1 00:00:00,080 --> 00:00:01,359 Speaker 1: Well, what a show. Today. 2 00:00:01,520 --> 00:00:03,440 Speaker 2: We caught up with your mate Paul Stanley, not as 3 00:00:03,480 --> 00:00:05,120 Speaker 2: you say, your mate from Kiss who knows you so 4 00:00:05,280 --> 00:00:05,760 Speaker 2: very well. 5 00:00:05,800 --> 00:00:06,120 Speaker 1: He does. 6 00:00:06,160 --> 00:00:09,440 Speaker 3: He's a close personal friend Jonesy, Yeah, personal friend, and 7 00:00:09,520 --> 00:00:09,960 Speaker 3: yet it's not. 8 00:00:10,000 --> 00:00:11,800 Speaker 1: Him who we caught up with now. That was Paul Stanley. 9 00:00:11,920 --> 00:00:14,040 Speaker 1: I shared a radio studio with him at two and 10 00:00:14,160 --> 00:00:14,840 Speaker 1: M in Muscle. 11 00:00:14,640 --> 00:00:17,239 Speaker 2: Booby and he lives in Tare and his house has 12 00:00:17,280 --> 00:00:19,840 Speaker 2: been flooded. We've spoken to him a few days ago 13 00:00:19,920 --> 00:00:22,240 Speaker 2: and we're catching up with him again as the cleanup begins. 14 00:00:22,480 --> 00:00:24,439 Speaker 2: What does cleanup mean? And how do you even go 15 00:00:24,520 --> 00:00:25,440 Speaker 2: about it? 16 00:00:25,480 --> 00:00:27,640 Speaker 3: Today was a very fraud day for you, the twenty 17 00:00:27,680 --> 00:00:30,720 Speaker 3: seventh of May. It's your thirty fifth wedding anniversary, and 18 00:00:30,760 --> 00:00:34,559 Speaker 3: what you spoke about Harley, who has Parkinson's disease, was 19 00:00:34,720 --> 00:00:38,520 Speaker 3: incredibly brave and I just my heart just breaks. 20 00:00:38,200 --> 00:00:38,720 Speaker 1: For both of you. 21 00:00:38,880 --> 00:00:39,080 Speaker 4: Yeah. 22 00:00:39,080 --> 00:00:41,479 Speaker 2: I mean it's hard every day, but on an anniversary 23 00:00:42,360 --> 00:00:45,599 Speaker 2: it's hard not to look at the years before and 24 00:00:45,640 --> 00:00:48,720 Speaker 2: to mark where you are. And you go through this 25 00:00:48,800 --> 00:00:51,159 Speaker 2: every day with me too. I come into work and 26 00:00:51,159 --> 00:00:52,400 Speaker 2: put one foot in front of the other and it 27 00:00:52,479 --> 00:00:52,920 Speaker 2: saves me. 28 00:00:53,159 --> 00:00:53,559 Speaker 1: Yeah. 29 00:00:53,600 --> 00:00:56,040 Speaker 2: So yeah, I shared a few thoughts on that. 30 00:00:56,120 --> 00:00:58,600 Speaker 3: Also coming up, we had an interesting lady on what 31 00:00:58,680 --> 00:00:59,600 Speaker 3: a fascinating lady. 32 00:00:59,640 --> 00:01:01,880 Speaker 1: Indeed, she was a sorority sister. 33 00:01:02,120 --> 00:01:04,080 Speaker 2: Yeah, and she was kind of interested in maybe joining 34 00:01:04,080 --> 00:01:07,480 Speaker 2: the CIA. This is before September eleven, and they like 35 00:01:07,560 --> 00:01:09,120 Speaker 2: the cut of her jib. She gets a job with 36 00:01:09,200 --> 00:01:11,680 Speaker 2: the CIA and Nick minute she's joining the hunt for 37 00:01:11,720 --> 00:01:12,640 Speaker 2: a Salma bin Laden. 38 00:01:12,720 --> 00:01:15,240 Speaker 3: Yeah, talk about foot in the door. The tribal drum 39 00:01:15,360 --> 00:01:18,520 Speaker 3: also beat for that. We put rose Heal race course 40 00:01:18,560 --> 00:01:21,160 Speaker 3: for sale to the pub test and gets my ghoulies 41 00:01:21,200 --> 00:01:21,640 Speaker 3: as well. 42 00:01:21,720 --> 00:01:37,560 Speaker 1: In this podcast, It's all on the way. 43 00:01:32,560 --> 00:01:32,640 Speaker 2: Now. 44 00:01:32,720 --> 00:01:33,840 Speaker 5: That a miracle of recording. 45 00:01:34,080 --> 00:01:35,840 Speaker 1: We have so many requests. 46 00:01:35,319 --> 00:01:37,640 Speaker 4: For them to do it again. Mistress Amanda and Miss 47 00:01:38,680 --> 00:01:42,040 Speaker 4: Amanda doesn't work alone. 48 00:01:42,040 --> 00:01:44,760 Speaker 1: Friends in the back room making the tools of the train. 49 00:01:44,840 --> 00:01:49,080 Speaker 3: I've heard them describe him as a drunken idiot. The 50 00:01:49,160 --> 00:01:53,000 Speaker 3: legendary poet Jonesy and Amanda the actress. 51 00:01:53,040 --> 00:01:54,960 Speaker 2: Congratulations made. We're there any right now. 52 00:01:56,280 --> 00:01:57,840 Speaker 1: And Amanda, you're doing a great job. 53 00:02:01,240 --> 00:02:05,840 Speaker 6: Good good radio. Sorry but of a tone tone twist, 54 00:02:05,880 --> 00:02:09,840 Speaker 6: set shoot timing. 55 00:02:10,480 --> 00:02:13,760 Speaker 1: We're on there. It's up with the boding to you, Amanda, Hi, 56 00:02:13,880 --> 00:02:15,480 Speaker 1: how are you today? And very well. 57 00:02:15,520 --> 00:02:16,919 Speaker 2: My voice is a bit better. Today's not that. I 58 00:02:16,960 --> 00:02:20,760 Speaker 2: went home and once again said nothing to everyone's relief. 59 00:02:20,919 --> 00:02:23,799 Speaker 2: Sure had a quiet voice trying to croaky, but I'm. 60 00:02:23,639 --> 00:02:25,840 Speaker 1: Okay, you want to continue doing that on today's show? 61 00:02:26,120 --> 00:02:30,240 Speaker 2: What just you know, talk and join in and do 62 00:02:30,320 --> 00:02:33,200 Speaker 2: my job and entertain Yes, I'm here to do all 63 00:02:33,200 --> 00:02:34,040 Speaker 2: those things. Brendan. 64 00:02:34,120 --> 00:02:35,720 Speaker 3: You know, I don't like to swear on the radio, 65 00:02:35,800 --> 00:02:38,680 Speaker 3: but if b This morning, I tried to get on 66 00:02:38,720 --> 00:02:41,800 Speaker 3: the ABC I View thing on computer here because I 67 00:02:41,800 --> 00:02:43,800 Speaker 3: thought i'd watched media Watch. I haven't watched media Watch 68 00:02:43,840 --> 00:02:45,519 Speaker 3: for a while, and I like to see what's going 69 00:02:45,520 --> 00:02:48,360 Speaker 3: on with the temperature of the media landscape. The amount 70 00:02:48,360 --> 00:02:51,680 Speaker 3: of dick around to get on the free ABC I 71 00:02:51,800 --> 00:02:54,560 Speaker 3: View account was beyond the pale. 72 00:02:54,680 --> 00:02:55,600 Speaker 1: I couldn't believe it. 73 00:02:55,760 --> 00:02:58,520 Speaker 3: I put my password in, That password is rejected, so 74 00:02:58,520 --> 00:02:59,600 Speaker 3: I got a new password. 75 00:02:59,760 --> 00:03:02,200 Speaker 1: Then they said it to my email that never came through. 76 00:03:02,520 --> 00:03:05,280 Speaker 1: And this is just to watch a freeview. 77 00:03:05,480 --> 00:03:07,840 Speaker 2: This is the thing the same with us. Well, Hardy 78 00:03:07,880 --> 00:03:09,440 Speaker 2: used to be across all of that stuff with us, 79 00:03:09,480 --> 00:03:11,560 Speaker 2: so now is not so good at that stuff. So 80 00:03:12,080 --> 00:03:15,720 Speaker 2: all that I've battled constantly with wanting to watch anything? 81 00:03:15,919 --> 00:03:17,280 Speaker 2: Do you wanting to watch anything? And as you say, 82 00:03:17,280 --> 00:03:19,560 Speaker 2: all this free to wear stuff as well, because data 83 00:03:19,600 --> 00:03:24,840 Speaker 2: is everything. You now have to even for government SBS, ABC, 84 00:03:25,360 --> 00:03:28,880 Speaker 2: for government broadcasting, they mine your data. You can't watch 85 00:03:28,919 --> 00:03:31,880 Speaker 2: it unless they have all your details. It's exhausting, it 86 00:03:31,960 --> 00:03:32,640 Speaker 2: is exhausting. 87 00:03:32,880 --> 00:03:35,080 Speaker 1: You know, data mining is the new coal. Did you 88 00:03:35,120 --> 00:03:37,720 Speaker 1: know that? That's what that's what they say. That's what 89 00:03:37,760 --> 00:03:38,280 Speaker 1: they say. 90 00:03:38,520 --> 00:03:42,400 Speaker 3: But my TV aerial at home, my terrestrial aerial has 91 00:03:42,640 --> 00:03:43,720 Speaker 3: it's no good, it's blained. 92 00:03:43,760 --> 00:03:45,080 Speaker 2: Do you still use it? 93 00:03:45,240 --> 00:03:46,840 Speaker 3: So a dude came around and said, what you do 94 00:03:46,920 --> 00:03:49,880 Speaker 3: is you get all the absolutely smart TVs, which I've done. 95 00:03:50,080 --> 00:03:51,040 Speaker 1: And then but now. 96 00:03:50,920 --> 00:03:53,440 Speaker 3: When you switch to TV, I've got about eighteen five 97 00:03:53,480 --> 00:03:54,200 Speaker 3: buttons to press. 98 00:03:54,280 --> 00:03:55,880 Speaker 2: I've got about eighteen different remotes. 99 00:03:56,040 --> 00:03:59,360 Speaker 3: The good old days, you just sit on the well. 100 00:03:59,360 --> 00:04:01,320 Speaker 2: When we were young. This is how old are we sound. 101 00:04:01,320 --> 00:04:03,440 Speaker 2: There wasn't even a remote. You had to get up 102 00:04:03,520 --> 00:04:04,800 Speaker 2: go to the TV. So you watched what was on 103 00:04:04,880 --> 00:04:05,800 Speaker 2: because you couldn't be bothered. 104 00:04:05,840 --> 00:04:07,000 Speaker 1: Yeah, look at that, it's the. 105 00:04:06,960 --> 00:04:10,080 Speaker 2: Mayor of Casterbridge every Sunday night with my parents because 106 00:04:10,120 --> 00:04:11,400 Speaker 2: that was what was on. 107 00:04:11,640 --> 00:04:13,960 Speaker 1: And you watched it. I remember watching chips. Yeah, what 108 00:04:14,080 --> 00:04:15,760 Speaker 1: a great shape ships commercial. 109 00:04:15,800 --> 00:04:19,040 Speaker 2: My parents watched ABC the Mayor of pastor Bridge give 110 00:04:19,080 --> 00:04:19,559 Speaker 2: me a break. 111 00:04:19,600 --> 00:04:22,800 Speaker 1: Depressing on a Sunday night, you'd watch Countdown. 112 00:04:22,520 --> 00:04:25,080 Speaker 3: And then the news had come on and it was 113 00:04:25,080 --> 00:04:27,480 Speaker 3: just depressing because you knew the weekend it was over. 114 00:04:27,640 --> 00:04:28,359 Speaker 2: It was over. 115 00:04:28,680 --> 00:04:31,400 Speaker 1: Once Molly finished a sentence, which took some time. 116 00:04:31,600 --> 00:04:34,080 Speaker 2: Watching Young Doctors, that was always mum. We'd have at 117 00:04:34,080 --> 00:04:38,360 Speaker 2: the end of Young Doctors and the punch what are 118 00:04:38,360 --> 00:04:41,480 Speaker 2: they called? The cliffhangers got more and more ridiculous and 119 00:04:41,800 --> 00:04:45,000 Speaker 2: then small and stupid. Once I heard a kettle ball, 120 00:04:45,080 --> 00:04:47,000 Speaker 2: he said, I'll get it. That was it. That was 121 00:04:47,040 --> 00:04:49,240 Speaker 2: the cliffhanger for the evening. My god, I can't wait 122 00:04:49,240 --> 00:04:50,200 Speaker 2: to see what happens tomorrow. 123 00:04:50,240 --> 00:04:53,200 Speaker 1: What about the episode when you golped the tea. 124 00:04:54,320 --> 00:04:58,000 Speaker 2: Cruth. My friend Melanie and I still call each other 125 00:04:58,040 --> 00:04:59,400 Speaker 2: and say, Cruise. 126 00:05:00,640 --> 00:05:03,720 Speaker 1: Jemi Rise is beside himself. I don't know you did it? 127 00:05:04,520 --> 00:05:06,000 Speaker 2: That's right? How did we do it? 128 00:05:06,120 --> 00:05:08,279 Speaker 3: We had to switch the lights off, you know, because 129 00:05:08,279 --> 00:05:11,120 Speaker 3: the Jerry was flying over the city and I'm going 130 00:05:11,200 --> 00:05:13,360 Speaker 3: to drop bombs on the city. 131 00:05:13,480 --> 00:05:15,600 Speaker 1: They were the times Brendon. 132 00:05:16,640 --> 00:05:19,400 Speaker 2: You don't have to go back to Jurassic Park now. 133 00:05:19,760 --> 00:05:21,920 Speaker 1: According to Ryan, we're all a thousand years old here, 134 00:05:21,960 --> 00:05:22,400 Speaker 1: you know that. 135 00:05:22,760 --> 00:05:24,760 Speaker 2: I think the minute that I start talking about Chad Morgan, 136 00:05:24,760 --> 00:05:25,479 Speaker 2: it's all over. 137 00:05:26,360 --> 00:05:27,960 Speaker 1: The actually packed show today. 138 00:05:28,000 --> 00:05:30,719 Speaker 3: We better check it on tarre me old mate Paul Stanley, 139 00:05:31,120 --> 00:05:37,160 Speaker 3: not Paul Stanley from from Kiss you know plan it. 140 00:05:37,320 --> 00:05:39,400 Speaker 2: He always bang on that he's your personal friend. 141 00:05:39,480 --> 00:05:42,279 Speaker 3: Well, Paul Stanley from Kiss is my close personal friend, 142 00:05:42,320 --> 00:05:45,400 Speaker 3: as he's documented on the show many times. There says 143 00:05:45,440 --> 00:05:48,400 Speaker 3: Paul Stanley there right, john Z, Yeah, personal friend. 144 00:05:48,520 --> 00:05:50,039 Speaker 2: You don't have to you know, if he's a personal friend, 145 00:05:50,040 --> 00:05:51,400 Speaker 2: you shouldn't have to hund round half now for. 146 00:05:51,560 --> 00:05:54,960 Speaker 1: Liss that was not me, it's right? Well is this coup? 147 00:05:55,000 --> 00:05:56,200 Speaker 2: Why did you go through my phone and get my 148 00:05:56,240 --> 00:05:57,159 Speaker 2: friends out as well? 149 00:05:57,800 --> 00:05:59,920 Speaker 1: Anyway, we should check on what's happening in Tara. 150 00:06:00,000 --> 00:06:04,120 Speaker 2: You lots of that there. Where do you start? Where 151 00:06:04,120 --> 00:06:06,760 Speaker 2: do you start cleaning up all that? I'd get a 152 00:06:06,760 --> 00:06:09,320 Speaker 2: call from mister Fryer who's being arounded by That's where 153 00:06:09,360 --> 00:06:09,720 Speaker 2: you start. 154 00:06:09,800 --> 00:06:12,640 Speaker 1: We've also got to form a CIA agent on the show. 155 00:06:12,680 --> 00:06:14,159 Speaker 2: To you more about that as we go on. 156 00:06:14,000 --> 00:06:15,160 Speaker 1: Instagram makes us return. 157 00:06:15,200 --> 00:06:17,640 Speaker 3: It went off yesterday, and we can't do anything until 158 00:06:17,640 --> 00:06:18,800 Speaker 3: we do the Magnificent seven. 159 00:06:18,960 --> 00:06:23,479 Speaker 2: Question one haha, famous for this single no Lies. What's 160 00:06:23,520 --> 00:06:25,160 Speaker 2: the name of Jonesy's band? 161 00:06:26,400 --> 00:06:28,120 Speaker 1: Let's get into the Magnificent seven. Let's do it. 162 00:06:28,160 --> 00:06:29,320 Speaker 2: Rup to question number one. 163 00:06:29,640 --> 00:06:31,200 Speaker 3: Seven questions? Can you go all the way and answer 164 00:06:31,200 --> 00:06:33,039 Speaker 3: all seven questions correctly? If you do that, a Manda 165 00:06:33,040 --> 00:06:33,560 Speaker 3: will say. 166 00:06:33,440 --> 00:06:35,120 Speaker 2: Let's get into question number one. Now I want I'll 167 00:06:35,160 --> 00:06:37,520 Speaker 2: say hello and welcome, and I hope my voice isn't 168 00:06:37,520 --> 00:06:38,000 Speaker 2: too croaky. 169 00:06:39,080 --> 00:06:40,600 Speaker 1: You got a long way to go and no time 170 00:06:40,640 --> 00:06:41,040 Speaker 1: to get there. 171 00:06:41,200 --> 00:06:43,880 Speaker 2: Maybe first of all you said don't talk, and now 172 00:06:43,880 --> 00:06:45,440 Speaker 2: are you saying slow? 173 00:06:45,480 --> 00:06:48,280 Speaker 1: You just I thought I was on two k y. 174 00:06:48,320 --> 00:06:49,400 Speaker 1: Are you going to do the races? 175 00:06:49,720 --> 00:06:51,680 Speaker 2: Should I do that? The race? 176 00:06:51,760 --> 00:06:52,200 Speaker 1: How would you go? 177 00:06:52,920 --> 00:06:55,200 Speaker 2: They're racing? Actually, we're going to put this to the 178 00:06:55,200 --> 00:06:58,440 Speaker 2: pup test today rose to a race course vote today 179 00:06:58,480 --> 00:07:01,000 Speaker 2: that it should be used for housing. Those houses aren't 180 00:07:01,000 --> 00:07:02,120 Speaker 2: going to go around there fast enough. 181 00:07:02,160 --> 00:07:04,120 Speaker 1: They're going to say you have sold that thing years ago. 182 00:07:04,520 --> 00:07:07,880 Speaker 1: Rachelle's in Green Valley, Hello, Rachelle, Hello Michelle. 183 00:07:07,480 --> 00:07:08,520 Speaker 6: Good morning, guys. 184 00:07:08,600 --> 00:07:09,800 Speaker 4: How are you very well? 185 00:07:09,960 --> 00:07:13,240 Speaker 2: Question number one, famous for their single No Lies, what 186 00:07:13,360 --> 00:07:15,160 Speaker 2: was the name of Jonesy's band? 187 00:07:16,040 --> 00:07:16,240 Speaker 4: Oh? 188 00:07:16,320 --> 00:07:18,000 Speaker 7: God, is it match Rocks twenty? 189 00:07:21,760 --> 00:07:25,320 Speaker 2: He dreams of that, Rachelle, you're a quick snippet of it. 190 00:07:25,360 --> 00:07:32,440 Speaker 2: This might remind people think of a faulty White Cooks 191 00:07:32,480 --> 00:07:34,239 Speaker 2: for the cluest to the band's name. 192 00:07:34,240 --> 00:07:34,320 Speaker 8: N. 193 00:07:35,960 --> 00:07:38,600 Speaker 2: Vicky's an old tune, Gabby, This was in my head 194 00:07:38,640 --> 00:07:40,920 Speaker 2: all day. I texted Jonesy yesterday and said, I have 195 00:07:41,040 --> 00:07:42,080 Speaker 2: your song in my head. 196 00:07:42,120 --> 00:07:43,760 Speaker 1: There's other songs as well, Vicky. 197 00:07:43,840 --> 00:07:47,080 Speaker 2: That's even worse, Vicky, what's the name of Jonesy's band? 198 00:07:47,960 --> 00:07:49,560 Speaker 1: I believe it's bad Element. 199 00:07:49,640 --> 00:07:55,680 Speaker 3: It's a bad element, and there was forgetful nights. 200 00:08:04,720 --> 00:08:06,080 Speaker 2: People are dreaming for me to talk. 201 00:08:06,960 --> 00:08:07,440 Speaker 1: That's when. 202 00:08:07,600 --> 00:08:09,880 Speaker 3: That's when the tape gave out. I managed to fix 203 00:08:09,920 --> 00:08:10,640 Speaker 3: the tape, though. 204 00:08:11,360 --> 00:08:12,280 Speaker 2: What else is on it? 205 00:08:12,520 --> 00:08:15,280 Speaker 3: There's two other songs we haven't heard. Yeah, yeah, yeah, 206 00:08:15,440 --> 00:08:16,800 Speaker 3: there's too Young, too pretty. 207 00:08:18,480 --> 00:08:19,440 Speaker 2: And what's the other one? 208 00:08:20,360 --> 00:08:24,480 Speaker 3: There's another one I can't remember too old, No, but 209 00:08:24,520 --> 00:08:26,160 Speaker 3: it's it's on this cassette right here. 210 00:08:26,160 --> 00:08:27,040 Speaker 2: When do we get to hear that? 211 00:08:27,040 --> 00:08:27,160 Speaker 1: Well? 212 00:08:27,160 --> 00:08:29,440 Speaker 3: The problem is my cassette is broken. I don't want 213 00:08:29,440 --> 00:08:31,840 Speaker 3: to put this back into it, thank you. We don't 214 00:08:31,840 --> 00:08:34,040 Speaker 3: have a cassette player in the whole radio station. 215 00:08:34,120 --> 00:08:36,640 Speaker 1: What are the chances the chance? What are the chances. 216 00:08:37,760 --> 00:08:40,640 Speaker 2: Keep? Question number two? Question two, what were the original 217 00:08:40,679 --> 00:08:46,600 Speaker 2: colors in a game of Twister? Original colors? Yeah? What 218 00:08:46,679 --> 00:08:47,880 Speaker 2: are the main colors in Twister? 219 00:08:48,080 --> 00:08:52,000 Speaker 1: Yeah? Oh, red, green, and yellow and blue? Yeah you 220 00:08:52,000 --> 00:08:53,600 Speaker 1: get let's placing it back. 221 00:08:54,559 --> 00:08:59,960 Speaker 2: No lies, thos are too challenge. 222 00:09:00,440 --> 00:09:03,120 Speaker 1: Can you sing the next line of this song? Have 223 00:09:03,200 --> 00:09:03,640 Speaker 1: a listen? 224 00:09:04,240 --> 00:09:05,360 Speaker 2: You know I'm gatting? 225 00:09:05,480 --> 00:09:08,000 Speaker 7: Do not? 226 00:09:11,040 --> 00:09:16,719 Speaker 1: Take over from eagle? Oh? Can I hear it again? Yes? 227 00:09:16,760 --> 00:09:17,040 Speaker 1: You can? 228 00:09:17,720 --> 00:09:18,240 Speaker 4: Thank you? 229 00:09:18,240 --> 00:09:19,360 Speaker 2: You know I'm gatting? 230 00:09:19,480 --> 00:09:22,000 Speaker 9: Do not? 231 00:09:22,240 --> 00:09:25,080 Speaker 1: I wished so go? 232 00:09:27,600 --> 00:09:31,480 Speaker 2: No on the from Vicky? How about this one? No lies? 233 00:09:31,559 --> 00:09:32,320 Speaker 2: What comes after that? 234 00:09:34,200 --> 00:09:37,600 Speaker 1: I don't mock my well that so he probably would 235 00:09:37,600 --> 00:09:38,480 Speaker 1: have got that too, By. 236 00:09:38,400 --> 00:09:42,400 Speaker 2: The way, hardly the most challenging lyrics. That's question number. 237 00:09:42,200 --> 00:09:47,960 Speaker 3: Three podcast The Magnificent Seven, not the question number three, 238 00:09:47,960 --> 00:09:50,320 Speaker 3: which is singer back it for me? 239 00:09:52,960 --> 00:09:57,840 Speaker 2: Hi, Sam and Sea fourth? Are you well now this 240 00:09:58,000 --> 00:10:00,320 Speaker 2: is eagle Eye Cherry. You're going to sing the next 241 00:10:00,360 --> 00:10:02,360 Speaker 2: line of this song. When Eagle a Cherry stops, here 242 00:10:02,360 --> 00:10:02,679 Speaker 2: we go. 243 00:10:03,320 --> 00:10:03,880 Speaker 1: You know I. 244 00:10:07,520 --> 00:10:08,280 Speaker 2: Wish it was. 245 00:10:10,800 --> 00:10:14,640 Speaker 7: Say tonight and fight the break of dining. 246 00:10:15,920 --> 00:10:17,160 Speaker 2: Bad element with a voice like that. 247 00:10:21,160 --> 00:10:21,400 Speaker 4: Guard. 248 00:10:22,960 --> 00:10:26,120 Speaker 3: What are the young of rabbits called, Sam? Are they 249 00:10:26,200 --> 00:10:30,440 Speaker 3: a bunnies? The kittens, se cubs. 250 00:10:30,440 --> 00:10:34,120 Speaker 2: Or delicious. 251 00:10:34,000 --> 00:10:34,200 Speaker 1: Kitten? 252 00:10:34,200 --> 00:10:36,520 Speaker 2: That's what they call kittens? Question five? In which book? 253 00:10:36,520 --> 00:10:40,160 Speaker 2: Did four Ghosts visit Scrooge? Sam? 254 00:10:40,559 --> 00:10:49,040 Speaker 4: Scrooge, Scrooge McDuck, But screwge. 255 00:10:49,440 --> 00:10:53,080 Speaker 3: They did do an adaptation with Scrooge McDuck, But originally 256 00:10:53,600 --> 00:10:55,000 Speaker 3: it was what. 257 00:10:54,880 --> 00:10:55,320 Speaker 1: Was the book? 258 00:10:56,040 --> 00:10:57,760 Speaker 2: No, I was making a. 259 00:10:57,760 --> 00:10:58,640 Speaker 1: Joke about the ducks. 260 00:10:58,679 --> 00:11:01,000 Speaker 2: You should have mentioned, And I'm sorry about mentioning the ducks. 261 00:11:01,160 --> 00:11:03,199 Speaker 1: Jeremy is in Norella Jeremy. 262 00:11:02,840 --> 00:11:05,160 Speaker 2: Forget the ducks? In which book? 263 00:11:05,760 --> 00:11:06,640 Speaker 1: Why Jeremy? 264 00:11:06,679 --> 00:11:06,920 Speaker 4: Book? 265 00:11:07,000 --> 00:11:09,080 Speaker 2: Did four Ghosts visit Scrooge? 266 00:11:10,480 --> 00:11:10,920 Speaker 1: Christmas? 267 00:11:10,920 --> 00:11:16,400 Speaker 3: Carl Freggie Mudies played Malcolm in which famous sitcom. 268 00:11:18,080 --> 00:11:19,800 Speaker 1: Him in the middle? Yes, it's coming back to by 269 00:11:19,840 --> 00:11:20,079 Speaker 1: the way. 270 00:11:20,240 --> 00:11:23,040 Speaker 2: Question seven, This is going to be a bigger story 271 00:11:23,040 --> 00:11:25,360 Speaker 2: in the news today. But he's questioned seven, who is 272 00:11:25,400 --> 00:11:26,800 Speaker 2: the French President? 273 00:11:29,760 --> 00:11:30,760 Speaker 4: I have no idea. 274 00:11:32,200 --> 00:11:33,840 Speaker 3: Yeah, the biggest story you say that? Did you see 275 00:11:33,840 --> 00:11:35,160 Speaker 3: he's missus push him in the mush? 276 00:11:35,280 --> 00:11:35,439 Speaker 2: Yeah? 277 00:11:35,480 --> 00:11:36,240 Speaker 1: This is on the plane. 278 00:11:36,320 --> 00:11:36,520 Speaker 6: Yeah. 279 00:11:36,559 --> 00:11:38,040 Speaker 1: Yeah, Kelly's in Gleamore Park. 280 00:11:38,120 --> 00:11:39,960 Speaker 2: Hi, Kelly, do you know who the French president is? 281 00:11:41,080 --> 00:11:42,080 Speaker 7: I have no idea. 282 00:11:42,480 --> 00:11:46,840 Speaker 1: Really Marred John is in Reliza back. 283 00:11:46,920 --> 00:11:52,040 Speaker 2: Hello John, who's the president? Have you seen that footage 284 00:11:52,080 --> 00:11:54,560 Speaker 2: that's emerged this morning? He and his wife have landed 285 00:11:54,679 --> 00:11:57,840 Speaker 2: in Vietnam where they're doing a tour, as it were, 286 00:11:58,280 --> 00:12:01,280 Speaker 2: and the door opens. She pushes him in his face. 287 00:12:01,559 --> 00:12:04,120 Speaker 2: He looks shocked to see that people are looking in. Yeah, 288 00:12:04,160 --> 00:12:06,360 Speaker 2: and then they walk down the stairs. He goes to 289 00:12:06,400 --> 00:12:07,560 Speaker 2: take her hand and she doesn't. 290 00:12:08,360 --> 00:12:11,280 Speaker 1: Yeah. Maybe he's upset her on the plane, do you think. 291 00:12:12,200 --> 00:12:15,360 Speaker 2: But it's quite a It's not a punch, it's a push. 292 00:12:15,440 --> 00:12:18,040 Speaker 2: But no one would like to be pushed in the 293 00:12:18,080 --> 00:12:18,760 Speaker 2: face like that. 294 00:12:19,120 --> 00:12:20,440 Speaker 1: Yeah, they could be mucking around that. 295 00:12:20,520 --> 00:12:21,920 Speaker 2: You know, it didn't look like muck around. 296 00:12:22,120 --> 00:12:23,440 Speaker 1: It didn't. Yeah, I don't know. 297 00:12:24,360 --> 00:12:27,560 Speaker 2: It looks like it looked like she had attitude about something. 298 00:12:27,559 --> 00:12:29,440 Speaker 2: And I know when they've tried to pass it off 299 00:12:29,480 --> 00:12:31,800 Speaker 2: initially as a bit of light fun, and now they 300 00:12:32,120 --> 00:12:33,120 Speaker 2: sort of moved on from that. 301 00:12:33,640 --> 00:12:36,520 Speaker 1: A woman with attitude about something. This is new. Oh, come, 302 00:12:36,640 --> 00:12:38,320 Speaker 1: this is John. Have you heard of this before? 303 00:12:39,400 --> 00:12:39,600 Speaker 2: Never? 304 00:12:39,800 --> 00:12:43,720 Speaker 1: Never know? I'm married. Well that's extraordinary. Then this happens. 305 00:12:43,760 --> 00:12:46,959 Speaker 3: Congratulations you've won the jam Packed John a double pass 306 00:12:47,080 --> 00:12:49,320 Speaker 3: to any of the musical now playing at the Capitol Theater. 307 00:12:49,320 --> 00:12:52,240 Speaker 3: Book your tickets at any musical dot com. Dola you 308 00:12:52,440 --> 00:12:55,720 Speaker 3: one hundred dollars to spend at she in dream Space. 309 00:12:55,920 --> 00:12:59,400 Speaker 3: Start with Shean's fifty dollars styling challenge. You'll be the 310 00:12:59,400 --> 00:13:02,920 Speaker 3: most stylish person in Razorback. John and Jonesy demanded caricatures 311 00:13:02,920 --> 00:13:05,079 Speaker 3: fore the coloring and standa pencils. Any you'd like to 312 00:13:05,120 --> 00:13:05,800 Speaker 3: add my man. 313 00:13:06,920 --> 00:13:10,120 Speaker 1: Blumrow Night, Yeah, Tomorrow night, yes too. 314 00:13:10,480 --> 00:13:13,920 Speaker 2: Yes, I think I picked the blues with my darts, 315 00:13:13,960 --> 00:13:14,400 Speaker 2: didn't I? 316 00:13:14,520 --> 00:13:14,800 Speaker 1: You did? 317 00:13:14,920 --> 00:13:15,960 Speaker 2: And I'm on a street. 318 00:13:16,040 --> 00:13:17,400 Speaker 1: No you didn't. You went for the morons. 319 00:13:17,520 --> 00:13:19,240 Speaker 2: I didn't go for the maroons. That's who the universe 320 00:13:19,320 --> 00:13:24,080 Speaker 2: chose with my dad. You're right. Sorry, everyone make sad. 321 00:13:24,200 --> 00:13:28,520 Speaker 10: Back again to Jonesy and Amanda podcast. 322 00:13:30,920 --> 00:13:35,160 Speaker 3: Yeah, Jal and Amanda with great sadness that I announced 323 00:13:35,160 --> 00:13:41,440 Speaker 3: this no great great eye coming through the Jermanacat Big 324 00:13:41,480 --> 00:13:43,680 Speaker 3: Book of Musical Facts. On this day, two thousand and six, 325 00:13:43,720 --> 00:13:47,280 Speaker 3: Red Hot Chili Peppers released They hit Danny, California. What 326 00:13:47,400 --> 00:13:50,760 Speaker 3: a great song. Flash forward to twenty twelve, and what 327 00:13:50,840 --> 00:13:53,600 Speaker 3: a year for the guys. They won seven Grammy Awards, 328 00:13:53,920 --> 00:13:58,120 Speaker 3: sold over sixty million albums worldwide, and to top it 329 00:13:58,120 --> 00:13:59,839 Speaker 3: all off, they were inducted into the Rock and Roll 330 00:13:59,840 --> 00:14:00,520 Speaker 3: Hall All of Fame. 331 00:14:01,160 --> 00:14:02,520 Speaker 1: Do you remember that in that year? 332 00:14:02,600 --> 00:14:05,240 Speaker 3: That was also the same year Chad Smith was on 333 00:14:05,920 --> 00:14:08,840 Speaker 3: Jimmy Fallon where him and Will Ferrell or Pharrell. 334 00:14:09,040 --> 00:14:11,520 Speaker 1: Oh yeah, they look like each other. They went on 335 00:14:11,559 --> 00:14:13,080 Speaker 1: the dramas and they had an. 336 00:14:12,920 --> 00:14:16,480 Speaker 3: Old school drum off, the traditional drum off. This is 337 00:14:16,559 --> 00:14:22,920 Speaker 3: Chad Smith from Red Hoshny Feathers. That's some good drumming 338 00:14:23,000 --> 00:14:24,880 Speaker 3: right there. I know that you're not a fan of 339 00:14:24,920 --> 00:14:26,160 Speaker 3: drummers that. 340 00:14:26,320 --> 00:14:30,040 Speaker 1: Is, but you know who's a no slatch on the 341 00:14:30,120 --> 00:14:37,240 Speaker 1: kid is well Will Farrell. It's pretty good. 342 00:14:37,880 --> 00:14:40,360 Speaker 2: And then do you remembers much of the shock of 343 00:14:40,400 --> 00:14:48,000 Speaker 2: everyone that guy from Bad Element stepped. That's just shot down. 344 00:14:53,800 --> 00:14:56,080 Speaker 1: That's pretty good. That stands up against those two guys, 345 00:14:58,960 --> 00:15:02,280 Speaker 1: and that's when he am delude, what are we going 346 00:15:02,320 --> 00:15:02,600 Speaker 1: to play? 347 00:15:02,680 --> 00:15:02,920 Speaker 2: Bread? 348 00:15:03,160 --> 00:15:05,960 Speaker 1: Get gem Nations? 349 00:15:06,440 --> 00:15:10,080 Speaker 3: The matha mammoth clean up is underway following the heavy 350 00:15:10,120 --> 00:15:13,800 Speaker 3: rains and flooding that reaged tavage damage to the mid. 351 00:15:13,840 --> 00:15:15,080 Speaker 1: North coast there. So what have I had? 352 00:15:15,080 --> 00:15:18,280 Speaker 3: A straight have you had Astralia read o chili peppers, 353 00:15:18,280 --> 00:15:23,880 Speaker 3: but Tari was inundated with unprecedented amounts of water. 354 00:15:24,280 --> 00:15:25,560 Speaker 1: Last week we caught up with. 355 00:15:25,480 --> 00:15:28,520 Speaker 3: Paul Stanley, not from Kiss, but Paul Stanley, who I 356 00:15:28,600 --> 00:15:31,720 Speaker 3: used to work with on the radio at Musclebrook. 357 00:15:31,360 --> 00:15:32,400 Speaker 1: And he lives in Tari. 358 00:15:32,680 --> 00:15:35,520 Speaker 3: His house went underwater, went underwater in twenty twenty two, 359 00:15:35,680 --> 00:15:37,200 Speaker 3: and now it's gone underwater again. 360 00:15:37,360 --> 00:15:41,120 Speaker 4: Hello Paul, Oh, hello Jones. Are you good morning, Amanda? 361 00:15:41,400 --> 00:15:44,680 Speaker 2: Hi Paul. We hear that from today seventy Australian Defense 362 00:15:44,760 --> 00:15:46,960 Speaker 2: Force personnel is going to be deployed to the area 363 00:15:47,000 --> 00:15:49,440 Speaker 2: to help clear the debris, re open roads, et cetera. 364 00:15:49,760 --> 00:15:51,800 Speaker 2: Where do you even start with a cleanup? What's the 365 00:15:51,880 --> 00:15:54,280 Speaker 2: state of your place? Do you get out of screechy? 366 00:15:54,560 --> 00:15:55,040 Speaker 2: What do you do? 367 00:15:55,880 --> 00:16:00,320 Speaker 4: I'm so glad they're coming. Honestly, we need hands on deck, 368 00:16:00,400 --> 00:16:02,320 Speaker 4: you know. And I've been hanging for those guys. They 369 00:16:02,400 --> 00:16:05,160 Speaker 4: came last time in twenty one, in March twenty one 370 00:16:06,040 --> 00:16:08,880 Speaker 4: and are incredible. They had massive big tit trucks and 371 00:16:08,920 --> 00:16:11,200 Speaker 4: diggers and whatever else is to grab all the stuff. 372 00:16:11,240 --> 00:16:14,520 Speaker 4: But at the moment my place was about half a 373 00:16:14,520 --> 00:16:17,080 Speaker 4: meter underwater. It didn't go all the way through, so 374 00:16:17,200 --> 00:16:20,360 Speaker 4: some stuff was saved, but a lot of stuff is 375 00:16:20,600 --> 00:16:23,800 Speaker 4: just gone. It's incredible the amount of people that have 376 00:16:23,880 --> 00:16:27,360 Speaker 4: suffered worse than I have. My house is quite damaged, 377 00:16:27,400 --> 00:16:29,040 Speaker 4: so I won't be living in it for a while 378 00:16:29,880 --> 00:16:32,440 Speaker 4: and living around with family at the moment and in 379 00:16:32,560 --> 00:16:35,280 Speaker 4: a van. So I'm lucky I have a van. 380 00:16:35,520 --> 00:16:36,640 Speaker 1: But is it? 381 00:16:37,480 --> 00:16:37,960 Speaker 2: What is it? 382 00:16:38,000 --> 00:16:40,320 Speaker 1: What's the mud? 383 00:16:40,920 --> 00:16:45,000 Speaker 4: It's logs, it's mud, it's the silt. Is incredible road 384 00:16:45,040 --> 00:16:48,760 Speaker 4: based from tracks is I'm on a property right near 385 00:16:48,800 --> 00:16:54,400 Speaker 4: the river. It's incredible. The cartage on whatever the word is, 386 00:16:54,440 --> 00:16:56,640 Speaker 4: it's hard to describe. But there's so many people that 387 00:16:56,720 --> 00:17:00,080 Speaker 4: lived a couple of kilometers away from the river that 388 00:17:00,160 --> 00:17:03,840 Speaker 4: were inundated with flood water that are homeless. There's so 389 00:17:04,000 --> 00:17:06,960 Speaker 4: much Homelessnesre's so much debris that people are pulling out 390 00:17:07,000 --> 00:17:09,359 Speaker 4: of their houses. You have to clean your house pretty 391 00:17:09,400 --> 00:17:12,760 Speaker 4: well straight away. We had sixty volunteers. When we could 392 00:17:12,800 --> 00:17:14,800 Speaker 4: get in, we had to get in. We couldn't get 393 00:17:14,800 --> 00:17:17,680 Speaker 4: in until Saturday. We had big blog movers moving shit 394 00:17:17,720 --> 00:17:21,080 Speaker 4: out of the way, Sorry about that, so we could 395 00:17:21,080 --> 00:17:23,000 Speaker 4: get into the track. Then we had people trying to 396 00:17:23,000 --> 00:17:26,280 Speaker 4: make our track. Volunteers were just pulling stuff out of 397 00:17:26,320 --> 00:17:28,720 Speaker 4: my house, out of another house, out of another house, 398 00:17:29,840 --> 00:17:32,280 Speaker 4: cleaning all the mud out. We had water tankers with 399 00:17:32,880 --> 00:17:35,760 Speaker 4: petrol pumps to be able to hose the houses. 400 00:17:35,359 --> 00:17:39,719 Speaker 2: Outsing the inside of your house out, all the electrical stuff. 401 00:17:41,080 --> 00:17:44,000 Speaker 4: Mine was okay, a lot of it's gone. I lost 402 00:17:44,000 --> 00:17:47,600 Speaker 4: my fridge, you know, because it was sort of underneath 403 00:17:47,640 --> 00:17:50,320 Speaker 4: the water where the motor and stuff is. But a 404 00:17:50,359 --> 00:17:53,880 Speaker 4: lot of people have they got everything, absolutely everything. They've 405 00:17:54,440 --> 00:17:56,880 Speaker 4: swum out of the flood walls and in a lot 406 00:17:56,880 --> 00:17:58,760 Speaker 4: of cases have been rescued. I've seen a lot of 407 00:17:58,760 --> 00:18:03,080 Speaker 4: people with helicopters winching them off their roofs with their 408 00:18:03,119 --> 00:18:05,000 Speaker 4: pets and things like that. On a lot of vision, 409 00:18:05,040 --> 00:18:07,639 Speaker 4: it's just heartache and the clean up because what happens 410 00:18:07,760 --> 00:18:09,200 Speaker 4: is the smell of everything as well. 411 00:18:10,520 --> 00:18:12,520 Speaker 2: And do you go back, Paul, this has happened to 412 00:18:12,560 --> 00:18:15,200 Speaker 2: you twice. You live near the river. Do you make 413 00:18:15,240 --> 00:18:16,280 Speaker 2: different choices now? 414 00:18:16,440 --> 00:18:21,240 Speaker 4: I've got I've got a million dollars years waterfront, Yeah, waterfront, 415 00:18:22,119 --> 00:18:24,760 Speaker 4: of course I do. It's a family farm. I mean 416 00:18:24,880 --> 00:18:28,000 Speaker 4: my business, the family business. It's a turf farm. It'll 417 00:18:28,040 --> 00:18:31,400 Speaker 4: be out of business for twelve months, damage to the turf. 418 00:18:31,840 --> 00:18:35,080 Speaker 4: My brother is devastated, but he's a fighter and these 419 00:18:35,119 --> 00:18:38,000 Speaker 4: boys who work with him and own the property. I 420 00:18:38,160 --> 00:18:40,119 Speaker 4: just rent the house, you know, but I grew up 421 00:18:40,119 --> 00:18:42,200 Speaker 4: in it when I was a kid, so. 422 00:18:41,680 --> 00:18:42,920 Speaker 2: It's nice to be back there. 423 00:18:42,960 --> 00:18:45,600 Speaker 3: But still, you know, insurance isn't covering any of that. 424 00:18:46,080 --> 00:18:47,560 Speaker 3: Do you need another fridge you I'm going to get 425 00:18:47,560 --> 00:18:48,240 Speaker 3: you another fridge. 426 00:18:48,320 --> 00:18:49,160 Speaker 1: Yeah, mate, I'll. 427 00:18:49,200 --> 00:18:51,480 Speaker 4: Love a fridge Jonesy, but don't get it yet. Wait 428 00:18:51,520 --> 00:18:54,560 Speaker 4: till the powers than. 429 00:18:55,280 --> 00:18:58,080 Speaker 1: Kip, thanks for keeping us up. To keep up, please 430 00:18:58,119 --> 00:18:58,920 Speaker 1: let us check in. 431 00:18:59,040 --> 00:19:02,000 Speaker 3: Just to make sure that you guys don't aren't abandoned 432 00:19:02,000 --> 00:19:03,240 Speaker 3: by the government and let. 433 00:19:03,160 --> 00:19:06,160 Speaker 2: Us know we really yeah sorry, As I said, when 434 00:19:06,160 --> 00:19:08,640 Speaker 2: the time comes, let us know what is needed. Because 435 00:19:08,680 --> 00:19:09,400 Speaker 2: people want to help. 436 00:19:09,600 --> 00:19:10,200 Speaker 1: They want to help. 437 00:19:11,040 --> 00:19:13,960 Speaker 4: I think if they've got a self maintained accommodation to 438 00:19:14,000 --> 00:19:16,560 Speaker 4: get up there. There's websites around the believe where you 439 00:19:16,600 --> 00:19:18,879 Speaker 4: can be a volunteer, so they direct you to different 440 00:19:18,920 --> 00:19:21,760 Speaker 4: things you need to be fit and able. I think 441 00:19:21,760 --> 00:19:24,600 Speaker 4: they'll supply you with bits and pieces that you'll need. 442 00:19:24,680 --> 00:19:26,920 Speaker 4: I know there's a lot of things that need to 443 00:19:26,960 --> 00:19:30,600 Speaker 4: be pulled out and they're all mud infected and also 444 00:19:30,920 --> 00:19:35,040 Speaker 4: very heavy and wet, both mattresses and bedding and clothes 445 00:19:35,119 --> 00:19:39,000 Speaker 4: and furniture that's sogging and falling apart. It's the whole 446 00:19:39,000 --> 00:19:43,800 Speaker 4: area is a bombshell. It's just incredible. It's horrific. And 447 00:19:43,840 --> 00:19:46,560 Speaker 4: the smells. You know that we've had dead animals parked 448 00:19:46,640 --> 00:19:48,639 Speaker 4: up against my house, so we've had to get rid of, 449 00:19:49,440 --> 00:19:52,880 Speaker 4: you know, it's just sad and a lot of sick 450 00:19:52,920 --> 00:19:54,800 Speaker 4: animals of course that have been washed up on the 451 00:19:54,840 --> 00:19:59,680 Speaker 4: beaches nearby. So yeah, look, bring your own self contained 452 00:19:59,680 --> 00:20:02,399 Speaker 4: thing on a website somewhere and find out who you 453 00:20:02,400 --> 00:20:05,080 Speaker 4: can deal with to get volunteers. We had sixty on 454 00:20:05,160 --> 00:20:09,680 Speaker 4: Saturday for It's Good Sunday, about forty yesterday, and most 455 00:20:09,720 --> 00:20:11,680 Speaker 4: of them are friends of all of our family. 456 00:20:12,359 --> 00:20:14,320 Speaker 2: And for those of people who aren't able to do that, 457 00:20:14,359 --> 00:20:16,359 Speaker 2: there will be financial ways we can help later on. 458 00:20:16,640 --> 00:20:19,360 Speaker 3: Mate, you look after yourself. I came, we haven't forgotten you. 459 00:20:19,040 --> 00:20:21,159 Speaker 3: You're in the loop, you're in the mixture at the 460 00:20:21,200 --> 00:20:22,000 Speaker 3: top of our mind. 461 00:20:22,760 --> 00:20:25,320 Speaker 4: I appreciate it very much, And Amander, I love your 462 00:20:25,320 --> 00:20:28,280 Speaker 4: gig made on the piano on a piano tutor and 463 00:20:28,359 --> 00:20:29,359 Speaker 4: everything you say is. 464 00:20:29,240 --> 00:20:33,080 Speaker 2: Correct, always, Paul always. 465 00:20:33,760 --> 00:20:34,320 Speaker 4: I love the show. 466 00:20:34,359 --> 00:20:36,879 Speaker 1: Thank you so much for take care for Stanley. Reporting 467 00:20:36,920 --> 00:20:42,919 Speaker 1: live from Tari Jonesy jam Nations on the pub. 468 00:20:42,680 --> 00:20:44,399 Speaker 3: Test today, as we go down to the jokes and 469 00:20:44,440 --> 00:20:48,240 Speaker 3: matter of arms, selling rose Hill Racecourse for housing, does 470 00:20:48,240 --> 00:20:49,280 Speaker 3: it pass the pub test? 471 00:20:49,320 --> 00:20:50,560 Speaker 1: The vote happens today. 472 00:20:50,600 --> 00:20:54,439 Speaker 2: It happens today. Now here's the deal. They cast their 473 00:20:54,480 --> 00:20:57,280 Speaker 2: final votes on plans to sell Rosa Racecourse for five 474 00:20:57,440 --> 00:21:00,199 Speaker 2: billion dollars to make way for a mini city of 475 00:21:00,200 --> 00:21:04,360 Speaker 2: twenty five thousand homes. Not just that a metro. This 476 00:21:04,400 --> 00:21:07,600 Speaker 2: would be the only metro. We're stationed between Paramatta and 477 00:21:07,680 --> 00:21:10,600 Speaker 2: Olympic Park. And if they don't do it now, they 478 00:21:10,640 --> 00:21:12,800 Speaker 2: won't do it. If they get a smaller blot plot 479 00:21:12,840 --> 00:21:16,000 Speaker 2: for housing and don't build the metro, then it'll be 480 00:21:16,040 --> 00:21:18,159 Speaker 2: too hard to put a metro in later. And with 481 00:21:18,240 --> 00:21:22,879 Speaker 2: a metro comes schools, comes shops, comes, green space, comes, society, 482 00:21:23,040 --> 00:21:25,040 Speaker 2: comes all that stuff. They're saying, we're in the midst 483 00:21:25,040 --> 00:21:27,800 Speaker 2: of a housing crisis. We've got thirty to forty year 484 00:21:27,840 --> 00:21:30,040 Speaker 2: olds leaving Sydney for Queensland because we don't have a 485 00:21:30,040 --> 00:21:33,600 Speaker 2: place for them here, so we need housing. Is this 486 00:21:33,680 --> 00:21:36,920 Speaker 2: the way to do it. Gay Waterhouse is opposed to this, 487 00:21:37,000 --> 00:21:40,880 Speaker 2: although it's not like they're getting nothing. Eighty million, eight 488 00:21:40,960 --> 00:21:43,760 Speaker 2: hundred million dollars will be used to upgrade Warwick Farm 489 00:21:43,880 --> 00:21:45,440 Speaker 2: and it's not like we don't have a race course. 490 00:21:45,480 --> 00:21:47,560 Speaker 3: Were a world class city and this is my thing. 491 00:21:47,560 --> 00:21:50,200 Speaker 3: We've got Ramwick, got Worrick Farm, you got rose Hill. 492 00:21:50,200 --> 00:21:51,400 Speaker 1: Sydney has just got too big. 493 00:21:51,480 --> 00:21:53,680 Speaker 3: It's like we used to have speedways, we send racetrack 494 00:21:54,359 --> 00:21:59,439 Speaker 3: in Marubra, the sandhills are gone, all these things, all 495 00:21:59,480 --> 00:22:01,360 Speaker 3: these areas of Sydney that. 496 00:22:01,480 --> 00:22:03,760 Speaker 2: The lobby's wounded in power exactly. 497 00:22:03,480 --> 00:22:04,280 Speaker 1: The racing lobby. 498 00:22:04,320 --> 00:22:06,840 Speaker 3: The lobby, Well, what my point is about this That 499 00:22:06,880 --> 00:22:09,639 Speaker 3: thing should have gone years ago. And you look at 500 00:22:09,640 --> 00:22:11,960 Speaker 3: the declining numbers to go to rose Hill because of 501 00:22:12,480 --> 00:22:15,040 Speaker 3: online bedding and stuff like that. That's like twelve thousand 502 00:22:15,080 --> 00:22:16,960 Speaker 3: people go through it or something like last year. 503 00:22:17,040 --> 00:22:18,200 Speaker 1: That's nothing. The thing's got to go. 504 00:22:18,520 --> 00:22:18,680 Speaker 8: Well. 505 00:22:18,800 --> 00:22:20,760 Speaker 2: Gay Waterhouse has said we would not be here today 506 00:22:20,800 --> 00:22:23,800 Speaker 2: to discuss selling the Sydney creekert Ground or Bondo Beach different. 507 00:22:23,560 --> 00:22:26,640 Speaker 1: And that's totally ras Hill takes up a giant chunk sus. 508 00:22:26,760 --> 00:22:28,760 Speaker 2: She says, like everyone in racing. I'm incensed at the 509 00:22:28,760 --> 00:22:31,760 Speaker 2: attempt to sell race Hill and hijack and that means still, 510 00:22:31,840 --> 00:22:34,679 Speaker 2: she said the proceeds. So how do you feel the 511 00:22:34,760 --> 00:22:37,280 Speaker 2: vote is today? They say this is the only chance 512 00:22:37,600 --> 00:22:40,840 Speaker 2: to make this happen selling rose Hill Racecourse for housing? 513 00:22:41,119 --> 00:22:42,320 Speaker 2: Does it pass the pub test? 514 00:22:42,359 --> 00:22:46,960 Speaker 1: For jem jam Nations commandments four announcers trying to get 515 00:22:47,000 --> 00:22:50,960 Speaker 1: a career in radio on indios. 516 00:22:51,400 --> 00:22:54,520 Speaker 2: Well, the world's gone crazy for Bad Element. This is 517 00:22:54,600 --> 00:22:57,199 Speaker 2: the band that Brendan Jonesy Jones was part of in 518 00:22:57,240 --> 00:23:00,040 Speaker 2: his late teens. He found an old cassette with a 519 00:23:00,040 --> 00:23:02,360 Speaker 2: couple of songs on it. It's like something special from 520 00:23:02,400 --> 00:23:05,959 Speaker 2: a pyramid, isn't it like a crypt? And the songs 521 00:23:06,000 --> 00:23:08,520 Speaker 2: themselves that we've been enjoying are incredible. The first one, 522 00:23:08,520 --> 00:23:10,080 Speaker 2: of course, no lies. 523 00:23:11,400 --> 00:23:13,479 Speaker 1: You know what I feel is turning into a mockery. 524 00:23:13,760 --> 00:23:16,440 Speaker 2: No way, it's homage. What's the other one called? 525 00:23:17,560 --> 00:23:18,440 Speaker 1: Forget Me Nights? 526 00:23:22,200 --> 00:23:26,000 Speaker 2: Nasal much suit effect? 527 00:23:26,680 --> 00:23:27,760 Speaker 1: So so yes. 528 00:23:28,280 --> 00:23:30,960 Speaker 3: Then the tape break in the tape player broke the tape. 529 00:23:31,000 --> 00:23:33,040 Speaker 3: I managed to splice the tape back together. 530 00:23:33,320 --> 00:23:35,840 Speaker 2: You know what, I'm a fan of lyrics as a 531 00:23:35,840 --> 00:23:38,000 Speaker 2: teenage girl, every song I liked. I needed to know 532 00:23:38,040 --> 00:23:40,280 Speaker 2: every lyric to read them on the record covers all 533 00:23:40,320 --> 00:23:42,879 Speaker 2: of that. I can't understand a single word you're saying. 534 00:23:43,440 --> 00:23:45,440 Speaker 1: They're as plain as the nose on your phone. 535 00:23:45,600 --> 00:23:48,680 Speaker 2: What are they? No lies? No lies? No, Actually there's 536 00:23:48,680 --> 00:23:51,440 Speaker 2: a stupid lyric in no lies, don't tell any lies? 537 00:23:51,640 --> 00:23:53,000 Speaker 2: You can lie to? How's that other one? 538 00:23:53,040 --> 00:23:53,080 Speaker 7: Go? 539 00:23:53,240 --> 00:23:53,400 Speaker 1: Right? 540 00:23:57,600 --> 00:23:59,200 Speaker 2: So you can lie to a priest and a nune 541 00:23:59,200 --> 00:24:02,479 Speaker 2: because the light didn't hurt one, but no lies and 542 00:24:02,480 --> 00:24:04,000 Speaker 2: one of the lyrics the other one. I've got absolutely 543 00:24:04,040 --> 00:24:04,480 Speaker 2: no idea. 544 00:24:04,800 --> 00:24:08,000 Speaker 3: This is what Leonard McCartney went through when they said cuckoo. 545 00:24:10,920 --> 00:24:13,480 Speaker 3: But the problem is I got the tape right here, 546 00:24:13,480 --> 00:24:15,040 Speaker 3: but no tape player to play the tape. 547 00:24:15,119 --> 00:24:17,040 Speaker 2: I think. I think what we need to do is 548 00:24:17,119 --> 00:24:19,159 Speaker 2: get one of our producers, and I'm thinking of a 549 00:24:19,200 --> 00:24:22,000 Speaker 2: Meg Met. Can you come in here, Meg, I've got 550 00:24:22,000 --> 00:24:25,680 Speaker 2: a terrible assignment for you. Can you listen to these 551 00:24:25,720 --> 00:24:27,760 Speaker 2: songs on a cassette player? How many are there? 552 00:24:28,080 --> 00:24:30,679 Speaker 1: Four? It's an E four and. 553 00:24:31,080 --> 00:24:35,959 Speaker 2: Transcribe the lyrics? Really? Do I have to? Yes? Do please? 554 00:24:36,160 --> 00:24:36,680 Speaker 4: Job? Now? 555 00:24:37,080 --> 00:24:38,280 Speaker 1: The job is to do this Meg. 556 00:24:39,480 --> 00:24:44,080 Speaker 2: It'd be like trans looking at old hieroglyphs. Careful with 557 00:24:44,119 --> 00:24:46,320 Speaker 2: that tape, but I'd love to know the lyrics. 558 00:24:46,359 --> 00:24:48,159 Speaker 1: And don't deal with that face either. Do it with 559 00:24:48,160 --> 00:24:48,840 Speaker 1: a happy face. 560 00:24:49,080 --> 00:24:50,680 Speaker 2: What does this say? Long roll? 561 00:24:51,280 --> 00:24:55,160 Speaker 3: No, that's that's something else, that bad element the other side. 562 00:24:55,160 --> 00:24:56,440 Speaker 1: Do you even know how tape works? 563 00:24:56,600 --> 00:24:58,639 Speaker 2: Yeah, I'll work it out. Thank you, Meg, because I 564 00:24:58,680 --> 00:25:01,720 Speaker 2: want to know there's a look Australia. I want to 565 00:25:01,760 --> 00:25:04,800 Speaker 2: know what those lyrics are. Brendon, thank you. Step by step, 566 00:25:04,840 --> 00:25:05,920 Speaker 2: we're going to piece it back to you. 567 00:25:06,080 --> 00:25:08,280 Speaker 1: Put on another drama that you admire very much. 568 00:25:11,240 --> 00:25:13,080 Speaker 2: Yeah, I've got a thing for dramas, that's for sure. 569 00:25:13,760 --> 00:25:16,880 Speaker 2: Amida Notion Podcast. 570 00:25:16,800 --> 00:25:21,440 Speaker 4: When God I wanted to get right now, I'm taking 571 00:25:21,640 --> 00:25:25,080 Speaker 4: crazy now your windows, stick. 572 00:25:24,920 --> 00:25:26,040 Speaker 6: Your head on a yell. 573 00:25:30,040 --> 00:25:31,960 Speaker 3: Down to the jung matter around to the pub test 574 00:25:32,160 --> 00:25:34,640 Speaker 3: selling rose Hill Racecourse for housing? 575 00:25:34,840 --> 00:25:35,879 Speaker 1: Does it pass the pub to. 576 00:25:36,040 --> 00:25:40,080 Speaker 2: This controversial proposal has divided the community and the racing industry. 577 00:25:40,080 --> 00:25:43,000 Speaker 2: It's being decided today they're going to sell. They want 578 00:25:43,040 --> 00:25:45,159 Speaker 2: to sell rose Hill Racecourse for five billion dollars to 579 00:25:45,200 --> 00:25:47,520 Speaker 2: make away from mini city twenty five thousand homes in 580 00:25:47,520 --> 00:25:47,840 Speaker 2: a metro. 581 00:25:47,960 --> 00:25:49,800 Speaker 1: They're worried that if they don't sell it now. 582 00:25:50,280 --> 00:25:52,760 Speaker 3: If they wait, say ten years, it won't be never 583 00:25:52,800 --> 00:25:55,320 Speaker 3: worse worth five billion dollars because the Metro would have 584 00:25:55,359 --> 00:25:56,000 Speaker 3: come and gone. 585 00:25:55,800 --> 00:25:57,000 Speaker 1: They can't build that metro. 586 00:25:57,160 --> 00:25:58,800 Speaker 2: You can't put that metro in later. And if you 587 00:25:58,840 --> 00:26:01,239 Speaker 2: make a smaller housing commune unity your stuff that you've 588 00:26:01,280 --> 00:26:02,280 Speaker 2: got to do it all at once. 589 00:26:02,359 --> 00:26:06,480 Speaker 3: I appreciate Rose Hills history, Filab race there, Macami Diva 590 00:26:06,800 --> 00:26:10,000 Speaker 3: race there, but I'm not a racing official anado. 591 00:26:10,040 --> 00:26:12,200 Speaker 2: I don't really care it care about eight hundred million 592 00:26:12,240 --> 00:26:13,360 Speaker 2: dollars is going to be investigating. 593 00:26:13,760 --> 00:26:18,560 Speaker 3: We lost things like speedways, Liverpool Speedway, Paramounta Speedway. You know, 594 00:26:18,720 --> 00:26:21,080 Speaker 3: they're ones that went further afield. 595 00:26:21,080 --> 00:26:23,000 Speaker 1: There's going to be Warwick Farm. There's a lot of 596 00:26:23,000 --> 00:26:25,440 Speaker 1: houses there. We are a lot of houses there. 597 00:26:25,560 --> 00:26:27,600 Speaker 3: We do have a housing crisis, but in a close 598 00:26:27,640 --> 00:26:30,359 Speaker 3: proximity to the city as well. You know, everyone just 599 00:26:30,359 --> 00:26:31,840 Speaker 3: doesn't have to go and live out in wool Wall. 600 00:26:31,880 --> 00:26:33,800 Speaker 3: You know, there should be the dream of young people 601 00:26:34,040 --> 00:26:36,240 Speaker 3: thirty to forty year olds being to buy a house 602 00:26:36,640 --> 00:26:38,919 Speaker 3: in the environs of Sydney in the basin. 603 00:26:39,080 --> 00:26:42,680 Speaker 2: Well, the vote is happening today selling rosa rescourse for housing, 604 00:26:42,720 --> 00:26:43,800 Speaker 2: does it pass the pub test. 605 00:26:44,359 --> 00:26:45,720 Speaker 4: Yeah, no, no good at all. 606 00:26:45,800 --> 00:26:47,120 Speaker 2: There's too many people in the area. 607 00:26:47,160 --> 00:26:49,119 Speaker 4: Now I work actually on the site down there. 608 00:26:49,160 --> 00:26:51,920 Speaker 1: It should be turned into a park of forests. Going 609 00:26:51,960 --> 00:26:52,840 Speaker 1: back to nature. 610 00:26:53,000 --> 00:26:56,160 Speaker 11: Doesn't pass the pub test. There's thousands of Housing Commission 611 00:26:56,240 --> 00:26:59,960 Speaker 11: houses empty, there is a bullet train. There's so many 612 00:27:00,240 --> 00:27:02,159 Speaker 11: things we can do this, so much land along that 613 00:27:02,280 --> 00:27:04,560 Speaker 11: Metro corridor that we could fill up with the houses, 614 00:27:04,680 --> 00:27:07,239 Speaker 11: but they're looking to get a cheap way to get 615 00:27:07,320 --> 00:27:09,960 Speaker 11: make money, so it doesn't pass a pub testimate. 616 00:27:10,280 --> 00:27:15,000 Speaker 4: It's that much land out with why off more houses 617 00:27:15,720 --> 00:27:18,960 Speaker 4: in that area where it is compacted with people. 618 00:27:18,600 --> 00:27:20,360 Speaker 6: As they sell it off. 619 00:27:20,359 --> 00:27:23,400 Speaker 4: There's already three other racecourses in the Metro area plus 620 00:27:23,440 --> 00:27:26,840 Speaker 4: run in Hawkesbury, and the Metro is already there runs 621 00:27:26,840 --> 00:27:27,840 Speaker 4: outside of the racecourse. 622 00:27:27,960 --> 00:27:30,280 Speaker 6: What is it with this government? The second they get 623 00:27:30,680 --> 00:27:32,399 Speaker 6: a path of land, they've got to fill it off 624 00:27:32,400 --> 00:27:35,760 Speaker 6: instead of just changing into how about we put more 625 00:27:36,000 --> 00:27:38,119 Speaker 6: parks and things for families to go and play with 626 00:27:38,200 --> 00:27:39,680 Speaker 6: ton No, it doesn't park the pub ject. 627 00:27:40,640 --> 00:27:42,520 Speaker 2: All those callers seemed to a certain age, right thing. 628 00:27:42,560 --> 00:27:45,520 Speaker 2: They probably already have their established times themselves, but younger 629 00:27:45,520 --> 00:27:46,840 Speaker 2: people trying to get into the market. 630 00:27:46,840 --> 00:27:49,960 Speaker 1: Where are they going to do the National Park? Imagine 631 00:27:50,000 --> 00:27:50,919 Speaker 1: the house you can put in the. 632 00:27:50,960 --> 00:27:53,960 Speaker 2: National Oh now you're thinking Centennial Park. Get rid of it. 633 00:27:55,280 --> 00:27:56,320 Speaker 1: Thank you for all your calls. 634 00:27:56,400 --> 00:28:01,320 Speaker 2: One step at a time man during the morning on 635 00:28:01,480 --> 00:28:03,040 Speaker 2: Gold one one seven. 636 00:28:03,080 --> 00:28:05,399 Speaker 1: Instagram is back after eight o'clock. What about Natalie? 637 00:28:05,440 --> 00:28:07,679 Speaker 3: She got the two thousand dollars went for the bonus question. 638 00:28:07,960 --> 00:28:12,480 Speaker 2: The bonus question today is which iconic ossie band was 639 00:28:12,520 --> 00:28:15,000 Speaker 2: originally called the Farris Brothers. 640 00:28:15,480 --> 00:28:18,359 Speaker 8: Oh I know this, Oh my god, my mom was 641 00:28:18,359 --> 00:28:19,240 Speaker 8: talking about the other night. 642 00:28:20,680 --> 00:28:24,080 Speaker 7: Yes, I think. 643 00:28:25,560 --> 00:28:27,639 Speaker 2: She did it. Two grand We plagued en after eight 644 00:28:27,680 --> 00:28:29,080 Speaker 2: this morning gam Nation. 645 00:28:29,359 --> 00:28:31,359 Speaker 3: Gold on at one point seven. Hello there, it's journey 646 00:28:31,440 --> 00:28:33,760 Speaker 3: no matter. It's Tuesday, the twenty seventh of May. 647 00:28:34,040 --> 00:28:36,560 Speaker 2: Twenty seventh of May. I don't want to get a motion. 648 00:28:36,800 --> 00:28:40,000 Speaker 2: Oh friends, my wedding anniversary today. And in the old 649 00:28:40,080 --> 00:28:41,800 Speaker 2: day Harley and I would have been going out to 650 00:28:41,800 --> 00:28:44,600 Speaker 2: dinner tonight, but he's not well enough to do that. 651 00:28:45,120 --> 00:28:47,040 Speaker 2: But I've been thinking about this. How long have you 652 00:28:47,080 --> 00:28:51,120 Speaker 2: been married, Brendon our thirty three years? And when you 653 00:28:51,160 --> 00:28:53,080 Speaker 2: when you stand there on your wedding day and you 654 00:28:53,160 --> 00:28:55,600 Speaker 2: say forever, what does that even mean? You don't even know. 655 00:28:56,120 --> 00:28:58,320 Speaker 2: I think all you can say is I kind of 656 00:28:58,320 --> 00:29:00,840 Speaker 2: feel the way of potential that we can go somewhere here. 657 00:29:01,560 --> 00:29:03,640 Speaker 2: And when you say the words for better or worse, 658 00:29:04,280 --> 00:29:06,320 Speaker 2: you know what do they mean when you're in. 659 00:29:06,200 --> 00:29:08,720 Speaker 1: Your twenties in sickness and in health, in. 660 00:29:08,640 --> 00:29:11,640 Speaker 2: Sickness and in health, and yet that's where we are, 661 00:29:12,320 --> 00:29:15,520 Speaker 2: and no concept of what that means until you're living it. 662 00:29:16,480 --> 00:29:19,680 Speaker 2: And I can't fluctuate between taking great pride in the 663 00:29:19,720 --> 00:29:23,600 Speaker 2: fight that we are alongside each other, and there's strength 664 00:29:23,640 --> 00:29:26,760 Speaker 2: that takes to get up every day and still fight 665 00:29:26,840 --> 00:29:30,960 Speaker 2: it and still live it. But I don't think you 666 00:29:30,960 --> 00:29:33,920 Speaker 2: can get thirty five years without the sands shifting between 667 00:29:33,920 --> 00:29:37,960 Speaker 2: you beneath your feet. If you're living life, you don't 668 00:29:37,960 --> 00:29:41,560 Speaker 2: get did Cherry pick life? Sure, you engage with it 669 00:29:41,640 --> 00:29:46,680 Speaker 2: as you find it, and Harley's very stoic, but it's hard, 670 00:29:47,880 --> 00:29:52,240 Speaker 2: and you know it's I'm grateful today that here we 671 00:29:52,280 --> 00:29:55,920 Speaker 2: are thirty five years and we're still in it together. 672 00:29:58,720 --> 00:30:01,480 Speaker 2: But it's I never think of the what IFFs, because 673 00:30:01,480 --> 00:30:06,000 Speaker 2: I think that's just that's where madness lies. But you 674 00:30:06,040 --> 00:30:10,040 Speaker 2: do fluctuate between dealing with what's in front of you 675 00:30:10,280 --> 00:30:12,400 Speaker 2: and having the absolute shits that you're dealing with what's 676 00:30:12,440 --> 00:30:15,440 Speaker 2: in front of you. But as we've spoken about before, 677 00:30:15,440 --> 00:30:18,520 Speaker 2: you scratch the surface. Everyone is going through a story. 678 00:30:19,680 --> 00:30:21,840 Speaker 2: And to think of the journey you embark on thirty 679 00:30:21,840 --> 00:30:24,320 Speaker 2: five years ago, it's a very long time and we've 680 00:30:24,360 --> 00:30:26,720 Speaker 2: lich lived a rich and wonderful life together and we 681 00:30:26,760 --> 00:30:29,600 Speaker 2: still do. But it's not the same as the old 682 00:30:29,680 --> 00:30:31,480 Speaker 2: days where we'd be going out to dinner tonight. But 683 00:30:31,560 --> 00:30:34,640 Speaker 2: the boys are coming over for dinner and I'm grateful 684 00:30:35,600 --> 00:30:36,600 Speaker 2: we still have each other. 685 00:30:37,760 --> 00:30:40,800 Speaker 1: But I wasn't going to get emotional anyway. 686 00:30:40,840 --> 00:30:42,240 Speaker 2: Happy anniversary, Harley. 687 00:30:42,080 --> 00:30:49,320 Speaker 1: Ah, can we go to sure take some tshues? Thank you? 688 00:30:49,840 --> 00:30:51,560 Speaker 1: You are such a trouper well you know. 689 00:30:52,280 --> 00:30:53,880 Speaker 2: But it is that thing, isn't it on your wedding 690 00:30:53,960 --> 00:30:57,080 Speaker 2: day where you think no one knows what rides you're 691 00:30:57,120 --> 00:30:57,320 Speaker 2: in for? 692 00:30:57,600 --> 00:30:58,640 Speaker 1: Exactly none of us do. 693 00:30:58,720 --> 00:31:01,960 Speaker 2: As Harley himself says, we all have an asteroid coming 694 00:31:01,960 --> 00:31:05,200 Speaker 2: at us. We don't know what it is, and and 695 00:31:05,240 --> 00:31:07,160 Speaker 2: do you want to know? That's another thing, isn't it. 696 00:31:07,160 --> 00:31:09,680 Speaker 2: We all think that we'll get to ninety and die 697 00:31:09,680 --> 00:31:14,160 Speaker 2: in our sleep. And I think the human condition is 698 00:31:14,200 --> 00:31:16,000 Speaker 2: you can't afford to think otherwise, or as you wouldn't 699 00:31:16,000 --> 00:31:19,040 Speaker 2: get up in the morning. But people face stuff every 700 00:31:19,120 --> 00:31:22,040 Speaker 2: day and it's the that's the meat of life, that's 701 00:31:22,080 --> 00:31:24,680 Speaker 2: the meat of a long term relationship. So I'm grateful 702 00:31:24,680 --> 00:31:25,560 Speaker 2: to have that. 703 00:31:26,320 --> 00:31:27,680 Speaker 1: Let's take a break, Let's do it. 704 00:31:27,840 --> 00:31:36,400 Speaker 10: Jonesy and Amanda podcast, I've. 705 00:31:36,240 --> 00:31:38,360 Speaker 1: Heard them describe him as a drunken idiot. 706 00:31:38,400 --> 00:31:38,800 Speaker 2: I'm not sure. 707 00:31:39,960 --> 00:31:41,880 Speaker 3: Can I just commend you on how brave you are 708 00:31:42,240 --> 00:31:44,040 Speaker 3: at your wedding anniversary today. 709 00:31:44,400 --> 00:31:47,840 Speaker 1: Your husband has Parkinson's disease. We're about this for some time. 710 00:31:48,000 --> 00:31:51,400 Speaker 3: Harley has it, and for you to share what you 711 00:31:51,480 --> 00:31:55,800 Speaker 3: just shared before Helen's news there was extraordinary. And what 712 00:31:55,880 --> 00:31:58,560 Speaker 3: I'm saying as well, I don't want you to feel 713 00:31:58,680 --> 00:32:01,800 Speaker 3: that you have to keep I know that a lot 714 00:32:01,800 --> 00:32:04,240 Speaker 3: of people ask me how Harley's going, and I said, well, 715 00:32:04,240 --> 00:32:07,440 Speaker 3: he's got Parkinson's, you know, and that's it. But I 716 00:32:07,480 --> 00:32:10,840 Speaker 3: don't elaborate on it, and I don't expect you to 717 00:32:11,000 --> 00:32:11,360 Speaker 3: eat it. 718 00:32:11,360 --> 00:32:12,680 Speaker 1: And I don't want you to be clickbait. 719 00:32:12,920 --> 00:32:14,800 Speaker 3: I don't want you to I don't want people coming 720 00:32:14,880 --> 00:32:17,440 Speaker 3: up in the street, and I don't want people over 721 00:32:17,480 --> 00:32:19,640 Speaker 3: for me, people going oh, I had an uncle that 722 00:32:19,720 --> 00:32:20,000 Speaker 3: had this. 723 00:32:20,480 --> 00:32:22,400 Speaker 1: We don't want to hear those stories. Okay, what you 724 00:32:22,480 --> 00:32:24,959 Speaker 1: just said, you just said, and we'll just keep it that. 725 00:32:25,000 --> 00:32:26,680 Speaker 2: You're a good friend, Brendan. Thank you, because it is 726 00:32:26,760 --> 00:32:30,520 Speaker 2: hard and even good friends of mine ask how I'm 727 00:32:30,520 --> 00:32:33,520 Speaker 2: going and thinking that I need to unburden myself, and 728 00:32:33,600 --> 00:32:35,960 Speaker 2: yet it's just what I need is to I'm in 729 00:32:36,000 --> 00:32:37,840 Speaker 2: survival mode. Sure, you put one foot in front of 730 00:32:37,840 --> 00:32:40,160 Speaker 2: the other, and there are days when you go out 731 00:32:41,000 --> 00:32:43,200 Speaker 2: and you just that's when you're out, that's when you're 732 00:32:43,200 --> 00:32:46,000 Speaker 2: having your life. That's when you're dealing with things. And 733 00:32:47,360 --> 00:32:49,280 Speaker 2: I don't talk about it a lot on the air, 734 00:32:49,320 --> 00:32:53,120 Speaker 2: but I feel that people know our story and it 735 00:32:53,160 --> 00:32:56,880 Speaker 2: is our wedding anniversary, and there's some meat in sharing 736 00:32:56,920 --> 00:32:59,080 Speaker 2: what you're going through. There really is, and I'm happy 737 00:32:59,120 --> 00:33:01,400 Speaker 2: to do that. But you're right, that clickbait kind of 738 00:33:01,400 --> 00:33:05,440 Speaker 2: stuff's hard. But when people feel everyone wants to buy 739 00:33:05,520 --> 00:33:07,200 Speaker 2: to the story. And my boy spoke about this on 740 00:33:07,240 --> 00:33:11,920 Speaker 2: the podcast and it's exhausting. So it's hard to open 741 00:33:11,960 --> 00:33:15,120 Speaker 2: the door sometimes and not others. Yeah, and I know 742 00:33:15,160 --> 00:33:17,400 Speaker 2: you cop it too. My friends do people asking questions 743 00:33:17,440 --> 00:33:19,360 Speaker 2: about Harley and they don't know what to share and 744 00:33:19,360 --> 00:33:23,080 Speaker 2: what not to share either. But it's only on I 745 00:33:23,080 --> 00:33:24,640 Speaker 2: mean it's every day. I live with it every day, 746 00:33:24,680 --> 00:33:26,960 Speaker 2: but sometimes it is just one foot in front of 747 00:33:27,000 --> 00:33:29,640 Speaker 2: the other. And it doesn't mean I'm not dealing with it. 748 00:33:29,400 --> 00:33:31,920 Speaker 2: And if I'm just getting through it and coming to 749 00:33:31,960 --> 00:33:35,720 Speaker 2: work and loving these bits, doesn't mean that I'm not 750 00:33:35,720 --> 00:33:36,640 Speaker 2: not feeling it. 751 00:33:36,720 --> 00:33:41,120 Speaker 1: Good Thank you podcast. 752 00:33:41,480 --> 00:33:43,760 Speaker 3: While I was watching the last episode of the Floor 753 00:33:43,840 --> 00:33:46,400 Speaker 3: last night, well I finally understood what the show was about. 754 00:33:46,440 --> 00:33:47,200 Speaker 2: And it's last night. 755 00:33:47,280 --> 00:33:49,520 Speaker 3: Yeah, because there's all this presumed knowledge with that show, 756 00:33:49,640 --> 00:33:52,840 Speaker 3: the randomizer, ope, light up the floor and all this stuff. 757 00:33:52,880 --> 00:33:54,840 Speaker 1: It's like watching monster truck racing. 758 00:33:54,960 --> 00:33:56,280 Speaker 2: Well, now it's finished. Have you got it? 759 00:33:56,400 --> 00:33:57,719 Speaker 1: Yeah, now I've got it. Now it's finished. 760 00:33:57,840 --> 00:34:00,960 Speaker 2: While you're watching that, I watched three episodes of a 761 00:34:01,000 --> 00:34:05,480 Speaker 2: show called American Manhunt Asama bin Laden. This is on Netflix. 762 00:34:05,560 --> 00:34:08,640 Speaker 2: Everyone's talking about this at the moment. It's about the 763 00:34:08,719 --> 00:34:11,160 Speaker 2: hunt for Osama bin Laden, but told in a way 764 00:34:11,160 --> 00:34:12,919 Speaker 2: I've never seen it before. A lot of it through 765 00:34:13,200 --> 00:34:16,600 Speaker 2: Central intelligence, where war we will. 766 00:34:16,480 --> 00:34:19,120 Speaker 4: Find those who did it and we'll bring them to justice. 767 00:34:19,560 --> 00:34:21,960 Speaker 1: This is the time to come in with a massive 768 00:34:22,080 --> 00:34:25,360 Speaker 1: force and offenders sun in Morden got away. 769 00:34:26,040 --> 00:34:27,880 Speaker 4: Every one of them that escaped the country was a 770 00:34:27,880 --> 00:34:30,480 Speaker 4: potential pilot to fly another airline into a building. 771 00:34:30,680 --> 00:34:34,920 Speaker 2: We've been here since NIGN eleven and we had nothing, and. 772 00:34:34,960 --> 00:34:38,120 Speaker 1: Then here's this compound. Oh my god, we may have found. 773 00:34:38,400 --> 00:34:41,160 Speaker 1: My team's going to the most important mission in modern history. 774 00:34:41,960 --> 00:34:43,040 Speaker 1: And that's what I'll help brow. 775 00:34:42,920 --> 00:34:48,560 Speaker 3: Horses words straordinary CIA agent Tracy Walder, who is in 776 00:34:48,640 --> 00:34:50,400 Speaker 3: the documentary, is going to be joining. 777 00:34:50,239 --> 00:34:51,800 Speaker 1: Us next Jamais. 778 00:34:52,160 --> 00:34:54,440 Speaker 2: There's a new docu series on Netflix. I watched it 779 00:34:54,520 --> 00:34:56,399 Speaker 2: last night. It's got everyone in the office talking. It's 780 00:34:56,400 --> 00:35:00,359 Speaker 2: called American Manhunt Asama bin Laden. It follows, of course, 781 00:35:00,400 --> 00:35:02,880 Speaker 2: the hunt for Bin Laden following the nine to eleven attacks. 782 00:35:03,480 --> 00:35:07,280 Speaker 2: Amongst those featured is Tracy Waldom, a full of CIA 783 00:35:07,320 --> 00:35:09,960 Speaker 2: agent who was in the space of a year, went 784 00:35:10,000 --> 00:35:13,080 Speaker 2: from being a university student to joining the hunt for 785 00:35:13,239 --> 00:35:18,279 Speaker 2: some bin Laden. Quite extraordinary. Tracy, Hello, Hi, thank you 786 00:35:18,320 --> 00:35:19,400 Speaker 2: all so much for having me. 787 00:35:19,520 --> 00:35:21,200 Speaker 1: Well, how do you get to that? 788 00:35:21,440 --> 00:35:23,080 Speaker 2: How do you go from being a UNI student one 789 00:35:23,160 --> 00:35:25,720 Speaker 2: year to being that the next? 790 00:35:27,160 --> 00:35:28,680 Speaker 5: I mean, it's a long story, but i'll shorten it 791 00:35:28,760 --> 00:35:32,280 Speaker 5: up obviously for Radio but you know, it wasn't something 792 00:35:32,280 --> 00:35:33,440 Speaker 5: that I'd set out to be. I wanted to be 793 00:35:33,480 --> 00:35:35,759 Speaker 5: a high school history teacher. This is we have to 794 00:35:35,760 --> 00:35:38,400 Speaker 5: remember the world was very different right pre nine to eleven. 795 00:35:39,080 --> 00:35:42,000 Speaker 5: Terrorism wasn't top of mine in America. It just wasn't 796 00:35:42,000 --> 00:35:45,560 Speaker 5: a thing. And I watched Bin Lawden's interview in nineteen 797 00:35:45,640 --> 00:35:48,520 Speaker 5: ninety seven, and that's when he issued his declaration of 798 00:35:48,560 --> 00:35:51,359 Speaker 5: war against the United States, and I wanted to find 799 00:35:51,360 --> 00:35:53,440 Speaker 5: out more about who this person. 800 00:35:53,400 --> 00:35:54,560 Speaker 1: Was, what he was about. 801 00:35:54,920 --> 00:35:58,520 Speaker 5: So I started taking classes international affairs, those kinds of things. 802 00:35:58,719 --> 00:36:00,359 Speaker 5: But I didn't know that you could work in the 803 00:36:00,360 --> 00:36:03,520 Speaker 5: CIA and work counter terrorism there. I went to a 804 00:36:03,560 --> 00:36:07,120 Speaker 5: career fair at my university spring of my junior year, 805 00:36:07,600 --> 00:36:10,319 Speaker 5: saw that there was a table said CIA, and I 806 00:36:10,400 --> 00:36:14,160 Speaker 5: gave them my resume, really not expecting any call whatsoever, 807 00:36:14,960 --> 00:36:18,680 Speaker 5: and they called. I was cleared by cash November December 808 00:36:18,719 --> 00:36:22,360 Speaker 5: of my senior year, contingent upon me graduating college, obviously. 809 00:36:23,040 --> 00:36:26,560 Speaker 5: I graduated in May of two thousand and started two 810 00:36:26,600 --> 00:36:27,160 Speaker 5: weeks later. 811 00:36:27,600 --> 00:36:30,840 Speaker 2: Wow, right into the drop zone of when the world changed. 812 00:36:31,080 --> 00:36:33,239 Speaker 2: It's quite extraordinary because we've seen the story play out 813 00:36:33,239 --> 00:36:34,799 Speaker 2: a number of times, but to see it from an 814 00:36:34,840 --> 00:36:37,839 Speaker 2: intelligence point of view. Was so interesting though, the first 815 00:36:37,840 --> 00:36:40,359 Speaker 2: boots on the ground in Afghanistan, and in a way, 816 00:36:40,400 --> 00:36:44,279 Speaker 2: the intelligence community took the hit with Congress, with the 817 00:36:44,320 --> 00:36:46,880 Speaker 2: public for not finding Bin Laden, but there was so 818 00:36:47,000 --> 00:36:52,319 Speaker 2: much more to it. Yeah, it was very frustrating. 819 00:36:52,560 --> 00:36:55,839 Speaker 5: It was frustrating obviously being at the agency at that time. 820 00:36:55,880 --> 00:36:57,719 Speaker 5: I think I talked a little bit in the documentary 821 00:36:57,760 --> 00:36:59,440 Speaker 5: that there weren't that many There wasn't a lot of 822 00:36:59,440 --> 00:37:01,839 Speaker 5: time to have feet about things, right, No one really 823 00:37:01,840 --> 00:37:05,880 Speaker 5: cared what we thought. But obviously, I think looking back, 824 00:37:06,560 --> 00:37:08,560 Speaker 5: we were all very deeply affected by the fact that 825 00:37:08,600 --> 00:37:12,440 Speaker 5: we were essentially blamed right for missing September eleventh, The 826 00:37:12,560 --> 00:37:14,759 Speaker 5: nine to eleven Commission blamed us for that, and I 827 00:37:14,840 --> 00:37:17,880 Speaker 5: think we thought, specifically at that moment in Tora Bora, 828 00:37:18,360 --> 00:37:21,960 Speaker 5: really that we could in a way right avenge the 829 00:37:22,080 --> 00:37:25,239 Speaker 5: deaths of these individuals and kind of shirk some of 830 00:37:25,280 --> 00:37:28,960 Speaker 5: that blame that we had gotten and changed the narrative 831 00:37:29,040 --> 00:37:31,759 Speaker 5: just a little bit. So it was really frustrating obviously 832 00:37:31,840 --> 00:37:35,720 Speaker 5: being on duty that night and losing Bin Laden essentially, 833 00:37:35,760 --> 00:37:37,759 Speaker 5: and that's when he made his journey into Pakistan. 834 00:37:37,840 --> 00:37:40,720 Speaker 2: Because Toura Bora was when you know, about a month 835 00:37:40,760 --> 00:37:44,040 Speaker 2: after September eleven, you knew he was in the Afghanistan mountains. 836 00:37:44,040 --> 00:37:46,120 Speaker 2: You said, we can get him. You wanted the military 837 00:37:46,120 --> 00:37:47,839 Speaker 2: to come in, and you didn't get the back out. 838 00:37:49,520 --> 00:37:51,839 Speaker 5: I mean, I think it's human nature, right, if your 839 00:37:51,880 --> 00:37:55,480 Speaker 5: bomb from above, you're going to run away if you survive, right, 840 00:37:55,520 --> 00:37:58,120 Speaker 5: we all want to live. And so I think we 841 00:37:58,200 --> 00:38:00,640 Speaker 5: knew that, right, We knew that that would happened. We 842 00:38:00,680 --> 00:38:04,000 Speaker 5: knew we wouldn't kill every single terrorist that was there, 843 00:38:04,080 --> 00:38:07,440 Speaker 5: and unfortunately, that's exactly what happened. 844 00:38:08,000 --> 00:38:10,040 Speaker 3: And when you look at it, nineteen ninety seven, that's 845 00:38:10,040 --> 00:38:12,360 Speaker 3: when you discovered Asamo viinin Laden. 846 00:38:12,400 --> 00:38:14,239 Speaker 1: That was before any of us knew who he was. 847 00:38:14,480 --> 00:38:17,800 Speaker 3: So you must have been increasingly frustrated when September eleven 848 00:38:17,840 --> 00:38:21,000 Speaker 3: actually had happened, and you thought, hang on this, I 849 00:38:21,040 --> 00:38:23,440 Speaker 3: know this guy, I know what his intentions are. 850 00:38:25,520 --> 00:38:28,359 Speaker 5: I don't know that I necessarily knew what he would do, right, 851 00:38:28,400 --> 00:38:31,840 Speaker 5: like I had lived through that First World Trade Center 852 00:38:31,880 --> 00:38:34,640 Speaker 5: bombing that we had in nineteen ninety three from the 853 00:38:34,680 --> 00:38:37,640 Speaker 5: Blind Shake, and then we also were in the kind 854 00:38:37,680 --> 00:38:43,200 Speaker 5: of dawn of terrorism, homegrown terrorism. We had the Oklahoma 855 00:38:43,280 --> 00:38:45,839 Speaker 5: City bombing that had happened just two years after that, 856 00:38:45,960 --> 00:38:48,719 Speaker 5: and so now we have this person who is declaring 857 00:38:48,800 --> 00:38:52,560 Speaker 5: war on us, and I think, yes, it was very frustrating, 858 00:38:52,600 --> 00:38:55,040 Speaker 5: particularly once I got to the agency to realize that 859 00:38:55,080 --> 00:38:57,760 Speaker 5: actually that's not where the focus was. So at the time, 860 00:38:58,120 --> 00:39:01,400 Speaker 5: the focus was very much on Central and South America. 861 00:39:01,440 --> 00:39:03,760 Speaker 5: There was like a lot of chakudetars and counter narcotics 862 00:39:03,800 --> 00:39:08,040 Speaker 5: issues going on there, as well as Russia because Russia's 863 00:39:08,080 --> 00:39:09,840 Speaker 5: kind of always been on our radar. It was a 864 00:39:10,000 --> 00:39:12,800 Speaker 5: very small group that, in all honesty, didn't get a 865 00:39:12,840 --> 00:39:13,680 Speaker 5: whole lot of attention. 866 00:39:14,880 --> 00:39:16,680 Speaker 2: What was the you say you weren't you didn't have 867 00:39:16,719 --> 00:39:20,080 Speaker 2: time for emotion. But in this documentary, that final episode 868 00:39:20,120 --> 00:39:23,839 Speaker 2: in particular is so so extraordinary to watch when you 869 00:39:23,920 --> 00:39:27,520 Speaker 2: captured Osama bin Laden. How did that feel for you? 870 00:39:28,840 --> 00:39:32,000 Speaker 5: So I want to be completely transparent Amanda and Jersey. 871 00:39:32,360 --> 00:39:34,600 Speaker 2: I have not watched it, and I want to. 872 00:39:34,640 --> 00:39:37,839 Speaker 5: I want to explain why I have a lot of 873 00:39:38,400 --> 00:39:43,279 Speaker 5: PTSD diagnosed, you know, mental health issues surrounding September one 874 00:39:43,320 --> 00:39:45,719 Speaker 5: with I served to tours in Afghanistan. You know, there's 875 00:39:45,760 --> 00:39:48,040 Speaker 5: a lot that goes around to that, and so it's 876 00:39:48,080 --> 00:39:50,080 Speaker 5: difficult for me to watch it, so I just want 877 00:39:50,080 --> 00:39:54,799 Speaker 5: to be honest and open about that. But I do 878 00:39:54,880 --> 00:39:58,759 Speaker 5: think that it felt good to get him, and this 879 00:39:58,880 --> 00:40:02,680 Speaker 5: might surprise listeners. I didn't necessarily feel relieved, and let 880 00:40:02,719 --> 00:40:03,640 Speaker 5: me explain why. 881 00:40:03,920 --> 00:40:05,120 Speaker 2: Because you can't. 882 00:40:04,960 --> 00:40:08,200 Speaker 5: Kill an idea. And I talk about this in the 883 00:40:08,200 --> 00:40:10,799 Speaker 5: book that I wrote that it's like starfish, right, you 884 00:40:10,880 --> 00:40:14,080 Speaker 5: cut off, you know, one of the arms of the star, 885 00:40:14,280 --> 00:40:16,960 Speaker 5: and it grows back over time. And what I was 886 00:40:17,000 --> 00:40:20,840 Speaker 5: concerned about was that we got in laden. Therefore people, 887 00:40:21,040 --> 00:40:25,160 Speaker 5: the government money would stop caring about terrorism, and it 888 00:40:25,160 --> 00:40:27,640 Speaker 5: would grow and fester again, and then there would be 889 00:40:27,680 --> 00:40:30,640 Speaker 5: another attack. So that was actually my concern. I was 890 00:40:30,680 --> 00:40:35,000 Speaker 5: obviously happy he wasn't that influential anymore at that point 891 00:40:35,040 --> 00:40:38,200 Speaker 5: because he was in such a sheltered state by then. 892 00:40:39,120 --> 00:40:40,440 Speaker 2: But at the same time I. 893 00:40:40,440 --> 00:40:43,760 Speaker 3: Was concerned, Yeah, and how do you feel now with terrorism? 894 00:40:44,239 --> 00:40:46,480 Speaker 3: Can we get positive? Because to me, it just seems 895 00:40:46,480 --> 00:40:49,040 Speaker 3: to be an ideology. If you go to the Middle East, 896 00:40:49,200 --> 00:40:50,840 Speaker 3: it's like Muslim versus Christian. 897 00:40:52,000 --> 00:40:52,520 Speaker 2: This is true. 898 00:40:53,000 --> 00:40:56,000 Speaker 1: Yeah, So you've got all these religious groups. 899 00:40:55,800 --> 00:41:00,400 Speaker 3: Subsets, and you've got an archaic religion versus another archaic religion. 900 00:41:00,640 --> 00:41:05,040 Speaker 3: How do you get past that. 901 00:41:05,440 --> 00:41:08,200 Speaker 5: I mean, that is a million dollar question. If I 902 00:41:08,200 --> 00:41:09,000 Speaker 5: could solve. 903 00:41:08,760 --> 00:41:13,080 Speaker 3: That, it would really be if you could wrap that 904 00:41:13,160 --> 00:41:15,440 Speaker 3: up right now, if you wrapped up Middle East peace, 905 00:41:15,960 --> 00:41:18,360 Speaker 3: we would be out of here. We could play some 906 00:41:18,480 --> 00:41:21,399 Speaker 3: Nickel Beckham. We'd be happy. But it's not going to happen, 907 00:41:21,440 --> 00:41:23,680 Speaker 3: and it's not going to happen now. But Tracy, it's 908 00:41:23,800 --> 00:41:27,080 Speaker 3: a great Netflix series, American Manhunt. 909 00:41:28,120 --> 00:41:32,600 Speaker 1: To anyone, Tracy Wallace, thank you for joining us, Thank 910 00:41:32,640 --> 00:41:33,439 Speaker 1: you for having me. 911 00:41:35,760 --> 00:41:38,279 Speaker 2: Podcast. Just before eight o'clock, we had a fascinating chat 912 00:41:38,280 --> 00:41:41,920 Speaker 2: with a woman called Tracy Walder. She is She was 913 00:41:42,160 --> 00:41:44,640 Speaker 2: a CIA agent involved for the hunt for Summa bin 914 00:41:44,719 --> 00:41:48,680 Speaker 2: Laden and her first year out of university quite extraordinary. 915 00:41:49,080 --> 00:41:52,000 Speaker 2: So she told the story and this is it actually 916 00:41:52,040 --> 00:41:54,799 Speaker 2: in this documentary series of how she got that job. 917 00:41:55,520 --> 00:41:58,520 Speaker 5: As a junior in college, I went to a career 918 00:41:58,600 --> 00:41:59,920 Speaker 5: fair in the CIA. 919 00:42:00,000 --> 00:42:02,360 Speaker 2: I was at a table there. Here's my resume. 920 00:42:04,160 --> 00:42:07,040 Speaker 5: They really honed in on this leadership position that I 921 00:42:07,120 --> 00:42:12,920 Speaker 5: had in my sorority. I was willing to sacrifice popularity 922 00:42:13,080 --> 00:42:15,520 Speaker 5: and being liked for the betterment of. 923 00:42:15,480 --> 00:42:17,800 Speaker 1: The entirety of my sry. 924 00:42:17,840 --> 00:42:20,680 Speaker 5: And I spoke to sort of I guess my moral terpitude. 925 00:42:20,840 --> 00:42:22,319 Speaker 2: I don't know, but that's what they said. 926 00:42:23,440 --> 00:42:25,520 Speaker 5: I was placed in the counter terrorism center. 927 00:42:27,360 --> 00:42:29,360 Speaker 2: She said there was some sort of bad behavior in 928 00:42:29,400 --> 00:42:32,720 Speaker 2: the sorority. So she told them off right and they said, yep, okay, you're. 929 00:42:32,600 --> 00:42:34,920 Speaker 1: In a rat. She's a dob. 930 00:42:35,800 --> 00:42:38,480 Speaker 2: When I was working at the midday show with Ray Martin, 931 00:42:38,800 --> 00:42:41,040 Speaker 2: there was this fantastic girl called Stephanie who worked with us, 932 00:42:41,280 --> 00:42:43,000 Speaker 2: and she's gone on to be a great ABC journalist. 933 00:42:43,040 --> 00:42:45,040 Speaker 2: I see her all over the place. She's brilliant. But 934 00:42:45,200 --> 00:42:48,000 Speaker 2: I was with the executive producer while he was going 935 00:42:48,080 --> 00:42:50,600 Speaker 2: through the list of applicants just for junior jobs that 936 00:42:50,640 --> 00:42:53,319 Speaker 2: we all had, and he liked her because she'd written 937 00:42:53,360 --> 00:42:55,480 Speaker 2: it when she was at university. She'd been sheet monitor 938 00:42:56,040 --> 00:42:59,000 Speaker 2: for college. And he said, yep, that makes me laugh tick, 939 00:42:59,239 --> 00:43:00,719 Speaker 2: and that's that's it. 940 00:43:00,960 --> 00:43:01,600 Speaker 1: That's it. 941 00:43:01,880 --> 00:43:04,520 Speaker 2: Sometimes the strangest thing will be your foot in the door. 942 00:43:04,640 --> 00:43:08,200 Speaker 3: Forget your yeah, forget your you know your qualifications, you 943 00:43:08,280 --> 00:43:09,680 Speaker 3: need degree, she monitors. 944 00:43:09,760 --> 00:43:11,240 Speaker 1: That'll do it. Could just be likable. 945 00:43:11,320 --> 00:43:13,279 Speaker 2: You just have to have a quirk or something that 946 00:43:13,320 --> 00:43:15,000 Speaker 2: will pick the eye of the person who's looking at 947 00:43:15,040 --> 00:43:15,520 Speaker 2: your resume. 948 00:43:15,640 --> 00:43:17,640 Speaker 1: You're on the top shelf. That's what it is. The 949 00:43:17,640 --> 00:43:20,480 Speaker 1: tribal drum would be for this. Your foot in the door, 950 00:43:21,040 --> 00:43:22,120 Speaker 1: you're on the top shelf. 951 00:43:22,800 --> 00:43:23,680 Speaker 2: Is that mad Max? 952 00:43:24,760 --> 00:43:27,759 Speaker 3: You know when the boss the boss Copper Fifi and 953 00:43:27,800 --> 00:43:29,160 Speaker 3: Max is going to leave the force. 954 00:43:29,280 --> 00:43:29,920 Speaker 2: No, I don't know. 955 00:43:30,000 --> 00:43:33,040 Speaker 1: People don't believe in heroes anymore. Max will give them 956 00:43:33,120 --> 00:43:37,080 Speaker 1: back their heroes. Okay, Now there's guys of a certain 957 00:43:37,120 --> 00:43:37,919 Speaker 1: age in the game. 958 00:43:38,040 --> 00:43:40,440 Speaker 2: Yeah, yeah, yeah, Well what we want to know is 959 00:43:40,480 --> 00:43:42,680 Speaker 2: how you got your foot in the door. The quirkier, 960 00:43:42,760 --> 00:43:45,719 Speaker 2: the weirder, the side path. What was it like? 961 00:43:45,760 --> 00:43:47,680 Speaker 1: I said, you're on the top shelf. 962 00:43:49,120 --> 00:43:51,920 Speaker 2: You're on I don't even get what that means, but 963 00:43:51,960 --> 00:43:53,120 Speaker 2: I'll let you get away with it. 964 00:43:53,200 --> 00:43:58,080 Speaker 3: Thanks Mom. We had a guest Onne before, Tracy Walder. 965 00:43:58,280 --> 00:44:01,520 Speaker 3: Tracy Walder is a formers See a agent. 966 00:44:01,280 --> 00:44:03,600 Speaker 2: Right in the drop zone of the Hunt for Osama 967 00:44:03,719 --> 00:44:06,560 Speaker 2: bin Laden And yet a year before that she'd been 968 00:44:06,600 --> 00:44:09,600 Speaker 2: at university. She'd been she went up to a CIA 969 00:44:09,719 --> 00:44:12,279 Speaker 2: disc she said, oh, I might apply for this, and 970 00:44:12,440 --> 00:44:15,040 Speaker 2: this is the years before terrorism was such a big deal, 971 00:44:15,680 --> 00:44:17,640 Speaker 2: and she said that she ran a sorority and they 972 00:44:17,680 --> 00:44:20,240 Speaker 2: thought they liked that she could tell off her friends, 973 00:44:20,520 --> 00:44:22,120 Speaker 2: and next minute I. 974 00:44:22,120 --> 00:44:24,000 Speaker 5: Was placed in the counter terrorism center. 975 00:44:24,719 --> 00:44:30,240 Speaker 2: Boom, my foot in the door. Helen is with us, Hi, Helen, 976 00:44:30,280 --> 00:44:31,439 Speaker 2: how did you get your foot in the door? 977 00:44:32,320 --> 00:44:32,600 Speaker 8: Hither? 978 00:44:32,920 --> 00:44:34,719 Speaker 7: So I got my foot in the door in a 979 00:44:34,760 --> 00:44:37,840 Speaker 7: lushy car brand by telling them that I that I 980 00:44:37,880 --> 00:44:42,360 Speaker 7: played quidditch and I volunteered at an international quidditch tournament 981 00:44:42,440 --> 00:44:44,759 Speaker 7: in Germany as part of the camera crew. 982 00:44:45,200 --> 00:44:47,200 Speaker 2: What did they not know that? That's not real? 983 00:44:49,880 --> 00:44:53,400 Speaker 7: It is real thing since two thousand and six? Yeah, thing, 984 00:44:53,520 --> 00:44:54,000 Speaker 7: what are you doing? 985 00:44:54,000 --> 00:44:55,839 Speaker 1: You're gonna get the Harry Potter people on the cap? 986 00:44:55,960 --> 00:44:57,680 Speaker 2: Is it a real thing? I didn't even know that, 987 00:44:58,560 --> 00:45:00,680 Speaker 2: So what did they like that about? To Helen? 988 00:45:01,840 --> 00:45:04,960 Speaker 7: The hiring manager thought that I was insane for putting 989 00:45:05,000 --> 00:45:07,160 Speaker 7: quidditch on my resume, and he just had to speak 990 00:45:07,200 --> 00:45:09,680 Speaker 7: to me and find out if it was real or 991 00:45:09,680 --> 00:45:11,600 Speaker 7: if I was just having a laugh yep. And then 992 00:45:11,680 --> 00:45:14,279 Speaker 7: I showed him some videos on YouTube, some of the 993 00:45:14,320 --> 00:45:16,920 Speaker 7: games I filmed, and he thought it was insane and 994 00:45:16,920 --> 00:45:18,359 Speaker 7: he was like, I've got to hire you. 995 00:45:18,719 --> 00:45:21,960 Speaker 1: That's it. I'm going to give this lady to sell Mercedes. 996 00:45:22,000 --> 00:45:24,560 Speaker 2: It's like the girl that I knew who got who's 997 00:45:24,600 --> 00:45:27,120 Speaker 2: an ABC journalist who got the job because she'd been 998 00:45:27,160 --> 00:45:30,680 Speaker 2: a sheep monitor at university in her in her college. 999 00:45:30,760 --> 00:45:34,040 Speaker 1: But Helen, are you still selling Mercedes? No? 1000 00:45:34,360 --> 00:45:37,440 Speaker 7: I've since moved on to bigger and better things. But 1001 00:45:37,760 --> 00:45:40,200 Speaker 7: the hiring manager was probably one of my favorite people. 1002 00:45:40,640 --> 00:45:41,840 Speaker 1: What bigger and better things? 1003 00:45:43,040 --> 00:45:45,719 Speaker 7: I moved to London. Actually, So you're in London, the 1004 00:45:45,760 --> 00:45:46,440 Speaker 7: heart of quidditch. 1005 00:45:46,760 --> 00:45:49,560 Speaker 3: You look at you, we're internationals. Well good on, you're 1006 00:45:49,560 --> 00:45:51,719 Speaker 3: Helen and you have an upset. 1007 00:45:51,560 --> 00:45:53,440 Speaker 1: The Harry Potter army. Well see, I don't know about 1008 00:45:53,440 --> 00:45:55,160 Speaker 1: Harry Potter. How do you quid each be real? 1009 00:45:55,200 --> 00:45:56,319 Speaker 2: Don't they play it in the air? 1010 00:45:56,719 --> 00:45:58,439 Speaker 1: Yeah? No, they run around on the ground. It looked 1011 00:45:58,440 --> 00:46:00,520 Speaker 1: like a bunch of dogs. He looks like hockey. I'm 1012 00:46:00,520 --> 00:46:04,359 Speaker 1: not going to say for his houses. Allison has joined us. 1013 00:46:04,360 --> 00:46:06,120 Speaker 2: By Alison, how did you get your foot in the door? 1014 00:46:07,680 --> 00:46:09,560 Speaker 12: So about six years ago I went for a job 1015 00:46:09,600 --> 00:46:13,560 Speaker 12: interview and I found out about probably a month after 1016 00:46:13,560 --> 00:46:16,000 Speaker 12: I got the job, that the bus who interviewed me 1017 00:46:16,080 --> 00:46:18,560 Speaker 12: had sent one of his advent teams to stalk me 1018 00:46:18,640 --> 00:46:22,040 Speaker 12: on Facebook and found that I followed the same football 1019 00:46:22,040 --> 00:46:25,840 Speaker 12: team as him, and my Facebook profile was with me 1020 00:46:25,960 --> 00:46:28,680 Speaker 12: drinking a very large beer on holiday in Japan. So 1021 00:46:28,719 --> 00:46:32,400 Speaker 12: he thought that's the girl for me, and she follows 1022 00:46:32,440 --> 00:46:34,920 Speaker 12: my footage team and neither of those are actually really 1023 00:46:36,120 --> 00:46:36,759 Speaker 12: me at all. 1024 00:46:36,880 --> 00:46:38,319 Speaker 1: But right got the job. 1025 00:46:38,360 --> 00:46:39,200 Speaker 2: They got you the job. 1026 00:46:39,320 --> 00:46:42,200 Speaker 1: So you're drinking a bigger sahi and with a footage 1027 00:46:42,239 --> 00:46:43,560 Speaker 1: jersey on and it's done. 1028 00:46:44,320 --> 00:46:45,040 Speaker 6: Yeah, that's all. 1029 00:46:45,040 --> 00:46:46,640 Speaker 2: It takes. All it takes. 1030 00:46:46,640 --> 00:46:49,359 Speaker 1: Why elbow always well the South Sydney Jersey. That's how 1031 00:46:49,360 --> 00:46:50,080 Speaker 1: we got the job. 1032 00:46:50,239 --> 00:46:52,080 Speaker 2: And that's how we got His wife is his fiance. 1033 00:46:53,080 --> 00:46:54,040 Speaker 1: Who would have thought that? 1034 00:46:54,400 --> 00:46:57,160 Speaker 10: Jonesy and Amanda Podcast. 1035 00:47:00,200 --> 00:47:01,920 Speaker 3: Amanda, you don't have to do anything, do you Just 1036 00:47:01,920 --> 00:47:04,200 Speaker 3: sit there in the bimbo seat and I'll do it all. 1037 00:47:04,239 --> 00:47:05,680 Speaker 1: And when I say bimbo set, I mean you have 1038 00:47:06,040 --> 00:47:06,680 Speaker 1: order respect. 1039 00:47:07,320 --> 00:47:09,400 Speaker 2: And when you say do it all, what you have 1040 00:47:09,520 --> 00:47:11,520 Speaker 2: been doing the last week was digging up something from 1041 00:47:11,560 --> 00:47:15,319 Speaker 2: your garage, which is an old cassette you had from 1042 00:47:15,320 --> 00:47:16,240 Speaker 2: your garage. 1043 00:47:15,960 --> 00:47:18,320 Speaker 3: Came from you because you were going through your attic 1044 00:47:18,680 --> 00:47:20,560 Speaker 3: looking for some stuff and you found a picture of 1045 00:47:20,600 --> 00:47:23,399 Speaker 3: you hugely pregnant with Leah. 1046 00:47:23,480 --> 00:47:25,640 Speaker 1: Yeah, I've forgot Myny Moore picture. 1047 00:47:25,840 --> 00:47:28,400 Speaker 3: Yeah, And then I started looking for some tapes, you know, 1048 00:47:28,440 --> 00:47:31,799 Speaker 3: just stuff like that, old radio tapes, various interviews I've 1049 00:47:31,840 --> 00:47:34,600 Speaker 3: done with people. But I also found my old garage 1050 00:47:34,680 --> 00:47:36,320 Speaker 3: Bad Bad Element. 1051 00:47:36,000 --> 00:47:38,760 Speaker 2: Bad Element, and well here's a snippet of Bad Element. 1052 00:47:41,880 --> 00:47:46,680 Speaker 2: It's the lyrics are conflicting, as Ryan pointed out, because 1053 00:47:46,960 --> 00:47:49,360 Speaker 2: what does it say, Ryan, Yes, so we've. 1054 00:47:49,160 --> 00:47:50,839 Speaker 1: Got the bit where you're lying to. 1055 00:47:50,800 --> 00:47:59,440 Speaker 2: Them, yes, rying none, So no lies, but you can 1056 00:47:59,480 --> 00:48:01,759 Speaker 2: lie to a pre none. And there's another song as 1057 00:48:01,800 --> 00:48:10,560 Speaker 2: well that sounds a bit like this. You know, I 1058 00:48:10,560 --> 00:48:13,200 Speaker 2: can't understand a single word it's being said. So I 1059 00:48:13,280 --> 00:48:14,439 Speaker 2: gave an assignment to Meg. 1060 00:48:14,520 --> 00:48:18,920 Speaker 3: I was on backup signus on that one sponsored by 1061 00:48:18,920 --> 00:48:19,560 Speaker 3: Pseudo Fed. 1062 00:48:20,080 --> 00:48:22,759 Speaker 2: I gave Meg, one of our producers, an assignment to 1063 00:48:23,280 --> 00:48:24,800 Speaker 2: listen to that. She's not happy. 1064 00:48:24,920 --> 00:48:26,799 Speaker 1: She's not like I said. I was even broken it again. 1065 00:48:26,840 --> 00:48:28,400 Speaker 1: I'm not made of spliced tape. 1066 00:48:28,480 --> 00:48:31,760 Speaker 2: And she has written out the lyrics for those two songs. 1067 00:48:32,000 --> 00:48:37,279 Speaker 2: I'm going to read them to you next Lamanda podcast. 1068 00:48:37,400 --> 00:48:40,319 Speaker 2: Bad Element. That's all anyone can talk about right now? 1069 00:48:40,400 --> 00:48:40,880 Speaker 1: Is that true? 1070 00:48:40,920 --> 00:48:44,640 Speaker 2: It's so untrue. This is a band that you were 1071 00:48:44,640 --> 00:48:47,560 Speaker 2: in when you were eighteen or nineteen. You played the drums, 1072 00:48:47,920 --> 00:48:51,720 Speaker 2: You're a co songwriter. You're a singer, a backup singer. 1073 00:48:51,880 --> 00:48:54,399 Speaker 2: You were everything, Brandon, You are a lot of things 1074 00:48:54,440 --> 00:48:56,760 Speaker 2: in that band. You found your old cassette, you spliced 1075 00:48:56,760 --> 00:48:59,120 Speaker 2: it back together. There are four songs, you say, we've 1076 00:48:59,120 --> 00:49:00,960 Speaker 2: only been able to hear, one of which is this, 1077 00:49:01,080 --> 00:49:01,960 Speaker 2: no lies. 1078 00:49:06,360 --> 00:49:06,600 Speaker 6: We are. 1079 00:49:07,920 --> 00:49:10,239 Speaker 2: Let me just say this. I'm someone. I'm someone who 1080 00:49:10,320 --> 00:49:14,879 Speaker 2: loves a lyric if I love poetry, I love the 1081 00:49:14,920 --> 00:49:18,399 Speaker 2: words to a song funnily enough. And I've asked Meg 1082 00:49:18,520 --> 00:49:20,800 Speaker 2: to listen to the cassette because you just said you 1083 00:49:20,800 --> 00:49:22,919 Speaker 2: didn't have a copy of the words and couldn't remember 1084 00:49:22,920 --> 00:49:23,279 Speaker 2: a lot of us. 1085 00:49:23,280 --> 00:49:26,120 Speaker 3: You couldn't listen to the cassette because the cassette we 1086 00:49:26,239 --> 00:49:26,839 Speaker 3: don't have one. 1087 00:49:26,840 --> 00:49:27,000 Speaker 1: Here. 1088 00:49:27,040 --> 00:49:29,400 Speaker 3: I fix the tape of the cassette player that I 1089 00:49:29,440 --> 00:49:32,719 Speaker 3: have at home. The duel cassette player is busted. But 1090 00:49:32,800 --> 00:49:35,160 Speaker 3: Meg's mum has come to the rescue. She's going to 1091 00:49:35,440 --> 00:49:36,600 Speaker 3: drop the cassette player in. 1092 00:49:36,680 --> 00:49:39,160 Speaker 2: So tomorrow we can hear them other two missing songs. 1093 00:49:39,400 --> 00:49:41,560 Speaker 1: Yes, and so what we've got is one and a 1094 00:49:41,600 --> 00:49:42,480 Speaker 1: half songs. 1095 00:49:42,600 --> 00:49:45,239 Speaker 2: Well, let me read the lyrics. She's tried to transcribe them. 1096 00:49:45,239 --> 00:49:48,640 Speaker 2: This is no lies, No lies, you're telling me what 1097 00:49:48,719 --> 00:49:51,359 Speaker 2: to do. No lies, you're telling me what to be. 1098 00:49:51,840 --> 00:49:53,800 Speaker 2: No lies. I'm gonna see it swing. 1099 00:49:54,080 --> 00:49:54,799 Speaker 1: Let's see it through. 1100 00:49:55,239 --> 00:49:58,279 Speaker 2: I'll see it through. No lies, no lies, no lies, 1101 00:49:58,320 --> 00:50:01,399 Speaker 2: O lies. Yeah, good lie to a priest. You could 1102 00:50:01,440 --> 00:50:08,000 Speaker 2: lie to a nun, a little white nye. Never heard anyone. Sorry, sorry, Brendan. Well, then, also, 1103 00:50:08,040 --> 00:50:11,160 Speaker 2: there's some question marks here because because she's saying, she 1104 00:50:11,239 --> 00:50:13,640 Speaker 2: can't understand what she's saying, because she's got so take 1105 00:50:13,680 --> 00:50:16,120 Speaker 2: this racket out of here. I'm not listening to a 1106 00:50:16,280 --> 00:50:19,719 Speaker 2: question mark, question mark, question mark? What's it saying? 1107 00:50:19,920 --> 00:50:23,399 Speaker 1: Take this rap? Get out of here. I'm not going 1108 00:50:23,440 --> 00:50:25,680 Speaker 1: to listen to no more of your lies. 1109 00:50:26,239 --> 00:50:28,400 Speaker 2: Doesn't even rhyme? And what's the rap? 1110 00:50:29,080 --> 00:50:30,120 Speaker 1: It was before rap? 1111 00:50:30,960 --> 00:50:32,040 Speaker 2: And then there's no lies, no lies. 1112 00:50:32,440 --> 00:50:33,120 Speaker 1: Ahead of my time. 1113 00:50:33,480 --> 00:50:35,520 Speaker 2: How about let's have a listen now to a snippet 1114 00:50:35,520 --> 00:50:38,720 Speaker 2: of Forgetful Night. 1115 00:50:39,640 --> 00:50:41,799 Speaker 1: Here's even more torture. 1116 00:50:46,640 --> 00:50:50,000 Speaker 2: See I can understand a single word that's being sung there. 1117 00:50:50,040 --> 00:50:53,839 Speaker 2: Well he needs another go in the washing machine. Here 1118 00:50:53,880 --> 00:50:56,399 Speaker 2: we go. These are the lyrics according to Meg for 1119 00:50:56,400 --> 00:50:59,200 Speaker 2: Forgetful Night. I've got out of my bed and shook 1120 00:50:59,239 --> 00:51:02,120 Speaker 2: my head my head. Well that's not what she heard. 1121 00:51:02,480 --> 00:51:06,560 Speaker 2: My eyes were stinging, my ears were ringing. Oh I 1122 00:51:06,680 --> 00:51:09,359 Speaker 2: was lost. I couldn't remember what i'd been, or what 1123 00:51:09,400 --> 00:51:12,680 Speaker 2: i'd seen, where i'd been, or what i'd seen. The 1124 00:51:12,680 --> 00:51:15,720 Speaker 2: sun is crisp. The birds were singing. 1125 00:51:15,800 --> 00:51:17,480 Speaker 1: The sun is shining. 1126 00:51:17,880 --> 00:51:20,480 Speaker 2: The birds were singing. Question, my question, Question? Were in 1127 00:51:20,520 --> 00:51:21,160 Speaker 2: my walls. 1128 00:51:21,280 --> 00:51:24,440 Speaker 3: A lawn mower echoes through the walls. 1129 00:51:24,480 --> 00:51:26,520 Speaker 1: It's the lament of the young person. 1130 00:51:26,480 --> 00:51:29,160 Speaker 3: Coming home on a Friday night, had a big night 1131 00:51:29,480 --> 00:51:32,120 Speaker 3: the night before, and they wake up in suburbia on 1132 00:51:32,160 --> 00:51:33,000 Speaker 3: a Saturday morning. 1133 00:51:33,080 --> 00:51:36,080 Speaker 2: The world outside focused on me. They all wondered where 1134 00:51:36,080 --> 00:51:38,760 Speaker 2: the hell I've been. It's just another one of those. 1135 00:51:39,160 --> 00:51:41,560 Speaker 2: She's written here unforgetful nights, and she's written next to 1136 00:51:41,680 --> 00:51:45,759 Speaker 2: extremely off tune. Then she said, you better stick to 1137 00:51:45,800 --> 00:51:48,360 Speaker 2: that when your face turns white, And she says, I 1138 00:51:48,400 --> 00:51:52,439 Speaker 2: think he's referring to drugs. Is that right? 1139 00:51:55,719 --> 00:51:57,880 Speaker 1: There was we were, you know, we used to partake. 1140 00:51:57,880 --> 00:52:00,880 Speaker 2: It explains the lyric and the boys. 1141 00:52:01,560 --> 00:52:04,879 Speaker 1: Well, I'm looking forward to your face do it again. 1142 00:52:05,719 --> 00:52:08,600 Speaker 2: You'd better stick to that. It's another one of those 1143 00:52:09,040 --> 00:52:12,399 Speaker 2: forgetful night. You better stick to that when your face 1144 00:52:12,480 --> 00:52:13,360 Speaker 2: turns white. 1145 00:52:13,200 --> 00:52:16,000 Speaker 3: When your face when you're when your eyes are sticking in, 1146 00:52:16,040 --> 00:52:19,520 Speaker 3: your face turns when your bed, when your bed is 1147 00:52:19,560 --> 00:52:23,320 Speaker 3: spinning and your face turns white. Your bed is spinning 1148 00:52:23,360 --> 00:52:24,359 Speaker 3: and your face turns white. 1149 00:52:24,400 --> 00:52:25,040 Speaker 2: That makes sense. 1150 00:52:25,120 --> 00:52:28,560 Speaker 1: You I understand the night before you. I get it, 1151 00:52:28,680 --> 00:52:31,360 Speaker 1: you get it. I get it. Bloody brilliant. It is 1152 00:52:31,480 --> 00:52:32,440 Speaker 1: bloody brilliant. 1153 00:52:33,840 --> 00:52:36,399 Speaker 2: Maybe could write one of those well, I look forward 1154 00:52:36,440 --> 00:52:38,600 Speaker 2: to tomorrow. Were two more songs. 1155 00:52:38,320 --> 00:52:40,000 Speaker 1: When missus Meg brings the tape. 1156 00:52:39,800 --> 00:52:41,440 Speaker 2: When she brings the tape in and we can do 1157 00:52:41,440 --> 00:52:43,880 Speaker 2: you not in the names of the other two songs. 1158 00:52:43,640 --> 00:52:48,759 Speaker 1: There was too Young to Pretty. 1159 00:52:47,400 --> 00:52:51,239 Speaker 2: And what's the other one? Okay, well, I can't wait 1160 00:52:51,280 --> 00:53:05,080 Speaker 2: till tomorrow, Brendan, stay tuned Australia. Here it comes threety 1161 00:53:05,239 --> 00:53:07,399 Speaker 2: thousand dollars cash. That's what you can win if you're 1162 00:53:07,400 --> 00:53:08,839 Speaker 2: our favorite Gollie of the year. 1163 00:53:09,080 --> 00:53:10,560 Speaker 1: Pretty cool. What have we got today? 1164 00:53:11,200 --> 00:53:13,720 Speaker 8: What really gets my gullies is the lack of manners 1165 00:53:13,719 --> 00:53:15,719 Speaker 8: that I've noticed out there. You know, you go to 1166 00:53:15,760 --> 00:53:18,320 Speaker 8: the shops and you're standing in a queue and somebody 1167 00:53:18,320 --> 00:53:20,239 Speaker 8: has to push in front of you, or they state 1168 00:53:20,320 --> 00:53:22,800 Speaker 8: that they were their first when they clearly weren't. Worre's 1169 00:53:22,880 --> 00:53:26,200 Speaker 8: you being served and they have to interrupt you? Why 1170 00:53:26,200 --> 00:53:29,120 Speaker 8: are we so entitled and why is everybody else's time 1171 00:53:29,239 --> 00:53:32,280 Speaker 8: so much more important than another persons that you can't 1172 00:53:32,280 --> 00:53:32,840 Speaker 8: wait there. 1173 00:53:32,680 --> 00:53:33,719 Speaker 1: For a couple of seconds? 1174 00:53:33,880 --> 00:53:34,200 Speaker 2: You know what? 1175 00:53:34,280 --> 00:53:36,680 Speaker 8: It's really sad that we just don't have basic principles 1176 00:53:36,680 --> 00:53:37,320 Speaker 8: like manners. 1177 00:53:37,800 --> 00:53:38,880 Speaker 1: What about me situation? 1178 00:53:39,000 --> 00:53:40,799 Speaker 3: You know, the little kid down on there of the 1179 00:53:40,800 --> 00:53:41,719 Speaker 3: count of the corner shop. 1180 00:53:42,080 --> 00:53:44,200 Speaker 1: You know, you're standing there and anyone else comes in 1181 00:53:44,239 --> 00:53:46,120 Speaker 1: and you go, hello, what's going on? Sometimes it just 1182 00:53:46,160 --> 00:53:46,839 Speaker 1: happens that way. 1183 00:53:46,960 --> 00:53:48,120 Speaker 2: Sometimes it happens that way. 1184 00:53:48,200 --> 00:53:50,600 Speaker 1: Sometimes I know that you when you come in, everyone goes. 1185 00:53:50,480 --> 00:53:53,160 Speaker 2: Off iPhone ahead so they clear the shop. Hell, you 1186 00:53:53,200 --> 00:53:55,239 Speaker 2: do that with your flatulence. So we both have our 1187 00:53:55,280 --> 00:53:55,800 Speaker 2: own methods. 1188 00:53:55,800 --> 00:53:59,479 Speaker 3: You're like Michael Jackson, you go a private private tour 1189 00:54:00,080 --> 00:54:02,439 Speaker 3: KM Yay, what else have we got? 1190 00:54:03,120 --> 00:54:03,200 Speaker 10: Do? 1191 00:54:03,280 --> 00:54:06,560 Speaker 9: You know what gets my gullies? Going out to a 1192 00:54:06,640 --> 00:54:11,920 Speaker 9: beautiful restaurant where it is so dimly lit that you 1193 00:54:12,040 --> 00:54:15,120 Speaker 9: have to get your mobile phone out yep, and use 1194 00:54:15,200 --> 00:54:20,440 Speaker 9: the torch on your mobile phone just to read the menu. 1195 00:54:20,840 --> 00:54:23,880 Speaker 9: It's true, even worse if you haven't bought your glasses. 1196 00:54:24,560 --> 00:54:29,200 Speaker 9: But it is so embarrassing and it's just like turn 1197 00:54:29,239 --> 00:54:31,120 Speaker 9: the lights up so we can read the menu. 1198 00:54:31,680 --> 00:54:33,520 Speaker 2: Gets my gollie, don't be embarrassed. I was in a 1199 00:54:33,560 --> 00:54:35,520 Speaker 2: restaurant the other day and everyone everyone had their phones 1200 00:54:35,520 --> 00:54:36,839 Speaker 2: out with the menu. Everyone does. 1201 00:54:36,840 --> 00:54:39,840 Speaker 3: It is that because of the current electrical you know 1202 00:54:40,680 --> 00:54:41,880 Speaker 3: the bill squeeze. 1203 00:54:41,920 --> 00:54:44,240 Speaker 2: Oh, I think, do you want a nice dining ambience? 1204 00:54:44,280 --> 00:54:45,680 Speaker 2: So I means don't have the fluoros on. 1205 00:54:45,840 --> 00:54:48,240 Speaker 1: That's why I go straight to McDonald's. You can see everything. 1206 00:54:48,360 --> 00:54:49,520 Speaker 2: You see everything there. 1207 00:54:51,040 --> 00:54:52,600 Speaker 3: With the bad, with the good of you dip debt. 1208 00:54:52,800 --> 00:54:55,440 Speaker 3: You can always contact us via the iHeartRadio app. It 1209 00:54:55,560 --> 00:54:58,560 Speaker 3: simple go to gold. When I won seven, see the 1210 00:54:58,600 --> 00:55:00,560 Speaker 3: little microphone there record what'ch you Gooley? 1211 00:55:00,880 --> 00:55:08,600 Speaker 1: You could win twenty thousand dollars cash. It's seven to nine. 1212 00:55:06,719 --> 00:55:09,440 Speaker 2: My favorite call email of Facebook. Friend wins an overnight 1213 00:55:09,520 --> 00:55:11,760 Speaker 2: stay in a signature de luxe room for two adults 1214 00:55:11,800 --> 00:55:13,920 Speaker 2: plus a bottle of sparkling wine. This is all at 1215 00:55:13,920 --> 00:55:16,520 Speaker 2: the Grace Hotel. This is this beautiful Art deco hotel 1216 00:55:16,880 --> 00:55:18,440 Speaker 2: in the heart of the Sydney CBD. 1217 00:55:18,640 --> 00:55:20,400 Speaker 3: You also get the Jones amount of t towel. We 1218 00:55:20,400 --> 00:55:21,440 Speaker 3: should say Michael Bolton. 1219 00:55:21,440 --> 00:55:23,920 Speaker 1: The t towel. He loved that the very least Semima 1220 00:55:24,000 --> 00:55:24,480 Speaker 1: tea towel. 1221 00:55:24,800 --> 00:55:26,959 Speaker 2: Now we started a show, as we always do, playing 1222 00:55:27,000 --> 00:55:31,200 Speaker 2: Magnificent seven. Question number one was this, What is the 1223 00:55:31,280 --> 00:55:35,040 Speaker 2: name of Jonesy's band? The question went to Rochelle from 1224 00:55:35,040 --> 00:55:39,000 Speaker 2: Green Valley and Brandon. I'm sorry, but she didn't seem 1225 00:55:39,040 --> 00:55:40,080 Speaker 2: aware of you. 1226 00:55:40,160 --> 00:55:42,520 Speaker 6: Good morning, guys, how are you very well? 1227 00:55:42,680 --> 00:55:45,960 Speaker 2: Question number one? Famous for their single No Lies? What 1228 00:55:46,080 --> 00:55:47,920 Speaker 2: was the name of Jonesy's band? 1229 00:55:48,760 --> 00:55:50,760 Speaker 6: Oh god, is it Max Fox twenty? 1230 00:55:51,040 --> 00:55:51,520 Speaker 1: No? 1231 00:55:51,760 --> 00:55:54,560 Speaker 2: I remember Maxbox twenty releasing this. 1232 00:55:56,920 --> 00:56:04,440 Speaker 1: Have you put it next to each other? Thomas? 1233 00:56:04,640 --> 00:56:11,440 Speaker 2: Which one's you? Brendan, Hey, I don't know where you 1234 00:56:11,520 --> 00:56:12,560 Speaker 2: finishing his begins? 1235 00:56:12,719 --> 00:56:15,760 Speaker 1: Please, that's not that's when he went solo. 1236 00:56:15,920 --> 00:56:20,239 Speaker 2: Okay now like you did too, Briday, you too. That's enough. 1237 00:56:20,360 --> 00:56:23,360 Speaker 3: Our fifty k snow repeat Workday is on with Higgey 1238 00:56:23,760 --> 00:56:25,439 Speaker 3: Catches repeating any song. 1239 00:56:25,480 --> 00:56:26,440 Speaker 2: It won't be that one. 1240 00:56:26,360 --> 00:56:28,960 Speaker 3: Six to six weekdays and you could win an instant 1241 00:56:29,000 --> 00:56:32,400 Speaker 3: five hundred dollars and a snow getaway to Utah, Usa. 1242 00:56:32,800 --> 00:56:34,080 Speaker 1: How good is that? 1243 00:56:34,160 --> 00:56:36,520 Speaker 2: We're going to be back for gam Nation and all 1244 00:56:36,560 --> 00:56:37,520 Speaker 2: starts at six o'clock. 1245 00:56:37,800 --> 00:56:41,480 Speaker 1: Yeah, see you? Then who days you well, thank god, 1246 00:56:41,560 --> 00:56:45,479 Speaker 1: that's sober. Good bite wipe. 1247 00:56:47,120 --> 00:56:50,520 Speaker 13: You can catch Jonesy and Amanda's podcast on the iHeartRadio 1248 00:56:50,560 --> 00:56:59,960 Speaker 13: app or wherever you get your podcasts. 1249 00:57:00,080 --> 00:57:04,600 Speaker 10: Youngs catch up on what you've missed on the free 1250 00:57:04,680 --> 00:57:07,160 Speaker 10: iHeartRadio app m