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Speaker 1: Dowered by the High Harve Radio WAB from ninety six

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Speaker 1: AIRFM to whereever you're listening today.

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Speaker 2: This is Clezy Lisa's podcast.

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Speaker 3: Coming up on the podcast today we catch up with

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Speaker 3: relationship expert John Ake and we are close to the

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Speaker 3: launch of Maths.

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Speaker 1: We are ben o'shet talking about a very long movie

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Speaker 1: that tries to be a bit of everything Babylon.

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Speaker 3: Jess Lingard from the Weather Bureau explains to us, It's okay,

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Speaker 3: this is not a weird summer.

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Speaker 2: This is a normal summer.

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Speaker 1: We did some beautiful perth reminiscing about our wonderful concert

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Speaker 1: hall about Turn fifty.

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Speaker 3: Once upon a time, Clarzy two was considered company and

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Speaker 3: three was a crowd. But as Bob Dylan said, the

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Speaker 3: times all they are a changing. Yes, And have you

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Speaker 3: got yourself around the What the plans are at QT,

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Speaker 3: the hotel on Murray Street for Valentine's Day?

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Speaker 2: Have you heard about this?

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Speaker 1: I believe the operative number is not two but three.

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Speaker 3: This Valentine's Day, QT has organized its very first thruples event.

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Speaker 3: A thruple is I mean, it is pretty self explanatory,

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Speaker 3: isn't it. It's a romantic relationship between three people and

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Speaker 3: evidently a lot more common than many of us may realize.

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Speaker 3: This is Little Black Duck anyway, I know of one, yes,

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Speaker 3: well I know of more than one actually, but only

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Speaker 3: one where all the parties concerned actually would have met and.

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Speaker 2: Are all on board.

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Speaker 3: So it's the first event celebrating Treyo Migos menage, the

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Speaker 3: three Musketeers, the third U them and one.

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Speaker 2: Quote QT. So what's happening is.

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Speaker 3: Of each triole I do love the word. Each one

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Speaker 3: dining at each of qt's signature restaurants will be invited

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Speaker 3: for an overnight sleepover in a room upstairs to keep

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Speaker 3: the Valentine's Day vibe going.

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Speaker 1: So three pillows two three pillows, Yeah, unless you share them, that's.

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Speaker 2: You can it need a bigger bed to fit all

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Speaker 2: the pillows.

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Speaker 3: So the terms of what you might ask, what is

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Speaker 3: the potential, well, I mean, what are the benefits of

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Speaker 3: being in a thruple?

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Speaker 2: I can think of plenty, especially for when you're tired.

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Speaker 1: It might be always someone interested, yeah.

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Speaker 3: Exactly, or you could just say go find someone else

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Speaker 3: to They say, there's a raft of positives that go

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Speaker 3: along with being in a three person relationship. Increased emotional support,

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Speaker 3: variety in intimacy, shared responsibilities, and more opportunities for growth.

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Speaker 3: Having multiple partners can provide more emotional support and understanding,

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Speaker 3: as each person brings their own unique perspective and strength

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Speaker 3: to the relationship. Being in a thruple can also offer

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Speaker 3: a wide range of experiences and expressions of intimacy. So

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Speaker 3: it's all too much about if you ask me, and

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Speaker 3: each person brings their own desires and preferences to the relationship.

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Speaker 3: Do you remind I like the idea of three comes.

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Speaker 2: That I'm not practical?

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Speaker 1: Guys, the rates are in three incomes.

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Speaker 2: Yes, more people, that was my next point.

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Speaker 3: More people to do the dishes only every third night,

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Speaker 3: more people to do the cleaning.

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Speaker 1: Come and get back to the sex. You think you

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Speaker 1: know Billy Thorpe, the Old Rocket, the Late Rocket.

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Speaker 2: Most people I know think that he's crazy.

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Speaker 4: Now.

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Speaker 1: He had a book called Sex and Thugs in Rock

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Speaker 1: and Roll, And he had in a troupple which I've

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Speaker 1: never heard of before, having a chat with him, and

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Speaker 1: he said he lived in the early seventies and King's

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Speaker 1: Cross with a woman called Pepper and the other one

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Speaker 1: was called Moonflower or something. And he said it was great.

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Speaker 2: You know who the original Throple? I always knew of

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Speaker 2: Jack Thompson.

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Speaker 1: There you go, you know the original.

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Speaker 3: The original Cleo STI that's he had his hand over

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Speaker 3: his you know gg yep, frozen member's non frozen times

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Speaker 3: and yeah, lived in a throuple out in the I

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Speaker 3: don't know.

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Speaker 1: That Jack and Thorpe originators in Australia of the trouple anyway,

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Speaker 1: And it's a weird because I've never seen it written

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Speaker 1: down before. It looks like three pool, does it.

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Speaker 3: Yeah, for those of us who can't even find one

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Speaker 3: person to spend Valentine's Day with, greedy buggies, yesthruples, enjoy

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Speaker 3: good luck. Q. One might say we're smack bang in

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Speaker 3: the middle of summer at the moment if one thinks

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Speaker 3: that summer starts on the first of December.

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Speaker 2: But it's close enough to being in the middle of summer.

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Speaker 3: And we're heading for thirty three degrees today and mostly sunny,

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Speaker 3: which is absolutely pleasant. This time last year, we're almost

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Speaker 3: all died of heat exhaustion.

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Speaker 2: And I'm just wondering if this year is going to

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Speaker 2: remain a different sort of summer or should we be

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Speaker 2: careful what we wish for we might be one of

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Speaker 2: those March April scorching kind of wrap up.

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Speaker 3: We've taken it to the Bureau of Meteorology and Jess

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Speaker 3: Ling Guard's joining us.

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Speaker 2: Morning, Jess, Jess, Morning, Jess.

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Speaker 3: Are we having a cool summer or is it just

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Speaker 3: that I'm still traumatized after what last summer was like?

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Speaker 5: All though?

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Speaker 6: Look, to be honest, what we've got now is bang

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Speaker 6: on average Perth summer like. This is what s a

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Speaker 6: Puma summer is supposed to be Perth like. Looking at

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Speaker 6: the long term average, we are exactly zero point zero

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Speaker 6: degrees different from average. So look, we are doing wonderfully.

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Speaker 6: This is what it's supposed to be. Last year was

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Speaker 6: just an absolute travisy.

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Speaker 1: So what happened last year for anyone what causes extreme heat?

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Speaker 1: Last year it was bizarre climate change.

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Speaker 6: Well, I mean, we could go that way definitely. But

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Speaker 6: so one of the features of WA summers is these

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Speaker 6: West Coast trouts, and they form every sort of few

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Speaker 6: days they form down the West coast. They bring nice

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Speaker 6: warm air down to us. We've got one right now.

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Speaker 6: It's why we're warming up sort of today and tomorrow.

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Speaker 6: And then they move inland, we get a nice cal

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Speaker 6: change and we get a couple of days of you know,

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Speaker 6: slightly cooler weather, then another one forms. Last year, these

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Speaker 6: were forming, they were sitting off the coast, they weren't moving,

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Speaker 6: they were staying stationary for sort of five six days

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Speaker 6: instead of maybe one or two. And it just meant

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Speaker 6: that all this warm air down from the Pilber, from

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Speaker 6: the Gascoyne was just building up down the west coast,

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Speaker 6: and we just had heat wave after heat wave, and

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Speaker 6: these troughs were sticking around and just not clearing through

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Speaker 6: this year, they're doing what they're supposed to do. They're forming,

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Speaker 6: they're hanging around for a day, and then they're moving

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Speaker 6: eastwards and we get a nice call change. So this

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Speaker 6: is what we're supposed to be having.

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Speaker 2: We're loving them for it.

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Speaker 3: Now, with your insight into the future, February usually, if

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Speaker 3: that's the case, then my memory says February is always

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Speaker 3: sort of the hottest time, and that's when we might

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Speaker 3: get a few forties.

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Speaker 2: Are there any forties on the horizon that you can see?

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Speaker 6: Look, I mean for the next week. No, we're going

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Speaker 6: to be hanging out in the you know, in the

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Speaker 6: low thirties, which is just perfect for me. That's probably

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Speaker 6: reaching my personal barriers. Yeah, yeah, but February is Perth's

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Speaker 6: hottest month, and as you know, the same for across

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Speaker 6: the southwest of WA. And looking at the sort of

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Speaker 6: the climbate outlook for the next month, we are looking

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Speaker 6: at maybe in about and have ridge summer, or at

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Speaker 6: least than have ridge February. So look, I'm hoping that

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Speaker 6: what we've got at the moment just continues to make

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Speaker 6: its way through February and we're not hit with anything disgusting.

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Speaker 1: Jess, what about the A lot of people are going cheese.

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Speaker 1: Has been really windy, But are these usual summer breezes

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Speaker 1: we have, because it has been pretty windy, particularly at night.

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Speaker 6: Yeah, and it has been sort of over the last

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Speaker 6: week or so, we have seen a sort of quite

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Speaker 6: a bit of wind along the west coast, and well

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Speaker 6: that's just sort of basically a combo of a bit

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Speaker 6: of a sea breeze through the afternoons. And then also

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Speaker 6: we've had a really strong sort of ridge of high

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Speaker 6: pressure to the south of the state and that creates

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Speaker 6: going to get all sciency here, we get a really

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Speaker 6: strong pressure gradient and that increases the wind speeds across

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Speaker 6: the west coast. Combine that with your sea breeze is

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Speaker 6: in the afternoon, means that it gets a bit blowy.

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Speaker 4: Yeah.

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Speaker 3: Well, Jess, whatever input you have into the weather, thank

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Speaker 3: you for it.

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Speaker 6: No, we're loving you my personal work.

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Speaker 2: Well, yeah, we're sleeping through the night.

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Speaker 3: It's fantastic, Jesslin God from the Bureau of Meteorology with

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Speaker 3: great news is what it's meant to be.

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Speaker 6: No worries.

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Speaker 1: That's having me expert. Yeah, and Jess has just gone

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Speaker 1: through Christmas and all of catchups and all that I reckon.

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Speaker 1: There were none there were any events she went to

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Speaker 1: when people weren't asking about the weather. No, or blaming

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Speaker 1: her for it, blaming him. Yeah, big time. It always happens.

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Speaker 5: It's more more Lisa, more podcasts soon.

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Speaker 1: The sure report on ninety six.

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Speaker 3: The Golden Globes last week might have been a COVID

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Speaker 3: super spreader. The likes of Jamie Lee Curtis, Michelle fire For,

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Speaker 3: Colin Farrell and Brendan Gleeson have all tested positive in

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Speaker 3: the week and a half since it means they all

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Speaker 3: had to miss the other night's Critics Choice Awards. The

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Speaker 3: upcoming movie about the life of Michael Jackson finally has

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Speaker 3: a director attached Antwine fuck w sorry you have no

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Speaker 3: idea of it nervous being about mister Antwine's name, He's

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Speaker 3: going to help the bio pick. His previous credits include

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Speaker 3: Training Day That was a good movie, and more recently,

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Speaker 3: Will Smith's Emancipation.

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Speaker 2: The guy who wrote sky Fall has written the script.

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Speaker 3: Oh strangely from James Bond to Michael Jackson but anyway,

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Speaker 3: and it's being produced by Graham King, whose very impressive

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Speaker 3: credits include The Departed, The Aviator and be Him in Rhapsody.

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Speaker 3: Meryl Streep is joining the cast of The Martin Short

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Speaker 3: and Steve Martin Show Only Murders in the Building.

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Speaker 2: Have you watched this?

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Speaker 3: I hear very good things. It streams on Disney Plus.

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Speaker 3: I must get around to checking it out. Season three

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Speaker 3: has Paul Rudd on board as well. He popped up

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Speaker 3: in the last episode of season two, and Harrison Ford

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Speaker 3: and Jason Siegel have teamed up for a show coming

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Speaker 3: to Apple TV at the end of this month that's

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Speaker 3: called Shrinking. Seagull plays Jimmy Laird, a grieving therapist who

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Speaker 3: suddenly breaks all the rules and tells his clients what

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Speaker 3: he really thinks about their respective situations, prompting them to

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Speaker 3: make big changes to their lives. Ford plays Jimmy's mentor.

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Speaker 3: It starts on January twenty seven, so not next Friday.

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Speaker 1: Interesting today, like the end of the premise Great Flick

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Speaker 1: with Beno on ninety six.

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Speaker 3: Well, I for one, have been looking forward to this

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Speaker 3: movie since the first time I watched the trailer it

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Speaker 3: was probably about late October early November last year, and

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Speaker 3: I thought, this looks right up my alely Lisa.

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Speaker 7: I don't want to I don't want to burst anyone's

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Speaker 7: bubble because I know so many people are excited about

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Speaker 7: Babylon Ye Brad Pi, it's our very own Margo Robbie.

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Speaker 7: It looks opulent. It's sort of the jazz era in Hollywood,

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Speaker 7: which is such a fascinating period of history, you know,

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Speaker 7: the whole Great Gatsby kind of vibe about it. But

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Speaker 7: they're on steroids, and it's being billed as you know,

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Speaker 7: like one of the greatest in them as spectacles of

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Speaker 7: all time. It's one hundred and eighty nine minutes long.

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Speaker 1: Oh yeah, I heard someone say over three hours. I

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Speaker 1: went really eighty nine a couple of those late lys,

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Speaker 1: same filmmaker did Ye Low one.

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Speaker 7: So Damien Chazelle is the director of this film, and

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Speaker 7: so he became the youngest director ever to win the

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Speaker 7: Oscar for Best Director in twenty seventeen when he won

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Speaker 7: for La La Land.

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Speaker 2: He was only thirty two years old.

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Speaker 7: And so when you're a thirty two year old who

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Speaker 7: wins the Oscar for Best Director, you know you pretty

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Speaker 7: much give an unlimited creative freedom for your next movie.

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Speaker 7: He'd probably given a little bit too much freedom in

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Speaker 7: this one. He also did Whiplash, which is another amazing

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Speaker 7: movie from a couple of years earlier.

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Speaker 1: So he's a dude who.

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Speaker 7: People think, you know, he is a very talented filmmaker.

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Speaker 7: Let's just give him a stack of money and let

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Speaker 7: him do whatever he wants. And that's basically what he's

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Speaker 7: done here. It's a story of three different characters and

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Speaker 7: you follow their journey through I guess this this awkward

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Speaker 7: period of Hollywood where it goes from the Silent era

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Speaker 7: to the talkies and how that impacts people's career and

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Speaker 7: also there's a lot of excess in the Golden Age

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Speaker 7: of Hollywood as well. You've got Margot Robbie's character, who

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Speaker 7: is sort of the wannabe starlett who wants fame at

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Speaker 7: all costs and she just wants to be up on

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Speaker 7: the big screen.

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Speaker 8: And she, you know, is a bit of a.

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Speaker 7: Party girl, a bit of a wild wild child, which

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Speaker 7: is the sort of character that you think Margot Robbie

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Speaker 7: be perfect at playing. And then you've got Diego Kalva,

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Speaker 7: a great, a great new talent on the screen who

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Speaker 7: plays this Mexican immigrant who is at the opposite end

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Speaker 7: of the spectrum, like he's kind of clawed his way

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Speaker 7: up from nobody and wants to make his mark in

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Speaker 7: the entertainment industry behind the camera as a producer, as

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Speaker 7: a Hollywood studio executive. And then you've got Brad Pitt

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Speaker 7: as the aging Hollywood star who was massive in the

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Speaker 7: silent era but now is facing this new reality where

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Speaker 7: he's got a talk on screen and he goes to

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Speaker 7: a cinema and people start laughing at the sound of

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Speaker 7: his voice, and so.

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Speaker 2: He's really struggled. That happened to a lot of them,

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Speaker 2: It really.

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Speaker 7: Happened, and so his kind of struggles to deal with

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Speaker 7: this changing world. So you've got these three stories that

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Speaker 7: inter sect and interweave over a period of time, and

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Speaker 7: on its own, that sounds like a great idea for

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Speaker 7: a movie. But Chazelle has you know, he's really kind

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Speaker 7: of leaned into this idea that he can do anything.

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Speaker 7: And so the first thirty minutes of the film is

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Speaker 7: such a mess. It's this huge party in this studio

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Speaker 7: executive's mansion in the Hollywood Hills in the sort of

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Speaker 7: the nineteen twenties. It's and there is probably a five

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Speaker 7: minute scene of an elephant pooping on somebody. There is

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Speaker 7: a dumbo, There is all sorts of stuff going on

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Speaker 7: at this wild party that probably not fit for breakfast Radio.

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Speaker 7: And as it's all unfolding, you're going, is this really necessary?

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Speaker 7: It feels just like you're being just provocative for the

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Speaker 7: point of being provocative, and it's sort of a bit fun.

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Speaker 7: But when it goes for he released the director's cut firs,

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Speaker 7: he's really the director's cut fast.

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Speaker 1: He remember sort of the Elvis movie in beslumin that

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Speaker 1: first It is a lot like that, And you.

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Speaker 7: Know, in the moments where it's a bit stripped back

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Speaker 7: and it's just down to the actual story of the characters,

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Speaker 7: you really become quite invested in it, but there's so

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Speaker 7: much other stuff that is unnecessary, and it drags on

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Speaker 7: for so long that it's really hard to stay focused

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Speaker 7: on any particular storyline. And Margo Robbie, who is great

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Speaker 7: a lover, but you know, if I'm being honest, her

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Speaker 7: American accent is kind of one note, like she does

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Speaker 7: that kind of like New York and New Jersey kind

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Speaker 7: of you know, I walking are kind of an accent,

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Speaker 7: and over three hours it kind of gets a bit annoying.

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Speaker 7: And Brad Pitt, you know, he's always Brad Pitt, right,

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Speaker 7: Brad Pitt is always Brad Pitt, which works in some roles,

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Speaker 7: but in this one, he's just Brad Pitt all the time.

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Speaker 7: And it's kind of playing Leonardo DiCaprio's character in Once

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Speaker 7: Upon a Time in Hollywood, Like it's basically the same

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Speaker 7: role except Leo did it better.

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Speaker 1: Yeah movie, and Diego.

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Speaker 7: Calv is probably the only one, the one performance that

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Speaker 7: I would say, do you know what is must see?

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Speaker 7: He's phenomenal as this immigrant trying to make his mark,

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Speaker 7: but then and then to kind of like add insult

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Speaker 7: to injury at the end of this three hour movie,

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Speaker 7: which for the last thirty for the last sort of

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Speaker 7: quarter of the movie, they change the color grading of

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Speaker 7: the film to this weird kind of like white red scale.

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Speaker 7: I actually texted the studio in the screening saying, is

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Speaker 7: there something wrong with his print? And they're like, oh,

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Speaker 7: we think it's deliberate.

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Speaker 2: One would think it would be very deliberate, which.

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Speaker 7: Is just makes it very weird, a weird watch. And

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Speaker 7: then it ends with like a ten minute montage about

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Speaker 7: the glory of cinema that literally, I'm not even joking,

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Speaker 7: literally includes a clip of Avatar.

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Speaker 3: You're kidding, Yeah, well this would explain why I'm hearing

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Speaker 3: mixed reviews.

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Speaker 1: Yeah, mixed, Yeah, for sure. So what it's the end

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Speaker 1: of it looked like?

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Speaker 7: Is it like looking so the end so it's hard

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Speaker 7: to even describe. It's almost like it's blurry and it's

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Speaker 7: got a red tint over it, and it's almost like

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Speaker 7: they've forgotten to put the three D glass appen.

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Speaker 2: And then there's this montage with all talking about the

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Speaker 2: death of something.

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Speaker 7: That's the thing. It's peak, it's peak art House. It's

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Speaker 7: it's a filmmaker who's really trying to expand, you know,

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Speaker 7: his horizons, and create what he believes is the ultimate

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Speaker 7: ode to cinema. Probably doesn't quite get there. It's ambitious,

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Speaker 7: so credit credit. Damien has given a lot of license

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Speaker 7: furtus for doing something that most filmmakers would never dream of,

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Speaker 7: but probably doesn't quite execute it in the way.

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Speaker 2: That he imagined. La. Yeah, there is a reason why

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Speaker 2: they give editors Academy awards. You know, it can be

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Speaker 2: less is more.

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Speaker 1: I promise you.

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Speaker 7: The editor of this film is definitely not getting one.

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Speaker 1: But there's not much on the floor, is it much?

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Speaker 1: And it is interesting you talk about the sign of

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Speaker 1: movie stars that all of a sudden they talk. They

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Speaker 1: didn't all have voices like James or Joe. That definitely

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Speaker 1: did not.

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Speaker 7: Great jazz soundtrack, amazing soundtrack for this, really good score

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Speaker 7: from the jazz era. Absolutely one of the best things

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Speaker 7: about it.

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Speaker 2: All right, well interesting.

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Speaker 3: Not only do you give us the heads up on

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Speaker 3: movies not to see, you often tell me which ones

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Speaker 3: to wait to get on iTunes.

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Speaker 2: Yeah, I can watch it in two days. This is

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Speaker 2: the This is the ones that may be Thank you, Ben,

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Speaker 2: what are you what are you giving it?

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Speaker 9: Well?

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Speaker 7: Look, it is too long. Is not terrible though, and

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Speaker 7: some parts of it are actually really amazing. It's a

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Speaker 7: bit of a struggle though, so I'm going to give

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Speaker 7: this one three stars.

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Speaker 2: Oh, three stars, all right, thank you.

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Speaker 1: A three hour journey. You got to watch it, the

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Speaker 1: one star for each hour. That's guys. This morning.

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Speaker 3: Perth Concert Hall is celebrating its fiftieth anniversary this time

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Speaker 3: next week. To be exact, it turns fifty on the

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Speaker 3: twenty sixth of January, so in a celebration of the milestone,

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Speaker 3: the Concert Hall is offering a golden ticket to one

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Speaker 3: blucky audience member who submits a favorite memory of the

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Speaker 3: venue from over the years. Anyone who's been to the

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Speaker 3: concert Hall since is opening on Australia Day nineteen seventy

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Speaker 3: three is invited to submit an interesting story or special

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Speaker 3: memory of visiting the concert Hall and the winner gets

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Speaker 3: a double pass to ten events of their choosing over

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Speaker 3: the next year. So what you've got to do is

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Speaker 3: you've got to submit your story via email or drop

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Speaker 3: it off or drop off an item of physical memorabilia

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Speaker 3: to the Perth Concert Hall box office with a note

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Speaker 3: regarding its significance, and the competition closes on Tuesday.

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Speaker 1: Very Willy Wonka, the Golden very Willy.

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Speaker 2: Wonka, very cool.

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Speaker 3: So we want to talk about your memories of the

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Speaker 3: concert Hall. I actually saw my first concert of any

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Speaker 3: sort at the concert don't judge me. It was John

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Speaker 3: Paul Young. It was about I don't know, it might

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Speaker 3: have been about nine.

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Speaker 1: It was a big, big star.

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Speaker 3: And then I have very fond memories of seeing Split

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Speaker 3: Ends there. No, that was a really good show early days, yes,

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Speaker 3: early days.

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Speaker 1: Yeah, maybe with Tim still in the band.

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Speaker 2: Oh yeah, yep, yep, yeap.

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Speaker 1: Oh that's very cool. I've said a lot of great

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Speaker 1: gigs there over the years. Been lucky enough to see

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Speaker 1: so the Church there three or four years ago when

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Speaker 1: they did that tour Joe Jackson in his wonderful band.

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Speaker 1: But there's one night I know Lady Smith black Mumbazo

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Speaker 1: from South Africa. They were wonderful because of the sound

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Speaker 1: being so good in there. But the night that stands

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Speaker 1: out for me, I was working in Merit and I

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Speaker 1: drove down with the mate. We drove for three hours

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Speaker 1: to get to go and see mister lou Reid. And

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Speaker 1: remember you, ironically, but remember when you told me about

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Speaker 1: the Bowie show. You saw where Bowie was facing the

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Speaker 1: other way, and then turned around at the start of

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Speaker 1: the Geek that's what Lou Reid did. It was where

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Speaker 1: he did that song I Love You Suzanne. So obviously

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Speaker 1: it was about mid eighties because that New Sensations album

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Speaker 1: came out. But he was facing the other way and

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Speaker 1: there was a guy standing in front of him and

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Speaker 1: everyone in the crowd thought it was thought it was

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Speaker 1: Lou and the guy was a rodeo or something. He

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Speaker 1: moved away, and then Lou turned around and started singing

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Speaker 1: and he was still vicious or something to start the

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Speaker 1: gig and everyone I've got yeah goose bump's just thinking

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Speaker 1: about it.

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Speaker 2: I do think that the concert Hall is the best

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Speaker 2: place in this town to see live music because it's

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Speaker 2: a concert hall. The sound, you know, it's designed for it.

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Speaker 1: Yeah.

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Speaker 2: Tyson in forest Field.

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Speaker 1: Hello, Hey Tyson, good morning guys.

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Speaker 8: How are you going good.

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Speaker 2: What's your best memory of the concert Hall?

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Speaker 8: Well, Mum and Dad drug me and my three brothers

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Speaker 8: down from nor Them out in the country to late

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Speaker 8: eighties and we watched the street Extravaganza. We had a

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Speaker 8: big bird and Ernie and all the crew wow dancing

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Speaker 8: around there and yeah that's there. Yeah, yeah, I think

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Speaker 8: I would have been seven or nine at the time,

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Speaker 8: and yeah, that was it.

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Speaker 1: That would have been a huge well they were kids,

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Speaker 1: rock stars, they were.

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Speaker 6: Yeah.

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Speaker 1: Yeah, that's really what a great memory people would have

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Speaker 1: been at that. And that's the thing. There's been so

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Speaker 1: much diversity in that in that venue of artists over

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Speaker 1: the years. Yeah, and the sound so good.

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Speaker 3: Maybe you've seen a good opera there, maybe, yeah, just

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Speaker 3: just a vocal group anything. Some comedians have played there,

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Speaker 3: and well it's been some great comics.

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Speaker 1: Yeah. I saw Ben Elton there and I took my

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00:20:47,520 --> 00:20:49,800
Speaker 1: sister and he was really working blue that night. I

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Speaker 1: was so embarrassed because my sister was. I was like, oh,

441
00:20:52,640 --> 00:20:55,080
Speaker 1: she was laughing about it. Something was a bit uncomfortable.

442
00:20:55,119 --> 00:20:58,600
Speaker 3: Graham and Floria, good morning, Good morning. What's your best

443
00:20:58,680 --> 00:21:01,120
Speaker 3: memory of the concert Hall that goes back away?

444
00:21:01,200 --> 00:21:04,399
Speaker 5: And you were actually just talking about comedians. Back in

445
00:21:04,440 --> 00:21:09,359
Speaker 5: the early eighties when Clercy was just a new person

446
00:21:09,480 --> 00:21:12,359
Speaker 5: around six m D. I was up there working for

447
00:21:12,440 --> 00:21:16,560
Speaker 5: a couple of years, and I found out relatedly that

448
00:21:17,040 --> 00:21:21,440
Speaker 5: Billy Connolly was coming to the concert Hall. Of course,

449
00:21:21,680 --> 00:21:27,119
Speaker 5: no way of getting any thing except by by normal phone.

450
00:21:27,200 --> 00:21:30,240
Speaker 5: I rang up to be told no, sorry, all the

451
00:21:30,359 --> 00:21:34,760
Speaker 5: tickets have been sold. Yep, bad luck. And then the

452
00:21:34,840 --> 00:21:37,359
Speaker 5: lady said, oh, hold on a moment, so I hang on.

453
00:21:38,000 --> 00:21:40,960
Speaker 5: He said, you're not going to believe this, but we're

454
00:21:41,080 --> 00:21:46,800
Speaker 5: just opening up a second, second concert fantastic, So I thought,

455
00:21:48,080 --> 00:21:50,160
Speaker 5: where can I sit? I said, look, we're just opening

456
00:21:50,200 --> 00:21:53,760
Speaker 5: it up. Where do you want to see? Well, center

457
00:21:53,840 --> 00:22:01,639
Speaker 5: front row. Of course I'll have that. So gets the

458
00:22:01,720 --> 00:22:04,879
Speaker 5: concert sure enough, front rows sent to sea like sitting

459
00:22:04,920 --> 00:22:06,800
Speaker 5: in his blund room.

460
00:22:07,440 --> 00:22:08,400
Speaker 8: Absolutely fantastic.

461
00:22:08,680 --> 00:22:11,200
Speaker 5: Comes on. He's got the stool next to him with

462
00:22:11,320 --> 00:22:15,160
Speaker 5: his glass of let's call it water, and a couple

463
00:22:15,200 --> 00:22:18,479
Speaker 5: of pages of notes sitting on there. At one stage

464
00:22:18,920 --> 00:22:22,480
Speaker 5: the notes fall off and fall onto the ground in

465
00:22:22,520 --> 00:22:24,280
Speaker 5: front of me, so of course do the right thing,

466
00:22:25,160 --> 00:22:27,240
Speaker 5: pick them up, go to hand them to them, and

467
00:22:27,359 --> 00:22:30,520
Speaker 5: all I get back is you whatever.

468
00:22:31,800 --> 00:22:32,119
Speaker 1: My not.

469
00:22:34,600 --> 00:22:36,400
Speaker 5: Just carried on for the rest of the night.

470
00:22:36,520 --> 00:22:43,840
Speaker 3: Of course, back danger sitting front row, comedian sight.

471
00:22:44,240 --> 00:22:50,760
Speaker 2: It could go, it can and it did. Thanks Graham, you.

472
00:22:50,760 --> 00:22:53,280
Speaker 1: Can become a target that or actually a lot of

473
00:22:53,280 --> 00:22:59,760
Speaker 1: the commedians ferous.

474
00:22:56,840 --> 00:22:59,200
Speaker 3: Yea, as we never went up the front of a

475
00:22:59,359 --> 00:23:05,000
Speaker 3: dug anthony unless you wanted to become completely ridiculed.

476
00:23:05,119 --> 00:23:06,520
Speaker 2: Yeah, you learned that quick.

477
00:23:06,480 --> 00:23:08,320
Speaker 1: Or later on Woodley, because one of the two would

478
00:23:08,359 --> 00:23:10,680
Speaker 1: fall on you. It could be dangerous. And we're talking

479
00:23:10,680 --> 00:23:13,480
Speaker 1: about the concert Hall, so many memories, which includes the

480
00:23:13,600 --> 00:23:15,840
Speaker 1: history of the that gig when all the skinhead started

481
00:23:15,880 --> 00:23:17,760
Speaker 1: ripping the seats apart with the Madness Gig in the

482
00:23:17,800 --> 00:23:19,719
Speaker 1: early eighties and so I told to take their boots off.

483
00:23:19,920 --> 00:23:21,720
Speaker 2: Its finest moment, take up your boots.

484
00:23:22,560 --> 00:23:27,879
Speaker 3: Cassine Lansdowe, Hello, good morning, good what's your best memory

485
00:23:27,920 --> 00:23:28,680
Speaker 3: of the Concert Hall?

486
00:23:29,520 --> 00:23:31,640
Speaker 9: I've got two. The first time is just quick.

487
00:23:31,800 --> 00:23:34,679
Speaker 10: It was There's of Tokyo with Wo which was just.

488
00:23:34,880 --> 00:23:39,440
Speaker 4: Phenomenal, beautiful, It was the full orchestra is just great.

489
00:23:39,720 --> 00:23:39,880
Speaker 2: Yes.

490
00:23:40,720 --> 00:23:42,640
Speaker 9: But the other one, the iconic.

491
00:23:42,440 --> 00:23:47,359
Speaker 4: One is Don McClain. We were second row and to

492
00:23:47,480 --> 00:23:49,359
Speaker 4: be able to walk away, and you know, you forget

493
00:23:49,520 --> 00:23:51,320
Speaker 4: to add that there were thousands of other.

494
00:23:51,240 --> 00:23:53,480
Speaker 9: People there, but to be able to say, put your

495
00:23:53,520 --> 00:23:53,919
Speaker 9: hand up.

496
00:23:54,000 --> 00:23:56,040
Speaker 8: If you've ever sung American.

497
00:23:55,640 --> 00:23:55,960
Speaker 7: Pie with.

498
00:23:57,880 --> 00:24:00,840
Speaker 1: Yeah, classic sing along oh and.

499
00:24:01,440 --> 00:24:03,840
Speaker 4: And yeah, it's you know, and you pray that he

500
00:24:03,920 --> 00:24:09,920
Speaker 4: can't hear you at all, but yeah, just that absolute

501
00:24:10,480 --> 00:24:13,320
Speaker 4: like this is a legend and just so thrilled and

502
00:24:13,400 --> 00:24:16,000
Speaker 4: on he to be in the room and hearing him live,

503
00:24:16,080 --> 00:24:16,520
Speaker 4: it was just.

504
00:24:16,640 --> 00:24:19,640
Speaker 2: Amazing, awesome, Thank you Catherine.

505
00:24:20,400 --> 00:24:22,280
Speaker 9: The problems have a great day, Birds.

506
00:24:22,320 --> 00:24:24,119
Speaker 2: And it is a concert hall after all.

507
00:24:25,000 --> 00:24:29,000
Speaker 3: I think I've seen Joan armitradh Yes, I had a

508
00:24:29,080 --> 00:24:31,080
Speaker 3: mental blank. I think I've seen Joan Armon trading a

509
00:24:31,119 --> 00:24:32,920
Speaker 3: couple of times at the concert she has played concert

510
00:24:32,960 --> 00:24:33,600
Speaker 3: a couple of times.

511
00:24:33,680 --> 00:24:34,600
Speaker 2: She's fantastic.

512
00:24:34,720 --> 00:24:36,840
Speaker 1: I never seen her at the Zoo, which was totally different,

513
00:24:37,119 --> 00:24:39,439
Speaker 1: totally different acoustics, but the animals waking up.

514
00:24:39,480 --> 00:24:44,520
Speaker 3: But concert Hall, Jenny in Shelley, Hello, Hello, how are

515
00:24:44,560 --> 00:24:47,200
Speaker 3: you good? What's your blass memory of the concert Hall?

516
00:24:47,800 --> 00:24:49,879
Speaker 9: Well, I I've got millions because I worked there is

517
00:24:49,960 --> 00:24:53,960
Speaker 9: Secretaries of Matter for many years. But the most memorable

518
00:24:53,960 --> 00:24:56,720
Speaker 9: one is my boss rang me one day and said,

519
00:24:57,080 --> 00:25:00,600
Speaker 9: your husband's a poor McCartney fan. I said yes. He said, well,

520
00:25:00,680 --> 00:25:02,320
Speaker 9: no one is to know this, You're not to mention

521
00:25:02,440 --> 00:25:04,359
Speaker 9: it to anyone. But they were going the Wings were

522
00:25:04,400 --> 00:25:07,560
Speaker 9: doing a concert at the Entertainment Center, but Peter pan

523
00:25:07,800 --> 00:25:10,480
Speaker 9: was on the Kids Shine so they said to Paul

524
00:25:10,520 --> 00:25:12,879
Speaker 9: McCartney he could come and rehearse at the concert Hall.

525
00:25:13,600 --> 00:25:16,359
Speaker 9: So Paul came in and my husband Ken and I

526
00:25:17,040 --> 00:25:19,840
Speaker 9: sat there and watched him rehearse, but absolutely no one there.

527
00:25:19,880 --> 00:25:22,639
Speaker 9: He went from drums, he went every instrument, played everything.

528
00:25:23,080 --> 00:25:25,600
Speaker 9: Then after a little while I said to my husband, actually,

529
00:25:25,680 --> 00:25:28,800
Speaker 9: we have to go. It's my friend's twenty first And

530
00:25:28,920 --> 00:25:30,520
Speaker 9: he turned to me and he said, you've got to

531
00:25:30,600 --> 00:25:34,120
Speaker 9: be joking. Yeah, you know, And so we did leave.

532
00:25:34,280 --> 00:25:36,359
Speaker 9: But as we left, and he was abusing me on

533
00:25:36,440 --> 00:25:39,800
Speaker 9: the way out. As we left, Linda McCartney was sending

534
00:25:39,840 --> 00:25:42,160
Speaker 9: out sitting out the front of the concert hall. There's

535
00:25:42,200 --> 00:25:44,760
Speaker 9: some grass out the front, and she was sitting out

536
00:25:44,840 --> 00:25:47,080
Speaker 9: the front with one or two kids, just sitting there

537
00:25:47,119 --> 00:25:49,119
Speaker 9: and playing. And all these people were worn. It was

538
00:25:49,160 --> 00:25:53,160
Speaker 9: about five o'clock now, so everyone was said that true,

539
00:25:53,240 --> 00:25:54,920
Speaker 9: and she was just sitting there playing with the kids,

540
00:25:54,920 --> 00:25:57,520
Speaker 9: and no one knew it was Linda McCarty. My husband

541
00:25:57,600 --> 00:26:01,080
Speaker 9: has never forgiven men said see that.

542
00:26:01,119 --> 00:26:03,560
Speaker 1: The family party or the beatle Yeah.

543
00:26:05,560 --> 00:26:10,440
Speaker 2: Is what you call a money cannot buy it, I know.

544
00:26:10,680 --> 00:26:12,359
Speaker 9: And I think he probably was going to come over

545
00:26:12,400 --> 00:26:14,680
Speaker 9: to us because we were just there was empty and

546
00:26:14,800 --> 00:26:17,000
Speaker 9: he was just having Yeah.

547
00:26:17,040 --> 00:26:19,800
Speaker 1: Maybe not. He's never let me get salted the wounds.

548
00:26:20,920 --> 00:26:22,680
Speaker 1: I bet you told that story in a few dinner parties.

549
00:26:22,720 --> 00:26:24,639
Speaker 9: That's a beautiful I have it as long as Ken's

550
00:26:24,640 --> 00:26:27,440
Speaker 9: not there fair enough.

551
00:26:28,960 --> 00:26:31,080
Speaker 2: That is just the most awesome story.

552
00:26:31,240 --> 00:26:31,440
Speaker 11: I know.

553
00:26:31,600 --> 00:26:33,080
Speaker 9: It's amazing, amazing.

554
00:26:33,240 --> 00:26:35,080
Speaker 2: Thank you, You're welcome.

555
00:26:36,119 --> 00:26:36,600
Speaker 3: A good day.

556
00:26:36,640 --> 00:26:38,600
Speaker 1: Great memories of our Perth Concert Hall Right.

557
00:26:38,520 --> 00:26:41,920
Speaker 2: There, Mike in Midland, Hello morning, how are you guys?

558
00:26:42,080 --> 00:26:46,080
Speaker 3: Good? The concert hall celebrating its fifty fiftieth anniversary next week.

559
00:26:46,440 --> 00:26:49,760
Speaker 3: What is your favorite memory of the great venue of.

560
00:26:49,840 --> 00:26:54,720
Speaker 12: The Hollies playing there? Oh wow, yeah, oh, a couple

561
00:26:54,720 --> 00:26:56,720
Speaker 12: of the good numbers, but the one in particular, long

562
00:26:56,800 --> 00:26:58,920
Speaker 12: cool woman in the black dress. Yeah, longly goes for

563
00:26:58,920 --> 00:27:01,280
Speaker 12: about three minutes on the they made it came for

564
00:27:01,400 --> 00:27:02,720
Speaker 12: fifteen minutes proximately.

565
00:27:04,040 --> 00:27:05,800
Speaker 1: The most rocking song was It was like a Cretan

566
00:27:05,840 --> 00:27:06,320
Speaker 1: song almost.

567
00:27:06,359 --> 00:27:06,520
Speaker 11: It was.

568
00:27:07,600 --> 00:27:09,159
Speaker 1: Yeah, a very cool one.

569
00:27:09,200 --> 00:27:12,919
Speaker 12: I like his Magic Busk. Too many people heard that one.

570
00:27:13,119 --> 00:27:15,359
Speaker 1: Yeah, I about the old heavy He's my brother. They

571
00:27:15,400 --> 00:27:16,800
Speaker 1: did a big version of that one because it was

572
00:27:16,840 --> 00:27:17,159
Speaker 1: a big hit.

573
00:27:17,280 --> 00:27:17,919
Speaker 12: Yeah, that's a good one.

574
00:27:18,000 --> 00:27:20,920
Speaker 2: Yeah, all the good hits Okay, Oh that would have

575
00:27:20,960 --> 00:27:21,479
Speaker 2: been a good one.

576
00:27:21,600 --> 00:27:23,200
Speaker 12: That was what an awesome show.

577
00:27:23,240 --> 00:27:23,960
Speaker 5: It was great.

578
00:27:25,040 --> 00:27:28,960
Speaker 3: Those acoustics you can't be so thank you Mike, Thank

579
00:27:29,000 --> 00:27:32,600
Speaker 3: you guys too. We have a one last call Ian

580
00:27:32,720 --> 00:27:33,440
Speaker 3: in Singleton.

581
00:27:33,760 --> 00:27:36,800
Speaker 10: Hi end morning clearing Morning Lisa.

582
00:27:37,000 --> 00:27:39,880
Speaker 2: What is your favorite memory of the concert Hall?

583
00:27:41,040 --> 00:27:44,320
Speaker 10: We emigrated to Australia in nineteen sixty nine. My old

584
00:27:44,400 --> 00:27:47,879
Speaker 10: man was a rigor. Yeah, he helped build the concert hall.

585
00:27:48,000 --> 00:27:50,000
Speaker 10: His claim to fame was that he was the first

586
00:27:50,080 --> 00:27:51,840
Speaker 10: man to sing on the stage. I think the stage

587
00:27:51,920 --> 00:27:56,040
Speaker 10: was a concrete pad oft that good. He sang the

588
00:27:56,080 --> 00:28:00,320
Speaker 10: Welsh national anthem and he also he also had put

589
00:28:00,359 --> 00:28:02,560
Speaker 10: up the wooden panels in the ceiling, so I think

590
00:28:02,640 --> 00:28:07,080
Speaker 10: you basically helped construct the building. Soon fond memories for me, Well,

591
00:28:07,160 --> 00:28:07,760
Speaker 10: that's that's.

592
00:28:07,640 --> 00:28:09,200
Speaker 3: A pretty big call to be able to say I

593
00:28:09,359 --> 00:28:11,320
Speaker 3: was the first person to sing at the concert hall

594
00:28:11,440 --> 00:28:11,679
Speaker 3: and what.

595
00:28:11,800 --> 00:28:14,000
Speaker 1: He's saying that was gold fact is fat.

596
00:28:14,880 --> 00:28:15,040
Speaker 3: Yeah.

597
00:28:15,080 --> 00:28:18,919
Speaker 10: And he had a beautiful voice, which was that helps nice.

598
00:28:19,160 --> 00:28:21,479
Speaker 1: Yeah, I'll be getting in touch with the concert Hall

599
00:28:21,560 --> 00:28:23,040
Speaker 1: for that one. You might get the golden ticket out

600
00:28:23,040 --> 00:28:24,440
Speaker 1: of that one. That's a great story.

601
00:28:27,400 --> 00:28:28,479
Speaker 9: Yeah, cheers have a good day.

602
00:28:29,080 --> 00:28:31,399
Speaker 1: Brilliant stories, but so many great memories of the concert Hall.

603
00:28:32,000 --> 00:28:35,360
Speaker 1: More Clezy more Lisa, more podcasts.

604
00:28:35,520 --> 00:28:41,800
Speaker 3: Soon is that time of the year. We are on

605
00:28:41,920 --> 00:28:45,040
Speaker 3: the eve of maps cod We I don't know, but

606
00:28:45,160 --> 00:28:46,120
Speaker 3: we love this show.

607
00:28:46,400 --> 00:28:51,800
Speaker 11: Well, I'm glad we're ten seasons in, so delightful to

608
00:28:51,800 --> 00:28:54,440
Speaker 11: be able to share it knowing that it started back

609
00:28:54,480 --> 00:28:57,160
Speaker 11: in twenty fifteen and no one really knew that it

610
00:28:57,200 --> 00:29:01,440
Speaker 11: would go anywhere, and now it's it's gone into one

611
00:29:01,520 --> 00:29:04,440
Speaker 11: hundred and twenty countries around the world, which relationship experts.

612
00:29:04,440 --> 00:29:07,760
Speaker 1: Good to see birth here.

613
00:29:08,000 --> 00:29:08,600
Speaker 2: Yeah, I can't.

614
00:29:08,640 --> 00:29:11,719
Speaker 3: I mean, I can't believe it's the tenth season. Tenth season,

615
00:29:12,400 --> 00:29:14,520
Speaker 3: But havn't things changed over those ten years?

616
00:29:14,600 --> 00:29:17,520
Speaker 2: John? Absolutely, ten years ago when those people were on.

617
00:29:17,560 --> 00:29:20,280
Speaker 3: The couch, they would not in a million years have

618
00:29:20,360 --> 00:29:23,440
Speaker 3: thought of giving you the batchat that you get these days.

619
00:29:24,120 --> 00:29:26,360
Speaker 1: So innocent, they hadn't seen any previous series.

620
00:29:26,480 --> 00:29:30,760
Speaker 11: That's right, And you make a really good point. Now

621
00:29:31,000 --> 00:29:33,800
Speaker 11: when we sit down at those commitment ceremonies, it is

622
00:29:34,360 --> 00:29:36,400
Speaker 11: game on. We are going to have to hold a

623
00:29:36,440 --> 00:29:38,880
Speaker 11: mirror up to them and call them out for their

624
00:29:38,920 --> 00:29:42,080
Speaker 11: bad behavior. Please do also know that they're coming after us,

625
00:29:42,920 --> 00:29:46,160
Speaker 11: and in a way that's some of the secret source

626
00:29:46,240 --> 00:29:48,600
Speaker 11: to the show, because you don't see that normally in

627
00:29:48,680 --> 00:29:52,880
Speaker 11: reality TV. Whether where the hosts or the experts are

628
00:29:52,960 --> 00:29:56,360
Speaker 11: called out by the participants on our show, that happens regularly,

629
00:29:57,560 --> 00:29:59,640
Speaker 11: and you know, at times you have to yell at them.

630
00:30:00,280 --> 00:30:01,880
Speaker 1: And they're unapologetic when they're coming back.

631
00:30:02,040 --> 00:30:05,040
Speaker 2: That's because at times they act like children. And it

632
00:30:05,160 --> 00:30:06,640
Speaker 2: is becoming last year and.

633
00:30:08,120 --> 00:30:10,880
Speaker 11: It's more and more now a role of us as

634
00:30:10,960 --> 00:30:15,320
Speaker 11: experts to really hold their feet to the fire. And frankly,

635
00:30:15,680 --> 00:30:17,840
Speaker 11: a number of them have never been spoken to like

636
00:30:17,920 --> 00:30:20,360
Speaker 11: that before. That's a real shock to them.

637
00:30:21,080 --> 00:30:23,280
Speaker 1: Yeah, but in your role, you have a responsibility because

638
00:30:23,280 --> 00:30:25,640
Speaker 1: there's some vulnerable souls coming on these shows as well.

639
00:30:25,760 --> 00:30:26,400
Speaker 2: Yeah, that's right.

640
00:30:26,480 --> 00:30:29,920
Speaker 11: And because it's such a short, sharp period of time

641
00:30:30,640 --> 00:30:32,880
Speaker 11: that we have with them, really a commitment ceremony once

642
00:30:32,920 --> 00:30:35,440
Speaker 11: a week, we have to make sure that when we

643
00:30:35,600 --> 00:30:38,400
Speaker 11: do go hard at them, that they can that has traction,

644
00:30:38,920 --> 00:30:41,120
Speaker 11: that it's going to resonate, and that they might just

645
00:30:41,240 --> 00:30:43,920
Speaker 11: think I could do this differently, I could do this better,

646
00:30:44,400 --> 00:30:45,520
Speaker 11: even though they don't.

647
00:30:45,720 --> 00:30:48,120
Speaker 3: That's an element of the show that's never lost on

648
00:30:48,240 --> 00:30:50,160
Speaker 3: me really is that you know, we watch it all

649
00:30:50,200 --> 00:30:51,760
Speaker 3: week and we said what they're saying to each other

650
00:30:51,840 --> 00:30:53,960
Speaker 3: is that, but you guys, only do get and I

651
00:30:54,000 --> 00:30:56,840
Speaker 3: often think, well, you don't know, these guys, don't know

652
00:30:56,920 --> 00:30:59,600
Speaker 3: what might have happened during the week, and such and

653
00:30:59,680 --> 00:31:02,280
Speaker 3: such and what such and such said to the couple

654
00:31:02,360 --> 00:31:04,880
Speaker 3: down the hallway. And that's sort of the dynamics that

655
00:31:04,960 --> 00:31:07,280
Speaker 3: go on there because everyone's in everyone's business.

656
00:31:08,080 --> 00:31:11,440
Speaker 11: Throwing you're right, And I think about private practice, which

657
00:31:11,480 --> 00:31:14,360
Speaker 11: I used to work in. You don't know what has

658
00:31:14,480 --> 00:31:17,840
Speaker 11: gone on with the couples you've seen since last week,

659
00:31:18,240 --> 00:31:20,920
Speaker 11: so you're just really responding to whatever's in front of you.

660
00:31:21,080 --> 00:31:24,400
Speaker 11: And Maps is very much like that. And she's literally

661
00:31:24,800 --> 00:31:26,960
Speaker 11: you're going into the commitment ceremonies and you're just flying

662
00:31:27,000 --> 00:31:28,000
Speaker 11: by the city of Pants.

663
00:31:28,440 --> 00:31:28,600
Speaker 3: Yeah.

664
00:31:28,720 --> 00:31:31,560
Speaker 1: John Barried at First Sight, Australia, twenty twenty three, not

665
00:31:31,640 --> 00:31:34,480
Speaker 1: far away from starting. Let's talk about a problem called Harrison.

666
00:31:35,360 --> 00:31:37,440
Speaker 1: So this guy is going to cause a lot of discussion.

667
00:31:37,880 --> 00:31:38,400
Speaker 2: Oh he is.

668
00:31:38,520 --> 00:31:40,200
Speaker 11: He's going to be a lightning rod for the season.

669
00:31:41,320 --> 00:31:46,400
Speaker 11: He's very confident, he's apologetic about who he is, his opinions,

670
00:31:47,640 --> 00:31:51,000
Speaker 11: and you know when you watch him, you will have

671
00:31:51,800 --> 00:31:54,880
Speaker 11: different reactions. So how he behaves not only towards his

672
00:31:55,000 --> 00:31:59,440
Speaker 11: partner but also within the group. And I think there

673
00:31:59,520 --> 00:32:02,920
Speaker 11: are people that have that sort of strong personality out there.

674
00:32:03,000 --> 00:32:06,120
Speaker 11: It's a slash life, it is, and people often say,

675
00:32:06,200 --> 00:32:07,200
Speaker 11: you know, it must be scripted.

676
00:32:07,240 --> 00:32:07,720
Speaker 1: They're not real.

677
00:32:07,800 --> 00:32:10,640
Speaker 11: These people. They are and they're very unpredictable and they

678
00:32:10,680 --> 00:32:14,200
Speaker 11: surprise us. And he's just one of the many this

679
00:32:14,440 --> 00:32:17,760
Speaker 11: year that he has bombshells that go off throughout the

680
00:32:17,840 --> 00:32:22,040
Speaker 11: season that will keep you absolutely riveted.

681
00:32:22,360 --> 00:32:25,000
Speaker 3: In addition to the usual, you know, bombshells that do

682
00:32:25,160 --> 00:32:27,920
Speaker 3: come along. Because it is a slash life, there's a

683
00:32:27,960 --> 00:32:31,120
Speaker 3: twist this season. Can you tell us anything?

684
00:32:32,040 --> 00:32:35,160
Speaker 11: What I can tell you is we do this so

685
00:32:35,360 --> 00:32:38,200
Speaker 11: that we keep the participants on their toes because after

686
00:32:38,360 --> 00:32:43,200
Speaker 11: ten seasons they feel like, hey, we know this, yeah,

687
00:32:43,560 --> 00:32:45,840
Speaker 11: and so we've got to throw things at them that

688
00:32:45,840 --> 00:32:48,360
Speaker 11: they've never seen before. So I have a couple of

689
00:32:48,480 --> 00:32:52,760
Speaker 11: challenges there that frankly, really derail some but bring others

690
00:32:52,800 --> 00:32:57,840
Speaker 11: closer together. And it's to do with giving them an

691
00:32:57,920 --> 00:33:02,440
Speaker 11: experience that makes their perspective of who they are and

692
00:33:02,520 --> 00:33:05,719
Speaker 11: what their relationships like. You know, because when you're in lavor,

693
00:33:05,960 --> 00:33:07,960
Speaker 11: you're in a bubble and you think, well, my way

694
00:33:08,080 --> 00:33:10,960
Speaker 11: is the best way. When you can get someone close

695
00:33:11,040 --> 00:33:16,840
Speaker 11: to them saying hey, think again what you're doing. Here's

696
00:33:16,880 --> 00:33:19,920
Speaker 11: some honest feedback for It's very fascinating to see how

697
00:33:19,960 --> 00:33:21,959
Speaker 11: they handle that, and there's a couple of real key

698
00:33:22,080 --> 00:33:25,280
Speaker 11: challenges that shatter some people's perspectives.

699
00:33:25,960 --> 00:33:27,959
Speaker 1: We can't get too much away about the first episode,

700
00:33:27,960 --> 00:33:29,720
Speaker 1: which we've played lats An at the Channel nine.

701
00:33:29,600 --> 00:33:32,520
Speaker 11: Five love that, but what I can say is that

702
00:33:32,960 --> 00:33:35,720
Speaker 11: there is a huge bombshell that happens in that first

703
00:33:35,760 --> 00:33:43,960
Speaker 11: episode that really carries on throughout the experiment and the

704
00:33:44,040 --> 00:33:48,000
Speaker 11: group struggles with it. We also see in that first

705
00:33:48,080 --> 00:33:52,760
Speaker 11: episode the issue of sex, particularly who initiates it, how

706
00:33:52,880 --> 00:33:58,440
Speaker 11: much you have in a relationship, and what's healthy for

707
00:33:58,600 --> 00:34:01,520
Speaker 11: a couple and how to navigate it. That topic comes

708
00:34:01,600 --> 00:34:06,600
Speaker 11: up very early on. So I think this first episode

709
00:34:07,440 --> 00:34:10,640
Speaker 11: it's a ripper. But also it told me something I

710
00:34:10,760 --> 00:34:13,200
Speaker 11: wasn't aware of, which is that the show is now

711
00:34:13,320 --> 00:34:16,480
Speaker 11: very international. I didn't know it went into one hundred

712
00:34:16,480 --> 00:34:17,640
Speaker 11: and twenty countries.

713
00:34:17,320 --> 00:34:22,839
Speaker 3: As in the Australian version in the UK and yeah, yeah,

714
00:34:22,840 --> 00:34:25,959
Speaker 3: and I just over Christmas I watched the UK versions

715
00:34:26,000 --> 00:34:28,960
Speaker 3: as Mel went over and did the UK version, and

716
00:34:29,080 --> 00:34:29,920
Speaker 3: I thought, these.

717
00:34:29,760 --> 00:34:33,959
Speaker 2: People are modeling themselves on our couples. They really.

718
00:34:34,040 --> 00:34:35,840
Speaker 3: I think they've watched the Aussie version and thought, oh

719
00:34:35,880 --> 00:34:38,480
Speaker 3: we're going to go down that, right, They've adopted it.

720
00:34:38,600 --> 00:34:41,120
Speaker 11: Yeah, that's right, that's right, and it's a very real

721
00:34:41,200 --> 00:34:43,840
Speaker 11: option for them now after our show, the participants to

722
00:34:43,920 --> 00:34:46,440
Speaker 11: then go to the UK because there's such a landscape

723
00:34:46,440 --> 00:34:47,799
Speaker 11: of reality TV over the day.

724
00:34:48,120 --> 00:34:51,120
Speaker 3: Did end up on the Only Way of Essex anyway?

725
00:34:51,200 --> 00:34:53,480
Speaker 3: Last year, I've got to be honest, I didn't like

726
00:34:53,520 --> 00:34:55,520
Speaker 3: a lot of the people. It's tough to well, last

727
00:34:55,600 --> 00:34:55,840
Speaker 3: year it.

728
00:34:55,880 --> 00:34:58,120
Speaker 2: Was tough to watch. Is there any chance of a

729
00:34:58,200 --> 00:35:03,040
Speaker 2: bit of a cam and jeweles type, you know, match this?

730
00:35:03,400 --> 00:35:05,919
Speaker 11: There is some real love in their okay?

731
00:35:05,960 --> 00:35:06,319
Speaker 2: Good? Good?

732
00:35:07,080 --> 00:35:09,719
Speaker 11: Because you've got to have a bit of a fairy tale. Well,

733
00:35:09,840 --> 00:35:13,320
Speaker 11: yeah you do, because because at the corest balance, we

734
00:35:13,400 --> 00:35:16,640
Speaker 11: want people to at least see that there's a chance

735
00:35:16,960 --> 00:35:18,279
Speaker 11: that strangers can fall in love.

736
00:35:19,200 --> 00:35:23,759
Speaker 1: Ast wedding seems like an absolutely sweet story. Yeah yeah,

737
00:35:24,000 --> 00:35:26,880
Speaker 1: they can change, they can turn, but yeah, no, initially

738
00:35:26,960 --> 00:35:27,359
Speaker 1: look lovely.

739
00:35:27,440 --> 00:35:30,440
Speaker 11: It's a it's a great, great match. There's a lot

740
00:35:30,480 --> 00:35:33,600
Speaker 11: of love between them early on with this, With this show,

741
00:35:34,040 --> 00:35:38,239
Speaker 11: what we can't be sure of is what the camera

742
00:35:38,320 --> 00:35:40,279
Speaker 11: is going to do to them as it rolls on,

743
00:35:40,760 --> 00:35:44,480
Speaker 11: the pressure they get under, they can't pretend when they're

744
00:35:44,520 --> 00:35:48,319
Speaker 11: in there. The masks come off very early, and then

745
00:35:48,320 --> 00:35:50,200
Speaker 11: you're left with who is this real person? And do

746
00:35:50,320 --> 00:35:52,160
Speaker 11: they really want to commit? And look at their behavior

747
00:35:52,280 --> 00:35:54,960
Speaker 11: longevity and you know a number of them just simply

748
00:35:55,680 --> 00:35:59,040
Speaker 11: aren't ready hold them out to them. But but it is,

749
00:35:59,200 --> 00:36:02,719
Speaker 11: it is compelling, and I think it appeals to both

750
00:36:02,760 --> 00:36:04,880
Speaker 11: singles and couples. You know, singles watch it and go

751
00:36:04,920 --> 00:36:07,840
Speaker 11: got to avoid that person, and couples watch it and

752
00:36:08,160 --> 00:36:09,279
Speaker 11: we've got to stop talking like that.

753
00:36:09,600 --> 00:36:11,279
Speaker 1: Yeah yeah, yeah, So it.

754
00:36:11,320 --> 00:36:16,239
Speaker 11: Has this really large reach that I don't even think

755
00:36:16,280 --> 00:36:18,320
Speaker 11: we set out to do that, but that seems. And

756
00:36:18,400 --> 00:36:20,520
Speaker 11: people learn what not to do by watching the show.

757
00:36:21,520 --> 00:36:23,120
Speaker 2: That's a cautial retail.

758
00:36:23,080 --> 00:36:24,279
Speaker 1: But it's not a bad way to learn.

759
00:36:24,640 --> 00:36:27,719
Speaker 11: It is. It is very real when you watch someone

760
00:36:27,800 --> 00:36:31,640
Speaker 11: and you go, oh because this year particularly, some of

761
00:36:31,680 --> 00:36:36,239
Speaker 11: the communication of fight styles are terrible. YEA, words hurt,

762
00:36:36,760 --> 00:36:40,080
Speaker 11: They're very powerful, and unfortunately a lot of our participants

763
00:36:40,600 --> 00:36:43,000
Speaker 11: like to say very cruel and offensive things and then

764
00:36:43,120 --> 00:36:46,920
Speaker 11: just say, hey, I'm just speaking my truth and that

765
00:36:47,040 --> 00:36:48,960
Speaker 11: comes out a lot. So one of our roles is

766
00:36:49,040 --> 00:36:52,920
Speaker 11: to teach them that being honest is fine, but you've

767
00:36:52,920 --> 00:36:56,040
Speaker 11: got to be respectful. Being offensive and cruel, that's not

768
00:36:56,200 --> 00:36:58,880
Speaker 11: being honest, that's just being really because.

769
00:36:58,680 --> 00:37:00,160
Speaker 2: They are the first ones them to jump up and

770
00:37:00,200 --> 00:37:02,000
Speaker 2: down about mental health. Correct.

771
00:37:02,000 --> 00:37:04,560
Speaker 3: So we've got to find we've got to find where

772
00:37:04,560 --> 00:37:07,000
Speaker 3: we're sitting here on all this about speaking our truth

773
00:37:07,360 --> 00:37:10,440
Speaker 3: and looking out for mental health and finding a middle

774
00:37:10,480 --> 00:37:13,800
Speaker 3: ground where every week can all be you know, comfortable.

775
00:37:13,840 --> 00:37:16,800
Speaker 11: And that's one of the big challenges we have this

776
00:37:16,960 --> 00:37:19,560
Speaker 11: year is just how they speak to each other. And

777
00:37:19,640 --> 00:37:21,439
Speaker 11: we saw it last year with the women.

778
00:37:21,640 --> 00:37:23,439
Speaker 2: Were sure, Yeah, we really did.

779
00:37:23,920 --> 00:37:26,520
Speaker 11: And I think this year the men have a much

780
00:37:26,600 --> 00:37:31,200
Speaker 11: bigger role to play throughout the series. Yes, you will

781
00:37:31,239 --> 00:37:32,000
Speaker 11: be screaming at.

782
00:37:31,920 --> 00:37:35,799
Speaker 1: The look out for Harrison the trade who's across between

783
00:37:35,800 --> 00:37:37,560
Speaker 1: a rugby league kind of body and a hymnsworth.

784
00:37:40,120 --> 00:37:44,479
Speaker 3: It starts seven thirty January thirty on Channel nine.

785
00:37:45,000 --> 00:37:46,920
Speaker 2: As always, we can't wait. Thanks for coming in.

786
00:37:47,120 --> 00:37:48,520
Speaker 1: Good to chat with you in person, mate.

787
00:37:48,600 --> 00:37:50,800
Speaker 11: Yeah, it looks great to be Thank you for supporting

788
00:37:50,840 --> 00:37:52,560
Speaker 11: it and it's so nice to be able to do

789
00:37:52,680 --> 00:37:56,840
Speaker 11: this for a decade. Yes, yeah, you know, it's changed

790
00:37:56,880 --> 00:37:59,840
Speaker 11: my life very privileged.

791
00:37:59,440 --> 00:38:00,920
Speaker 1: To be a part of it. There's more to come.

792
00:38:01,080 --> 00:38:03,520
Speaker 1: Thanks John, Thanks guys, Married at First Sight. NAPS is

793
00:38:03,520 --> 00:38:04,400
Speaker 1: back John Achan.

794
00:38:04,719 --> 00:38:07,760
Speaker 2: Clarsy and Lisa sam

795
00:38:09,280 --> 00:38:09,320
Speaker 5: H