1 00:00:00,480 --> 00:00:09,120 Speaker 1: Na yah, Yeah, is it Josey had Joy? It's Jon 2 00:00:09,440 --> 00:00:11,240 Speaker 1: Handa's God. 3 00:00:13,200 --> 00:00:16,279 Speaker 2: The show was so full today we missed out on 4 00:00:16,360 --> 00:00:19,000 Speaker 2: talking about Richard Simmons and what he was buried in. 5 00:00:19,360 --> 00:00:22,880 Speaker 3: Well, this is the thing. He was put to rest 6 00:00:22,920 --> 00:00:27,520 Speaker 3: October five in Saint Louis Cathedral and New Orleans or 7 00:00:27,520 --> 00:00:31,080 Speaker 3: Saint Louis Cathedral in New Orleans, and his brother has 8 00:00:31,120 --> 00:00:34,440 Speaker 3: spoken out about the ceremony, and he said he was 9 00:00:34,479 --> 00:00:36,360 Speaker 3: going to let the crowd in on a little secret. 10 00:00:36,400 --> 00:00:38,800 Speaker 3: He said, not too many people know this, just like 11 00:00:38,920 --> 00:00:43,080 Speaker 3: Clark Kent. Underneath his beautiful things he was wearing, presumably 12 00:00:43,159 --> 00:00:47,120 Speaker 3: in his casket, underneath his clothing, Richard's wearing a tank 13 00:00:47,200 --> 00:00:49,760 Speaker 3: top and shorts. Because he was asked what his brother 14 00:00:49,840 --> 00:00:52,920 Speaker 3: was buried in. Why you ask, he said, because we 15 00:00:53,000 --> 00:00:55,440 Speaker 3: think that God has another plan for him, and we 16 00:00:55,480 --> 00:00:56,920 Speaker 3: want to make sure that he was going to be 17 00:00:56,960 --> 00:00:59,800 Speaker 3: in his normal costume that we all know and love. 18 00:01:00,080 --> 00:01:02,920 Speaker 3: To help the saints and the angels get into shape. 19 00:01:03,760 --> 00:01:05,959 Speaker 2: Do you think that the saints and the angels in 20 00:01:06,000 --> 00:01:09,559 Speaker 2: the afterlife they'd be pretty, they'd have good rigs. I reckon, 21 00:01:10,319 --> 00:01:14,679 Speaker 2: because you can you're in ethereal being so you're not 22 00:01:14,680 --> 00:01:15,920 Speaker 2: going to way much to begin with. 23 00:01:17,400 --> 00:01:20,560 Speaker 3: Yeah, but we all see pictures of this big, big, 24 00:01:20,640 --> 00:01:24,280 Speaker 3: you know gowns. Who knows what's underneath. 25 00:01:24,440 --> 00:01:28,600 Speaker 2: Yeah, you just always imagine that you on a cloud 26 00:01:28,760 --> 00:01:29,440 Speaker 2: playing a harp. 27 00:01:29,560 --> 00:01:31,399 Speaker 3: I would be really annoyed if I still have to 28 00:01:31,440 --> 00:01:34,080 Speaker 3: be concerned about my weight in the after. I'd like 29 00:01:34,160 --> 00:01:35,280 Speaker 3: those worries to disappear. 30 00:01:35,400 --> 00:01:37,200 Speaker 2: That would be imagine you get up there. 31 00:01:37,120 --> 00:01:39,880 Speaker 3: And you know, great, I'm still concerned about my gut. 32 00:01:40,120 --> 00:01:42,240 Speaker 2: Well, I'm going to get on the treadmill now, said Peter. 33 00:01:42,760 --> 00:01:44,520 Speaker 2: Come on, come on, come on. 34 00:01:44,880 --> 00:01:49,240 Speaker 3: We've spoken about this before about what you wear in 35 00:01:49,280 --> 00:01:52,760 Speaker 3: the casket. Is that, like, I don't believe in this 36 00:01:52,840 --> 00:01:55,520 Speaker 3: kind of stuff, but is this what you picture that 37 00:01:55,560 --> 00:01:58,560 Speaker 3: when you go to the pearly gates, you're in what 38 00:01:58,600 --> 00:02:00,560 Speaker 3: you died in or what you're buried in. 39 00:02:00,800 --> 00:02:04,240 Speaker 2: Yeah. Yeah, that's an interesting case because when you look 40 00:02:04,240 --> 00:02:08,240 Speaker 2: at movies. I'm thinking of Beetlejuice, for example, in the 41 00:02:08,360 --> 00:02:12,200 Speaker 2: little purgatory room there, they're all dressed in how they die, 42 00:02:12,360 --> 00:02:14,919 Speaker 2: you know, like a fighter pilot dressed as a fighter 43 00:02:14,960 --> 00:02:17,280 Speaker 2: pilot and a guy that had his head shrunk by 44 00:02:17,280 --> 00:02:20,639 Speaker 2: a little head shrinking tribe, he had a tiny head, 45 00:02:21,280 --> 00:02:22,400 Speaker 2: you know that sort of stuff. 46 00:02:22,440 --> 00:02:26,440 Speaker 3: That's what I am because I think it's probably maybe 47 00:02:26,480 --> 00:02:28,600 Speaker 3: the casket thing is you just want your loved one 48 00:02:28,600 --> 00:02:31,200 Speaker 3: to look their best. So is it your version of 49 00:02:31,240 --> 00:02:33,280 Speaker 3: their best or is it their version of it? Yes, 50 00:02:33,520 --> 00:02:36,280 Speaker 3: like if your family chose to bury you as little 51 00:02:36,280 --> 00:02:39,120 Speaker 3: boot pep, so you have to go up to the 52 00:02:39,120 --> 00:02:42,160 Speaker 3: pearly gates and go this was a joke. My family 53 00:02:42,200 --> 00:02:46,079 Speaker 3: did well? Remember that story? Then, Kirsty Alley tells, I 54 00:02:46,080 --> 00:02:48,000 Speaker 3: think we may have spoken about this on this podcast. 55 00:02:48,240 --> 00:02:51,639 Speaker 3: Kirsty ali from Cheers and all those movies. Her parents 56 00:02:51,639 --> 00:02:53,960 Speaker 3: were killed in a car accident a number of years ago, 57 00:02:55,320 --> 00:02:57,840 Speaker 3: and she divulged on a talk show that they were 58 00:02:57,880 --> 00:03:02,320 Speaker 3: on their way to a fancy dress party. So her father, 59 00:03:02,800 --> 00:03:06,760 Speaker 3: for some reason, was dressed as a clans member. Yeah, 60 00:03:07,440 --> 00:03:11,560 Speaker 3: and so they were trying to imagine, Yeah, and the 61 00:03:11,639 --> 00:03:15,080 Speaker 3: mother was in blackface. That's right, that she was in blackface. 62 00:03:15,120 --> 00:03:18,679 Speaker 3: He was dressed as a clan member. So if you 63 00:03:18,760 --> 00:03:20,960 Speaker 3: go to the early gates like that to say, hey, 64 00:03:21,000 --> 00:03:24,400 Speaker 3: this person asks this is my dress, it's still an 65 00:03:24,400 --> 00:03:27,680 Speaker 3: offensive act, of course, But when people die like that, 66 00:03:27,760 --> 00:03:29,120 Speaker 3: they wouldn't be buried like that. 67 00:03:29,400 --> 00:03:30,760 Speaker 2: No, no, not at all. 68 00:03:30,960 --> 00:03:32,720 Speaker 3: See that's the thing. You want them to be buried 69 00:03:33,080 --> 00:03:34,720 Speaker 3: in the best version of themselves. 70 00:03:34,800 --> 00:03:38,680 Speaker 2: Yeah. Well with Richard, they've put him in his exercise garb. 71 00:03:38,760 --> 00:03:41,200 Speaker 3: Underneath, underneath the respectful clothes. 72 00:03:41,360 --> 00:03:44,040 Speaker 2: Yeah. So perhaps my family would respect my wishes and 73 00:03:44,080 --> 00:03:47,920 Speaker 2: put my little bow peep outfit underneath your leathers, my 74 00:03:48,000 --> 00:03:52,360 Speaker 2: bike leathers which I'm wearing today. 75 00:03:53,000 --> 00:03:57,480 Speaker 3: Which one little both people bike leathers. Well, you know, yeah, 76 00:03:57,160 --> 00:04:00,160 Speaker 3: you know, you know, I hope we haven't offended. 77 00:03:59,880 --> 00:04:05,440 Speaker 2: It on with this talk. It's johnsy anamgus cutting room floor. 78 00:04:06,800 --> 00:04:08,560 Speaker 2: A lot of stuff ended up on the cutting room 79 00:04:08,600 --> 00:04:11,920 Speaker 2: floor today and this one certainly piqued my interest. A 80 00:04:12,000 --> 00:04:16,240 Speaker 2: male job application returned to a woman after nearly fifty years. 81 00:04:16,279 --> 00:04:18,800 Speaker 3: This story is quite extraordinary. She spoke to the BBC 82 00:04:18,920 --> 00:04:22,440 Speaker 3: about it. She's a British woman and she applied for 83 00:04:22,480 --> 00:04:26,280 Speaker 3: a job as a motorcycle stunt rider fifty years ago. 84 00:04:26,400 --> 00:04:28,599 Speaker 3: You know what shocks me is when you hear fifty 85 00:04:28,680 --> 00:04:31,400 Speaker 3: years ago. I think nineteen forty She sent off this 86 00:04:31,400 --> 00:04:35,320 Speaker 3: application in nineteen seventy six. I know anyway, it was 87 00:04:35,360 --> 00:04:37,920 Speaker 3: her dream job as a motorcycle stunt rider. She said, 88 00:04:38,080 --> 00:04:40,920 Speaker 3: I wondered why I never heard back. Now I know why, 89 00:04:40,960 --> 00:04:43,160 Speaker 3: And she said it's really weird. She's moved house about 90 00:04:43,160 --> 00:04:46,000 Speaker 3: fifty times, she's moved countries four or five times, and 91 00:04:46,080 --> 00:04:48,120 Speaker 3: it found her. But she said, I remember sitting in 92 00:04:48,120 --> 00:04:50,080 Speaker 3: my flat in London typing the letter every day. I 93 00:04:50,120 --> 00:04:52,400 Speaker 3: looked for my for the post, but there was nothing 94 00:04:52,400 --> 00:04:54,320 Speaker 3: there and I was disappointed. She said, I really really 95 00:04:54,520 --> 00:04:56,920 Speaker 3: wanted to be a stunt rider on a motorcycle. 96 00:04:57,360 --> 00:04:58,800 Speaker 2: What did the letter actually say? 97 00:04:58,839 --> 00:05:01,120 Speaker 3: Do we know it was a job at ocasion and 98 00:05:01,320 --> 00:05:04,440 Speaker 3: she recently received it with a note saying late delivery 99 00:05:04,560 --> 00:05:08,679 Speaker 3: by the Stains Post Office found behind a draw fifty 100 00:05:08,760 --> 00:05:09,360 Speaker 3: years late. 101 00:05:09,520 --> 00:05:12,040 Speaker 2: Yeah, I just wonder what they said, whether she got 102 00:05:12,040 --> 00:05:12,599 Speaker 2: the job or not. 103 00:05:12,720 --> 00:05:14,800 Speaker 3: I don't think that they even found it, because they 104 00:05:14,839 --> 00:05:15,880 Speaker 3: found her life. 105 00:05:16,240 --> 00:05:17,160 Speaker 2: So it never made it. 106 00:05:17,160 --> 00:05:19,560 Speaker 3: It never made it. She said. This didn't stop her 107 00:05:19,920 --> 00:05:21,960 Speaker 3: from pursuing her dare devil instinct. She went on to 108 00:05:22,000 --> 00:05:25,640 Speaker 3: perform jobs that included being a snake handler, an aerobatic pilot, 109 00:05:25,680 --> 00:05:26,920 Speaker 3: and a flying instructor. 110 00:05:27,080 --> 00:05:30,120 Speaker 2: Right, because that is curious, that's whole sliding doors life. 111 00:05:30,120 --> 00:05:33,480 Speaker 2: Imagine if indeed that letter had got through ANGI indeed 112 00:05:33,680 --> 00:05:35,960 Speaker 2: had got the job. She could have been lining up 113 00:05:36,000 --> 00:05:38,320 Speaker 2: to jump sixteen buses or something. 114 00:05:38,360 --> 00:05:41,280 Speaker 3: She could have been Edna Knievel. 115 00:05:41,440 --> 00:05:44,479 Speaker 2: Edna Knievel and have a swave of broken bones. 116 00:05:45,640 --> 00:05:48,520 Speaker 3: You never know. But this is classical, classic kind of 117 00:05:48,880 --> 00:05:51,279 Speaker 3: job applications where you send it off and people don't 118 00:05:51,279 --> 00:05:52,760 Speaker 3: even bother getting back to you anymore. 119 00:05:53,680 --> 00:05:56,240 Speaker 2: Tell me about a TV are the worst offenders of this? 120 00:05:56,560 --> 00:05:59,800 Speaker 2: I've you name a TV show I have auditioned or 121 00:06:00,160 --> 00:06:02,240 Speaker 2: I don't know audition, They screen test, they go, hey, 122 00:06:02,320 --> 00:06:04,800 Speaker 2: come and do this, and in the end they want 123 00:06:04,800 --> 00:06:06,240 Speaker 2: Grant Daniel or Oshiginsburg. 124 00:06:06,320 --> 00:06:09,080 Speaker 3: I'm still waiting for a callback from Simon Townsen's Wonderworld, 125 00:06:09,160 --> 00:06:12,440 Speaker 3: where I'd been there as a researcher and then a 126 00:06:12,480 --> 00:06:13,840 Speaker 3: reporter left and he said, oh, do you want to 127 00:06:13,880 --> 00:06:15,120 Speaker 3: do it? And I said yes, and I haven't heard 128 00:06:15,120 --> 00:06:18,320 Speaker 3: back since that was in nineteen eighty three. 129 00:06:18,520 --> 00:06:22,080 Speaker 2: Yeah. I remember a show called Mondo Thingo many years ago, 130 00:06:22,480 --> 00:06:25,719 Speaker 2: hosted by that lovelier man to kill the ABC whatever 131 00:06:25,760 --> 00:06:30,360 Speaker 2: happened to her? I wonder anyway. They approached me and said, 132 00:06:30,640 --> 00:06:33,080 Speaker 2: would you like to be Amanda's co host on this show? 133 00:06:33,160 --> 00:06:34,200 Speaker 3: I put your name for it. 134 00:06:34,279 --> 00:06:36,880 Speaker 2: You did, indeed, and you ended up going. 135 00:06:36,720 --> 00:06:41,479 Speaker 3: With Steve Kane Steve Cannet. He looks like you, but 136 00:06:41,640 --> 00:06:42,520 Speaker 3: worked at the ABC. 137 00:06:42,880 --> 00:06:45,760 Speaker 2: I remember seeing being at the audition the screen test, 138 00:06:45,760 --> 00:06:47,359 Speaker 2: and we'd great chemistry. 139 00:06:47,440 --> 00:06:50,040 Speaker 3: We knew each other, so we chatted, just friendly. 140 00:06:49,839 --> 00:06:52,040 Speaker 2: Ish and then I was looking up at the monitor 141 00:06:52,120 --> 00:06:55,359 Speaker 2: and they ran Steve's tape and I went and I 142 00:06:55,400 --> 00:06:56,919 Speaker 2: thought it was me. For a second, I thought I 143 00:06:56,960 --> 00:06:59,159 Speaker 2: was looking at myself and the monitor, and then I 144 00:06:59,200 --> 00:07:01,360 Speaker 2: realized it wasn't. I said, who's that? And they said 145 00:07:01,360 --> 00:07:03,640 Speaker 2: on Steve Kanain. I said, he looks like me. 146 00:07:03,839 --> 00:07:06,400 Speaker 3: Looks like you, but had a lot of ABC things 147 00:07:06,400 --> 00:07:09,920 Speaker 3: to say. He's now a US and Overseas correspondent, an 148 00:07:10,000 --> 00:07:15,760 Speaker 3: incredible journalist, and me and you were there too, and. 149 00:07:15,680 --> 00:07:19,520 Speaker 2: I said to them, I said to them, I said, 150 00:07:20,000 --> 00:07:22,000 Speaker 2: well he works at the ABC already element yes, and 151 00:07:22,000 --> 00:07:23,560 Speaker 2: I said, well, why don't you just give him the job? 152 00:07:23,600 --> 00:07:25,400 Speaker 3: Well, no, I wanted you to come in and you know, 153 00:07:25,560 --> 00:07:28,040 Speaker 3: have a go. And how did you go? 154 00:07:28,520 --> 00:07:30,720 Speaker 2: Well, I didn't hear back. So what would happen is 155 00:07:30,760 --> 00:07:33,240 Speaker 2: I would ring the lady Cath I think her name was. 156 00:07:33,240 --> 00:07:34,920 Speaker 2: I'd ring her. I said, how are we going with 157 00:07:34,960 --> 00:07:37,160 Speaker 2: the Mondo thing? I think? And she said, oh, look, 158 00:07:37,400 --> 00:07:39,080 Speaker 2: I can't tell you. And I said, so it's a no, 159 00:07:39,520 --> 00:07:42,640 Speaker 2: oh no, no, it's it's still a maybe. And I'm okay, 160 00:07:42,840 --> 00:07:45,120 Speaker 2: so I'll come in. Then I said yes, oh no. 161 00:07:45,320 --> 00:07:48,160 Speaker 2: And this went on for some time and the show acts, 162 00:07:48,200 --> 00:07:49,840 Speaker 2: and then I ring her from time to time to 163 00:07:49,880 --> 00:07:52,640 Speaker 2: take caf still jonesy, Yeah, how are we going with 164 00:07:52,920 --> 00:07:57,120 Speaker 2: mondo thinger? Well, so I'll come in, you know, I'll 165 00:07:57,120 --> 00:07:57,600 Speaker 2: come and work. 166 00:07:57,720 --> 00:08:01,160 Speaker 3: And look, the show was axed maybe twenty five years ago. 167 00:08:01,360 --> 00:08:03,640 Speaker 3: Twenty years ago, do you think you still might be 168 00:08:03,640 --> 00:08:05,200 Speaker 3: in with a chance I could be able a chat? 169 00:08:05,240 --> 00:08:05,480 Speaker 2: Maybe? 170 00:08:05,520 --> 00:08:05,960 Speaker 3: You never know. 171 00:08:06,080 --> 00:08:09,360 Speaker 2: With that nice lady from the television, she liked you. 172 00:08:10,160 --> 00:08:20,560 Speaker 1: Yeah, y have Amanda's curtain room. Get rid of everybody 173 00:08:20,560 --> 00:08:25,640 Speaker 1: here some more Chelsey and Amanda's curtain Room. 174 00:08:25,680 --> 00:08:27,679 Speaker 2: What's ended up on the cutting room floor today? 175 00:08:27,720 --> 00:08:31,280 Speaker 3: Amanda, Well, it's something very unsavory, and I apologize, but 176 00:08:31,360 --> 00:08:33,560 Speaker 3: you wanted to talk about this, so don't make it 177 00:08:33,600 --> 00:08:35,440 Speaker 3: sound like I'm bringing this to the table. 178 00:08:36,840 --> 00:08:39,040 Speaker 2: What are you saying? Have I given you a bit 179 00:08:39,040 --> 00:08:39,920 Speaker 2: of a hospital past? 180 00:08:40,040 --> 00:08:40,320 Speaker 3: Very much? 181 00:08:40,600 --> 00:08:42,960 Speaker 2: There's a podcast. This is what you do in podcasts? 182 00:08:42,960 --> 00:08:45,520 Speaker 2: Have you not noticed on podcasts not a podcast of course, 183 00:08:45,559 --> 00:08:47,360 Speaker 2: and you just talk about whatever you want in the 184 00:08:47,400 --> 00:08:50,640 Speaker 2: Abby chatfield world of podcasts or whatever she's doing this week? 185 00:08:50,920 --> 00:08:53,000 Speaker 2: Is she still doing podcasts? I don't know from week 186 00:08:53,000 --> 00:08:54,760 Speaker 2: to wed. Next week she'll be making cement on a 187 00:08:54,800 --> 00:08:58,080 Speaker 2: building side. I just discovered this. How good is it? Anyway? 188 00:08:58,679 --> 00:09:00,760 Speaker 2: On a podcast you can talk about whatever you want. 189 00:09:00,840 --> 00:09:03,720 Speaker 3: Well, this is the thing that Jonesy has found fascinating. 190 00:09:03,800 --> 00:09:06,920 Speaker 2: Not fascinating. This is the world that we live in. 191 00:09:07,240 --> 00:09:09,520 Speaker 2: It's an indictment on our current society. 192 00:09:09,840 --> 00:09:13,880 Speaker 3: Well, normally in the world, humans complain about it when 193 00:09:13,920 --> 00:09:17,720 Speaker 3: they step into dog poo in parks. Yeah, this woman 194 00:09:17,760 --> 00:09:21,120 Speaker 3: is complaining because she's got a white fluffy dog. 195 00:09:21,320 --> 00:09:22,640 Speaker 2: Yep. And she's a dog walkers. 196 00:09:22,840 --> 00:09:25,480 Speaker 3: She's a dog is she? She's a dog owner? I 197 00:09:25,480 --> 00:09:29,160 Speaker 3: thought she was a dog walker, but she is sick 198 00:09:29,320 --> 00:09:35,240 Speaker 3: of her dogs finding human Number Two's in Bondai, so 199 00:09:35,320 --> 00:09:38,360 Speaker 3: where that's where we are in the world. Humans or 200 00:09:38,400 --> 00:09:41,040 Speaker 3: dog owners are complaining because the dogs step in human pooh. 201 00:09:41,240 --> 00:09:46,280 Speaker 2: Yeah, yeah, it's it's the beautiful people. The house is 202 00:09:46,280 --> 00:09:48,440 Speaker 2: full of furniture, the gardens full of plants. 203 00:09:48,720 --> 00:09:51,400 Speaker 3: This is the world now, the other way around, the 204 00:09:51,480 --> 00:09:54,640 Speaker 3: house is full of Yeah, the gardens full of furniture. 205 00:09:54,960 --> 00:09:56,000 Speaker 2: The house is full of plants. 206 00:09:56,000 --> 00:09:58,120 Speaker 3: That's a freaky So the house is full of furniture, 207 00:09:58,160 --> 00:10:00,600 Speaker 3: the garden free these. 208 00:10:01,120 --> 00:10:06,080 Speaker 2: Sorry, I was being clever by prophesizing the future. According 209 00:10:06,120 --> 00:10:08,080 Speaker 2: to James rayn An, Australian crawls. 210 00:10:07,760 --> 00:10:10,800 Speaker 3: Which no one's ever bothered to do until now. Well, 211 00:10:10,800 --> 00:10:14,120 Speaker 3: she's called out Bondai's public poopers and there's a terrible 212 00:10:14,120 --> 00:10:16,400 Speaker 3: photo that she's posted of a big white, fluffy dog 213 00:10:16,640 --> 00:10:19,400 Speaker 3: that's rolled in something dreadful. And when have you ever 214 00:10:20,360 --> 00:10:23,760 Speaker 3: been somewhere when that smell hits. 215 00:10:23,600 --> 00:10:26,480 Speaker 2: You, it's you know, it's the worst. It's the worst. 216 00:10:26,520 --> 00:10:29,800 Speaker 3: And this biologically is what keeps us alive because as humans, 217 00:10:30,200 --> 00:10:34,760 Speaker 3: we recoil from that smell because we know that's human, 218 00:10:34,840 --> 00:10:39,160 Speaker 3: that's lavatory, that's unclean and may be diseased, and to 219 00:10:39,160 --> 00:10:43,040 Speaker 3: stay away. So unfortunately her dogs be rolling. It's what 220 00:10:43,120 --> 00:10:46,360 Speaker 3: she's doing. She's speculating as to why there are so 221 00:10:46,520 --> 00:10:51,160 Speaker 3: many and why, well, I don't know, she said. She 222 00:10:51,240 --> 00:10:53,520 Speaker 3: thinks it must be early morning joggers who do a 223 00:10:53,600 --> 00:10:55,679 Speaker 3: number two when no one else is around when the 224 00:10:55,800 --> 00:10:57,680 Speaker 3: urge comes to them and they're too far from home. 225 00:10:57,800 --> 00:10:59,040 Speaker 2: That's what happens with the poo jobs. 226 00:10:59,080 --> 00:11:00,720 Speaker 3: And then you get used to it and you do 227 00:11:00,760 --> 00:11:01,920 Speaker 3: it there every day. 228 00:11:02,640 --> 00:11:02,840 Speaker 2: You know. 229 00:11:02,840 --> 00:11:05,280 Speaker 3: They talk about people who have a coffee and then 230 00:11:05,360 --> 00:11:08,320 Speaker 3: have to go and do one jogging must bring this on. 231 00:11:08,559 --> 00:11:10,400 Speaker 2: You have the same situation whenever you go into a 232 00:11:10,400 --> 00:11:11,360 Speaker 2: public library. 233 00:11:11,440 --> 00:11:12,280 Speaker 3: I do, but I don't. 234 00:11:12,840 --> 00:11:14,560 Speaker 2: Yeah, I do. You go to the facility. 235 00:11:14,600 --> 00:11:16,400 Speaker 3: I use the facilities, of course, but there are some 236 00:11:16,520 --> 00:11:19,360 Speaker 3: places where you are and furniture shops. I get it 237 00:11:19,400 --> 00:11:22,840 Speaker 3: as well. And you know what I discovered in those 238 00:11:22,880 --> 00:11:27,760 Speaker 3: big furniture warehouses, housing stores. Not all those toilets are 239 00:11:27,800 --> 00:11:32,400 Speaker 3: plumbed in. Party's often spoken about an ad that was 240 00:11:32,440 --> 00:11:34,800 Speaker 3: on New Zealand Telligence number of years ago talking about 241 00:11:34,800 --> 00:11:37,320 Speaker 3: a toilet and said, you don't have to plummet in said, well, 242 00:11:37,320 --> 00:11:38,280 Speaker 3: why would I plummet in that? 243 00:11:38,400 --> 00:11:44,280 Speaker 2: Anyway? Away from that, this lady has said. 244 00:11:44,320 --> 00:11:45,400 Speaker 3: We're going to talk about it more. 245 00:11:45,480 --> 00:11:46,280 Speaker 2: Why you talk about it? 246 00:11:46,800 --> 00:11:48,400 Speaker 3: I don't want to read that, but you read it well. 247 00:11:48,480 --> 00:11:53,599 Speaker 2: She just said that her two dogs make a beeline 248 00:11:53,920 --> 00:11:57,320 Speaker 2: to the pile of poo and then start eating it. 249 00:11:57,400 --> 00:11:59,600 Speaker 2: Like a delicacy. Do dogs do that? Yeah? They do. 250 00:11:59,640 --> 00:12:02,960 Speaker 3: They love it. She's also said that the locations that 251 00:12:02,960 --> 00:12:06,319 Speaker 3: these number twos are in are in ergonomic spots. What 252 00:12:06,360 --> 00:12:08,120 Speaker 3: does that mean? She said, it's like they've sat down 253 00:12:08,120 --> 00:12:09,320 Speaker 3: and they've conveniently done it. 254 00:12:09,600 --> 00:12:11,840 Speaker 2: Does that mean so maybe it's a little mound or 255 00:12:11,840 --> 00:12:13,920 Speaker 2: something like that vacant? 256 00:12:14,120 --> 00:12:15,600 Speaker 3: Do you know if you get caught doing this? 257 00:12:15,760 --> 00:12:16,760 Speaker 2: Yeah? Well what's the fine? 258 00:12:16,920 --> 00:12:19,839 Speaker 3: Maximum? Three months in jail? Being in prison? I said, 259 00:12:19,840 --> 00:12:21,960 Speaker 3: what are you here for? I'd say I murdered someone 260 00:12:21,960 --> 00:12:23,920 Speaker 3: because I'd be too embarrassed to say I did, a 261 00:12:23,960 --> 00:12:24,720 Speaker 3: poor heart. 262 00:12:24,960 --> 00:12:36,360 Speaker 2: And I liked it. Kno, you've tried it. What's on 263 00:12:36,400 --> 00:12:37,800 Speaker 2: the cutting room floor today, mun't? 264 00:12:38,320 --> 00:12:40,320 Speaker 3: I want to ask you if you've ever been burgled? 265 00:12:40,360 --> 00:12:42,960 Speaker 3: And I'm not asking if you've been burglarized because that's 266 00:12:42,960 --> 00:12:45,240 Speaker 3: no such word. And I know you like to say 267 00:12:45,600 --> 00:12:48,320 Speaker 3: someone was wearing a burgular cap, it's burglar cap, but 268 00:12:48,400 --> 00:12:50,400 Speaker 3: that aside, have you ever been burgled? 269 00:12:50,400 --> 00:12:54,400 Speaker 2: I'm very security conscious? Yeah? Yeah, I've got like a man. 270 00:12:54,160 --> 00:12:56,679 Speaker 3: Traps is your door like Maxwell smoke. 271 00:12:58,000 --> 00:13:01,160 Speaker 2: Locks on locks, I've got nails, I've got flame throwers. 272 00:13:01,240 --> 00:13:03,000 Speaker 3: And yet your wife leaves a garage door open. 273 00:13:04,080 --> 00:13:07,200 Speaker 2: That does drive me crazy. Although we've got a house. Now, 274 00:13:07,200 --> 00:13:09,679 Speaker 2: we've got two garages, so I don't give a rats 275 00:13:09,679 --> 00:13:10,520 Speaker 2: about her garage. 276 00:13:10,520 --> 00:13:11,520 Speaker 3: It doesn't lead into the house. 277 00:13:11,559 --> 00:13:15,840 Speaker 2: Someone wants to steal some weed feed, fine, what weed feed? 278 00:13:16,320 --> 00:13:18,400 Speaker 2: I that weed killer? I don't know. Whatever the junk 279 00:13:18,480 --> 00:13:21,240 Speaker 2: she keeps in her garage and some ancient gold throwing 280 00:13:21,240 --> 00:13:23,880 Speaker 2: her own stash, then fine, But my garage is like 281 00:13:23,960 --> 00:13:25,720 Speaker 2: fort not knocks. Well. 282 00:13:25,760 --> 00:13:27,680 Speaker 3: The reason I ask is that it'd be a horrendous 283 00:13:27,679 --> 00:13:31,080 Speaker 3: thing to be burgled, Yes, terrifying, But what about what 284 00:13:31,120 --> 00:13:35,280 Speaker 3: happened here? This man broke into a woman's house. He 285 00:13:35,400 --> 00:13:38,120 Speaker 3: hung up her washing and left her a glass of wine. 286 00:13:38,520 --> 00:13:41,520 Speaker 3: He sort of threw her laundry load and embarrassing. I 287 00:13:41,520 --> 00:13:44,240 Speaker 3: wonder if he separated the colors from the wine. He 288 00:13:44,320 --> 00:13:45,920 Speaker 3: left her a glass of wine and wrote a note 289 00:13:45,960 --> 00:13:48,640 Speaker 3: after breaking into her house. His name is Damien, and 290 00:13:48,640 --> 00:13:50,200 Speaker 3: if you want to look him up, please do because 291 00:13:50,200 --> 00:13:52,319 Speaker 3: I'd like him to come to my house watching miss 292 00:13:52,440 --> 00:13:56,680 Speaker 3: Mioshia polish name. It broke into a house after she 293 00:13:56,760 --> 00:13:59,600 Speaker 3: left for work and started doing household chores. First of all, 294 00:13:59,600 --> 00:14:02,319 Speaker 3: he cooked himself a meal. Then he helped himself to wine. 295 00:14:02,320 --> 00:14:04,600 Speaker 3: He hung out the laundry, and he wrote a note saying, 296 00:14:04,880 --> 00:14:08,240 Speaker 3: don't worry, be happy, eat up and scratch. What does 297 00:14:08,280 --> 00:14:10,880 Speaker 3: that mean. He also topped up the garden bird feeder 298 00:14:11,080 --> 00:14:12,360 Speaker 3: and rearranged her pop plant. 299 00:14:12,440 --> 00:14:13,120 Speaker 2: What's with that? 300 00:14:13,400 --> 00:14:15,800 Speaker 3: What's with that? The prosecutor has said, this is a 301 00:14:15,920 --> 00:14:19,800 Speaker 3: very unusual burglary. There's been consumption of food and alcohol. 302 00:14:20,200 --> 00:14:23,320 Speaker 3: The victim spoke to her neighbor who said she'd seen 303 00:14:23,400 --> 00:14:26,640 Speaker 3: someone hanging the washing on the line, so he also 304 00:14:26,720 --> 00:14:30,480 Speaker 3: cleaned floors. He emptied a recycling bin, he put away shopping, 305 00:14:30,880 --> 00:14:34,760 Speaker 3: rearranged household items before making a getaway. And what's really 306 00:14:34,800 --> 00:14:39,080 Speaker 3: interesting is he struck again two weeks later, a similar burglary. 307 00:14:39,520 --> 00:14:42,480 Speaker 3: He went to the victim's summer house. He washed the 308 00:14:42,560 --> 00:14:45,840 Speaker 3: person's clothes a man's clothes, waited for them to dry 309 00:14:46,000 --> 00:14:51,040 Speaker 3: before eating the householder's food. The victim had security cameras 310 00:14:51,080 --> 00:14:54,920 Speaker 3: fitted and they were watching the burglary unfold on this phone, 311 00:14:55,000 --> 00:14:57,880 Speaker 3: but he was stuck in traffic. They contacted a family 312 00:14:57,920 --> 00:15:00,680 Speaker 3: member who confronted the defendant and him to leave, and 313 00:15:00,680 --> 00:15:03,960 Speaker 3: then contacted police. He was arrested two counts of burglary. 314 00:15:04,880 --> 00:15:06,880 Speaker 3: But does that mean he had to have stolen something. 315 00:15:06,960 --> 00:15:08,040 Speaker 3: It probably ate their food. 316 00:15:08,080 --> 00:15:12,520 Speaker 2: I think it's breaking stole food. Yeah, and so this 317 00:15:12,600 --> 00:15:15,080 Speaker 2: is a man, it's not Paula Duncan got a call 318 00:15:15,120 --> 00:15:15,760 Speaker 2: from mister Fry. 319 00:15:15,840 --> 00:15:18,640 Speaker 3: Now tell you what if you're going to get burgled, 320 00:15:18,960 --> 00:15:20,080 Speaker 3: be burgled by someone like that. 321 00:15:20,120 --> 00:15:21,440 Speaker 2: I would like to be burgled by something like that. 322 00:15:21,640 --> 00:15:24,920 Speaker 3: Puts your shopping away, does your washing pause you? A 323 00:15:24,960 --> 00:15:27,680 Speaker 3: glass of wine, takes out the recycling. 324 00:15:27,760 --> 00:15:28,440 Speaker 2: Yeah. 325 00:15:28,480 --> 00:15:29,680 Speaker 3: I don't know what's in it for him. 326 00:15:31,160 --> 00:15:33,440 Speaker 2: Maybe he just gets off on being nice. 327 00:15:33,520 --> 00:15:36,600 Speaker 3: Well, maybe maybe he gets off on just being in 328 00:15:36,640 --> 00:15:38,720 Speaker 3: a home. Maybe he lives in a place where he 329 00:15:38,760 --> 00:15:41,520 Speaker 3: doesn't have access to those sort of amenities. We can 330 00:15:41,560 --> 00:15:44,280 Speaker 3: do your washing and sort your stuff. Maybe he likes 331 00:15:44,320 --> 00:15:45,120 Speaker 3: being cozy. 332 00:15:45,440 --> 00:15:48,760 Speaker 2: The fear of being burgled is a terrible fear. Do 333 00:15:48,840 --> 00:15:49,680 Speaker 2: you feel that. 334 00:15:49,840 --> 00:15:51,760 Speaker 3: No, I don't, and maybe I should. My mum got 335 00:15:51,800 --> 00:15:54,560 Speaker 3: burgled a couple of times, to the point where she 336 00:15:55,280 --> 00:15:58,880 Speaker 3: found it almost liberating in a sad way that she 337 00:15:58,960 --> 00:16:02,240 Speaker 3: stopped thinking that things mattered because she'd lost a few 338 00:16:02,360 --> 00:16:03,720 Speaker 3: good things that have been stolen. 339 00:16:03,920 --> 00:16:04,400 Speaker 2: They steal. 340 00:16:05,440 --> 00:16:07,720 Speaker 3: See, I was younger, so I wasn't living at home. 341 00:16:08,040 --> 00:16:10,400 Speaker 3: But now I'd like to know what all those and 342 00:16:10,440 --> 00:16:12,720 Speaker 3: wonder whether they had emotional attachment to Mum. But in 343 00:16:12,760 --> 00:16:14,920 Speaker 3: the end, when she would go out, she would either 344 00:16:15,040 --> 00:16:16,920 Speaker 3: the people who do this they put all their jewelry 345 00:16:16,960 --> 00:16:20,880 Speaker 3: in the freezer, or Mum would put her handbag inside 346 00:16:20,880 --> 00:16:23,120 Speaker 3: the washing machine with towels on top of it and 347 00:16:23,240 --> 00:16:27,520 Speaker 3: someone found it. Really, apparently that's a very common thing 348 00:16:27,600 --> 00:16:31,600 Speaker 3: to do inside the job unless all my dad or Cameron, 349 00:16:32,120 --> 00:16:34,880 Speaker 3: how would they find a washing machine? Unless it was 350 00:16:34,920 --> 00:16:36,960 Speaker 3: this burglar who was trying to do the Washington found 351 00:16:37,000 --> 00:16:37,560 Speaker 3: a handbag. 352 00:16:39,080 --> 00:16:45,400 Speaker 2: Yeah, I put my jewels in the fridge once shrunk 353 00:16:45,480 --> 00:16:47,800 Speaker 2: and ride up. Oh picks, that's it for today. 354 00:16:47,840 --> 00:16:51,560 Speaker 1: Come back to marrowle More Jonesy