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Speaker 1: We're sacked Boom willand Woodies celebrity apprentice Debris.

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Speaker 2: I wonder if people saw it coming, So what's up

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Speaker 2: us getting sacked in this episode?

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Speaker 3: I didn't see it coming.

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Speaker 4: I didn't see it coming.

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Speaker 2: It was a bit of a shock for us. But

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Speaker 2: again again, we don't know how the show is going

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Speaker 2: to be edited. But but I imagine they're going to

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Speaker 2: make it seem like we're good, like we're safe beforehand,

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Speaker 2: I think, I think so to know, isn't it like

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Speaker 2: you get totally blindsided during an episode as to what

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Speaker 2: is going to happen. Yeah, they give you bits of information,

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Speaker 2: they make sure you don't get bits of information.

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Speaker 1: And then at the end it's just like you know,

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Speaker 1: here you go, this is what happened. And then you're

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Speaker 1: in the boardroom and you're like shit that and then

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Speaker 1: they start bringing up things that you didn't expect them

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Speaker 1: to bring up.

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Speaker 2: Add a thing, yes, and that can be We've just

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Speaker 2: got a very clean shot and clean audio of that bit.

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Speaker 2: So naturally, these are the bits we're using, and that's

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Speaker 2: the storyline, and it has to they have to have

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Speaker 2: the bits for the storyline to be created.

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Speaker 1: Yeah, exactly, because at the end of the day, Like,

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Speaker 1: we lose this fifteen thirteen.

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Speaker 4: Yep, pretty cut, pretty body close again, I mean, Jue

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Speaker 4: is a coincidence? What are the chances we lose by

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Speaker 4: one vote?

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Speaker 3: Excuse me?

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Speaker 4: Excuse you.

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Speaker 3: So we had a big celebratory fireing dinner.

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Speaker 1: We did at a beautiful place called Toko in Surrey Hills.

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Speaker 1: Should highly recommend going to if you haven't already frequented.

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Speaker 1: Very expensive, but we just got paid, so I think

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Speaker 1: we deserved it. We've worked our asses off, we have

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Speaker 1: we have two shows this whole time. But if we

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Speaker 1: can drill down on like again this, I think I

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Speaker 1: feel like this whole podcast. The point of this podcast

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Speaker 1: is sort of been to pull the wall down, the

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Speaker 1: curtain down on how the sausage is made, a bit

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Speaker 1: the reality TV sausage is made. So we lose by

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Speaker 1: a convenient point two points, two points.

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Speaker 4: You're right, Like there needed to be a reason that

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Speaker 4: we lost.

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Speaker 1: The reason that they went with was that our script

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Speaker 1: was too highbrow.

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Speaker 3: For the kids, and that the kids, yeah, the kids

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Speaker 3: didn't get.

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Speaker 2: It, yes, yeah now, and that they were distracted by

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Speaker 2: the tales that we left out in the crowd.

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Speaker 1: Well, the kids didn't say that. That's what the judges said.

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Speaker 4: Yeah, yeah, yeah, in order to create it.

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Speaker 1: Remember a storyline that we didn't follow, which I think

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Speaker 1: they wanted us to follow, was that Benji was the

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Speaker 1: one who chose for the details to go on the

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Speaker 1: crowd first. Yes, which again pulling down the curtain was

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Speaker 1: actually something that a producers said to me. He said

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Speaker 1: to me, I think you should put the tails in

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Speaker 1: the crowd first. That the kids who got like a

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Speaker 1: token to hold onto during your performance.

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Speaker 2: So can I say that I don't think kids were

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Speaker 2: play with their tails. They clearly just got one shot

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Speaker 2: kid hitting another kid with a tail, and then they

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Speaker 2: can just say the kids were distracted.

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Speaker 3: I actually don't think they were distracted.

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Speaker 1: And the other storyline that they built, so they built

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Speaker 1: the kids of the tail storyline.

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Speaker 2: You just you.

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Speaker 4: Distracted the kids too easily.

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Speaker 1: And by the way, I'm not I'm not saying this

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Speaker 1: stuff to detract from the quality of the other's performance.

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Speaker 3: Their performance was great. The performance was.

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Speaker 1: Great, the song was bloody, catchy, like pound for pounds.

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Speaker 4: They should have won. I think.

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Speaker 1: I think they should have won. I do think they

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Speaker 1: should have won. I think if if our stories were films.

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Speaker 1: Sure we should have won, sure, sure, sure. I think

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Speaker 1: maybe our story was the wrong story for the setup

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Speaker 1: that it was in. I think it was a better story.

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Speaker 3: I think I think our story was great.

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Speaker 1: It was just a dog who pisses inside everywhere, dog

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Speaker 1: outside to ship.

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Speaker 3: Yeah, I know, No, that's obviously volume two. It has

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Speaker 3: nothing to do.

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Speaker 2: I like the second book is Fuzzy is shitting on

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Speaker 2: the floor again, Take Fuzzy outside for a shit. But like,

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Speaker 2: at the end of the day, they it was a

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Speaker 2: very simple message, was catchy.

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Speaker 3: The market did it well? Yeah, they did well.

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Speaker 1: But that being said, they had to find a reason

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Speaker 1: why we lost, and the reason they chose that we

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Speaker 1: lost was because our story wasn't right. And then as

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Speaker 1: a result, they created this entire narrative around Tia being argumentative, stubborn, opinionated,

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Speaker 1: and in Ronnie's words at the end, they're a saboteur

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Speaker 1: or sabatress.

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Speaker 2: The third time he has accused her of being a sabatress.

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Speaker 3: What, Yeah, it's really weird.

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Speaker 4: Just put it down.

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Speaker 3: Yeah, it's really weird.

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Speaker 1: And I don't know if they put this on TV,

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Speaker 1: but like, and I said this in the interviews on

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Speaker 1: the day.

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Speaker 4: I worked one on one with her the whole time.

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Speaker 4: She's amazing.

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Speaker 1: She tried so hard to be as respectful of our

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Speaker 1: concept in its totality as she possibly could have. And

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Speaker 1: at the end of the day, that's why I think

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Speaker 1: that we took the bullet for her is because she

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Speaker 1: didn't deserve the labels that she was getting, she didn't

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Speaker 1: deserve the rap that she was getting, and we deserved

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Speaker 1: to be fired because we wrote the story.

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Speaker 2: Because we Yeah, and again I'm sure the episode will

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Speaker 2: show this, but we put together that story on the night,

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Speaker 2: So we were together at night, yeah, coming up with

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Speaker 2: the whole story, and then we only told the team

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Speaker 2: the story the next day, and that's when you developed

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Speaker 2: it with Teria and we put on the performance.

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Speaker 3: Yep. So it was definitely us.

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Speaker 2: If the issue was that the story was too complex,

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Speaker 2: you cannot blame that on Teria. No, Like, if anything,

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Speaker 2: she actually did simplified a bit. She took away a

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Speaker 2: bit of.

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Speaker 1: The she took away some of the some of the

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Speaker 1: cruder gags that we had in there.

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Speaker 2: Which just great, that's what we needed her for. But anyway, yeah,

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Speaker 2: that's one side. I mean, I think what people want

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Speaker 2: us to talk about is that wild bottom three moment

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Speaker 2: were it's you, me and Ronnie and by the way

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Speaker 2: again pulling the curtain down. When when you get put

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Speaker 2: in the bottom three and we'd never experienced this before

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Speaker 2: because we were clean skins before this episode. You get

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Speaker 2: like taken away by like a producer each they like

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Speaker 2: give you a pump up talk like it's really interesting,

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Speaker 2: but they really care about you as well, like they

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Speaker 2: know it's about to get really full on. Yeah, like

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Speaker 2: you are about to be attacked. You're going to have

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Speaker 2: other people attacking you. They're going to bring up things

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Speaker 2: that you did badly, so you've got to be ready

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Speaker 2: for that. That was that was full on, I reckon,

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Speaker 2: Like they were like it's like they were emotionally building

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Speaker 2: you up for like this is about to get a

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Speaker 2: bid right well.

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Speaker 5: And Ronnie, you and I Yeah, yeah, I don't know

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Speaker 5: if they show this on camera, but we have this

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Speaker 5: moment the two of us in Tea and Ronnie were

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Speaker 5: sitting in the reception.

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Speaker 2: Yeah, and you, me and T were mucking around too

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Speaker 2: much and the camera guy was not happy about that.

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Speaker 3: Yeah.

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Speaker 1: And Ronnie's got I don't know how much to stay here.

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Speaker 1: But Ronnie gets heavily produced. Ronnie has a lot of

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Speaker 1: conversations with the producers.

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Speaker 3: Yeah, yeah, And again we don't know the extender of themsplicitly.

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Speaker 2: What those conversations are, but you do feel like he

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Speaker 2: gets told to be a certain way and a certain shot. Yes,

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Speaker 2: he has an agenda, yeah yeah yeah, but again that

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Speaker 2: also just helps me.

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Speaker 1: It's not entirely it's not entirely the agenda of the producers,

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Speaker 1: but he has an agenda.

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Speaker 3: Yeah, yeah, yeah, whether.

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Speaker 1: It's his agenda in some senses or an agenda that

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Speaker 1: he has to have.

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Speaker 4: Either way, he thought he impresses it.

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Speaker 3: Yeah.

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Speaker 2: So anyway, so again I think you're about to say this,

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Speaker 2: but if this is in the episode, and that we're

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Speaker 2: all sitting there in the reception, and Teria says to Ronnie,

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Speaker 2: are you nervous?

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Speaker 3: Just like a nice like how you feeling? Are you nervous?

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Speaker 2: And then Ronnie just looks at all of us and

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Speaker 2: just goes, I'm not nervous to Rea, I'm not nervous

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Speaker 2: because I'm not getting fired.

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Speaker 4: Yeah, and then I'm not going home today, that's right.

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Speaker 1: And then he just gets up and it's like I

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Speaker 1: chill out, and he goes, no, no, no, mate, it's just

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Speaker 1: getting started.

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Speaker 3: This is not my first rodeo, right.

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Speaker 1: And I was like, we were just we were talking

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Speaker 1: about the weather about five minutes ago. It's just like

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Speaker 1: he just turned his game face on and he was

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Speaker 1: just like, all right, time to play the game.

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Speaker 3: But again, it's it's so sad.

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Speaker 4: Like it's so frustrating.

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Speaker 1: We spoke about this in a previous episode of this podcast.

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Speaker 1: He's so frustrating because you know who the real guy is. Like,

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Speaker 1: you know, I spoke to beforehand before the show about

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Speaker 1: the fact that he'd just been at Taronga Zoo with

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Speaker 1: his family and like, like, I get along with running

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Speaker 1: really well off camera, I really do.

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Speaker 3: And then on camera I'm just like, mate, yeah, where

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Speaker 3: did the.

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Speaker 4: Guy go that I was just talking to?

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Speaker 3: Yes?

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Speaker 4: What he wipes from the front. Great, Now I've got

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Speaker 4: your attention.

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Speaker 3: Why would that get people's attention?

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Speaker 4: Because any people are intrigued by that.

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Speaker 3: Wiping from the front. Actually, the more normal way to go,

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Speaker 3: you get better leverage.

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Speaker 4: All right.

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Speaker 1: Anyway, now I've got your attention, We've got twenty five.

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Speaker 4: Thousand dollars to give away.

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Speaker 2: You probably should have lived with that, I reckon twenty

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Speaker 2: five thousand dollars is definitely better than that, you know that.

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Speaker 4: I'm write from the front.

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Speaker 1: I just wanted to sound like an ad because people

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Speaker 1: skip ads in podcasts. But we've actually got twenty five

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Speaker 1: thousand dollars to give away, all thanks to the legends

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Speaker 1: at Channel nine. Guys, in this podcast, every single Sunday,

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Speaker 1: we're going to release a unique code word. Simply enter

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Speaker 1: all weekly code words online at Willemwoody dot com and

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Speaker 1: then twenty five grand could be yours.

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Speaker 4: Yeah, okay, so that's simple.

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Speaker 6: Yep.

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Speaker 3: Today's code word is Flamingo. Flamingo.

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Speaker 2: Okay, So keep listening to this the Daily Reef and

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Speaker 2: iHeartRadio for the next code word. Who's going to face

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Speaker 2: Lord Trig's Fire Inline stream all new celebrity apparents for

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Speaker 2: free on nine now.

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Speaker 3: Terms conditions apply. Yeah, And maybe that's maybe that's ignorant

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Speaker 3: of me.

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Speaker 1: Maybe that's naive of me. Maybe that's naive of me.

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Speaker 1: This is my first reality TV show. Maybe for him,

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Speaker 1: that's just business as usual.

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Speaker 4: It's like, yeah, this.

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Speaker 1: Reality TV mate, Like, you know, who I am off

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Speaker 1: camera is different to who I am on the camera,

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Speaker 1: and that's the deal.

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Speaker 3: Yeah, I'm doing my job now, this is what I

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Speaker 3: need to do.

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Speaker 4: Yeah, now I'm about to elevate, but I don't get

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Speaker 4: on camera.

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Speaker 1: And I think it's just sad for you and me

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Speaker 1: because it's just like, oh Jesus, where did the dude

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Speaker 1: go that I just had a really friendly chat with?

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Speaker 1: And imagine that, like I put yourself in the in

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Speaker 1: our shoes for a second there, Like you're having a

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Speaker 1: conversation with someone, it's very normal conversation, and then and

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Speaker 1: then you move to another background, another scene, and they

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Speaker 1: become a totally different person.

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Speaker 2: It's actually it's hard to watch. And sometimes your first

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Speaker 2: reaction is are you joking? And you're like, oh, no,

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Speaker 2: you're being serious. Yeah I thought you were doing a

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Speaker 2: bit yeah, but no, you're you're he turns it on.

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Speaker 3: Yeah yeah.

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Speaker 2: But the one defense I'd say to Ronnie is and

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Speaker 2: I realized this is he I think he genuinely does

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Speaker 2: care a lot about his charity, like a lot about

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Speaker 2: his charity.

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Speaker 3: And I think, yeah, sometimes a lot of his let's call.

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Speaker 2: It game plane or him trying to stay in the

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Speaker 2: competition and potentially throw other people under the bus to

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Speaker 2: stay in is because he genuinely wants to raise a

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Speaker 2: lot of money for throws money for his chair, and

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Speaker 2: he's just that's the way he has played from the start,

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Speaker 2: is like, if you're in the way of me getting

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Speaker 2: raising money my.

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Speaker 3: Charity, I'll destroy you.

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Speaker 4: And he does.

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Speaker 3: And that's just the way he is.

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Speaker 2: And I actually there's a part of me that goes, okay,

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Speaker 2: I personally wouldn't do that.

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Speaker 3: We wouldn't do that.

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Speaker 2: It's not our style. But at the end of the day,

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Speaker 2: you're doing it for a good cause, so good on

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Speaker 2: you go for it. And speaking of attacking people, well,

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Speaker 2: that's a.

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Speaker 1: Good philosophical that's a good philosophical issue though, wards, isn't

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Speaker 1: it like, you know, do you do you throw away

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Speaker 1: and disregard the lives of individuals in the name of

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Speaker 1: a cause And you and me don't, and we don't,

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Speaker 1: But there are lots of people throughout history who have.

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Speaker 4: And there's arguments on both sides of the fence.

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Speaker 2: Yes, yes, exactly, exactly right. But he is the other

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Speaker 2: side of the fence to us. And oh my god,

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Speaker 2: he just like we sat down and he was just

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Speaker 2: off with the hand gestures.

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Speaker 1: He was just like Churier, he says Juria.

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Speaker 2: I'm wrong, and I feel like saying at one point,

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Speaker 2: like someone's going to tell the guy that he's saying

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Speaker 2: her name wrong. But anyway that to one side, he

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Speaker 2: just starts going to and you, you and me are

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Speaker 2: in an uncomfortable position because it's like, at what point

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Speaker 2: do we you know, interject here? Ye, you know, like

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Speaker 2: I don't want to. I didn't want to speak for

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Speaker 2: Teria at times. I didn't want to seem like, you know,

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Speaker 2: she was weak and the speak.

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Speaker 4: For she can obviously.

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Speaker 2: We were sitting there like almost like clenched fists, like

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Speaker 2: we can't have this, the attack that's going on for

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Speaker 2: Teria and it. So then we started going Ronnie a

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Speaker 2: little bit like because Lord T is that same who

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Speaker 2: would you fire? And truth, we didn't really have a

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Speaker 2: reason to fire.

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Speaker 1: Ronnie didn't know he was late.

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Speaker 4: He was late to the task.

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Speaker 3: Which isn't really his fault. It's not his fault.

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Speaker 2: So then we were just like clutching its straws for

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Speaker 2: thinking because Lordship was like, you can't say you're firing

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Speaker 2: because he was late, and then we were like, oh,

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Speaker 2: that's definitely why we brought him here.

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Speaker 4: As soon as he wrote that off, he was like,

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Speaker 4: who do you want to fire?

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Speaker 6: And we were like, well, still Ronnie, and then we

305
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Speaker 6: were like the reason we had was when he suggested lollies.

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Speaker 6: He said that he liked that idea because it would

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Speaker 6: sabotage the other team, and we.

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Speaker 4: Didn't like he did not like that. No, we did

309
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Speaker 4: not like that at all. She didn't even comment on that.

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Speaker 4: He was just like all right.

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Speaker 1: And then there was this stalemate as well, because it

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Speaker 1: was like, Ronnie, who do you want to fire?

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Speaker 3: Terrea? Yeah? And he aretually said we were good.

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Speaker 2: Lord Sugar was like watch Thinker Will and Woody and

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Speaker 2: he was like great project managers, even though we were

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Speaker 2: saying we want to fight, you know, and that was

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Speaker 2: weird too.

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Speaker 1: But he just please, just he just he's just a

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Speaker 1: straight up, as you said, he's just a straight up

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Speaker 1: and down player.

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Speaker 3: Yeah. Yeah.

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Speaker 1: Big beef with Tea is that she didn't care enough

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Speaker 1: for our.

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Speaker 4: Team. He's big.

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Speaker 1: He's big beef with Tria is you don't care enough

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Speaker 1: for our team.

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Speaker 2: And he's he always brings up how his ideas get

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Speaker 2: shut down by Toiae and he views that as wasting

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Speaker 2: time and sabotaging the task. Because Ronnie is going I've

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Speaker 2: got all these ideas and you just pick holes in

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Speaker 2: all of my ideayes. And they've had that that's a mean.

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Speaker 3: Quite a while.

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Speaker 1: Yeah, now we didn't do it happening in the winner's room.

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Speaker 1: We have a little bit of mail from some little

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Speaker 1: birdies in the winner's room that it lifted.

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Speaker 2: Off after yes, yeah, yeah, well before we get to

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00:14:26,880 --> 00:14:29,960
Speaker 2: that though, like, so we had a clear moment there

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Speaker 2: in the boardroom where it was like Taria was about

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Speaker 2: to get fired.

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Speaker 1: Yeah, so Terrea is about to get fired and he's

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Speaker 1: lining her up.

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Speaker 2: And and to be honest, like and it's interesting you

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Speaker 2: brought a good question before, but we had a clear

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Speaker 2: choice there where it was like we didn't even have

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Speaker 2: to attack Terrier.

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Speaker 3: We could have just said.

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Speaker 2: A mild yeah, you probably didn't help as much as

348
00:14:52,160 --> 00:14:55,680
Speaker 2: you could off she was gone. But we refuse to

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Speaker 2: say anything bad or better. Rightly so, because she actually

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Speaker 2: was a weapon at the task.

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Speaker 4: She was amazing.

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Speaker 1: She came in as she always does with every task,

353
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Speaker 1: and basically she says, I will take the lion's share

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Speaker 1: of everything if I think for a second that it

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Speaker 1: means we're going to win.

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Speaker 4: What do you need me to do?

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Speaker 1: We tell her what she needs to do, and she

358
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Speaker 1: applied herself one hundred percent.

359
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Speaker 4: She's written a kid's.

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Speaker 1: Book before, but she fully respected the fact that we

361
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Speaker 1: wrote our own script. She edited it, she put it

362
00:15:20,040 --> 00:15:22,600
Speaker 1: through all these different lenses. She played two different characters.

363
00:15:23,280 --> 00:15:26,880
Speaker 1: She's great. You and I can sit here and talk

364
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Speaker 1: to her black and blue in the face about how

365
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Speaker 1: amazing a woman to reapit is.

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Speaker 4: I don't think she needs.

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00:15:31,960 --> 00:15:36,560
Speaker 1: That level of accolade, though, because she speaks for herself

368
00:15:36,600 --> 00:15:38,160
Speaker 1: like she is who she is, because she.

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Speaker 3: Is an amazing woman.

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Speaker 1: And you you know, it's funny this show is. Yeah,

371
00:15:44,040 --> 00:15:47,480
Speaker 1: it's a TV show, it's a game, but the people

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Speaker 1: are real.

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Speaker 4: Yeah, people are real, and the.

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Speaker 1: Duress is real, and we're all away from our families

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Speaker 1: and our friends and we're all doing this thing that's

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Speaker 1: a slog. And you become close with someone if you're

377
00:15:58,040 --> 00:15:59,600
Speaker 1: going through a duress with them and you know them,

378
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Speaker 1: you feel like you know them honestly. And to see

379
00:16:02,800 --> 00:16:09,640
Speaker 1: our friend hung out to dry like that at unjustifiably burned.

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00:16:10,160 --> 00:16:11,240
Speaker 4: It really burned.

381
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Speaker 1: And whether or not, as you said, you know, we

382
00:16:14,440 --> 00:16:16,880
Speaker 1: were there to fight for a cause or not the

383
00:16:16,960 --> 00:16:21,120
Speaker 1: greatest cause should always be the people that are nearest

384
00:16:21,120 --> 00:16:23,080
Speaker 1: to you around you, that are the people whose lives

385
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Speaker 1: you can impact the most. And I feel like in

386
00:16:25,080 --> 00:16:31,080
Speaker 1: that moment, yeah, I feel no regret. And I think

387
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Speaker 1: one of the great men messages of Gotcha for Life,

388
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Speaker 1: of our charity is getting around the people around you.

389
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Speaker 1: It was the right thing to do in that circumstance

390
00:16:39,680 --> 00:16:42,360
Speaker 1: to make sure that we took the bullet for Teria

391
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Speaker 1: who was getting attacked with no basis, no grounds. Yeah,

392
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Speaker 1: and I'm very happy that's the way we left.

393
00:16:52,440 --> 00:16:54,280
Speaker 2: Yeah, and I'm glad you brought in the message in

394
00:16:54,400 --> 00:16:56,360
Speaker 2: Gotcha for Life. I think that was the hardest part

395
00:16:56,400 --> 00:17:00,440
Speaker 2: for us, is that you don't want to put your

396
00:17:00,440 --> 00:17:02,600
Speaker 2: hand up and go we're out, because the end of

397
00:17:02,600 --> 00:17:04,160
Speaker 2: the day, we still want to raise there's a chance

398
00:17:04,160 --> 00:17:06,320
Speaker 2: we're going to raise more money for our charity. So

399
00:17:06,359 --> 00:17:08,160
Speaker 2: you're like, yeah, we want to stay in this competition

400
00:17:08,200 --> 00:17:10,840
Speaker 2: to raise money for our charity, Gotcha for Life. But

401
00:17:10,880 --> 00:17:13,919
Speaker 2: then it's nice that messaging around Gotcha for Life is

402
00:17:13,920 --> 00:17:16,000
Speaker 2: getting around the people you care about and supporting them.

403
00:17:16,000 --> 00:17:18,640
Speaker 2: So I think it was great the way that you did, honestly,

404
00:17:18,680 --> 00:17:22,399
Speaker 2: when she was about to get fired and then you said, nah,

405
00:17:22,400 --> 00:17:24,960
Speaker 2: I just can't have this. We wrote the story where

406
00:17:24,960 --> 00:17:28,120
Speaker 2: to blame and it wasn't easy. Lord Sugar was so

407
00:17:28,240 --> 00:17:31,520
Speaker 2: rattled when you said that. He actually said, I don't

408
00:17:31,520 --> 00:17:32,080
Speaker 2: know what to do.

409
00:17:32,960 --> 00:17:35,879
Speaker 1: Yeah. Well, I think like in terms of how the

410
00:17:35,920 --> 00:17:39,320
Speaker 1: show is put together, like you and I really provide

411
00:17:39,359 --> 00:17:42,280
Speaker 1: something that the other players can't. Because there's two of us.

412
00:17:42,840 --> 00:17:44,479
Speaker 1: We get to have banter in between us. We get

413
00:17:44,520 --> 00:17:47,159
Speaker 1: to have fun, you know, we take jokes well and

414
00:17:47,200 --> 00:17:48,720
Speaker 1: we're always looking for fun things to do.

415
00:17:48,880 --> 00:17:50,359
Speaker 4: Like that's an asset to the show.

416
00:17:50,480 --> 00:17:53,679
Speaker 1: So getting rid of us, you know, not tooting our

417
00:17:53,720 --> 00:17:55,880
Speaker 1: own horns by any means, because if there are any

418
00:17:55,920 --> 00:17:59,600
Speaker 1: other two comedians in our positions, any other two and

419
00:18:00,280 --> 00:18:01,960
Speaker 1: people who are in our position, they would have provided

420
00:18:02,000 --> 00:18:04,880
Speaker 1: the same thing. Yeah, and to get rid of us is.

421
00:18:07,000 --> 00:18:07,280
Speaker 4: Yeah.

422
00:18:07,280 --> 00:18:10,879
Speaker 3: Well, but he liked us too, Lord Trigar genuinely liked it.

423
00:18:10,960 --> 00:18:12,600
Speaker 4: But we were the only ones that laughed at his gags.

424
00:18:12,600 --> 00:18:13,160
Speaker 4: A lot of the time.

425
00:18:13,280 --> 00:18:18,800
Speaker 2: He was always like, oh, I'm going to absolutely light up,

426
00:18:18,840 --> 00:18:21,440
Speaker 2: willing to be amazing, this will be my best bit.

427
00:18:21,520 --> 00:18:23,160
Speaker 2: And I feel like there was almost part of him

428
00:18:23,160 --> 00:18:25,159
Speaker 2: which it was like, who am I going to make

429
00:18:25,200 --> 00:18:27,200
Speaker 2: gags about when these two diggends.

430
00:18:26,880 --> 00:18:28,000
Speaker 3: Are gone anyway.

431
00:18:28,040 --> 00:18:30,800
Speaker 2: Yeah, you're right, so you you you took the bullet

432
00:18:30,800 --> 00:18:36,080
Speaker 2: for Teria, we cop the sack, we get fired. I

433
00:18:36,119 --> 00:18:38,040
Speaker 2: don't think we need to go into what happens after that.

434
00:18:38,080 --> 00:18:40,840
Speaker 2: You did like fourteen walkouts, which is really weird. You

435
00:18:40,920 --> 00:18:43,040
Speaker 2: do exit interviews, you have to drive around in a

436
00:18:43,080 --> 00:18:44,720
Speaker 2: car that's like around the block, and then.

437
00:18:44,760 --> 00:18:46,800
Speaker 1: Of which five minutes of that is what they call

438
00:18:46,880 --> 00:18:50,439
Speaker 1: pensive shots, where it's just stare out the window for

439
00:18:50,480 --> 00:18:53,879
Speaker 1: five minutes actually episode, and then our producer here and

440
00:18:53,880 --> 00:18:55,399
Speaker 1: who was in the car, was like, all boys, we

441
00:18:55,440 --> 00:18:56,960
Speaker 1: can see out the same if you can say, out

442
00:18:57,000 --> 00:18:59,159
Speaker 1: the same window. So we both looked at I was like,

443
00:18:59,240 --> 00:19:01,280
Speaker 1: it looks like we're taking out a hot person on

444
00:19:01,320 --> 00:19:03,080
Speaker 1: the street. I was like, maybe we should look out

445
00:19:03,080 --> 00:19:04,959
Speaker 1: different windows. But then it looks like we've had an

446
00:19:05,040 --> 00:19:07,639
Speaker 1: argument and we're looking out different windows.

447
00:19:08,520 --> 00:19:09,840
Speaker 4: It was a weird.

448
00:19:10,480 --> 00:19:12,840
Speaker 2: But as you were touching on before, so before I

449
00:19:12,840 --> 00:19:15,800
Speaker 2: took us back to the bottom three, apparently, yeah, we've

450
00:19:15,800 --> 00:19:18,160
Speaker 2: heard good word that. When they went to the winner's room,

451
00:19:18,240 --> 00:19:22,520
Speaker 2: it lifted off again, so like really not good.

452
00:19:23,720 --> 00:19:25,200
Speaker 3: Well, obviously between Ronnie interrear.

453
00:19:25,240 --> 00:19:28,240
Speaker 2: Hopefully they do sort it out, but again we're out

454
00:19:28,240 --> 00:19:30,840
Speaker 2: of the loop now we don't know what's going on.

455
00:19:31,200 --> 00:19:35,720
Speaker 2: But little Cookie, just to show you how real this

456
00:19:35,880 --> 00:19:37,920
Speaker 2: show is, and I hope not giving away too much

457
00:19:38,000 --> 00:19:39,600
Speaker 2: or this is too much of a secret, but just

458
00:19:39,600 --> 00:19:43,360
Speaker 2: to show you how much you start to personally get

459
00:19:43,359 --> 00:19:46,359
Speaker 2: impacted by the show. I know that after the filming

460
00:19:46,400 --> 00:19:49,639
Speaker 2: where we got fired, there were certain people that were

461
00:19:49,680 --> 00:19:52,000
Speaker 2: getting a lift home to their accommodation. It couldn't be

462
00:19:52,000 --> 00:19:56,040
Speaker 2: in the same car together, Yeah, and where you only

463
00:19:56,040 --> 00:19:58,480
Speaker 2: got windows, it felt like once we were fired, it's almost.

464
00:19:58,280 --> 00:20:00,120
Speaker 3: Like the producers share a bit more with you.

465
00:20:00,200 --> 00:20:00,400
Speaker 1: Yeah.

466
00:20:00,520 --> 00:20:02,119
Speaker 3: And we were with a few of the producers. We

467
00:20:02,119 --> 00:20:02,800
Speaker 3: were saying goodbye to.

468
00:20:02,800 --> 00:20:04,200
Speaker 1: There and they have to get a lift time together

469
00:20:04,240 --> 00:20:06,240
Speaker 1: because all of the people are saying it the same accommodation.

470
00:20:06,359 --> 00:20:08,120
Speaker 2: And there were some people that were like, I can't

471
00:20:08,160 --> 00:20:10,520
Speaker 2: be in a car with that person. And that is

472
00:20:10,800 --> 00:20:12,160
Speaker 2: this I mean, this is why the show is good

473
00:20:12,160 --> 00:20:15,440
Speaker 2: though as well. It's it's real, that is real.

474
00:20:15,520 --> 00:20:17,400
Speaker 3: Yeah, as I said, it's a TV show.

475
00:20:17,440 --> 00:20:18,200
Speaker 4: The tasks etc.

476
00:20:18,440 --> 00:20:21,199
Speaker 1: Can be a bit silly, but they're real people and

477
00:20:21,240 --> 00:20:25,040
Speaker 1: they're real tensions and that was how we left, so

478
00:20:25,359 --> 00:20:27,439
Speaker 1: nine episodes in. I think we missed one of the

479
00:20:27,440 --> 00:20:31,360
Speaker 1: podcasts in one of the chats here, but it's episode we.

480
00:20:31,359 --> 00:20:33,760
Speaker 2: Actually dominated that task. But that's why it's boring. That's

481
00:20:33,760 --> 00:20:34,240
Speaker 2: what it's boring.

482
00:20:36,240 --> 00:20:38,600
Speaker 4: Yeah, so I suppose that's it. Guys. I hope you've.

483
00:20:40,720 --> 00:20:43,959
Speaker 3: Who learned something from this. Oh yeah, yeah, hopefully it's

484
00:20:43,960 --> 00:20:44,520
Speaker 3: been interesting.

485
00:20:45,160 --> 00:20:47,639
Speaker 4: It might not have been, could have been. We could

486
00:20:47,640 --> 00:20:49,680
Speaker 4: have been ship listen because.

487
00:20:49,480 --> 00:20:50,000
Speaker 3: That's the other thing.

488
00:20:50,040 --> 00:20:52,919
Speaker 2: We caught up with Martha color Fatitis, who was on

489
00:20:53,000 --> 00:20:54,520
Speaker 2: the show last season.

490
00:20:54,720 --> 00:20:55,400
Speaker 3: Last season.

491
00:20:55,800 --> 00:20:58,800
Speaker 2: It's funny when you talk to another Celebrit Printers person,

492
00:20:59,040 --> 00:21:00,879
Speaker 2: it's like you're so in to it because you get it.

493
00:21:01,000 --> 00:21:05,199
Speaker 3: Yeah, so apologies. If this is just boring for the

494
00:21:05,240 --> 00:21:07,440
Speaker 3: people who aren't in the vortext, obviously.

495
00:21:07,840 --> 00:21:10,000
Speaker 1: He might just be like, no one was thinking that,

496
00:21:10,080 --> 00:21:12,400
Speaker 1: No one cares, No one wants to know how it's

497
00:21:12,440 --> 00:21:14,280
Speaker 1: made either, get over it goes.

498
00:21:14,320 --> 00:21:17,880
Speaker 4: It's not that hard, which is totally fair enough.

499
00:21:18,359 --> 00:21:20,240
Speaker 1: But it has been a pleasure being on that show,

500
00:21:20,520 --> 00:21:24,680
Speaker 1: and it's been a pleasure working with a lot of

501
00:21:24,720 --> 00:21:25,920
Speaker 1: those those people as well.

502
00:21:25,960 --> 00:21:26,840
Speaker 4: It's been really cool.

503
00:21:26,960 --> 00:21:27,200
Speaker 3: Yeah.

504
00:21:27,280 --> 00:21:30,880
Speaker 2: Actually, Benji sent us a really nice text and who

505
00:21:30,880 --> 00:21:33,400
Speaker 2: knows what's going to happen here, but he messaged. Within

506
00:21:33,440 --> 00:21:36,240
Speaker 2: his message, he said to us, would you come back

507
00:21:36,240 --> 00:21:38,280
Speaker 2: for the finale? If I'm in the finale case, I

508
00:21:38,280 --> 00:21:42,160
Speaker 2: think some contestants come back to help out the contestants,

509
00:21:42,160 --> 00:21:45,520
Speaker 2: so this will not be the last podcast.

510
00:21:46,040 --> 00:21:48,600
Speaker 3: If we return for the finale to help.

511
00:21:48,440 --> 00:21:51,040
Speaker 4: Someone out, you're definitely returning.

512
00:21:51,080 --> 00:21:52,639
Speaker 3: Then I'm not definitely returning.

513
00:21:52,640 --> 00:21:55,879
Speaker 2: If someone asks me though, shit, yeah, shh, come You're

514
00:21:55,880 --> 00:21:56,800
Speaker 2: not going to come back for the finale.

515
00:21:56,840 --> 00:21:58,120
Speaker 4: We'd be in the middle of the holidays.

516
00:21:59,080 --> 00:22:01,159
Speaker 3: Don't be lazy. If some if what if Bronti?

517
00:22:01,240 --> 00:22:07,560
Speaker 2: What if Bronti calls us and he's like, guys, Anita, well.

518
00:22:07,480 --> 00:22:10,000
Speaker 3: Yeah, what's in the middle of the holidays. It would

519
00:22:10,000 --> 00:22:10,480
Speaker 3: be like a day.

520
00:22:10,480 --> 00:22:12,600
Speaker 2: It'd be like a fly to city for a day. Yeah,

521
00:22:13,240 --> 00:22:14,160
Speaker 2: that's that's too much.

522
00:22:16,080 --> 00:22:18,320
Speaker 1: We didn't get out of your guys, How you enjoyed it.

523
00:22:18,880 --> 00:22:21,679
Speaker 1: It's been fun to make and season.

524
00:22:22,560 --> 00:22:26,800
Speaker 3: Goodbye. Oh I think Lord Sugar said as we left.

525
00:22:26,600 --> 00:22:28,359
Speaker 4: We were good boys. I really hope they put that

526
00:22:28,400 --> 00:22:28,840
Speaker 4: on camera.

527
00:22:29,240 --> 00:22:33,639
Speaker 3: He said, nice boys, nice boys, nice boys. Yeah, actually

528
00:22:35,240 --> 00:22:36,000
Speaker 3: you're good blokes.

529
00:22:36,080 --> 00:22:37,080
Speaker 4: You guys are good blokes.

530
00:22:37,080 --> 00:22:39,560
Speaker 3: But you're fired. I thought the fire would be more

531
00:22:39,560 --> 00:22:40,520
Speaker 3: aggressive by the way.

532
00:22:41,520 --> 00:22:42,840
Speaker 4: His finger was a bit pointed.

533
00:22:44,000 --> 00:22:49,200
Speaker 2: Yeah yeah, what boys, you're feah gentle. But yeah, we

534
00:22:50,520 --> 00:22:53,480
Speaker 2: we heard him food. It's not that old. We heard

535
00:22:53,560 --> 00:22:57,120
Speaker 2: him say nice boys, nice boys. Actually that that got

536
00:22:57,119 --> 00:22:58,200
Speaker 2: me a little bit on the way out.

537
00:22:58,720 --> 00:23:02,919
Speaker 3: I like that he liked us. Idiot tricked him. All right,

538
00:23:03,359 --> 00:23:03,680
Speaker 3: you guys,