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Speaker 1: Hey, welcome to the Full Show podcast for Friday, seventeenth

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Speaker 1: of May. Woods. I loved my favorite moment in this

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Speaker 1: show comfortably. What was was what it was, and that's

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Speaker 1: a callback to the show. The show was favorite was

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Speaker 1: is show?

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Speaker 2: Very confusing for you, But in about twenty five minutes time,

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Speaker 2: that'll make a lot of sense as to why we're

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Speaker 2: speaking him.

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Speaker 1: What are you going to say? We got people to

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Speaker 1: call up and try and tell a story in broken English,

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Speaker 1: which after I was mocked, you mean hook spoiled doing that?

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Speaker 2: Okay, I think you're proving just how bad that bit

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Speaker 2: actually was and people will hear that shocking that actually

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Speaker 2: put it in the podcast.

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Speaker 1: Heard a good bit, did we? I mean it was

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Speaker 1: an okay bit?

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Speaker 2: Do it in broken English bit? Okay, Okay, I can't

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Speaker 2: make my head.

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Speaker 1: Hurt it hurt it. I know I like this so much.

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Speaker 1: But yeah, you're going to hear a really wonderful bit

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Speaker 1: about a dress casino open naked, Yeah, which would be

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Speaker 1: very exciting.

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Speaker 2: My similarities to Zaye Malik are going to be discussed

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Speaker 2: in this.

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Speaker 1: I think there's separated. This was the bit I was

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Speaker 1: going to get, not necessarily the English broken bit. I

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Speaker 1: was getting at the same Malick similarity for me, because

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Speaker 1: that's I mean, that's a that's a I love nothing

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Speaker 1: more than you know, a skeleton that you know, either

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Speaker 1: of us thought has been buried in a closet, deep

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Speaker 1: in a chest somewhere in the woods. I love the

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Speaker 1: Jumanji game that Rob Williams finds as a child coming

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Speaker 1: up and being found. And then you know, one of

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Speaker 1: us being embarrassed again, and we dive right back into

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Speaker 1: your single life, which you know.

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Speaker 2: Because something happened to me in the past, which happened

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Speaker 2: has happened to Zaye.

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Speaker 1: And can I say a little bit of a tidbit here,

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Speaker 1: just to kick a for this, you were saying that

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Speaker 1: when you went on your first date with Mim. I mean,

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Speaker 1: you're gonna hear more of this later. But she thought

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Speaker 1: that there might be a chance that she was getting catfished, yes,

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Speaker 1: or she thought that was a radio bit or something

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Speaker 1: like that.

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Speaker 2: Yeah, she thought when she rocked up she was a

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Speaker 2: bit late, And she said she almost didn't come because

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Speaker 2: she was like, am I either getting catfished by someone

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Speaker 2: pretending to be woody?

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Speaker 1: Because why is.

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Speaker 2: He on a dating app? And then the other thing was.

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Speaker 2: She was like, Oh, there's going to be like a

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Speaker 2: secret camera and they're doing like a radio thing.

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Speaker 1: Which I was like, we had done for dates with

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Speaker 1: you before.

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Speaker 2: Because I was struggling to do dates outside of the

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Speaker 2: radio show.

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Speaker 1: In a really weird way.

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Speaker 2: I was going to using the radio show to have

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Speaker 2: the hooper to call and contact people and say, would

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Speaker 2: you like to come on a date with me?

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Speaker 1: It's just odry. Yeah, it's strange time. It's a dark time.

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Speaker 1: We're going to close that chest, but you're going to

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Speaker 1: hear it reopened again very shortly. Enjoy the show, guys.

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Speaker 1: Was it on Monday? I have every intention of embarrassing Woody,

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Speaker 1: So please stay with me. Woods. Yes, Zane Malick, the voice,

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Speaker 1: the guy, the man, the myth for legend, the most

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Speaker 1: talented former One Direction star. Your words, not mine, controversial,

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Speaker 1: but listen to this studio.

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Speaker 2: Bad says Bad Oday with but he's good.

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Speaker 1: He's good anyway. Look he he got a baby with

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Speaker 1: I didn't know that. There you go, and he basically

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Speaker 1: he's decided that he wants new love and he's moved

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Speaker 1: over to Tinder, and good on him, and good on

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Speaker 1: him for getting out there. It's a buddy Jungle and

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Speaker 1: you know, typically kept to him for getting back out there.

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Speaker 1: I'm not sure level of you know, hotness or intrigue

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Speaker 1: on Zaye Malink if he went on Tinder. I'm going

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Speaker 1: to cross the only person who is on the dating

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Speaker 1: apps to your producer, Analyse anlyse, if you saw Zay

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Speaker 1: Malik on Tinder, is it swipe left or swipe right?

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Speaker 3: If it's real, zaying, yes, swipe right, But if it's

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Speaker 3: I'd be cautious.

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Speaker 1: Israel. This is the issue, and it's fascinating because Analysis

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Speaker 1: touched on exactly the issue that the mail dogs struggled

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Speaker 1: with himself, and that is that Tinder assumed that he

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Speaker 1: was impersonating himself. That's I love that language. The app

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Speaker 1: incorrectly thought he was impersonating himself, so his account was terminated.

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Speaker 1: Oh yeah. They were just like, there's no way this

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Speaker 1: play that Zane Melick is desperate enough to be going

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Speaker 1: on our app. Guy, So they extinguished his account and

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Speaker 1: they thought that he was just a catfisher. Oh I

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Speaker 1: lost all these matches. That poor guy lost, lost all

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Speaker 1: the matches and a real hit to his confidence. Surely

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Speaker 1: he's going on the hot the hot dating app. That

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Speaker 1: analysis on celebrity what they called a B the one

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Speaker 1: you're on RAA.

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Speaker 2: Yeah, wow, but I'm not on it, you know that

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Speaker 2: to talk about it like fight club?

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Speaker 1: Is that right? First rule of ray I don't talk

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Speaker 1: about RAYA. I didn't know that you're not on there.

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Speaker 3: I'm not on there?

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Speaker 1: Nice right right right? Okay, she's not on there. But anyway,

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Speaker 1: so he's gone on Tinder. Maybe he's like analysts. You know,

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Speaker 1: he's not on RAYA. But he gets extinguishing because they

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Speaker 1: thought he was cat fishing people. And I was like, gee, whiz,

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Speaker 1: I feel like I've read this story, I've heard I've

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Speaker 1: heard about this before. Go to the quiz and I

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Speaker 1: remember my good friend woulds go to the quiz. Now,

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Speaker 1: when you were single, you you were on all the apps.

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Speaker 1: You're on the Hinges, on the Bumblebees, the Tinders, the Rayers.

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Speaker 1: I was passed in the net far.

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Speaker 2: And I tried to get under Rare and they rejected

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Speaker 2: me hilariously enough. But I was on I was on Hinge.

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Speaker 2: Hinge was my dating app of choice, and.

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Speaker 1: Then our dms here at Willemwoody on the on on

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Speaker 1: the Instagram and the tiktoks and facebooks and whatnot. Jesus

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Speaker 1: a lot of apps these days. We were getting dms.

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Speaker 2: Our Instagram blew up with people riding into us saying,

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Speaker 2: hey guys, just so you know, there's someone on hinge

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Speaker 2: pretending to be Woody and then putting up all these

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Speaker 2: cringe photos.

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Speaker 1: Of what he pretending to be him.

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Speaker 2: And so my digital producer she was she called well,

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Speaker 2: I don't think it was k there was the digital

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Speaker 2: before kV.

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Speaker 1: She called me Avan. She was like, hey, wood he

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Speaker 1: just so you know, just a heads up.

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Speaker 2: Apparently there is someone on Instagram masquerading as you trying

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Speaker 2: to get matches, so he might want to do something

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Speaker 2: about that. And then there was silence on the phone

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Speaker 2: as I just say, no, no, that is actually me.

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Speaker 2: It was not hypothetical. It's a hypothetical, Joel, hypothetical.

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Speaker 1: I love this guy. His name is Joel.

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Speaker 2: Before we get into your hypothetical, Joel, it's just a

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Speaker 2: little bit of stuff going on behind the scenes here.

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Speaker 1: Have you been avoiding this? You changed your phone number.

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Speaker 4: I went on holiday and I slashed my phone and

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Speaker 4: I thought, you know what, I'm getting a new one.

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Speaker 4: So I went straight to JB High Fine, I bought

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Speaker 4: myself a new iPhone fifteen, and then everyone who's been

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Speaker 4: trying to contact me sensus thought I thought I was dead.

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Speaker 1: Oh, where'd you go overseas? Where'd you go over seas?

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Speaker 4: Queensland?

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Speaker 2: Queen Queensland.

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Speaker 1: We're glad if anyone crosses over the border they come

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Speaker 1: back alive. So well done, well done, Hey Joe, let's

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Speaker 1: get into hypothetical this week, mate, What have you got

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Speaker 1: for us?

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Speaker 4: All right? So if it meant you could live the

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Speaker 4: life you've always wanted, like you know, spend it. You know, no,

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Speaker 4: no financial obligation was out of your reach. You could,

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Speaker 4: you could spend whatever, pay for whatever. But it meant

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Speaker 4: the entire time you were sweating profusely.

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Speaker 1: I hate sweating. I've got a real war. Where are

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Speaker 1: you sweating? Where are you sweating?

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Speaker 5: What?

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Speaker 1: Everywhere?

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Speaker 4: Like you know, arm pits. You know, when it's like

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Speaker 4: hot and sticky outside, you just swear like that all

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Speaker 4: the time.

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Speaker 2: So you got big, big, big sweat patches on the

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Speaker 2: arm pits. You're like your beads on the on the forehead.

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Speaker 4: And people yeah, and people can tell like you look

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Speaker 4: like it even if it's like a cold day.

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Speaker 2: So it's a cold day. There's no reason why you

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Speaker 2: should be sweating. You just always in this, in this

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Speaker 2: state of sweatiness.

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Speaker 4: It could be winter, you could be in the Alps

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Speaker 4: and you're that sweaty bastard.

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Speaker 1: Is there a scent?

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Speaker 6: Like?

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Speaker 2: Is my sweatiness come with a body odor?

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Speaker 1: Like a bo?

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Speaker 4: I don't know your smelly guy?

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Speaker 1: Well, if I'm really sweaty, brother boys, you are, I

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Speaker 1: should say five if if you want to join in

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Speaker 1: here on Joel's hypothetical.

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Speaker 2: Even in bed, So if I'm a sleep job, do

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Speaker 2: I sleep sweaty? Am I sweaty sleeper?

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Speaker 6: Yeah?

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Speaker 4: It's like you got those cold sweats, like you're coming

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Speaker 4: down with something.

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Speaker 1: So it's like a cold sweat. It's a cold sweat.

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Speaker 4: But you could buy the most expensive fan out there

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Speaker 4: as well.

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Speaker 2: Or buy a new bed every single day. You've got

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Speaker 2: a bottomless pit of money.

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Speaker 1: I just buy like a like a suit that was

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Speaker 1: just filled, like a dry fit, like a dry fit.

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Speaker 1: Like what do they got in June? Those those suits

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Speaker 1: they wear in Jude. You could probably pay to get

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Speaker 1: one of them. What are they called? I don't know.

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Speaker 2: Sands?

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Speaker 1: No, it's not a sand suit, but but they've got

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Speaker 1: those suits in June and they wick the sweat away

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Speaker 1: and then and then they feed it back to you

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Speaker 1: as water.

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Speaker 2: It's a pretty weird look though, Like if you're popping

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Speaker 2: down to the milk bar and you're dressed like you're

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Speaker 2: from June, it's.

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Speaker 1: Caught a still suit. Yeah, I think that's a pretty

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Speaker 1: sick suit. I think it's I think it looks good.

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Speaker 1: You'd wear that down the streets well Blood and Dale?

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Speaker 5: Is it?

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Speaker 1: What if Timothy? What if you what? It looks good?

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Speaker 1: What if you?

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Speaker 2: And have you seen Timothy try to put that thing on?

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Speaker 2: Takes ages?

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Speaker 1: So you and your beautiful wife are trying to wear

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Speaker 1: it the whole time where it to.

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Speaker 4: Bed, you wouldn't have to put it on. Someone else

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Speaker 4: could put it.

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Speaker 1: On because you're so rich. I think I think Joel

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Speaker 1: is getting on the important part about this, which is

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Speaker 1: just think about a way to make your life comfy.

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Speaker 1: Every every room I walked in, I would make sure

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Speaker 1: was colder. Are you still sweaty?

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Speaker 5: Though?

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Speaker 1: Would I would pay three people to walk around with

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Speaker 1: me with like towels and they just dab me down

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Speaker 1: like you're a tennis player. Constantly asked, I'm not asking,

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Speaker 1: just dab. It's just a constant dab. Yeah, just a

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Speaker 1: constant dab like a doctor in surgery. Yeah, and then

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Speaker 1: someone holds a fan in front of my face the

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Speaker 1: whole time.

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Speaker 4: Joe.

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Speaker 2: One question mate, Do you also have sweaty palms?

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Speaker 1: Simple? Do you have sweaty palms as well?

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Speaker 2: Because I find that hard to like grapple things when

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Speaker 2: I'm sweaty in the palm.

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Speaker 4: Well, I guess it's dependent on how you sweat, you

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Speaker 4: know what I mean, Like, it's depends on every person.

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Speaker 1: You get very you get a very sweet sweaty forhead.

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Speaker 1: I get a sweaty forhead, so you'd need I.

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Speaker 4: Get a sweaty ford. Yeah, I like sweaty palms.

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Speaker 1: Yeah, me too. I actually am quite a sweaty guy already.

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Speaker 1: I'm a very sweaty guy. You're a big pit guy,

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Speaker 1: A big pit guy. You're a huge pit guy. But again,

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Speaker 1: like you know, pay for the botox and the pits.

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Speaker 2: Maybe you're still sweat you're trying to avoid the hypothetically.

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Speaker 4: I'm paying more waters just escaping elsewhere. Oh, because you

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Speaker 4: know it's slated funnel, you know, to your forehead that works.

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Speaker 1: If you're blocking the virals from from the kids to

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Speaker 1: your forehead there, John, I like your hypothetically, I'm not

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Speaker 1: sure about the anatomy A right. Well, Joe, which side

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Speaker 1: of the equation are you on here?

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Speaker 5: Like?

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Speaker 1: Are you are you thinking cash? Or I'm gonna go

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Speaker 1: to Zach because he's got a question for you. Okay, Zachy,

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Speaker 1: you had a question for Joel.

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Speaker 6: Yes, can you so you sweat profusely?

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Speaker 4: But can you get your sweat lands removed and still

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Speaker 4: have the bottomless set of money?

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Speaker 5: Yes? Good question.

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Speaker 4: Yeah, but I feel like that's just a loophole.

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Speaker 6: That's too big of a loophole.

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Speaker 1: Then come up with a tight I can't have it, Zach.

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Speaker 4: I can't let you have it, because then then then

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Speaker 4: it wouldn't be a question.

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Speaker 1: Yeah, I agree, we can't take Zack. Which way are

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Speaker 1: you going here?

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Speaker 7: May?

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Speaker 1: Do you go into cash or you going to the

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Speaker 1: sweat first?

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Speaker 5: See, I feel like I'll still go to cash and

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Speaker 5: just deal with the sweat the loophole.

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Speaker 1: You can't, you can't loophole.

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Speaker 2: I'd live in the pool. I figured it out. Get

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Speaker 2: a penthouse. People come to you.

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Speaker 1: You're rich, You're so rich, you buy a big building.

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Speaker 1: You're in the pool. I had to take it back

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Speaker 1: to June. But you're like scars Guard. Exactly what we

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Speaker 1: love to do on a Friday is follow up someone,

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Speaker 1: follow up a call that we've had because we don't

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Speaker 1: feel like we got to the bottom of it.

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Speaker 4: We're going back.

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Speaker 1: Let's go back in time, going back in time.

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Speaker 3: It's not.

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Speaker 1: You telling me that you put a time machine. Now

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Speaker 1: we'll phone topic.

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Speaker 2: Can you remember where you were when you were broken

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Speaker 2: up with Yes, yes, worst place to get done and

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Speaker 2: with a woman called Aleisha call the show and I'm

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Speaker 2: going to throw them shut under the bus here. But

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Speaker 2: Tommy the button pusher, look, he thought the story was

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Speaker 2: taking too long. And Tommy you you you or you

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Speaker 2: faded her out?

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Speaker 1: I did, And I just thought that there was some

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Speaker 1: phone dramas early on in the call as well.

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Speaker 2: It just wasn't getting to the crux of it quick

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Speaker 2: enough for me.

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Speaker 1: And we're going to and for the listeners, and we

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Speaker 1: love you, we love you, we love you like that time.

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Speaker 1: But you were an island like that. We obviously were

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Speaker 1: all frothing what she was saying. If you missed it,

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Speaker 1: have listen to this.

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Speaker 8: The two weeks between the break up, he didn't talk

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Speaker 8: to me, I still had to see him at school. Awkward.

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Speaker 8: He was like, strow down the street and get some frozen.

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Speaker 9: Get it.

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Speaker 8: So we walked it all the way down like main street,

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Speaker 8: and we got our frozen and then sat down at

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Speaker 8: the very end of the street.

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Speaker 9: And then he just turned me into wouldn't know, I

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Speaker 9: don't like I feel like woman is No, I didn't.

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Speaker 1: I didn't I did not fader out. So as you

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Speaker 1: can hear him.

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Speaker 2: That, we never actually got to the bit where the

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Speaker 2: breakup actually occurred and spying.

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Speaker 1: It was a restless night for me last night Woods,

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Speaker 1: no doubt. Obviously we stayed here late, punishing button, pushing

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Speaker 1: Tom for fading her out. He was whipped, he was hung,

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Speaker 1: he was drawn, he was corded. But yep, from then

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Speaker 1: when I got home, washed my hands of the blood after,

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Speaker 1: you know, like really giving Tom a beating, probably going

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Speaker 1: too far with aggressive They're probably we needed to find

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Speaker 1: out exactly what happened.

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Speaker 2: With Alicia, and we've got Alisha who joins us once again. Alisha,

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Speaker 2: thank you so much much for coming back on the show.

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Speaker 2: I mean, given last time you were rudely evicted from

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Speaker 2: the show, that's okay. Credit to you for coming back now, Alicia,

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Speaker 2: we got to the point where you and your boyfriend

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Speaker 2: at the time enjoying frozen yogurts.

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Speaker 1: This is after the school formal. Yeah, he's asked you

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Speaker 1: to go out with him frozen backstory.

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Speaker 8: Go on, Okay, So yeah, that's the context. We went

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Speaker 8: and got frozen yogurt and then he led me all

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Speaker 8: the way down to the bottom of the main street,

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Speaker 8: which is about a couple of kilometers at least, and

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Speaker 8: then we're just sitting like on this bench, just in

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Speaker 8: like the middle of the street, and then he just

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Speaker 8: turns to me and he goes, so listen, I don't

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Speaker 8: love you anymore. And I was just like, oh god, okay.

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Speaker 8: So right, world just shattered and it was just a

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Speaker 8: complete and also like shock. And he just goes, okay,

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Speaker 8: so I'm just going to go now, and I was like,

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Speaker 8: are you kidding me? He just left, You're just gonna

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Speaker 8: leave me in the middle of the street. So he goes,

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Speaker 8: I'm just gonna get I'm just going to catch the

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Speaker 8: next bus. I'm just going to go, and I was like,

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Speaker 8: oh my god. Okay, but this is where it just

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Speaker 8: gets even more. So he goes to catch the next bus,

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Speaker 8: and he steps into the streets across the road to

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Speaker 8: get the to get to the bus stop, and the

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Speaker 8: bus comes flying around the corner and quips him what

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Speaker 8: and yeah, So then like every say, he's been hit

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Speaker 8: by the bus and I have to call the ambulance

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Speaker 8: and call the police. And then we end up just

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Speaker 8: in the hospital that night because like he's got just okay,

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Speaker 8: his shoulder.

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Speaker 1: Oh my god, did you get back together then? Because

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Speaker 1: you saved him? Still broke up with you? It's like,

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Speaker 1: I'm done, So hang on, he's in the hospital. Is

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Speaker 1: he like unconscious in the hospital? Is you your way?

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Speaker 8: He's not unconscious?

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Speaker 1: Okay? And when the doctors and nurses are coming in,

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Speaker 1: are you like, hey, I'm Alisha, I'm his ex or

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Speaker 1: you you know, like, how how are you introducing yourself?

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Speaker 8: I just said I'm his friend.

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Speaker 1: Oh try tell you what, Alisha. His heart's as cold

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Speaker 1: as that frozen Yogan nice woods for forty eight. Thanks Alisha.

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Speaker 1: What a follow up? I mean, I mean, and you know,

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Speaker 1: turncoat tom here, button pusher Tommy. I mean, you've gotta

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Speaker 1: be rethinking a professional stance on that one. Yeah, I mean,

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Speaker 1: but the story could have been better.

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Speaker 2: I would say, Alicia, you've got to get to it

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Speaker 2: quicker when you read story again story.

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Speaker 1: He didn't need the form. We didn't, yes, certainly didn't

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Speaker 1: need his punchline. We've got a brand new podcasts called

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Speaker 1: Shamo Mood. You can get it wherever you get your podcasts.

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Speaker 1: Woods and the latest guests Colin Jackie O. In the

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Speaker 1: current climate, do you get worried about the fact that

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Speaker 1: you're an ourfamt Sometimes I hear you Jack with the

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Speaker 1: content that you guys have. You're so involved and it

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Speaker 1: is so into it, definitely inside of you that occasionally

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Speaker 1: perks up and goes, I'm okay with this, Let's stop

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Speaker 1: talking about this. Here's the line for you. I don't

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Speaker 1: know whether you heard.

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Speaker 7: On our launch day into Melbourne, Jackie shocked us all

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Speaker 7: to the core when she admitted.

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Speaker 3: Completely understand what Will is saying. He's trying to crack

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Speaker 3: you open, trying to crack that shell. But you've got

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Speaker 3: that you've built up that's so hard.

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Speaker 7: I didn't know she was suffering in silence.

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Speaker 1: You think that's because you're not in touch with your

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Speaker 1: own emotions.

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Speaker 10: Every now and again, something will pop up and I'll

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Speaker 10: go I'll just say it.

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Speaker 7: You know.

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Speaker 1: That was can you beat me Jackie? By the time

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Speaker 1: that Jackie left abandoned me? Is what I like to say.

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Speaker 3: It's just something that I'm uneasy with. It makes me

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Speaker 3: feel uncomfortable showing it.

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Speaker 7: You don't want to be judged by others.

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Speaker 1: That's how a lot of men manifest how they've depressed.

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Speaker 3: Rango. They get angry when yeah, I have seen the bat.

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Speaker 1: Is that hard to hear? Hot chat? Hot chat? Now,

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Speaker 1: look some foreseen circumstances that the Colin Jackie O chat.

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Speaker 1: If you'd like to listen to their Shamo Mood conversation,

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Speaker 1: it is in the will and Woody podcast feed. It

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Speaker 1: was decided to move it there.

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Speaker 2: Easy to get there, so it's look at Willian Woody

403
00:18:19,840 --> 00:18:21,919
Speaker 2: where you get your podcasts from. But if you do

404
00:18:21,960 --> 00:18:23,960
Speaker 2: want to hear it, just a little bit more of

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Speaker 2: that podcast before your head along story.

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Speaker 1: I understand that might be confusing for some people. There

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Speaker 1: is a Shami Mood podcast where you can still hear

408
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Speaker 1: the other guests that are in there. Yeah, Colin jack

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Speaker 1: one is now exclusively in the separate will and Woody

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Speaker 1: podcast feed. Now, I promise we're not trying to pay

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Speaker 1: like some sort of digital duck duck goose. Here, just

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Speaker 1: just look at Will and Muddy. You'll find it. Will

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Speaker 1: and Woody, Colin Jack you'll find it.

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Speaker 2: Now if you want to hear a little bit more

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Speaker 2: before you go on download and never listen.

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Speaker 1: Have listen to this?

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Speaker 3: Oh my god, can you get Kyle to talk about

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Speaker 3: his feeling mentally again?

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Speaker 10: He's one of those guys that just likes to repress everything.

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Speaker 7: No, I'm what you call an alpha male. You guys

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00:19:02,280 --> 00:19:04,600
Speaker 7: are beta male. Anyway, we'll start when you're ready.

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Speaker 1: I feel now we've started, I want to talk to you.

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00:19:10,640 --> 00:19:13,040
Speaker 2: I reckon, you've gained a little bit of beaten mate

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Speaker 2: about yourself. Now what how how do you because you've

425
00:19:17,480 --> 00:19:19,600
Speaker 2: got a little bit more emotional since having your child?

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Speaker 1: I don't.

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Speaker 7: Oh that is true, you know. And I did say

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Speaker 7: this to Jackie. I said, did any of your ex husbands,

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Speaker 7: because there's quite a lot of them, did any of

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Speaker 7: them burst into tears when a duckling would charm up

431
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Speaker 7: on the Kleenex commercial? Because before I could care less. Now,

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Speaker 7: every little, every news story about kids or any suffering

433
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Speaker 7: of any child evokes me like some sort of demon.

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Speaker 7: I just can't help I just burst into tears. It's

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Speaker 7: just a scary thing when you've got a child, right, it's.

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Speaker 2: Different totally, and it does it feel good for you

437
00:19:51,119 --> 00:19:52,159
Speaker 2: to like, but.

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Speaker 7: It catch me a glimpse of myself in the mirror

439
00:19:54,520 --> 00:19:57,919
Speaker 7: because obviously there's mirrors all around my house. You know,

440
00:19:58,560 --> 00:20:02,199
Speaker 7: sexy guys have shit like that. Will you probably have

441
00:20:02,240 --> 00:20:06,600
Speaker 7: your mirrors covered over some sort of vampire problem. But

442
00:20:06,840 --> 00:20:10,200
Speaker 7: you know, no, I do like the fact that more

443
00:20:10,280 --> 00:20:14,280
Speaker 7: caring side's coming out, But yeah, I don't.

444
00:20:14,359 --> 00:20:14,640
Speaker 1: I don't.

445
00:20:14,640 --> 00:20:17,320
Speaker 7: I don't sit around the cafe with my mafia mates

446
00:20:17,359 --> 00:20:20,240
Speaker 7: bursting into tears and asking for deep dives on their emotions.

447
00:20:20,600 --> 00:20:23,800
Speaker 7: I just my group of friends that we were avoids

448
00:20:23,800 --> 00:20:24,560
Speaker 7: of that behavior.

449
00:20:24,840 --> 00:20:29,280
Speaker 3: But Kyle feels uncomfortable though, I think with with talking

450
00:20:29,320 --> 00:20:32,400
Speaker 3: about emotions, and I think that's what makes him uncomfortable

451
00:20:32,480 --> 00:20:36,320
Speaker 3: sometimes hearing yours, because he's so the opposite of that.

452
00:20:36,760 --> 00:20:39,080
Speaker 3: And I just wondered if maybe, like, while you've got

453
00:20:39,160 --> 00:20:41,840
Speaker 3: him here in the seat, you might be able to

454
00:20:42,240 --> 00:20:45,280
Speaker 3: explain to him why it is important to share some

455
00:20:45,320 --> 00:20:46,520
Speaker 3: of that and talk about it.

456
00:20:46,560 --> 00:20:50,600
Speaker 10: Sometimes What the hell are you doing America? Which is

457
00:20:50,640 --> 00:20:51,280
Speaker 10: an ambush?

458
00:20:51,400 --> 00:20:53,439
Speaker 1: I would say, I'm sure you can agree with this.

459
00:20:54,440 --> 00:20:56,400
Speaker 2: It is And speaking of releasing the hands, I feel

460
00:20:56,400 --> 00:20:58,760
Speaker 2: like when you do show your emotions in little parts

461
00:20:58,800 --> 00:21:01,359
Speaker 2: every now and then, it is releasing the pressure that

462
00:21:01,359 --> 00:21:03,840
Speaker 2: builds up inside you. And I think if you don't

463
00:21:03,840 --> 00:21:06,320
Speaker 2: do that, then the pressure builds up so much that

464
00:21:06,400 --> 00:21:07,679
Speaker 2: you might have an explosion.

465
00:21:08,000 --> 00:21:10,400
Speaker 3: Do you know, se this is This is exactly what

466
00:21:10,520 --> 00:21:13,520
Speaker 3: happens with Kyle, right, And you're referring it to as

467
00:21:13,560 --> 00:21:14,359
Speaker 3: a pressure cooker.

468
00:21:14,440 --> 00:21:15,119
Speaker 10: Is exactly right.

469
00:21:15,160 --> 00:21:18,880
Speaker 3: When you don't process and release those emotions, they come

470
00:21:18,920 --> 00:21:19,720
Speaker 3: out in other ways.

471
00:21:19,760 --> 00:21:23,080
Speaker 10: I eat anger. So we watch Kyle get super.

472
00:21:22,760 --> 00:21:25,480
Speaker 3: Angry over little tiny things that the rest of us

473
00:21:25,520 --> 00:21:26,320
Speaker 3: would be okay with.

474
00:21:26,640 --> 00:21:29,080
Speaker 10: Yeah, and he doesn't understand.

475
00:21:28,600 --> 00:21:31,520
Speaker 3: That that's why he's so triggered because he's not releasing

476
00:21:31,560 --> 00:21:34,480
Speaker 3: the other stuff. He's a work in progress, not even

477
00:21:34,480 --> 00:21:35,080
Speaker 3: in progress.

478
00:21:35,119 --> 00:21:37,280
Speaker 1: Actually, we haven't even got to the program, haven't even

479
00:21:37,400 --> 00:21:40,720
Speaker 1: got the permit from council Yetyle, do you get like

480
00:21:40,760 --> 00:21:43,480
Speaker 1: because I saw the other day where you you lost

481
00:21:43,520 --> 00:21:45,400
Speaker 1: it at someone, and then I remember you watching about

482
00:21:45,400 --> 00:21:47,560
Speaker 1: the footage I saw on your Instagram and then you

483
00:21:47,560 --> 00:21:49,760
Speaker 1: were watching to make the footage and you were like, oh, shit,

484
00:21:49,880 --> 00:21:52,880
Speaker 1: am I actually a dick? Like you're watching it? Never

485
00:21:53,200 --> 00:21:55,159
Speaker 1: know whose show you're watching. I've never wondered if I

486
00:21:55,240 --> 00:21:58,320
Speaker 1: was a because you were like for the first time,

487
00:21:58,320 --> 00:21:59,720
Speaker 1: I think you said, for the first time in my life.

488
00:21:59,720 --> 00:22:01,720
Speaker 1: I'm looking at this thinking to myself, oh my god,

489
00:22:04,200 --> 00:22:05,960
Speaker 1: exactly what it was. I wondered if I was a

490
00:22:06,359 --> 00:22:09,120
Speaker 1: d your words.

491
00:22:09,440 --> 00:22:10,320
Speaker 10: This is so funny.

492
00:22:10,359 --> 00:22:13,160
Speaker 3: It's watching like two opposite men.

493
00:22:13,359 --> 00:22:14,480
Speaker 1: Will what is it the world?

494
00:22:14,600 --> 00:22:16,600
Speaker 10: And you've got the cars. Then there at the extreme, man.

495
00:22:16,520 --> 00:22:18,159
Speaker 7: You know, we gotta ask yourself, which one are you

496
00:22:18,280 --> 00:22:19,000
Speaker 7: taking home tonight?

497
00:22:19,160 --> 00:22:20,040
Speaker 10: I definitely will and.

498
00:22:22,200 --> 00:22:23,600
Speaker 1: Its age deal as well.

499
00:22:29,240 --> 00:22:29,520
Speaker 7: Take on.

500
00:22:29,720 --> 00:22:37,720
Speaker 1: Life's a bitch a lot of ideas. We pitch a

501
00:22:37,760 --> 00:22:40,080
Speaker 1: lot of ideas, and look, you know, just pulling down

502
00:22:40,119 --> 00:22:42,119
Speaker 1: the curtain here on every radio show, they've got to

503
00:22:42,119 --> 00:22:44,000
Speaker 1: go through the bloody producers. And look, we love the producers.

504
00:22:44,040 --> 00:22:47,000
Speaker 1: They're great, they do a wonderful job here. But also

505
00:22:48,920 --> 00:22:51,200
Speaker 1: they gotta be serious. You know, they're gonna, they're gonna.

506
00:22:51,240 --> 00:22:53,240
Speaker 1: They've gotta be serious sometimes, and it means that I

507
00:22:53,280 --> 00:22:55,040
Speaker 1: think a lot of the fun ideas don't hit the

508
00:22:55,119 --> 00:22:56,600
Speaker 1: radio waves. I know you feel the same.

509
00:22:56,680 --> 00:22:59,000
Speaker 2: I think Captain Poopan's just you know, he's brilliant what

510
00:22:59,040 --> 00:23:00,919
Speaker 2: he does, but sometimes he has and missus and I

511
00:23:00,960 --> 00:23:02,959
Speaker 2: have pitched some ideas here and then I just cannot

512
00:23:02,960 --> 00:23:05,560
Speaker 2: believe that they have made the radio show. First one

513
00:23:05,560 --> 00:23:08,080
Speaker 2: here from me Will. There was an art installation. One

514
00:23:10,160 --> 00:23:13,960
Speaker 2: there was an art there's an art installation in Ireland. Yeah,

515
00:23:14,000 --> 00:23:17,840
Speaker 2: okay where basically there was a screen okay, where there

516
00:23:17,880 --> 00:23:19,920
Speaker 2: was filming and then that could be seen in New York.

517
00:23:19,960 --> 00:23:21,679
Speaker 2: So it was an art installation in New York and

518
00:23:21,720 --> 00:23:23,919
Speaker 2: in Ireland simultaneous.

519
00:23:24,200 --> 00:23:25,000
Speaker 1: Yeah, so you could.

520
00:23:25,119 --> 00:23:27,440
Speaker 2: So it's like that you were connection to big zoom

521
00:23:27,480 --> 00:23:29,680
Speaker 2: call a connection between Ireland and New York.

522
00:23:30,240 --> 00:23:33,400
Speaker 1: It's just a screen, yeah, but it's just a video call.

523
00:23:33,480 --> 00:23:33,960
Speaker 1: It's artsy.

524
00:23:34,160 --> 00:23:37,800
Speaker 2: Anyway, the Irish people just started drinking and then they

525
00:23:37,840 --> 00:23:40,879
Speaker 2: all just started getting their asses out, bare asses out

526
00:23:40,920 --> 00:23:44,480
Speaker 2: of mooning. So if you're walking past in New York,

527
00:23:44,480 --> 00:23:47,159
Speaker 2: you just kept seeing bare asses on the screen.

528
00:23:47,359 --> 00:23:49,000
Speaker 1: And my joke was, I just love the Irish.

529
00:23:49,560 --> 00:23:52,200
Speaker 2: Every single Irish person would have a great drunken story.

530
00:23:52,320 --> 00:23:55,159
Speaker 1: So it was just like bring them on thirty.

531
00:23:54,880 --> 00:23:56,480
Speaker 2: One or six five a Irish do you have a

532
00:23:56,520 --> 00:23:57,399
Speaker 2: great drunken story.

533
00:23:57,760 --> 00:24:03,240
Speaker 1: Don't condone drinking. We don't mind. Just yeah. Now, what

534
00:24:03,280 --> 00:24:04,679
Speaker 1: was the problem with that? Was it? Was it? The

535
00:24:05,240 --> 00:24:05,399
Speaker 1: was it?

536
00:24:06,119 --> 00:24:06,919
Speaker 3: I think you just said it?

537
00:24:07,000 --> 00:24:08,199
Speaker 1: Yeah, it was it was that that.

538
00:24:09,320 --> 00:24:12,040
Speaker 2: Yeah, so that would have been breaking a few codes.

539
00:24:12,119 --> 00:24:14,679
Speaker 1: Maybe no fair enough, But it was a good idea.

540
00:24:15,840 --> 00:24:19,560
Speaker 1: Yeah it is sure, but you can't do it. Okay, sorry, okay,

541
00:24:19,600 --> 00:24:22,760
Speaker 1: So the idea I had and this could be completely

542
00:24:22,760 --> 00:24:24,679
Speaker 1: scattered and I understand this could be the worst thing

543
00:24:24,680 --> 00:24:25,919
Speaker 1: we've ever heard, or it could be the best thing

544
00:24:25,960 --> 00:24:26,480
Speaker 1: we've ever heard.

545
00:24:26,640 --> 00:24:26,840
Speaker 5: Yeah.

546
00:24:26,880 --> 00:24:29,080
Speaker 1: Now, the other day, so at five point thirty every afternoon,

547
00:24:29,080 --> 00:24:31,600
Speaker 1: I's on about fifteen manes, we played great song and

548
00:24:31,680 --> 00:24:33,200
Speaker 1: we do that because we know the traffic's the worst

549
00:24:33,240 --> 00:24:35,680
Speaker 1: during the day at five thirty. Now, would you were

550
00:24:35,720 --> 00:24:37,760
Speaker 1: introducing a song that you love a lot and you

551
00:24:38,400 --> 00:24:40,919
Speaker 1: Backstreet Boys larger than Life? That's right, and you were

552
00:24:40,960 --> 00:24:44,159
Speaker 1: so excited about it that you slipped into this like

553
00:24:44,359 --> 00:24:49,280
Speaker 1: pigeon English? Yeah, yeah, well done, lou loose the boys.

554
00:24:49,320 --> 00:24:51,399
Speaker 2: The Backstreet Boys pumped me.

555
00:24:52,280 --> 00:24:55,600
Speaker 1: Yes, wow, I'm sorry. I love the boys. This is

556
00:24:55,640 --> 00:24:58,240
Speaker 1: this is larger than Life? Is a rip of Backstreet Boys?

557
00:24:58,600 --> 00:25:00,960
Speaker 1: English are so excited. Let's get to it all right,

558
00:25:00,960 --> 00:25:02,840
Speaker 1: Well we can get to it if you continue to

559
00:25:02,880 --> 00:25:05,920
Speaker 1: describe in broken English what we're doing up next?

560
00:25:06,119 --> 00:25:06,600
Speaker 4: Ye me?

561
00:25:06,880 --> 00:25:12,600
Speaker 2: Yeah, okay, podcast, good Jackie, Oh Kyle, get it anywhere?

562
00:25:16,800 --> 00:25:19,600
Speaker 1: So weird, it's really strange. It's weird, but it's spunk

563
00:25:19,640 --> 00:25:22,680
Speaker 1: an idea of me. Okay. So what I was thinking was,

564
00:25:26,080 --> 00:25:29,720
Speaker 1: is it possible for somebody to tell a good story

565
00:25:29,760 --> 00:25:30,800
Speaker 1: in broken English?

566
00:25:31,840 --> 00:25:32,040
Speaker 5: Oh?

567
00:25:32,119 --> 00:25:32,880
Speaker 1: This would be bad.

568
00:25:33,040 --> 00:25:37,080
Speaker 2: So the idea would be, you're asking them to be

569
00:25:37,119 --> 00:25:38,760
Speaker 2: nonsensical while telling the story.

570
00:25:38,840 --> 00:25:40,720
Speaker 1: So the idea would be, we go to a song

571
00:25:41,400 --> 00:25:44,240
Speaker 1: on the other side, you and I come back and

572
00:25:44,600 --> 00:25:47,800
Speaker 1: we both talk in broken English. Well, this is bad,

573
00:25:48,000 --> 00:25:51,239
Speaker 1: and then and then we give it's I'm putting one

574
00:25:51,280 --> 00:25:54,600
Speaker 1: hundred dollars red rust about on the line for anyone

575
00:25:54,640 --> 00:25:56,880
Speaker 1: that can tell a good story in broken English. Oh,

576
00:25:56,920 --> 00:25:57,840
Speaker 1: this is really bad.

577
00:25:58,520 --> 00:25:59,920
Speaker 2: You know it's bad when you throw a red roost

578
00:26:00,040 --> 00:26:04,159
Speaker 2: with people. What are your what are your initial thoughts

579
00:26:04,160 --> 00:26:05,640
Speaker 2: on that absolute stinker?

580
00:26:09,000 --> 00:26:13,600
Speaker 1: The other ones a goat breach. Yeah, we've put you

581
00:26:13,680 --> 00:26:21,400
Speaker 1: in a corner. Okay, okay, okay, So here's the idea. Okay,

582
00:26:21,440 --> 00:26:26,520
Speaker 1: so we all know. So can you tell do you

583
00:26:26,560 --> 00:26:28,880
Speaker 1: think you can tell? Us a great story in broken English.

584
00:26:28,920 --> 00:26:31,800
Speaker 1: So any story of God might be the best story.

585
00:26:31,800 --> 00:26:34,000
Speaker 1: You've got undred hundred dollars Red Roost about it for

586
00:26:34,080 --> 00:26:36,160
Speaker 1: someone who thinks they can tell us a good story,

587
00:26:36,200 --> 00:26:38,120
Speaker 1: But it has to be in broken English.

588
00:26:38,520 --> 00:26:43,960
Speaker 2: Okay, Okay, crocodile arm hospital.

589
00:26:45,040 --> 00:26:50,399
Speaker 1: Off. Live with that. That would almost get you.

590
00:26:51,520 --> 00:26:54,080
Speaker 2: This is an indication I think of the the target

591
00:26:54,080 --> 00:26:57,160
Speaker 2: demographic of an idea like this. We've got Sky, who's

592
00:26:57,160 --> 00:26:57,520
Speaker 2: caught up?

593
00:26:57,560 --> 00:26:58,560
Speaker 1: Sky? How old are you?

594
00:26:59,520 --> 00:27:00,280
Speaker 5: I'm king?

595
00:27:01,000 --> 00:27:03,240
Speaker 2: So great?

596
00:27:03,320 --> 00:27:05,719
Speaker 1: She's just smart, really so, Sky, you'd like to have

597
00:27:05,760 --> 00:27:09,760
Speaker 1: a go telling a story in broken English.

598
00:27:10,320 --> 00:27:12,280
Speaker 2: For the one hundred dollars Red Rooster voucher?

599
00:27:13,240 --> 00:27:16,200
Speaker 1: Yes, okay, Sky, all right, take it away.

600
00:27:17,480 --> 00:27:20,320
Speaker 8: Mom shoe ripped off escalator.

601
00:27:20,880 --> 00:27:24,560
Speaker 2: Okay, your mum's foot got caught in an escalator and

602
00:27:24,600 --> 00:27:25,800
Speaker 2: her shoe fell off.

603
00:27:27,640 --> 00:27:31,080
Speaker 1: Yeah, could win, could win, the Red Rooster, could win.

604
00:27:31,119 --> 00:27:33,639
Speaker 2: The Red Rooster hold the line, who, I don't know

605
00:27:33,640 --> 00:27:36,199
Speaker 2: how I deciphered it, Will, I don't know how I

606
00:27:36,240 --> 00:27:36,800
Speaker 2: deciphered it.

607
00:27:37,480 --> 00:27:39,200
Speaker 1: I do feel like she only changed the order of

608
00:27:39,440 --> 00:27:42,720
Speaker 1: maybe one or two words. She just she just took

609
00:27:42,760 --> 00:27:46,600
Speaker 1: out a verb. She said the story she said, she said,

610
00:27:46,680 --> 00:27:52,400
Speaker 1: Mum's shoe ripped off rather than mum's shoe ripped off. Yeah,

611
00:27:52,440 --> 00:27:55,919
Speaker 1: well yeah, often. I think you'd probably you reverse the

612
00:27:56,000 --> 00:27:57,680
Speaker 1: order of the words as well, so I would have said,

613
00:27:57,720 --> 00:28:04,560
Speaker 1: like escalator, mum rip off. Okay, let's go pretty much.

614
00:28:05,280 --> 00:28:08,520
Speaker 1: We don't know what, but we're figuring it out. I

615
00:28:08,520 --> 00:28:16,480
Speaker 1: think we're getting closer. Dannielle, you've got a story, you reckon,

616
00:28:16,520 --> 00:28:20,480
Speaker 1: you can tell in broken English. Okay, okay, far away,

617
00:28:20,520 --> 00:28:20,919
Speaker 1: here we go.

618
00:28:21,680 --> 00:28:27,160
Speaker 6: Okay, poker, casino stand naked.

619
00:28:28,480 --> 00:28:32,119
Speaker 1: Awesome, casino stand naked, I reckon. I don't even know

620
00:28:32,119 --> 00:28:33,640
Speaker 1: if this is broken English. I think she's just given

621
00:28:33,720 --> 00:28:37,440
Speaker 1: us the confusing But I think what's happened, Danielle is

622
00:28:37,720 --> 00:28:40,840
Speaker 1: you were playing poker. You you got a good hand,

623
00:28:41,000 --> 00:28:43,800
Speaker 1: and then you celebrated. But you stepped on your dress.

624
00:28:43,840 --> 00:28:46,200
Speaker 1: You were wearing like a boob tube or something.

625
00:28:46,560 --> 00:28:49,680
Speaker 2: Stepped on dress, celebrated, dress falls down, You naked in

626
00:28:49,720 --> 00:28:50,560
Speaker 2: the middle of the casino.

627
00:28:51,320 --> 00:28:53,080
Speaker 6: That's very close, actually.

628
00:28:52,800 --> 00:28:53,360
Speaker 4: But not.

629
00:28:54,800 --> 00:28:55,760
Speaker 1: What happened happened.

630
00:28:56,600 --> 00:28:59,640
Speaker 6: So I was playing poker and I stood up. I

631
00:28:59,720 --> 00:29:02,400
Speaker 6: hadn't off, I wasn't winning anything, so I still to leave.

632
00:29:02,640 --> 00:29:04,560
Speaker 6: But my dress had a zip all the way down.

633
00:29:04,560 --> 00:29:07,120
Speaker 6: The back and it popped open, and they had no

634
00:29:07,280 --> 00:29:09,880
Speaker 6: underwear underneath his dress. And I was just stood naked

635
00:29:09,920 --> 00:29:11,120
Speaker 6: in the middle of Crown Casino.

636
00:29:11,760 --> 00:29:18,360
Speaker 1: Wow, with no underwear under the raised Anyhow, it wasn't the.

637
00:29:18,400 --> 00:29:20,760
Speaker 6: Right dress for underwear. You could see it. It just

638
00:29:20,920 --> 00:29:23,680
Speaker 6: wasn't aboute.

639
00:29:23,480 --> 00:29:26,400
Speaker 1: Live a little bit. Hey, Hey, that was pretty good.

640
00:29:26,480 --> 00:29:28,600
Speaker 1: I actually I think I think things are heating up here.

641
00:29:28,600 --> 00:29:31,400
Speaker 1: Well now he's given his little telltale smug nood there,

642
00:29:31,440 --> 00:29:33,240
Speaker 1: which means we could be on a heater. That was fun.

643
00:29:33,320 --> 00:29:36,400
Speaker 1: Let's go to Tyler on thirty one six type. Tyler,

644
00:29:36,440 --> 00:29:38,280
Speaker 1: your your eyes are one hundred dollars red rooster. But

645
00:29:38,280 --> 00:29:41,320
Speaker 1: you've got to tell us a great story in broken English.

646
00:29:41,880 --> 00:29:43,800
Speaker 8: Yeah, yeah, no, worries mate.

647
00:29:44,240 --> 00:29:46,560
Speaker 1: Actually, what you should be saying is mate, worries no,

648
00:29:46,920 --> 00:29:48,240
Speaker 1: but take it away, big fella.

649
00:29:49,520 --> 00:29:54,640
Speaker 6: Time time upon her once child was I fell off?

650
00:29:55,000 --> 00:29:56,760
Speaker 5: Did I hospital went?

651
00:29:56,920 --> 00:30:00,520
Speaker 1: I what was the last one there? The last thing

652
00:30:00,560 --> 00:30:01,360
Speaker 1: going for a buddy palm?

653
00:30:01,400 --> 00:30:01,680
Speaker 5: Tyler.

654
00:30:01,720 --> 00:30:03,880
Speaker 1: We just want to eat, I mean he said, he

655
00:30:03,880 --> 00:30:05,280
Speaker 1: said he went to the hospital if her scooter and

656
00:30:05,280 --> 00:30:05,840
Speaker 1: went to the hospital.

657
00:30:05,920 --> 00:30:07,600
Speaker 2: When you were when you were a young boy, you

658
00:30:07,600 --> 00:30:09,880
Speaker 2: felt his scooter went to hospital and you lost your eye.

659
00:30:10,000 --> 00:30:12,400
Speaker 1: No, he just said no, that was was eyes in

660
00:30:12,520 --> 00:30:15,920
Speaker 1: eye the letter. Yeah, he inverted that. I think you

661
00:30:16,000 --> 00:30:17,920
Speaker 1: might have had a little bit of sugar. That wasn't then, Tyler,

662
00:30:17,960 --> 00:30:19,240
Speaker 1: you feel if your scooter as a kid you went

663
00:30:19,280 --> 00:30:19,760
Speaker 1: to hospital.

664
00:30:20,400 --> 00:30:23,680
Speaker 2: Yep, but on mate, we should have gone out on Yeah,

665
00:30:24,600 --> 00:30:25,040
Speaker 2: a good.

666
00:30:26,920 --> 00:30:27,560
Speaker 4: Soft drink.

667
00:30:29,000 --> 00:30:38,360
Speaker 1: A beer? Duy no, du no, we are playing can

668
00:30:38,560 --> 00:30:40,440
Speaker 1: you hear it? Can you tell the difference between beer

669
00:30:40,480 --> 00:30:43,720
Speaker 1: and soft drink? That's just by the sound of the

670
00:30:43,800 --> 00:30:47,320
Speaker 1: can opening woods there is a distinct sound. We obviously

671
00:30:47,720 --> 00:30:49,880
Speaker 1: can you hear it? Live? Event all thanks to Kirk's

672
00:30:49,880 --> 00:30:53,440
Speaker 1: earlier in the year someone walked away with twenty thousand

673
00:30:53,520 --> 00:30:55,600
Speaker 1: dollars because they told the difference between what was it

674
00:30:55,760 --> 00:30:59,080
Speaker 1: thirteen cans? Fourteen cans on the night in a row

675
00:30:59,520 --> 00:31:03,160
Speaker 1: around that. There is something to listen for here, guys,

676
00:31:03,360 --> 00:31:05,200
Speaker 1: there really is. That's a soft drink.

677
00:31:07,520 --> 00:31:13,080
Speaker 2: You've lost you Hopefully Hailey has got it. Hailey, Hello,

678
00:31:13,160 --> 00:31:13,800
Speaker 2: how are you?

679
00:31:14,800 --> 00:31:15,320
Speaker 6: I'm good?

680
00:31:15,360 --> 00:31:15,600
Speaker 2: Guys?

681
00:31:15,720 --> 00:31:20,960
Speaker 1: Yourself pretty good? Now? Haley? Are you actually good at this? Well?

682
00:31:21,040 --> 00:31:21,960
Speaker 6: I would like to think so.

683
00:31:22,840 --> 00:31:25,560
Speaker 2: That doesn't sound super confident, Hailey, like, are we a

684
00:31:25,560 --> 00:31:26,040
Speaker 2: soft drink?

685
00:31:26,080 --> 00:31:27,760
Speaker 1: Drinker? Are we a beer drinker? Are we a bit

686
00:31:27,800 --> 00:31:28,120
Speaker 1: of both?

687
00:31:29,160 --> 00:31:29,960
Speaker 4: A little bit of both?

688
00:31:30,280 --> 00:31:32,960
Speaker 1: Okay? Lovely? Okay? And do you play this you know

689
00:31:33,400 --> 00:31:33,800
Speaker 1: at home?

690
00:31:33,840 --> 00:31:35,600
Speaker 2: Do you close your eyes, crack it open and then

691
00:31:35,920 --> 00:31:38,200
Speaker 2: guess what you've got in your hand?

692
00:31:38,880 --> 00:31:39,400
Speaker 6: I try to.

693
00:31:39,960 --> 00:31:44,040
Speaker 2: Okay, Okay, here comes can?

694
00:31:44,080 --> 00:31:44,600
Speaker 1: What Hailey?

695
00:31:51,600 --> 00:31:53,040
Speaker 6: I do believe that's a soft drink.

696
00:31:56,440 --> 00:31:59,160
Speaker 1: I liked it. I like to barely finish the opening.

697
00:31:59,680 --> 00:32:02,600
Speaker 1: You get something she's got. She's got a plan. She's

698
00:32:02,600 --> 00:32:06,120
Speaker 1: got a plan. We like plans like it. Here comes

699
00:32:06,280 --> 00:32:08,160
Speaker 1: can number two? Go on as.

700
00:32:11,840 --> 00:32:12,880
Speaker 6: That's also a soft drink.

701
00:32:13,040 --> 00:32:17,200
Speaker 1: Oh my god, he hasn't cracked the can? What were

702
00:32:17,320 --> 00:32:18,360
Speaker 1: listening to the drums?

703
00:32:19,360 --> 00:32:21,600
Speaker 6: I was listening to the beginning of it because you

704
00:32:21,640 --> 00:32:23,440
Speaker 6: can hear it by the very But.

705
00:32:25,200 --> 00:32:28,440
Speaker 1: I hadn't even cracked. I hadn't. I think, all right,

706
00:32:28,480 --> 00:32:31,080
Speaker 1: let's let's loo because he hadn't actually cracked at Hale's.

707
00:32:31,320 --> 00:32:33,800
Speaker 1: So let's go one more here? Okay, because I feel

708
00:32:33,840 --> 00:32:35,240
Speaker 1: like you might have heard something else there.

709
00:32:35,240 --> 00:32:37,360
Speaker 2: We're not going to play the sound effects either, Haley.

710
00:32:37,520 --> 00:32:40,320
Speaker 2: Just just wait, you hear the can?

711
00:32:40,400 --> 00:32:43,080
Speaker 1: Haley, Here we go can too?

712
00:32:48,320 --> 00:32:49,480
Speaker 6: That was actually a bee can?

713
00:32:51,040 --> 00:32:54,120
Speaker 1: All right?

714
00:32:54,520 --> 00:32:56,560
Speaker 2: Makes the bit sound a bit flat, but the sound

715
00:32:56,600 --> 00:33:01,080
Speaker 2: effects throwing you, Hailey, he was, we might have to pay.

716
00:33:02,920 --> 00:33:04,920
Speaker 1: We'll just rain them in a little bit. We'll just

717
00:33:04,920 --> 00:33:06,560
Speaker 1: brain them in a little bit, Hailey. All right, here

718
00:33:06,600 --> 00:33:10,800
Speaker 1: we go, can three? Here we go, Hailey.

719
00:33:13,000 --> 00:33:13,760
Speaker 6: That's a soft drink.

720
00:33:15,160 --> 00:33:15,840
Speaker 1: It's a beer.

721
00:33:18,240 --> 00:33:23,200
Speaker 2: Yeah, it is a Goldie Lager brewing beer.

722
00:33:24,080 --> 00:33:25,840
Speaker 6: Okay, not bad.

723
00:33:28,280 --> 00:33:31,480
Speaker 1: Do you want to do you want to take another player?

724
00:33:32,280 --> 00:33:32,520
Speaker 7: Yeah?

725
00:33:32,520 --> 00:33:36,920
Speaker 1: We could happy. I mean I'm interested because I'm interested.

726
00:33:37,160 --> 00:33:39,040
Speaker 1: Let let's go to Trent. Come on, let's let's let's

727
00:33:39,600 --> 00:33:42,960
Speaker 1: let's go to Trenton, Trent, Trent. We I think we

728
00:33:43,080 --> 00:33:44,680
Speaker 1: just gotta get a couple of runs on the board here, Trent.

729
00:33:44,680 --> 00:33:45,360
Speaker 1: Are you ready to go?

730
00:33:46,600 --> 00:33:48,800
Speaker 5: Yeah, I'm ready to go. I reckon. I can tell

731
00:33:48,800 --> 00:33:50,360
Speaker 5: the difference between the sounds.

732
00:33:50,440 --> 00:33:54,560
Speaker 1: Okay, the confidence after tread, that is what you are doing.

733
00:33:55,240 --> 00:33:57,240
Speaker 5: So you want to hear the secret? Yes?

734
00:33:57,360 --> 00:33:58,640
Speaker 1: Yeah.

735
00:33:58,800 --> 00:34:01,000
Speaker 5: So when you open the beer can, it sort of

736
00:34:01,040 --> 00:34:04,480
Speaker 5: sounds like of like a hollow sort of flat. Yeah,

737
00:34:04,720 --> 00:34:08,000
Speaker 5: annoy when you open when you open the soft drink,

738
00:34:08,160 --> 00:34:11,840
Speaker 5: it kind of sounds a little bit more full and fizzy.

739
00:34:12,440 --> 00:34:15,440
Speaker 1: Okay, hollow and flat v full and fizzy? Right here?

740
00:34:15,440 --> 00:34:22,680
Speaker 2: You go all t Can one.

741
00:34:22,080 --> 00:34:22,919
Speaker 5: That's a soft drink.

742
00:34:23,120 --> 00:34:26,759
Speaker 1: That's a soft drink. T Bang, I like a trend.

743
00:34:27,480 --> 00:34:29,640
Speaker 1: I like it. One out of the screws. Here we go.

744
00:34:29,800 --> 00:34:31,200
Speaker 1: Number two, trench ass.

745
00:34:34,280 --> 00:34:35,520
Speaker 5: That's a soft drink as well.

746
00:34:35,480 --> 00:34:43,560
Speaker 1: Soft drink. Tell me about your trend, but sorry about it.

747
00:34:45,920 --> 00:34:46,800
Speaker 1: Tell me about yourself.

748
00:34:48,840 --> 00:34:50,640
Speaker 5: Tell me about Yeah, I'm a I'm a I'm a

749
00:34:50,680 --> 00:34:51,880
Speaker 5: plumber and I'm a beer drinker.

750
00:34:55,000 --> 00:35:03,360
Speaker 1: Three can three, that's a beer, Trent. You've got three.

751
00:35:03,560 --> 00:35:05,160
Speaker 1: You're feeling pretty good, mate.

752
00:35:05,560 --> 00:35:06,960
Speaker 5: Yeah, I'm feeling pretty confident.

753
00:35:06,920 --> 00:35:07,960
Speaker 6: And I reckon, I reckon.

754
00:35:08,040 --> 00:35:09,080
Speaker 5: I can hear the sound of it.

755
00:35:09,160 --> 00:35:10,319
Speaker 6: It's pretty straightforward to me.

756
00:35:10,360 --> 00:35:15,200
Speaker 1: I reckon Trnor. I love it. I love it, okay, mate.

757
00:35:15,600 --> 00:35:25,000
Speaker 1: Number four, yeh four, that's a beer. Sure, I can't

758
00:35:25,040 --> 00:35:28,920
Speaker 1: believe this. And again, like Gary Barlow got seven sitting

759
00:35:28,960 --> 00:35:30,960
Speaker 1: in the studio as well, trend is doing it down

760
00:35:31,000 --> 00:35:33,600
Speaker 1: the phone and there's no it's a.

761
00:35:33,520 --> 00:35:35,680
Speaker 5: Bit different on the phone. Boys, I'm not gonna lie

762
00:35:35,680 --> 00:35:36,240
Speaker 5: to couldn't.

763
00:35:36,440 --> 00:35:39,520
Speaker 1: But you've adjusted, You've adjusted, Trent like a great player. Okay.

764
00:35:39,760 --> 00:35:42,120
Speaker 1: Can number five five? Wow?

765
00:35:42,680 --> 00:35:51,960
Speaker 5: Wow, Wow, that one's a beer also, Trent.

766
00:35:52,040 --> 00:35:53,479
Speaker 1: That's a soft soft drink.

767
00:35:53,920 --> 00:35:58,560
Speaker 2: No way, and it was a week.

768
00:36:00,480 --> 00:36:02,960
Speaker 5: Can you go what a bit of a weird can?

769
00:36:03,160 --> 00:36:04,879
Speaker 5: Didn't different from that one?

770
00:36:04,960 --> 00:36:08,160
Speaker 1: It didn't pomp Trent, I I agree with you. I

771
00:36:08,200 --> 00:36:11,600
Speaker 1: think I think it was a crap crack, crap can,

772
00:36:11,719 --> 00:36:12,640
Speaker 1: whatever you want to call it.

773
00:36:12,680 --> 00:36:14,239
Speaker 2: That's the way they cook your crumbles, though, my friend,

774
00:36:14,280 --> 00:36:17,600
Speaker 2: you get crap cans, you get a rerun.

775
00:36:17,280 --> 00:36:18,880
Speaker 1: Nah trend, you don't get a rerun, but you do

776
00:36:18,960 --> 00:36:22,000
Speaker 1: get a ten pack of Kirks made for playing. You've

777
00:36:22,040 --> 00:36:24,000
Speaker 1: been a great playing mate, You've been turned quickly.

778
00:36:24,040 --> 00:36:25,840
Speaker 5: Did cas