1 00:00:00,080 --> 00:00:02,679 Speaker 1: Age of Reason, A love letter to Coming of age 2 00:00:02,759 --> 00:00:05,200 Speaker 1: and John Farnham is on at the rose Mount Hotel 3 00:00:05,280 --> 00:00:08,000 Speaker 1: January twenty ninth and February fifth. I have to tell 4 00:00:08,000 --> 00:00:10,000 Speaker 1: you January twenty nine is sold out, so I'd be 5 00:00:10,039 --> 00:00:12,640 Speaker 1: getting into sweet for the February the fifth show. Tickets 6 00:00:12,680 --> 00:00:15,240 Speaker 1: are available through fringeworld dot com dot are you and 7 00:00:15,360 --> 00:00:19,400 Speaker 1: the lady behind this is a Jada da Gastino. Good 8 00:00:19,480 --> 00:00:25,400 Speaker 1: morning Mourning. You don't look old enough to be a 9 00:00:25,400 --> 00:00:30,960 Speaker 1: big fancy person. He's more Archida, you know, So where 10 00:00:30,960 --> 00:00:31,840 Speaker 1: did that come from? 11 00:00:31,920 --> 00:00:33,560 Speaker 2: Let me tell you. It's a part of the show. 12 00:00:33,600 --> 00:00:35,839 Speaker 3: I say, what does this twenty three year old know 13 00:00:35,880 --> 00:00:36,800 Speaker 3: about John Farnham? 14 00:00:37,120 --> 00:00:41,120 Speaker 2: But I grew up with this music. Yeah, absolutely love it. 15 00:00:41,120 --> 00:00:43,640 Speaker 3: It was a big influence of my dad. My dad 16 00:00:44,040 --> 00:00:46,760 Speaker 3: was consistently playing John Farnham all the way through growing up, 17 00:00:46,880 --> 00:00:49,479 Speaker 3: and I fell in love with him even more as 18 00:00:49,479 --> 00:00:50,080 Speaker 3: I got older. 19 00:00:50,120 --> 00:00:52,559 Speaker 2: I think, yeah, yeah, started singing myself. 20 00:00:52,600 --> 00:00:57,120 Speaker 3: He's probably my biggest influence and so I absolutely. 21 00:00:56,720 --> 00:00:57,280 Speaker 2: Love his music. 22 00:00:57,360 --> 00:01:00,720 Speaker 4: And I guess also growing up at the time, you 23 00:01:00,720 --> 00:01:04,080 Speaker 4: couldn't turn the radio on without hearing him as well, 24 00:01:04,160 --> 00:01:06,039 Speaker 4: so the radio was. 25 00:01:06,000 --> 00:01:08,680 Speaker 3: Playing Trust Me and my dad has like my dad 26 00:01:08,720 --> 00:01:11,479 Speaker 3: still has like a proper analog radio and he keeps 27 00:01:11,520 --> 00:01:13,480 Speaker 3: it on twenty four to seven. And so trust me, 28 00:01:13,800 --> 00:01:15,120 Speaker 3: at one point in the day, you're going to hear 29 00:01:15,120 --> 00:01:15,800 Speaker 3: a fanzie change. 30 00:01:15,920 --> 00:01:16,360 Speaker 5: Yeah. 31 00:01:16,840 --> 00:01:19,280 Speaker 1: I mean a good voice is a good voice, so 32 00:01:19,360 --> 00:01:21,520 Speaker 1: you recognize another good voice, so. 33 00:01:21,720 --> 00:01:25,120 Speaker 5: That he's the best all generation. 34 00:01:25,280 --> 00:01:27,560 Speaker 1: It doesn't really age doesn't come into it, Yeah, not 35 00:01:27,640 --> 00:01:30,760 Speaker 1: at all. What is it about Pharnsie that It's a 36 00:01:30,800 --> 00:01:33,240 Speaker 1: bit of a rhetorical question, because what's not to love 37 00:01:33,240 --> 00:01:35,280 Speaker 1: about John Farnon? But what is it about him that 38 00:01:35,319 --> 00:01:35,720 Speaker 1: you love? 39 00:01:36,000 --> 00:01:37,280 Speaker 2: It's just that voice. 40 00:01:37,400 --> 00:01:40,759 Speaker 3: Every live video that I've seen, people are just enamored 41 00:01:40,880 --> 00:01:44,000 Speaker 3: by him, like they are completely entranced. And the work 42 00:01:44,000 --> 00:01:46,080 Speaker 3: of an artist, to be able to have that effect 43 00:01:46,080 --> 00:01:48,160 Speaker 3: on an audience, to be able to capture a nation 44 00:01:48,840 --> 00:01:50,720 Speaker 3: is just so it's very inspiring. 45 00:01:50,840 --> 00:01:53,320 Speaker 4: To be able to sound as good on the stage 46 00:01:53,440 --> 00:01:56,680 Speaker 4: as you do in the studio is a real and. 47 00:01:56,600 --> 00:02:01,400 Speaker 3: Trust he is always perfect to it, like it's impeccable. 48 00:02:01,040 --> 00:02:03,480 Speaker 4: And he's warm to his audience too. There's no. 49 00:02:05,480 --> 00:02:10,280 Speaker 6: He's yeah, he's not faking yeah, And you're watching someone 50 00:02:10,280 --> 00:02:14,240 Speaker 6: who's a good enjoy music with his band and just 51 00:02:14,480 --> 00:02:15,600 Speaker 6: make music for the joy of it. 52 00:02:15,639 --> 00:02:17,520 Speaker 1: A good guy and surrounded by good guys. I mean, 53 00:02:17,680 --> 00:02:20,520 Speaker 1: you know the documentary about him and his manager and 54 00:02:20,560 --> 00:02:20,840 Speaker 1: it was. 55 00:02:20,919 --> 00:02:22,360 Speaker 5: True mate ship. 56 00:02:22,639 --> 00:02:25,400 Speaker 1: It was, Yeah, and that comes through I think in 57 00:02:25,480 --> 00:02:26,120 Speaker 1: the performance. 58 00:02:27,520 --> 00:02:29,520 Speaker 4: Do you kind of pick up from where you know, 59 00:02:29,560 --> 00:02:31,919 Speaker 4: Whispering Jack the Voice or does your love for him 60 00:02:31,960 --> 00:02:33,960 Speaker 4: go back further? Because he was in a little river 61 00:02:34,040 --> 00:02:35,800 Speaker 4: band for a while, he had the hit Help and 62 00:02:35,840 --> 00:02:38,080 Speaker 4: then there was of course of the years where nothing happened, 63 00:02:38,080 --> 00:02:41,040 Speaker 4: and then he was the king of pop, and so. 64 00:02:41,120 --> 00:02:43,359 Speaker 5: Yeah, far back does you love go the Shane? 65 00:02:43,360 --> 00:02:45,640 Speaker 3: My love go back a little bit into little river Band, 66 00:02:46,080 --> 00:02:49,880 Speaker 3: but it does mainly pick up from Whispering Jack onwards. Yes, 67 00:02:49,960 --> 00:02:52,400 Speaker 3: but you got to have some of those little Riverband 68 00:02:52,480 --> 00:02:53,160 Speaker 3: hits in there yet. 69 00:02:53,200 --> 00:02:53,480 Speaker 1: Yeah. 70 00:02:53,560 --> 00:02:55,520 Speaker 5: We don't call him the Voice for no reason. 71 00:02:55,600 --> 00:03:00,639 Speaker 1: He has such a powerful vocals, sometimes underrated in a way. 72 00:03:00,800 --> 00:03:03,200 Speaker 1: Oh you know when you hear people from around the 73 00:03:03,200 --> 00:03:05,920 Speaker 1: world talk about him with his incredible vocals. What is 74 00:03:05,960 --> 00:03:09,000 Speaker 1: the hardest song of his that you have found to sing? 75 00:03:09,200 --> 00:03:13,080 Speaker 2: Oh, trick question. They're all hard in their own way, 76 00:03:13,320 --> 00:03:17,680 Speaker 2: but truly at the moment, my favorite is Playing to Win. 77 00:03:19,200 --> 00:03:23,640 Speaker 3: Yeah, really that song vocally it never lets up. Yeah, 78 00:03:23,680 --> 00:03:25,919 Speaker 3: from the minute that song starts, you're on it. It 79 00:03:26,040 --> 00:03:29,200 Speaker 3: grabs holdier Yeah, And so vocally that is it's a 80 00:03:29,320 --> 00:03:33,560 Speaker 3: very exciting challenge for so much energy. Also in terms 81 00:03:33,560 --> 00:03:35,560 Speaker 3: of the way that it works with the backing vocalists, 82 00:03:35,720 --> 00:03:36,840 Speaker 3: Oh my gosh, it's so fun. 83 00:03:37,000 --> 00:03:38,000 Speaker 5: Yeah, I love it. 84 00:03:38,040 --> 00:03:40,080 Speaker 2: Those harmonies are very intricate and complex. 85 00:03:40,120 --> 00:03:42,240 Speaker 3: And we've spent a lot of time sat me and 86 00:03:42,280 --> 00:03:45,360 Speaker 3: my two backing vocalists kind of listening and going over 87 00:03:45,520 --> 00:03:46,840 Speaker 3: and but yeah, because. 88 00:03:47,120 --> 00:03:49,760 Speaker 5: It look easy, he does and it's not. It's not. 89 00:03:49,920 --> 00:03:52,800 Speaker 2: Trust especially these songs. 90 00:03:52,880 --> 00:03:56,680 Speaker 3: They are so beloved across Australia, and I know that 91 00:03:56,680 --> 00:03:58,800 Speaker 3: people in the audience absolutely know these songs. 92 00:03:59,000 --> 00:03:59,920 Speaker 4: Yeah to a tea. 93 00:04:00,400 --> 00:04:03,000 Speaker 3: And so it's that job of being able to kind 94 00:04:03,040 --> 00:04:05,200 Speaker 3: of pay homage but also put my own spin, but 95 00:04:05,440 --> 00:04:08,000 Speaker 3: try and not stray too far from it, stayed. 96 00:04:07,840 --> 00:04:11,640 Speaker 2: Really true to the true material, true to the song. 97 00:04:11,840 --> 00:04:14,560 Speaker 4: Because the thing is, you know, you think about Whispering Jack, 98 00:04:14,560 --> 00:04:17,640 Speaker 4: it's quite a while ago, but and some songs they 99 00:04:17,760 --> 00:04:21,360 Speaker 4: just live in that time. But his music just keeps going. 100 00:04:21,400 --> 00:04:23,200 Speaker 2: It lives forever, going and going. 101 00:04:23,200 --> 00:04:27,640 Speaker 4: And your proof of it being into generational yeah, yeah. 102 00:04:27,279 --> 00:04:29,440 Speaker 2: It lives forever. Truly, it's a part of the show. 103 00:04:29,480 --> 00:04:32,000 Speaker 3: I really do want to bring this music to a 104 00:04:32,040 --> 00:04:34,720 Speaker 3: new generation, to my generation, and kind of. 105 00:04:34,760 --> 00:04:36,560 Speaker 2: Just to highlight it, I think a little bit more. 106 00:04:36,680 --> 00:04:39,240 Speaker 5: Yeah, well, congratulations on the show. You are a perp girl. 107 00:04:39,279 --> 00:04:42,479 Speaker 5: You went to a woer. I did a huge Whopper fan. 108 00:04:42,560 --> 00:04:44,480 Speaker 1: It makes me so proud that it is in this 109 00:04:44,560 --> 00:04:47,240 Speaker 1: state that I always say there should be a bumper 110 00:04:47,240 --> 00:04:48,120 Speaker 1: sticker that says. 111 00:04:47,880 --> 00:04:50,720 Speaker 5: They go in good, they come out great. Yeah from Whopper. 112 00:04:50,800 --> 00:04:55,560 Speaker 1: It's just like, yeah, yeah, we can't wait to see 113 00:04:55,640 --> 00:04:57,000 Speaker 1: what you do after this as well. 114 00:04:57,080 --> 00:04:59,360 Speaker 2: Thank you. I'm really excited for this show. 115 00:04:59,560 --> 00:05:03,200 Speaker 4: Yea, so again at the Rosemount Hotel twenty ninth of January. 116 00:05:03,240 --> 00:05:04,040 Speaker 4: That's a sellout, right. 117 00:05:03,960 --> 00:05:06,200 Speaker 5: It's a Seal's a Sellout'll get about it. 118 00:05:06,320 --> 00:05:09,800 Speaker 4: Tickets still available for the fifth of February show at 119 00:05:09,839 --> 00:05:14,000 Speaker 4: Fringeworld dot com dot au. Jada, good luck and thank 120 00:05:14,040 --> 00:05:14,680 Speaker 4: you for joining us. 121 00:05:14,720 --> 00:05:15,880 Speaker 2: Thank you so much for having me.