1 00:00:01,080 --> 00:00:04,480 Speaker 1: Powered by the arm Radio WAB from ninety six air 2 00:00:04,640 --> 00:00:06,960 Speaker 1: m to whereever you're listening today. 3 00:00:07,160 --> 00:00:09,879 Speaker 2: This is Clezy Lisa's podcast. 4 00:00:10,200 --> 00:00:12,520 Speaker 3: Coming up on the podcast, ben O'Shea our movie man 5 00:00:12,520 --> 00:00:15,440 Speaker 3: talks about Hugo weavings wonderful new role in the Rooster. 6 00:00:15,600 --> 00:00:18,000 Speaker 4: We take your calls on the thing around the house 7 00:00:18,040 --> 00:00:18,920 Speaker 4: that drives you. 8 00:00:19,000 --> 00:00:21,239 Speaker 3: Crazy, and we'll talk about the Spanish woman who's going 9 00:00:21,280 --> 00:00:24,000 Speaker 3: to marry marry really her Ai Hologram. 10 00:00:24,200 --> 00:00:25,440 Speaker 2: What's going on, Lias? 11 00:00:25,520 --> 00:00:28,080 Speaker 3: At our place, we got our couch was falling apart, 12 00:00:28,160 --> 00:00:29,160 Speaker 3: So we've got a new couch. 13 00:00:29,320 --> 00:00:31,160 Speaker 2: O nice. I love a new couch. 14 00:00:31,000 --> 00:00:33,280 Speaker 3: New couch, new catch smell. However, we brought it about 15 00:00:33,800 --> 00:00:36,120 Speaker 3: six months ago, so it's finally arrived. Yes, we're not 16 00:00:36,159 --> 00:00:38,199 Speaker 3: the only people sitting in a que waiting for their furniture. 17 00:00:38,640 --> 00:00:40,880 Speaker 3: It's like a lot of people buying furniture going oh, yeah, 18 00:00:40,880 --> 00:00:43,919 Speaker 3: you'll get it in September. Really, so now that we've 19 00:00:43,920 --> 00:00:46,680 Speaker 3: got the couch, then that's when the hard work starts 20 00:00:47,000 --> 00:00:51,520 Speaker 3: because we've got the scratchy cat. So at home right 21 00:00:51,560 --> 00:00:54,080 Speaker 3: now it's like a military operation trying to find ways 22 00:00:54,120 --> 00:00:56,680 Speaker 3: to cover the couch when there's no visitors over whatever. 23 00:00:56,760 --> 00:00:58,640 Speaker 3: To stop the cat from scratching hell out of the 24 00:00:58,680 --> 00:01:00,600 Speaker 3: new couch, She's going to go for the legs. 25 00:01:00,840 --> 00:01:01,320 Speaker 2: She goes for the. 26 00:01:01,360 --> 00:01:04,640 Speaker 3: Legs for the new material that stretch. Ye loves the 27 00:01:04,680 --> 00:01:06,920 Speaker 3: smell of the material. So it's got right now, This 28 00:01:07,000 --> 00:01:09,160 Speaker 3: new couch has got I reckon about four old sheets 29 00:01:09,200 --> 00:01:12,400 Speaker 3: and about the couple of bulldog clips holding it together. 30 00:01:12,480 --> 00:01:14,200 Speaker 3: And Laurie's been going to town on it's a couple 31 00:01:14,200 --> 00:01:15,839 Speaker 3: of towels on the armrests. 32 00:01:15,360 --> 00:01:17,119 Speaker 2: And all the rest of it. No, it's not. It's 33 00:01:17,120 --> 00:01:17,680 Speaker 2: really quite. 34 00:01:19,880 --> 00:01:21,720 Speaker 3: But I don't mind all of that if it stops 35 00:01:21,720 --> 00:01:23,280 Speaker 3: the new couch from getting scratched out. 36 00:01:23,360 --> 00:01:25,360 Speaker 2: How long are you going to have to have it 37 00:01:25,440 --> 00:01:25,840 Speaker 2: like that for? 38 00:01:26,080 --> 00:01:29,080 Speaker 3: I don't know. It's not my I'm not doing it. 39 00:01:29,200 --> 00:01:30,839 Speaker 3: I'm just watching it in progress. 40 00:01:31,080 --> 00:01:32,560 Speaker 2: Right. Do you think she'll give up? 41 00:01:32,680 --> 00:01:32,880 Speaker 5: Yeah? 42 00:01:32,920 --> 00:01:35,280 Speaker 2: I think so. I hope so, yeah, maybe they'll come 43 00:01:35,280 --> 00:01:39,039 Speaker 2: off with me. You know when you have visitor scratching posts. Yeah, 44 00:01:39,080 --> 00:01:39,600 Speaker 2: I think you're right. 45 00:01:39,680 --> 00:01:42,000 Speaker 3: Yeah, Well she has got a scratching post, so I 46 00:01:42,000 --> 00:01:43,679 Speaker 3: don't know why she doesn't use that. You know what 47 00:01:43,680 --> 00:01:45,840 Speaker 3: it's like when you buy the cat's things. But I 48 00:01:45,959 --> 00:01:49,960 Speaker 3: don't mind the sheets on the couch. I just hate cushions. 49 00:01:50,600 --> 00:01:53,440 Speaker 3: I hate cushions. Drive me crazy. 50 00:01:53,560 --> 00:01:56,120 Speaker 2: What kind of philistine doesn't like cushions on the cout 51 00:01:56,240 --> 00:01:58,800 Speaker 2: love that word, philister, what's wrong with you? 52 00:01:58,880 --> 00:01:59,520 Speaker 5: I love? 53 00:02:00,400 --> 00:02:02,360 Speaker 3: There are four cushions on the couch and I go 54 00:02:02,480 --> 00:02:03,800 Speaker 3: to sit down and I have to put them on 55 00:02:03,800 --> 00:02:04,280 Speaker 3: the floor. 56 00:02:04,320 --> 00:02:08,560 Speaker 4: That's barely enough for I like them all over the couch, Lisa. 57 00:02:09,560 --> 00:02:12,320 Speaker 2: But I love cushions. 58 00:02:12,440 --> 00:02:15,000 Speaker 4: But I will say, anyone can give me a tip 59 00:02:15,040 --> 00:02:18,720 Speaker 4: on how to keep them fully forfed, I will just 60 00:02:18,960 --> 00:02:21,240 Speaker 4: be indebted to you forever, because I find they go 61 00:02:21,400 --> 00:02:22,440 Speaker 4: flat pretty easily. 62 00:02:22,639 --> 00:02:26,240 Speaker 2: Yeah. What are they putting in the cheap cushions by. 63 00:02:26,080 --> 00:02:29,680 Speaker 3: The way, really okay, not like eleven dollar specials or anything. 64 00:02:29,720 --> 00:02:31,680 Speaker 2: They know what's in. 65 00:02:31,720 --> 00:02:35,360 Speaker 3: They used to put real respect, stood down and stuff 66 00:02:35,400 --> 00:02:35,600 Speaker 3: in them. 67 00:02:36,160 --> 00:02:36,680 Speaker 2: I don't know. 68 00:02:38,280 --> 00:02:41,600 Speaker 4: Yeah, they squish down and then they're no longer amazing. 69 00:02:41,680 --> 00:02:46,600 Speaker 2: But we digress. I don't like cushions, philistine. 70 00:02:46,840 --> 00:02:49,600 Speaker 3: Yes, okay, well what about on the bed because they 71 00:02:49,639 --> 00:02:50,560 Speaker 3: go on the floor as well. 72 00:02:50,840 --> 00:02:52,360 Speaker 4: Yeah, I'll throw them at the cat when she cho 73 00:02:52,919 --> 00:02:55,200 Speaker 4: you don't have to. So here's the thing about men 74 00:02:55,320 --> 00:02:58,400 Speaker 4: and not understanding the pillows on the bed. You don't 75 00:02:58,480 --> 00:03:02,640 Speaker 4: need to understand yours is not to understand yours is 76 00:03:02,680 --> 00:03:05,600 Speaker 4: only to put them back in the order they came off. 77 00:03:07,639 --> 00:03:07,760 Speaker 6: Them. 78 00:03:07,840 --> 00:03:10,320 Speaker 4: That's all you have to concern yourself with. You don't 79 00:03:10,400 --> 00:03:12,680 Speaker 4: have to understand, Just put them back on. 80 00:03:12,919 --> 00:03:14,400 Speaker 2: Can you give me some stickets to put numbers on 81 00:03:14,440 --> 00:03:16,400 Speaker 2: them so I know where they go? Give me a diagram. 82 00:03:16,720 --> 00:03:18,760 Speaker 2: There's always a fairly obvious passion. 83 00:03:18,919 --> 00:03:21,560 Speaker 3: Bloody cushions and drive me crazy and I will be 84 00:03:21,600 --> 00:03:25,440 Speaker 3: called a philistine every day because I don't care they 85 00:03:25,520 --> 00:03:28,000 Speaker 3: go flying round the room. Tell you what makes me 86 00:03:28,040 --> 00:03:33,400 Speaker 3: popular at home? I bet I'm sorry, rhymes. Give us 87 00:03:33,440 --> 00:03:35,280 Speaker 3: a call, Give us a call to day. There's something 88 00:03:35,280 --> 00:03:37,600 Speaker 3: in your house that drives you crazy, and I want 89 00:03:37,640 --> 00:03:38,440 Speaker 3: you to mention a person. 90 00:03:39,840 --> 00:03:41,480 Speaker 2: Do you know what it is that drives me crazy? 91 00:03:42,200 --> 00:03:42,920 Speaker 2: Down lights? 92 00:03:43,440 --> 00:03:47,480 Speaker 4: I love them, but I swear I've blown a transformer 93 00:03:47,560 --> 00:03:50,240 Speaker 4: every time I've tried to change one. And here's the 94 00:03:50,280 --> 00:03:52,520 Speaker 4: reason why I hate them even more now. I had 95 00:03:52,560 --> 00:03:55,800 Speaker 4: an electrician recently. Tell me don't worry. Those ones you've 96 00:03:55,800 --> 00:03:57,200 Speaker 4: got now are going to outlast you. 97 00:03:57,600 --> 00:04:03,920 Speaker 2: Oh that's nice. How very shat you that I'm paying you? 98 00:04:04,840 --> 00:04:05,480 Speaker 1: H out. 99 00:04:05,760 --> 00:04:11,440 Speaker 2: It's funny anyway. Marry in Secret Harbor, Hello, Hey Mary, 100 00:04:11,080 --> 00:04:13,240 Speaker 2: good guys. What is the thing in your house? It 101 00:04:13,360 --> 00:04:14,560 Speaker 2: just does your head in? 102 00:04:15,080 --> 00:04:19,800 Speaker 7: Okay, So I'm genuinely diagnosed with ADHD, right yep. So 103 00:04:19,839 --> 00:04:22,640 Speaker 7: I just don't get things finished a lot. So we've 104 00:04:22,680 --> 00:04:25,599 Speaker 7: got a back sliding glass door in the laundry we 105 00:04:25,720 --> 00:04:28,080 Speaker 7: have to go through twice a day. This thing's been 106 00:04:28,080 --> 00:04:30,760 Speaker 7: off its trails for about twelve months. And I struggle 107 00:04:30,800 --> 00:04:34,000 Speaker 7: with this thing like a crocodile. Every time I got out, 108 00:04:34,160 --> 00:04:37,480 Speaker 7: I scream, I swear. My wife's in the back room, going, 109 00:04:37,520 --> 00:04:38,240 Speaker 7: what's wrong with you? 110 00:04:38,560 --> 00:04:39,679 Speaker 5: Let me freaking door? 111 00:04:40,440 --> 00:04:42,400 Speaker 7: And I just can't get it out, and I'm going 112 00:04:42,440 --> 00:04:45,320 Speaker 7: to put my back to it and squeeze it open. 113 00:04:45,600 --> 00:04:47,880 Speaker 7: And I do that every day, and I come out 114 00:04:48,320 --> 00:04:50,760 Speaker 7: angry and frustrated, and I go, I fix that. 115 00:04:50,839 --> 00:04:54,400 Speaker 4: One name that's that angers and frustrates everyone when the 116 00:04:54,400 --> 00:04:56,680 Speaker 4: old sliding door is off the damn rails. 117 00:04:56,839 --> 00:05:03,240 Speaker 3: But little wheels tugging of those, it's just so annoying. 118 00:05:02,520 --> 00:05:07,280 Speaker 7: It's I'm not an angry person, but that really. 119 00:05:08,640 --> 00:05:11,120 Speaker 4: It is the little things that get you over the edge. 120 00:05:12,000 --> 00:05:14,680 Speaker 4: Thanks Barry, Barry Crystal in Valdivs. 121 00:05:14,720 --> 00:05:17,360 Speaker 2: Good morning, Good morning. What is this thing in your 122 00:05:17,400 --> 00:05:19,200 Speaker 2: house that does your head. 123 00:05:19,040 --> 00:05:22,600 Speaker 5: In Well, we move into our new house about five 124 00:05:22,720 --> 00:05:27,880 Speaker 5: months ago, and still every single morning and every time 125 00:05:27,880 --> 00:05:30,679 Speaker 5: I go in my kitchen, I go to the wrong 126 00:05:30,839 --> 00:05:33,600 Speaker 5: end of the island bench to get cutlery. 127 00:05:33,160 --> 00:05:33,880 Speaker 1: Out of a drawer. 128 00:05:34,720 --> 00:05:37,440 Speaker 2: Memories. Yeah, it's just going to take time. 129 00:05:37,960 --> 00:05:40,760 Speaker 5: Yes, well I would have thought it wouldn't be five months, 130 00:05:40,800 --> 00:05:43,560 Speaker 5: but even our nine year old daughter does exactly the 131 00:05:43,600 --> 00:05:46,080 Speaker 5: same thing because it's just the wrong you know, you 132 00:05:46,200 --> 00:05:47,760 Speaker 5: check everything with my house. 133 00:05:47,839 --> 00:05:50,000 Speaker 8: You think I can change I can change that. 134 00:05:50,480 --> 00:05:52,480 Speaker 5: Well, we can't change that, unfortunately. 135 00:05:54,320 --> 00:05:58,160 Speaker 4: Yes, when you get a new car and the you know, 136 00:05:58,200 --> 00:06:03,480 Speaker 4: the windscreen, wife is in the indicators side, the opposite side. 137 00:06:05,600 --> 00:06:10,279 Speaker 5: Where did that recently driving my sister's car in the rain? 138 00:06:10,440 --> 00:06:13,320 Speaker 4: Yeah, crystal indicator. 139 00:06:13,400 --> 00:06:14,200 Speaker 2: Yeah, so crystal. 140 00:06:14,240 --> 00:06:16,240 Speaker 3: With the stuff in the kitchen, is there any chance 141 00:06:16,240 --> 00:06:18,080 Speaker 3: of getting a cabinet making round and changing or you're 142 00:06:18,080 --> 00:06:18,840 Speaker 3: just going to have to live. 143 00:06:18,760 --> 00:06:20,640 Speaker 5: With it at great expense? 144 00:06:21,800 --> 00:06:22,600 Speaker 2: Yeah, the big weight. 145 00:06:23,680 --> 00:06:24,800 Speaker 8: Yeah, I've put. 146 00:06:24,600 --> 00:06:27,000 Speaker 5: Like a little plastic cup with a knife. 147 00:06:26,680 --> 00:06:28,560 Speaker 2: And a tea draw. 148 00:06:30,040 --> 00:06:33,040 Speaker 5: They're like seat draws. So yeah, I've sort of had 149 00:06:33,040 --> 00:06:35,640 Speaker 5: to work around, but oh yeah, it drives. 150 00:06:36,040 --> 00:06:39,479 Speaker 4: Yeah, I reckon that that that request or suggestion clears 151 00:06:39,480 --> 00:06:40,039 Speaker 4: he's not going to go. 152 00:06:40,080 --> 00:06:41,599 Speaker 2: Can we get a cabinet making a cap. 153 00:06:42,960 --> 00:06:46,080 Speaker 3: You can get you can get used to seven grand 154 00:06:46,160 --> 00:06:48,200 Speaker 3: Later they're in the place you want them. 155 00:06:48,600 --> 00:06:51,080 Speaker 2: Thanks Crystal. Hey, how do you reckon I go with 156 00:06:51,120 --> 00:06:53,279 Speaker 2: that stuff? Moving four times in five years? Yeah? No, 157 00:06:53,320 --> 00:06:54,320 Speaker 2: I have no idea where I am. 158 00:06:55,080 --> 00:06:58,839 Speaker 4: You would need signs on things, straw, yeah, yeah, stickers, 159 00:06:58,920 --> 00:07:00,120 Speaker 4: Nicky and Beauford would. 160 00:06:59,920 --> 00:07:00,400 Speaker 2: Have you got? 161 00:07:00,640 --> 00:07:06,599 Speaker 9: Hello, Lauren is leaving the damn toilet seat up every time? 162 00:07:07,120 --> 00:07:08,080 Speaker 2: Do you let him know? Nick? 163 00:07:08,440 --> 00:07:08,600 Speaker 5: Oh? 164 00:07:08,720 --> 00:07:10,560 Speaker 9: Do I ever? But do you want to think it 165 00:07:10,640 --> 00:07:11,080 Speaker 9: gets through? 166 00:07:11,200 --> 00:07:11,840 Speaker 2: No? 167 00:07:11,840 --> 00:07:14,600 Speaker 9: Now, my little grandson who's only three, he does the 168 00:07:14,640 --> 00:07:17,000 Speaker 9: same thing, goes in there study. 169 00:07:17,080 --> 00:07:18,040 Speaker 5: Toilet feed up. 170 00:07:18,560 --> 00:07:21,760 Speaker 9: Yeah he has. It's been happening for years. No matter 171 00:07:21,800 --> 00:07:25,160 Speaker 9: how many times I mention it, it doesn't happen. And 172 00:07:25,200 --> 00:07:27,720 Speaker 9: it's even worse. When their friends come over, they also 173 00:07:27,840 --> 00:07:30,320 Speaker 9: leave it up. Howl down. 174 00:07:30,520 --> 00:07:34,200 Speaker 2: I know, are these all males, Nikki or you got clearly. 175 00:07:35,480 --> 00:07:43,840 Speaker 9: Definitely get it, Yes, from boys to men, and they 176 00:07:43,920 --> 00:07:46,000 Speaker 9: still leave the seedar always boys? 177 00:07:46,080 --> 00:07:47,440 Speaker 2: You know that? 178 00:07:47,600 --> 00:07:51,720 Speaker 4: Oh definitely, Nicky, you know that that's a battle that 179 00:07:51,760 --> 00:07:54,280 Speaker 4: you're probably never gonna because you. 180 00:07:54,240 --> 00:07:56,320 Speaker 8: Know me, I think you're right. 181 00:07:56,840 --> 00:08:05,120 Speaker 2: We only become sie down. Yeah automatic one, Yeah, automatic ones. 182 00:08:05,160 --> 00:08:07,800 Speaker 2: There are some. Yeah, they're just lower. What if it 183 00:08:07,880 --> 00:08:09,160 Speaker 2: lowers before he's finished? 184 00:08:09,560 --> 00:08:13,640 Speaker 9: Which one that comes with the deogurizer old proch. 185 00:08:13,680 --> 00:08:15,400 Speaker 3: Okay, you get that. And the state that goes down? 186 00:08:15,400 --> 00:08:16,920 Speaker 3: I think it to be Taylor Swift to afford it. 187 00:08:17,160 --> 00:08:20,640 Speaker 2: This is that's back in the day. It was his 188 00:08:20,760 --> 00:08:24,280 Speaker 2: and hers. Thanks Nikkodi, good and good luck. That's an 189 00:08:24,320 --> 00:08:27,720 Speaker 2: ongoing and good luck. What is yours? Aeron in Pinjarra. 190 00:08:27,960 --> 00:08:30,520 Speaker 8: So I live in lost Panjarra, which is the old 191 00:08:30,520 --> 00:08:32,840 Speaker 8: ol curR estate. It was their houses were built by 192 00:08:32,840 --> 00:08:35,720 Speaker 8: our cour in nineteen seventy one for their workers. And 193 00:08:35,800 --> 00:08:38,840 Speaker 8: my kitchen is from nineteen seventy one, which was build 194 00:08:38,880 --> 00:08:42,560 Speaker 8: a particle board. Now it's fifty odd years old, which 195 00:08:42,600 --> 00:08:44,360 Speaker 8: is never going to be a good thing. But my 196 00:08:44,440 --> 00:08:47,840 Speaker 8: partner's now flooded the kitchen bench twice, so the particle 197 00:08:47,880 --> 00:08:51,199 Speaker 8: boards got soaked. So every time I opened a drawer, 198 00:08:51,280 --> 00:08:54,160 Speaker 8: I opened a cupboard, I look at it, all those 199 00:08:54,160 --> 00:08:57,200 Speaker 8: little chippy bits of particle board come out. So it's 200 00:08:57,200 --> 00:09:01,320 Speaker 8: in the teak house. It's in the saucepans, it's in 201 00:09:01,400 --> 00:09:05,560 Speaker 8: the cantillry draw. It ends up in my food. I 202 00:09:05,600 --> 00:09:07,079 Speaker 8: hate my kitchen. 203 00:09:08,800 --> 00:09:13,960 Speaker 3: I hate hit it and it expands, expands, gets wet 204 00:09:14,000 --> 00:09:14,440 Speaker 3: that stuff. 205 00:09:18,240 --> 00:09:21,520 Speaker 8: It's all over the tea towels draw. There's a little 206 00:09:21,520 --> 00:09:26,600 Speaker 8: bits everywhere, and god no, no, I hate it. 207 00:09:26,840 --> 00:09:28,680 Speaker 2: You get splinters in your in your tongue are and 208 00:09:28,679 --> 00:09:29,240 Speaker 2: that's not good. 209 00:09:30,920 --> 00:09:34,880 Speaker 8: Splintered everywhere, and I mean it's yeah, it's the world's 210 00:09:34,880 --> 00:09:37,800 Speaker 8: tiniest kitchen. They're actually going to look at expanding the 211 00:09:37,840 --> 00:09:40,880 Speaker 8: house before we replace it. It's otherwise good money after bed. 212 00:09:41,040 --> 00:09:45,480 Speaker 8: But yeah, no, my kitchen is breaking down on me. 213 00:09:46,360 --> 00:09:50,280 Speaker 2: Well, hope you get a new kitchen. Thank you, and 214 00:09:50,520 --> 00:09:53,600 Speaker 2: rode in bumbrig. Good morning. What is the thing in 215 00:09:53,640 --> 00:09:55,440 Speaker 2: your house that drives you? Nut's right? 216 00:09:56,360 --> 00:09:59,040 Speaker 8: I've got car square in the lounge, whe. 217 00:10:00,160 --> 00:10:06,320 Speaker 2: A cold corner. You put the books on your iron. 218 00:10:06,600 --> 00:10:07,880 Speaker 9: You think you've got it straight. 219 00:10:07,960 --> 00:10:12,960 Speaker 2: You're walking when your double buggers boom tripping. You are 220 00:10:13,000 --> 00:10:15,120 Speaker 2: going to break your ankle on that one day. Wrong. 221 00:10:17,440 --> 00:10:19,720 Speaker 4: Now, it's a carpet square. Can you not move it 222 00:10:19,760 --> 00:10:22,720 Speaker 4: from a carpet square? That's not like can you swap 223 00:10:22,760 --> 00:10:23,840 Speaker 4: squares in the corner? 224 00:10:24,120 --> 00:10:27,120 Speaker 7: Well someway, it just finds this way out to the 225 00:10:27,160 --> 00:10:30,880 Speaker 7: middle of the whe else in the house really likes it. 226 00:10:31,480 --> 00:10:39,800 Speaker 4: No, it's you know, your strategically rephysician and over nine 227 00:10:39,840 --> 00:10:40,800 Speaker 4: it's like, what's happening here? 228 00:10:40,920 --> 00:10:43,320 Speaker 2: Boom's colt up again? Did you say you tried to 229 00:10:43,320 --> 00:10:45,080 Speaker 2: iron it? Yeah, that's alious. 230 00:10:45,120 --> 00:10:49,920 Speaker 4: What about some some good you know, gaffer tape, doubled over, 231 00:10:50,120 --> 00:10:52,440 Speaker 4: stuck down, not not on time? 232 00:10:54,240 --> 00:10:55,000 Speaker 9: They flooring? 233 00:10:55,160 --> 00:10:57,600 Speaker 4: Yeah, okay, what about blue tack. 234 00:10:59,240 --> 00:11:01,120 Speaker 2: I'm going to talk to a general manager, you know. 235 00:11:03,120 --> 00:11:04,319 Speaker 8: And it's not gone anywhere? 236 00:11:04,360 --> 00:11:07,440 Speaker 3: Yes, definite, Yeah, okay, not a spot where you can 237 00:11:07,480 --> 00:11:10,720 Speaker 3: put a coffee table, yees, strategically placed pop plant. 238 00:11:11,200 --> 00:11:13,440 Speaker 2: I might have to put the iron on too hot 239 00:11:13,480 --> 00:11:14,199 Speaker 2: and burn. 240 00:11:14,000 --> 00:11:18,880 Speaker 4: It one day, there's an answer, Yeah, ok, then. 241 00:11:18,800 --> 00:11:20,480 Speaker 8: You're going to get dragged around the shop to trying 242 00:11:20,480 --> 00:11:21,160 Speaker 8: to find a new one. 243 00:11:21,320 --> 00:11:23,200 Speaker 3: You will, Yeah, but there's a price to pay for everything, 244 00:11:23,280 --> 00:11:28,600 Speaker 3: Rod better the devil, your know, maybe. 245 00:11:28,240 --> 00:11:30,760 Speaker 2: Double the double pogus ord the burn card. 246 00:11:30,800 --> 00:11:31,800 Speaker 9: But one of the other road we. 247 00:11:31,760 --> 00:11:34,240 Speaker 2: Worried about you ending up in that, mate, Take care 248 00:11:34,360 --> 00:11:35,160 Speaker 2: you're down your ride. 249 00:11:35,280 --> 00:11:42,040 Speaker 3: Good luck more more Lisa More podcasts. 250 00:11:41,679 --> 00:11:46,439 Speaker 4: So well, just when you thought the world couldn't get 251 00:11:46,440 --> 00:11:51,560 Speaker 4: any more bonkers, a woman in Spain is about to 252 00:11:51,600 --> 00:11:57,440 Speaker 4: marry an AI hologram. AI has barely taken off and 253 00:11:57,480 --> 00:12:04,640 Speaker 4: I'm sorry, yeah, I find I find it alarming, frightening, altogether, undesirable, 254 00:12:04,720 --> 00:12:05,280 Speaker 4: not romantic. 255 00:12:05,640 --> 00:12:06,240 Speaker 2: Not this woman. 256 00:12:06,440 --> 00:12:10,240 Speaker 4: Alicia Framis has announced her plans to wed the hologram 257 00:12:10,360 --> 00:12:15,600 Speaker 4: called Alex. It's spelt A I L e X Alex. 258 00:12:16,160 --> 00:12:21,320 Speaker 4: She posted about their situationship, that's one word for it, 259 00:12:21,400 --> 00:12:25,760 Speaker 4: Alicia on Instagram, saying we know that soon robots and 260 00:12:25,880 --> 00:12:27,800 Speaker 4: humans will be sexual partners. 261 00:12:28,040 --> 00:12:30,880 Speaker 2: Really okay, but. 262 00:12:31,000 --> 00:12:36,679 Speaker 4: For me, the next important step is emotionally involving artificial 263 00:12:36,720 --> 00:12:38,200 Speaker 4: intelligence with humans. 264 00:12:39,080 --> 00:12:40,679 Speaker 2: Alex won't be a permanent. 265 00:12:40,280 --> 00:12:43,360 Speaker 4: Fixture in Alicia's physical life because that would be too expensive. 266 00:12:43,400 --> 00:12:45,440 Speaker 2: Apparently you can do that with a. 267 00:12:45,440 --> 00:12:50,440 Speaker 4: Real personel Costure as well. He will be digitally added 268 00:12:50,440 --> 00:12:53,360 Speaker 4: to videos and posts on social media, so he's going 269 00:12:53,440 --> 00:12:56,079 Speaker 4: to be photo shopped into all her photos and she 270 00:12:56,200 --> 00:13:00,720 Speaker 4: calls that a relationship, a marriage. In fact, the wedding 271 00:13:01,120 --> 00:13:03,319 Speaker 4: here's the kicker. The wedding is going to be part 272 00:13:03,360 --> 00:13:05,480 Speaker 4: of a tour of different museums and venues and you 273 00:13:05,520 --> 00:13:09,280 Speaker 4: can check it out at Hybrid's Hybrid Couples on Instagram 274 00:13:09,280 --> 00:13:12,240 Speaker 4: for details. So there is you know, there's there's a 275 00:13:12,280 --> 00:13:14,760 Speaker 4: reason there. But that sounds like a bit of a 276 00:13:15,480 --> 00:13:19,160 Speaker 4: sort of a you know what take, But I am 277 00:13:19,520 --> 00:13:26,360 Speaker 4: a little be mused slash horrified. And a couple of 278 00:13:26,440 --> 00:13:34,120 Speaker 4: stories of shady you know, bit ghosting shade, I mean 279 00:13:34,160 --> 00:13:36,280 Speaker 4: like Hologrammy a bit. 280 00:13:36,240 --> 00:13:40,280 Speaker 2: C through transparent dark way. 281 00:13:40,559 --> 00:13:43,880 Speaker 4: But look, just recently, the last couple of weeks, I've 282 00:13:43,920 --> 00:13:47,720 Speaker 4: seen a couple of discussions online, a couple of stories 283 00:13:49,320 --> 00:13:52,720 Speaker 4: talking about posing the question about having an AI partner 284 00:13:53,040 --> 00:13:54,720 Speaker 4: and is this the way of the future? 285 00:13:54,760 --> 00:14:00,280 Speaker 2: And there was serious stories, serious art considering I thought 286 00:14:00,280 --> 00:14:01,040 Speaker 2: I was being punked. 287 00:14:01,040 --> 00:14:03,240 Speaker 4: I kept looking BEHINDE who was going to go you're 288 00:14:03,280 --> 00:14:05,800 Speaker 4: not believing this stuff you're reading, are you? Because I mean, 289 00:14:05,840 --> 00:14:09,760 Speaker 4: obviously I wasn't because it's AI. It's art to ficial 290 00:14:10,040 --> 00:14:12,760 Speaker 4: and it's a worry when you artificial the last time 291 00:14:12,760 --> 00:14:14,720 Speaker 4: I checked, means not real. 292 00:14:14,920 --> 00:14:17,600 Speaker 2: So multiple multiple times, you're thinking, is it April first? 293 00:14:18,080 --> 00:14:21,520 Speaker 4: I absolutely, Look, you know, I'm sure there's a place 294 00:14:21,560 --> 00:14:23,880 Speaker 4: for AI. I'm all for technology and all that, but 295 00:14:24,480 --> 00:14:30,680 Speaker 4: it's not an actual person, actually your boyfriend? 296 00:14:31,040 --> 00:14:33,480 Speaker 2: Hey, when's the first hologram going to be on maths? 297 00:14:33,720 --> 00:14:37,680 Speaker 4: I don't Oh, I don't know that that hasn't already happened. 298 00:14:38,480 --> 00:14:40,840 Speaker 4: I'm not I've seen every season. I'm not convinced that 299 00:14:40,840 --> 00:14:44,520 Speaker 4: there's not been a bit of a But these were 300 00:14:44,640 --> 00:14:48,440 Speaker 4: serious discussions discussing whether you know, you would stick with 301 00:14:48,560 --> 00:14:51,280 Speaker 4: real people or make that move into AI. 302 00:14:51,440 --> 00:14:54,040 Speaker 2: But that might be a better way to go. Is 303 00:14:54,240 --> 00:14:58,680 Speaker 2: there not real? Am? I am? I? Am? I on 304 00:14:58,840 --> 00:15:03,000 Speaker 2: candid Camera? I've long believed I'm We're all on some 305 00:15:03,200 --> 00:15:05,640 Speaker 2: find I'm looking for Jim Carrey. 306 00:15:05,760 --> 00:15:08,920 Speaker 4: Human show kind of candid Camera and somewhere out there 307 00:15:08,920 --> 00:15:12,640 Speaker 4: in a galaxy far away, little green mid life, just. 308 00:15:14,480 --> 00:15:17,400 Speaker 2: Themselves live, get multiple heads off. Some people will do 309 00:15:17,440 --> 00:15:22,160 Speaker 2: anything to avoid an argument. Read the flick with ben 310 00:15:22,160 --> 00:15:25,840 Speaker 2: o'she good morning man, good morning guys. 311 00:15:26,240 --> 00:15:31,720 Speaker 4: Australian Theater, cinema, all of it royalty today. 312 00:15:31,880 --> 00:15:35,680 Speaker 6: Weaving, Hugo Weaving. There's a there's a bit of Ossie 313 00:15:36,080 --> 00:15:39,040 Speaker 6: Theater and Cinema Royalty in this film. So Hugo Weaving 314 00:15:39,080 --> 00:15:41,560 Speaker 6: has got a new film. He's reached a really interesting 315 00:15:41,720 --> 00:15:44,200 Speaker 6: time in his career like he's done, he's done at all. 316 00:15:44,320 --> 00:15:46,680 Speaker 6: Like his big breakthrough came on TV in the eighties 317 00:15:46,920 --> 00:15:51,360 Speaker 6: for the Body Line, Yes series about cricket with Don Bradman. 318 00:15:51,440 --> 00:15:55,280 Speaker 6: He played Douglas, the English captain and that was his 319 00:15:55,280 --> 00:15:59,600 Speaker 6: first role out of Nier, which was really really impressive performance. 320 00:16:00,000 --> 00:16:02,000 Speaker 6: And then he went on to do Ossie films like Proof, 321 00:16:02,040 --> 00:16:04,000 Speaker 6: which was a classic, and then. 322 00:16:03,880 --> 00:16:06,840 Speaker 2: Of course the moment in different films, different. 323 00:16:06,480 --> 00:16:09,760 Speaker 6: Films, very interesting career, and then of course Agent Smith 324 00:16:09,800 --> 00:16:13,040 Speaker 6: in The Matrix which is iconic, l Rond in Lord 325 00:16:13,040 --> 00:16:16,000 Speaker 6: of the Rings, and so he's done everything really along 326 00:16:16,040 --> 00:16:18,040 Speaker 6: the way, and now he's reached a stage in his 327 00:16:18,120 --> 00:16:21,480 Speaker 6: career sort of the Jack Thompson era where he's playing 328 00:16:21,520 --> 00:16:26,640 Speaker 6: these kind of curmudgeonally characters. But I would say some 329 00:16:26,720 --> 00:16:30,160 Speaker 6: of the best work of his entire, long, long career 330 00:16:30,200 --> 00:16:32,040 Speaker 6: in acting over the past few years. He was in 331 00:16:32,080 --> 00:16:36,120 Speaker 6: The Royal Hotel, that sort of psychological outback thriller which 332 00:16:36,160 --> 00:16:38,480 Speaker 6: was which is pretty good. And now in The Rooster. 333 00:16:38,640 --> 00:16:40,840 Speaker 6: It's a big call. But I would say this would 334 00:16:40,840 --> 00:16:47,280 Speaker 6: be in his top three performances of his life. And 335 00:16:47,360 --> 00:16:51,760 Speaker 6: I would say one of my top five Ossie performances 336 00:16:51,440 --> 00:16:55,440 Speaker 6: on a cinema screen that I've never seen. That's impressive, 337 00:16:55,640 --> 00:16:58,560 Speaker 6: and not that the movie is probably at that level, 338 00:16:58,680 --> 00:17:00,640 Speaker 6: but in terms of Hugo Weaving, if you're a Hugo 339 00:17:00,680 --> 00:17:03,520 Speaker 6: Weedon fan, or if you just yeah, we just appreciate 340 00:17:03,640 --> 00:17:07,440 Speaker 6: fine acting. Oh my gosh, this is just so incredible. 341 00:17:07,480 --> 00:17:08,600 Speaker 6: My hair is are standing up on the back of 342 00:17:08,600 --> 00:17:11,840 Speaker 6: my neck just thinking. So basically so, it's directed by 343 00:17:11,920 --> 00:17:14,200 Speaker 6: Mark Leonard Winter, who's an actor who you might have 344 00:17:14,240 --> 00:17:18,200 Speaker 6: seen in the news Reader, the ABC TV series Fires 345 00:17:18,640 --> 00:17:20,880 Speaker 6: in Balibo. He's in a bunch of stuff himself escape 346 00:17:20,880 --> 00:17:24,080 Speaker 6: from Pretoria, and so now this is one of his 347 00:17:24,160 --> 00:17:27,720 Speaker 6: first feature films and it was at Cinny Fest last year. 348 00:17:27,720 --> 00:17:30,080 Speaker 6: It was in competition for one hundred thousand dollars prize 349 00:17:30,440 --> 00:17:32,840 Speaker 6: and it's, I guess, on the surface level, it's a 350 00:17:32,880 --> 00:17:36,960 Speaker 6: tale about loneliness and how blokes in society can feel 351 00:17:37,000 --> 00:17:38,560 Speaker 6: loneliness because you know, they don't know how to reach 352 00:17:38,600 --> 00:17:40,760 Speaker 6: out and get emotional support, which is a story that 353 00:17:40,800 --> 00:17:42,760 Speaker 6: we kind of know, we know that that's a real thing. 354 00:17:43,480 --> 00:17:47,119 Speaker 6: And so it follows the journey of this young police 355 00:17:47,160 --> 00:17:49,400 Speaker 6: officer who's kind of separated from his wife, he's sort 356 00:17:49,400 --> 00:17:54,600 Speaker 6: of living by himself played by Phoenix Rerai, a fairly 357 00:17:54,640 --> 00:17:57,320 Speaker 6: new actor to the scene, and he's living in the 358 00:17:57,320 --> 00:18:00,600 Speaker 6: bush in central Victoria. He's got a rooster and he 359 00:18:01,520 --> 00:18:04,640 Speaker 6: keeps a few chooks. He's got chooks and a rooster then, 360 00:18:04,720 --> 00:18:06,640 Speaker 6: and he's kind of struggling with, you know, what's going 361 00:18:06,720 --> 00:18:09,400 Speaker 6: on in his personal life, with his wife leaving him 362 00:18:09,400 --> 00:18:12,520 Speaker 6: and you know, all that sort of stuff. And then 363 00:18:12,520 --> 00:18:15,760 Speaker 6: one day his rooster is eaten by a fox and 364 00:18:16,200 --> 00:18:18,199 Speaker 6: he's kind of it kind of really affects him emotional. 365 00:18:18,560 --> 00:18:21,199 Speaker 6: And at the same time, his best mate, who he 366 00:18:21,240 --> 00:18:23,240 Speaker 6: hasn't really seen for a while they've kind of become 367 00:18:23,240 --> 00:18:26,119 Speaker 6: a bit of strange, has died in sort of mysterious 368 00:18:26,160 --> 00:18:28,840 Speaker 6: circumstances in the bush. His body's found in the bush 369 00:18:29,080 --> 00:18:31,000 Speaker 6: and they're not sure if it's a suicide or what 370 00:18:31,080 --> 00:18:33,840 Speaker 6: has happened. He kind of goes out and decides to 371 00:18:34,200 --> 00:18:37,040 Speaker 6: camp for a few days at the scene of where 372 00:18:37,080 --> 00:18:40,199 Speaker 6: his mate died, just to kind of reconnect emotionally to 373 00:18:40,640 --> 00:18:41,359 Speaker 6: what might have happened. 374 00:18:41,400 --> 00:18:42,200 Speaker 2: He's having a good run. 375 00:18:42,280 --> 00:18:43,439 Speaker 6: No, he's not having a good run at all. And 376 00:18:43,480 --> 00:18:46,040 Speaker 6: while he's in the bush, he like hears some noises 377 00:18:46,119 --> 00:18:47,840 Speaker 6: and he sort of realizes there's someone else in the 378 00:18:47,840 --> 00:18:50,840 Speaker 6: bush with him, and it's this hermit played by Hugo 379 00:18:50,880 --> 00:18:54,200 Speaker 6: Weaving who's lived off the grid for years and years 380 00:18:54,240 --> 00:18:56,879 Speaker 6: and years. And then all of a sudden, this fellow 381 00:18:56,880 --> 00:18:58,960 Speaker 6: who's a police officer starts to think, well, hang on 382 00:18:59,000 --> 00:19:01,520 Speaker 6: a minute, maybe this hermit has actually been involved in 383 00:19:01,560 --> 00:19:03,600 Speaker 6: the death of my mate, or at the very least 384 00:19:03,640 --> 00:19:06,080 Speaker 6: knows something about it. And so sort of they start 385 00:19:06,119 --> 00:19:10,000 Speaker 6: hanging out, and then essentially this young police officer moves 386 00:19:10,040 --> 00:19:13,120 Speaker 6: in with Hugo Weaving's character in his little bush hut 387 00:19:13,600 --> 00:19:17,520 Speaker 6: and they sort of have this exploration of their own 388 00:19:18,320 --> 00:19:22,840 Speaker 6: histories and emotional traumas together, and Hugo Weavings hermit is 389 00:19:23,320 --> 00:19:27,480 Speaker 6: a loose unit, like at one moment he almost seems 390 00:19:27,560 --> 00:19:29,720 Speaker 6: like a larger than life sort of thispi and he 391 00:19:29,840 --> 00:19:33,399 Speaker 6: sort of spouts literature and then he's also drinking, you know, 392 00:19:33,480 --> 00:19:36,840 Speaker 6: bottles of red every other minute, and he has this 393 00:19:37,119 --> 00:19:39,440 Speaker 6: busted up old ping pong table that he's just set 394 00:19:39,520 --> 00:19:41,440 Speaker 6: up in the bush and he just hits the ball 395 00:19:41,480 --> 00:19:43,919 Speaker 6: to himself and then he starts playing ping pong and 396 00:19:43,960 --> 00:19:45,680 Speaker 6: he says, you know, the point is not to win. 397 00:19:45,720 --> 00:19:47,720 Speaker 6: It's just to keep playing. You just got to keep going, 398 00:19:47,840 --> 00:19:49,919 Speaker 6: keep getting the ball back, which is kind of his 399 00:19:50,280 --> 00:19:52,600 Speaker 6: you know, sort of ethos for life, like that's kind 400 00:19:52,600 --> 00:19:55,600 Speaker 6: of his man trait exactly. And so then as as 401 00:19:55,640 --> 00:19:57,760 Speaker 6: this sort of unfolds, as these two blokes get to 402 00:19:57,800 --> 00:19:59,760 Speaker 6: know each other, you start to realize that, you know, 403 00:20:00,000 --> 00:20:03,800 Speaker 6: there's some stuff going on in Hugo Weaving's character's background 404 00:20:03,880 --> 00:20:06,440 Speaker 6: that has kind of led to where he is now, 405 00:20:06,560 --> 00:20:09,800 Speaker 6: sort of some really really heartbreaking stuff that he's never 406 00:20:09,920 --> 00:20:12,600 Speaker 6: really been able to process or get past. And so 407 00:20:12,680 --> 00:20:15,040 Speaker 6: his relationship with this young police officer maybe gets him 408 00:20:15,040 --> 00:20:18,679 Speaker 6: a bit closer to some of that resolution. And so 409 00:20:18,800 --> 00:20:22,680 Speaker 6: it is it's a deeply affecting movie. It's some incredible 410 00:20:22,720 --> 00:20:25,399 Speaker 6: scenes in the Victorian Bush, like the nature is a 411 00:20:25,440 --> 00:20:28,639 Speaker 6: real character in the film as well, Like you know, 412 00:20:28,760 --> 00:20:32,520 Speaker 6: Phoenix RERAI as this young police officer, you know, you know, 413 00:20:32,880 --> 00:20:35,840 Speaker 6: maybe not quite to the same level of Hugo Weaving, 414 00:20:35,880 --> 00:20:38,239 Speaker 6: but I think the challenge for this young actor is, 415 00:20:38,520 --> 00:20:40,280 Speaker 6: you know, like how do you keep up with one 416 00:20:40,280 --> 00:20:43,880 Speaker 6: of Australia's best actors in one of their greatest performances, 417 00:20:43,920 --> 00:20:45,400 Speaker 6: Like you just just can't it. 418 00:20:45,440 --> 00:20:47,480 Speaker 2: Was in the Heights. Yeah, that's yeah, I knew I 419 00:20:47,520 --> 00:20:49,040 Speaker 2: Reckon has. 420 00:20:49,000 --> 00:20:50,879 Speaker 6: A fine young actor and I think, you know, in 421 00:20:50,920 --> 00:20:53,679 Speaker 6: this film, I think he's a really interesting casting choice. 422 00:20:54,000 --> 00:20:55,720 Speaker 6: But you know, he's pushing it up hill a bit 423 00:20:55,880 --> 00:20:59,160 Speaker 6: like sharing scenes with Hugo who is just on song. 424 00:21:00,720 --> 00:21:02,320 Speaker 6: But you know, this is a film that you would 425 00:21:02,359 --> 00:21:05,560 Speaker 6: absolutely just watch to see. Hugo Weaving is a master 426 00:21:05,640 --> 00:21:08,639 Speaker 6: class in acting and you know it really gets you, 427 00:21:08,840 --> 00:21:10,600 Speaker 6: gets you by the end for sure, like this is 428 00:21:10,600 --> 00:21:13,159 Speaker 6: this is it's a kind of a simple premise but 429 00:21:13,200 --> 00:21:16,280 Speaker 6: it's well executed and it's it's an example of you know, 430 00:21:16,320 --> 00:21:18,600 Speaker 6: I guess what Australian films can be when they don't 431 00:21:18,640 --> 00:21:19,280 Speaker 6: try too hard. 432 00:21:19,440 --> 00:21:22,639 Speaker 4: Okay, all right, well, how many cocodoodle doos are you get? 433 00:21:22,800 --> 00:21:22,919 Speaker 7: Good? 434 00:21:23,800 --> 00:21:25,400 Speaker 6: I'm going to give it three three and a half 435 00:21:25,480 --> 00:21:27,000 Speaker 6: cocood very good. 436 00:21:27,560 --> 00:21:29,400 Speaker 2: It's a good film. You don't just want to see 437 00:21:29,400 --> 00:21:34,800 Speaker 2: it for his acting performance. Now, Thanks Ben, Thanks guys. 438 00:21:33,560 --> 00:21:42,680 Speaker 1: More Clezy more, Lisa More podcasts soon the Sure Report 439 00:21:42,880 --> 00:21:46,640 Speaker 1: on ninety six a FM. 440 00:21:46,680 --> 00:21:49,160 Speaker 4: It sounds like even one of the genre's biggest stars 441 00:21:49,240 --> 00:21:52,960 Speaker 4: thinks the Marvel comic book movie folks have jumped the Shark. 442 00:21:53,160 --> 00:21:55,440 Speaker 2: I'm talking about the Hulk himself, Mark Rufflon. You don't 443 00:21:55,440 --> 00:21:56,200 Speaker 2: want to make him angry. 444 00:21:56,760 --> 00:22:00,760 Speaker 4: Over the last year, the MCU, the Marvel Cinema Universe, 445 00:22:01,080 --> 00:22:04,480 Speaker 4: has experienced box office flops like ant Man and the 446 00:22:04,560 --> 00:22:06,800 Speaker 4: Wasp and The Marvels. In fact, that one became the 447 00:22:06,840 --> 00:22:09,680 Speaker 4: lowest grossing Marvel film in history, and just this month, 448 00:22:09,720 --> 00:22:12,480 Speaker 4: it's connection with Madame Webb's been no cause for celebration. 449 00:22:12,920 --> 00:22:16,040 Speaker 4: Fans are getting fatigued with the franchise, and Ruffalo thinks 450 00:22:16,080 --> 00:22:18,919 Speaker 4: the expansion into streaming might have something to do with it. 451 00:22:19,280 --> 00:22:22,520 Speaker 4: He says, before the streaming expansion, the thing about Marvel 452 00:22:22,600 --> 00:22:24,840 Speaker 4: movies was you had to wait three years, and that 453 00:22:24,920 --> 00:22:28,560 Speaker 4: created a certain mystique. Now, he wonders if that mystique 454 00:22:28,640 --> 00:22:29,680 Speaker 4: might have been wiped away. 455 00:22:30,160 --> 00:22:32,480 Speaker 2: M duh, look something long enough. 456 00:22:32,560 --> 00:22:37,200 Speaker 4: Yeah, I'm sure you've heard. Beyonce's made a country album. Well, 457 00:22:37,280 --> 00:22:40,480 Speaker 4: she's become the first black woman to reach number one 458 00:22:40,600 --> 00:22:43,360 Speaker 4: on the US Country chart with her new single Texas 459 00:22:43,359 --> 00:22:45,600 Speaker 4: Hold Them. Will this be the one to shut jay 460 00:22:45,680 --> 00:22:47,359 Speaker 4: Z up and get her Album of the Year at 461 00:22:47,359 --> 00:22:51,080 Speaker 4: the Grammys? Probably not, But you know what, the problem 462 00:22:51,080 --> 00:22:55,000 Speaker 4: with jay Z's very disrespectful speech and carry on at 463 00:22:55,000 --> 00:22:57,399 Speaker 4: the Grammys a couple of weeks ago. Is if she 464 00:22:57,440 --> 00:22:59,840 Speaker 4: ever does win Album of the Year, now he's all 465 00:23:00,320 --> 00:23:02,960 Speaker 4: tainted it. He's ruined it in advance because there'll be 466 00:23:03,000 --> 00:23:05,280 Speaker 4: all manner of speculation and cynicism around it. 467 00:23:05,480 --> 00:23:06,440 Speaker 2: She's never going to be. 468 00:23:06,440 --> 00:23:08,960 Speaker 4: He's robbed her of any chance that she would have 469 00:23:09,400 --> 00:23:11,800 Speaker 4: to just quietly celebrate it and enjoy it. 470 00:23:12,359 --> 00:23:14,680 Speaker 2: Should have been for zip It Good One Jay. 471 00:23:15,480 --> 00:23:18,600 Speaker 4: Foreigner guitarist Mick Jones has revealed that he has been 472 00:23:18,680 --> 00:23:22,720 Speaker 4: diagnosed with Parkinson's disease. Foreigner is on their current farewell tour, 473 00:23:22,800 --> 00:23:25,920 Speaker 4: but Jones hasn't played with the band since twenty twenty two. 474 00:23:26,560 --> 00:23:31,560 Speaker 4: And when your parents are Barack and Michelle Obama, it 475 00:23:31,640 --> 00:23:34,640 Speaker 4: can be tough to step out from under that shadow, 476 00:23:34,880 --> 00:23:38,920 Speaker 4: which is why Malia Obama is dropping her surname. Because 477 00:23:38,920 --> 00:23:42,520 Speaker 4: she's pursuing her acting ambitions and she's signed up for 478 00:23:42,560 --> 00:23:45,520 Speaker 4: a film project called The Heart, and she's decided to 479 00:23:45,560 --> 00:23:48,000 Speaker 4: go by Malia Ann, which is her middle name. 480 00:23:48,080 --> 00:23:49,840 Speaker 2: Okay, oh good honor. Yeah, I want to find a 481 00:23:49,840 --> 00:23:50,680 Speaker 2: bit of independence of. 482 00:23:50,600 --> 00:23:53,680 Speaker 4: It, which is a slightly famous And they've play French 483 00:23:53,760 --> 00:23:57,720 Speaker 4: out into entertainment themselves, so you know it's good luck 484 00:23:57,760 --> 00:23:58,400 Speaker 4: to Melia. 485 00:23:58,640 --> 00:24:00,760 Speaker 3: Well at there's have been a lot of anticipat leading 486 00:24:00,800 --> 00:24:03,600 Speaker 3: up to a big gig at King's Park last night 487 00:24:03,640 --> 00:24:06,560 Speaker 3: and then been friends for forty plus years. I speak 488 00:24:06,720 --> 00:24:09,280 Speaker 3: of Simple Minds and ice House playing at King's Park. 489 00:24:09,640 --> 00:24:11,760 Speaker 3: I had a couple of friends on Facebook posting I 490 00:24:11,800 --> 00:24:13,639 Speaker 3: saw the first thing I saw this morning was perfect 491 00:24:13,760 --> 00:24:17,760 Speaker 3: Night under the Stars, Simple Minds, a bachelor girl with 492 00:24:17,800 --> 00:24:19,600 Speaker 3: the first band, and then the ice House and then 493 00:24:19,800 --> 00:24:21,600 Speaker 3: Simple Minds. So we had a bit of envy about 494 00:24:21,600 --> 00:24:25,600 Speaker 3: this gig last night, Yeah we did. I would love 495 00:24:25,640 --> 00:24:28,919 Speaker 3: to have been there for those two incredible bands. But 496 00:24:29,280 --> 00:24:32,680 Speaker 3: we'd love to know if you went to the gig? Yeah, 497 00:24:32,720 --> 00:24:34,840 Speaker 3: and how was it and what kind of form were 498 00:24:34,840 --> 00:24:37,480 Speaker 3: they in? In particular, the Simple Minds this time played 499 00:24:37,800 --> 00:24:39,639 Speaker 3: played gigs before with the ice House life do. 500 00:24:39,720 --> 00:24:43,480 Speaker 4: Some of us have to go to bed early, so 501 00:24:43,520 --> 00:24:47,000 Speaker 4: we're left to live a couple of comuncheons about that stuff. 502 00:24:46,760 --> 00:24:49,400 Speaker 2: Aren't we? But midweek we want to Yeah, we want 503 00:24:49,440 --> 00:24:51,600 Speaker 2: to live. We want to live. Yes, school nights, we 504 00:24:51,640 --> 00:24:53,840 Speaker 2: want to live through you. How was it? Yeah? 505 00:24:53,680 --> 00:24:53,840 Speaker 7: Yeah? 506 00:24:53,880 --> 00:24:56,400 Speaker 3: You be the review of this morning at ninety six FM. 507 00:24:57,200 --> 00:24:58,960 Speaker 3: I provum hello, Andrew. 508 00:24:58,880 --> 00:25:02,200 Speaker 2: Hello, I'm good. How are you good? So you went 509 00:25:02,480 --> 00:25:02,920 Speaker 2: come on? 510 00:25:04,480 --> 00:25:06,200 Speaker 9: Oh yeah I did. 511 00:25:06,320 --> 00:25:09,560 Speaker 10: They were just They're all amazing, Batcheloka, Oh her voice 512 00:25:09,720 --> 00:25:11,320 Speaker 10: still still awesome. 513 00:25:12,680 --> 00:25:14,440 Speaker 2: Davies, Yeah, he still got it. 514 00:25:14,560 --> 00:25:18,200 Speaker 10: And to hear things like Electric Blue Crazy, Hey, little Girl, 515 00:25:18,560 --> 00:25:22,320 Speaker 10: Great Southern Land live was just that. Saxophone was just 516 00:25:22,359 --> 00:25:27,120 Speaker 10: brilliant like that, and just Jimkur Simple Minds like Hey, 517 00:25:27,840 --> 00:25:29,639 Speaker 10: to hear don't you forget about me? 518 00:25:29,760 --> 00:25:30,800 Speaker 8: I've never seen them. 519 00:25:31,000 --> 00:25:34,200 Speaker 10: They're almost my favorite bands from the eighties, but see 520 00:25:34,200 --> 00:25:37,399 Speaker 10: them live, yeah, was just amazing. And to hear the 521 00:25:37,520 --> 00:25:40,760 Speaker 10: voice still really good and yeah and alive and kicking 522 00:25:40,880 --> 00:25:44,000 Speaker 10: just yeah, just and the crowd was great. Shed like responded, 523 00:25:44,080 --> 00:25:47,440 Speaker 10: especially to the songs that were well known, and yeah, 524 00:25:47,480 --> 00:25:49,879 Speaker 10: I want to say a Simple Minds had just an 525 00:25:49,960 --> 00:25:50,919 Speaker 10: amazing drummer. 526 00:25:50,960 --> 00:25:53,480 Speaker 8: She was a girl drummer. She was amazing. She was 527 00:25:53,600 --> 00:25:54,520 Speaker 8: just like brilliant. 528 00:25:55,520 --> 00:25:59,280 Speaker 4: Sounds like a yeah, chick in the bucket list, sounds real. 529 00:25:59,400 --> 00:26:03,840 Speaker 2: So you never say. 530 00:26:03,000 --> 00:26:05,560 Speaker 10: Mind to know, like I'm my friends call me a 531 00:26:05,600 --> 00:26:06,320 Speaker 10: concert freak. 532 00:26:06,560 --> 00:26:08,960 Speaker 8: Yeah, I've been to a lot of Cuppets. 533 00:26:08,840 --> 00:26:11,399 Speaker 10: And out of all the fans from the eighties and 534 00:26:11,440 --> 00:26:13,560 Speaker 10: the nineties. I think Simple Minds is the one that 535 00:26:13,600 --> 00:26:16,199 Speaker 10: I've never got to see, so I was very happy. 536 00:26:16,440 --> 00:26:19,359 Speaker 3: Well they've still got it, Yeah they have, Andrea, I 537 00:26:19,440 --> 00:26:22,119 Speaker 3: need to ask for a friend. When Jim does that 538 00:26:22,200 --> 00:26:24,640 Speaker 3: sexy thing where he used to crouch down and jump 539 00:26:24,680 --> 00:26:26,600 Speaker 3: back up and stalk the stage, did he still do 540 00:26:26,640 --> 00:26:27,120 Speaker 3: all that work? 541 00:26:27,640 --> 00:26:30,399 Speaker 2: He did do that, He tried. 542 00:26:29,920 --> 00:26:33,080 Speaker 4: He needed a couple of people to help him up again. 543 00:26:34,320 --> 00:26:38,440 Speaker 2: The down bit's fine, just get it, Charlie on guitar 544 00:26:38,480 --> 00:26:39,200 Speaker 2: to help him back out. 545 00:26:39,359 --> 00:26:43,440 Speaker 3: Yeah, but his voice, his voice still magnificent. 546 00:26:43,600 --> 00:26:44,760 Speaker 9: Yeah, oh yeah yeah. 547 00:26:44,920 --> 00:26:46,440 Speaker 8: At one point he just goes, I'm getting. 548 00:26:46,240 --> 00:26:47,200 Speaker 7: Too old for this stuff. 549 00:26:48,600 --> 00:26:51,720 Speaker 2: He's not. No thanks, Andrea. 550 00:26:51,880 --> 00:26:55,800 Speaker 3: They did a good night Crazy and Lisa