880 --> 00:11:24,679 Speaker 12: Absolutely couse you dance and mister Darcy you know I 216 00:11:24,720 --> 00:11:28,360 Speaker 12: love them. Mister Darcy is also known as the round 217 00:11:28,400 --> 00:11:30,839 Speaker 12: brown mound of sound, and I called him all thoughtful 218 00:11:31,760 --> 00:11:35,840 Speaker 12: on a regular basis. There's a reason that he's the 219 00:11:35,880 --> 00:11:40,160 Speaker 12: color of poo because he behaved like one. But yeah, no, 220 00:11:40,640 --> 00:11:42,640 Speaker 12: if you ever, you know, if you think your kvoodle 221 00:11:42,679 --> 00:11:46,200 Speaker 12: costs you any money, multiply that perko by a big 222 00:11:46,280 --> 00:11:48,480 Speaker 12: back quarter horse and then you've got you know, that's 223 00:11:48,640 --> 00:11:50,920 Speaker 12: that's going to make your eyes water. Then you've got 224 00:11:50,920 --> 00:11:51,960 Speaker 12: to get their teeth done. 225 00:11:52,000 --> 00:11:53,680 Speaker 2: You've got to get their feet done. 226 00:11:53,960 --> 00:11:58,560 Speaker 12: Yeah, you know, you buy them the nice shampoo and 227 00:11:58,640 --> 00:12:00,360 Speaker 12: make them shiny and pretty. 228 00:12:00,640 --> 00:12:02,960 Speaker 2: Then you buy them the best feed that you can. 229 00:12:03,160 --> 00:12:05,520 Speaker 12: And by the way, there's a bloody hay shortage on 230 00:12:05,600 --> 00:12:11,160 Speaker 12: in w a ship rain season. 231 00:12:11,200 --> 00:12:11,480 Speaker 2: Guys. 232 00:12:11,480 --> 00:12:15,160 Speaker 12: You know underneath that stuff need that wet stuff out 233 00:12:15,160 --> 00:12:18,760 Speaker 12: of the sky to grow hay. So you know, if 234 00:12:18,800 --> 00:12:21,400 Speaker 12: there's no hay, you feed them top of the Wazza 235 00:12:21,640 --> 00:12:28,040 Speaker 12: quality hard feed all into the thing. 236 00:12:28,240 --> 00:12:29,640 Speaker 2: Transport. 237 00:12:30,160 --> 00:12:34,120 Speaker 12: Just about to say, I was I can't, I can't 238 00:12:34,240 --> 00:12:37,520 Speaker 12: have a little car. I've got a nuddy land cruiser. 239 00:12:38,040 --> 00:12:41,960 Speaker 12: Then you've got a horse float, you know. And it's 240 00:12:42,440 --> 00:12:44,600 Speaker 12: been a while since I've lived with them in my 241 00:12:44,679 --> 00:12:47,120 Speaker 12: backyard and I missed them terribly. 242 00:12:46,520 --> 00:12:49,720 Speaker 2: But you know it's as. 243 00:12:54,320 --> 00:12:56,280 Speaker 12: Let's just not even go there and. 244 00:12:57,360 --> 00:13:04,160 Speaker 2: Saddles and it goes. I love them and Lustie. Thanks 245 00:13:04,160 --> 00:13:06,800 Speaker 2: for you, guys, gidding up to you. 246 00:13:06,840 --> 00:13:14,719 Speaker 3: Allison more more Lisa more podcasts soon. 247 00:13:17,240 --> 00:13:23,000 Speaker 2: Great the flick with ben o'she Hi, Hello, how you doing? This? 248 00:13:23,080 --> 00:13:24,160 Speaker 5: Is what? 249 00:13:24,440 --> 00:13:24,720 Speaker 2: What? 250 00:13:24,720 --> 00:13:26,440 Speaker 5: What number is this for? Isn't it? 251 00:13:33,960 --> 00:13:35,960 Speaker 2: Who knows what the next lyrics are? After this. 252 00:13:38,400 --> 00:13:38,600 Speaker 12: Down? 253 00:13:40,520 --> 00:13:44,080 Speaker 13: It's yes bad Boys four And now many people would 254 00:13:44,080 --> 00:13:46,439 Speaker 13: be thinking why do we need a Bad Boys for 255 00:13:46,720 --> 00:13:48,840 Speaker 13: You might also be thinking, was there a Bad Boys three? 256 00:13:48,960 --> 00:13:52,000 Speaker 13: I don't even remember Bad Boys two. Bad Boys one 257 00:13:52,080 --> 00:13:53,800 Speaker 13: is the one that we all remember. The first two 258 00:13:53,800 --> 00:13:57,120 Speaker 13: films were directed by Michael Bay, and they were, you know, 259 00:13:57,120 --> 00:13:59,200 Speaker 13: about as Michael Bay as it can get. They're like 260 00:13:59,280 --> 00:14:03,040 Speaker 13: a slow shots and you know, sun drenched vistas of 261 00:14:03,120 --> 00:14:09,679 Speaker 13: Miami girls in pretty scanty bikinis on rollerblades, big action sequences, 262 00:14:10,200 --> 00:14:12,840 Speaker 13: lots of one liners, you know. And the first one 263 00:14:13,000 --> 00:14:15,480 Speaker 13: was a kind of a classic. It wasn't necessarily a 264 00:14:15,480 --> 00:14:18,520 Speaker 13: great movie, but it got played so many times on TV, 265 00:14:18,720 --> 00:14:21,400 Speaker 13: like every Friday night. It seemed. It was on for 266 00:14:21,640 --> 00:14:25,000 Speaker 13: many many years. The second one not that good at all. 267 00:14:25,480 --> 00:14:28,320 Speaker 13: But the third one came along and kind of in 268 00:14:28,400 --> 00:14:31,880 Speaker 13: twenty twenty, and it kind of reinvigorated the franchise because 269 00:14:31,920 --> 00:14:35,160 Speaker 13: Michael Bay was gone. He moved away onto other things, 270 00:14:35,760 --> 00:14:40,800 Speaker 13: and the directing duo was this pair of black American directors, 271 00:14:40,960 --> 00:14:45,200 Speaker 13: a Deal and Balal, and they brought such a distinctive 272 00:14:45,320 --> 00:14:48,040 Speaker 13: aesthetic to the film. It was so different to the 273 00:14:48,080 --> 00:14:53,000 Speaker 13: previous two films. It was a bit more edgy, and 274 00:14:53,080 --> 00:14:56,360 Speaker 13: these guys are back to do bad Boys for Ride 275 00:14:56,480 --> 00:14:59,640 Speaker 13: or Die, and it's that same aesthetic. And I will 276 00:14:59,680 --> 00:15:02,960 Speaker 13: say some people might find it a bit unpleasant because 277 00:15:03,160 --> 00:15:06,280 Speaker 13: you know, the camera is on weird angles, really unusual 278 00:15:06,280 --> 00:15:11,080 Speaker 13: camera positions, and yeah, so it's like quite awkward to 279 00:15:11,120 --> 00:15:14,760 Speaker 13: watch sometimes. And sometimes it feels like you're in a 280 00:15:14,840 --> 00:15:18,680 Speaker 13: like a first person like shoot a computer game. So 281 00:15:18,680 --> 00:15:20,320 Speaker 13: it's that kind of a vibe, like you sort of 282 00:15:20,520 --> 00:15:22,520 Speaker 13: the camera is sort of on top of you know, 283 00:15:22,600 --> 00:15:25,760 Speaker 13: like sort of Will Smith's gun barrels as he's running around, 284 00:15:26,240 --> 00:15:29,600 Speaker 13: and so it's quite hectic from that perspective. The action 285 00:15:29,720 --> 00:15:32,880 Speaker 13: sequences are a little bit frenetic to follow along with. 286 00:15:33,720 --> 00:15:36,680 Speaker 13: But you know, I think that if we respect some 287 00:15:36,800 --> 00:15:39,400 Speaker 13: directors for having a very distinctive style and go, well, 288 00:15:39,400 --> 00:15:41,480 Speaker 13: that's just their style, so we'll forgive them that. I 289 00:15:41,480 --> 00:15:42,840 Speaker 13: think you've got to do the same thing with a 290 00:15:42,880 --> 00:15:44,880 Speaker 13: deal and Balla. You kind of go to go this 291 00:15:44,920 --> 00:15:46,800 Speaker 13: is how they make movies. You either like it or 292 00:15:46,800 --> 00:15:49,280 Speaker 13: you don't, but you don't punish them for it. And 293 00:15:49,360 --> 00:15:52,080 Speaker 13: so it again sees you know, Will Smith and Martin 294 00:15:52,160 --> 00:15:56,520 Speaker 13: Lawrence return as Mike Lowry and Marcus, two cops in 295 00:15:56,560 --> 00:15:59,560 Speaker 13: Miami who will go to any length to bring down 296 00:15:59,600 --> 00:16:02,040 Speaker 13: the bad guys. They don't care how many buildings they 297 00:16:02,120 --> 00:16:05,360 Speaker 13: have to blow up, car crashes they have to have. 298 00:16:05,800 --> 00:16:08,200 Speaker 13: You know, the damage bill to the city of Miami 299 00:16:08,320 --> 00:16:10,600 Speaker 13: must be in the billions of dollars at this point. 300 00:16:11,200 --> 00:16:13,400 Speaker 13: And now the plot, you know, you can make your 301 00:16:13,400 --> 00:16:15,240 Speaker 13: mind up whether this makes any sense or not. So 302 00:16:15,400 --> 00:16:20,560 Speaker 13: someone mysterious person is trying to frame their police captain, 303 00:16:20,600 --> 00:16:23,400 Speaker 13: their beloved police captain. But the problem is he died 304 00:16:23,400 --> 00:16:26,880 Speaker 13: in the last movie, so they're posthumously trying to frame 305 00:16:27,080 --> 00:16:28,320 Speaker 13: the dead police captain. 306 00:16:28,440 --> 00:16:29,440 Speaker 2: By min it. 307 00:16:29,320 --> 00:16:32,200 Speaker 4: Doesn't quite grab the emotions as much as when he's alive. 308 00:16:32,280 --> 00:16:36,160 Speaker 13: Yeah, exactly, but they want to they want to clear 309 00:16:36,240 --> 00:16:40,960 Speaker 13: his reputation even though but still it's not the not 310 00:16:41,080 --> 00:16:44,960 Speaker 13: the best motivation to go on this like rampage in 311 00:16:46,320 --> 00:16:49,360 Speaker 13: and so it unfolds from there, and the plot itself, 312 00:16:49,400 --> 00:16:51,840 Speaker 13: you know, is it doesn't always make too much sense, 313 00:16:51,840 --> 00:16:54,560 Speaker 13: like if you can go along with it, And then 314 00:16:54,640 --> 00:16:56,760 Speaker 13: I guess you have question whether you know how you 315 00:16:56,760 --> 00:16:58,960 Speaker 13: feel about will Smith these days, right, because of course 316 00:16:59,000 --> 00:17:01,480 Speaker 13: at one point you go, he'd make movies forever. His 317 00:17:01,600 --> 00:17:05,480 Speaker 13: appeal is ever green. He's not necessarily making the best movies, 318 00:17:05,520 --> 00:17:09,040 Speaker 13: but he's very watchable. But then there was the Oscars 319 00:17:09,440 --> 00:17:12,840 Speaker 13: slap on Chris Rock and I think that changed a 320 00:17:12,880 --> 00:17:15,240 Speaker 13: lot of people's opinions. So you might be happy to 321 00:17:15,280 --> 00:17:17,119 Speaker 13: know he gets slapped in this movie. 322 00:17:17,240 --> 00:17:20,560 Speaker 4: This is what we heard, and the critics were very 323 00:17:20,640 --> 00:17:23,800 Speaker 4: mixed on the scene, some saying, Oh, this could be 324 00:17:23,880 --> 00:17:28,040 Speaker 4: the you know the thing he anothers saying, no, a 325 00:17:28,080 --> 00:17:31,440 Speaker 4: tasteless nod to in the hope that he could be. 326 00:17:31,760 --> 00:17:32,680 Speaker 13: Head team. 327 00:17:34,000 --> 00:17:35,040 Speaker 2: Slapped a bunch of times. 328 00:17:35,400 --> 00:17:37,320 Speaker 13: I don't think. I don't think. I don't think there was. 329 00:17:37,720 --> 00:17:39,760 Speaker 13: I don't think that really you could even relate the 330 00:17:39,800 --> 00:17:42,879 Speaker 13: two like, there was no obvious reference to the Oscars, 331 00:17:42,960 --> 00:17:45,280 Speaker 13: and it kind of was so in keeping with the 332 00:17:45,320 --> 00:17:47,480 Speaker 13: rest of the film. I don't even know if it 333 00:17:47,520 --> 00:17:48,320 Speaker 13: was deliberate. 334 00:17:49,280 --> 00:17:52,560 Speaker 4: Apparently I've got a very audible reaction in the some 335 00:17:52,680 --> 00:17:54,240 Speaker 4: of the some of. 336 00:17:54,160 --> 00:17:54,800 Speaker 2: The test screen. 337 00:17:54,920 --> 00:17:57,480 Speaker 13: Yeah, don't doubt it. And that was one of the 338 00:17:57,480 --> 00:18:00,159 Speaker 13: interesting things about this film. So it's quite conception you 339 00:18:00,200 --> 00:18:02,720 Speaker 13: all at times, which is not really what you'd expect 340 00:18:02,720 --> 00:18:06,879 Speaker 13: from a Bad Boys movie. Marcus Martin Lawrence character. Martin 341 00:18:06,960 --> 00:18:09,160 Speaker 13: Lawrence's character has a heart attack right at the start 342 00:18:09,160 --> 00:18:11,800 Speaker 13: of the film, and then has this near death sort 343 00:18:11,800 --> 00:18:16,600 Speaker 13: of astral plane vision experience kind of thing where he 344 00:18:16,640 --> 00:18:19,520 Speaker 13: sees his life flashed before his eyes, not just his life, 345 00:18:19,520 --> 00:18:27,960 Speaker 13: his past lives and it's getting and then and then. 346 00:18:28,240 --> 00:18:30,359 Speaker 13: But the best bit about it is not that, because 347 00:18:30,359 --> 00:18:33,560 Speaker 13: it's overcooked to the maximum. But he comes he comes 348 00:18:33,600 --> 00:18:35,640 Speaker 13: back to life, and then he has this new new 349 00:18:35,720 --> 00:18:39,800 Speaker 13: found understanding, a profound understanding of his existence. And and 350 00:18:39,960 --> 00:18:41,879 Speaker 13: so he's saying to Will Smith's character, you know, like, 351 00:18:42,119 --> 00:18:44,360 Speaker 13: we're not just friends in this life. We've known each 352 00:18:44,359 --> 00:18:47,879 Speaker 13: other through past lifetimes. In one past lifetime, you are 353 00:18:47,880 --> 00:18:51,719 Speaker 13: my donkey, and you're a very stubborn, mean spirited donkey, 354 00:18:52,119 --> 00:18:55,400 Speaker 13: and so and so and so. At one point during 355 00:18:55,400 --> 00:18:58,720 Speaker 13: this slapping moment, Will Smith's having this crisis of confidence 356 00:18:59,160 --> 00:19:01,080 Speaker 13: Martin Lawrence slap says, I need you to be that 357 00:19:01,240 --> 00:19:02,000 Speaker 13: nasty donkey. 358 00:19:02,400 --> 00:19:06,320 Speaker 5: So yeah, yeah, I don't want to say that I've 359 00:19:06,400 --> 00:19:07,160 Speaker 5: drifted off. 360 00:19:08,280 --> 00:19:11,520 Speaker 4: Hearing giving it out of body, but yeah. 361 00:19:11,840 --> 00:19:14,920 Speaker 13: So it is a little different. What the film does 362 00:19:14,960 --> 00:19:18,520 Speaker 13: well is it allows some of these other ancillary characters 363 00:19:18,520 --> 00:19:22,840 Speaker 13: to shine. There's a Jacob Skippio, a British actor who 364 00:19:22,840 --> 00:19:26,440 Speaker 13: plays Will Smith's sort of illegitimate son from the last movie. 365 00:19:26,480 --> 00:19:26,960 Speaker 2: He's back. 366 00:19:27,320 --> 00:19:30,600 Speaker 13: He's amazing, he's awesome, like he's kicking butt like nothing. 367 00:19:31,320 --> 00:19:34,560 Speaker 13: And also Martin Lawrence's son in law, who's been this 368 00:19:34,600 --> 00:19:39,000 Speaker 13: sort of object of scorn over the previous couple of movies. 369 00:19:39,000 --> 00:19:41,800 Speaker 13: Reggie gets a chance to do something really heroic in 370 00:19:41,840 --> 00:19:46,560 Speaker 13: this movie, and it's a genuinely awesome moment. And so 371 00:19:46,600 --> 00:19:50,440 Speaker 13: there's times when these other characters are really having great scenes, 372 00:19:50,480 --> 00:19:52,520 Speaker 13: and I think that adds to it. And I couldn't 373 00:19:52,520 --> 00:19:54,680 Speaker 13: believe that I'd ever say this, but I think after 374 00:19:54,680 --> 00:19:57,240 Speaker 13: watching Bad Boys four, you know, I wouldn't hate it 375 00:19:57,280 --> 00:19:58,360 Speaker 13: if they made a Bad Boys five. 376 00:19:58,480 --> 00:20:02,200 Speaker 4: Oh my gosh, that note, Reggie, how many duck it's 377 00:20:02,240 --> 00:20:03,600 Speaker 4: Will Smith's giving it. 378 00:20:04,080 --> 00:20:05,040 Speaker 2: I'm going to give it three. 379 00:20:06,080 --> 00:20:09,399 Speaker 3: So yes, solid man, a few surprises in there for 380 00:20:10,000 --> 00:20:10,800 Speaker 3: Thank you Very good. 381 00:20:11,920 --> 00:20:16,640 Speaker 1: They are more clezy, more Lisa podcasts. 382 00:20:15,760 --> 00:20:23,280 Speaker 4: Soon Sunday night at eight o'clock. Austin premieres on ABC 383 00:20:23,720 --> 00:20:27,680 Speaker 4: and I View. Michael Theo is the star of Austin 384 00:20:27,800 --> 00:20:30,560 Speaker 4: and Darren Ashton is the creator and director, and they're 385 00:20:30,600 --> 00:20:31,919 Speaker 4: both joining us this morning. 386 00:20:31,920 --> 00:20:34,160 Speaker 2: Good morning, gentlemen, Good morning everyone. 387 00:20:34,440 --> 00:20:37,800 Speaker 4: So Darren, give us a little synopsis of what Austin 388 00:20:37,920 --> 00:20:38,320 Speaker 4: is about. 389 00:20:38,560 --> 00:20:39,640 Speaker 2: Look in a nutshell. 390 00:20:39,760 --> 00:20:43,879 Speaker 8: It's about a author who is visiting Australia on a 391 00:20:43,880 --> 00:20:47,480 Speaker 8: book tour, he and his wife, and he retweets something 392 00:20:47,480 --> 00:20:50,639 Speaker 8: that he shouldn't have and he's canceled. And then at 393 00:20:50,680 --> 00:20:54,360 Speaker 8: the same time, Michael's character turns up at their book 394 00:20:54,400 --> 00:20:57,000 Speaker 8: launch and says, I'm your biological son from a fling 395 00:20:57,040 --> 00:20:58,600 Speaker 8: you have with my mother twenty eight years ago. 396 00:20:58,720 --> 00:20:59,760 Speaker 2: Whoops. 397 00:21:00,240 --> 00:21:05,080 Speaker 5: Yeah, the double punch of the stuff happening. 398 00:21:05,480 --> 00:21:07,399 Speaker 8: And of course, and of course what he thinks his 399 00:21:07,480 --> 00:21:10,040 Speaker 8: way back into the work world is to kind of 400 00:21:10,920 --> 00:21:17,880 Speaker 8: write on the coattails of his neurodiverse Oh yeah, okay, Disney. 401 00:21:17,600 --> 00:21:18,920 Speaker 11: Michael, Yes he is. 402 00:21:19,560 --> 00:21:21,639 Speaker 3: Hey Michael, how did you find acting made? Are you 403 00:21:21,640 --> 00:21:22,920 Speaker 3: you experienced campaigner? 404 00:21:22,960 --> 00:21:23,120 Speaker 14: Now? 405 00:21:23,160 --> 00:21:23,840 Speaker 2: Did you enjoy it? 406 00:21:23,960 --> 00:21:24,120 Speaker 9: Yes? 407 00:21:24,160 --> 00:21:27,520 Speaker 14: I certainly did, because I've spent my whole life since 408 00:21:27,600 --> 00:21:31,040 Speaker 14: childhood questing for this and now I've finally done it 409 00:21:31,640 --> 00:21:33,960 Speaker 14: and I'm going to keep issuing. 410 00:21:33,600 --> 00:21:36,360 Speaker 2: Act Oh very good, well done. 411 00:21:37,800 --> 00:21:41,280 Speaker 4: You were a script consultant on the series as well. 412 00:21:41,320 --> 00:21:44,720 Speaker 4: How did you help with the script making it real? 413 00:21:45,560 --> 00:21:45,919 Speaker 11: Well? 414 00:21:46,560 --> 00:21:49,600 Speaker 14: I explained what I did as script consultants. I was 415 00:21:49,960 --> 00:21:53,879 Speaker 14: I did a lot of zoom calls with the crew. 416 00:21:55,320 --> 00:21:57,160 Speaker 2: Well, and also you had all. 417 00:21:57,080 --> 00:22:00,000 Speaker 8: The scripts and just Michael, what are you saying about zoom? 418 00:22:00,119 --> 00:22:00,439 Speaker 11: Michael? 419 00:22:00,600 --> 00:22:03,840 Speaker 8: Was essentially your life experience kind of found its way 420 00:22:03,840 --> 00:22:05,080 Speaker 8: into the script, isn't that exactly? 421 00:22:05,359 --> 00:22:09,040 Speaker 14: Yes, Austin Hogan was actually the character inspired by me, 422 00:22:09,480 --> 00:22:12,119 Speaker 14: and a lot of things in the show were based 423 00:22:12,160 --> 00:22:12,800 Speaker 14: on me. 424 00:22:12,920 --> 00:22:16,760 Speaker 4: And my life, right because we first saw you on 425 00:22:16,840 --> 00:22:17,919 Speaker 4: Love on the Spectrum. 426 00:22:18,800 --> 00:22:21,879 Speaker 5: Michael, how's the Search for Love going? 427 00:22:22,720 --> 00:22:26,719 Speaker 14: It's still going well, but still haven't gotten anywhere with anyone? 428 00:22:26,960 --> 00:22:31,000 Speaker 3: Well, right, right, join the club. But with the acting roles, 429 00:22:31,200 --> 00:22:33,080 Speaker 3: you never never know because more people will see you. 430 00:22:33,840 --> 00:22:37,960 Speaker 4: Yeah, they'll slide into your DM's buggle. 431 00:22:39,160 --> 00:22:39,360 Speaker 2: Now. 432 00:22:40,119 --> 00:22:42,040 Speaker 1: He said to me the other day that he's focus 433 00:22:42,160 --> 00:22:43,359 Speaker 1: is going to be on acting for a while, and 434 00:22:43,400 --> 00:22:45,240 Speaker 1: I said, anymore, you never know when you're done. 435 00:22:45,320 --> 00:22:47,000 Speaker 2: When you're not looking for love, then that's when it 436 00:22:47,080 --> 00:22:47,439 Speaker 2: finds you. 437 00:22:48,359 --> 00:22:50,080 Speaker 5: That's when it knocks you down. 438 00:22:50,680 --> 00:22:55,320 Speaker 4: Darren and Michael, how important is it to have neurodiverse 439 00:22:55,400 --> 00:22:56,720 Speaker 4: representation on TV? 440 00:22:56,760 --> 00:22:57,280 Speaker 5: Do you think? 441 00:22:57,920 --> 00:23:02,600 Speaker 14: I would say that it's definitely important because to play 442 00:23:02,720 --> 00:23:05,320 Speaker 14: a new, a divergent character, you need a new a 443 00:23:05,359 --> 00:23:10,240 Speaker 14: divergent actor, because if you get a newer typical actor, 444 00:23:10,720 --> 00:23:16,760 Speaker 14: it's not as authentic and not as organic, I think. 445 00:23:16,800 --> 00:23:19,119 Speaker 8: I think also, you know, the reality is that I 446 00:23:19,200 --> 00:23:22,040 Speaker 8: think for most of us these days, know, somebody will 447 00:23:22,040 --> 00:23:25,320 Speaker 8: have a family member or in fact maybe neuro diverse 448 00:23:25,840 --> 00:23:28,800 Speaker 8: and you know. 449 00:23:29,080 --> 00:23:30,159 Speaker 2: I remember when I was growing up, you. 450 00:23:30,160 --> 00:23:32,440 Speaker 1: Know, someone was a little bit idiosyncratic or they're a 451 00:23:32,480 --> 00:23:38,879 Speaker 1: little bit odd or But what it does is it 452 00:23:38,920 --> 00:23:40,440 Speaker 1: sort of you know, brings up to the forward, doesn't 453 00:23:40,480 --> 00:23:43,040 Speaker 1: It sort of makes it kind of more mainstream is 454 00:23:43,080 --> 00:23:45,359 Speaker 1: probably not the right word, but you know, makes it 455 00:23:45,440 --> 00:23:48,879 Speaker 1: more a more awareness of it, don't you think. 456 00:23:49,119 --> 00:23:56,000 Speaker 14: Yeah, of course, because people on neurodiverse people that needs 457 00:23:56,040 --> 00:23:59,399 Speaker 14: aren't catered to very often, but is becoming more and 458 00:23:59,440 --> 00:24:03,919 Speaker 14: more aware of how important it is to cater to 459 00:24:03,960 --> 00:24:05,520 Speaker 14: the needs of new diverse people. 460 00:24:06,320 --> 00:24:09,359 Speaker 4: And they see you doing what you're doing, Michael, and 461 00:24:09,400 --> 00:24:13,200 Speaker 4: then everyone thinks, well, there's no barrier to me for anything. 462 00:24:13,200 --> 00:24:15,120 Speaker 2: I have a crack at that too, thank you. 463 00:24:15,440 --> 00:24:19,440 Speaker 14: And one of the reasons why I'm such a determined 464 00:24:19,480 --> 00:24:22,240 Speaker 14: person is because I decided a long time ago that 465 00:24:22,280 --> 00:24:24,240 Speaker 14: I was just done taking no for an answer. 466 00:24:25,200 --> 00:24:28,960 Speaker 2: It's good in regards to my goals at least, yes, it's. 467 00:24:28,840 --> 00:24:32,040 Speaker 3: Going to push Hey, both of you, gentlemen, Ben Miller, Giacridi, 468 00:24:32,280 --> 00:24:35,520 Speaker 3: Sally Phillips. This is a wonderful line up of actors around, Michael, 469 00:24:35,560 --> 00:24:37,040 Speaker 3: isn't it. 470 00:24:37,160 --> 00:24:37,280 Speaker 9: Well? 471 00:24:37,359 --> 00:24:38,959 Speaker 2: Yeah, you had a great time working with everybody. 472 00:24:39,000 --> 00:24:43,080 Speaker 14: Oh yeah, it was an absolutely wonderful experience working with them, 473 00:24:43,280 --> 00:24:45,840 Speaker 14: because not only are they amazing actors, but they're also 474 00:24:46,080 --> 00:24:48,960 Speaker 14: just some of the most awesome people I've ever met. 475 00:24:49,320 --> 00:24:52,600 Speaker 5: Really, that's what you want, right Billings in it isn't 476 00:24:52,600 --> 00:24:56,200 Speaker 5: he love Roy? It's awesome. 477 00:24:56,640 --> 00:25:01,359 Speaker 2: He plays them. He plays Austin's grandfather doesn't And it 478 00:25:01,440 --> 00:25:03,600 Speaker 2: was interesting. We have a billion's got to go in. 479 00:25:05,520 --> 00:25:08,639 Speaker 2: It was interesting Michael. When we were went to shoot 480 00:25:08,680 --> 00:25:09,240 Speaker 2: in the UK. 481 00:25:09,720 --> 00:25:11,480 Speaker 1: We had a hotel and everything, but Michael spent a 482 00:25:11,520 --> 00:25:13,400 Speaker 1: lot of time just going from one actor's. 483 00:25:13,040 --> 00:25:13,600 Speaker 2: House to the other. 484 00:25:15,920 --> 00:25:16,280 Speaker 6: I did. 485 00:25:17,240 --> 00:25:19,719 Speaker 4: I hod You'd always wanted to go to the UK, Michael, 486 00:25:19,880 --> 00:25:21,480 Speaker 4: So what a way to do it? 487 00:25:22,240 --> 00:25:22,480 Speaker 6: Well? 488 00:25:23,240 --> 00:25:26,520 Speaker 11: The offer that role of Austin is well actually triggered. 489 00:25:28,000 --> 00:25:30,640 Speaker 2: I love for English things. 490 00:25:31,680 --> 00:25:33,280 Speaker 8: I wasn't so clean on the weather on the first 491 00:25:33,359 --> 00:25:38,000 Speaker 8: day of shooting it was cold, and that was torture. 492 00:25:38,359 --> 00:25:40,600 Speaker 2: Yeah, well you had to try and concentrate on your lines. 493 00:25:40,640 --> 00:25:42,920 Speaker 5: What do you freeze it? 494 00:25:43,080 --> 00:25:46,800 Speaker 14: I was actually doing my best to concentrate, couldn't help, 495 00:25:46,840 --> 00:25:48,080 Speaker 14: but I was shivering. 496 00:25:48,480 --> 00:25:50,440 Speaker 5: Yeah, it takes a little bit to get used to. 497 00:25:50,720 --> 00:25:52,120 Speaker 2: Michael only complained. 498 00:25:52,160 --> 00:25:54,280 Speaker 8: He's only complained on the wardrobe was the fact that 499 00:25:54,480 --> 00:25:56,480 Speaker 8: he looked really good in the in the wardrobe. But 500 00:25:56,560 --> 00:25:58,399 Speaker 8: the beanie was a little bit too small, wasn't it 501 00:25:59,040 --> 00:26:00,560 Speaker 8: really is? 502 00:26:03,119 --> 00:26:03,359 Speaker 2: Do you? 503 00:26:03,960 --> 00:26:06,000 Speaker 5: Michael? Do you have any more acting jobs on the 504 00:26:06,000 --> 00:26:07,240 Speaker 5: horizon right now? 505 00:26:07,760 --> 00:26:09,919 Speaker 11: It's actually a couple in the pipeline. 506 00:26:10,040 --> 00:26:11,320 Speaker 2: Yes. I can't really go. 507 00:26:11,320 --> 00:26:14,840 Speaker 4: Into it too much before right, okay you are an 508 00:26:14,840 --> 00:26:17,399 Speaker 4: actor now I can't. 509 00:26:17,040 --> 00:26:22,800 Speaker 3: Say all right, And just before you go, gentlemen, Michael, 510 00:26:22,880 --> 00:26:24,880 Speaker 3: what's it like seeing yourself on the screen. You must 511 00:26:24,920 --> 00:26:26,800 Speaker 3: have seen the trailer and that is it just a 512 00:26:26,840 --> 00:26:28,120 Speaker 3: bit strange? Is it wonderful? 513 00:26:28,800 --> 00:26:31,240 Speaker 14: I first saw myself on Love and the Spectrum, Yeah, 514 00:26:31,280 --> 00:26:35,600 Speaker 14: it felt pretty weird, But after seeing myself on Austin 515 00:26:36,240 --> 00:26:39,360 Speaker 14: in the first episode or two, it didn't really. 516 00:26:39,160 --> 00:26:40,200 Speaker 11: Feel as weird. 517 00:26:40,880 --> 00:26:44,080 Speaker 14: Right, Bill just doesn't feel like it's normal. 518 00:26:45,040 --> 00:26:47,399 Speaker 4: I don't know if it ever will. It's always going 519 00:26:47,480 --> 00:26:51,239 Speaker 4: to be a little bit weird. Well, Michael THEO and 520 00:26:51,320 --> 00:26:54,680 Speaker 4: Darren Ashton really looking forward to seeing Austin. 521 00:26:54,960 --> 00:26:56,280 Speaker 5: It starts eight. 522 00:26:56,200 --> 00:26:59,440 Speaker 4: O'clock Sunday night on the ABC and lovely to chat 523 00:26:59,480 --> 00:26:59,960 Speaker 4: to you both. 524 00:27:00,040 --> 00:27:00,840 Speaker 2: Yeah, congrats to you too. 525 00:27:01,000 --> 00:27:03,200 Speaker 11: I also have a quick shout out to give as well. 526 00:27:04,920 --> 00:27:06,560 Speaker 11: I'd like to give a quick shout out to my 527 00:27:06,680 --> 00:27:10,480 Speaker 11: dearest friends in Perth, Hannah and Lawrence and Sarah Maxwell. 528 00:27:10,760 --> 00:27:15,080 Speaker 2: Okay, very good. We hope you're listening right, listening, Yeah, 529 00:27:16,000 --> 00:27:16,680 Speaker 2: quickly before you go. 530 00:27:16,760 --> 00:27:19,920 Speaker 8: One scoop one is that Michael has aspirations to. 531 00:27:19,920 --> 00:27:21,880 Speaker 2: Move and live in per Very good. 532 00:27:21,920 --> 00:27:24,080 Speaker 5: Well, well Michael, you'll have to come and visit us 533 00:27:24,119 --> 00:27:24,439 Speaker 5: if you do. 534 00:27:24,600 --> 00:27:26,119 Speaker 2: Yeah, you won't need a beanie here, buddy. 535 00:27:26,200 --> 00:27:30,080 Speaker 5: Yeah, thank you so much. 536 00:27:30,160 --> 00:27:38,600 Speaker 4: Guys, it's been revealed there's been a very very big 537 00:27:38,680 --> 00:27:44,080 Speaker 4: uptake in Assi's asking for prenups. More ossies are getting 538 00:27:44,119 --> 00:27:46,960 Speaker 4: behind signing prenups than ever before. 539 00:27:47,440 --> 00:27:50,320 Speaker 5: Before. Walking down the aisle, this is a story in 540 00:27:50,359 --> 00:27:52,800 Speaker 5: the West. The West said walking down the altar. That's 541 00:27:52,840 --> 00:27:55,720 Speaker 5: not good, correct, You walk down the aisle, not. 542 00:27:55,760 --> 00:27:57,320 Speaker 2: The altar, walking down a pew. 543 00:27:57,560 --> 00:27:59,480 Speaker 4: But the state of journalism is another story for another 544 00:27:59,520 --> 00:28:02,720 Speaker 4: time before walking down the altar, with one family law 545 00:28:02,840 --> 00:28:07,920 Speaker 4: firm reporting a seventy nine percent rise in the past 546 00:28:08,280 --> 00:28:09,439 Speaker 4: year alone. 547 00:28:10,040 --> 00:28:11,080 Speaker 5: That is a lot. 548 00:28:11,200 --> 00:28:14,239 Speaker 3: That is a big chunk of the potential audience going up. 549 00:28:14,280 --> 00:28:15,040 Speaker 2: That's amazing. 550 00:28:15,240 --> 00:28:19,879 Speaker 4: Prenups better known in Australia as a binding financial agreement 551 00:28:20,040 --> 00:28:26,080 Speaker 4: or b FA. That's clinical typically used by those possessing 552 00:28:26,200 --> 00:28:31,680 Speaker 4: significant wealth or a large inheritance as against the person 553 00:28:32,240 --> 00:28:36,040 Speaker 4: said person with the large wealth is married. Over the decades, 554 00:28:36,080 --> 00:28:38,360 Speaker 4: it's had a negative stigma attached to it. It was 555 00:28:38,400 --> 00:28:41,120 Speaker 4: seen as a lack of lack in trust in partners 556 00:28:41,120 --> 00:28:43,680 Speaker 4: if one was requested. But you know, our producer Susi 557 00:28:43,680 --> 00:28:47,000 Speaker 4: summed it up perfectly. She says, it's like wearing a 558 00:28:47,040 --> 00:28:50,480 Speaker 4: seat belt. You're not planning to have a crash. 559 00:28:50,720 --> 00:28:51,400 Speaker 14: Ah. 560 00:28:51,600 --> 00:28:54,360 Speaker 2: Just so apparently. 561 00:28:54,400 --> 00:28:58,000 Speaker 4: Australian lawyers have noted a substantial rise in people requesting 562 00:28:58,560 --> 00:29:03,280 Speaker 4: bfas or prena following a spike in divorce applications during 563 00:29:03,320 --> 00:29:04,960 Speaker 4: it after the COVID pandemic. 564 00:29:05,000 --> 00:29:07,440 Speaker 3: People were stuck together and didn't realize they realized I 565 00:29:07,600 --> 00:29:10,240 Speaker 3: really like you, I like you at all, mister Burdo, 566 00:29:10,280 --> 00:29:13,600 Speaker 3: and I'm not giving you my money for her out. So, however, 567 00:29:13,640 --> 00:29:16,080 Speaker 3: Rupert Murdock at ninety three getting married, Well, right. 568 00:29:15,920 --> 00:29:18,280 Speaker 4: I mean, I can't imagine how much money has passed 569 00:29:18,320 --> 00:29:22,800 Speaker 4: hands in you know, separation situations there. But I think 570 00:29:22,840 --> 00:29:24,680 Speaker 4: this new one's got she's got her own money. 571 00:29:24,920 --> 00:29:27,960 Speaker 3: She is a retired molecular biologist worth about five minutes. 572 00:29:27,920 --> 00:29:30,720 Speaker 5: He's ever married someone too broke to broken. 573 00:29:30,840 --> 00:29:33,640 Speaker 3: Although he did have prenups with Jerry Hall. When she's 574 00:29:33,680 --> 00:29:35,160 Speaker 3: got history to hers and she could have been a form. 575 00:29:35,200 --> 00:29:35,960 Speaker 2: She's got some form. 576 00:29:36,200 --> 00:29:39,080 Speaker 3: Wendy Deng who was one there as well, not the 577 00:29:39,120 --> 00:29:40,920 Speaker 3: last one because he didn't marry her because he broke 578 00:29:40,920 --> 00:29:42,719 Speaker 3: it up after two weeks after they were engaged. 579 00:29:42,800 --> 00:29:43,360 Speaker 5: She did too. 580 00:29:43,520 --> 00:29:47,280 Speaker 2: Yeah, but Lane got a whiff of something. She got 581 00:29:47,280 --> 00:29:49,160 Speaker 2: a whiff of something, she told him. 582 00:29:52,000 --> 00:29:55,760 Speaker 5: So anyway, seventy percent rise. So thinking, you know, I 583 00:29:55,760 --> 00:29:57,760 Speaker 5: want to get married, but I'm I just wouldn't mind 584 00:29:57,760 --> 00:29:58,240 Speaker 5: a prenup. 585 00:29:58,240 --> 00:30:01,040 Speaker 4: Don't worry, you are not alone thinking that absolutely Before 586 00:30:02,160 --> 00:30:07,800 Speaker 4: the Sure Report on ninety six AIRFM, Benochet is going 587 00:30:07,880 --> 00:30:09,840 Speaker 4: to be here in about half an hour today. 588 00:30:09,880 --> 00:30:11,920 Speaker 5: He's reviewing the new Bad Boys. 589 00:30:11,640 --> 00:30:14,800 Speaker 4: Movie Ride or Die, and we must ask him about 590 00:30:14,800 --> 00:30:15,800 Speaker 4: a certain scene in it. 591 00:30:15,840 --> 00:30:16,440 Speaker 5: Apparently. 592 00:30:16,880 --> 00:30:20,440 Speaker 4: There's a scene where Will Smith's character gets slapped repeatedly 593 00:30:20,960 --> 00:30:25,280 Speaker 4: by Martin Lawrence's character, apparently a nod to Smith's infamous 594 00:30:25,320 --> 00:30:28,160 Speaker 4: Oscars incident two years ago when he slapped Chris Rock. 595 00:30:28,600 --> 00:30:33,200 Speaker 4: The moment drew audible reactions from crowds at advanced screenings, 596 00:30:33,200 --> 00:30:36,520 Speaker 4: with audiences definitely connecting it to the slap that was 597 00:30:36,560 --> 00:30:39,560 Speaker 4: heard around the world, and the critics were mixed on it. 598 00:30:39,960 --> 00:30:43,240 Speaker 4: Variety's critics said it might allow Smith to crawl out 599 00:30:43,280 --> 00:30:46,160 Speaker 4: from under the image of what happened, but the reviewer 600 00:30:46,160 --> 00:30:49,000 Speaker 4: for The Daily Beast called it a tasteless nod to 601 00:30:49,080 --> 00:30:51,560 Speaker 4: the slap meant to rehab Smith's image. 602 00:30:51,800 --> 00:30:52,920 Speaker 2: Okay interesting. 603 00:30:53,080 --> 00:30:56,440 Speaker 4: Simon cow has announced plans to create a new boy band. 604 00:30:56,960 --> 00:30:59,479 Speaker 4: He is planning a documentary series in fact, to capture 605 00:30:59,480 --> 00:31:03,200 Speaker 4: the search across the UK. Carl's released a statement saying 606 00:31:03,240 --> 00:31:06,560 Speaker 4: every generation deserves a megastar boy band, and I don't 607 00:31:06,600 --> 00:31:08,720 Speaker 4: think there's been one to have the success of one 608 00:31:08,760 --> 00:31:13,360 Speaker 4: direction in over fourteen years. Kelsey Grammer's daughter is joining 609 00:31:13,400 --> 00:31:16,800 Speaker 4: the cast for season two of his reboot of Fraser. 610 00:31:16,880 --> 00:31:18,479 Speaker 5: Twenty two year old Greer Grammar. 611 00:31:18,680 --> 00:31:21,720 Speaker 2: Oh okay, carea Grammars that such a great station was 612 00:31:21,720 --> 00:31:23,920 Speaker 2: this cool? Thisss morning Greer. 613 00:31:23,960 --> 00:31:26,520 Speaker 4: Grammar is going to play the daughter of Perry Gilben's 614 00:31:26,600 --> 00:31:29,760 Speaker 4: character Roz, and she'll be about the same age as 615 00:31:29,760 --> 00:31:32,320 Speaker 4: Fraser's son Freddy. 616 00:31:32,440 --> 00:31:33,160 Speaker 5: I think he's sum much. 617 00:31:33,400 --> 00:31:36,240 Speaker 4: And for fans of Netflix's Emily in Paris, we've just 618 00:31:36,280 --> 00:31:38,720 Speaker 4: got a release date for season four, Part one. They're 619 00:31:38,760 --> 00:31:41,560 Speaker 4: doing it again. Part one will premiere on August fifteen. 620 00:31:41,920 --> 00:31:44,040 Speaker 4: Part two will follow on September twelfth. 621 00:31:44,360 --> 00:31:48,360 Speaker 2: Clesy and Lisa