1 00:00:05,400 --> 00:00:08,000 Speaker 1: A Christian O'Connell show podcast. 2 00:00:08,119 --> 00:00:10,280 Speaker 2: Hey, this is Christian from the Rereckfast Show with a 3 00:00:10,280 --> 00:00:13,119 Speaker 2: little best of a mini pod while the show is 4 00:00:13,119 --> 00:00:15,920 Speaker 2: on a break. We call this stand by your Band. 5 00:00:16,280 --> 00:00:18,440 Speaker 2: Every Friday, you call me up, you tell me a 6 00:00:18,440 --> 00:00:22,079 Speaker 2: song that you're secretly embarrassed to admit you like. I 7 00:00:22,280 --> 00:00:26,479 Speaker 2: love doing this. I can't stand music snobbery. We like 8 00:00:26,560 --> 00:00:29,440 Speaker 2: what we like and that's it, end of. No one 9 00:00:29,480 --> 00:00:31,800 Speaker 2: should get to tell us we're not good. We're not 10 00:00:31,840 --> 00:00:35,240 Speaker 2: cool if we don't like certain things. So enjoy stand 11 00:00:35,240 --> 00:00:37,400 Speaker 2: by your Band. Have you got a song for me? 12 00:00:37,800 --> 00:00:41,320 Speaker 2: Email me Christian at Christian O'Connell dot com dot au. 13 00:00:41,880 --> 00:00:43,199 Speaker 3: It's a Save space. 14 00:00:43,400 --> 00:00:45,600 Speaker 1: Christian O'Connell Show podcast. 15 00:00:45,840 --> 00:00:48,600 Speaker 2: Earlier on this week, we're doing misheard lyrics talking about 16 00:00:48,600 --> 00:00:54,920 Speaker 2: the British pop band Steps with this hit Horror Horror, 17 00:00:55,000 --> 00:00:59,240 Speaker 2: a crime against music, you would say. Anyway, we're playing 18 00:00:59,240 --> 00:01:03,800 Speaker 2: this and young Jackie Boy the chess Layer before he 19 00:01:03,880 --> 00:01:07,119 Speaker 2: became a chess layer, spoke up saying you had this. 20 00:01:07,319 --> 00:01:10,800 Speaker 4: I had this single five six seven and mate my 21 00:01:10,840 --> 00:01:19,720 Speaker 4: birdskitt and maybe it's draping CD YEP radio edit. Wow, 22 00:01:20,080 --> 00:01:22,440 Speaker 4: Why well I was ten years old. 23 00:01:22,720 --> 00:01:24,319 Speaker 3: You have done with chaste or you're not. 24 00:01:24,440 --> 00:01:26,840 Speaker 4: Son, I just started watching video hits and it was 25 00:01:26,840 --> 00:01:30,360 Speaker 4: getting a lot of airplay on video hits. Yeah. I 26 00:01:30,400 --> 00:01:33,720 Speaker 4: still remember buying the CD two CDs I bought that. 27 00:01:33,760 --> 00:01:35,760 Speaker 4: My dad was really disappointed in me. 28 00:01:37,760 --> 00:01:39,959 Speaker 2: It's something for your dad to say, Son, I'm disappointed 29 00:01:39,959 --> 00:01:41,840 Speaker 2: in you. You brought shames the post name with. 30 00:01:43,760 --> 00:01:45,440 Speaker 3: He must write this in your bed. You're going to 31 00:01:45,840 --> 00:01:49,200 Speaker 3: your mom. I'm worried about you. Think can ever be 32 00:01:49,240 --> 00:01:52,320 Speaker 3: the chess player? You heard what? I already listened to 33 00:01:52,400 --> 00:01:54,400 Speaker 3: this and then you go from this? When did you 34 00:01:54,440 --> 00:01:55,920 Speaker 3: get into Green Day and stuff like that? 35 00:01:56,000 --> 00:01:56,880 Speaker 4: Not time thirteen? 36 00:01:57,840 --> 00:01:59,720 Speaker 3: Right, that's a real teen moment, isn't it. 37 00:01:59,760 --> 00:02:03,280 Speaker 4: The next one is aqua doctor Jones. 38 00:02:04,760 --> 00:02:05,760 Speaker 3: Please tell me your kiddy. 39 00:02:06,000 --> 00:02:08,200 Speaker 4: So this is by this is by entry from the 40 00:02:08,280 --> 00:02:10,440 Speaker 4: morning into songs that we're embarrassed, we still like. 41 00:02:10,760 --> 00:02:13,200 Speaker 3: You're still you're still like it. It's such a. 42 00:02:16,280 --> 00:02:17,320 Speaker 4: Next bit o. 43 00:02:18,880 --> 00:02:19,799 Speaker 3: A where it gets better. 44 00:02:20,160 --> 00:02:24,040 Speaker 2: There is best bet is when it ends all right, Patsy, 45 00:02:24,280 --> 00:02:25,320 Speaker 2: take us through this one. 46 00:02:25,560 --> 00:02:30,800 Speaker 3: Everybody Wiggles rocker by bet, everybody sing. 47 00:02:33,080 --> 00:02:35,519 Speaker 5: You know, whenever we used to go to a Wiggles concert, 48 00:02:36,000 --> 00:02:40,600 Speaker 5: all of the parents whenever the song started, well, because 49 00:02:40,639 --> 00:02:45,200 Speaker 5: it reinvigorates alls memories of when your child is little, 50 00:02:45,360 --> 00:02:48,520 Speaker 5: and it's just a sweet, innocent song. 51 00:02:49,400 --> 00:02:52,480 Speaker 4: And if you're at a Wiggles concert, but it's a 52 00:02:52,480 --> 00:02:55,640 Speaker 4: reminding of you child being little. Your child's not little anymore. 53 00:02:55,760 --> 00:02:58,359 Speaker 3: Yeah no, but when you hear it again, you're playing logic. 54 00:02:58,440 --> 00:03:01,160 Speaker 2: And sometimes when you go into the of Patsy, logic 55 00:03:01,240 --> 00:03:02,120 Speaker 2: must be left behind. 56 00:03:02,240 --> 00:03:03,519 Speaker 4: It sounds like you and Chris are going to a 57 00:03:03,560 --> 00:03:05,200 Speaker 4: Wiggles concert without audience. 58 00:03:06,000 --> 00:03:10,400 Speaker 3: Don't, don't what if you could, if you could. I've 59 00:03:10,440 --> 00:03:12,440 Speaker 3: been to many Wiggles concerts when the girls younger. 60 00:03:12,480 --> 00:03:14,880 Speaker 2: If I saw any people there without kids, I'm calling 61 00:03:14,919 --> 00:03:15,400 Speaker 2: the police. 62 00:03:16,240 --> 00:03:17,960 Speaker 3: I have to be there with the kids. 63 00:03:18,000 --> 00:03:20,280 Speaker 2: You don't go that isn't your Friday or sat Night 64 00:03:20,320 --> 00:03:24,320 Speaker 2: without kids, because they're your band and they do rocking 65 00:03:24,400 --> 00:03:31,200 Speaker 2: by beading it nowhe stage dive. 66 00:03:33,440 --> 00:03:36,320 Speaker 3: It's a classic Wiggles hit. Who're right? It is all right? 67 00:03:36,400 --> 00:03:38,320 Speaker 2: Let's get straight into my one then song that I'm 68 00:03:38,440 --> 00:03:40,240 Speaker 2: embarrassed to me like, it's not just a song. 69 00:03:40,600 --> 00:03:42,080 Speaker 3: I generally am a fan of this band. 70 00:03:42,120 --> 00:03:44,320 Speaker 2: I don't think I've ever publicly sent a microphone that 71 00:03:44,440 --> 00:03:47,480 Speaker 2: I love the Backstreet Boys. 72 00:03:46,520 --> 00:03:50,400 Speaker 3: I don't care what a song? Right is a great? 73 00:03:51,520 --> 00:03:55,240 Speaker 3: Underniedly great? Tonight be great? Did they ever do. 74 00:03:55,240 --> 00:03:55,880 Speaker 1: A bad song? 75 00:03:56,000 --> 00:03:57,640 Speaker 3: Those boys? Backstreet Boys. 76 00:04:00,160 --> 00:04:01,680 Speaker 2: I brought a pair of tickets to go and see 77 00:04:01,680 --> 00:04:04,280 Speaker 2: them once. I couldn't find a single friend to go 78 00:04:04,400 --> 00:04:05,280 Speaker 2: with me, right. 79 00:04:05,480 --> 00:04:07,360 Speaker 3: You couldn't find anyone to go with I never went. 80 00:04:07,680 --> 00:04:09,040 Speaker 3: I didn't want to go by myself. 81 00:04:09,080 --> 00:04:10,560 Speaker 2: You know we're talking about the Sanders are going to 82 00:04:10,560 --> 00:04:13,040 Speaker 2: the Wiggles right without kids. Going to see the Backstreet 83 00:04:13,040 --> 00:04:15,800 Speaker 2: Boys as a middle aged guy by yourself by yourself 84 00:04:16,120 --> 00:04:16,480 Speaker 2: is sad. 85 00:04:16,560 --> 00:04:17,800 Speaker 4: I was just going to say, I was trying to 86 00:04:17,839 --> 00:04:19,600 Speaker 4: do the math You're well into your twenties. 87 00:04:20,240 --> 00:04:25,560 Speaker 3: Let's not do the maths. And also another one, Oh I. 88 00:04:25,600 --> 00:04:29,160 Speaker 2: Still love this Sean Mullins Mullins Lullaby. 89 00:04:30,480 --> 00:04:32,839 Speaker 3: I brought the album he didn't have any other ghost 90 00:04:32,839 --> 00:04:33,360 Speaker 3: songs on that. 91 00:04:36,960 --> 00:04:38,719 Speaker 2: When I was working out what stuff to take with 92 00:04:38,800 --> 00:04:41,560 Speaker 2: us when we emigrated here to Australia, I found this 93 00:04:41,720 --> 00:04:43,040 Speaker 2: cdeo where that ain't coming? 94 00:04:43,320 --> 00:04:44,680 Speaker 3: How's it still in my house? 95 00:04:45,440 --> 00:04:46,640 Speaker 4: How are you still here? 96 00:04:46,720 --> 00:04:47,080 Speaker 3: Sean? 97 00:04:47,960 --> 00:04:50,039 Speaker 2: I got rid of all my CDs, but he kind 98 00:04:50,080 --> 00:04:51,039 Speaker 2: of got left behind. 99 00:04:51,360 --> 00:04:54,760 Speaker 4: Even he wouldn't still have a copy of that. 100 00:04:54,240 --> 00:04:56,599 Speaker 1: The Christian O'Connell show podcast. 101 00:04:56,760 --> 00:04:59,320 Speaker 2: We've got a text here from Alexis, I'm so embarrassed, 102 00:04:59,360 --> 00:05:00,480 Speaker 2: I can't even ring. 103 00:05:00,640 --> 00:05:01,200 Speaker 3: Is that amazing? 104 00:05:01,160 --> 00:05:04,760 Speaker 2: You don't want family hearing your voice associated with this song? 105 00:05:05,480 --> 00:05:08,240 Speaker 2: Alexa said, I'm so embarrassed, I can't even ring. But 106 00:05:08,400 --> 00:05:09,679 Speaker 2: I love this song? 107 00:05:11,200 --> 00:05:14,320 Speaker 3: How don't call read you you come from? 108 00:05:14,680 --> 00:05:17,640 Speaker 4: You listen to the show I think about it does 109 00:05:17,680 --> 00:05:18,880 Speaker 4: make you tap your foot. 110 00:05:20,360 --> 00:05:24,080 Speaker 3: Forgot You're right irresistible. 111 00:05:27,880 --> 00:05:30,720 Speaker 2: Also, donare too scared to call in to say that 112 00:05:30,760 --> 00:05:31,400 Speaker 2: she loves this? 113 00:05:35,200 --> 00:05:39,080 Speaker 3: I just don't thank you. Don't understand Billy Ray Sirens. 114 00:05:39,680 --> 00:05:42,240 Speaker 3: You tell ma. 115 00:05:42,839 --> 00:05:44,960 Speaker 2: Jack Early this is saying how much he still loves 116 00:05:45,080 --> 00:05:48,320 Speaker 2: Aqua Dr Jones. Let me repeat that Jack Post loves 117 00:05:48,400 --> 00:05:50,040 Speaker 2: Aqua Dr Jones. 118 00:05:59,680 --> 00:06:00,080 Speaker 3: For me me. 119 00:06:00,560 --> 00:06:05,000 Speaker 2: I'm a massive fan of the Backstreet Boys. 120 00:06:05,000 --> 00:06:07,240 Speaker 6: So good years. 121 00:06:07,279 --> 00:06:09,159 Speaker 2: I've just done a quick google to see what the 122 00:06:09,160 --> 00:06:10,440 Speaker 2: old Backstreet Boys are up to. 123 00:06:10,720 --> 00:06:14,520 Speaker 3: They're coming here to Australia next year. Backstreet Boys. 124 00:06:15,400 --> 00:06:18,400 Speaker 4: I'll definitely go. 125 00:06:19,279 --> 00:06:21,960 Speaker 3: After Backstreet Boys. Let's get into this then. 126 00:06:22,120 --> 00:06:25,280 Speaker 2: Songs that you're embarrassed to admit you like ben Hey, 127 00:06:25,360 --> 00:06:27,440 Speaker 2: y Ma, I'm good, Ben, So what's the song that 128 00:06:27,480 --> 00:06:28,640 Speaker 2: you're embarrassed to make you like? 129 00:06:29,640 --> 00:06:31,600 Speaker 4: I just want to back up Jack here. That would 130 00:06:31,600 --> 00:06:32,440 Speaker 4: be doctor Jones. 131 00:06:33,080 --> 00:06:37,839 Speaker 3: Oh no, be well, Backstreet Boys. 132 00:06:37,880 --> 00:06:39,680 Speaker 4: I put the call through it, right out of it. 133 00:06:39,839 --> 00:06:43,080 Speaker 3: This is low song? 134 00:06:43,320 --> 00:06:43,960 Speaker 1: God you doing? 135 00:06:45,720 --> 00:06:51,520 Speaker 2: I never ever thought, now what thought. 136 00:06:53,400 --> 00:06:58,000 Speaker 3: That chest wind has really gone to his head? Ben? 137 00:06:58,080 --> 00:06:59,560 Speaker 3: Thank you very much for card and take. 138 00:06:59,440 --> 00:07:00,800 Speaker 1: Care you enjoy it. 139 00:07:00,880 --> 00:07:01,640 Speaker 3: Thank you very much. 140 00:07:01,920 --> 00:07:04,320 Speaker 2: Who knew will be actually having calls from people defend him? 141 00:07:05,480 --> 00:07:10,040 Speaker 2: Doctor Jones? Aqua, let's go to Natalie. We should have 142 00:07:10,160 --> 00:07:11,800 Speaker 2: Natalie on the line now, these are right? 143 00:07:11,840 --> 00:07:12,400 Speaker 7: How are you going? 144 00:07:12,480 --> 00:07:14,880 Speaker 3: Yeah she is, She's already started talking. What's the song 145 00:07:14,920 --> 00:07:15,120 Speaker 3: for you? 146 00:07:15,760 --> 00:07:16,120 Speaker 6: Okay? 147 00:07:16,200 --> 00:07:17,800 Speaker 8: So I had this song in the Carlo that I 148 00:07:17,960 --> 00:07:19,760 Speaker 8: was my thirteen year old girl and I was trying 149 00:07:19,800 --> 00:07:22,000 Speaker 8: to tell her how cool it was back then. And 150 00:07:22,040 --> 00:07:26,720 Speaker 8: it's mysterious, girl, Peter Andre this was number one in 151 00:07:26,800 --> 00:07:27,280 Speaker 8: the UK. 152 00:07:27,680 --> 00:07:28,560 Speaker 3: Cool back then. 153 00:07:28,600 --> 00:07:30,880 Speaker 2: I'd query the cool back then? As I said, CrOx 154 00:07:30,920 --> 00:07:31,800 Speaker 2: were once in fashion. 155 00:07:33,760 --> 00:07:34,600 Speaker 3: What a song? 156 00:07:35,960 --> 00:07:37,960 Speaker 2: I'm pretty sure he's topless in the video by a 157 00:07:38,040 --> 00:07:39,640 Speaker 2: waterfall for no reason. 158 00:07:41,120 --> 00:07:44,640 Speaker 3: That's all right, that's right, double thumbs up. 159 00:07:46,520 --> 00:07:48,280 Speaker 8: Not cool for my thirteen year old order though. 160 00:07:48,600 --> 00:07:52,680 Speaker 3: Wow, wait, that's prettian perfect. Naturally, have a nice weekend, mate. 161 00:07:52,680 --> 00:07:56,280 Speaker 1: Thanks to calling the Christian O'Connell show podcast. 162 00:07:56,480 --> 00:07:58,280 Speaker 2: For first time I ever on the radio, I finally 163 00:07:58,640 --> 00:08:00,960 Speaker 2: came out as a massive back Street Boys fan. 164 00:08:01,480 --> 00:08:12,240 Speaker 3: I don't care. This is a great song. The more 165 00:08:12,240 --> 00:08:14,240 Speaker 3: I've delved into some. 166 00:08:14,240 --> 00:08:16,880 Speaker 2: Of my music connections, songs that I'll be embarrassed admit 167 00:08:16,960 --> 00:08:18,960 Speaker 2: that I like, what about this banger? 168 00:08:20,160 --> 00:08:24,640 Speaker 3: Criss Cross Job, Matt Daddy gonna make up? What a song? 169 00:08:25,800 --> 00:08:30,880 Speaker 4: I don't even think it is embarrassing. 170 00:08:32,320 --> 00:08:34,079 Speaker 3: What happened to Chris Cross? Do you remember them? 171 00:08:34,080 --> 00:08:40,079 Speaker 2: Are those really banky jeans? And this it is? 172 00:08:40,200 --> 00:08:42,520 Speaker 3: Isn't it right to say that you actually like this? 173 00:08:42,720 --> 00:08:46,079 Speaker 3: I love this song. It's that bit where he goes 174 00:08:46,400 --> 00:08:49,360 Speaker 3: now he doesn't do it like that, but you know, 175 00:08:50,360 --> 00:08:54,559 Speaker 3: very bad karaoke. This showter's turned into horrible karaoke. 176 00:08:55,040 --> 00:09:04,640 Speaker 2: Now, Like I just said, his voice. 177 00:09:04,400 --> 00:09:06,400 Speaker 3: Has a broken mine as he can't do it now. 178 00:09:07,160 --> 00:09:09,839 Speaker 4: Surely this song this was just placeholders and they're like, 179 00:09:09,880 --> 00:09:11,640 Speaker 4: we'll put the lyrics in later when we get. 180 00:09:11,559 --> 00:09:12,120 Speaker 1: To the studio. 181 00:09:12,640 --> 00:09:14,560 Speaker 3: It's just a solid gold banger. 182 00:09:14,720 --> 00:09:17,040 Speaker 2: Jackie Boy, what song have you brought in today chat 183 00:09:17,040 --> 00:09:19,000 Speaker 2: that you're secretly embarrassed to admit that you like. 184 00:09:19,200 --> 00:09:22,160 Speaker 4: Actually, I've bought one in where the lyrics are terrible 185 00:09:22,200 --> 00:09:24,960 Speaker 4: as well. But everything besides the lyrics of this song 186 00:09:25,360 --> 00:09:28,880 Speaker 4: is a plus material. I fel sixty five blue dub 187 00:09:29,000 --> 00:09:29,679 Speaker 4: d dab da. 188 00:09:30,000 --> 00:09:45,400 Speaker 3: Wait did he just say a plus material? This is awful? No, 189 00:09:45,520 --> 00:09:47,480 Speaker 3: this is so good? No, this is so you know. 190 00:09:47,640 --> 00:09:49,160 Speaker 3: I thought about that at the beginning, where I go, 191 00:09:49,320 --> 00:09:50,319 Speaker 3: this is the story? 192 00:09:50,960 --> 00:09:55,240 Speaker 4: What then I admit that the lyrics are the weakest 193 00:09:55,280 --> 00:09:56,760 Speaker 4: part of the song, but everything else is so. 194 00:09:57,120 --> 00:09:58,400 Speaker 3: You deare criticidific. 195 00:10:02,640 --> 00:10:04,040 Speaker 4: I just want to play it just for that bit, 196 00:10:04,240 --> 00:10:07,160 Speaker 4: you know, after sixty five still touring, they don't have 197 00:10:07,200 --> 00:10:07,960 Speaker 4: any Australian downs. 198 00:10:08,080 --> 00:10:11,240 Speaker 3: Can you do an hour of this? What's about eighteen 199 00:10:11,280 --> 00:10:12,720 Speaker 3: different versions being on the choir? 200 00:10:13,360 --> 00:10:15,360 Speaker 4: They honestly they opened and closed with. 201 00:10:16,000 --> 00:10:16,320 Speaker 7: They do. 202 00:10:17,800 --> 00:10:23,760 Speaker 3: What's in the middle of my question? What about horrors? 203 00:10:23,800 --> 00:10:25,400 Speaker 3: Have they got on those sleeves? This isn't the meant 204 00:10:25,400 --> 00:10:28,240 Speaker 3: their best? All right? What is the song that you're 205 00:10:28,240 --> 00:10:29,719 Speaker 3: embarrassed to make you really like? 206 00:10:34,880 --> 00:10:37,559 Speaker 1: Is a Christian Aconnells Show podcast? 207 00:10:38,160 --> 00:10:41,000 Speaker 2: All right, let's go to the lines. Let's got a donna. 208 00:10:41,080 --> 00:10:43,000 Speaker 2: First of all, stand by your band, John. What's the 209 00:10:43,080 --> 00:10:45,079 Speaker 2: song that's secretly you're embarrassed to like? 210 00:10:45,559 --> 00:10:45,719 Speaker 7: Hi? 211 00:10:46,600 --> 00:10:49,679 Speaker 8: I really am secretly embarrassed to love the song You 212 00:10:49,800 --> 00:10:52,839 Speaker 8: Sexy Thing by Hot Chocolate. But my favorite version was 213 00:10:52,920 --> 00:10:55,480 Speaker 8: actually by a girl Ben called T Shirt. 214 00:10:56,000 --> 00:10:57,719 Speaker 3: I've not had the T Shirt version. This is a 215 00:10:57,800 --> 00:10:58,240 Speaker 3: good song. 216 00:10:58,480 --> 00:11:00,120 Speaker 2: Always reminds me of the movie The Full One to 217 00:11:01,480 --> 00:11:05,760 Speaker 2: Carol Brown and not chucking, great voice, fantastic. 218 00:11:08,720 --> 00:11:11,559 Speaker 4: I do remember the T Shirt, Yeah, I reckon about 219 00:11:11,640 --> 00:11:14,760 Speaker 4: late nineties. I think that's when I was watching video hits. 220 00:11:14,920 --> 00:11:17,400 Speaker 8: Yeah, nineteen ninety seven, I think it came out, and 221 00:11:17,440 --> 00:11:19,360 Speaker 8: it was absolutely awesome, and I used to just love 222 00:11:19,400 --> 00:11:21,240 Speaker 8: to play it flat out with my friends when we 223 00:11:21,320 --> 00:11:24,079 Speaker 8: went out on like netball parties and things like that, 224 00:11:24,400 --> 00:11:25,200 Speaker 8: and just. 225 00:11:31,040 --> 00:11:32,720 Speaker 3: Have a nice weekend downs the corner of mate. 226 00:11:33,280 --> 00:11:33,599 Speaker 9: Thank you. 227 00:11:33,920 --> 00:11:37,120 Speaker 2: All right, let's go to Benody Christian How I'm good buddy? 228 00:11:37,120 --> 00:11:39,439 Speaker 3: What's the song You're secretly embarrassed at me? 229 00:11:39,559 --> 00:11:39,880 Speaker 1: You like? 230 00:11:40,679 --> 00:11:40,719 Speaker 8: So? 231 00:11:40,920 --> 00:11:43,559 Speaker 6: I'm a mechanic by trade, and I'm deeply embarrassed to 232 00:11:43,600 --> 00:11:46,200 Speaker 6: admit that I love Aqua Barbie Girl. 233 00:11:46,600 --> 00:11:51,160 Speaker 3: Every week we get Caols on the Aqua am I work. 234 00:11:55,440 --> 00:11:56,000 Speaker 9: Fastic. 235 00:12:03,200 --> 00:12:05,240 Speaker 3: I love the thought of you've been under a car. 236 00:12:05,440 --> 00:12:05,559 Speaker 1: You know. 237 00:12:05,600 --> 00:12:09,439 Speaker 3: It's Jack's up mending it, saying it's fantastic. When you're plastic. 238 00:12:09,600 --> 00:12:11,920 Speaker 3: You can touch my hand if taken. 239 00:12:12,600 --> 00:12:14,839 Speaker 6: I only play it to him from work, never in 240 00:12:14,920 --> 00:12:15,200 Speaker 6: the work. 241 00:12:17,440 --> 00:12:17,600 Speaker 3: Ben. 242 00:12:17,679 --> 00:12:19,040 Speaker 4: I don't know if you heard the good news when 243 00:12:19,040 --> 00:12:21,880 Speaker 4: we talked about Aqua last week, but a twenty fifth 244 00:12:22,000 --> 00:12:26,040 Speaker 4: anniversary vinyl is being released limited edition vinyl of that 245 00:12:26,280 --> 00:12:27,600 Speaker 4: album Aquerium. 246 00:12:27,640 --> 00:12:29,439 Speaker 6: I'm definitely keen to get me hands on that when 247 00:12:29,440 --> 00:12:29,880 Speaker 6: it comes out. 248 00:12:29,960 --> 00:12:30,160 Speaker 4: Jack. 249 00:12:30,480 --> 00:12:32,480 Speaker 3: You know last week we have this horror form of 250 00:12:32,559 --> 00:12:37,920 Speaker 3: that band, Oh Shahn. 251 00:12:38,120 --> 00:12:40,960 Speaker 4: Can you believe both those great songs from one album? 252 00:12:41,880 --> 00:12:43,599 Speaker 1: I can strike to dantastic? 253 00:12:44,520 --> 00:12:46,560 Speaker 3: All right, give us gooll stand by your band? What's 254 00:12:46,600 --> 00:12:47,520 Speaker 3: the song for you? Glenn? 255 00:12:47,960 --> 00:12:48,120 Speaker 9: Oh? 256 00:12:49,600 --> 00:12:51,679 Speaker 6: I used to love heavy rock and roll at the 257 00:12:51,760 --> 00:12:56,240 Speaker 6: Angels be it sick anyway, It took me twenty years 258 00:12:56,360 --> 00:12:59,040 Speaker 6: to actually admit to any one of my friends so 259 00:12:59,200 --> 00:13:03,439 Speaker 6: had actually gone sone ever. I took my nephew to 260 00:13:03,520 --> 00:13:05,880 Speaker 6: see Rodster whatever and David. 261 00:13:05,640 --> 00:13:09,120 Speaker 3: Dowe, you know, and what's the song from about your 262 00:13:09,120 --> 00:13:11,280 Speaker 3: own parents? To meet you on the day. 263 00:13:11,400 --> 00:13:15,280 Speaker 6: Hana and Frida Son Chakda and the harmonies were absolutely 264 00:13:15,320 --> 00:13:21,080 Speaker 6: beautiful ourself like coming from the inn yet the believer, 265 00:13:21,800 --> 00:13:22,440 Speaker 6: that's the truth. 266 00:13:22,520 --> 00:13:22,640 Speaker 3: You know. 267 00:13:23,200 --> 00:13:25,200 Speaker 6: I breeing at what they did. But it wasn't rock 268 00:13:25,240 --> 00:13:28,319 Speaker 6: and roll, you know what I mean? Hey, do you're 269 00:13:28,320 --> 00:13:28,720 Speaker 6: still there? 270 00:13:29,840 --> 00:13:31,040 Speaker 3: Just hearing you? WA's lyrical. 271 00:13:31,080 --> 00:13:32,679 Speaker 2: I felt like we got a new music review and 272 00:13:32,760 --> 00:13:34,400 Speaker 2: this is great, Glenn. The when you're talking about the 273 00:13:34,480 --> 00:13:36,800 Speaker 2: harmonies and you. 274 00:13:36,880 --> 00:13:38,720 Speaker 6: Had to hear it, the Believer, they were beautiful. 275 00:13:38,840 --> 00:13:40,880 Speaker 3: You know, it was like one of the great orangels. 276 00:13:41,160 --> 00:13:43,360 Speaker 6: He's like the oranges themselves were singing. They had to 277 00:13:43,440 --> 00:13:43,640 Speaker 6: hear it. 278 00:13:44,320 --> 00:13:45,920 Speaker 3: All right, Clenn, thank you very much. You cool? Have 279 00:13:45,960 --> 00:13:46,880 Speaker 3: a guyst weekend game. 280 00:13:48,280 --> 00:13:51,280 Speaker 4: Uh he loved so jealousy? 281 00:13:51,679 --> 00:13:55,200 Speaker 3: Yeah, I know, imagine that. Uh, Mick here, that's men. 282 00:13:55,360 --> 00:13:56,160 Speaker 6: How are you there? 283 00:13:56,280 --> 00:13:56,679 Speaker 7: He is? 284 00:13:56,840 --> 00:14:00,440 Speaker 3: Mickey Boye, Mickey, what's the song for you? I'm more 285 00:14:00,559 --> 00:14:04,160 Speaker 3: mortified and embarrassed. Can you do that thing that changes 286 00:14:04,200 --> 00:14:04,560 Speaker 3: my voice? 287 00:14:04,559 --> 00:14:05,960 Speaker 4: Because I really one people. 288 00:14:05,800 --> 00:14:11,920 Speaker 7: Now Sweet Light Candy by Shank's Bigfoot. 289 00:14:11,679 --> 00:14:14,480 Speaker 3: Shanks and Bigfoot Sweet Light Chocolate. Yeah, I remember playing 290 00:14:14,520 --> 00:14:21,200 Speaker 3: Yes Sweet Night Chocolate. This is like late late nineties. 291 00:14:21,320 --> 00:14:24,360 Speaker 3: I think, Wow, what a song. Shanks and Bigfoot. What 292 00:14:24,440 --> 00:14:25,200 Speaker 3: a name for a band. 293 00:14:25,640 --> 00:14:28,000 Speaker 4: I mean, I remember the song the band name does 294 00:14:28,160 --> 00:14:30,040 Speaker 4: irvring about Shanks and Bigfoot. 295 00:14:30,080 --> 00:14:31,360 Speaker 3: Where are they right now? 296 00:14:31,840 --> 00:14:34,880 Speaker 2: Are they doing a finel limited edition release of Sweet 297 00:14:34,920 --> 00:14:36,400 Speaker 2: Light Chocolate My Shanks and Bigfoot. 298 00:14:36,800 --> 00:14:39,160 Speaker 3: That's a great one, Thank you very much, Mick, no worries. 299 00:14:39,480 --> 00:14:42,400 Speaker 1: The Christian O'Connell show podcast. 300 00:14:44,320 --> 00:14:52,000 Speaker 3: Stim by your Bed. Don't be a shame you like 301 00:14:52,280 --> 00:14:57,400 Speaker 3: them just because the world don't understand. 302 00:15:01,800 --> 00:15:05,000 Speaker 2: The ever Tree is the song that we play from 303 00:15:05,040 --> 00:15:06,680 Speaker 2: all your different songs that you call us up and 304 00:15:06,680 --> 00:15:08,160 Speaker 2: tell us about that you're secretly embarrassing to me, and 305 00:15:08,160 --> 00:15:08,480 Speaker 2: you're like, we. 306 00:15:08,480 --> 00:15:09,000 Speaker 3: Played one of them. 307 00:15:09,320 --> 00:15:12,040 Speaker 2: Jack then does an acoustic color version of him this 308 00:15:12,200 --> 00:15:14,240 Speaker 2: time last week. The song we went for was the 309 00:15:14,400 --> 00:15:15,480 Speaker 2: seminal Scapman. 310 00:15:15,600 --> 00:15:23,240 Speaker 3: I'm a Scatman. Smart choice. You think gold, I think 311 00:15:23,280 --> 00:15:31,640 Speaker 3: Osie Crassis and nything. Scatman a big and wait, what 312 00:15:31,760 --> 00:15:35,080 Speaker 3: would this sound like in an MTV um boat styling? 313 00:15:35,960 --> 00:15:38,280 Speaker 3: Because you are all thinking that I know you are. 314 00:15:38,840 --> 00:15:41,800 Speaker 3: This is another Jack post masterpiece, hard to Do. 315 00:15:42,120 --> 00:15:44,560 Speaker 4: It's actually a very beautiful song, scat Man. It's the 316 00:15:44,640 --> 00:15:48,200 Speaker 4: story of how Scatman John battled with the stutter and 317 00:15:48,320 --> 00:15:50,520 Speaker 4: then he used scatting to overcome his stutter. 318 00:15:50,640 --> 00:15:51,160 Speaker 3: Are you king? 319 00:15:52,040 --> 00:15:54,720 Speaker 4: The lyrics in Scapman, I'm a Scapman are about the stutter. 320 00:15:54,840 --> 00:15:57,040 Speaker 3: Let's hear the acoustic version of them. Scatman John, Now 321 00:15:57,080 --> 00:15:58,040 Speaker 3: we own story of the song. 322 00:15:58,280 --> 00:16:07,480 Speaker 9: I'm a scat skimp it dipped, don't skip it dipda 323 00:16:07,840 --> 00:16:18,120 Speaker 9: don't everybody says the scatman stutter. Yeah, buddy, doesn't stutter anything. No, 324 00:16:18,520 --> 00:16:23,160 Speaker 9: what I'm gonna tell you right now, stutter and scott. 325 00:16:24,440 --> 00:16:28,040 Speaker 3: Is the same thing. Be up by but. 326 00:16:30,560 --> 00:16:33,000 Speaker 9: Bye bye ba bottom. 327 00:16:34,080 --> 00:16:42,160 Speaker 4: Up bead bu but up I'm a scout man. Why 328 00:16:42,160 --> 00:16:43,320 Speaker 4: I'm a scat man? 329 00:16:46,320 --> 00:16:46,520 Speaker 9: Yeah? 330 00:16:49,800 --> 00:16:50,960 Speaker 3: Actually it's brilliant. 331 00:16:51,000 --> 00:16:51,240 Speaker 4: Thank you. 332 00:16:51,360 --> 00:16:53,000 Speaker 3: You should be pretty powderful that is gone. 333 00:16:53,040 --> 00:16:56,600 Speaker 4: Plus it was a privilege to tell Scatman John's story. 334 00:16:56,880 --> 00:16:58,400 Speaker 3: Thank you for doing that. All right. 335 00:16:58,520 --> 00:17:01,720 Speaker 2: So this week's songs and me, Marky Mark and the 336 00:17:01,800 --> 00:17:04,760 Speaker 2: Funky Bunch. I'm back into this Good Vibrations one the 337 00:17:04,840 --> 00:17:06,880 Speaker 2: fighters that the UFC used this as a walk out 338 00:17:06,960 --> 00:17:08,639 Speaker 2: music when I was watching it on Sunday. 339 00:17:11,840 --> 00:17:12,640 Speaker 3: What a good time. 340 00:17:12,760 --> 00:17:15,560 Speaker 2: This is good vibrations and a good time with Marky 341 00:17:15,680 --> 00:17:18,800 Speaker 2: Mark and the Funky Bunch. When I played a bit 342 00:17:18,840 --> 00:17:20,920 Speaker 2: this Monday, A lot of you said, it's not Mark Wahlburg, 343 00:17:21,040 --> 00:17:23,760 Speaker 2: it's Donnie's brother. No, the clue is in the title. 344 00:17:24,359 --> 00:17:26,600 Speaker 3: All right, you see the people texting in game, there's 345 00:17:26,640 --> 00:17:27,359 Speaker 3: Donny Warburg. 346 00:17:27,600 --> 00:17:31,080 Speaker 2: It's called Marky Mark signifying there's a Mark somewhere in 347 00:17:31,119 --> 00:17:31,360 Speaker 2: the mix. 348 00:17:31,440 --> 00:17:32,520 Speaker 3: The mark being Mark Warburg. 349 00:17:32,560 --> 00:17:33,199 Speaker 4: Mark's upfront. 350 00:17:33,320 --> 00:17:34,920 Speaker 3: He's up front. It's all Mark. 351 00:17:35,080 --> 00:17:39,360 Speaker 2: He's the guy, he's bringing the good vibrations. However, Donny Warburg, 352 00:17:39,520 --> 00:17:40,920 Speaker 2: isn't it. I think you got confused because in this 353 00:17:41,000 --> 00:17:43,920 Speaker 2: wrap about the three minute mark, he goes Donnie D 354 00:17:44,160 --> 00:17:46,760 Speaker 2: break it down, saying saying, you, brother, you can have 355 00:17:46,800 --> 00:17:49,119 Speaker 2: a little bit here. This is that bit where Donnie 356 00:17:49,160 --> 00:17:50,120 Speaker 2: breaks it down. 357 00:17:50,640 --> 00:17:54,280 Speaker 3: Break it down, break it down, the family affair. This 358 00:17:54,480 --> 00:18:00,359 Speaker 3: is Donnie D breaking it down. He's on backup. There's it. 359 00:18:00,480 --> 00:18:01,280 Speaker 4: I'm in the backup. 360 00:18:01,320 --> 00:18:03,840 Speaker 3: I know you played, Donny. You're in the backup. There's 361 00:18:03,840 --> 00:18:06,359 Speaker 3: only one war work in this family Mark you Mark 362 00:18:06,800 --> 00:18:07,320 Speaker 3: front House. 363 00:18:07,400 --> 00:18:09,440 Speaker 4: I love the idea that Donny bought his lyrics for 364 00:18:09,560 --> 00:18:12,160 Speaker 4: his rap to Mark. He's like, let me just change. 365 00:18:12,280 --> 00:18:13,840 Speaker 4: It's just going to make you in the back yea. 366 00:18:13,960 --> 00:18:15,720 Speaker 4: So people know that I'm at the front, Markey Mark 367 00:18:15,720 --> 00:18:16,040 Speaker 4: at the front. 368 00:18:16,080 --> 00:18:17,480 Speaker 3: So Johnny's going, you know, because a lot of people 369 00:18:17,520 --> 00:18:18,960 Speaker 3: just think it's just you. No, no, no, you're in 370 00:18:19,119 --> 00:18:21,400 Speaker 3: the song. You're singing it with me, all right, Jackie boy, 371 00:18:21,440 --> 00:18:22,720 Speaker 3: what's yours? Stand by your band? 372 00:18:23,080 --> 00:18:25,480 Speaker 4: I love to listen to this song in the bath 373 00:18:25,840 --> 00:18:28,840 Speaker 4: with the lights out. It's in your only time. 374 00:18:30,320 --> 00:18:32,920 Speaker 3: I don't know this, I don't know any part of this, 375 00:18:33,200 --> 00:18:37,280 Speaker 3: the story leading into it. And you're a lady at 376 00:18:37,280 --> 00:18:37,680 Speaker 3: a spark. 377 00:18:37,880 --> 00:18:41,920 Speaker 4: Yeah, this is such a beautiful, powerful song. 378 00:18:43,680 --> 00:18:44,359 Speaker 1: This is awful. 379 00:18:45,119 --> 00:18:45,920 Speaker 3: You're crazy. 380 00:18:46,160 --> 00:18:47,600 Speaker 4: Yeah, you've actually gone crazy. 381 00:18:48,480 --> 00:18:51,200 Speaker 2: Any any feels to me like Lord of the Rings 382 00:18:51,800 --> 00:18:54,679 Speaker 2: I see orcs, I see Mountains franchise. 383 00:18:54,760 --> 00:18:56,440 Speaker 4: There's well respected and love. 384 00:18:56,440 --> 00:19:00,800 Speaker 2: Over long and this is unnecessary the scene again, you're 385 00:19:00,800 --> 00:19:03,000 Speaker 2: in the bath light. I bet those candles. 386 00:19:03,080 --> 00:19:04,480 Speaker 4: Yeah, next time I'm going to put some. 387 00:19:09,080 --> 00:19:10,880 Speaker 3: Add a candle to the party. Jack in the dark. 388 00:19:10,960 --> 00:19:13,439 Speaker 4: I'll shuffer all of your in your's greatest hits. 389 00:19:13,400 --> 00:19:17,880 Speaker 3: And what you shuffle with all her hits? What there's 390 00:19:17,920 --> 00:19:20,000 Speaker 3: only an Orno co flow, She's got. 391 00:19:20,000 --> 00:19:22,240 Speaker 4: More sell away this one. 392 00:19:24,880 --> 00:19:30,640 Speaker 2: Christian Hello, Christian O'Connell show podcast, Jamie, what's your song? 393 00:19:31,440 --> 00:19:31,919 Speaker 3: Every night? 394 00:19:32,640 --> 00:19:35,400 Speaker 8: Well, I'll play Molan be a man. 395 00:19:35,920 --> 00:19:38,240 Speaker 2: This is a This is an amazing song. This is 396 00:19:38,320 --> 00:19:39,919 Speaker 2: one hundred percent guaranteed banger. 397 00:19:43,240 --> 00:19:45,320 Speaker 3: Scene the kitchen as well, chopping the onions. 398 00:19:47,520 --> 00:19:48,080 Speaker 7: That's great. 399 00:19:49,720 --> 00:19:50,119 Speaker 4: Do you know what? 400 00:19:50,200 --> 00:19:51,879 Speaker 3: I'm going to crack this up tonight as well. This 401 00:19:52,040 --> 00:19:53,000 Speaker 3: is a brilliant song. 402 00:19:53,119 --> 00:19:55,920 Speaker 4: That's a great song if you're doing a workout or run. 403 00:19:56,160 --> 00:19:57,800 Speaker 4: When I was used to be a runner, are you 404 00:19:57,880 --> 00:20:02,240 Speaker 4: sure I used to put Milan was on my running playlist? 405 00:20:02,720 --> 00:20:07,240 Speaker 3: You always surprised me. You're an enigma baked in Enigma juice. 406 00:20:07,280 --> 00:20:09,520 Speaker 4: That's such a powerful song, Jamie, great choice. 407 00:20:11,680 --> 00:20:11,720 Speaker 1: It. 408 00:20:12,160 --> 00:20:13,960 Speaker 3: Work out to it, run to it. It's a Swiss 409 00:20:14,040 --> 00:20:19,879 Speaker 3: army and I our songs, Jamie. Have a nice weekend. 410 00:20:19,920 --> 00:20:23,359 Speaker 3: Thanks you cool buddy. You all right? Let's go how 411 00:20:23,440 --> 00:20:27,119 Speaker 3: we got here? Lee? Hello? 412 00:20:27,720 --> 00:20:28,000 Speaker 7: Hello? 413 00:20:29,480 --> 00:20:30,800 Speaker 3: There you go, bigaboo. Lee. 414 00:20:32,240 --> 00:20:34,399 Speaker 8: I'm hiding in the corner because it's really terrible. 415 00:20:35,440 --> 00:20:40,520 Speaker 3: It's cheesy as tacky and the title says all steps tragedy. 416 00:20:40,880 --> 00:20:46,000 Speaker 3: Good Lord man, Wow, I appreciate the courage here. Lord. 417 00:20:48,320 --> 00:20:54,720 Speaker 3: This is an unnecessary cover. Love it. You've got to 418 00:20:54,720 --> 00:20:57,520 Speaker 3: set the scene for me, Lee, When do you when 419 00:20:57,600 --> 00:21:00,320 Speaker 3: do you break out the steps? And tragedy. 420 00:21:02,320 --> 00:21:05,200 Speaker 8: Headphones on YouTube that where nobody can see it on 421 00:21:05,280 --> 00:21:06,240 Speaker 8: the Spotify. 422 00:21:05,960 --> 00:21:11,000 Speaker 2: Lift the secret, shame their headphones on I love that 423 00:21:11,200 --> 00:21:13,520 Speaker 2: th We got Zora here, who's thirteen? 424 00:21:13,640 --> 00:21:15,680 Speaker 3: And now you're calling in about a song, not that 425 00:21:15,800 --> 00:21:17,800 Speaker 3: you are ashamed to make you like, but is this 426 00:21:17,880 --> 00:21:18,280 Speaker 3: your dad? 427 00:21:19,080 --> 00:21:20,240 Speaker 8: This is my dad's song? 428 00:21:20,560 --> 00:21:20,679 Speaker 1: Right? 429 00:21:20,720 --> 00:21:21,560 Speaker 3: What is dad's song? 430 00:21:22,000 --> 00:21:24,800 Speaker 8: He loves listening to the song and he won't tell anyone, 431 00:21:24,960 --> 00:21:26,199 Speaker 8: but I'll be girl by aqua. 432 00:21:29,440 --> 00:21:32,120 Speaker 3: I wonder you don't want anyone knowing what an every 433 00:21:32,160 --> 00:21:32,720 Speaker 3: thing for you to. 434 00:21:32,760 --> 00:21:35,879 Speaker 6: Kill that is in the boys And when he's in 435 00:21:35,920 --> 00:21:36,880 Speaker 6: the spar line. 436 00:21:37,160 --> 00:21:41,840 Speaker 3: With the boys, did we all hear that? Boys? Whoa 437 00:21:42,520 --> 00:21:46,840 Speaker 3: boys on top? Please tell me someone's more aku and barigo. Guys, 438 00:21:46,920 --> 00:21:48,720 Speaker 3: we're going about packing the beers and snags. 439 00:21:54,520 --> 00:21:57,640 Speaker 2: Now, Sora, might be nice if you named your dad, 440 00:21:57,720 --> 00:21:58,919 Speaker 2: because I think it'd be nice. 441 00:21:58,800 --> 00:21:59,400 Speaker 3: For him to get. 442 00:22:01,400 --> 00:22:03,320 Speaker 7: What's his name, Chris Randall? 443 00:22:03,640 --> 00:22:03,880 Speaker 1: Why? 444 00:22:04,160 --> 00:22:05,120 Speaker 3: Okay, this is great? 445 00:22:05,200 --> 00:22:07,719 Speaker 2: Okay, I believe he's on the other line right now, 446 00:22:08,160 --> 00:22:09,920 Speaker 2: let's get does dad know your calling Zarah? 447 00:22:11,000 --> 00:22:14,480 Speaker 3: That didn't know I was, but now he does. We 448 00:22:14,600 --> 00:22:21,320 Speaker 3: got the data, Chris, Chris, So should I say those 449 00:22:21,400 --> 00:22:22,480 Speaker 3: boys trips. 450 00:22:23,800 --> 00:22:28,000 Speaker 7: He's on tour, he'd be kind of a lockdown as 451 00:22:28,080 --> 00:22:30,600 Speaker 7: eased this week and Chris Get the Boys in the car, 452 00:22:34,760 --> 00:22:34,879 Speaker 7: All 453 00:22:34,920 --> 00:22:40,280 Speaker 1: The Boys, Christian O'Connell Show Podcast