1 00:00:00,640 --> 00:00:04,560 Speaker 1: Oh man, A great day today the podcast very please, we. 2 00:00:04,600 --> 00:00:09,800 Speaker 2: Spoke about the new Hollywood phenomenon. We've had rat faced hunks. Yes, 3 00:00:09,840 --> 00:00:15,640 Speaker 2: we've had cappy bara hunks. We're now discussing the frogman hunk. 4 00:00:15,760 --> 00:00:17,000 Speaker 3: These are divers, are they? 5 00:00:17,120 --> 00:00:21,919 Speaker 2: No, they're not. They're Hollywood men, for example Bradley Cooper, 6 00:00:22,239 --> 00:00:25,440 Speaker 2: who look froggish frog their eyes. No, their eyes are 7 00:00:25,440 --> 00:00:28,800 Speaker 2: slightly wide apart. They have a big sort of face splitting. 8 00:00:28,400 --> 00:00:30,320 Speaker 1: Grin broad broad features. 9 00:00:30,400 --> 00:00:31,960 Speaker 2: Yeah, and there's a book about them, but I don't 10 00:00:31,960 --> 00:00:36,800 Speaker 2: know if you've read it. Yeah, you know, maybe maybe 11 00:00:36,800 --> 00:00:37,959 Speaker 2: I should do this show on my arm. 12 00:00:38,240 --> 00:00:41,080 Speaker 1: I feel like I am and maybe I should. Please. Well, 13 00:00:41,080 --> 00:00:43,520 Speaker 1: you know when I heard that before at six twenty, 14 00:00:43,560 --> 00:00:44,480 Speaker 1: I still hung over. 15 00:00:44,520 --> 00:00:45,400 Speaker 3: I thought that was funny. 16 00:00:45,479 --> 00:00:49,240 Speaker 1: Yeah, you know. Now please, in the cold, sobriety of day, 17 00:00:49,880 --> 00:00:52,680 Speaker 1: it's a different kettle of fish, isn't it. Well? 18 00:00:52,680 --> 00:00:54,760 Speaker 2: How about you? You want to see Richard Clapton? Or 19 00:00:54,800 --> 00:00:57,400 Speaker 2: you spoke about was your three word introduction? Here is 20 00:00:57,520 --> 00:00:58,320 Speaker 2: Richard Clapton. 21 00:00:59,480 --> 00:01:04,039 Speaker 3: That was at my signal unleash. Hell, if I remember rightly. 22 00:01:04,160 --> 00:01:06,520 Speaker 2: The tribal drum is beating for the lengths I went 23 00:01:06,640 --> 00:01:10,640 Speaker 2: for love indeed, after a woman in Greece lit some fires, 24 00:01:11,120 --> 00:01:14,120 Speaker 2: literal fires because she wanted to look at and flirt 25 00:01:14,160 --> 00:01:14,760 Speaker 2: with firemen. 26 00:01:14,920 --> 00:01:16,679 Speaker 1: Yep, you do that all the time around here. You're 27 00:01:16,680 --> 00:01:17,840 Speaker 1: always lighting fires. 28 00:01:17,880 --> 00:01:18,440 Speaker 2: Am my brand. 29 00:01:18,480 --> 00:01:21,240 Speaker 1: The management comes running down. What does she want now? 30 00:01:21,800 --> 00:01:24,120 Speaker 2: Give it to her whatever she wants. She made that 31 00:01:24,160 --> 00:01:25,080 Speaker 2: Reddit joke again. 32 00:01:26,400 --> 00:01:30,280 Speaker 1: Also, fat Man Scoop passed away on the weekend doing 33 00:01:30,319 --> 00:01:32,640 Speaker 1: what he loved. He was up spinning the DJ decks. 34 00:01:32,760 --> 00:01:34,720 Speaker 2: Yeah, but having said that, you'd like to pass away 35 00:01:34,760 --> 00:01:37,080 Speaker 2: at ninety spinning the DJ decks, not at fifty three. 36 00:01:37,319 --> 00:01:37,600 Speaker 1: Yeah. 37 00:01:37,640 --> 00:01:37,959 Speaker 3: True. 38 00:01:38,120 --> 00:01:40,760 Speaker 1: Emma Gillaspie with that's entertainment. We'll talk about that. 39 00:01:40,840 --> 00:01:43,119 Speaker 2: And you may be surprised who has been outed as 40 00:01:43,120 --> 00:01:44,000 Speaker 2: the Antichrist. 41 00:01:44,240 --> 00:01:56,600 Speaker 1: That's all coming up in this podcast. That a miracle 42 00:01:56,600 --> 00:01:59,000 Speaker 1: of recording. We have so many requests for them to 43 00:01:59,040 --> 00:01:59,560 Speaker 1: do it again. 44 00:02:00,040 --> 00:02:01,280 Speaker 4: Amanda and miss Killer. 45 00:02:01,920 --> 00:02:03,560 Speaker 2: Amanda doesn't work alone. 46 00:02:05,320 --> 00:02:08,040 Speaker 3: Friend making the tools of the train. 47 00:02:08,120 --> 00:02:12,359 Speaker 1: I've heard them describe him as a drunken idiot, the 48 00:02:12,440 --> 00:02:13,280 Speaker 1: legendary part. 49 00:02:13,320 --> 00:02:18,360 Speaker 5: Jersey and Amanda the actress, Congratulations, we're ready right now. 50 00:02:19,240 --> 00:02:21,119 Speaker 3: Jersey and Amanda, you're doing a great job. 51 00:02:21,639 --> 00:02:26,280 Speaker 6: It could anyone but your Selkie Giant good radio. 52 00:02:26,520 --> 00:02:31,720 Speaker 7: Sorry but it's a tongue tongue twist set and Amanda 53 00:02:32,320 --> 00:02:33,000 Speaker 7: shoot time. 54 00:02:33,760 --> 00:02:36,200 Speaker 1: We're on the air. Top of the money to you, Amanda. 55 00:02:36,840 --> 00:02:38,720 Speaker 2: Hello, Brendan. How's your Father's day? 56 00:02:38,760 --> 00:02:40,400 Speaker 3: It was a great father's day. 57 00:02:40,480 --> 00:02:41,320 Speaker 2: Tell me what happened. 58 00:02:41,400 --> 00:02:43,960 Speaker 1: My family came around, the kids all came around. 59 00:02:44,000 --> 00:02:44,720 Speaker 2: There me be. 60 00:02:45,440 --> 00:02:47,200 Speaker 1: My daughter cooked a wonderful meal. 61 00:02:47,400 --> 00:02:47,959 Speaker 2: How lovely. 62 00:02:48,040 --> 00:02:49,160 Speaker 1: It was a beautiful day. 63 00:02:49,480 --> 00:02:50,639 Speaker 3: We chatted for ages. 64 00:02:50,680 --> 00:02:53,240 Speaker 1: It was great, lovely. What about Tarlie. 65 00:02:53,800 --> 00:02:57,280 Speaker 2: We had a really nice, a nice weekend. The four 66 00:02:57,320 --> 00:03:00,519 Speaker 2: of us went to the South Coast and it was 67 00:03:00,560 --> 00:03:02,440 Speaker 2: a big deal because you know, we see each other 68 00:03:02,480 --> 00:03:04,000 Speaker 2: a lot, et cetera. But for the four of us, 69 00:03:04,000 --> 00:03:09,720 Speaker 2: it's my dream to have my son's captive. So we laugh, 70 00:03:09,880 --> 00:03:12,639 Speaker 2: we talked. It was, you know, and I said to 71 00:03:12,680 --> 00:03:15,239 Speaker 2: Harley last night, we are so lucky with those young men. 72 00:03:15,800 --> 00:03:19,120 Speaker 2: They are lovely, lovely boys who love their father very much. 73 00:03:19,280 --> 00:03:22,399 Speaker 2: And it was a really great weekend because they see 74 00:03:22,600 --> 00:03:25,240 Speaker 2: their changes in Harley and it's hard for them, but 75 00:03:25,320 --> 00:03:29,200 Speaker 2: they are so solicitous towards him, and it's just it 76 00:03:29,320 --> 00:03:31,080 Speaker 2: was so nice, had a very nice time. 77 00:03:31,120 --> 00:03:33,400 Speaker 1: That's good. Why do they get him any gifts. 78 00:03:33,760 --> 00:03:36,320 Speaker 2: We got some shirts and because it's hard with Harley 79 00:03:36,360 --> 00:03:39,040 Speaker 2: doesn't get out much now and stuff, so some shirts 80 00:03:39,080 --> 00:03:41,839 Speaker 2: and a big bag of kitkats, which is his favorite theme. 81 00:03:41,960 --> 00:03:44,560 Speaker 3: Man, I love the KitKat, you know, I love the 82 00:03:44,600 --> 00:03:45,200 Speaker 3: big finger. 83 00:03:45,360 --> 00:03:48,280 Speaker 1: I don't call it the big finger anymore, possibly the 84 00:03:49,160 --> 00:03:52,560 Speaker 1: reasons of taste, but it's just it tastes good, you know, 85 00:03:52,920 --> 00:03:54,840 Speaker 1: with a big finger. Yeah, I don't know what they 86 00:03:54,880 --> 00:03:55,440 Speaker 1: call it now. 87 00:03:55,520 --> 00:03:58,920 Speaker 2: Well, the kitkats that they're ones that are individually rap, 88 00:03:59,320 --> 00:04:01,600 Speaker 2: so it's just easy, don't get manky together, so you 89 00:04:01,640 --> 00:04:03,920 Speaker 2: just have a little small one and then another. 90 00:04:04,520 --> 00:04:05,560 Speaker 3: You eat one of those. 91 00:04:06,960 --> 00:04:10,240 Speaker 2: Presents matter, Like you said, would you get him? Does 92 00:04:10,280 --> 00:04:12,400 Speaker 2: it matter? Because you often say I don't care. But 93 00:04:12,440 --> 00:04:14,000 Speaker 2: then that's the first question answers is what did you get? 94 00:04:14,120 --> 00:04:16,120 Speaker 1: Well, the kids got me a six pack of dough beer. 95 00:04:16,279 --> 00:04:17,919 Speaker 1: Remember the band Duff Beer. 96 00:04:18,760 --> 00:04:20,040 Speaker 2: Was it banned because you couldn't. 97 00:04:21,000 --> 00:04:23,080 Speaker 3: Went about copyright issues? 98 00:04:23,400 --> 00:04:24,960 Speaker 2: So it wasn't It wasn't really. 99 00:04:25,040 --> 00:04:29,559 Speaker 1: It wasn't sanctioned by whoever runs The Simpsons Fox. 100 00:04:29,880 --> 00:04:32,240 Speaker 3: I think it's yeah, I think it's now Disney. But 101 00:04:32,320 --> 00:04:34,800 Speaker 3: there's a six pack of dough beer. Nice, not to 102 00:04:34,839 --> 00:04:35,600 Speaker 3: be consumed. 103 00:04:35,800 --> 00:04:38,200 Speaker 2: Did your wife buy your present? Because that's the way I. 104 00:04:38,480 --> 00:04:40,600 Speaker 3: Wonder, don't I didn't get anything from Do you. 105 00:04:40,560 --> 00:04:42,000 Speaker 2: Buy Helen a Mother's Day present? 106 00:04:42,200 --> 00:04:47,200 Speaker 3: Yep, yep, yep, just pie, just to keep the peace 107 00:04:47,720 --> 00:04:48,280 Speaker 3: just easier. 108 00:04:48,520 --> 00:04:50,840 Speaker 1: Jemi Rye, I was were curious about what jem Y 109 00:04:50,960 --> 00:04:53,160 Speaker 1: Rye got his dad John for Father's Day. 110 00:04:53,240 --> 00:04:55,080 Speaker 3: I got him a water bottle. 111 00:04:56,400 --> 00:04:58,599 Speaker 2: To drink out of, a hot water bottle as drink 112 00:04:58,640 --> 00:05:01,240 Speaker 2: out of, because you said he needed new running shoes, all. 113 00:05:01,200 --> 00:05:01,720 Speaker 1: Sorts of stuff. 114 00:05:01,720 --> 00:05:03,520 Speaker 3: Ah yeah, but I left it for the last minute. 115 00:05:04,400 --> 00:05:06,920 Speaker 3: They got it on Amazon, so it hasn't arrived yet. 116 00:05:06,920 --> 00:05:09,239 Speaker 3: So I sort of gave my visible present. 117 00:05:09,640 --> 00:05:11,680 Speaker 2: Ryan. We talked about this on Monday, but. 118 00:05:11,720 --> 00:05:14,640 Speaker 1: I was doing stuff. What were you doing stuff? 119 00:05:14,920 --> 00:05:15,760 Speaker 3: Regard TikTok. 120 00:05:15,800 --> 00:05:18,080 Speaker 2: I look back at that with my mum and dad 121 00:05:18,080 --> 00:05:20,159 Speaker 2: and I say, oh, look, I'll give it to you in 122 00:05:20,200 --> 00:05:21,760 Speaker 2: the next week. I'm at mum one point saying oh, 123 00:05:21,760 --> 00:05:24,680 Speaker 2: there's no point, there's no point, and now, as an adult, 124 00:05:25,240 --> 00:05:26,599 Speaker 2: how awful. She's right, So what. 125 00:05:26,640 --> 00:05:28,800 Speaker 1: Happens, that's that's what that's what the creed is. As 126 00:05:28,839 --> 00:05:30,760 Speaker 1: a parent, you just don't get any of that stuff. 127 00:05:30,839 --> 00:05:34,320 Speaker 2: No and it doesn't and you don't get it's only 128 00:05:34,320 --> 00:05:36,120 Speaker 2: when you get older you realize that. 129 00:05:36,240 --> 00:05:40,040 Speaker 1: You only realize when you become a parent. That's how it's. 130 00:05:39,960 --> 00:05:43,280 Speaker 2: Nice Time to make a change, or Cats in the Cradle, 131 00:05:43,279 --> 00:05:43,960 Speaker 2: all those songs. 132 00:05:44,080 --> 00:05:46,360 Speaker 1: We got an action packed show today. We've got to 133 00:05:46,480 --> 00:05:49,960 Speaker 1: Instagram make East return. We've also got the Magnificent seven. 134 00:05:50,000 --> 00:05:50,719 Speaker 1: We can't do anything? 135 00:05:50,720 --> 00:05:54,400 Speaker 2: Do we do that question one? Which TV sitcom starts 136 00:05:54,400 --> 00:05:57,839 Speaker 2: every episode with the title with the phrase the one 137 00:05:57,960 --> 00:06:01,599 Speaker 2: with the one where the one, et cetera, et cetera. 138 00:06:02,560 --> 00:06:06,120 Speaker 2: That's the head I know the answer. Thirteen episode has 139 00:06:06,120 --> 00:06:07,440 Speaker 2: a title the one where. 140 00:06:08,080 --> 00:06:09,560 Speaker 3: I'm within ouramation. 141 00:06:09,720 --> 00:06:12,560 Speaker 1: If we have the Magnificent seven for you seven questions, 142 00:06:12,560 --> 00:06:13,880 Speaker 1: can you go all the way and answer all seven 143 00:06:13,960 --> 00:06:15,960 Speaker 1: questions correctly? If you do that, Amanda will say. 144 00:06:15,839 --> 00:06:18,000 Speaker 2: I'll ask you about it later because I know you. Also, 145 00:06:18,040 --> 00:06:21,159 Speaker 2: on Saturday Night we see Richard Clapton. Yeah, don't tell 146 00:06:21,200 --> 00:06:24,400 Speaker 2: me now, what a show did you do? Your intro? 147 00:06:24,800 --> 00:06:28,240 Speaker 2: Don't tell me now, tell me now, don't say no, 148 00:06:28,400 --> 00:06:30,280 Speaker 2: don't We'll get to that. 149 00:06:30,520 --> 00:06:33,080 Speaker 3: It was a super super night, excellent. 150 00:06:33,320 --> 00:06:34,680 Speaker 1: I'm just getting question seven right. 151 00:06:34,720 --> 00:06:38,760 Speaker 2: John's in picton, Hello, John Good Morning Jogma, which TV 152 00:06:38,839 --> 00:06:41,720 Speaker 2: sitcom starts every episode with the phrase the one where 153 00:06:41,839 --> 00:06:43,320 Speaker 2: the one with the one, etcetera. 154 00:06:44,480 --> 00:06:45,840 Speaker 8: Friends. 155 00:06:44,920 --> 00:06:47,160 Speaker 3: Yes, true or false? 156 00:06:47,320 --> 00:06:47,599 Speaker 1: John. 157 00:06:47,960 --> 00:06:56,040 Speaker 3: The singer shares first name is Chelyn. False, John, It's true. 158 00:06:58,080 --> 00:07:01,120 Speaker 2: Kathleen have been half listened as Kathleen. 159 00:07:00,880 --> 00:07:02,520 Speaker 3: Is Johnny Dumbo. 160 00:07:02,800 --> 00:07:08,080 Speaker 2: She might have been Johnny distracted pants. Hello, Kathleen, good morning. 161 00:07:08,080 --> 00:07:10,560 Speaker 2: I'll made you the question. We'll go through the formalities. 162 00:07:10,880 --> 00:07:13,680 Speaker 2: True or false. The singer SHARE's first name is Sherilyn. 163 00:07:14,560 --> 00:07:14,840 Speaker 8: True. 164 00:07:14,920 --> 00:07:17,720 Speaker 2: It is because we always used to call her Sure. Yeah, 165 00:07:17,840 --> 00:07:20,520 Speaker 2: But the name is Cherylyn. It's short for Sheer. 166 00:07:20,480 --> 00:07:23,280 Speaker 3: Was Shar's surname before she married Sonny Bono. 167 00:07:23,960 --> 00:07:27,560 Speaker 2: Sarkissian or Sarkisian, Sarkisian s A r k I s 168 00:07:27,600 --> 00:07:28,040 Speaker 2: I A N. 169 00:07:28,160 --> 00:07:30,360 Speaker 1: That's the Cherokee Indian name. Is that because she was 170 00:07:30,480 --> 00:07:34,240 Speaker 1: Cherokee Indian and something else? I don't know. Greek has 171 00:07:34,240 --> 00:07:35,480 Speaker 1: a bit of Greek in there. I don't know. 172 00:07:35,520 --> 00:07:36,760 Speaker 3: That's basically not so secret. 173 00:07:36,760 --> 00:07:41,920 Speaker 2: Sound Katheline, Okay, Kathleen, what is this sound? 174 00:07:47,280 --> 00:07:47,720 Speaker 3: Kathleen? 175 00:07:48,800 --> 00:07:51,200 Speaker 9: Yeah, the walk thing to go over traffic lights. 176 00:07:51,120 --> 00:07:53,520 Speaker 1: The walk thing to go over the traffic lights. 177 00:07:53,720 --> 00:07:55,720 Speaker 2: Crossing sound? Is that what you're saying crossing. 178 00:07:55,800 --> 00:07:59,880 Speaker 1: So also the inspiration for Billie Eilish's bad Guy song. 179 00:08:02,720 --> 00:08:07,520 Speaker 2: Du She and her brother were in Sydney her traffic 180 00:08:07,560 --> 00:08:11,960 Speaker 2: lightspot what a great beat? Question number four? 181 00:08:12,200 --> 00:08:15,880 Speaker 3: Where you get your inspiration from it? Is it okay? 182 00:08:15,880 --> 00:08:16,240 Speaker 1: You ready? 183 00:08:16,280 --> 00:08:18,840 Speaker 2: Question number four Kathleen the latest This is multiple choice. 184 00:08:18,840 --> 00:08:23,440 Speaker 2: The latest film in which franchise has the subtitle rebirth? 185 00:08:24,200 --> 00:08:28,680 Speaker 2: Is it a Jurassic Park B Alien c or. 186 00:08:28,720 --> 00:08:33,079 Speaker 3: At h B alien? 187 00:08:33,120 --> 00:08:36,400 Speaker 2: It's not alien, It's not alien? 188 00:08:36,640 --> 00:08:41,000 Speaker 1: Do you know the answer? I just don't like that. 189 00:08:41,120 --> 00:08:43,040 Speaker 1: I just don't like that got from the Have you 190 00:08:43,080 --> 00:08:44,959 Speaker 1: ever bought a video that wasn't quite right? 191 00:08:45,000 --> 00:08:46,440 Speaker 2: Do you remember what videos were? 192 00:08:47,320 --> 00:08:50,600 Speaker 1: Thirteen WSFM is our number. The latest film in what 193 00:08:50,760 --> 00:08:53,599 Speaker 1: franchise has the subtitle rebirth? 194 00:08:54,559 --> 00:08:56,839 Speaker 3: We know it's not alien? But is it Jurassic Park 195 00:08:57,200 --> 00:08:58,120 Speaker 3: or borat. 196 00:09:00,160 --> 00:09:00,640 Speaker 2: Podcast? 197 00:09:00,800 --> 00:09:03,600 Speaker 1: Where into the Magnius seven we've got Dale of Waterloo. 198 00:09:03,679 --> 00:09:07,880 Speaker 2: Hello Daley, guys. Great question for the latest film in 199 00:09:07,920 --> 00:09:11,680 Speaker 2: which franchise has the subtitle rebirth? Is a Jurassic Park 200 00:09:11,800 --> 00:09:12,559 Speaker 2: or borer. 201 00:09:13,760 --> 00:09:14,440 Speaker 4: Jurassic Park? 202 00:09:14,559 --> 00:09:17,640 Speaker 2: You know it's true except for twenty twenty five release. 203 00:09:17,800 --> 00:09:19,720 Speaker 2: There was a time when a new Jurassic Park movie 204 00:09:19,720 --> 00:09:23,200 Speaker 2: would be everything that becomes so boring. There's so much CGI, 205 00:09:23,320 --> 00:09:25,720 Speaker 2: it's taken all the out of it. The last few 206 00:09:25,760 --> 00:09:27,000 Speaker 2: I've seen have been really bored. 207 00:09:27,040 --> 00:09:28,559 Speaker 3: What was your favorite Jurassic Park one? 208 00:09:28,600 --> 00:09:30,880 Speaker 2: The first one? The first one was mind blowing And 209 00:09:30,920 --> 00:09:33,800 Speaker 2: I know you can't create the wow, mind blowing nature, 210 00:09:33,800 --> 00:09:38,960 Speaker 2: but CGI is stripping it of its heart rate. 211 00:09:39,120 --> 00:09:40,840 Speaker 3: I think have a word with the Marvel people. 212 00:09:42,040 --> 00:09:44,240 Speaker 1: A voca is a beach that you would find in 213 00:09:44,240 --> 00:09:47,120 Speaker 1: which part of New South Wales Dale? 214 00:09:47,600 --> 00:09:48,440 Speaker 4: A voca. 215 00:09:52,000 --> 00:09:52,480 Speaker 8: The beaches? 216 00:09:53,080 --> 00:09:54,760 Speaker 2: No, that's Abli. 217 00:09:56,000 --> 00:09:59,280 Speaker 3: Runs in Helen's hi ron Oh a very well. 218 00:09:59,400 --> 00:10:01,240 Speaker 2: A vocus a you'd find in which part of New 219 00:10:01,280 --> 00:10:04,160 Speaker 2: South Wales Central Central course? 220 00:10:04,240 --> 00:10:07,040 Speaker 3: That's right? How many members run are there in the 221 00:10:07,040 --> 00:10:10,360 Speaker 3: pet shop? Boys? 222 00:10:10,920 --> 00:10:11,280 Speaker 2: Two? 223 00:10:11,520 --> 00:10:13,200 Speaker 1: Two? Neil and Chris? 224 00:10:13,360 --> 00:10:14,920 Speaker 2: And what are their star signs? 225 00:10:15,280 --> 00:10:16,800 Speaker 1: There is and paces correct? 226 00:10:17,200 --> 00:10:20,400 Speaker 2: Question seven? Here we go wrong? Which Grand Slam event 227 00:10:20,760 --> 00:10:21,920 Speaker 2: is happening now? 228 00:10:23,679 --> 00:10:24,720 Speaker 10: The US Open? 229 00:10:24,880 --> 00:10:29,320 Speaker 2: US Open? Alex dimonor yep? First? Dozy to make the 230 00:10:29,320 --> 00:10:31,880 Speaker 2: fourth round? Since Leighton Hewett, Oh there you go, come 231 00:10:31,880 --> 00:10:33,880 Speaker 2: on to watch, Come on, he's our guy. 232 00:10:33,920 --> 00:10:36,040 Speaker 3: I congratulates to you. You run, You're our guy. 233 00:10:36,040 --> 00:10:37,760 Speaker 1: At the moment because you've won the jam Packet's all 234 00:10:37,800 --> 00:10:40,680 Speaker 1: coming away. You can double pass to see Brian Adams 235 00:10:40,720 --> 00:10:42,120 Speaker 1: Acutos bank around now. 236 00:10:42,160 --> 00:10:43,520 Speaker 3: It's a good Primary twelve with. 237 00:10:43,600 --> 00:10:47,640 Speaker 1: Special guests James Arthur on sale Wednesday, one hundred and 238 00:10:47,640 --> 00:10:50,080 Speaker 1: fifty dollars to spend the Flowers for Everyone springers in 239 00:10:50,120 --> 00:10:52,480 Speaker 1: the air order at Flowers for Everyone dot com dot 240 00:10:52,480 --> 00:10:54,720 Speaker 1: au and Jon's indomantic character too is feel the color 241 00:10:54,760 --> 00:10:57,000 Speaker 1: and stand the pencils so you can color with confidence. 242 00:10:57,160 --> 00:10:58,559 Speaker 1: Run anything you'd like to add to this. 243 00:10:59,600 --> 00:11:00,920 Speaker 8: Thank you, Thank you so much. 244 00:11:01,040 --> 00:11:01,840 Speaker 1: Ron, You're welcome. 245 00:11:02,320 --> 00:11:05,600 Speaker 2: Jonesy and Amanda. 246 00:11:04,600 --> 00:11:16,559 Speaker 11: Podcast people, top of the body to you. 247 00:11:17,559 --> 00:11:19,440 Speaker 1: Just having a look through the jermanak Our big book 248 00:11:19,480 --> 00:11:20,320 Speaker 1: of musical facts. 249 00:11:21,480 --> 00:11:22,400 Speaker 3: Oh this is a good one. 250 00:11:22,720 --> 00:11:26,000 Speaker 1: On this day. In two thousand, Madonna released her hit music. 251 00:11:26,400 --> 00:11:29,280 Speaker 1: It reached number one on the charts. Got a number one, 252 00:11:29,400 --> 00:11:30,360 Speaker 1: which is nothing out. 253 00:11:30,240 --> 00:11:32,400 Speaker 3: Of the ordinary for the don As people in the 254 00:11:32,400 --> 00:11:33,120 Speaker 3: business call. 255 00:11:33,120 --> 00:11:34,600 Speaker 2: I've never heard her called the Dawn. 256 00:11:34,960 --> 00:11:38,040 Speaker 1: Well you have, now that's a thing. Thanks to the 257 00:11:38,080 --> 00:11:41,160 Speaker 1: new Marvel movie by the Way, Deadpool and Wolverine, Madonna 258 00:11:41,200 --> 00:11:43,640 Speaker 1: has hit new heights with a thirty five year old 259 00:11:43,679 --> 00:11:45,640 Speaker 1: song like a prayer. Have you seen that? 260 00:11:45,760 --> 00:11:46,600 Speaker 2: Is that in the movie? 261 00:11:46,720 --> 00:11:49,480 Speaker 1: Yeah? That's made it on the UK's Top forty list 262 00:11:49,520 --> 00:11:50,560 Speaker 1: for the first time ever. 263 00:11:50,920 --> 00:11:52,800 Speaker 2: Really, it's one of my favorite song. 264 00:11:54,520 --> 00:11:56,840 Speaker 3: Well that's probably why it's your favorite. 265 00:11:56,880 --> 00:11:57,560 Speaker 2: Are you going to play it? 266 00:11:57,880 --> 00:12:01,760 Speaker 1: I know no, we're just because the Brits are always 267 00:12:01,800 --> 00:12:04,680 Speaker 1: late to the party, late to the party with dentists 268 00:12:05,080 --> 00:12:08,040 Speaker 1: and now I'm daughter. Now we're gonna play this one 269 00:12:08,280 --> 00:12:10,439 Speaker 1: music nice, we love this. 270 00:12:11,920 --> 00:12:16,480 Speaker 2: Let me tell you about the new advent of hot 271 00:12:16,520 --> 00:12:21,160 Speaker 2: Hollywood guy. We've had rodent men, hot rat men yep, 272 00:12:21,440 --> 00:12:26,720 Speaker 2: Timothy Charlemagne for example, men whose faces were kind of long. 273 00:12:27,320 --> 00:12:33,079 Speaker 2: The narrow aesthetic of the rat boyfriend yep, narrow femininish features, 274 00:12:33,320 --> 00:12:34,719 Speaker 2: rat man, got it. 275 00:12:35,120 --> 00:12:36,520 Speaker 1: Where does jim I Wraye fit in this? 276 00:12:37,160 --> 00:12:41,760 Speaker 2: Actually, I don't think you're rat hot. I'll tell you 277 00:12:41,760 --> 00:12:44,360 Speaker 2: what I think you might fit into this latest category 278 00:12:44,400 --> 00:12:46,640 Speaker 2: that I'll tell you about in a minute. Then we 279 00:12:46,800 --> 00:12:50,959 Speaker 2: had the Golden Retriever boyfriend, who is Travis Kelce Travis 280 00:12:51,440 --> 00:12:54,800 Speaker 2: Taylor Swift's boyfriend. He's the Golden Retriever kind of guy. 281 00:12:55,320 --> 00:13:00,199 Speaker 2: I also had suggested Glenn Powell as a cappy bara. 282 00:13:00,840 --> 00:13:03,640 Speaker 2: He and John legend. You know they have those eyes 283 00:13:03,679 --> 00:13:08,800 Speaker 2: close together, kind of roundish faces, Kappy Baras style. The 284 00:13:08,880 --> 00:13:13,520 Speaker 2: latest one is the frogman, the Frogmen of Hollywood and 285 00:13:13,600 --> 00:13:18,880 Speaker 2: Ryan I think you might be a frogman language the Frogmen, 286 00:13:19,360 --> 00:13:22,000 Speaker 2: for example, that here's the description of them. They say 287 00:13:22,040 --> 00:13:25,760 Speaker 2: it's a sexy genre whose eyes are quite wide set 288 00:13:25,920 --> 00:13:30,079 Speaker 2: and the smile errs on the goofy side actually look 289 00:13:30,200 --> 00:13:34,480 Speaker 2: like you. And they for example, Ramy Mallick. You know 290 00:13:34,559 --> 00:13:41,400 Speaker 2: who played Freddie Mercury, Harry Styles, Bradley Cooper Frogmen. 291 00:13:41,440 --> 00:13:44,840 Speaker 3: Bradley Cooper. Really yeah, look at here. 292 00:13:45,280 --> 00:13:47,600 Speaker 2: They're all hunky, but the eyes are kind of white, 293 00:13:47,600 --> 00:13:52,760 Speaker 2: said Bradley Cooper. See his smile. He's frogish, Okay, frog hot, 294 00:13:52,920 --> 00:13:56,080 Speaker 2: frog het, frog Hot. There's a whole book about being 295 00:13:56,120 --> 00:14:01,120 Speaker 2: frog hot. Have you read it? Read it? You get 296 00:14:01,120 --> 00:14:01,959 Speaker 2: that one for free. 297 00:14:03,800 --> 00:14:07,880 Speaker 1: I'll keep my wallet away. I dare to ask where 298 00:14:07,880 --> 00:14:08,760 Speaker 1: I fit in all of this. 299 00:14:09,040 --> 00:14:11,040 Speaker 2: Ah, I don't know. I think it was old man. 300 00:14:13,600 --> 00:14:14,960 Speaker 2: There's no category for you. 301 00:14:15,080 --> 00:14:21,920 Speaker 12: Yay for me, jam Nation, Jonesy and Amanda in the 302 00:14:21,960 --> 00:14:24,960 Speaker 12: Morning one O one point seven w s M. 303 00:14:25,000 --> 00:14:27,000 Speaker 1: A lot of people asking where you were on Saturday 304 00:14:27,040 --> 00:14:28,840 Speaker 1: night at the State Theater for Richard Clapton. 305 00:14:28,880 --> 00:14:29,840 Speaker 3: I saw rob. 306 00:14:29,760 --> 00:14:32,800 Speaker 1: Hurst was there, love him Tony Mott. Robhurst, the drummer 307 00:14:32,800 --> 00:14:36,640 Speaker 1: from midnightdol Tony Mott was there, a well known photographer, 308 00:14:36,680 --> 00:14:37,480 Speaker 1: rock photographer. 309 00:14:37,520 --> 00:14:39,360 Speaker 2: I would have been there, but we had a rare 310 00:14:39,440 --> 00:14:41,960 Speaker 2: chance for Harley and my two sons and I to 311 00:14:42,200 --> 00:14:44,040 Speaker 2: have a weekend together, so we did that. 312 00:14:44,320 --> 00:14:46,320 Speaker 1: It was good. I was I don't get to shine 313 00:14:46,400 --> 00:14:49,440 Speaker 1: by myself quite often on the stage because you and 314 00:14:49,520 --> 00:14:51,880 Speaker 1: I when we do stuff together, we're a duo. 315 00:14:52,320 --> 00:14:54,720 Speaker 3: But sometimes boy's got to be himself. 316 00:14:55,320 --> 00:15:00,960 Speaker 2: Okay, get that on the sure held you back, Brendan. 317 00:15:01,240 --> 00:15:04,240 Speaker 1: I know you gave me some suggestions as to what 318 00:15:04,280 --> 00:15:05,400 Speaker 1: I should say when I walk. 319 00:15:05,960 --> 00:15:08,640 Speaker 2: Because Richard said to you, I'd like you to introduce me. 320 00:15:08,600 --> 00:15:11,680 Speaker 1: Which is a big honor, big honor. And what was 321 00:15:11,720 --> 00:15:12,760 Speaker 1: your suggestion. 322 00:15:13,520 --> 00:15:16,320 Speaker 2: His Dickie, I think that was one of them. 323 00:15:16,400 --> 00:15:17,840 Speaker 3: Jim I Ray added a suggestion. 324 00:15:18,040 --> 00:15:21,920 Speaker 13: I wanted you to say, everyone, and I've got the clap, who'd. 325 00:15:21,560 --> 00:15:29,840 Speaker 1: You go with? Well? Here it is here, ladies, and gentleman, 326 00:15:31,040 --> 00:15:35,800 Speaker 1: mister Richard. It just works, doesn't it. 327 00:15:35,920 --> 00:15:37,280 Speaker 2: You just went strong and steady. 328 00:15:37,360 --> 00:15:40,000 Speaker 1: I was talking, say hello music lovers, that's what Richard 329 00:15:40,040 --> 00:15:40,480 Speaker 1: always says. 330 00:15:40,480 --> 00:15:42,480 Speaker 3: But I don't want to steal his his gear. 331 00:15:42,600 --> 00:15:45,360 Speaker 2: No, did you break into any of his songs, Brendan. 332 00:15:45,840 --> 00:15:48,040 Speaker 2: Now he had the stage to yourself. 333 00:15:47,720 --> 00:15:50,160 Speaker 1: To see Richard at the State Theater and they presented 334 00:15:50,200 --> 00:15:53,120 Speaker 1: him with an award for Platinum. 335 00:15:52,680 --> 00:15:53,640 Speaker 3: Albums for his albums. 336 00:15:54,320 --> 00:15:55,520 Speaker 2: You presented him with that. 337 00:15:55,760 --> 00:16:01,360 Speaker 3: I came on stage and Russian Blue was the album. 338 00:16:01,480 --> 00:16:05,240 Speaker 1: Also The Great Escape and Goodbye Tiger, which which sold 339 00:16:05,280 --> 00:16:07,400 Speaker 1: millions of copies. Well, I don't know have to sold millions, 340 00:16:07,440 --> 00:16:09,080 Speaker 1: but everyone has a. 341 00:16:09,000 --> 00:16:12,080 Speaker 3: Copy of is this what you said on staf a. 342 00:16:12,080 --> 00:16:15,520 Speaker 1: Bridge version of that? But it was such a great thing. 343 00:16:15,560 --> 00:16:17,080 Speaker 1: And some of those songs, you know, when you hear 344 00:16:17,240 --> 00:16:22,760 Speaker 1: like I Am an Ireland when rich plays that so good? 345 00:16:24,040 --> 00:16:26,480 Speaker 1: And he did Girls on the Avenue, don't you flew? 346 00:16:26,640 --> 00:16:29,720 Speaker 1: Of course he would have had to. And what about 347 00:16:29,760 --> 00:16:30,240 Speaker 1: deep Word? 348 00:16:31,800 --> 00:16:37,040 Speaker 2: So just but did he do my special fave? You know, 349 00:16:37,080 --> 00:16:41,920 Speaker 2: the one I'm dead? No, shut up on. 350 00:16:41,920 --> 00:16:45,280 Speaker 3: Your face you're talking about the best years of our life. 351 00:16:45,320 --> 00:16:46,200 Speaker 2: Always makes me mad. 352 00:16:46,720 --> 00:16:49,160 Speaker 1: And everyone was just singing along to it, and you know, 353 00:16:49,200 --> 00:16:51,760 Speaker 1: I don't really like when they throw over to the crowd. 354 00:16:51,600 --> 00:16:53,120 Speaker 3: Sing but it just worked. 355 00:16:53,920 --> 00:16:56,960 Speaker 1: It just worked. We should actually we should put it 356 00:16:57,000 --> 00:16:57,480 Speaker 1: on with shoes. 357 00:16:57,520 --> 00:16:59,080 Speaker 2: How can we play it? Go and stick it on? 358 00:16:59,200 --> 00:16:59,720 Speaker 1: Jimmy right? 359 00:16:59,760 --> 00:17:01,920 Speaker 3: What are we? What are we scheduled to play here? 360 00:17:02,120 --> 00:17:05,520 Speaker 1: We've got the Pet Shop Boys? Which song always on 361 00:17:05,640 --> 00:17:06,120 Speaker 1: my mind? 362 00:17:06,280 --> 00:17:08,320 Speaker 2: Let's do Richard Clup? I think they're the same era 363 00:17:08,720 --> 00:17:09,240 Speaker 2: do Richard Clu? 364 00:17:09,440 --> 00:17:14,600 Speaker 1: This is let's get it on excellent, good on? You're Richard, 365 00:17:14,680 --> 00:17:16,159 Speaker 1: You're a national tree treasure. 366 00:17:16,440 --> 00:17:18,720 Speaker 3: Jem WSFM. 367 00:17:19,080 --> 00:17:22,639 Speaker 2: There is one of my songs ever, I just love it. 368 00:17:22,680 --> 00:17:24,720 Speaker 3: You look at a beautiful Sydney day. You're hearing Richard 369 00:17:24,720 --> 00:17:25,920 Speaker 3: Clapton Best Years of Hours? 370 00:17:25,960 --> 00:17:27,000 Speaker 2: Is that the song you finished with? 371 00:17:27,200 --> 00:17:27,440 Speaker 1: Yeah? 372 00:17:27,720 --> 00:17:30,119 Speaker 2: It was so emotional, so emotional. 373 00:17:29,720 --> 00:17:32,359 Speaker 1: And Mahlea Barnes was on the backup or doing the 374 00:17:32,400 --> 00:17:33,040 Speaker 1: backup stuff. 375 00:17:33,200 --> 00:17:35,360 Speaker 3: Just what a fantastic boys. 376 00:17:35,440 --> 00:17:36,840 Speaker 2: You know, you wouldn't be allowed to be in the 377 00:17:36,840 --> 00:17:39,359 Speaker 2: Barnes family if you didn't have an incredible voice. I 378 00:17:39,359 --> 00:17:41,920 Speaker 2: think they must test them at birth and leave them 379 00:17:41,960 --> 00:17:44,000 Speaker 2: on a mountain side if they can't sing. 380 00:17:44,200 --> 00:17:46,920 Speaker 3: If you can't sing, what good are you? 381 00:17:47,280 --> 00:17:47,480 Speaker 14: Roll? 382 00:17:47,600 --> 00:17:48,080 Speaker 1: My baby? 383 00:17:48,119 --> 00:17:49,720 Speaker 2: I love you trying as hard as you. 384 00:17:49,720 --> 00:17:51,840 Speaker 1: Can a lot of people are talking about that intro 385 00:17:51,960 --> 00:17:57,119 Speaker 1: that night, How to go again? Where the sweet? 386 00:17:58,880 --> 00:17:59,639 Speaker 2: It was unusual? 387 00:18:00,880 --> 00:18:04,919 Speaker 3: Okay, like a dancing We throuit. 388 00:18:06,480 --> 00:18:08,400 Speaker 2: He said, I'm going to be demure and rich. 389 00:18:08,480 --> 00:18:09,639 Speaker 1: I was happy for it. 390 00:18:11,080 --> 00:18:16,200 Speaker 3: Sham Notion podcast Free. 391 00:18:19,960 --> 00:18:24,600 Speaker 1: And Amanda's make some noise. Ten questions, sixty seconds on 392 00:18:24,640 --> 00:18:26,240 Speaker 1: the clock. You can pass if you don't know an answer. 393 00:18:26,280 --> 00:18:28,280 Speaker 1: We'll come back to that question. If time permits. You 394 00:18:28,320 --> 00:18:30,760 Speaker 1: get all the questions right, you win one thousand dollars. 395 00:18:30,840 --> 00:18:32,760 Speaker 2: You could make it two thousand dollars. That's what Mitch 396 00:18:32,800 --> 00:18:36,800 Speaker 2: did last week. We have a bonus question double or nothing? 397 00:18:37,040 --> 00:18:38,840 Speaker 1: How good is that? Mitch? Well? 398 00:18:38,880 --> 00:18:40,760 Speaker 3: How good is Veronica? Averse? Can PARKI? 399 00:18:40,880 --> 00:18:41,360 Speaker 2: Veronica? 400 00:18:42,359 --> 00:18:42,959 Speaker 9: Goodness? 401 00:18:42,960 --> 00:18:43,280 Speaker 15: Hello? 402 00:18:43,480 --> 00:18:44,960 Speaker 16: How are you very well? 403 00:18:45,000 --> 00:18:46,399 Speaker 2: Are you ready to play today? 404 00:18:47,240 --> 00:18:47,560 Speaker 9: Oh? 405 00:18:47,600 --> 00:18:48,159 Speaker 17: I think so? 406 00:18:49,320 --> 00:18:51,920 Speaker 2: Come on, you're gonna have to focus because there's ten questions, 407 00:18:51,920 --> 00:18:54,480 Speaker 2: there's sixty seconds. We've got our deep voices on Veronica. 408 00:18:54,760 --> 00:18:57,560 Speaker 2: If you're not sure, say passed, because we usually have 409 00:18:57,560 --> 00:19:01,600 Speaker 2: time to come back. But if you're wrong, it's all over. Okay, okay, Veronica, 410 00:19:01,680 --> 00:19:04,800 Speaker 2: good luck? Because here comes question number one, commonly what 411 00:19:04,880 --> 00:19:09,080 Speaker 2: color are clouds white? Question two? Just do It is 412 00:19:09,080 --> 00:19:12,800 Speaker 2: a slogan for which company Nike? Question three. In which 413 00:19:12,800 --> 00:19:14,680 Speaker 2: state or territory would you find ul Aru? 414 00:19:16,280 --> 00:19:17,200 Speaker 8: Northern Territory? 415 00:19:17,280 --> 00:19:19,360 Speaker 2: Question four? How many legs are on a spider? 416 00:19:20,560 --> 00:19:20,760 Speaker 18: Eight? 417 00:19:21,200 --> 00:19:24,480 Speaker 2: Question five? True or false? Australia is wider than the moon? 418 00:19:26,280 --> 00:19:29,880 Speaker 2: Push question six? What instrument did Kim Carpenter famously play 419 00:19:30,080 --> 00:19:31,639 Speaker 2: Karen Carpenter famously play? 420 00:19:34,119 --> 00:19:34,679 Speaker 9: Push? 421 00:19:34,960 --> 00:19:37,399 Speaker 2: Question seven? Which country invented soccer? 422 00:19:39,359 --> 00:19:39,800 Speaker 4: Brazil? 423 00:19:41,000 --> 00:19:43,159 Speaker 2: England knew it? 424 00:19:44,080 --> 00:19:45,320 Speaker 4: And I love soccer too. 425 00:19:45,840 --> 00:19:47,960 Speaker 2: I'm a big fan of the Carpenters. What did Karen 426 00:19:48,000 --> 00:19:51,639 Speaker 2: Carpenter play in the Carpenters runs? 427 00:19:51,680 --> 00:19:52,480 Speaker 3: She was a drama. 428 00:19:55,400 --> 00:20:03,080 Speaker 2: Australia is wider than the moon. That was true? True, Ionica, 429 00:20:04,240 --> 00:20:06,480 Speaker 2: I've done that. Well, you get a hundred bucks for 430 00:20:06,520 --> 00:20:08,600 Speaker 2: playing and thank you, oh, thank. 431 00:20:08,440 --> 00:20:11,120 Speaker 9: You so much for lett least try thank you, Veronica. 432 00:20:11,920 --> 00:20:14,280 Speaker 1: It'll be back again tomorrows. 433 00:20:14,680 --> 00:20:16,919 Speaker 2: Don't do what this woman has done. This woman in 434 00:20:16,960 --> 00:20:21,000 Speaker 2: Greece has been arrested for set for lighting fires. The 435 00:20:21,119 --> 00:20:25,439 Speaker 2: reason she did it was because she wanted to flirt 436 00:20:25,480 --> 00:20:30,080 Speaker 2: with the firefighters. Don't do this people. She's been sentenced 437 00:20:30,119 --> 00:20:33,920 Speaker 2: to three years in prison and a massive fine. She's 438 00:20:34,160 --> 00:20:37,959 Speaker 2: forty four years old and it was noted the fires 439 00:20:37,960 --> 00:20:40,119 Speaker 2: were in small plots and were put out very quickly. 440 00:20:40,960 --> 00:20:44,520 Speaker 2: I'm surprised her drool didn't put out the fires. So 441 00:20:44,680 --> 00:20:47,639 Speaker 2: what she would do was she set the fires because quote, 442 00:20:47,640 --> 00:20:51,679 Speaker 2: she enjoyed watching firefighters and flirting with them. They discovered 443 00:20:51,720 --> 00:20:54,160 Speaker 2: that she had turned up at two of these fires 444 00:20:54,200 --> 00:20:57,040 Speaker 2: in Tripoli, and that arounds the suspicions of the fire 445 00:20:57,080 --> 00:21:01,879 Speaker 2: department where she was there. Oh hi, what is the chances. 446 00:21:02,240 --> 00:21:08,000 Speaker 1: Is your dream? And now she's a prison officers. Maybe 447 00:21:08,000 --> 00:21:09,920 Speaker 1: that's what she wanted. Maybe that was the other she said. 448 00:21:09,920 --> 00:21:11,080 Speaker 2: She wanted someone in uniform. 449 00:21:11,119 --> 00:21:12,520 Speaker 1: The outcome, now you've got a prison. 450 00:21:12,600 --> 00:21:15,560 Speaker 2: Maybe she's happy. Maybe she is the length people go 451 00:21:15,640 --> 00:21:17,800 Speaker 2: to for love, you know, people that join crazy clubs 452 00:21:17,920 --> 00:21:20,480 Speaker 2: or whatever. I'm trying to think of there's anything I've 453 00:21:20,480 --> 00:21:24,000 Speaker 2: ever done in my Actually, I saw an ad. I'm 454 00:21:24,040 --> 00:21:27,439 Speaker 2: going to buy the t shirt. It's forty years since 455 00:21:27,480 --> 00:21:29,920 Speaker 2: the Tim Finn album Escapade was released. 456 00:21:29,640 --> 00:21:30,560 Speaker 3: Staring at the Embassy. 457 00:21:30,560 --> 00:21:33,880 Speaker 2: The T shirt is the iconic They've re released a 458 00:21:34,000 --> 00:21:36,040 Speaker 2: T shirt of the iconic album cover. 459 00:21:36,240 --> 00:21:39,480 Speaker 3: It's Tim in profile. It was red behind right, but 460 00:21:39,520 --> 00:21:41,480 Speaker 3: there's a white light on his eyes. 461 00:21:42,960 --> 00:21:45,080 Speaker 2: I was just completely obsessed. I was working at Simon 462 00:21:45,480 --> 00:21:47,680 Speaker 2: Townsend's Wonderworld, and we're going to be doing a story 463 00:21:48,080 --> 00:21:49,640 Speaker 2: with split. 464 00:21:49,320 --> 00:21:51,240 Speaker 3: In And you weren't on the TV then you were. 465 00:21:51,119 --> 00:21:53,880 Speaker 2: Just as a researcher. I was a researcher, and so 466 00:21:54,520 --> 00:21:57,600 Speaker 2: I was researching the story, and I was so like, 467 00:21:57,640 --> 00:21:59,760 Speaker 2: I remember three weeks out, only three weeks I'm going 468 00:21:59,760 --> 00:22:02,080 Speaker 2: to meet Only two weeks I'm going to meet Tim Finn. 469 00:22:02,200 --> 00:22:05,119 Speaker 2: Remember going to see him perform and I just everyone 470 00:22:05,160 --> 00:22:07,160 Speaker 2: else was dancing. I just stood there. I still remember 471 00:22:07,160 --> 00:22:09,200 Speaker 2: what I was wearing. I stood there and just locked 472 00:22:09,200 --> 00:22:12,720 Speaker 2: eyes with them. I'd never been more enamored with anybody 473 00:22:12,720 --> 00:22:13,520 Speaker 2: in my entire life. 474 00:22:13,560 --> 00:22:17,360 Speaker 3: Did he get your vibe that you now? 475 00:22:17,359 --> 00:22:18,560 Speaker 2: I didn't look like a creep. 476 00:22:19,320 --> 00:22:20,600 Speaker 3: What were you wearing? What was the app? 477 00:22:20,600 --> 00:22:23,560 Speaker 2: I had a pink blazer, and I think I had jeans, 478 00:22:23,640 --> 00:22:25,440 Speaker 2: probably similar to what I'm wearing today. 479 00:22:25,240 --> 00:22:26,200 Speaker 3: High waist jeans. 480 00:22:26,520 --> 00:22:28,320 Speaker 2: I don't think there were any other kind. And you 481 00:22:28,400 --> 00:22:30,480 Speaker 2: have big shoulder pads, no doubt, all of that, and 482 00:22:30,520 --> 00:22:33,000 Speaker 2: giant ear rings and big flock of seagulls. Hair, had 483 00:22:33,040 --> 00:22:35,320 Speaker 2: all of it going on. So I was so in 484 00:22:35,359 --> 00:22:36,920 Speaker 2: love with him that I could not believe I was 485 00:22:36,960 --> 00:22:39,560 Speaker 2: going to meet him. So on the day of the story, 486 00:22:40,240 --> 00:22:44,120 Speaker 2: I wrote myself into the Simon Town's in Wonderworld story. 487 00:22:44,440 --> 00:22:47,199 Speaker 2: Philip Tanner and Sheridan Jobbins were going to to do 488 00:22:47,240 --> 00:22:51,359 Speaker 2: the story, and I wrote myself in the film. The 489 00:22:51,440 --> 00:22:55,200 Speaker 2: story started with me in the office wearing a wedding dress, 490 00:22:55,640 --> 00:22:58,720 Speaker 2: dreaming about meeting him, and then went through a dissolve 491 00:22:58,880 --> 00:23:02,480 Speaker 2: and there I was in the park with their meeting him. 492 00:23:03,119 --> 00:23:06,439 Speaker 2: What happened was he didn't turn up, and it was 493 00:23:06,520 --> 00:23:09,600 Speaker 2: Neil and Paul Hester, who were the two nicest men 494 00:23:09,600 --> 00:23:11,159 Speaker 2: in the history of the universe. But I remember my 495 00:23:11,240 --> 00:23:17,359 Speaker 2: face was my dream. It was dissolving before my very eyes. 496 00:23:17,640 --> 00:23:18,760 Speaker 1: Face says it all. 497 00:23:20,560 --> 00:23:22,240 Speaker 2: And I remember I was all giddy and on a 498 00:23:22,280 --> 00:23:24,320 Speaker 2: high alert, to the point where Neil said, okay, we 499 00:23:24,400 --> 00:23:27,119 Speaker 2: better wrap this up before I got tasy. 500 00:23:27,160 --> 00:23:28,320 Speaker 1: Were you in a wedding dress? 501 00:23:28,640 --> 00:23:31,960 Speaker 3: Was a kid's show, but it was supposed to be honest. 502 00:23:32,400 --> 00:23:34,119 Speaker 1: Id Simon lea that for some. 503 00:23:34,160 --> 00:23:37,800 Speaker 2: Reason I had a I also had a mannequin hand. 504 00:23:38,520 --> 00:23:38,920 Speaker 1: I don't know. 505 00:23:39,160 --> 00:23:42,080 Speaker 2: It was just coody days, I know, but that was 506 00:23:41,920 --> 00:23:44,960 Speaker 2: that was where I cut my teeth on my television career. 507 00:23:45,160 --> 00:23:47,960 Speaker 1: I think people of a certain age would only remember 508 00:23:47,960 --> 00:23:50,720 Speaker 1: Simon Towns's Wonder World. So when there wasn't stories like that, 509 00:23:50,840 --> 00:23:53,440 Speaker 1: there was stories of Jonathan Coleman at the Paddle Pop factory. 510 00:23:53,560 --> 00:23:55,440 Speaker 2: Every week there was a big show of its day 511 00:23:55,680 --> 00:23:56,920 Speaker 2: was a big sho today. 512 00:23:57,040 --> 00:23:59,560 Speaker 1: That's where the kids would go. They didn't have screens 513 00:23:59,560 --> 00:24:00,679 Speaker 1: to scroll line and stuff what. 514 00:24:01,160 --> 00:24:03,919 Speaker 2: And then I left. There was a role for I 515 00:24:03,960 --> 00:24:08,760 Speaker 2: was a researcher and a role for a reporter came up, 516 00:24:09,359 --> 00:24:12,840 Speaker 2: and I thought, this is my chance. People, this is 517 00:24:12,960 --> 00:24:14,720 Speaker 2: that used to be covered on the news because people 518 00:24:14,760 --> 00:24:16,439 Speaker 2: would queue all the way around the block. It was 519 00:24:16,440 --> 00:24:17,120 Speaker 2: a huge deal. 520 00:24:17,160 --> 00:24:17,639 Speaker 1: I remember that. 521 00:24:18,440 --> 00:24:22,359 Speaker 2: And I wore and we had to wear pants and 522 00:24:22,440 --> 00:24:24,959 Speaker 2: do a jump and a squeal like the Rank and Sisters, 523 00:24:25,000 --> 00:24:27,680 Speaker 2: remember them fitness gurus. We had to be able to 524 00:24:27,800 --> 00:24:30,160 Speaker 2: job our squeal and wear jeans so they could see 525 00:24:30,160 --> 00:24:33,919 Speaker 2: our figures. And anyway, I didn't get the job, and 526 00:24:33,960 --> 00:24:35,920 Speaker 2: at one point I was told by a producer the 527 00:24:35,960 --> 00:24:37,720 Speaker 2: word came down as a bit too broad across the 528 00:24:37,720 --> 00:24:40,159 Speaker 2: beam and I never got over it. This is for 529 00:24:40,200 --> 00:24:44,240 Speaker 2: a kid's show, I know. And years later Simon was 530 00:24:44,280 --> 00:24:45,760 Speaker 2: asked one of his big regrets, and he said that 531 00:24:45,800 --> 00:24:46,720 Speaker 2: he didn't give me the job. 532 00:24:46,760 --> 00:24:47,680 Speaker 3: Well I'm blame him. 533 00:24:47,680 --> 00:24:49,840 Speaker 1: What a fool, Yeah, yeah, what a fool. 534 00:24:50,359 --> 00:24:52,639 Speaker 2: But anyway, the lengths you go to for love? I 535 00:24:52,680 --> 00:24:54,280 Speaker 2: wrote myself into a story. 536 00:24:54,520 --> 00:24:56,359 Speaker 3: Oh this is something the tribal drum would be for. 537 00:24:56,600 --> 00:24:58,840 Speaker 2: How about we call it the lengths I went for love. 538 00:25:01,000 --> 00:25:04,880 Speaker 2: Oh God, that's terrible. 539 00:25:04,920 --> 00:25:06,119 Speaker 3: We just had that on the shelf. 540 00:25:06,840 --> 00:25:08,000 Speaker 1: The check gone off. 541 00:25:09,280 --> 00:25:11,639 Speaker 2: Don't be like this woman in Greece. Before we go 542 00:25:11,640 --> 00:25:13,960 Speaker 2: only further. She has had a three month prisons, a 543 00:25:14,000 --> 00:25:17,159 Speaker 2: three year prison sentence, a massive fine, and we are 544 00:25:17,160 --> 00:25:19,040 Speaker 2: coming to bush fire season. Do not do what this 545 00:25:19,080 --> 00:25:21,560 Speaker 2: woman did. She lit fires because she wanted to watch 546 00:25:21,640 --> 00:25:26,919 Speaker 2: firefighters and flirt with them. The length people go to 547 00:25:27,119 --> 00:25:28,040 Speaker 2: for love, The. 548 00:25:28,119 --> 00:25:31,760 Speaker 1: Lengths for love, the legs for love? 549 00:25:32,200 --> 00:25:36,320 Speaker 9: Yeah you know, hello Stella, Hi there Amanda, how are 550 00:25:36,359 --> 00:25:37,120 Speaker 9: you very well? 551 00:25:37,160 --> 00:25:38,000 Speaker 2: What did you get up to? 552 00:25:39,000 --> 00:25:39,240 Speaker 4: Well? 553 00:25:39,520 --> 00:25:42,160 Speaker 9: I was a bit younger, and then all the guys 554 00:25:42,160 --> 00:25:45,120 Speaker 9: I went out with were like no hopers and never 555 00:25:45,160 --> 00:25:47,720 Speaker 9: do wells, and they were just really drop kicks. And 556 00:25:47,760 --> 00:25:48,880 Speaker 9: I thought what can I do? 557 00:25:49,160 --> 00:25:50,080 Speaker 8: So I lost a bit. 558 00:25:50,000 --> 00:25:53,199 Speaker 9: Of weight and I decided to join a local army reserve. 559 00:25:53,320 --> 00:25:57,320 Speaker 9: Get I went there and thought, oh, we'll meet anyone, 560 00:25:57,440 --> 00:26:00,280 Speaker 9: or they all be full of tattoos and swearing. Well, 561 00:26:00,320 --> 00:26:03,360 Speaker 9: the first guy I met was the recruiting officer, and 562 00:26:03,560 --> 00:26:07,040 Speaker 9: I felt so strongly about, you know, the fact that 563 00:26:07,080 --> 00:26:09,919 Speaker 9: he was really cute, and he wasn't a smoker, he 564 00:26:10,040 --> 00:26:13,320 Speaker 9: wasn't a drink. He was very gentle and really sweet. 565 00:26:13,359 --> 00:26:15,880 Speaker 9: And I married him and we've been made forty eight years. 566 00:26:16,200 --> 00:26:18,320 Speaker 2: So he joined the Army reserves to meet men. And 567 00:26:18,400 --> 00:26:19,959 Speaker 2: the first man you met, you married. 568 00:26:20,480 --> 00:26:23,040 Speaker 9: I did. And you know what, when he was a 569 00:26:23,080 --> 00:26:26,000 Speaker 9: recruiting officer and when we went on our first well 570 00:26:26,560 --> 00:26:29,119 Speaker 9: thing together, when I say thing, he took me to 571 00:26:29,440 --> 00:26:32,159 Speaker 9: the place in Land we could get my medical and 572 00:26:32,240 --> 00:26:35,160 Speaker 9: on the way back, because I went straight from work, 573 00:26:35,200 --> 00:26:37,160 Speaker 9: and on the way back, he said, oh, you probably 574 00:26:37,160 --> 00:26:39,560 Speaker 9: haven't had dinner. Would you like some dinner somewhere? We 575 00:26:39,640 --> 00:26:42,560 Speaker 9: can stop at macas or something, and I said, oh, yes, please, 576 00:26:42,560 --> 00:26:45,640 Speaker 9: And we stopped at the local place to get a burger, right, 577 00:26:46,040 --> 00:26:48,159 Speaker 9: And of course what did I do? I wore it 578 00:26:48,800 --> 00:26:50,760 Speaker 9: was I was trying to eat it in the car 579 00:26:50,840 --> 00:26:53,000 Speaker 9: and the army car and it went all over me 580 00:26:53,320 --> 00:26:56,760 Speaker 9: and the dashboard. And to this day he has never let. 581 00:26:56,560 --> 00:26:59,200 Speaker 2: Me forget listen, knew you had a clean bill of health, 582 00:27:00,119 --> 00:27:00,639 Speaker 2: good stuff. 583 00:27:00,800 --> 00:27:03,000 Speaker 1: That's maybe, that's right. It takes you along just to 584 00:27:03,200 --> 00:27:04,200 Speaker 1: make sure that she's all right. 585 00:27:04,240 --> 00:27:07,439 Speaker 2: Here to give her wealth and I'll get her a burger. 586 00:27:07,520 --> 00:27:09,320 Speaker 1: And you gave us the word no hopers. 587 00:27:09,520 --> 00:27:11,120 Speaker 2: I remember, no one never do well? 588 00:27:11,280 --> 00:27:12,160 Speaker 3: Now near do well? 589 00:27:12,359 --> 00:27:12,520 Speaker 1: Now? 590 00:27:12,640 --> 00:27:14,800 Speaker 3: She said, no hope and there do well. There you go, 591 00:27:14,920 --> 00:27:15,760 Speaker 3: thanks dolla. 592 00:27:16,040 --> 00:27:17,080 Speaker 1: Christine's joined us. 593 00:27:17,040 --> 00:27:20,800 Speaker 2: A Christine, Hi, Amanda, how are you well? Thank you? 594 00:27:21,440 --> 00:27:22,520 Speaker 2: What lengths did you go to? 595 00:27:23,560 --> 00:27:23,919 Speaker 1: Well? 596 00:27:24,119 --> 00:27:26,280 Speaker 16: My mum and dad had told me about this good 597 00:27:26,320 --> 00:27:30,840 Speaker 16: looking guy at the bowling club where they played lawn bowls, 598 00:27:31,480 --> 00:27:33,320 Speaker 16: and so I went and checked him out, and I 599 00:27:33,440 --> 00:27:35,800 Speaker 16: decided to go and get long bowls lessons at twenty 600 00:27:35,880 --> 00:27:38,399 Speaker 16: years old. And we've been married for thirty years, so 601 00:27:38,480 --> 00:27:39,439 Speaker 16: that worked as well. 602 00:27:40,040 --> 00:27:40,880 Speaker 8: I worked as well. 603 00:27:40,960 --> 00:27:43,119 Speaker 2: How old was he? 604 00:27:43,119 --> 00:27:45,960 Speaker 9: He was twenty four and I was twenty Because. 605 00:27:45,680 --> 00:27:49,480 Speaker 2: When you say I've seen someone at the lawn box, great, 606 00:27:49,560 --> 00:27:51,399 Speaker 2: he's fifty eight years old. 607 00:27:53,119 --> 00:27:55,800 Speaker 3: You have to carbon daty for greenkeeper. 608 00:27:56,119 --> 00:27:56,960 Speaker 16: He was agreed. 609 00:27:58,720 --> 00:28:00,439 Speaker 3: Greenkeeper has got a bit of rison about them. 610 00:28:00,760 --> 00:28:03,800 Speaker 1: You see them, they're always working out, they're outdoors. 611 00:28:04,240 --> 00:28:06,320 Speaker 3: There's something sexy about green kit. 612 00:28:06,320 --> 00:28:08,000 Speaker 2: I think I agree with you. 613 00:28:08,119 --> 00:28:10,440 Speaker 1: Well, I think it's those Gator things they wear as well. 614 00:28:10,440 --> 00:28:12,679 Speaker 3: You know that stop the lawn clippings going into their boots. 615 00:28:13,080 --> 00:28:15,879 Speaker 2: You just wear them on the weekends with your songs. 616 00:28:16,280 --> 00:28:20,399 Speaker 3: Gators get the girls. 617 00:28:21,760 --> 00:28:23,960 Speaker 2: Well the lengths? I went for love? What have you got? 618 00:28:24,359 --> 00:28:30,200 Speaker 2: Jonesie and Amanda podcast, Let's. 619 00:28:30,000 --> 00:28:30,520 Speaker 1: Give the solver. 620 00:28:30,600 --> 00:28:33,480 Speaker 3: We pay attention because I do not want. 621 00:28:33,320 --> 00:28:36,119 Speaker 1: To have to feel you. Over in Greece, the woman 622 00:28:36,119 --> 00:28:40,040 Speaker 1: has set fire to stuff to watch firefighters come along, 623 00:28:40,080 --> 00:28:42,480 Speaker 1: and then she has a good old flirt ft. 624 00:28:42,520 --> 00:28:45,440 Speaker 2: She's done it because she finds them attractive. She's licked 625 00:28:45,480 --> 00:28:47,960 Speaker 2: two fires, and now she's in prison. She wanted to 626 00:28:47,960 --> 00:28:48,959 Speaker 2: meet a mad in uniform. 627 00:28:49,080 --> 00:28:49,640 Speaker 3: Is that explaining? 628 00:28:49,680 --> 00:28:52,720 Speaker 1: Because you're always lighting fires around here? And then but 629 00:28:52,880 --> 00:28:55,920 Speaker 1: management comes over? Are you trying to flirt with management? 630 00:28:55,960 --> 00:28:56,360 Speaker 2: Please? 631 00:28:56,440 --> 00:28:57,160 Speaker 1: Is it what it is? 632 00:28:57,400 --> 00:28:58,840 Speaker 2: The lengths? So I went for love. 633 00:28:59,240 --> 00:28:59,920 Speaker 1: The length. 634 00:29:03,280 --> 00:29:04,840 Speaker 3: That was good the first time I heard it. 635 00:29:05,000 --> 00:29:05,960 Speaker 2: Now it's hideous. 636 00:29:05,960 --> 00:29:06,920 Speaker 1: Greg has joined us. 637 00:29:06,960 --> 00:29:10,320 Speaker 2: H Greg, Hi here, you're going very well? What links 638 00:29:10,320 --> 00:29:10,880 Speaker 2: did you go to? 639 00:29:12,080 --> 00:29:15,760 Speaker 4: I was working for Tels three years ago and I 640 00:29:15,800 --> 00:29:18,640 Speaker 4: had a fight with a wife and I happened to 641 00:29:18,640 --> 00:29:20,400 Speaker 4: be driving home and she was in front of me 642 00:29:20,440 --> 00:29:22,920 Speaker 4: and a blue Land Cruiser with an RFS sticker on 643 00:29:22,960 --> 00:29:26,000 Speaker 4: the back of a pushy sticker and a two WS sticker. 644 00:29:26,720 --> 00:29:29,320 Speaker 4: So I rang the DJ at the time and asked 645 00:29:29,360 --> 00:29:33,040 Speaker 4: the John Farnam's burned for you. So he played it 646 00:29:33,120 --> 00:29:36,560 Speaker 4: and he said this is for the guy in the telstravan, 647 00:29:37,800 --> 00:29:40,240 Speaker 4: for the woman and the blue Land cruiser in front. 648 00:29:40,280 --> 00:29:41,000 Speaker 8: This is for you. 649 00:29:41,800 --> 00:29:44,360 Speaker 4: And then he said, if anyone sees them on the 650 00:29:44,400 --> 00:29:46,920 Speaker 4: side of the road, if they stopped, give him a 651 00:29:46,920 --> 00:29:50,760 Speaker 4: bip and a wave. Well the wife stopped, didn't she. 652 00:29:50,760 --> 00:29:54,080 Speaker 4: She was so embarrassed. Car went pat gave us a 653 00:29:54,120 --> 00:29:57,360 Speaker 4: bit and a wave and yahooed and carried on and 654 00:29:58,280 --> 00:29:59,320 Speaker 4: the fight was forgotten. 655 00:30:00,040 --> 00:30:01,720 Speaker 2: But what you say she was embarrassed. But was she 656 00:30:01,800 --> 00:30:03,200 Speaker 2: really touched by the gesture? 657 00:30:03,960 --> 00:30:05,040 Speaker 4: Oh yeah, she was crying. 658 00:30:05,480 --> 00:30:09,960 Speaker 2: Oh that's great body, that is great. 659 00:30:10,560 --> 00:30:13,800 Speaker 3: These days they wouldn't do it. You can have any 660 00:30:13,840 --> 00:30:15,920 Speaker 3: song you want as long as it's to look by rock. 661 00:30:16,120 --> 00:30:18,600 Speaker 2: So we gotta put on a teenage dirt bag. I'm sorry, but. 662 00:30:19,480 --> 00:30:26,520 Speaker 1: That's how the format goes, mate. Sorry, Oh Greg, that's lovely, 663 00:30:26,840 --> 00:30:29,640 Speaker 1: Miss Johnny. 664 00:30:29,680 --> 00:30:33,719 Speaker 8: Then Mandy, how are you today? Yelling yelling at my children. 665 00:30:34,480 --> 00:30:35,280 Speaker 3: Just slow down. 666 00:30:35,360 --> 00:30:37,320 Speaker 2: There's everything I can free to yell at them as much. 667 00:30:38,600 --> 00:30:44,440 Speaker 8: They're breaking the breakfast anything in the car. You're messy. 668 00:30:44,600 --> 00:30:47,160 Speaker 2: So what lengths did you go to for love? Dashall? 669 00:30:47,360 --> 00:30:50,160 Speaker 8: Well, my my papa, my dad, he was a brick 670 00:30:50,240 --> 00:30:52,920 Speaker 8: lay in Russia. He makes special break for church, you know. 671 00:30:53,600 --> 00:30:56,320 Speaker 8: And uh, he had a big job done in Kirkstan. 672 00:30:56,760 --> 00:30:59,880 Speaker 8: So he went down there and uh, there's a man 673 00:31:00,040 --> 00:31:03,160 Speaker 8: and Nashia belly. 674 00:31:03,520 --> 00:31:03,720 Speaker 7: You know. 675 00:31:03,960 --> 00:31:05,959 Speaker 8: That means he's like a fat man. He's the butcher 676 00:31:06,000 --> 00:31:08,840 Speaker 8: for the people. And he said, I have a daughter 677 00:31:09,000 --> 00:31:12,080 Speaker 8: back in Macedonia, and your son can mary when they 678 00:31:12,080 --> 00:31:15,440 Speaker 8: get older, you know. So he go back to Macedonia. 679 00:31:15,480 --> 00:31:17,840 Speaker 8: We go back to Russia and you get to take 680 00:31:17,920 --> 00:31:20,720 Speaker 8: the like a telephone call. And he said, my daughter ready, 681 00:31:20,880 --> 00:31:22,760 Speaker 8: but we have Joe for sons. So we went to 682 00:31:22,800 --> 00:31:27,720 Speaker 8: Macedonia and uh, like a farmer, you know, like pigeon 683 00:31:28,400 --> 00:31:31,440 Speaker 8: and he said, look your son if he got to Turkey, 684 00:31:31,520 --> 00:31:34,800 Speaker 8: because they sell like big fat, like special pigeon for 685 00:31:35,120 --> 00:31:37,360 Speaker 8: for breathing, you know. So I went to I went 686 00:31:37,400 --> 00:31:40,760 Speaker 8: to I went to Turkey, and I came back with 687 00:31:40,800 --> 00:31:44,480 Speaker 8: this pigeon and he said, you're a beautiful, wonderful young man. 688 00:31:44,760 --> 00:31:46,960 Speaker 8: So I get married to his daughter. We come to 689 00:31:47,040 --> 00:31:49,600 Speaker 8: Stralia and married for a long time. We have children 690 00:31:50,160 --> 00:31:51,000 Speaker 8: and this is good. 691 00:31:51,560 --> 00:31:54,360 Speaker 2: So I'm not sure the brick smashing up came into it, 692 00:31:54,400 --> 00:31:56,560 Speaker 2: but he said, if you want to woo my daughter, 693 00:31:56,640 --> 00:31:58,200 Speaker 2: you need to get a big fat pigeon. 694 00:31:59,320 --> 00:32:02,960 Speaker 8: Basically, then the special air pigeon in Turkey be very 695 00:32:02,960 --> 00:32:05,400 Speaker 8: fat and fluffy, the good for a farming wow. 696 00:32:05,560 --> 00:32:07,800 Speaker 2: And so you got the big fat pigeon and then 697 00:32:07,800 --> 00:32:09,600 Speaker 2: you presented that and he said, okay, you can marry 698 00:32:09,600 --> 00:32:10,000 Speaker 2: my daughter. 699 00:32:11,040 --> 00:32:11,440 Speaker 1: That's right. 700 00:32:11,440 --> 00:32:13,200 Speaker 8: They travel for more than two weeks to get there. 701 00:32:13,480 --> 00:32:17,000 Speaker 1: What a week, guy, What a guy? 702 00:32:17,440 --> 00:32:18,120 Speaker 3: What a guy? 703 00:32:19,040 --> 00:32:21,000 Speaker 8: You have to because they are not many ladies in 704 00:32:21,320 --> 00:32:22,000 Speaker 8: where I come from. 705 00:32:25,240 --> 00:32:27,760 Speaker 1: Nice work, thank you, If only dash you didn't have 706 00:32:27,800 --> 00:32:29,080 Speaker 1: to go and get more than squid. 707 00:32:30,160 --> 00:32:31,120 Speaker 2: Just left it at the pigeon. 708 00:32:31,400 --> 00:32:34,880 Speaker 3: Love that past. 709 00:32:35,280 --> 00:32:36,600 Speaker 1: Let's get on there to the judgy. 710 00:32:36,640 --> 00:32:37,200 Speaker 3: The matter of answer. 711 00:32:37,360 --> 00:32:41,960 Speaker 1: US billionaire mining boss Chris Allison has declared. 712 00:32:41,600 --> 00:32:44,280 Speaker 3: He doesn't want his work is going on coffee breaks, as. 713 00:32:44,160 --> 00:32:46,440 Speaker 1: He wants to hold them captive all day long. 714 00:32:46,480 --> 00:32:49,040 Speaker 2: Well, what he's done. He's insisting that people come into 715 00:32:49,280 --> 00:32:51,760 Speaker 2: the office to work, and I've seen footage of this office. 716 00:32:51,760 --> 00:32:54,400 Speaker 2: It is quite extraordinary. They have a gym, they have 717 00:32:54,560 --> 00:32:58,240 Speaker 2: coffee shops, they have restaurants. They've got all this stuff 718 00:32:58,360 --> 00:33:01,800 Speaker 2: there subsidized prices. But he says he wants to, as 719 00:33:01,800 --> 00:33:06,120 Speaker 2: you say, keep his his staff captive all day long. 720 00:33:06,480 --> 00:33:09,800 Speaker 2: He said that they had done a study that showed 721 00:33:10,120 --> 00:33:12,360 Speaker 2: how much it costs them to have people heading out 722 00:33:12,400 --> 00:33:14,800 Speaker 2: and wandering around the shops to get a coffee. He said, 723 00:33:14,800 --> 00:33:17,600 Speaker 2: doesn't want people popping out during the workday. I don't 724 00:33:17,600 --> 00:33:19,480 Speaker 2: want them walking down the road for a cup of coffee. 725 00:33:19,520 --> 00:33:22,280 Speaker 2: We figured out a few years ago how much that cost. 726 00:33:24,680 --> 00:33:28,960 Speaker 2: So those people are getting subsidized coffees and whatever. But 727 00:33:29,000 --> 00:33:31,080 Speaker 2: let's talk about the nature of the coffee break. It's 728 00:33:31,080 --> 00:33:35,000 Speaker 2: the new Smoco people out in about every half hour, 729 00:33:35,040 --> 00:33:37,840 Speaker 2: bit of go and go to coffee. Is that irritating 730 00:33:38,320 --> 00:33:40,560 Speaker 2: Some people here are saying, yes, they are the scourge 731 00:33:40,560 --> 00:33:43,720 Speaker 2: on productivity in corporate Australia. My own experience as a 732 00:33:43,720 --> 00:33:46,360 Speaker 2: company owner here everyone just heads out constantly for coffee. 733 00:33:46,560 --> 00:33:49,160 Speaker 1: Well, just as we get a bit of momentum going here, 734 00:33:49,280 --> 00:33:52,000 Speaker 1: gm y Ray and he's a little gang of GM 735 00:33:52,120 --> 00:33:54,280 Speaker 1: Y Ryan's or where are you guys off to? 736 00:33:54,560 --> 00:33:57,320 Speaker 11: I'm going to give them a SUI flat word vegan special. 737 00:33:57,560 --> 00:33:57,720 Speaker 3: Yeah. 738 00:33:57,720 --> 00:34:00,880 Speaker 2: But having said that, they're in time to use their 739 00:34:00,880 --> 00:34:05,160 Speaker 2: time as though work. No, because we're losing, you are entitled. 740 00:34:05,160 --> 00:34:08,439 Speaker 2: We no longer have an our long lunch break. These 741 00:34:08,480 --> 00:34:10,560 Speaker 2: sorts of things you can. People are saying here, you 742 00:34:10,600 --> 00:34:13,920 Speaker 2: can use your break time as you like, because this 743 00:34:14,040 --> 00:34:16,000 Speaker 2: is now why we have those discip. 744 00:34:15,640 --> 00:34:17,960 Speaker 1: He went out the other day and came back with 745 00:34:18,040 --> 00:34:20,560 Speaker 1: a JB High five bag and I'm going, we're allowed 746 00:34:20,600 --> 00:34:23,240 Speaker 1: to What's I got to do with coffee? It works stuff? 747 00:34:23,280 --> 00:34:26,160 Speaker 2: He's a little But also you're allowed to You're allowed 748 00:34:26,200 --> 00:34:29,839 Speaker 2: to have breaks and you can use them as you like. Sure, 749 00:34:30,200 --> 00:34:32,480 Speaker 2: this is why we have those disconnect rules at the 750 00:34:32,480 --> 00:34:34,680 Speaker 2: moment because you are not a slave to your desk. 751 00:34:35,440 --> 00:34:37,080 Speaker 2: So I don't know how it works where you. 752 00:34:37,000 --> 00:34:39,080 Speaker 3: Are who's doing the work? 753 00:34:39,480 --> 00:34:43,040 Speaker 2: Well, you can't work for the for the toll twelve hours. 754 00:34:43,040 --> 00:34:45,800 Speaker 2: You're in an office. You're entitled to have a break. 755 00:34:46,200 --> 00:34:48,520 Speaker 2: Are you entitled to do as you like? Others who 756 00:34:48,560 --> 00:34:50,840 Speaker 2: don't take coffee breaks go, well, hang on there, bludging, 757 00:34:50,880 --> 00:34:51,680 Speaker 2: what a new smoke? 758 00:34:51,800 --> 00:34:54,560 Speaker 3: This is the new smoke on the factory line. 759 00:34:54,920 --> 00:34:57,200 Speaker 2: Also, this is interesting. They're saying. Tell that to the 760 00:34:57,239 --> 00:35:00,279 Speaker 2: person who's running a coffee shop near, for example, near 761 00:35:00,280 --> 00:35:02,680 Speaker 2: the barracks and things. These barracks now have mess halls 762 00:35:02,680 --> 00:35:05,120 Speaker 2: and whatever. What happens to the coffee shops near there? 763 00:35:05,120 --> 00:35:06,080 Speaker 2: They're getting no business? 764 00:35:06,200 --> 00:35:09,080 Speaker 1: What happens? How does a coffee shop person take a break? 765 00:35:09,160 --> 00:35:10,959 Speaker 1: So they go and get another coffee from somewhere else. 766 00:35:11,280 --> 00:35:12,439 Speaker 3: Do you see what's happening here? 767 00:35:13,040 --> 00:35:16,080 Speaker 2: They got a JB High five coffee breaks? Do they 768 00:35:16,120 --> 00:35:17,040 Speaker 2: pass the pub test? 769 00:35:17,280 --> 00:35:21,000 Speaker 3: Jack Facist? 770 00:35:22,840 --> 00:35:24,000 Speaker 2: Put on your dance and shoes. 771 00:35:24,080 --> 00:35:25,680 Speaker 4: Don't give me your best shop. 772 00:35:26,000 --> 00:35:28,640 Speaker 1: Editor of the Daily Oz, Emma Gillespie is here. 773 00:35:29,280 --> 00:35:32,279 Speaker 18: Well, it's a bit of a sad day for millennials 774 00:35:32,360 --> 00:35:34,759 Speaker 18: and maybe some other people who've heard of fat Man's Gooop. 775 00:35:34,840 --> 00:35:36,760 Speaker 3: But he's a rapper and he died. 776 00:35:36,840 --> 00:35:38,120 Speaker 2: He's fifty three years old. 777 00:35:38,160 --> 00:35:41,160 Speaker 18: He collapsed on stage during a festival performance over the 778 00:35:41,160 --> 00:35:44,080 Speaker 18: weekend in Connecticut. Now, if you don't know who I'm 779 00:35:44,080 --> 00:35:45,680 Speaker 18: talking about, I want to play you a little bit 780 00:35:45,719 --> 00:35:46,239 Speaker 18: of this song. 781 00:35:46,320 --> 00:35:52,560 Speaker 2: And he probably have heard that far. 782 00:35:52,840 --> 00:35:55,279 Speaker 3: It's called be Faithful Yeah by Batman's Goop. 783 00:35:55,400 --> 00:35:58,360 Speaker 18: Was released in nineteen ninety nine, then re released in 784 00:35:58,360 --> 00:36:00,359 Speaker 18: two thousand and three, and that's when he really shot 785 00:36:00,400 --> 00:36:03,080 Speaker 18: to fame in the UK the US. He won a 786 00:36:03,120 --> 00:36:05,839 Speaker 18: Grammy for a song he did with Missy Elliott called 787 00:36:05,880 --> 00:36:09,040 Speaker 18: Lose Control. But it was really dramatic scenes the way 788 00:36:09,080 --> 00:36:11,640 Speaker 18: that he died. He was DJing at this festival set 789 00:36:11,680 --> 00:36:15,080 Speaker 18: and his very familiar kind of face on festival circuits as. 790 00:36:14,960 --> 00:36:15,560 Speaker 1: A hype man. 791 00:36:15,640 --> 00:36:17,480 Speaker 3: He was actually in Australia in November. 792 00:36:17,800 --> 00:36:19,880 Speaker 18: He used to come here every year for these festivals 793 00:36:19,920 --> 00:36:22,560 Speaker 18: called R and B Fridays or Fridays Live. They'd always 794 00:36:22,600 --> 00:36:25,640 Speaker 18: have kind of nineties R and B stars like TLC 795 00:36:25,880 --> 00:36:29,319 Speaker 18: Boys to men, Kelly Rowland, those kinds of performers, and 796 00:36:29,360 --> 00:36:31,200 Speaker 18: he would sort of be the MC like. 797 00:36:31,280 --> 00:36:34,239 Speaker 3: He'd come out during performance and he hype everyone up. 798 00:36:34,239 --> 00:36:37,279 Speaker 18: His whole sort of personality and vibe and brand was 799 00:36:37,280 --> 00:36:39,800 Speaker 18: a lot more about just kind of getting people going 800 00:36:39,880 --> 00:36:41,440 Speaker 18: rather than the music itself. 801 00:36:41,440 --> 00:36:46,560 Speaker 2: It's very distressing. Actually, this is be prepared. This is 802 00:36:46,600 --> 00:36:56,320 Speaker 2: the last bit of him on stage in the part. 803 00:36:57,760 --> 00:37:00,680 Speaker 1: This and that's whume. 804 00:37:00,920 --> 00:37:04,200 Speaker 18: Yeah, those were his last words. If you came to party, 805 00:37:04,239 --> 00:37:06,360 Speaker 18: make some noise, and it had to happen. He just 806 00:37:06,440 --> 00:37:10,080 Speaker 18: had a medical emergency, so they haven't given details really, 807 00:37:10,120 --> 00:37:12,840 Speaker 18: but the mayor of this town, Hampden, she wrote on 808 00:37:12,880 --> 00:37:15,760 Speaker 18: Facebook that he suffered a medical emergency. He was rushed 809 00:37:15,760 --> 00:37:18,080 Speaker 18: to a local hospital where he was later declared dead. 810 00:37:18,480 --> 00:37:21,719 Speaker 18: Offered her condolences, but we really don't know the details 811 00:37:21,760 --> 00:37:25,360 Speaker 18: of the specifics. A lot of celebrities have responded so 812 00:37:25,400 --> 00:37:28,440 Speaker 18: Missy Elliott, who'd worked with said that his impact was 813 00:37:28,520 --> 00:37:31,200 Speaker 18: huge and would never be forgotten. He's made songs that 814 00:37:31,239 --> 00:37:33,560 Speaker 18: made people feel happy and wanted to dance for over 815 00:37:33,640 --> 00:37:37,840 Speaker 18: two decades. Siara Singer and Ludacrous have said similar things. 816 00:37:37,880 --> 00:37:40,160 Speaker 18: All of the sort of tributes from celebrities have very 817 00:37:40,200 --> 00:37:41,839 Speaker 18: much kind of honored. 818 00:37:41,480 --> 00:37:43,880 Speaker 2: This passion and joy that he brought. 819 00:37:43,960 --> 00:37:46,440 Speaker 18: Everyone seems to have spoke about him as a really happy, 820 00:37:46,520 --> 00:37:49,560 Speaker 18: high energy kind of a guy. His family said that, 821 00:37:49,640 --> 00:37:52,319 Speaker 18: you know, they were lost for words. His music made 822 00:37:52,360 --> 00:37:55,239 Speaker 18: us dance and embrace life with positivity. His joy was 823 00:37:55,280 --> 00:37:57,759 Speaker 18: infectious and the generosity he extended to all will be 824 00:37:57,840 --> 00:38:01,920 Speaker 18: deeply missed. And fans also morning lots of tributes and 825 00:38:02,000 --> 00:38:04,360 Speaker 18: lots of commentary about those last words sort of really 826 00:38:04,400 --> 00:38:08,120 Speaker 18: embodying his spirit. If he came to party, but crazy 827 00:38:08,239 --> 00:38:09,279 Speaker 18: devastating he was. 828 00:38:09,640 --> 00:38:11,000 Speaker 1: I was just doing a bit of reading about him, 829 00:38:11,040 --> 00:38:13,319 Speaker 1: but he was a real positive energy the guy. Yeah, 830 00:38:13,360 --> 00:38:14,360 Speaker 1: he's a guy you'd. 831 00:38:14,160 --> 00:38:15,640 Speaker 3: Want a round every interview. 832 00:38:15,760 --> 00:38:18,040 Speaker 18: I was watching some old YouTube interviews and even some 833 00:38:18,120 --> 00:38:21,120 Speaker 18: interviews with Ossie TV stations, and he's just he's just 834 00:38:21,200 --> 00:38:24,120 Speaker 18: like all the time, seemed like a really sweet guy. 835 00:38:24,360 --> 00:38:27,440 Speaker 18: It's funny the kind of age group that knows about him. 836 00:38:27,520 --> 00:38:30,200 Speaker 18: I was talking to some of my younger colleagues yesterday 837 00:38:30,280 --> 00:38:32,799 Speaker 18: and the twenty three year olds hadn't heard of him, right, 838 00:38:33,000 --> 00:38:34,920 Speaker 18: and then the people his age, the fifty three year 839 00:38:34,920 --> 00:38:37,280 Speaker 18: olds haven't heard of him. So there's just a sweet 840 00:38:37,280 --> 00:38:39,000 Speaker 18: spot in the middle of the thirties and forties. 841 00:38:39,120 --> 00:38:40,800 Speaker 1: M way right. He's our lipnus test. 842 00:38:41,400 --> 00:38:44,360 Speaker 2: I don't know, I know the song, yeah. 843 00:38:43,800 --> 00:38:46,479 Speaker 1: But nonetheless sad that he's not with us. He came 844 00:38:46,520 --> 00:38:50,200 Speaker 1: to the parlance Scomo. Remember Scomo got in trouble because 845 00:38:50,200 --> 00:38:52,760 Speaker 1: he posted one of those clips of Scomo in Parliament 846 00:38:52,840 --> 00:38:53,960 Speaker 1: putting his hands. 847 00:38:53,719 --> 00:39:03,680 Speaker 7: Up there we go police officer here, and Scomo had 848 00:39:03,719 --> 00:39:04,080 Speaker 7: to take it. 849 00:39:04,160 --> 00:39:07,080 Speaker 2: Down and to apologize. I didn't realize the other lyrics 850 00:39:07,080 --> 00:39:07,719 Speaker 2: of that song. 851 00:39:08,560 --> 00:39:12,440 Speaker 18: There are some unsavory lyrics this day lunch yesterday and 852 00:39:12,480 --> 00:39:14,440 Speaker 18: my brothers and I were trying to explain to my 853 00:39:14,520 --> 00:39:16,640 Speaker 18: dad who he was, and we were singing the song 854 00:39:16,719 --> 00:39:19,640 Speaker 18: and seeing ladies again here and then it went to 855 00:39:19,680 --> 00:39:21,640 Speaker 18: a darker place in the middle of restaurants. 856 00:39:21,680 --> 00:39:24,960 Speaker 2: It went to a darker place. We had to censor ourselves. 857 00:39:26,520 --> 00:39:30,520 Speaker 1: M thank you you rest in the Batman's Batman scoop. 858 00:39:30,600 --> 00:39:33,879 Speaker 1: You bought a vibe and you know what, really, that's 859 00:39:33,920 --> 00:39:34,680 Speaker 1: a good way to go. 860 00:39:35,200 --> 00:39:37,400 Speaker 2: Yeah, he died doing what he loved. Maybe do it 861 00:39:37,440 --> 00:39:41,800 Speaker 2: at nineteen, not fifty three exactly, Sam Shit. 862 00:39:41,680 --> 00:39:46,319 Speaker 13: Podcast, When God I wanted to get on right now, 863 00:39:46,440 --> 00:40:01,040 Speaker 13: I'm taking windows head on a yell. 864 00:39:57,160 --> 00:39:58,759 Speaker 1: Down to the jonesy De matter of arms for the 865 00:39:58,800 --> 00:39:59,319 Speaker 1: pub test. 866 00:39:59,600 --> 00:40:01,560 Speaker 3: Coffee breaks. Do they pass the pub test? 867 00:40:01,640 --> 00:40:01,799 Speaker 8: Well. 868 00:40:01,880 --> 00:40:04,440 Speaker 2: Billionaire mining boss Chris Ellison has said he doesn't want 869 00:40:04,440 --> 00:40:06,520 Speaker 2: his workers going on coffee breaks. He wants to quote 870 00:40:06,520 --> 00:40:09,560 Speaker 2: hold them captive all day long. He has been able 871 00:40:09,600 --> 00:40:12,359 Speaker 2: to put a coffee shop, a restaurant, a gym, psychologists 872 00:40:12,440 --> 00:40:15,160 Speaker 2: on hand, all of this within the building because he says, 873 00:40:15,160 --> 00:40:18,640 Speaker 2: I don't want walker my workers wandering out around lunch time. 874 00:40:19,120 --> 00:40:21,239 Speaker 2: He said, they've done a study. We figured out a 875 00:40:21,280 --> 00:40:26,080 Speaker 2: few years ago how much that costs his workplace. Interestingly, though, 876 00:40:27,320 --> 00:40:29,600 Speaker 2: other people say, what's happened to the lunch break? What's 877 00:40:29,600 --> 00:40:32,239 Speaker 2: happened to the time? We're entitled to We're not slaves 878 00:40:32,239 --> 00:40:34,719 Speaker 2: to our desk. We are allowed to use that time 879 00:40:34,800 --> 00:40:37,520 Speaker 2: as we like. Though others have said coffee drinkers are 880 00:40:37,520 --> 00:40:41,640 Speaker 2: the scourge on productivity, is wandering our taking their time. 881 00:40:42,480 --> 00:40:43,759 Speaker 2: It's the new smoko. 882 00:40:44,120 --> 00:40:46,160 Speaker 1: You just you know, off you go whenever you are line, 883 00:40:46,200 --> 00:40:48,359 Speaker 1: you're Johnny lunch power. You sit there with your little 884 00:40:48,400 --> 00:40:51,120 Speaker 1: sandwiches out on the steel girde for busilding. 885 00:40:51,560 --> 00:40:54,800 Speaker 2: That's right, and security, I know that's you. Coffee breaks 886 00:40:54,880 --> 00:40:56,000 Speaker 2: they passed the pub test. 887 00:40:56,440 --> 00:40:59,759 Speaker 9: Yeah, but it can't be months full time throughout the day. 888 00:41:00,360 --> 00:41:03,200 Speaker 17: As the productivity of a business goes out the window, 889 00:41:03,400 --> 00:41:04,680 Speaker 17: so do But the only. 890 00:41:04,560 --> 00:41:06,479 Speaker 8: Thing is that if you're on the twenty fifty four 891 00:41:06,600 --> 00:41:09,000 Speaker 8: and you've got to come down to the coffee pressing, 892 00:41:09,040 --> 00:41:11,359 Speaker 8: all the buttons going down for if that is went 893 00:41:11,440 --> 00:41:13,440 Speaker 8: out a problem because it could take you half an hour. 894 00:41:13,440 --> 00:41:14,319 Speaker 8: I want to turnber the. 895 00:41:14,320 --> 00:41:15,600 Speaker 4: Break is a half hour break? 896 00:41:15,719 --> 00:41:20,719 Speaker 9: No, the disconnect. Rules are about after hours, not during hours. 897 00:41:20,920 --> 00:41:21,719 Speaker 3: Of course they do. 898 00:41:21,880 --> 00:41:24,240 Speaker 17: You've got to have a coffee break doing they. 899 00:41:24,080 --> 00:41:26,399 Speaker 6: Don't pass the pub test because it's company time. 900 00:41:27,440 --> 00:41:29,600 Speaker 8: Gets a little bit upset about it. 901 00:41:29,680 --> 00:41:31,759 Speaker 4: Drink a glass of concrete and get on with it. 902 00:41:31,840 --> 00:41:33,279 Speaker 8: You're on company time. 903 00:41:34,320 --> 00:41:36,000 Speaker 3: Go down to the concrete truck. 904 00:41:36,200 --> 00:41:39,520 Speaker 2: But you're not company time. You are entitled to take 905 00:41:39,560 --> 00:41:41,440 Speaker 2: a break, not. 906 00:41:41,440 --> 00:41:42,239 Speaker 1: A Jonesy ink. 907 00:41:43,120 --> 00:41:45,320 Speaker 3: There's no time boss of anybody. 908 00:41:45,360 --> 00:41:47,120 Speaker 1: Jonesy inc. Gem Nation. 909 00:41:47,520 --> 00:41:50,680 Speaker 2: Well, you may have heard of this song by Karlie 910 00:41:50,719 --> 00:41:52,200 Speaker 2: red Jebson, Hey. 911 00:41:55,480 --> 00:41:55,960 Speaker 1: I love it. 912 00:41:56,200 --> 00:42:00,520 Speaker 2: I love it too. Did you know though, apparently she 913 00:42:00,920 --> 00:42:02,400 Speaker 2: is the Antichrist? 914 00:42:02,760 --> 00:42:06,280 Speaker 1: No, Kellie Right, Kellie Wright Jibson. 915 00:42:06,560 --> 00:42:10,400 Speaker 2: This is guy I saw on a TikTok. He's a 916 00:42:10,440 --> 00:42:12,680 Speaker 2: slightly older man. He's got a bead, he's got white hair, 917 00:42:12,719 --> 00:42:15,359 Speaker 2: is wearing a polo shirt, and he's pointing out that 918 00:42:15,400 --> 00:42:20,360 Speaker 2: she pretty much in this song is summoning the devil. 919 00:42:21,080 --> 00:42:22,399 Speaker 2: Here's how he breaks that down. 920 00:42:22,880 --> 00:42:27,200 Speaker 14: God is revealing to us the name of the Antichrist. 921 00:42:27,920 --> 00:42:30,080 Speaker 1: Hey, I just met you. Now. 922 00:42:30,120 --> 00:42:34,200 Speaker 14: The I in this case refers to the Antichrist, and 923 00:42:34,440 --> 00:42:38,319 Speaker 14: just meeting you means that he is revealing himself. This 924 00:42:38,360 --> 00:42:42,839 Speaker 14: is the Antichrist's entrance into the end times, and this 925 00:42:42,920 --> 00:42:47,720 Speaker 14: is crazy. That's the seven years of tribulation. But here's 926 00:42:47,840 --> 00:42:51,759 Speaker 14: my number. He is talking here about his number of 927 00:42:51,760 --> 00:42:54,840 Speaker 14: the Beast, which he is going to give to every 928 00:42:54,840 --> 00:43:00,760 Speaker 14: one of us. So call me maybe. It's not saying 929 00:43:00,800 --> 00:43:04,240 Speaker 14: call me on the telephone. What the Antichrist as saying 930 00:43:04,280 --> 00:43:11,120 Speaker 14: here is my name is maybe, Call me maybe. An 931 00:43:11,120 --> 00:43:15,440 Speaker 14: Astra Damus also called the Antichrist, mahbus. 932 00:43:17,440 --> 00:43:19,520 Speaker 1: You know what's wrong with this times? 933 00:43:19,600 --> 00:43:23,160 Speaker 2: He's Carlie Ray Gibson singing a little dizzase. Next minute 934 00:43:23,200 --> 00:43:26,239 Speaker 2: she's been accused of being the Antichrist and saying, like, 935 00:43:26,400 --> 00:43:28,800 Speaker 2: what sort of name is that? For the Antichrist? Maybe 936 00:43:29,080 --> 00:43:31,680 Speaker 2: my name is maybe. And Austra Damas in his name 937 00:43:31,719 --> 00:43:33,160 Speaker 2: was maybe too. 938 00:43:33,360 --> 00:43:35,480 Speaker 1: You know the problem with the kids today, it's all 939 00:43:35,520 --> 00:43:39,000 Speaker 1: too vague. Back in my day, if we wanted to 940 00:43:39,040 --> 00:43:41,560 Speaker 1: call up the Antichrist, you just pull on some maiden. 941 00:43:41,840 --> 00:43:45,440 Speaker 8: Let him, who hath understanding reckon the number of the beast. 942 00:43:46,000 --> 00:43:50,440 Speaker 3: What it is a human number? Its number is six 943 00:43:50,600 --> 00:43:52,240 Speaker 3: hundred and sixty six. 944 00:44:02,400 --> 00:44:09,759 Speaker 1: Come on once, okay, I'm going to get to the hawk. 945 00:44:13,040 --> 00:44:17,960 Speaker 2: Is it over yet, come on, they're coming to town. 946 00:44:18,000 --> 00:44:21,080 Speaker 1: You know, let's go. I got two chickens. 947 00:44:21,160 --> 00:44:21,919 Speaker 2: Maybe be there. 948 00:44:22,800 --> 00:44:30,880 Speaker 1: Hey here it comes Okay that full off maiden. 949 00:44:31,040 --> 00:44:33,040 Speaker 2: No please, they're not the only Christ this is. 950 00:44:37,360 --> 00:44:38,640 Speaker 11: Don't say maybe. 951 00:44:44,280 --> 00:44:44,800 Speaker 3: The world. 952 00:44:46,320 --> 00:44:48,880 Speaker 2: The world is true to laugh or you'll go insane. 953 00:44:51,400 --> 00:44:54,880 Speaker 2: Podcast languages, what she has done, spoke is always changing. 954 00:44:54,960 --> 00:44:57,480 Speaker 2: And you know, I'm a stickler for apostrophes. I've inherited 955 00:44:57,480 --> 00:44:59,560 Speaker 2: this from my mother. I'm a stickler in the worst ways. 956 00:45:00,040 --> 00:45:01,880 Speaker 2: My friends get anxious when they have to text me 957 00:45:01,960 --> 00:45:03,600 Speaker 2: in case their apostrophes aren't correct. 958 00:45:03,640 --> 00:45:06,280 Speaker 3: And it's awful. You speak very well as well. 959 00:45:06,760 --> 00:45:09,759 Speaker 1: You reckon and now you do that sounds like any 960 00:45:09,800 --> 00:45:12,919 Speaker 1: podcasts that any of the narrative first contestants have done. 961 00:45:13,040 --> 00:45:16,080 Speaker 2: What you destind, oh football commentator, they play beautiful. 962 00:45:16,880 --> 00:45:19,960 Speaker 1: It's all one hundred percent. The earth is flat. 963 00:45:20,440 --> 00:45:22,360 Speaker 2: But it's funny when you look back. I'm going to 964 00:45:22,400 --> 00:45:26,880 Speaker 2: go through some of the new slang. But anytime something's new, 965 00:45:27,520 --> 00:45:30,279 Speaker 2: it's hilarious listening to how it was spoken about at 966 00:45:30,280 --> 00:45:32,759 Speaker 2: the time. Here's a story that went to it in 967 00:45:32,800 --> 00:45:33,400 Speaker 2: the eighties. 968 00:45:34,440 --> 00:45:38,480 Speaker 6: First understand like there's this valley the San Fernando Valley, 969 00:45:38,600 --> 00:45:41,880 Speaker 6: the biggest bedroom suburb of Los Angeles in the Valley. 970 00:45:41,880 --> 00:45:45,680 Speaker 6: Of course, they're girls, and like all teenage girls, they talk, 971 00:45:46,080 --> 00:45:48,920 Speaker 6: but as scholars of the language note, in a most 972 00:45:49,040 --> 00:45:50,560 Speaker 6: peculiar way. 973 00:45:50,400 --> 00:45:51,279 Speaker 2: Like tubular. 974 00:45:51,560 --> 00:45:53,239 Speaker 3: Well, it's like a totally great day. 975 00:45:53,280 --> 00:45:54,480 Speaker 1: It's like totally awesome. 976 00:45:54,640 --> 00:45:55,840 Speaker 3: You agnue with the spoon. 977 00:45:56,400 --> 00:46:00,760 Speaker 10: It's groady to the maxt it means it's discussing totally groady. 978 00:46:01,040 --> 00:46:03,120 Speaker 1: It's like if you have to work or like. 979 00:46:03,120 --> 00:46:05,160 Speaker 2: Do housework, continue room. 980 00:46:05,520 --> 00:46:06,719 Speaker 9: It's like stuff like that. 981 00:46:06,760 --> 00:46:08,320 Speaker 3: It's like gag me with a spilm. 982 00:46:08,360 --> 00:46:08,920 Speaker 2: It's totally. 983 00:46:09,360 --> 00:46:10,040 Speaker 4: Yeah. 984 00:46:10,400 --> 00:46:13,399 Speaker 2: That's where Valley girls speak began. And it sounds now 985 00:46:13,440 --> 00:46:16,600 Speaker 2: like they're taking the piece, But that's actually a story 986 00:46:16,640 --> 00:46:19,920 Speaker 2: on American television about the beginnings of that language. Awesome 987 00:46:20,040 --> 00:46:21,000 Speaker 2: and totally, which we. 988 00:46:21,000 --> 00:46:23,520 Speaker 1: Still use Kardashians gives literally. 989 00:46:23,719 --> 00:46:25,799 Speaker 2: Yeah, all that stuff. But that's where I remember. It 990 00:46:25,840 --> 00:46:28,040 Speaker 2: sounds like a joke. Gaged me with a spoon, grody. 991 00:46:29,280 --> 00:46:33,480 Speaker 2: That was from the eighties. Here's a story about the nineties. 992 00:46:33,520 --> 00:46:35,640 Speaker 2: Some of these ones, I know, some of them must 993 00:46:35,640 --> 00:46:38,960 Speaker 2: be big americanisms, but they even tell you what yo means. 994 00:46:39,400 --> 00:46:41,040 Speaker 5: Here are some other phrases you want to know if 995 00:46:41,040 --> 00:46:42,520 Speaker 5: you want to be sure to sound hip. 996 00:46:42,560 --> 00:46:47,080 Speaker 1: In the nineties, Yo a greeting, who curve? 997 00:46:47,239 --> 00:46:47,759 Speaker 3: What's up? 998 00:46:48,719 --> 00:46:52,719 Speaker 5: Clutch the Pearls said in amazement or disbelief, Well you 999 00:46:52,800 --> 00:46:58,000 Speaker 5: know he's Mary Cuts the Pearls fucked in the eighties, 1000 00:46:58,040 --> 00:46:59,200 Speaker 5: it was just wasted. 1001 00:46:59,560 --> 00:47:00,839 Speaker 8: I don't know how may I have the boy? 1002 00:47:00,920 --> 00:47:01,840 Speaker 3: Did I get fucked? 1003 00:47:02,080 --> 00:47:04,160 Speaker 9: I sure felt it the next morning was really the 1004 00:47:04,160 --> 00:47:05,319 Speaker 9: worst thing I've ever done. 1005 00:47:05,480 --> 00:47:08,600 Speaker 3: I hope you didn't drive home in no way mcgiver. 1006 00:47:08,640 --> 00:47:11,839 Speaker 5: As in the TV show where the impossible is often accomplished, 1007 00:47:13,040 --> 00:47:15,480 Speaker 5: I can't believe you got off that speeding ticket. 1008 00:47:15,600 --> 00:47:20,680 Speaker 1: What a mcguiver novel to secretly undermined what. 1009 00:47:21,040 --> 00:47:24,720 Speaker 2: I can't believe you saw your job? You really the novel. 1010 00:47:25,400 --> 00:47:28,200 Speaker 3: Black and Decker or a real tough assignment. 1011 00:47:28,680 --> 00:47:30,120 Speaker 4: You get the analogy right, This. 1012 00:47:30,400 --> 00:47:31,760 Speaker 9: Job is a real grind. 1013 00:47:31,880 --> 00:47:33,200 Speaker 2: It's just a black and decker. 1014 00:47:34,280 --> 00:47:37,560 Speaker 5: Some phrases may be around forever, yeah, and maybe others. 1015 00:47:37,600 --> 00:47:40,560 Speaker 2: My think novel. Remember Deborah Novel was on TV in 1016 00:47:40,600 --> 00:47:43,239 Speaker 2: the nineties and she took the job of a woman 1017 00:47:43,280 --> 00:47:46,719 Speaker 2: who's placing the dashow with Brian Gumbel. Jane Phurley or 1018 00:47:46,760 --> 00:47:49,279 Speaker 2: something like that. She took her job. So that's what 1019 00:47:49,320 --> 00:47:51,719 Speaker 2: it means to wonder when she's entered the language. So 1020 00:47:51,800 --> 00:47:56,960 Speaker 2: let's go through some of today's Yet yet, do you 1021 00:47:57,040 --> 00:47:57,560 Speaker 2: know what that means? 1022 00:47:57,560 --> 00:47:58,360 Speaker 3: That's bomb, isn't it? 1023 00:47:58,520 --> 00:47:58,600 Speaker 4: No? 1024 00:47:58,920 --> 00:48:03,160 Speaker 2: It means you you're showing good admiration for someone that Yet. 1025 00:48:03,080 --> 00:48:05,160 Speaker 3: Yeah, I just always default to bump. 1026 00:48:06,280 --> 00:48:07,920 Speaker 2: Well, actually, you haven't listened to this. This is a 1027 00:48:07,960 --> 00:48:09,840 Speaker 2: young girl explaining to her mother what some of the 1028 00:48:09,880 --> 00:48:11,359 Speaker 2: new ones men and then we'll talk about them. 1029 00:48:11,800 --> 00:48:17,040 Speaker 10: Sigma means like alpha, you're the best. A rizzler is 1030 00:48:17,080 --> 00:48:20,040 Speaker 10: someone who's like good with the ladies, you know. Jimmy 1031 00:48:20,280 --> 00:48:22,320 Speaker 10: toilet a tail that's. 1032 00:48:22,239 --> 00:48:24,080 Speaker 2: Like bad because it's in the toilet. 1033 00:48:24,280 --> 00:48:27,640 Speaker 10: So it comes from a YouTube series. 1034 00:48:27,800 --> 00:48:30,880 Speaker 2: Yeah, and it means like bad. It means like trash 1035 00:48:30,920 --> 00:48:36,279 Speaker 2: skibbity toilet skibberty looks. Maxing this is when you, I guess, 1036 00:48:36,280 --> 00:48:39,920 Speaker 2: getting a glow up and maximizes your appearance. Mewing this 1037 00:48:40,000 --> 00:48:42,319 Speaker 2: is It was originally a facial exercise to improve your 1038 00:48:42,360 --> 00:48:45,320 Speaker 2: jaw line, but now it means refusing to answer a question. 1039 00:48:45,400 --> 00:48:48,920 Speaker 2: You can't talk while you're mewing. All facts, No, printer 1040 00:48:49,280 --> 00:48:53,799 Speaker 2: means the statement is genuine. What about if I, if I, 1041 00:48:53,800 --> 00:48:59,120 Speaker 2: if I? This is repeated shorthand for for real and 1042 00:48:59,320 --> 00:49:05,000 Speaker 2: giat is. It's a slang derived from goddamn, excuse my language, 1043 00:49:05,080 --> 00:49:06,560 Speaker 2: used to express strong admiration. 1044 00:49:06,880 --> 00:49:07,720 Speaker 1: What about riz? 1045 00:49:07,960 --> 00:49:09,600 Speaker 2: Well, that's in there. That was a rizzler. 1046 00:49:09,880 --> 00:49:11,399 Speaker 1: I just heard it before when I was working past 1047 00:49:11,400 --> 00:49:13,000 Speaker 1: the girls at the timeing for I said, Jonesy, he's 1048 00:49:13,000 --> 00:49:13,600 Speaker 1: got that riz. 1049 00:49:14,600 --> 00:49:16,440 Speaker 3: I was thinking, should I get a HR and complain 1050 00:49:16,520 --> 00:49:17,200 Speaker 3: or is it a good thing? 1051 00:49:17,800 --> 00:49:19,600 Speaker 2: You know very well it means charisma, and you know 1052 00:49:19,680 --> 00:49:21,120 Speaker 2: very well there's no one here in the sales at 1053 00:49:21,120 --> 00:49:22,680 Speaker 2: this hour. You make all of that up. 1054 00:49:22,800 --> 00:49:24,240 Speaker 3: They're all having a coffee. 1055 00:49:24,760 --> 00:49:26,480 Speaker 1: It's eight twenty. Well, thank you for bringing us up 1056 00:49:26,520 --> 00:49:26,960 Speaker 1: to speed. 1057 00:49:27,040 --> 00:49:39,719 Speaker 19: Man We sound Red Gibberty, Jonesy and Amanda podcast. 1058 00:49:41,280 --> 00:49:44,840 Speaker 2: We're just talking about all the gens and alpha slang, scibbity, 1059 00:49:44,920 --> 00:49:50,120 Speaker 2: et cetera, et cetera. Do you remember when Happy Days 1060 00:49:50,160 --> 00:49:53,720 Speaker 2: started in nineteen seventy. 1061 00:49:52,800 --> 00:49:55,320 Speaker 3: Four, seventy five, seventy. 1062 00:49:54,920 --> 00:49:57,080 Speaker 2: Five, answered to you the Savant Day. 1063 00:49:57,520 --> 00:49:58,680 Speaker 3: It was a huge Happy Days fan. 1064 00:49:58,800 --> 00:50:01,120 Speaker 2: Well, there was a big phrase it was used in 1065 00:50:01,160 --> 00:50:01,719 Speaker 2: Happy Days. 1066 00:50:01,760 --> 00:50:12,920 Speaker 20: It was this one it now, Oh. 1067 00:50:12,719 --> 00:50:17,319 Speaker 2: When missus c says sit on it, Howard. Yeah, Well, 1068 00:50:17,360 --> 00:50:19,799 Speaker 2: I remember watching Happy Days and going to school the 1069 00:50:19,800 --> 00:50:22,919 Speaker 2: next day and someone saying sit on it. I thought, 1070 00:50:22,920 --> 00:50:26,520 Speaker 2: oh my god, this is how it begins. A phrase 1071 00:50:26,640 --> 00:50:29,200 Speaker 2: is on TV one night, everyone at school is saying 1072 00:50:29,200 --> 00:50:30,080 Speaker 2: it the next day. 1073 00:50:30,000 --> 00:50:31,000 Speaker 3: That's the thing on it. 1074 00:50:31,080 --> 00:50:31,480 Speaker 4: Yeah. 1075 00:50:31,600 --> 00:50:34,400 Speaker 1: I remember being up at Southwest Rocks and we were 1076 00:50:34,440 --> 00:50:37,719 Speaker 1: sitting that was a s on a sitting on it 1077 00:50:37,840 --> 00:50:38,960 Speaker 1: in one of those little you. 1078 00:50:38,880 --> 00:50:40,880 Speaker 3: Know where you have the sausagees and stuff. 1079 00:50:41,560 --> 00:50:44,160 Speaker 1: Well those things called the council built on out the 1080 00:50:44,200 --> 00:50:47,520 Speaker 1: best of blocks the shelter, and I saw sit on 1081 00:50:47,560 --> 00:50:49,399 Speaker 1: it written written, and I. 1082 00:50:49,320 --> 00:50:51,160 Speaker 3: Said to my mom, I said, Foals wrote that. 1083 00:50:51,239 --> 00:50:52,520 Speaker 1: I said that's from Happy Days. 1084 00:50:52,719 --> 00:50:55,279 Speaker 3: Mom said they film Happy Days in America. I said, no, no. 1085 00:50:55,640 --> 00:50:57,359 Speaker 2: So that was one of the first beginning of the 1086 00:50:57,440 --> 00:51:01,279 Speaker 2: viral language. That was the viral language, apart from our aoglyphics, etc. 1087 00:51:01,880 --> 00:51:02,280 Speaker 3: Whatever. 1088 00:51:04,440 --> 00:51:11,239 Speaker 2: Sit on it I think first appeared in the Hierography podcast. 1089 00:51:11,400 --> 00:51:13,680 Speaker 2: On one hand, we have, obviously we have Cozi lives 1090 00:51:13,719 --> 00:51:16,799 Speaker 2: on every hand is cozy libs. But on one hand 1091 00:51:16,840 --> 00:51:18,879 Speaker 2: we have people who are striving to make ends meet. 1092 00:51:18,920 --> 00:51:20,600 Speaker 2: On the other, we have people who are spending money 1093 00:51:20,640 --> 00:51:23,080 Speaker 2: on the most ridiculous things. Actually, if you see that 1094 00:51:23,200 --> 00:51:27,520 Speaker 2: TikTok of a woman saying, stop spending your money on excuse, 1095 00:51:27,560 --> 00:51:30,359 Speaker 2: I'm going to swear, stop spending your money on stupid shit. 1096 00:51:30,719 --> 00:51:32,600 Speaker 2: And the people who put pictures in of the latest 1097 00:51:32,640 --> 00:51:35,360 Speaker 2: thing they've bought, which is the most ridiculous thing, like 1098 00:51:35,400 --> 00:51:38,319 Speaker 2: a winder canda that's shaped like an elephant or something. 1099 00:51:38,600 --> 00:51:40,160 Speaker 2: We all do it. We all spend our money on 1100 00:51:40,239 --> 00:51:43,880 Speaker 2: ridiculous things. But the latest thing, and it's winding some 1101 00:51:43,920 --> 00:51:46,680 Speaker 2: people up, is fridge scaping. Have you heard of fridge escaping? 1102 00:51:47,080 --> 00:51:47,279 Speaker 4: Man? 1103 00:51:47,760 --> 00:51:50,480 Speaker 2: This is where people are decorating the inside of their 1104 00:51:50,560 --> 00:51:54,879 Speaker 2: fridges in certain different themes. A lot of it. There's 1105 00:51:54,880 --> 00:51:57,399 Speaker 2: a lot of overconsumption because within this it's like watching 1106 00:51:57,440 --> 00:51:59,680 Speaker 2: a little Dolly house. And that's what's so nice about it. 1107 00:52:00,760 --> 00:52:04,040 Speaker 2: What's that expression? I can't remember how it goes? Ryan? 1108 00:52:04,080 --> 00:52:07,400 Speaker 2: What is it with the sound ismr so? The sound 1109 00:52:07,400 --> 00:52:11,080 Speaker 2: sound lovely? Someone's nails against plastic containers. So you decant 1110 00:52:11,120 --> 00:52:14,840 Speaker 2: oil things into small containers, and you buy eight yogurts 1111 00:52:14,880 --> 00:52:16,880 Speaker 2: and put them in individual yogurt things to put in 1112 00:52:16,880 --> 00:52:20,359 Speaker 2: your fridge. You decant little fruit juices into fruit juice 1113 00:52:20,400 --> 00:52:22,120 Speaker 2: containers and put that into your fridge. So there's a 1114 00:52:22,160 --> 00:52:25,320 Speaker 2: lot of overconsumption. But you do it to a theme 1115 00:52:26,120 --> 00:52:28,520 Speaker 2: fridge escaping, it's called. And one of the themes I 1116 00:52:28,560 --> 00:52:31,920 Speaker 2: saw was to look like Bridgeton, which they've called fridgeiton, 1117 00:52:32,880 --> 00:52:36,640 Speaker 2: where the inside of your fridge is made. You have 1118 00:52:36,719 --> 00:52:41,239 Speaker 2: little vases, you have framed pictures, you have doilies, you 1119 00:52:41,360 --> 00:52:46,319 Speaker 2: have cut crystaled butter dishes. This other woman said that 1120 00:52:47,160 --> 00:52:53,720 Speaker 2: there's a porcelain bust, string lights, fresh flowers and enchanted forest. 1121 00:52:53,760 --> 00:52:55,840 Speaker 2: This woman created and she filled it with edible flowers 1122 00:52:55,840 --> 00:53:00,520 Speaker 2: from her garden so she could eat like a fairy 1123 00:53:01,120 --> 00:53:02,160 Speaker 2: if kings come over. 1124 00:53:02,080 --> 00:53:04,040 Speaker 1: Anyways from Lamington's. 1125 00:53:05,040 --> 00:53:07,359 Speaker 2: But all it is doing is choking your fridge up 1126 00:53:07,760 --> 00:53:11,080 Speaker 2: with containers and with flowers and with doilies. 1127 00:53:11,320 --> 00:53:13,360 Speaker 1: Can I just ask, how does the power supply for 1128 00:53:13,400 --> 00:53:16,359 Speaker 1: the light's work? Are they have they wired that into 1129 00:53:16,400 --> 00:53:16,759 Speaker 1: the No? 1130 00:53:16,840 --> 00:53:19,000 Speaker 2: What it would be? No, no, no, the fairy lights, 1131 00:53:19,080 --> 00:53:20,719 Speaker 2: the little string lights, it'll be like those ones you 1132 00:53:20,760 --> 00:53:23,279 Speaker 2: get at Taipo or something and you put batteries in them. 1133 00:53:24,080 --> 00:53:26,080 Speaker 3: In the fridge. By the way, I don't know longer 1134 00:53:26,200 --> 00:53:26,680 Speaker 3: I don't. 1135 00:53:26,520 --> 00:53:28,440 Speaker 2: Know, Well, you'll have to do it and let me know. 1136 00:53:28,520 --> 00:53:30,600 Speaker 2: What would your theme be around in my son's house? 1137 00:53:30,600 --> 00:53:32,680 Speaker 2: And I think they've got a theme on train spotting 1138 00:53:32,800 --> 00:53:37,879 Speaker 2: and they treat that's the toilet as well. No one 1139 00:53:37,960 --> 00:53:50,120 Speaker 2: end and one begins. Jam Na said, we are getting 1140 00:53:50,120 --> 00:53:52,560 Speaker 2: closer and closer to someone winning twenty thousand dollars for 1141 00:53:52,600 --> 00:53:53,960 Speaker 2: our Gulie of the year. 1142 00:53:54,040 --> 00:53:54,640 Speaker 3: What have we got? 1143 00:53:55,560 --> 00:53:57,920 Speaker 15: What gets my goolies is trying to date as a 1144 00:53:57,960 --> 00:54:01,320 Speaker 15: mature lady in today's times. The last gent i dated 1145 00:54:01,360 --> 00:54:03,439 Speaker 15: turned to me one day and said, you'd look good 1146 00:54:03,440 --> 00:54:06,600 Speaker 15: as a blonde. You should try it. Then he said 1147 00:54:06,800 --> 00:54:09,120 Speaker 15: you look good with a few less kilos, you should 1148 00:54:09,160 --> 00:54:12,880 Speaker 15: try it. And then he said you look good with American, 1149 00:54:13,320 --> 00:54:13,960 Speaker 15: you should. 1150 00:54:13,719 --> 00:54:15,440 Speaker 2: Try it American. 1151 00:54:16,160 --> 00:54:19,759 Speaker 15: After decades of tweezering, nearing, waxing, and lasering, Now that 1152 00:54:19,880 --> 00:54:20,880 Speaker 15: gets my goolies. 1153 00:54:21,360 --> 00:54:25,040 Speaker 1: She was a ne'er do well, because as you get older, 1154 00:54:25,040 --> 00:54:26,200 Speaker 1: it just still goes way. 1155 00:54:26,160 --> 00:54:28,919 Speaker 2: Not necessarily. What do you say, It comes out your nose, 1156 00:54:28,960 --> 00:54:31,800 Speaker 2: in your chin. It's weird where it stays. 1157 00:54:32,719 --> 00:54:33,759 Speaker 3: What else have we got? 1158 00:54:34,760 --> 00:54:37,840 Speaker 17: What keeps my girlies? It's when you stay in a 1159 00:54:37,920 --> 00:54:43,880 Speaker 17: hotel you jump into bed and it's a hard tuck. Now, 1160 00:54:43,880 --> 00:54:47,640 Speaker 17: I don't mind a hard tuck. When it's that hard 1161 00:54:47,800 --> 00:54:50,440 Speaker 17: you can't pull it up, you have to spend the 1162 00:54:50,520 --> 00:54:54,799 Speaker 17: night in the fecal position. It's just not comfortable. That's 1163 00:54:54,800 --> 00:54:56,239 Speaker 17: why it keeps my girlies. 1164 00:54:56,480 --> 00:54:59,080 Speaker 2: Does she say the fecal position? Now, one's to be 1165 00:54:59,160 --> 00:55:00,000 Speaker 2: in the fecal position? 1166 00:55:00,800 --> 00:55:01,520 Speaker 1: She said fetal? 1167 00:55:01,640 --> 00:55:02,439 Speaker 2: Can we hear it again? 1168 00:55:02,560 --> 00:55:03,759 Speaker 3: And then we've got to listen to the whole thing. 1169 00:55:04,160 --> 00:55:06,239 Speaker 2: But I'll tell you what. I don't like a hard 1170 00:55:06,280 --> 00:55:09,400 Speaker 2: tug because I know exactly I get claustrophobic if I 1171 00:55:09,440 --> 00:55:12,279 Speaker 2: can't pull the sheets or up, if I can't pull 1172 00:55:12,320 --> 00:55:15,200 Speaker 2: them closer towards my chin and my legs are trapped. 1173 00:55:15,200 --> 00:55:16,880 Speaker 3: I don't like it with your ankles. 1174 00:55:16,920 --> 00:55:18,520 Speaker 1: It hurts your ankles because you can't put them to 1175 00:55:18,560 --> 00:55:19,320 Speaker 1: the side. 1176 00:55:19,320 --> 00:55:20,320 Speaker 2: For the fecal position. 1177 00:55:21,880 --> 00:55:24,160 Speaker 1: Help with a panding with the good if you dipped out, 1178 00:55:24,360 --> 00:55:28,680 Speaker 1: contact us via the iHeartRadio app. Twenty thousand dollars cash 1179 00:55:28,719 --> 00:55:30,680 Speaker 1: thanks to Hair and Forbers Machinery House. 1180 00:55:30,840 --> 00:55:31,400 Speaker 3: At seven to. 1181 00:55:31,480 --> 00:55:36,480 Speaker 2: Nine, our favorite Coory metal Facebook friend gets two tickets 1182 00:55:36,520 --> 00:55:40,200 Speaker 2: to three nights of gig sixty, including overnight accommodation and 1183 00:55:40,280 --> 00:55:43,239 Speaker 2: pre show dinner. This is a legends country music, a 1184 00:55:43,280 --> 00:55:46,960 Speaker 2: whole lot of icons at Sydney Coliseum's Music Festival in September. 1185 00:55:47,000 --> 00:55:49,080 Speaker 2: You can get tickets at Sydney colis know who's involved 1186 00:55:49,120 --> 00:55:50,879 Speaker 2: in this slash gig sixty. 1187 00:55:51,080 --> 00:55:53,520 Speaker 1: That Brendan Jones. Jones not on the strings which you 1188 00:55:53,560 --> 00:55:56,759 Speaker 1: clapped an intro which everyone's still raving about. By the way, 1189 00:55:57,000 --> 00:55:58,719 Speaker 1: Jones demanded t twel and key ring as well. 1190 00:55:58,760 --> 00:56:00,560 Speaker 2: I'm going to mention your name a little bit more me. 1191 00:56:00,880 --> 00:56:03,239 Speaker 3: Yeah, you mentioned. 1192 00:56:03,360 --> 00:56:05,160 Speaker 2: A woman in Greece is going to be spending three 1193 00:56:05,200 --> 00:56:08,760 Speaker 2: years in jail for deliberately setting two fires to flirt 1194 00:56:08,760 --> 00:56:13,520 Speaker 2: with firefighters. She obviously thought that they needed some hose. Okay, 1195 00:56:14,400 --> 00:56:17,520 Speaker 2: Tribal Drum was bidding for the lengths I went for love. 1196 00:56:17,800 --> 00:56:19,719 Speaker 1: The legs for love. 1197 00:56:21,200 --> 00:56:23,719 Speaker 2: Follows his Greek from the Blue Mountains. 1198 00:56:23,840 --> 00:56:26,160 Speaker 4: I had a fight with a wife and I happened 1199 00:56:26,200 --> 00:56:27,960 Speaker 4: to be driving home and she was in front of 1200 00:56:27,960 --> 00:56:30,440 Speaker 4: me and a Blue Land Cruiser with an RFS sticker 1201 00:56:30,440 --> 00:56:32,719 Speaker 4: on the back of a pushy sticker and a two 1202 00:56:32,840 --> 00:56:36,120 Speaker 4: WS sticker. So I rang the DJ at the time 1203 00:56:36,239 --> 00:56:39,319 Speaker 4: and asked the John Farnam's burned for you. So he 1204 00:56:39,400 --> 00:56:41,359 Speaker 4: played it and he said this is for the guy, 1205 00:56:41,400 --> 00:56:43,680 Speaker 4: and that tells Trevan for the woman and the blue 1206 00:56:43,760 --> 00:56:46,360 Speaker 4: Land cruiser in front, this is for you ah. 1207 00:56:46,520 --> 00:56:48,279 Speaker 9: And then he said, if. 1208 00:56:48,040 --> 00:56:50,400 Speaker 4: Anyone sees them on the side of the road they stopped, 1209 00:56:50,400 --> 00:56:52,800 Speaker 4: give him a bip and a wave. Well the wife stopped, 1210 00:56:52,800 --> 00:56:57,040 Speaker 4: didn't she She was so embarrassed, went bath, gave us 1211 00:56:57,040 --> 00:56:59,480 Speaker 4: a bip and a wave and yahooed and carried on 1212 00:57:00,360 --> 00:57:02,320 Speaker 4: and the fight was forgotten. 1213 00:57:02,400 --> 00:57:04,120 Speaker 2: So but would you say she was embarrassed? But was 1214 00:57:04,160 --> 00:57:05,720 Speaker 2: she really touched by the gesture? 1215 00:57:05,920 --> 00:57:07,040 Speaker 4: Oh? Yeah, she was crying. 1216 00:57:07,080 --> 00:57:14,280 Speaker 2: Oh and what a song right at YouTube? That's enough, sorry, John. 1217 00:57:16,720 --> 00:57:22,640 Speaker 2: She's a hard world, isn't it. Well, Ugly Feel is 1218 00:57:22,680 --> 00:57:25,120 Speaker 2: back yea, and on Friday we will be giving away 1219 00:57:25,200 --> 00:57:26,640 Speaker 2: the next trip for two to the Cork Islands. But 1220 00:57:26,680 --> 00:57:29,120 Speaker 2: listen to Ugly Feel your chance to be in the running. 1221 00:57:29,320 --> 00:57:32,080 Speaker 3: Where back from six tonight for jam Nations. 1222 00:57:32,640 --> 00:57:34,680 Speaker 1: Good did you well? Thank God? 1223 00:57:34,760 --> 00:57:35,280 Speaker 3: That's over? 1224 00:57:35,400 --> 00:57:38,720 Speaker 1: Good fight, good bite wipe. 1225 00:57:40,320 --> 00:57:44,040 Speaker 12: You catch Jonesy and Amanda's podcast on the iHeartRadio app 1226 00:57:44,200 --> 00:57:57,600 Speaker 12: or wherever you get your podcasts podcast. 1227 00:57:57,760 --> 00:58:00,480 Speaker 2: Catch up on what you've missed on the free radio 1228 00:58:00,520 --> 00:58:00,760 Speaker 2: app