1 00:00:00,520 --> 00:00:04,200 Speaker 1: Russell Morris is going to be in town November the eleventh, 2 00:00:04,600 --> 00:00:07,640 Speaker 1: doing the Real Thing at Crown Theater. Tickets through Ticketmaster. 3 00:00:07,720 --> 00:00:09,880 Speaker 1: He joins us, Now, good morning. 4 00:00:11,640 --> 00:00:13,800 Speaker 2: Clearzy and Lisa, how are you good? 5 00:00:14,280 --> 00:00:18,160 Speaker 1: Very well? Now, the real thing in concert is going 6 00:00:18,160 --> 00:00:20,560 Speaker 1: to see you play in front of a fifty six 7 00:00:20,920 --> 00:00:24,279 Speaker 1: piece orchestra. That is going to be spectacular with a 8 00:00:24,320 --> 00:00:27,440 Speaker 1: fifty six piece orchestra performing not only that, but all 9 00:00:27,440 --> 00:00:30,440 Speaker 1: your hits from over the decades rearranged for orchestra by 10 00:00:30,520 --> 00:00:36,440 Speaker 1: David Hirschfelder, the Academy Award nominated composer. This is awesome. 11 00:00:36,440 --> 00:00:38,159 Speaker 1: Have you done anything like this before? 12 00:00:39,680 --> 00:00:42,239 Speaker 3: No, I've done sort of smatterings, but I always had 13 00:00:42,240 --> 00:00:45,480 Speaker 3: my hand up with the orchestras to try and see 14 00:00:45,479 --> 00:00:47,479 Speaker 3: if they include me in the summer season, but they 15 00:00:47,479 --> 00:00:52,000 Speaker 3: never did. This came about, which was fabulous. And to 16 00:00:52,080 --> 00:00:55,720 Speaker 3: be working with David, who's done so much great work 17 00:00:55,760 --> 00:00:56,560 Speaker 3: with John Farnman. 18 00:00:56,640 --> 00:00:58,880 Speaker 2: By the way, isn't it great to hear that he's. 19 00:00:58,760 --> 00:01:01,760 Speaker 1: On the rail celebrating all morning? 20 00:01:02,120 --> 00:01:03,160 Speaker 2: So yeah, I know. 21 00:01:03,280 --> 00:01:07,080 Speaker 3: It is just absolutely fabulous And I always admired what 22 00:01:07,160 --> 00:01:10,240 Speaker 3: he did with John and the people who want to 23 00:01:10,280 --> 00:01:11,000 Speaker 3: come to the show. 24 00:01:12,160 --> 00:01:13,679 Speaker 2: I'm just I'm just a conjurit. 25 00:01:13,720 --> 00:01:15,720 Speaker 3: I get up there and I sing the songs the 26 00:01:15,760 --> 00:01:18,120 Speaker 3: real star of the show to me, and he'll always 27 00:01:18,120 --> 00:01:22,280 Speaker 3: deny because he's so modest. He is much arrangements to 28 00:01:22,400 --> 00:01:27,959 Speaker 3: arrangements are absolutely gobsmacking you. And I think if anyone's 29 00:01:28,040 --> 00:01:29,959 Speaker 3: deciding they may want to come to the show, they 30 00:01:30,000 --> 00:01:33,920 Speaker 3: just need to read the reviews that of people who 31 00:01:33,959 --> 00:01:36,600 Speaker 3: have gone to see the show. He's I'm astounded. I 32 00:01:36,640 --> 00:01:39,000 Speaker 3: get every time he would send me a new arrangement. 33 00:01:40,120 --> 00:01:44,080 Speaker 2: I was just cobsmacked to go, Wow, he's a bit 34 00:01:44,080 --> 00:01:44,680 Speaker 2: of a journe. 35 00:01:46,720 --> 00:01:48,360 Speaker 4: And it's funny because we were celebrating the Phantom and 36 00:01:48,400 --> 00:01:50,520 Speaker 4: the John Phantom News this morning by playing Playing to Win, 37 00:01:50,560 --> 00:01:53,880 Speaker 4: which was David Hirsch felt all over it. You're pretty 38 00:01:53,920 --> 00:01:56,600 Speaker 4: modest yourself, Russell, but we I did tease Lisa this 39 00:01:56,600 --> 00:01:58,600 Speaker 4: morning saying there was a very big Perth connection with 40 00:01:58,640 --> 00:02:00,240 Speaker 4: the real thing, and that was of course, the of 41 00:02:00,280 --> 00:02:01,160 Speaker 4: the song was from Perth. 42 00:02:02,600 --> 00:02:09,119 Speaker 2: What's he ever done? Yeah? 43 00:02:09,320 --> 00:02:11,840 Speaker 3: Range John the other day, you've got to come to 44 00:02:11,919 --> 00:02:12,280 Speaker 3: the show. 45 00:02:12,880 --> 00:02:14,960 Speaker 2: You have to come to the show, I said, you will. 46 00:02:15,120 --> 00:02:19,120 Speaker 3: You'll probably start crying because what's been done to the 47 00:02:19,160 --> 00:02:19,680 Speaker 3: songs is. 48 00:02:19,960 --> 00:02:21,600 Speaker 2: Pretty pretty spectacular. 49 00:02:22,120 --> 00:02:23,960 Speaker 3: Quite a few people that came to the show actually 50 00:02:24,000 --> 00:02:25,200 Speaker 3: teared up, which was lovely. 51 00:02:25,720 --> 00:02:29,160 Speaker 1: I had no doubt, and I imagine it would have 52 00:02:29,200 --> 00:02:31,120 Speaker 1: been made quite the impression of Molly too. 53 00:02:33,120 --> 00:02:37,000 Speaker 3: Well, Molly didn't come because this sounds horrible. We couldn't 54 00:02:37,000 --> 00:02:39,959 Speaker 3: get anyone to bring him because. 55 00:02:39,639 --> 00:02:41,920 Speaker 2: Of what he's Yes, we had a bit of a problem, 56 00:02:42,440 --> 00:02:43,080 Speaker 2: so we're doing. 57 00:02:43,600 --> 00:02:46,839 Speaker 3: We sold out Hamer Hall, but now we've got two 58 00:02:46,880 --> 00:02:49,160 Speaker 3: more shows and the second one sold out. In the 59 00:02:49,160 --> 00:02:52,720 Speaker 3: third one is halfway through, so we're trying to go. 60 00:02:53,160 --> 00:02:56,080 Speaker 2: I have to have Molly Thereeler, Yeah. 61 00:02:56,720 --> 00:02:58,360 Speaker 3: I've got to get someone to bring him, and I 62 00:02:58,360 --> 00:03:00,760 Speaker 3: think maybe Jerry Ryan will be him along the guide 63 00:03:00,760 --> 00:03:04,120 Speaker 3: from the Jacob Caravans, who loves Molly and is really 64 00:03:04,200 --> 00:03:06,000 Speaker 3: very kind to him, and I think he's the guy 65 00:03:06,080 --> 00:03:06,440 Speaker 3: to do it. 66 00:03:06,919 --> 00:03:10,480 Speaker 1: I think Molly will absolutely love it. Now, how was 67 00:03:10,560 --> 00:03:13,280 Speaker 1: the process of taking your songs from as they are 68 00:03:13,800 --> 00:03:16,520 Speaker 1: to be orchestra appropriate? As you said, you've just got 69 00:03:16,520 --> 00:03:20,240 Speaker 1: the great fortune of having David Hirschfelder on board, But 70 00:03:20,280 --> 00:03:21,720 Speaker 1: did you have much say in it? 71 00:03:23,040 --> 00:03:24,040 Speaker 2: I didn't want any say. 72 00:03:24,040 --> 00:03:29,000 Speaker 3: It's like something that's advising Einstein on the theory of relatives. Ye, 73 00:03:29,320 --> 00:03:34,440 Speaker 3: fair enough, Okay, So I just said, David is the song. 74 00:03:34,600 --> 00:03:36,640 Speaker 3: Some of the songs I just put down acoustically and 75 00:03:36,680 --> 00:03:37,600 Speaker 3: sent it to him. 76 00:03:37,680 --> 00:03:39,280 Speaker 2: Yeah, and I. 77 00:03:39,320 --> 00:03:42,320 Speaker 3: Said, do what you want. And there were a couple 78 00:03:42,320 --> 00:03:44,640 Speaker 3: of times he did one he did the Girl that 79 00:03:44,680 --> 00:03:46,480 Speaker 3: I Love. I made him reach out and made him 80 00:03:46,560 --> 00:03:49,040 Speaker 3: change that. That was the only one, but everything else 81 00:03:49,040 --> 00:03:53,160 Speaker 3: would come back and I would just go, oh, oh wow, Okay, 82 00:03:54,560 --> 00:03:58,720 Speaker 3: it's just the The interesting thing is I got all 83 00:03:58,800 --> 00:04:02,800 Speaker 3: the oxtrations first, and I didn't have a band, so 84 00:04:03,440 --> 00:04:07,480 Speaker 3: singing along with the orchestrations was almost impossible because the 85 00:04:07,480 --> 00:04:10,680 Speaker 3: way he cuts across the beat with things like that, 86 00:04:11,320 --> 00:04:12,280 Speaker 3: it was incredible. 87 00:04:12,280 --> 00:04:15,800 Speaker 2: But once the band slots in there, it's like, Wow, 88 00:04:15,880 --> 00:04:18,000 Speaker 2: what a jigsaw puzzle. This is incredible. 89 00:04:18,080 --> 00:04:20,640 Speaker 4: Yeah, that must be a real joy to come through there. Mate. 90 00:04:20,920 --> 00:04:23,680 Speaker 4: We were celebrating not only John Farnum this morning, yeah, 91 00:04:23,680 --> 00:04:26,000 Speaker 4: but was celebrating you coming with this show. But we 92 00:04:26,000 --> 00:04:28,800 Speaker 4: also celebrated the fact that Rick Springfield is seventy four today. 93 00:04:28,800 --> 00:04:32,240 Speaker 4: Another Ossie music veteran. Did you think when you kicked off, 94 00:04:32,279 --> 00:04:35,040 Speaker 4: you know, in the mid sixties with somebody's image that 95 00:04:35,040 --> 00:04:36,840 Speaker 4: there was any chance at seventy five you'd be doing 96 00:04:36,839 --> 00:04:37,080 Speaker 4: this r. 97 00:04:37,080 --> 00:04:39,880 Speaker 3: Us No, I didn't and I didn't think there be 98 00:04:39,920 --> 00:04:43,320 Speaker 3: any chance once Rick did an album and it became 99 00:04:43,440 --> 00:04:46,000 Speaker 3: very successful in America that we would do an album Togain. 100 00:04:46,200 --> 00:04:49,640 Speaker 3: So yes, that's been Yeah, and he's still a good mate. 101 00:04:49,680 --> 00:04:55,400 Speaker 3: We contact each other quite often. And someone hit It's 102 00:04:55,440 --> 00:04:57,240 Speaker 3: a shame though. I feel a bit sorry for Rick 103 00:04:57,440 --> 00:04:59,640 Speaker 3: because I think when he was young someone hit him 104 00:04:59,640 --> 00:04:59,919 Speaker 3: with an ug. 105 00:05:00,440 --> 00:05:02,720 Speaker 4: Yeah, every branch on the way down, didn't he out 106 00:05:02,720 --> 00:05:03,280 Speaker 4: of that tree? 107 00:05:03,480 --> 00:05:03,840 Speaker 1: Yeah? 108 00:05:04,200 --> 00:05:07,279 Speaker 3: Yeah, he's it's affected his career. 109 00:05:07,360 --> 00:05:09,080 Speaker 2: I think I really did. 110 00:05:10,000 --> 00:05:12,599 Speaker 4: Yeah, he's like a rockstye, huge eckman, that bloke. 111 00:05:13,480 --> 00:05:16,839 Speaker 1: Oh and how quickly he let himself go to he 112 00:05:16,960 --> 00:05:17,880 Speaker 1: just he loves it. 113 00:05:18,360 --> 00:05:24,200 Speaker 2: Was most terrible. You don't have boo himself out, Bloken. 114 00:05:26,040 --> 00:05:28,960 Speaker 1: Russell. You're playing the Crown Theater, it's a little there's 115 00:05:29,000 --> 00:05:32,240 Speaker 1: obviously a lot more intimate than doing an arena. What 116 00:05:32,600 --> 00:05:35,800 Speaker 1: is it just the intimacy that's difference different between those 117 00:05:35,960 --> 00:05:38,680 Speaker 1: venues or as. There are vast difference with the acoustics 118 00:05:38,680 --> 00:05:39,159 Speaker 1: as well. 119 00:05:40,520 --> 00:05:40,719 Speaker 4: Well. 120 00:05:40,720 --> 00:05:42,760 Speaker 2: I'm not sure. I'm not I've never played that theater. 121 00:05:43,160 --> 00:05:45,159 Speaker 2: I've actually late laid eyes on it. 122 00:05:45,160 --> 00:05:47,840 Speaker 3: As long as we can fit a well, it's a 123 00:05:47,880 --> 00:05:50,919 Speaker 3: fifty four piece of chest plus an eleven piece bands, 124 00:05:50,960 --> 00:05:53,080 Speaker 3: so as lasts we can fit them on the stage 125 00:05:53,120 --> 00:05:55,080 Speaker 3: without having to sit them in the front stalls. 126 00:05:55,240 --> 00:05:59,560 Speaker 4: Yeah, yeah, yeah, you won't have any trouble with that, mate, 127 00:06:00,080 --> 00:06:01,640 Speaker 4: Russ all that throughout your career might there have been 128 00:06:01,640 --> 00:06:03,960 Speaker 4: so many high points. What does the Aria Hall of 129 00:06:03,960 --> 00:06:05,200 Speaker 4: Fame induction mean to you? 130 00:06:07,240 --> 00:06:11,560 Speaker 3: The Aria Hall of Fame induction, if you can imagine that, 131 00:06:11,720 --> 00:06:12,680 Speaker 3: galvanized me. 132 00:06:13,200 --> 00:06:16,000 Speaker 2: It was like I was there and they said you're 133 00:06:16,000 --> 00:06:17,719 Speaker 2: being nominated for the Aria Hall of Fame. 134 00:06:17,720 --> 00:06:19,599 Speaker 3: I came up and they gave me the Golden Aria 135 00:06:19,720 --> 00:06:22,360 Speaker 3: and spoke about it and all that, and do you 136 00:06:22,440 --> 00:06:26,040 Speaker 3: know what I felt like? I felt like John John 137 00:06:26,080 --> 00:06:29,919 Speaker 3: Blogs and I'd been working at a MP all my 138 00:06:30,000 --> 00:06:32,760 Speaker 3: life and they were giving me the gold Watch. 139 00:06:33,240 --> 00:06:38,719 Speaker 5: Yeah, and that's what it felt like. It's not over 140 00:06:38,800 --> 00:06:43,200 Speaker 5: for me. That's like you're going in a rocking chair 141 00:06:43,240 --> 00:06:46,760 Speaker 5: and you just bugger off. So what I did was 142 00:06:46,800 --> 00:06:49,960 Speaker 5: shark Mouth. That became the biggest album I ever. 143 00:06:49,839 --> 00:06:52,800 Speaker 2: Had absolute I think it was. It was a great 144 00:06:52,800 --> 00:06:54,800 Speaker 2: thing for me. To get it because it made me think, 145 00:06:54,839 --> 00:06:56,000 Speaker 2: hang on, hang on, hang. 146 00:06:55,839 --> 00:06:59,920 Speaker 4: On, that's good. 147 00:07:00,320 --> 00:07:03,280 Speaker 1: Yeah, well the show is going to be amazing. I 148 00:07:03,360 --> 00:07:07,839 Speaker 1: watched just watch Tar the other day Russell with Kate Blenchatt. 149 00:07:07,920 --> 00:07:11,800 Speaker 1: Is that amazing conductor? I expect nothing assured of that 150 00:07:11,880 --> 00:07:14,280 Speaker 1: at this show with a fifty four piece orchestra. It's 151 00:07:14,280 --> 00:07:17,400 Speaker 1: a Crown Theater. November eleven tickets with through Ticketmaster. We'll 152 00:07:17,400 --> 00:07:18,239 Speaker 1: see you in November. 153 00:07:18,360 --> 00:07:20,360 Speaker 4: It was a joy, mate, I'm Cleazie and Lisa. 154 00:07:20,480 --> 00:07:21,240 Speaker 2: Thanks very much. 155 00:07:21,240 --> 00:07:23,760 Speaker 3: And I'll tell you what, no one would hear about 156 00:07:23,800 --> 00:07:25,840 Speaker 3: the show unless you guys put me on here. 157 00:07:25,840 --> 00:07:26,960 Speaker 2: So I am very grateful. 158 00:07:27,040 --> 00:07:30,120 Speaker 3: So and for all those people, I promise you won't 159 00:07:30,120 --> 00:07:30,720 Speaker 3: be disappointed. 160 00:07:30,760 --> 00:07:32,120 Speaker 1: Oh it's going to be. It's amazing. 161 00:07:33,120 --> 00:07:35,440 Speaker 2: Thanks Russell, OK, thank you very much. 162 00:07:35,640 --> 00:07:35,840 Speaker 1: Hie