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Speaker 1: This people are going to do right now might potentially

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Speaker 1: get a bit promiscuous if you take it that way.

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Speaker 1: Damn it, I shouldn't have said that. But no, we

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Speaker 1: were inspired. Yes, just everyone forget what I've just said. Then,

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Speaker 1: everyone just forget that. Drop it. Clean the slate, clean

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Speaker 1: the slate. Yesterday we were inspired by a story.

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Speaker 2: Will Yeah, I hurt my ankles laying rugby. As I

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Speaker 2: went and got an X ray on my ankle, there

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Speaker 2: was no break in the ankle, which was great. The

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Speaker 2: doctor actually said, there's a needle in your ankle. Oh

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Speaker 2: my mom the story and she said, when I was

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Speaker 2: five years old, I fell from a cupboard, landing on

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Speaker 2: a whole lot of needles from her sewing kit, and

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Speaker 2: that one had stuck in my foot that they got removed,

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Speaker 2: but there was another one that was stuck in my

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Speaker 2: ankle that was there for what twenty one years?

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Speaker 1: Wow?

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Speaker 2: Yeah, ridiculous.

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Speaker 3: Yeah, we'll do it.

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Speaker 1: They could do what was in you tomorrow? Do you

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Speaker 1: know what I mean? Could be a good question, could

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Speaker 1: be a good question.

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Speaker 3: Oh, here we are, that's the question we want to ask.

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Speaker 3: Thinks of a dirty five thirty? I'll tell you that much.

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Speaker 1: Thirteen one oh six five guys, what was in here?

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Speaker 3: What was in your?

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Speaker 1: What was in her? I'll kick things off well. Obviously

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Speaker 1: Steve had a cracking story yesterday about what was in

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Speaker 1: him a needle for twenty one years. A friend of

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Speaker 1: mine went over to Boston to go on running the marathon,

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Speaker 1: and mid marathon he was like, oh god, I just

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Speaker 1: feel very crook in the gats just something's not quite

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Speaker 1: right here. Finish the marathon. Apparently as he crossed the

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Speaker 1: fish Tame pretty much collapsed and was like, I'm not

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Speaker 1: in a good way. I think it. Need to go

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Speaker 1: to hospital anyway. Takes in the hospital, they opened him

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Speaker 1: up because like, yes, something's going on there, mate, Like

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Speaker 1: there's something going on in your system there which needs

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Speaker 1: to be remedied. Anyway, they opened him up from a

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Speaker 1: previous surgery. The doctor had left a tool in there.

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Speaker 3: Oh wow, he had a medical tool inside him and

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Speaker 3: he ran a marathon with a medical tool inside him,

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Speaker 3: And that happens quite a lot. Surgeons leave things in people.

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Speaker 1: Really.

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Speaker 3: Yeah, there's some crazy study about the number of surgical

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Speaker 3: implements that are found inside people's stomachs.

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Speaker 1: Sure you did like a roll call at the end. Like, right,

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Speaker 1: do we get the spaner?

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Speaker 3: Did we get the whatever?

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Speaker 4: Oh?

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Speaker 1: I don't know the saway? Thirty one six five?

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Speaker 3: What was surgery? Rich?

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Speaker 1: They got stuff like that.

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Speaker 3: No, thirty one and six five scalpel, I think was

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Speaker 3: the S word you were looking for.

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Speaker 1: That's the one.

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Speaker 3: What was in you?

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Speaker 1: Let's just crack in, shall we? Let's go to Sarah here?

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Speaker 3: Sarah?

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Speaker 1: What was in your?

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Speaker 4: Hi?

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Speaker 5: So when I was about nine or ten years old,

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Speaker 5: I stood on a stone.

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Speaker 1: Oh too scared.

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Speaker 6: To tell my parents because you know, he got in

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Speaker 6: trouble for everything back then.

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Speaker 1: Of course.

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Speaker 5: Of course, so it is still.

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Speaker 6: In there, verified by an X ray not.

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Speaker 5: Too too long ago.

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Speaker 3: On my cool.

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Speaker 5: They were like, what is that?

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Speaker 1: How old are you? Sarah?

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Speaker 5: I am thirty two?

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Speaker 3: Wow? Wow, it's got a crazy Chris. Hear that out, Chris?

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Speaker 1: What's inside? O? Hey mate?

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Speaker 2: All right?

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Speaker 6: So what's inside me is a hair clip. It's still

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Speaker 6: in there. It's been in there for twenty years.

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Speaker 5: So you know those ones.

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Speaker 6: That women will wear on their hair kind of looks

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Speaker 6: like monster teeth. Yeah, in my hand it's actually visible.

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Speaker 5: It looks like a little black dot stuck in my hand.

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Speaker 3: Oh, how did you get it in there.

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Speaker 6: I was playing with it when I shouldn't have been.

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Speaker 3: How did you put it? Yeah? Excitement, Like how do

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Speaker 3: you get I thought foot and hand there. I was expecting,

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Speaker 3: you know, work your way in through an orifice. But

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Speaker 3: these people are sandwiching these things in through.

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Speaker 1: Their skin a hair clip.

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Speaker 3: Georgie's cool thirty when I six five. George is a

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Speaker 3: friend of yours.

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Speaker 6: Yes, I've got one. An orifice for you is good?

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Speaker 1: Stuff is.

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Speaker 6: So the plastic feel that's picked inside, like a coke

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Speaker 6: bottle at the top of the cape back in the day,

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Speaker 6: used to make land.

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Speaker 3: Out of them.

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Speaker 6: Yeah, that's they're the ones. As a child, she rolled

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Speaker 6: that up and shoved it up her nose, and years

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Speaker 6: later through high school. After high school, she had so

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Speaker 6: many ongoing sinus problems, got it, got it checked out finally,

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Speaker 6: and she went under exploratory surgery and they founded up

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Speaker 6: her nose.

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Speaker 1: Still feding him. But that that, yeah, that stuff kind

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Speaker 1: of scares me. Why but you don't know what's in

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Speaker 1: you sometimes, like you know what I mean, Like, well,

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Speaker 1: you know, if you stuck a coke bottle up your nose,

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Speaker 1: you just kind of thing like I would I put

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Speaker 1: that out. A'm going to put that out.

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Speaker 3: Out of your nose. No, you do exercise science. I'm

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Speaker 3: not sure that.

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Speaker 1: Locus. You still have something in you?

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Speaker 5: Yeah, guys, are we going, guys? Guys to have a bullet? Am?

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Speaker 2: I right?

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Speaker 5: Leg? So when I was living in Brazil, So this

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Speaker 5: is fifteen years ago, I've got a gun shot in

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Speaker 5: the leg. Still here, the doctor set back in the

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Speaker 5: day it was two dangerous to do a surgery too

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Speaker 5: close to my fema. It's still here. So when I

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Speaker 5: go to airport or x ray, so he's still showing,

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Speaker 5: he's still bep airport and everything. I's still a nightmare

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Speaker 5: those days.

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Speaker 3: Have you not got the issue like Iron Man, where

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Speaker 3: you know, like the shrapnel could be getting into your

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Speaker 3: your heart and killing you?

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Speaker 5: No, no, no, no, I haven't got that issue, mat

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Speaker 5: So it's kind of it's it's enconstilating.

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Speaker 3: It was a rhetorical question because it was a little

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Speaker 3: bit of a lighthearted life.

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Speaker 1: He was going to go into it that why did

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Speaker 1: he have it to like? Where was he calling from?

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Speaker 3: Was he calling from Brazil? What's going on there?

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Speaker 1: That's bizarre prepared.

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Speaker 3: We don't know, I asked him. He couldn't do it?

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Speaker 1: Just a bad phone that I've never experienced that.

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Speaker 3: Let's go to Jane's a phenomenon.

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Speaker 1: Jane, what was it? What was inside you?

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Speaker 7: So I spent the night with a guy. One thing

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Speaker 7: led to another and we ended up having sex. We

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Speaker 7: thought that the condom had fallen off somewhere, and then

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Speaker 7: actually got you know, appeal the next day to do

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Speaker 7: the right thing. And then a week later it came

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Speaker 7: out of me.

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Speaker 3: Oh no, it's on, did you?

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Speaker 1: Yeah?

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Speaker 3: Okay, because I have Yeah, sh it's about to get

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Speaker 3: real beauty of.

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Speaker 1: You know, I've changed my mind. Let's not do it.

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Speaker 1: I just I've just seen you in anguish for the

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Speaker 1: last three minutes as you're pondering these two questions that

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Speaker 1: I've put to you. Yeah, or remind everyone it's something

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Speaker 1: that hurt me, but I didn't tell anyone.

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Speaker 4: Yeah.

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Speaker 1: The other option is a mistake I'll never make again. Yeah,

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Speaker 1: it looks like you've been getting tortured by something under

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Speaker 1: the desk.

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Speaker 3: Good questions. They're both really good questions. And this whole

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Speaker 3: bit is about being vulnerable. So like, it's funny when

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Speaker 3: you ask yourself a question like this, the surface answers

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Speaker 3: iven't listened to Hugh Van Coleenberg on The Imperfect. He

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Speaker 3: is just the archetype in terms of accessing vulnerability. And

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Speaker 3: it's really I always like listening to his brain tickover

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Speaker 3: because you can hear him kind of like dismissing the

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Speaker 3: first few things, which are your ego telling you this

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Speaker 3: is a cool thing to say, which is going to

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Speaker 3: make me sound vulnerable. But then like it's always the

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Speaker 3: one where you get rid of the surface level that

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Speaker 3: you go, oh, that feels really uncomfortable, that you know

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Speaker 3: that you're actually being vulnerable, and.

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Speaker 1: Your ego is saying, don't say that one.

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Speaker 3: So that's the anglish I've been in. So the question,

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Speaker 3: the question I chose was something that hurt me but

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Speaker 3: I never admitted or a bloody, bloody ell.

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Speaker 1: A big one.

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Speaker 4: It is.

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Speaker 3: It's really hard, but I think it's a good thing

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Speaker 3: to talk about because you and I spoken about it,

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Speaker 3: So it's fine.

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Speaker 1: What I'm involved. Mate, I'm sorry, you're not me vulnerability,

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Speaker 1: but you're you're in there with me, okay.

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Speaker 3: So what I found really hard at the time was,

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Speaker 3: and again we've spoken about this, was when you wanted

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Speaker 3: to go into the jungle and I'm a Slam. And

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Speaker 3: it was a really awful time in that I had

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Speaker 3: these two parts of me because our careers have always

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Speaker 3: been just like meshed together, of course, and that thing

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Speaker 3: came up and I was like, you know, I had

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Speaker 3: this one part of me, which obviously just really proud

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Speaker 3: and really happy for you, and that's all you want

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Speaker 3: to do is you just want to get around that thing.

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Speaker 3: But if you're really honest with yourself, there's this other

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Speaker 3: thing that comes up where you're like, oh that hurts.

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Speaker 3: It hurts me because you're doing something without me, and yeah,

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Speaker 3: I just found that really tricky for a really long time.

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Speaker 1: Yeah, and we couldn't talk to each other. Yeah, dimension

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Speaker 1: to this whole thing where it was like because we've

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Speaker 1: had good conversations about it beforehand. Yeah, But then there's

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Speaker 1: also it's just the actuality of it actually happening. Yeah,

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Speaker 1: And it's a really weird thing I reckon well, I

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Speaker 1: know for both of them. For me especially it was like, yeah,

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Speaker 1: I find this very weird that I'm not I'm not

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Speaker 1: able to talk to you now. Yeah, it started, And

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Speaker 1: there's also like for me being in there, there's no

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Speaker 1: concept of it actually being a TV show, like you

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Speaker 1: know you're on TV show, but yeah, it's hard to

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Speaker 1: get your head around that people are watching this. Yeah,

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Speaker 1: and then you can't contact anyone. I couldn't talk to

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Speaker 1: you how you were going with it or you.

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Speaker 3: Know, yeah, exactly, and and I knew that, and it

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Speaker 3: was just yeah, it was really tricky like it was,

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Speaker 3: and it was it was again, there was so much

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Speaker 3: fanfare around it, and you still have so many people

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Speaker 3: that come up to you and say that they love

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Speaker 3: watching you and they got some match out of it,

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Speaker 3: and as your friend, like I'm so happy for you.

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Speaker 3: But you know, before I was talking about my ego,

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Speaker 3: you can feel my ego in those moments or even

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Speaker 3: like you know, the stuff you're doing, the project and

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Speaker 3: stuff like that can film my ego going like ah,

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Speaker 3: like you know, he's leaving you, and it's just hard.

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Speaker 3: It's just that it's sometimes that does hurt. But again,

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Speaker 3: I know that we have spoken about that, but I

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Speaker 3: think it's just a good thing to air, like I

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Speaker 3: need to be going to be vulnerable about it. It

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Speaker 3: can get really tricky sometimes. Yeah, yeah, I.

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Speaker 1: Think I think both of us will always have that.

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Speaker 1: I think if you've ever been in a duo by

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Speaker 1: the way I think that's a this is we are

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Speaker 1: talking about right now is probably something that duos don't

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Speaker 1: talk about, but it's a thing. It is absolutely a thing. Yeah,

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Speaker 1: and you know, it's something that we will continue to

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Speaker 1: talk about and work with because it and I know

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Speaker 1: whenever we talk about this. The weirdest thing about this

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Speaker 1: is that I feel like I'm in a relationship with you,

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Speaker 1: like a romantic relationship with you, because that's it is

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Speaker 1: exactly what it's like though, And I feel like a

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Speaker 1: lot of the time when you look at your romantic partner,

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Speaker 1: I think that's the best way people can relate to

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Speaker 1: this is like you want the best from your partner.

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Speaker 1: You want your partner to excel in whatever they're doing.

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Speaker 1: But then also it's like, oh but if you if

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Speaker 1: you go and do that, where's that left me? Yeah?

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Speaker 3: And the funny thing for me about this all is

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Speaker 3: like I can say, like, and we've discussed this, like

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Speaker 3: that that wasn't for me, like totally the jungle thing.

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Speaker 3: That was not for me, that was not where I

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Speaker 3: was at. That's not what I wanted to do, even

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Speaker 3: if I had been asked to go and do it.

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Speaker 3: So I know that and like even, but I would

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Speaker 3: go back to that and be like, but that's not

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Speaker 3: what you want to do, Will, And I'd still feel

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Speaker 3: this really ugly thing that is jealousy effectively, that is

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Speaker 3: so self inflictive unless you kind of nurture it and

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Speaker 3: dig it up. And then yeah, you and I had

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Speaker 3: to have some really, yeah, really full on conversations in

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Speaker 3: around that time about where we were going and what

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Speaker 3: we were doing, and our contrent negotiations were coming up.

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Speaker 3: And it was really funny because I was on a

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Speaker 3: couple of podcasts at that time and I was doing

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Speaker 3: some writing, and it was hilarious because it turned out

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Speaker 3: that we were both scared of the other one abandoning them.

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Speaker 3: A couple of weeks to get to the bottom of that, hopefully. Yeah,

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Speaker 3: But anyway, the question was something that hurt me, but

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Speaker 3: I could never admit it. I had to act, obviously,

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Speaker 3: act very cool and very happy for you, which I was,

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Speaker 3: but it was hard for me to share that it

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Speaker 3: was actually quite hurtful.

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Speaker 1: Amazing honesty. Again, we have had this conversation before, We've

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Speaker 1: talked about it before, but very honest. To view the

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Speaker 1: sad on radio too much. But that is the last time,

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Speaker 1: we'll do Vulnerability beds days. It was good. Justin Timberlake

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Speaker 1: is a very naughty boy. You listen to that again,

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Speaker 1: don't you?

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Speaker 3: And you go let me see who you go?

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Speaker 1: Hit me go?

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Speaker 3: Whatever? His the go hit me gone, don't get me going?

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Speaker 1: Yeah, I don't even know. You know what he says,

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Speaker 1: go ahead be gone with it?

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Speaker 3: I think it is go ahead be gone? What does

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Speaker 3: that mean? What does that mean?

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Speaker 8: Wy?

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Speaker 3: You can feel in the blanks there. He also sings

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Speaker 3: that song.

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Speaker 1: Yeah.

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Speaker 3: Now I'm not sure I've got this yet, but they

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Speaker 3: got me saying it.

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Speaker 1: Tirer using technology. Why don't you sit down on top

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Speaker 1: of me? You see, if you start you stay that's

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Speaker 1: your line.

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Speaker 3: They're not your words, not my words, they're they're not

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Speaker 3: my words anyway, Justin's words and the reason today I

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Speaker 3: especially think it's a.

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Speaker 1: Very naughty boy.

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Speaker 3: And you got away with a lot, didn't he. There

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Speaker 3: have been a lot of acculations in song though recently

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Speaker 3: j T absolutely.

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Speaker 1: You who cares? Not going to promote it. I'm not

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Speaker 1: going to promote it because he's a bad man.

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Speaker 3: He's been accused of we're playing it.

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Speaker 1: We've been in that a Yeah, we love that song

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Speaker 1: We bloody love it. It's a great tune I think

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Speaker 1: was in the New Trolls movie, which I also love. Anyway,

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Speaker 1: he's been accused of cheating a fair bit. Justiners has

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Speaker 1: accused him of cheating, and he was accused of cheating

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Speaker 1: on his now wife Jessica Bale in twenty ten, which

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Speaker 1: he did deny that. But he's still with Bill, He's

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Speaker 1: still got two kids together. But now today a Playboy

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Speaker 1: model has come out and said that when he was

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Speaker 1: dating Cameron Diaz, he dated Cameron Diaz. While dating Cameron Diaz,

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Speaker 1: he popped into the Playboy mansion. I mean, there's your

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Speaker 1: first red flag. Why going to the Playboy mansion.

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Speaker 3: Justin getting a pund of sugar?

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Speaker 1: Well, no, he wasn't getting a pund of sugar. He

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Speaker 1: was getting the pound of Zoey Gregory the play and

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Speaker 1: it's right off. So apparently she approached him.

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Speaker 3: Can the Queen his like rewind there? So, like, did

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Speaker 3: Cameron Diaz know that he was going into the Playboy

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Speaker 3: mansion because I don't know what's he running with? The

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Speaker 3: on going to go and see Hugh. Yeah, not going in,

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Speaker 3: just gonna wait out the front leave of the car

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Speaker 3: running real pong there. See if he wants to go

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Speaker 3: and play some pickle ball or something like what exactly?

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Speaker 3: You know, where there's smoke, there's fire, Cameron absolutely.

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Speaker 1: Anyway, this Zoey Gregor, who's a Playboy model, approaches him

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Speaker 1: and he says, no, no, no, no, I don't want to

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Speaker 1: do anything. I'm currently with Cameron Diaz of Charlie's Angels

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Speaker 1: Fame to get some sugar, just here to get some sugar.

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Speaker 1: And then eventually she she kept going, keep going and goes, oh,

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Speaker 1: you know what, I'll have a spar with you. I'll have.

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Speaker 3: What's running? Is it? Now you've run it. It's a

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Speaker 3: waste of a bath water restrictions are coming in Hollywood

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Speaker 3: pretty soon, so we better use it.

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Speaker 1: Zoe's words, go to the spa.

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Speaker 3: Obviously, like you know, bathers and everything, though, you know.

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Speaker 1: No, Zoe said, both got her kids off, and then

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Speaker 1: she said we ended up falling around. So but here's

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Speaker 1: my fix. I think we knew this was heading down

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Speaker 1: trouble areas as soon as they had a spar together.

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Speaker 3: There just thought it was trouble and rocked up with

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Speaker 3: Playboy mansion.

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Speaker 1: Okay, no, you're right, as soon as he was at

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Speaker 1: Playboy mansion. You're right, the red flags were that, and

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Speaker 1: I just there are some activities that are always more

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Speaker 1: than friendly yeap, and thirteen one oh six y five

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Speaker 1: is I'd love to hear what you guys think, Like,

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Speaker 1: what are the activities in your mind that are always

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Speaker 1: always more than friendly? A few that come from to

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Speaker 1: mind for me. Sauna?

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Speaker 3: Oh yeah, you can't have a platonic sauna? What about

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Speaker 3: a steam? What about a steam?

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Speaker 1: I think both think if Mim came home and like

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Speaker 1: tonight and was just like, oh, hey, by the way,

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Speaker 1: I had a sauna with Jason.

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Speaker 3: I don't know, a steam with Ryan Shelton the other night.

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Speaker 1: Yeah, well, me and Chelsea totally fine. We're buds.

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Speaker 3: You know. You came and tell me how to steam

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Speaker 3: with Shelton and I was asking questions. That's for sure.

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Speaker 1: That's fair cool. Actually, no, I take that back. You

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Speaker 1: can sauna with mates. What about the application of sunscreen?

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Speaker 3: Oh that's really tough though, because like, if you're pasty

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Speaker 3: like me and you're at the beach with a friend,

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Speaker 3: get off the beach mate, female or other. You've got

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Speaker 3: to let them put the cream in your back.

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Speaker 1: I think you're going to get off the beach.

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Speaker 3: Have you never creamed on him back before? Like some

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Speaker 3: somebody else's.

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Speaker 1: What activities? What activity in your mind is always more

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Speaker 1: than friendly?

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Speaker 3: And so.

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Speaker 1: Well it will it come all the way back around?

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Speaker 1: That's the question. He's singing about karma there and then

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Speaker 1: he's off gallivanting with a whole bunch of other women. Yeah. Anyway,

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Speaker 1: so we are asking thirty one O six five what

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Speaker 1: activities are more than friendly? And I just think.

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Speaker 3: Because because you're drawing the line obviously, a sauna with someone,

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Speaker 3: a tub with someone, any activity involving hot water and swimsuits,

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Speaker 3: you'd probably have to say there's a line. Massaging obviously

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Speaker 3: falls into that. You've called out sunscreen. I'm going to

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Speaker 3: I'm going to drop the bar right down here, like

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Speaker 3: you know, what if what if your partner? What if

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Speaker 3: you're beloved? Says I'm just going around to a friend

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Speaker 3: of mine, to a friend of mine of the gender

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Speaker 3: that they're attracted to, and said, we're going I'm gonna

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Speaker 3: go and bake some cupcakes with them.

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Speaker 1: Totally fine, what's what's baking?

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Speaker 3: It feels like could get a bit friendly, like it's intimate.

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Speaker 3: You know you're gonna be who's gonna be, who's gonna be,

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Speaker 3: who's gonna lick the ball? You know, like it just

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Speaker 3: gets a bit it it feels like a very I mean,

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Speaker 3: he's another one. Because again, these are just I don't

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Speaker 3: know the answer here. I'm just throwing these out there.

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Speaker 3: What about I'm going around to watch a movie.

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Speaker 1: At her place, his place, a movie or night movie.

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Speaker 3: Night movie, just one on one on the couch watching

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Speaker 3: a movie.

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Speaker 1: Yeah, don't one on one?

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Speaker 3: Weird? Well, it's it's interesting, isn't it?

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Speaker 5: Like a fine?

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Speaker 3: If it was a big group, I'm going around to

401
00:18:45,760 --> 00:18:48,440
Speaker 3: play lego. That's a bit strange, but strange.

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Speaker 1: Got Sarah here, Sarah, what activities off limits for you?

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Speaker 1: They can never be.

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Speaker 5: Friendly, They can't go together.

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Speaker 7: You can't go together with eight friends to have a

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Speaker 7: yea one.

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00:18:58,280 --> 00:19:01,640
Speaker 1: Percent, that's it's not. But even if you're in separate rooms,

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00:19:01,800 --> 00:19:03,959
Speaker 1: So if you if you so, if I went to

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Speaker 1: like with a friend, a female friend, and we were like,

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Speaker 1: we're both going to get massages from separate messuss, I.

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Speaker 7: Guess if you went to a step if you work together,

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Speaker 7: but as long as you're not stooping down before you.

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Speaker 6: Go, yeah, good.

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Speaker 1: And obviously you can't be the one massage as well.

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00:19:21,520 --> 00:19:24,200
Speaker 1: I can't be massage without saying let's go to tal Lan.

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00:19:24,920 --> 00:19:30,399
Speaker 1: Tell Talan sorry talent. Yeah, just sad how it is, Talan?

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Speaker 1: What's the activity they can't remain friendly for you?

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Speaker 7: Sharing food or feeding someone?

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Speaker 6: Oh great, my boyfriend feeding some other girls food off

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Speaker 6: another fork?

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Speaker 3: Why Why is feeding? Why is putting something in someone

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Speaker 3: else's mouth? So I don't know answer that question. Danny's cool.

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00:19:51,280 --> 00:19:53,000
Speaker 3: That was a rhetorical one. That one, that's one of

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Speaker 3: those ones that you answer halfway through.

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Speaker 1: Figure it out, yeah, Danny, Danny, what activities can't remain friendly?

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Speaker 7: Sitting on someone's lap?

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Speaker 1: I'm totally fair, that's garbage on someone.

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Speaker 3: Some of my best friends are women. Like if they

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Speaker 3: came and sat on my lap to come and talk

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Speaker 3: to me, I'm not like, okay, groping them or staring

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00:20:14,560 --> 00:20:16,359
Speaker 3: lovingly into their eyes, but if they just want a

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Speaker 3: seat and have a chat.

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Speaker 1: So I want to focus on the start of at

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Speaker 1: some of my best friends. There are some women where

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Speaker 1: it's like, yeah, you've been friends with this person a year,

436
00:20:24,640 --> 00:20:26,480
Speaker 1: But if a woman you've just met is sitting on

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Speaker 1: your lap. Oh, come on, didn't come down the last hour?

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00:20:31,760 --> 00:20:34,800
Speaker 3: Why if it's If it's, what's the difference. If it's

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Speaker 3: someone i've just met.

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Speaker 1: I just think of someone shouldn't find a seat? What

441
00:20:37,760 --> 00:20:39,760
Speaker 1: does she give her your seat?

442
00:20:40,400 --> 00:20:46,920
Speaker 3: You're pig, I've got another one for you? Sharing a tent?

443
00:20:48,440 --> 00:20:50,880
Speaker 1: What's the situation? Why are you sharing a tent? Did

444
00:20:50,960 --> 00:20:52,119
Speaker 1: you plan to share a tent?

445
00:20:54,280 --> 00:20:54,520
Speaker 3: Sure?

446
00:20:55,280 --> 00:20:56,680
Speaker 1: I think because if you plan to share a t

447
00:20:56,720 --> 00:20:58,359
Speaker 1: and I'm like, why didn't you just pack two tents?

448
00:20:58,680 --> 00:21:00,480
Speaker 1: But if one by a bear?

449
00:21:00,560 --> 00:21:02,120
Speaker 3: Because you got to take let's say you're going hiking

450
00:21:02,200 --> 00:21:07,200
Speaker 3: or something. You're not taking two tents hiking one friend if.

451
00:21:07,080 --> 00:21:09,520
Speaker 1: You've got one on one with just another a sex

452
00:21:09,560 --> 00:21:11,840
Speaker 1: that you're attracted to, Yep, I don't know.

453
00:21:13,160 --> 00:21:15,760
Speaker 3: You just mate like with your best friend is a

454
00:21:15,880 --> 00:21:17,840
Speaker 3: girl you grew up with her, right, Okay?

455
00:21:17,880 --> 00:21:18,520
Speaker 1: That changes things?

456
00:21:19,320 --> 00:21:22,120
Speaker 3: Since you're you know, fifteen, that day, that changes. They're

457
00:21:22,119 --> 00:21:23,600
Speaker 3: going for a hike together, we're sharing a tent.

458
00:21:23,760 --> 00:21:24,600
Speaker 1: I think that changes it.

459
00:21:24,760 --> 00:21:26,600
Speaker 3: Still a couple of flags, though, wasn't there There's got

460
00:21:26,640 --> 00:21:27,120
Speaker 3: to be a flag.

461
00:21:27,160 --> 00:21:28,480
Speaker 1: There's got to be a question if you're doing it

462
00:21:28,520 --> 00:21:30,440
Speaker 1: every weekend and it's like, oh, you're going camping every

463
00:21:30,480 --> 00:21:31,320
Speaker 1: weekend with this girl.

464
00:21:31,440 --> 00:21:33,960
Speaker 3: Yeah, well they'll be odd. Oh that would be odd

465
00:21:34,600 --> 00:21:37,119
Speaker 3: every weekend. Then you're feeding a sushi giving her a

466
00:21:37,160 --> 00:21:37,640
Speaker 3: foot rub.

467
00:21:37,920 --> 00:21:42,679
Speaker 1: Katerina, what activities cannot be done or can't remain friendly

468
00:21:42,800 --> 00:21:48,959
Speaker 1: for you? Katerina, You're totally fair enough, right, who are skinny?

469
00:21:56,480 --> 00:21:57,919
Speaker 3: We have given away.

470
00:22:00,320 --> 00:22:01,200
Speaker 6: After row.

471
00:22:06,280 --> 00:22:16,640
Speaker 3: Row free tailor tickets, and there's more, that's right, whole

472
00:22:16,720 --> 00:22:18,200
Speaker 3: rows of Taylor tickets to give away.

473
00:22:18,359 --> 00:22:18,479
Speaker 4: Now.

474
00:22:18,600 --> 00:22:21,880
Speaker 3: Look, as we've been saying for a very very long time,

475
00:22:22,000 --> 00:22:24,560
Speaker 3: you don't call us, we call you. And hopefully it's

476
00:22:24,600 --> 00:22:27,000
Speaker 3: the last time I have to say that. I mean, like,

477
00:22:27,080 --> 00:22:28,480
Speaker 3: hopefully it's the last time I have to tell you

478
00:22:28,640 --> 00:22:30,320
Speaker 3: guys that, because it's the last row that we have

479
00:22:30,400 --> 00:22:30,920
Speaker 3: to give away.

480
00:22:31,160 --> 00:22:32,200
Speaker 1: Is this the last one?

481
00:22:32,480 --> 00:22:32,680
Speaker 6: Yes?

482
00:22:33,119 --> 00:22:36,600
Speaker 3: And I mean hopefully because guys been blocking our phone

483
00:22:36,640 --> 00:22:38,800
Speaker 3: lines with these tailor tickets. Yeah, like you know, and

484
00:22:39,040 --> 00:22:40,440
Speaker 3: I love you guys, and I want to give you

485
00:22:40,480 --> 00:22:41,359
Speaker 3: the tickets.

486
00:22:41,000 --> 00:22:43,960
Speaker 1: But like, just we'll call you. I reckon, they'll stay

487
00:22:44,000 --> 00:22:45,680
Speaker 1: with us, you know, even when we you know, even

488
00:22:45,680 --> 00:22:47,760
Speaker 1: when we're saying we don't have Taylor Swift tickets anymore,

489
00:22:47,760 --> 00:22:49,160
Speaker 1: I mean, stick around we'll.

490
00:22:49,040 --> 00:22:50,160
Speaker 3: Have other tickets to give away.

491
00:22:52,840 --> 00:22:53,119
Speaker 4: We'll have.

492
00:22:55,720 --> 00:22:57,000
Speaker 3: Tina Arena's during soon.

493
00:22:57,240 --> 00:23:03,199
Speaker 1: Yes, yes to your friends, your mate. Yeah, let's talk

494
00:23:03,240 --> 00:23:04,000
Speaker 1: about Taylor Swift.

495
00:23:04,400 --> 00:23:04,600
Speaker 4: We do.

496
00:23:04,680 --> 00:23:06,080
Speaker 3: We've got Jonas Brothers tickets.

497
00:23:06,160 --> 00:23:10,880
Speaker 9: We're the home of tickets, the Temple of Tickets, Will

498
00:23:10,920 --> 00:23:13,920
Speaker 9: and Woody ticket to anyway, let's talk more with Taylor

499
00:23:13,920 --> 00:23:15,800
Speaker 9: Swift though, because we do have that whole role of

500
00:23:15,840 --> 00:23:16,720
Speaker 9: Taylor Swift tickets.

501
00:23:16,760 --> 00:23:19,640
Speaker 1: We've got the number of a woman called Abby who

502
00:23:19,760 --> 00:23:23,440
Speaker 1: is a die hard of Taylor Swift.

503
00:23:23,720 --> 00:23:25,639
Speaker 3: Yeah, she's come to the Temple of Tickets and.

504
00:23:26,000 --> 00:23:28,520
Speaker 1: Yes, welcome, Welcome to the Temple. Leave your shoes well

505
00:23:28,920 --> 00:23:37,840
Speaker 1: to the abbey runs a a a name, you'll call

506
00:23:37,880 --> 00:23:38,200
Speaker 1: her Tom.

507
00:23:38,280 --> 00:23:39,000
Speaker 3: Let us set this up.

508
00:23:39,240 --> 00:23:42,840
Speaker 1: Abbie runs a Naile male artistry company. So we're going

509
00:23:42,920 --> 00:23:44,240
Speaker 1: to call her and book her in for beauty.

510
00:23:44,440 --> 00:23:46,760
Speaker 3: She runs a beauty parlor. Yeah, yeah, yeah, So I'm

511
00:23:46,760 --> 00:23:49,439
Speaker 3: going to call her as a dad parlor. I want

512
00:23:49,440 --> 00:23:50,879
Speaker 3: to call her. I'm going to call her as a

513
00:23:50,960 --> 00:23:52,600
Speaker 3: dad and say that we'd like to book out the

514
00:23:52,640 --> 00:23:54,639
Speaker 3: parlor for what are the tickets for? What are the

515
00:23:54,640 --> 00:23:57,280
Speaker 3: tickets on Sunday night. We've got the path of this

516
00:23:57,280 --> 00:24:00,119
Speaker 3: Sunday night, twenty of my daughter and her friend that

517
00:24:00,119 --> 00:24:01,120
Speaker 3: would let their nails done.

518
00:24:01,320 --> 00:24:01,800
Speaker 4: Can you do it?

519
00:24:02,280 --> 00:24:02,800
Speaker 1: Let's just do it?

520
00:24:03,000 --> 00:24:07,439
Speaker 6: Okay, Hi, this is Abbi speaking.

521
00:24:08,720 --> 00:24:09,640
Speaker 4: Are you gonna use that? Abbi?

522
00:24:10,160 --> 00:24:10,400
Speaker 6: Hello?

523
00:24:10,840 --> 00:24:15,800
Speaker 4: Hello, hi Abbie, My name's hello, Hi, hebby. I'm just

524
00:24:15,840 --> 00:24:21,280
Speaker 4: singing because my daughter is Sarah, having a fifteenth birthday

525
00:24:21,280 --> 00:24:24,520
Speaker 4: party on Sunday. Yes, and I thought that you do nails.

526
00:24:25,560 --> 00:24:29,720
Speaker 4: I do. Yeah. So she's really excited about nails and

527
00:24:29,880 --> 00:24:33,639
Speaker 4: she's having twenty of her little girly friends over how

528
00:24:33,760 --> 00:24:40,000
Speaker 4: many twenty? Okay, anyway, we were just wondering if you

529
00:24:40,000 --> 00:24:43,280
Speaker 4: could bring out the nail parlor on Sunday night for

530
00:24:43,520 --> 00:24:50,800
Speaker 4: the twenty girls, like altogether. We can stagger them.

531
00:24:50,680 --> 00:24:54,159
Speaker 2: If you like, because I only have one destin and

532
00:24:54,240 --> 00:24:54,879
Speaker 2: it's only me.

533
00:24:55,960 --> 00:24:59,920
Speaker 4: Oh wow, okay, look, we could do everyone. I think

534
00:25:00,000 --> 00:25:01,800
Speaker 4: you can probably just chop and change with them, like

535
00:25:01,920 --> 00:25:03,680
Speaker 4: seven till nine or something like that.

536
00:25:05,600 --> 00:25:09,240
Speaker 7: I can check my calendar. Maybe it would really take

537
00:25:09,320 --> 00:25:13,800
Speaker 7: a long time because I'm a kind of affectious and yeah.

538
00:25:13,760 --> 00:25:14,880
Speaker 5: There is only one of them.

539
00:25:15,280 --> 00:25:16,159
Speaker 4: Yeah, there's only one of you.

540
00:25:16,240 --> 00:25:17,520
Speaker 6: I don't want to disappoint her.

541
00:25:18,200 --> 00:25:18,440
Speaker 5: Yeah.

542
00:25:19,000 --> 00:25:22,520
Speaker 4: The other consideration of course, is Taylor Swift's playing on

543
00:25:22,560 --> 00:25:24,320
Speaker 4: Sunday night. So I'm just wasn't sure whether you were

544
00:25:24,600 --> 00:25:27,440
Speaker 4: was the every you know, twenty year old girls going

545
00:25:27,480 --> 00:25:29,000
Speaker 4: to Taylor Swift. So I just wasn't drre where you

546
00:25:29,040 --> 00:25:29,440
Speaker 4: were going to that.

547
00:25:29,920 --> 00:25:34,680
Speaker 3: No, I don't know, have to just oh, okay, I wish.

548
00:25:34,760 --> 00:25:40,320
Speaker 4: So of course I've heard there's like a temple ticket,

549
00:25:41,000 --> 00:25:41,919
Speaker 4: a ticket temple or.

550
00:25:41,960 --> 00:25:43,679
Speaker 5: Something, a ticket temple.

551
00:25:44,600 --> 00:25:49,359
Speaker 4: Yeah, on radio there's a ticket temple called Willin. Would you, oh.

552
00:25:51,600 --> 00:25:54,640
Speaker 5: Gosh, this is actually happening right now.

553
00:25:55,560 --> 00:25:57,639
Speaker 1: Yes, it is. Actually, it's happened.

554
00:26:00,280 --> 00:26:04,119
Speaker 7: Such weird poacet it.

555
00:26:04,200 --> 00:26:06,359
Speaker 9: Got it got creepier and creepy, and I feel like,

556
00:26:06,680 --> 00:26:08,200
Speaker 9: because the voice was creepy.

557
00:26:08,040 --> 00:26:10,280
Speaker 1: You probably could have done that job, but you were like,

558
00:26:10,560 --> 00:26:11,920
Speaker 1: I am not working with that guy.

559
00:26:12,840 --> 00:26:13,200
Speaker 2: No way.

560
00:26:14,240 --> 00:26:14,520
Speaker 3: Children.

561
00:26:16,160 --> 00:26:21,520
Speaker 1: Yeah, it was saying that way anyway, rest assured because

562
00:26:21,680 --> 00:26:23,800
Speaker 1: you're too busy to do the job for that creepy dad,

563
00:26:23,840 --> 00:26:26,720
Speaker 1: because you are going to see Taylor Swift this Sunday night.

564
00:26:26,800 --> 00:26:31,480
Speaker 4: Abby, Oh my god, I don't even know if this

565
00:26:31,680 --> 00:26:32,320
Speaker 4: is real or not.

566
00:26:33,760 --> 00:26:36,120
Speaker 6: You've got a I don't know if this is real.

567
00:26:37,040 --> 00:26:38,280
Speaker 1: I'm not sure what else we can say.

568
00:26:41,560 --> 00:26:45,120
Speaker 6: Oh my gosh, I'm not how much did you try

569
00:26:45,160 --> 00:26:49,800
Speaker 6: to get Literally last week my screen time was at

570
00:26:49,920 --> 00:26:55,639
Speaker 6: eighty nine hours. It's so bad.

571
00:26:57,040 --> 00:27:02,080
Speaker 3: Wow, wow, got a whole Taylors. Thank you. Sorry this

572
00:27:02,240 --> 00:27:05,080
Speaker 3: today and next time, just save yourself some screen time

573
00:27:05,119 --> 00:27:08,600
Speaker 3: that comes straight to the ticket Temple. Yeah, the boys

574
00:27:08,600 --> 00:27:09,199
Speaker 3: are out, no.

575
00:27:09,320 --> 00:27:11,480
Speaker 1: Way say thank you, Temple of Tickets.

576
00:27:11,880 --> 00:27:12,240
Speaker 4: Thank you.

577
00:27:14,520 --> 00:27:16,600
Speaker 1: That's catching on. That, that's catching on.

578
00:27:20,680 --> 00:27:21,920
Speaker 3: I would love to know I on thirteen one o

579
00:27:22,080 --> 00:27:25,600
Speaker 3: six ' five if you've ever met your hero, because.

580
00:27:29,280 --> 00:27:29,800
Speaker 7: This check.

581
00:27:31,280 --> 00:27:34,520
Speaker 3: I have been avidly listening to Tina Arena since I

582
00:27:34,600 --> 00:27:37,840
Speaker 3: was thirteen years old, but it really I don't know

583
00:27:37,920 --> 00:27:39,679
Speaker 3: what happened. At the end of last year. I started

584
00:27:39,680 --> 00:27:42,040
Speaker 3: listening to a nineteen ninety four record, Don't Ask, and

585
00:27:43,400 --> 00:27:45,520
Speaker 3: I thought was the best pop record I've ever heard.

586
00:27:45,760 --> 00:27:47,639
Speaker 3: And so you know, I did what I normally do

587
00:27:47,720 --> 00:27:49,480
Speaker 3: when I get bullish about an idea. I come into

588
00:27:49,520 --> 00:27:54,680
Speaker 3: this radio studio and a commander the space and you

589
00:27:54,720 --> 00:27:57,320
Speaker 3: and I started doing it. Behind the scenes podcast last year.

590
00:27:57,200 --> 00:28:00,919
Speaker 1: Would pretty much to pursue Tina are The sole reason

591
00:28:01,240 --> 00:28:04,480
Speaker 1: we started a podcast behind the scenes was so you

592
00:28:04,600 --> 00:28:08,520
Speaker 1: could have time to talk about plans to somehow become

593
00:28:08,600 --> 00:28:09,240
Speaker 1: friends with Tina.

594
00:28:09,400 --> 00:28:09,879
Speaker 3: Well, that's right.

595
00:28:09,920 --> 00:28:13,600
Speaker 1: The goal wasn't to just interview her because that's probably easy,

596
00:28:13,640 --> 00:28:15,320
Speaker 1: like we can get her on the radio show. You

597
00:28:15,440 --> 00:28:18,760
Speaker 1: actually want to sort of transverse the business relationship, and

598
00:28:18,840 --> 00:28:19,280
Speaker 1: you want to.

599
00:28:19,520 --> 00:28:20,959
Speaker 3: I think what a good friend to like, I think

600
00:28:21,000 --> 00:28:21,680
Speaker 3: would be good friends.

601
00:28:21,720 --> 00:28:23,280
Speaker 1: You were throwing around that you'd love to have a

602
00:28:23,320 --> 00:28:24,160
Speaker 1: shardon Nay with her.

603
00:28:24,280 --> 00:28:26,520
Speaker 3: Chardonw on a Thursday night, not a Friday night. Don't

604
00:28:26,520 --> 00:28:28,320
Speaker 3: want to be too old because because Chardonnay on a

605
00:28:28,359 --> 00:28:31,800
Speaker 3: Thursday screams mates shard and Friday could be casual drinks.

606
00:28:31,960 --> 00:28:34,679
Speaker 3: There are other people involved. Chardon on a Thursday's like, Oh,

607
00:28:34,680 --> 00:28:35,960
Speaker 3: I'm just having a drink with a good friend.

608
00:28:36,000 --> 00:28:37,480
Speaker 1: Yeah, one on one, we're just having a chat.

609
00:28:37,520 --> 00:28:39,280
Speaker 3: We're talking life, We're talking you.

610
00:28:39,320 --> 00:28:42,840
Speaker 1: Know, music, music, you're intopirations.

611
00:28:43,880 --> 00:28:49,120
Speaker 3: Yeah, we're talking weather, having having casual conversations weather. Anyway.

612
00:28:50,280 --> 00:28:51,680
Speaker 3: I think we need a shout out to Rob Mills

613
00:28:51,720 --> 00:28:53,880
Speaker 3: because he gave me a number of ages ago and

614
00:28:54,000 --> 00:28:56,440
Speaker 3: he promised me that I would never just use it,

615
00:28:57,000 --> 00:28:58,880
Speaker 3: nor would I say that he gave it to me.

616
00:28:59,560 --> 00:29:02,000
Speaker 3: But I'm just gonna put on record now, Millsey, I'm sorry,

617
00:29:02,720 --> 00:29:04,720
Speaker 3: we'll get past that. I know we're good friends.

618
00:29:04,800 --> 00:29:06,120
Speaker 1: I think you'll hear this in the audio, but you

619
00:29:06,200 --> 00:29:08,080
Speaker 1: throw home out of the bus shut up so quickly.

620
00:29:08,320 --> 00:29:10,000
Speaker 3: So this has been a journey. This has been three months.

621
00:29:10,040 --> 00:29:10,200
Speaker 2: Again.

622
00:29:10,240 --> 00:29:11,640
Speaker 3: You can listen to this on our behind the scenes

623
00:29:11,680 --> 00:29:14,360
Speaker 3: podcast Willing when you really get your podcasts, and these

624
00:29:14,360 --> 00:29:16,440
Speaker 3: are sort of like twenty minute episodes, these podcasts of

625
00:29:16,520 --> 00:29:19,840
Speaker 3: us just trying to get there. It's involved your partner's mum,

626
00:29:20,080 --> 00:29:24,959
Speaker 3: ye Michelle, the psychedelic Porn Crumpets, who are a psychedelic

627
00:29:25,080 --> 00:29:28,880
Speaker 3: rock band, Darren Hayson, Savage Garden and the Sunshine Disco,

628
00:29:28,960 --> 00:29:31,840
Speaker 3: Faith Quiet and Anthony Albanezi. All these people have been

629
00:29:31,880 --> 00:29:34,400
Speaker 3: involved in one way or another over the last three

630
00:29:34,400 --> 00:29:36,360
Speaker 3: months of us trying to get ten Arena. To be fair,

631
00:29:36,600 --> 00:29:38,160
Speaker 3: none of them have actually gone anywhere.

632
00:29:39,000 --> 00:29:40,560
Speaker 1: A lot of dead ends, but you've got to meet

633
00:29:40,600 --> 00:29:42,680
Speaker 1: your dead ends to finally get the right road.

634
00:29:44,000 --> 00:29:51,320
Speaker 3: Yep, it's not the question. But last night I think

635
00:29:51,360 --> 00:29:53,520
Speaker 3: we just got to a point where, Look, we tried

636
00:29:53,560 --> 00:29:56,120
Speaker 3: to contact the Porn Crumpets or the Prawn Cupboards. We're

637
00:29:56,120 --> 00:29:57,000
Speaker 3: not sure which one they are.

638
00:29:56,960 --> 00:29:58,640
Speaker 1: But they do a tour in the UK.

639
00:29:59,480 --> 00:30:01,320
Speaker 3: Last we yeah, yeah, because I was going to do

640
00:30:01,360 --> 00:30:03,640
Speaker 3: a performance with the porn Crumpets of one of Tina's

641
00:30:03,680 --> 00:30:06,400
Speaker 3: songs in and around where Tina lives and then just

642
00:30:06,440 --> 00:30:08,440
Speaker 3: hope that she rocked up to sing the chorus. That

643
00:30:08,600 --> 00:30:08,920
Speaker 3: was the plan.

644
00:30:09,000 --> 00:30:10,440
Speaker 1: We're going to do a pamphlet drop for a while.

645
00:30:10,440 --> 00:30:13,200
Speaker 1: We was going to leave the pamphlets all around because

646
00:30:13,200 --> 00:30:15,680
Speaker 1: we had an idea of which suburbs you might live in. Yes,

647
00:30:16,360 --> 00:30:19,080
Speaker 1: one of you guys get onto that info lua her

648
00:30:19,160 --> 00:30:19,760
Speaker 1: out effectively.

649
00:30:19,800 --> 00:30:21,880
Speaker 3: Well, again, the word lure has gone up a few

650
00:30:21,920 --> 00:30:24,480
Speaker 3: times center and I think that's the wrong language because

651
00:30:24,760 --> 00:30:27,520
Speaker 3: you know, it starts getting a bit Yeah, I get that.

652
00:30:28,880 --> 00:30:35,360
Speaker 3: I get that. So last night and again for people

653
00:30:35,400 --> 00:30:36,800
Speaker 3: that have heard this on the podcast, you can hear

654
00:30:36,840 --> 00:30:38,280
Speaker 3: the full thing. But I just cold called her.

655
00:30:38,600 --> 00:30:39,600
Speaker 1: You just did the adult thing.

656
00:30:39,760 --> 00:30:39,960
Speaker 7: Really.

657
00:30:40,080 --> 00:30:42,200
Speaker 1: Yeah. It's amazing because three months ago, when we brought

658
00:30:42,280 --> 00:30:43,760
Speaker 1: up the fact that you could just cold call her,

659
00:30:44,200 --> 00:30:46,960
Speaker 1: we laughed. We're like, no, why, that's outrageous.

660
00:30:47,160 --> 00:30:50,240
Speaker 3: Meeting the people that your hero in a lot of

661
00:30:50,240 --> 00:30:52,840
Speaker 3: ways is really really hard, and that says something we've

662
00:30:52,880 --> 00:30:54,920
Speaker 3: been working towards on our behind the Scenes podcast here

663
00:30:54,920 --> 00:30:57,160
Speaker 3: on Willie Woody for the last probably three months, is

664
00:30:57,240 --> 00:31:01,080
Speaker 3: how I can approach Tina Arena in a healthy fashion,

665
00:31:01,120 --> 00:31:05,920
Speaker 3: which is going to lead into a brilliant casual friendship,

666
00:31:06,120 --> 00:31:06,880
Speaker 3: which is my dream.

667
00:31:07,000 --> 00:31:10,480
Speaker 1: We went to extreme lengths of I'll pretend to steal

668
00:31:10,560 --> 00:31:13,360
Speaker 1: her handbag, you knock me out, and then you're you know,

669
00:31:13,600 --> 00:31:15,480
Speaker 1: we went everywhere.

670
00:31:15,840 --> 00:31:18,320
Speaker 3: We've been everywhere, and you know, would have lost a

671
00:31:18,480 --> 00:31:20,640
Speaker 3: lot of a lot of listeners as a result of that.

672
00:31:20,800 --> 00:31:24,520
Speaker 3: But last night, last night, it had been three months

673
00:31:24,640 --> 00:31:26,280
Speaker 3: and I just I just had this urge and I said,

674
00:31:26,280 --> 00:31:28,080
Speaker 3: you know what, I'm just going to cold call her. Yeah,

675
00:31:28,520 --> 00:31:31,760
Speaker 3: and you can hear how nervous I am. But here

676
00:31:31,960 --> 00:31:38,760
Speaker 3: is our call last night cold calling. Oh god, Tina Arena.

677
00:31:40,480 --> 00:31:44,280
Speaker 3: All right, here we go. I'm nervous, so nervous, Here

678
00:31:44,360 --> 00:31:53,000
Speaker 3: we go calling. This is awesome Tina Arena. Hello, Hello, Hello, Hello,

679
00:31:53,200 --> 00:31:57,480
Speaker 3: is that Tina? Hi Tina. My name is Will. I

680
00:31:58,400 --> 00:32:00,520
Speaker 3: I do a radio show called Will and Muddy and

681
00:32:00,920 --> 00:32:02,080
Speaker 3: Rob Mills gave me a number.

682
00:32:02,840 --> 00:32:04,640
Speaker 6: Oh okay.

683
00:32:05,760 --> 00:32:09,120
Speaker 3: I was listening to Don't Ask and Repeat for like

684
00:32:09,200 --> 00:32:11,840
Speaker 3: pretty much all of December, and I was just so

685
00:32:12,080 --> 00:32:13,800
Speaker 3: enamored with the whole thing. And then I saw that

686
00:32:13,880 --> 00:32:16,040
Speaker 3: you were touring again, and I was like, oh my god,

687
00:32:16,080 --> 00:32:18,360
Speaker 3: We've got to get Tina on the show. So I

688
00:32:18,480 --> 00:32:19,680
Speaker 3: just wanted to know if you would like to come

689
00:32:19,720 --> 00:32:21,960
Speaker 3: on and talk about your tour and your music.

690
00:32:22,320 --> 00:32:23,440
Speaker 1: What station is it?

691
00:32:23,560 --> 00:32:23,800
Speaker 5: Will?

692
00:32:24,040 --> 00:32:24,960
Speaker 8: If you don't mind me.

693
00:32:25,040 --> 00:32:28,080
Speaker 3: Asking, that's fine, I'm on kiss Wood. You and I

694
00:32:28,240 --> 00:32:30,400
Speaker 3: do her do the Drive show, so we do it nationally.

695
00:32:31,000 --> 00:32:32,000
Speaker 1: You do it nationally.

696
00:32:32,280 --> 00:32:35,560
Speaker 3: Yeah, Tina, Can I just say like that the first

697
00:32:35,600 --> 00:32:37,240
Speaker 3: time I heard the choir in the song and the

698
00:32:37,240 --> 00:32:41,760
Speaker 3: Greatest Gift, I nearly cried. That's unreal. It's an awesome record,

699
00:32:41,840 --> 00:32:43,160
Speaker 3: though I can't get over how good it is.

700
00:32:43,440 --> 00:32:45,520
Speaker 6: It's still the test of time for me.

701
00:32:46,120 --> 00:32:46,920
Speaker 4: Mate, It's unreal.

702
00:32:47,120 --> 00:32:50,960
Speaker 3: It's so good. Sorry, I'm getting sidetracked. What do you

703
00:32:51,400 --> 00:32:54,040
Speaker 3: would you be willing to come on and talk to us? Yeah?

704
00:32:54,280 --> 00:32:54,960
Speaker 6: Is it Q?

705
00:32:56,680 --> 00:32:56,880
Speaker 3: Yeah?

706
00:32:57,000 --> 00:32:59,560
Speaker 8: Maybe might be okay to come back.

707
00:32:59,480 --> 00:32:59,760
Speaker 6: All right?

708
00:33:00,720 --> 00:33:03,720
Speaker 3: Also, Tina, I've got Wood you here with me because

709
00:33:03,720 --> 00:33:05,680
Speaker 3: I've just been shitting myself about making his phone call.

710
00:33:06,520 --> 00:33:09,400
Speaker 1: Hi, Tena. I'm so good love your work.

711
00:33:09,640 --> 00:33:12,000
Speaker 3: I've been for age is it like? It's like ever

712
00:33:12,040 --> 00:33:15,000
Speaker 3: since listening to the record, I would love to get like, like,

713
00:33:15,160 --> 00:33:17,200
Speaker 3: just have a glass of wine with you outside of

714
00:33:17,280 --> 00:33:21,160
Speaker 3: the radio stuff. It's nothing and only in the platonic sense,

715
00:33:21,680 --> 00:33:22,800
Speaker 3: just because I would just like to talk to you

716
00:33:22,800 --> 00:33:26,040
Speaker 3: about music away from the kiss stuff as well, and

717
00:33:26,160 --> 00:33:27,920
Speaker 3: I was just wondering if that would be possible.

718
00:33:28,840 --> 00:33:30,680
Speaker 8: Shall we do the kiss thing first?

719
00:33:30,800 --> 00:33:35,160
Speaker 3: Great idea, Tina, great idea. Good vetting of me, very

720
00:33:35,200 --> 00:33:37,440
Speaker 3: good vetting. We don't know each other yet, I'm jumping.

721
00:33:37,560 --> 00:33:40,480
Speaker 3: I'm definitely.

722
00:33:43,080 --> 00:33:45,040
Speaker 8: I'm going to have to start doing a little bit

723
00:33:45,080 --> 00:33:47,760
Speaker 8: of primo soon. Anyway. Yes, I'm just going to put

724
00:33:47,800 --> 00:33:49,640
Speaker 8: my headphones on because I'm just in the middle of

725
00:33:49,840 --> 00:33:56,720
Speaker 8: making dinner, just cooking. I'm just making a salad with

726
00:33:56,960 --> 00:34:01,320
Speaker 8: some tomato from my dad's garden. Yeah, I'm from my

727
00:34:01,560 --> 00:34:07,520
Speaker 8: dad's garden, and and just some really lovely simple lamb

728
00:34:07,600 --> 00:34:09,160
Speaker 8: chops with a bit of paprika.

729
00:34:09,239 --> 00:34:11,200
Speaker 1: And that's it.

730
00:34:12,040 --> 00:34:12,600
Speaker 6: Very simple.

731
00:34:13,080 --> 00:34:17,200
Speaker 8: Tanians eat light dull. It's not all just about pasta.

732
00:34:18,080 --> 00:34:19,759
Speaker 8: But listen, well, if you want to do a little

733
00:34:19,760 --> 00:34:21,640
Speaker 8: bit about and then and then make it catch up

734
00:34:21,680 --> 00:34:24,160
Speaker 8: in the studio and do a proper thing, I'd really

735
00:34:24,239 --> 00:34:28,080
Speaker 8: love it. That would be so amazing to promote, to

736
00:34:28,200 --> 00:34:30,839
Speaker 8: promote my show. That would be awesome because I don't

737
00:34:30,920 --> 00:34:32,319
Speaker 8: have a record company as such.

738
00:34:32,440 --> 00:34:35,680
Speaker 3: So it's a Melbourne town hall. That's where you're playing,

739
00:34:35,760 --> 00:34:38,840
Speaker 3: isn't it Because it got moved because you had kidney stones?

740
00:34:39,520 --> 00:34:41,080
Speaker 1: Yeah, I was unwell last year.

741
00:34:42,360 --> 00:34:43,360
Speaker 7: It was really unwell.

742
00:34:43,600 --> 00:34:45,560
Speaker 8: So but I'm better now.

743
00:34:45,800 --> 00:34:49,040
Speaker 3: Okay, great, So, Tina, the reason that you came to

744
00:34:49,160 --> 00:34:51,560
Speaker 3: our attention while we were doing the while I was

745
00:34:51,600 --> 00:34:53,600
Speaker 3: listening to your record, is that you commented on a

746
00:34:53,719 --> 00:34:55,840
Speaker 3: video of ours and I don't think you realized it

747
00:34:55,920 --> 00:34:57,760
Speaker 3: was one of ours, but it was two kids, Jackson

748
00:34:57,800 --> 00:35:00,680
Speaker 3: and Delilah, and he was reading his his girlfriend a

749
00:35:00,760 --> 00:35:03,200
Speaker 3: poem that we got with his dad to write her.

750
00:35:03,560 --> 00:35:05,040
Speaker 3: I'm not sure if you remember that, but you said

751
00:35:05,040 --> 00:35:07,440
Speaker 3: it was a moment of grace and I was like, oh,

752
00:35:07,840 --> 00:35:08,879
Speaker 3: yeah you did.

753
00:35:09,480 --> 00:35:10,040
Speaker 4: When was it.

754
00:35:10,320 --> 00:35:12,160
Speaker 3: I'm starting to get weird that I know more about

755
00:35:12,160 --> 00:35:12,960
Speaker 3: you than about you.

756
00:35:13,320 --> 00:35:15,640
Speaker 1: Late last year, Tina, Yeah, late last year.

757
00:35:16,000 --> 00:35:19,520
Speaker 8: Yeah, okay, fine, Yes, yes, I may have. I think

758
00:35:19,640 --> 00:35:23,719
Speaker 8: social media doesn't doesn't always impress me. So if it's

759
00:35:23,760 --> 00:35:26,280
Speaker 8: a moment of grace, kids take it as a compliment.

760
00:35:27,520 --> 00:35:28,520
Speaker 1: We did, and we did.

761
00:35:28,719 --> 00:35:31,480
Speaker 3: We were spoken about it a lot and it's all

762
00:35:31,560 --> 00:35:32,359
Speaker 3: leared to this moment.

763
00:35:32,480 --> 00:35:33,160
Speaker 1: Yes, so let's go.

764
00:35:33,480 --> 00:35:36,080
Speaker 3: Okay, great, looking forward to it and we'll be in touch.

765
00:35:36,200 --> 00:35:38,840
Speaker 3: Enjoy the enjoy the enjoy the lamp jobs.

766
00:35:38,960 --> 00:35:41,359
Speaker 8: All right, have a good night, kids s all right by.

767
00:35:41,840 --> 00:35:44,520
Speaker 3: Again, Tina, take care all right, have a lot of

768
00:35:44,560 --> 00:35:47,359
Speaker 3: the night. O go you, Tobe bye bye.

769
00:35:48,200 --> 00:35:48,840
Speaker 4: Play music.

770
00:35:51,080 --> 00:35:56,000
Speaker 1: Yes, that couldn't have gone better. That couldn't have gone better.

771
00:35:56,120 --> 00:35:59,279
Speaker 1: She's lovely, you know I said that twenty four hours ago.

772
00:35:59,320 --> 00:36:01,279
Speaker 1: They couldn't have gone better. I think it definitely could

773
00:36:01,320 --> 00:36:04,000
Speaker 1: have gone the moment you are. Let's go get a

774
00:36:04,040 --> 00:36:08,520
Speaker 1: wine in a plutonic kind of way, I said, he

775
00:36:09,440 --> 00:36:14,680
Speaker 1: enjoy has a bit of a weird chat, has a

776
00:36:14,719 --> 00:36:16,040
Speaker 1: bit of a weird chat in hunts.

777
00:36:16,840 --> 00:36:18,279
Speaker 4: So many times. I good that.

778
00:36:18,719 --> 00:36:21,480
Speaker 3: Like I remember I mentioned a comment that she'd made

779
00:36:21,520 --> 00:36:23,400
Speaker 3: on a video abounds and she was like, I do

780
00:36:23,640 --> 00:36:25,920
Speaker 3: not remember that, And then I was like, I remember that,

781
00:36:26,000 --> 00:36:27,920
Speaker 3: and it's weird that I know more about you than

782
00:36:27,960 --> 00:36:30,560
Speaker 3: you know about yourself, and then I named.

783
00:36:30,280 --> 00:36:31,200
Speaker 1: It, Yeah you did.

784
00:36:31,520 --> 00:36:32,440
Speaker 3: Do you think she's coming on?

785
00:36:33,120 --> 00:36:35,680
Speaker 1: Yeah, definitely to show I think we got.

786
00:36:37,200 --> 00:36:40,040
Speaker 3: The casual wine. But look, Tina Arena dot com, let's

787
00:36:40,080 --> 00:36:41,719
Speaker 3: just get the promo going on. If you want to

788
00:36:41,719 --> 00:36:43,719
Speaker 3: go and see Tina. She is doing a national tour

789
00:36:43,800 --> 00:36:44,759
Speaker 3: of a new record and like