WEBVTT -  📼HOW TO MAKE AN AUDITION TAPE FOR REALITY TV! 📼

0:00:00.320 --> 0:00:03.560
<v Speaker 1>Welcome back to TV Reload. My name's Benjamin Norris, and

0:00:03.640 --> 0:00:06.160
<v Speaker 1>on this podcast, I'll be going behind the scenes with

0:00:06.280 --> 0:00:09.600
<v Speaker 1>the biggest players in television. On this episode, I have

0:00:09.720 --> 0:00:12.879
<v Speaker 1>Holly Bryer, a casting specialist who you would meet in

0:00:12.920 --> 0:00:16.560
<v Speaker 1>the initial casting process when applying for a role in television.

0:00:17.040 --> 0:00:20.280
<v Speaker 1>Chances are if you've applied for reality TV, you've probably

0:00:20.320 --> 0:00:22.800
<v Speaker 1>had a zoom chat with her as shares help cast

0:00:22.840 --> 0:00:26.520
<v Speaker 1>people right across all major television networks. Holly has a

0:00:26.520 --> 0:00:29.680
<v Speaker 1>degree in TV production and understands being in front and

0:00:29.760 --> 0:00:33.040
<v Speaker 1>behind the camera, which gives her the perfect insights into

0:00:33.080 --> 0:00:35.640
<v Speaker 1>finding the right cast for the shows that she's been

0:00:35.720 --> 0:00:38.879
<v Speaker 1>hired to work on. Holly works across reality TV and

0:00:38.960 --> 0:00:42.280
<v Speaker 1>TVCs and knows exactly what the producers are looking for.

0:00:42.600 --> 0:00:45.839
<v Speaker 1>Getting hired right across the bigger shows in television might

0:00:45.920 --> 0:00:49.600
<v Speaker 1>sound like hard work, but with Holly's disarming personality, she

0:00:49.720 --> 0:00:52.080
<v Speaker 1>can gather all the right information to move you up

0:00:52.120 --> 0:00:55.240
<v Speaker 1>and down the ladder in the selection process. With more

0:00:55.280 --> 0:00:58.400
<v Speaker 1>people wanting to be on television than ever before, it's

0:00:58.440 --> 0:01:00.840
<v Speaker 1>fascinating to know some of the dues and don't when

0:01:00.880 --> 0:01:04.280
<v Speaker 1>applying for upcoming programs, and Holly has a masterclass in

0:01:04.319 --> 0:01:07.560
<v Speaker 1>the works, which today's episode is really just a teaser four.

0:01:07.920 --> 0:01:10.480
<v Speaker 1>So I'd like to welcome you to today's guest. It's

0:01:10.520 --> 0:01:11.119
<v Speaker 1>Holly Bryer.

0:01:12.120 --> 0:01:14.479
<v Speaker 2>I just want to hear your story. I just want

0:01:14.520 --> 0:01:19.160
<v Speaker 2>to hear about you. Google boxes are that and I

0:01:19.200 --> 0:01:21.319
<v Speaker 2>don't really care about what you look like if you're

0:01:21.319 --> 0:01:22.200
<v Speaker 2>having a bad day.

0:01:22.319 --> 0:01:25.400
<v Speaker 1>The new season of Old People's Home for four year Olds.

0:01:25.760 --> 0:01:28.200
<v Speaker 2>Be as honest, be as open, because it makes my

0:01:28.319 --> 0:01:32.000
<v Speaker 2>job easier. Welcome to the Amazing Rights to Australia. So

0:01:32.040 --> 0:01:34.319
<v Speaker 2>if I have to pitch you to the EPs or someone,

0:01:34.720 --> 0:01:38.080
<v Speaker 2>I want to get as much information as possible. As

0:01:38.080 --> 0:01:42.320
<v Speaker 2>long as you're putting good, you're feeling confident, all goes

0:01:42.360 --> 0:01:45.039
<v Speaker 2>in the herhor and I don't want to manipulate you

0:01:45.200 --> 0:01:46.800
<v Speaker 2>at all, but that's not my job.

0:01:47.120 --> 0:01:48.360
<v Speaker 1>How are you mate? Are you well?

0:01:49.040 --> 0:01:51.520
<v Speaker 2>I am very well, very excited to be chatting to you. Ben.

0:01:51.560 --> 0:01:52.800
<v Speaker 2>We're finally making this happen.

0:01:52.960 --> 0:01:55.600
<v Speaker 1>I know. I'm so excited. You have cast the likes

0:01:55.640 --> 0:01:58.480
<v Speaker 1>of have MERRITI first side Australia has got Talent, Secret

0:01:58.480 --> 0:02:01.440
<v Speaker 1>Life of four year Olds, Goggle by your House Rules

0:02:01.480 --> 0:02:04.720
<v Speaker 1>the living Room? What shows out of those do people

0:02:04.840 --> 0:02:06.880
<v Speaker 1>want to be on the most? Oh?

0:02:07.120 --> 0:02:10.840
<v Speaker 2>Gosh, to be honest, I feel like it's the dating shows.

0:02:11.520 --> 0:02:13.280
<v Speaker 2>I feel like people want to go on the dating

0:02:13.320 --> 0:02:17.400
<v Speaker 2>shows the most. I think because it's less risk, it's

0:02:17.440 --> 0:02:19.720
<v Speaker 2>a bit of fun, and then when they come off it,

0:02:20.200 --> 0:02:23.120
<v Speaker 2>they can leverage off their exposure. But that's what I

0:02:23.280 --> 0:02:26.880
<v Speaker 2>find people want to do most is the dating shows. Yeah,

0:02:27.000 --> 0:02:29.320
<v Speaker 2>I think everyone wants to find love. I think everyone

0:02:29.320 --> 0:02:32.160
<v Speaker 2>wants to find that fairy tale if you could find

0:02:32.280 --> 0:02:35.520
<v Speaker 2>your person on national television. I mean, I mean I

0:02:35.680 --> 0:02:36.040
<v Speaker 2>do it?

0:02:36.120 --> 0:02:36.440
<v Speaker 1>Would you?

0:02:36.919 --> 0:02:37.519
<v Speaker 2>Yeah?

0:02:37.680 --> 0:02:38.440
<v Speaker 1>Knowing what you know?

0:02:39.360 --> 0:02:40.040
<v Speaker 2>Yeah? Maybe not.

0:02:40.560 --> 0:02:42.400
<v Speaker 1>I understand. I believe him for love and first sight.

0:02:42.560 --> 0:02:44.560
<v Speaker 2>Hopefully tonight I'm going to meet the girl I'm going

0:02:44.600 --> 0:02:44.960
<v Speaker 2>to marry.

0:02:45.480 --> 0:02:49.560
<v Speaker 1>His ability to endure is well known. That's lucky for

0:02:49.720 --> 0:02:50.320
<v Speaker 1>the survivor.

0:02:50.960 --> 0:02:54.359
<v Speaker 2>That definitely makes it hotter, Like what can this guy

0:02:54.480 --> 0:02:54.760
<v Speaker 2>not do?

0:02:55.240 --> 0:02:59.359
<v Speaker 1>But can he survive a mansion full of beautiful women?

0:02:59.720 --> 0:03:03.440
<v Speaker 2>Ready? Oh? Not a bad rook? Perfect package. He's so

0:03:03.600 --> 0:03:05.480
<v Speaker 2>cool if he is sexy.

0:03:06.120 --> 0:03:07.880
<v Speaker 1>You know. What I've come to realize is that people

0:03:07.919 --> 0:03:10.320
<v Speaker 1>who want to be on TV aren't usually the best

0:03:10.360 --> 0:03:13.080
<v Speaker 1>people for TV. Do you think that's true?

0:03:13.200 --> 0:03:15.919
<v Speaker 2>Now? Look, I feel like we live in a society

0:03:15.919 --> 0:03:17.880
<v Speaker 2>where everyone wants to be known, everyone wants to have

0:03:17.960 --> 0:03:20.400
<v Speaker 2>a voice, everyone wants to be heard, everyone wants to

0:03:20.400 --> 0:03:23.040
<v Speaker 2>be famous. And I think reality TV has opened up

0:03:23.200 --> 0:03:27.400
<v Speaker 2>such a platform that anyone can be on TV. It

0:03:27.440 --> 0:03:29.440
<v Speaker 2>doesn't really matter your background. You don't need to go

0:03:29.480 --> 0:03:31.760
<v Speaker 2>to acting school. You could be on Home and Away

0:03:31.800 --> 0:03:34.840
<v Speaker 2>and just do one stint on the batchy. So anyone

0:03:34.880 --> 0:03:36.800
<v Speaker 2>can do it, and I think that's what people love

0:03:36.840 --> 0:03:38.160
<v Speaker 2>about it, where they can be somebody.

0:03:38.240 --> 0:03:40.480
<v Speaker 1>I think that there's definitely some truth in that. You know,

0:03:40.760 --> 0:03:43.640
<v Speaker 1>they say that casting is crucial to all shows. What's

0:03:43.680 --> 0:03:45.760
<v Speaker 1>the time though, where casting's gone bad? In your mind?

0:03:46.080 --> 0:03:48.160
<v Speaker 2>It's really hard for me because I obviously do the

0:03:48.200 --> 0:03:50.200
<v Speaker 2>casting process, but then I hand it over to story

0:03:50.240 --> 0:03:52.640
<v Speaker 2>producers and they kind of run with what's going to

0:03:52.640 --> 0:03:56.520
<v Speaker 2>happen thereafter. But I think sometimes when I have someone

0:03:56.600 --> 0:03:58.240
<v Speaker 2>in mind, I'm casting them like they'd be great for X,

0:03:58.320 --> 0:04:01.200
<v Speaker 2>Y and Z, and it doesn't quite work out for

0:04:01.360 --> 0:04:04.720
<v Speaker 2>them is because they've fooled meat in the process and

0:04:04.760 --> 0:04:08.800
<v Speaker 2>they haven't really been themselves, so they've become someone else.

0:04:08.840 --> 0:04:10.440
<v Speaker 2>Because I think, oh, this is what she's gonna like,

0:04:10.760 --> 0:04:13.000
<v Speaker 2>I'm going to be the person that won last year,

0:04:13.440 --> 0:04:15.760
<v Speaker 2>but that's not really what we're looking for. So then

0:04:15.920 --> 0:04:19.200
<v Speaker 2>over time, you know, episodes in, they're suddenly not that

0:04:19.240 --> 0:04:21.680
<v Speaker 2>person that I first spoke to because not being themselves.

0:04:21.880 --> 0:04:24.560
<v Speaker 2>So that's usually what happens, and then it's a bummer

0:04:24.600 --> 0:04:26.839
<v Speaker 2>for us. People are like, oh, you're not as funny

0:04:26.839 --> 0:04:29.440
<v Speaker 2>as we thought, or you're not the villain, or you

0:04:29.560 --> 0:04:32.320
<v Speaker 2>really want to find love. Oh that's a bumber shame.

0:04:32.600 --> 0:04:34.479
<v Speaker 2>So that's usually what happens. That's why I'm always like,

0:04:34.760 --> 0:04:37.600
<v Speaker 2>be yourself from the get go. Don't be anyone else.

0:04:37.839 --> 0:04:40.520
<v Speaker 2>You've just got to own your quirks, your flaws, everything

0:04:40.640 --> 0:04:44.120
<v Speaker 2>that you like dislike about yourself, because that will carry

0:04:44.160 --> 0:04:44.840
<v Speaker 2>you through to the end.

0:04:45.279 --> 0:04:46.960
<v Speaker 1>You know, for you and your brand, what is it

0:04:46.960 --> 0:04:48.800
<v Speaker 1>that you're looking for with casting? Because you know, we

0:04:48.880 --> 0:04:53.400
<v Speaker 1>hear the words authentic, we hear the words engaging, entertaining, polarizing.

0:04:53.720 --> 0:04:55.960
<v Speaker 1>Outside of that or maybe inside of that, what do

0:04:56.000 --> 0:04:56.880
<v Speaker 1>you look for?

0:04:57.520 --> 0:05:00.560
<v Speaker 2>I want to know who you aren't very core, what

0:05:00.640 --> 0:05:02.880
<v Speaker 2>makes you sad, happy? Why you want to be on

0:05:02.920 --> 0:05:05.560
<v Speaker 2>the show. Don't give me answers that you think will

0:05:05.600 --> 0:05:08.359
<v Speaker 2>get you on this show. Just I guess trust. You

0:05:08.480 --> 0:05:10.880
<v Speaker 2>have to trust me, and then I'll believe you and

0:05:10.920 --> 0:05:13.360
<v Speaker 2>then pass you on. So I think that's that's the key.

0:05:13.920 --> 0:05:16.920
<v Speaker 1>It's the nuances, it's those human moments. Even if you're

0:05:16.920 --> 0:05:19.279
<v Speaker 1>frustrated with a camera not working, be frustrated with a

0:05:19.279 --> 0:05:22.560
<v Speaker 1>camera that's not working, that's truly you. That could be

0:05:22.640 --> 0:05:24.560
<v Speaker 1>the human moment. You know, when we put a lot

0:05:24.560 --> 0:05:26.640
<v Speaker 1>of pressure on ourselves, we're like, oh, I've got to

0:05:26.680 --> 0:05:28.520
<v Speaker 1>say this and I've got to say that, and then

0:05:28.520 --> 0:05:33.760
<v Speaker 1>they script it into their mind. You're slowly diluting the

0:05:33.880 --> 0:05:35.560
<v Speaker 1>you know, the thing that's going to get you on there.

0:05:35.680 --> 0:05:38.560
<v Speaker 2>Yeah, and there's only one you. There is only one you,

0:05:39.080 --> 0:05:41.039
<v Speaker 2>and you might not get on this year, but a

0:05:41.040 --> 0:05:42.920
<v Speaker 2>lot can happen a year. Come back the next year.

0:05:42.960 --> 0:05:45.080
<v Speaker 2>You might have got married, divorced, had a kid, lost

0:05:45.120 --> 0:05:47.880
<v Speaker 2>a job, been through something health wise. Your story is

0:05:47.960 --> 0:05:51.440
<v Speaker 2>ever evolving. Just keep going and don't take it to heart.

0:05:51.520 --> 0:05:53.719
<v Speaker 2>I think people go, oh, she didn't like me, or

0:05:53.720 --> 0:05:55.480
<v Speaker 2>I wasn't pretty enough, or I didn't do this, or

0:05:55.480 --> 0:05:58.080
<v Speaker 2>I didn't say that, I wasn't funny. Who cares? I

0:05:58.200 --> 0:05:59.160
<v Speaker 2>just want you.

0:05:59.160 --> 0:06:01.919
<v Speaker 1>You might not remember. But On the Hills, which was

0:06:01.920 --> 0:06:03.440
<v Speaker 1>this show, that was in Los Angeles. It was a

0:06:03.480 --> 0:06:06.400
<v Speaker 1>reality show. There was this moment with Heidi Montag where

0:06:06.440 --> 0:06:08.720
<v Speaker 1>she's sitting there talking to her mum after she's had

0:06:08.760 --> 0:06:11.520
<v Speaker 1>all this plastic surgery, and her mum says to her,

0:06:12.080 --> 0:06:14.360
<v Speaker 1>why did you do this to yourself? There's only one

0:06:14.400 --> 0:06:16.520
<v Speaker 1>Heidi Montag, and you've gone out of your way to

0:06:16.560 --> 0:06:17.799
<v Speaker 1>just look like everybody else.

0:06:18.680 --> 0:06:21.080
<v Speaker 2>It sounds to me like you want to look like Barbie.

0:06:21.120 --> 0:06:23.120
<v Speaker 2>I do want to look like Why would you want to.

0:06:23.040 --> 0:06:26.400
<v Speaker 1>Look like Barbie? To everybody else that saw you, you

0:06:26.480 --> 0:06:27.040
<v Speaker 1>were Haidi.

0:06:27.440 --> 0:06:30.760
<v Speaker 2>Nobody in the world could have looked like Hadi Montag.

0:06:31.880 --> 0:06:35.320
<v Speaker 1>And that was a real moment for me because I

0:06:35.360 --> 0:06:38.119
<v Speaker 1>truly understood that. I think there are so many people

0:06:38.160 --> 0:06:40.560
<v Speaker 1>in this world that will hold up this archetype as

0:06:40.560 --> 0:06:42.320
<v Speaker 1>to who they think they should be and how they're

0:06:42.360 --> 0:06:44.680
<v Speaker 1>going to be the most liked. And then all you're

0:06:44.720 --> 0:06:48.160
<v Speaker 1>really doing is simplifying yourself, you know, because we've seen

0:06:48.200 --> 0:06:48.680
<v Speaker 1>it before.

0:06:49.200 --> 0:06:51.720
<v Speaker 2>Yes, for yourself, and look if it is the Bartox

0:06:51.800 --> 0:06:54.400
<v Speaker 2>and it is the Barbie. Look if it is those things,

0:06:54.400 --> 0:06:58.320
<v Speaker 2>then do it. But aren't it? Yeah, that's your thing? Awesome?

0:06:58.480 --> 0:06:59.080
<v Speaker 2>I love that.

0:06:59.400 --> 0:07:02.080
<v Speaker 1>How do you know people are being dishonest? Are you

0:07:02.200 --> 0:07:04.520
<v Speaker 1>able to work out certain mannerisms because you've been doing

0:07:04.520 --> 0:07:06.280
<v Speaker 1>this for a while and working on some of the

0:07:06.440 --> 0:07:09.320
<v Speaker 1>best shows in Australia, can you pick up on things

0:07:09.320 --> 0:07:11.520
<v Speaker 1>that make you think, oh, okay, this person might be

0:07:11.520 --> 0:07:12.280
<v Speaker 1>being dishonest.

0:07:12.520 --> 0:07:14.920
<v Speaker 2>I do have a pretty good radar now. Yeah, I

0:07:14.960 --> 0:07:18.000
<v Speaker 2>hate to say it too, like even in my personal life,

0:07:18.000 --> 0:07:19.800
<v Speaker 2>like I'll pick up on friends and family that are

0:07:19.800 --> 0:07:22.440
<v Speaker 2>being dishonest or something's going wrong, and I actually wish

0:07:22.520 --> 0:07:24.560
<v Speaker 2>I didn't. I actually wish I was a bit naive

0:07:24.600 --> 0:07:26.800
<v Speaker 2>to it. But I think you've got to be able

0:07:26.840 --> 0:07:28.920
<v Speaker 2>to read someone. And I just love people and I

0:07:28.960 --> 0:07:31.200
<v Speaker 2>love listening to them, getting to know them. And if

0:07:31.200 --> 0:07:33.120
<v Speaker 2>I feel like there is a bit of it's not

0:07:33.200 --> 0:07:35.360
<v Speaker 2>really who they are, or they're being a bit dishonest

0:07:35.360 --> 0:07:37.720
<v Speaker 2>so they're trying to hide things, I don't feel a

0:07:37.760 --> 0:07:39.560
<v Speaker 2>bit icky and I'll be talking to them and I

0:07:39.560 --> 0:07:43.080
<v Speaker 2>probably won't be listening as much. I'll zone out. Yeah,

0:07:43.280 --> 0:07:45.640
<v Speaker 2>with casting as well, like I do obviously a lot

0:07:45.680 --> 0:07:48.280
<v Speaker 2>of digging, a little bit of social media stalking, which

0:07:48.320 --> 0:07:50.600
<v Speaker 2>is part of the job, which I love. And if

0:07:50.640 --> 0:07:52.800
<v Speaker 2>you tell me something and then I find on your

0:07:52.800 --> 0:07:56.440
<v Speaker 2>social media that it's complete opposite. Yeah, you can't hide anymore.

0:07:56.840 --> 0:07:59.400
<v Speaker 1>How much stalking do you do? Like, what's the first

0:07:59.400 --> 0:08:01.800
<v Speaker 1>what's like alist that you have when when you log

0:08:01.800 --> 0:08:02.960
<v Speaker 1>into someone's social media.

0:08:03.120 --> 0:08:06.720
<v Speaker 2>Oh, I don't know how much I should actually say,

0:08:07.040 --> 0:08:10.080
<v Speaker 2>but these days people do have everything quite public. So

0:08:10.160 --> 0:08:12.800
<v Speaker 2>even on their Facebook, they'll have a lot of political

0:08:12.880 --> 0:08:15.920
<v Speaker 2>views or things that they have opinions about and it's

0:08:15.960 --> 0:08:18.480
<v Speaker 2>all public for everyone to see. And I guess that's

0:08:18.480 --> 0:08:21.200
<v Speaker 2>something you know. Hot tip for you guys, maybe clean

0:08:21.240 --> 0:08:23.000
<v Speaker 2>up your social media. If you want to be on

0:08:23.040 --> 0:08:23.840
<v Speaker 2>a TV show?

0:08:24.040 --> 0:08:26.920
<v Speaker 1>Can you tell if people? Can you tell if people

0:08:26.920 --> 0:08:29.000
<v Speaker 1>are desperate for fame or not? You know, when you're

0:08:29.000 --> 0:08:31.360
<v Speaker 1>sitting there in front of someone, can you go, Oh,

0:08:31.440 --> 0:08:34.880
<v Speaker 1>this person's only in it for as you said, like

0:08:34.920 --> 0:08:37.240
<v Speaker 1>the Insta followers or to be an influencer.

0:08:37.559 --> 0:08:40.640
<v Speaker 2>Yeah, but again say that to me, tell me if

0:08:40.679 --> 0:08:43.400
<v Speaker 2>you do just want those things, let me know and

0:08:43.480 --> 0:08:46.520
<v Speaker 2>again own it. Like it's better to just say I

0:08:46.600 --> 0:08:49.320
<v Speaker 2>want to grow my Instagram followers, or I really like

0:08:49.400 --> 0:08:51.160
<v Speaker 2>to be an actor, or I really want to get

0:08:51.160 --> 0:08:54.120
<v Speaker 2>my music out there, or I really want to find love,

0:08:54.200 --> 0:08:56.640
<v Speaker 2>and then I want our wedding to be broadcast, national TV,

0:08:56.760 --> 0:08:59.679
<v Speaker 2>whatever it be, be honest about it, and that works

0:08:59.720 --> 0:09:01.400
<v Speaker 2>much better than trying to hide the fact that you

0:09:01.480 --> 0:09:02.680
<v Speaker 2>might want to be famous or not.

0:09:03.040 --> 0:09:04.880
<v Speaker 1>What do you reckon? The biggest mistake is that you

0:09:05.000 --> 0:09:07.920
<v Speaker 1>notice when you're doing an interview with someone over zoom

0:09:08.240 --> 0:09:09.720
<v Speaker 1>or watching an audition video.

0:09:10.320 --> 0:09:15.040
<v Speaker 2>Oh god, some don't yeah, trying to be someone that

0:09:15.080 --> 0:09:17.760
<v Speaker 2>you're not. It's just I'm just not I'm going to

0:09:17.880 --> 0:09:19.680
<v Speaker 2>zone out. I'm going to see you right through it.

0:09:19.720 --> 0:09:22.480
<v Speaker 2>So that's a number one thing for me. I think

0:09:22.559 --> 0:09:25.360
<v Speaker 2>if you turn up and you are filming in your

0:09:25.440 --> 0:09:29.160
<v Speaker 2>car or in your bathroom as a self tape, probably

0:09:29.200 --> 0:09:31.000
<v Speaker 2>not really going to like that either. I'll probably put

0:09:31.000 --> 0:09:33.319
<v Speaker 2>you forward if you're amazing but not ideal. So choose

0:09:33.320 --> 0:09:36.480
<v Speaker 2>your location, not in a bathroom, not in a car,

0:09:36.640 --> 0:09:39.599
<v Speaker 2>and just keep it simple, nothing crazy, messy. In the

0:09:39.640 --> 0:09:41.520
<v Speaker 2>background in your bedroom if you've just got all your

0:09:41.559 --> 0:09:45.560
<v Speaker 2>personal belongings close everywhere, drawers, I don't know, I don't

0:09:45.559 --> 0:09:47.320
<v Speaker 2>really want to see that. Just tide the room up

0:09:47.360 --> 0:09:51.720
<v Speaker 2>a little bit. Hot tip there, sunglasses. Don't wear sunglasses.

0:09:51.840 --> 0:09:54.120
<v Speaker 2>I don't know why people do it. I don't get

0:09:54.200 --> 0:09:55.600
<v Speaker 2>I really don't get it. Because I want to see

0:09:55.600 --> 0:09:56.920
<v Speaker 2>your eyes, want to see the twinker. I want to

0:09:56.920 --> 0:10:00.600
<v Speaker 2>see you smile unless you laugh. Don't wear sunglasses, don't

0:10:00.640 --> 0:10:03.719
<v Speaker 2>wear a hat, don't wear a beanie, like, take all

0:10:03.800 --> 0:10:06.960
<v Speaker 2>that off and just be you. Yes, I guess that's

0:10:06.960 --> 0:10:09.720
<v Speaker 2>with zoom and the self tape. That's kind of a

0:10:09.760 --> 0:10:13.439
<v Speaker 2>few tips. And don't over edit it. I find that

0:10:13.520 --> 0:10:18.840
<v Speaker 2>lots of people put music and photos and texts and

0:10:18.880 --> 0:10:22.120
<v Speaker 2>it's not an Instagram reel like I don't want to say,

0:10:22.160 --> 0:10:25.840
<v Speaker 2>I don't see lyrics. Literally set your phone up, landscape

0:10:25.960 --> 0:10:27.920
<v Speaker 2>you with a plane backdrop, and just talk to me,

0:10:28.320 --> 0:10:31.040
<v Speaker 2>tell me your story. It's as simple as that. Definitely

0:10:31.040 --> 0:10:33.320
<v Speaker 2>knowing your brand, knowing who you are, but that's case

0:10:33.360 --> 0:10:35.959
<v Speaker 2>by case, Like I couldn't give you a magic formula

0:10:36.000 --> 0:10:37.800
<v Speaker 2>to creating the best self tape or rocking up on

0:10:37.840 --> 0:10:40.400
<v Speaker 2>the day, because again I have to talk to you

0:10:40.440 --> 0:10:42.840
<v Speaker 2>individually and work out your strengths and weaknesses and what

0:10:42.880 --> 0:10:44.960
<v Speaker 2>you could bring to the table. So everyone's different. But

0:10:45.080 --> 0:10:47.560
<v Speaker 2>just some basic things like that, and keep it to

0:10:47.640 --> 0:10:51.520
<v Speaker 2>one to two minutes, not too long, guys, not too short,

0:10:52.200 --> 0:10:53.320
<v Speaker 2>and nothing up the nose.

0:10:55.120 --> 0:10:58.640
<v Speaker 1>No one's ever been cast in the world with the

0:10:58.679 --> 0:11:01.679
<v Speaker 1>angle up the nose. It's actually hilarious. You know, what's

0:11:01.720 --> 0:11:05.160
<v Speaker 1>the hardest character archetype to cast in a series? You know,

0:11:05.200 --> 0:11:09.000
<v Speaker 1>we often see that there's briefs for certain roles on

0:11:09.040 --> 0:11:12.040
<v Speaker 1>a show. Do you find the hero, the villain or

0:11:12.080 --> 0:11:14.840
<v Speaker 1>maybe the love interest? Like which which is the hardest

0:11:14.840 --> 0:11:15.240
<v Speaker 1>to cast?

0:11:15.520 --> 0:11:17.600
<v Speaker 2>I And to be completely honest, and I guess things

0:11:17.600 --> 0:11:19.680
<v Speaker 2>will change. It depends who you're working with and what show.

0:11:19.800 --> 0:11:22.360
<v Speaker 2>But I don't often get told to look for a

0:11:22.400 --> 0:11:24.360
<v Speaker 2>hero or a villain. And I know that a lot

0:11:24.360 --> 0:11:27.480
<v Speaker 2>of people think that that's what we're doing, but so

0:11:27.520 --> 0:11:30.120
<v Speaker 2>many more layers than that, now, you know, And I

0:11:30.160 --> 0:11:32.680
<v Speaker 2>don't often and if I am looking for that or

0:11:33.080 --> 0:11:36.160
<v Speaker 2>usually it presents itself because if you are being who

0:11:36.160 --> 0:11:40.160
<v Speaker 2>you are, then you'll show your villain tactics or your

0:11:40.200 --> 0:11:42.800
<v Speaker 2>hero ways. But I'm never going out going, oh I

0:11:42.840 --> 0:11:44.680
<v Speaker 2>need to find a villain today. Let me go and

0:11:44.679 --> 0:11:47.400
<v Speaker 2>stalk on Instagram for villains. It just doesn't I don't

0:11:47.440 --> 0:11:51.000
<v Speaker 2>cast like that anymore. I don't think anyone casts like

0:11:51.040 --> 0:11:53.839
<v Speaker 2>that anymore. Hope not anyway. But yeah, if people present

0:11:53.880 --> 0:11:57.880
<v Speaker 2>themselves and they I know, super bitchy or they're really

0:11:57.920 --> 0:12:00.760
<v Speaker 2>opinionated or whatever they are. I think, yeah, maybe they

0:12:00.840 --> 0:12:03.800
<v Speaker 2>might come across as the villain, but I don't often

0:12:03.800 --> 0:12:06.360
<v Speaker 2>go searching for a villain or a hero, if that

0:12:06.480 --> 0:12:12.120
<v Speaker 2>makes sense. The hardest brief I've had, because there's so

0:12:12.240 --> 0:12:15.400
<v Speaker 2>many of them. It's going beyond just someone with a

0:12:15.400 --> 0:12:19.199
<v Speaker 2>pretty face or just it's finding out what they've gone

0:12:19.200 --> 0:12:23.120
<v Speaker 2>through and digging and yeah, finding that story, I think.

0:12:23.160 --> 0:12:26.560
<v Speaker 2>And I think that's really hard and it could be Yeah,

0:12:26.559 --> 0:12:28.840
<v Speaker 2>it can be quite heavy. Sometimes can walk away from

0:12:28.880 --> 0:12:30.920
<v Speaker 2>work and go, wow, that was that was a tough

0:12:31.000 --> 0:12:33.839
<v Speaker 2>day because I heard some really personal stories from people

0:12:33.880 --> 0:12:35.960
<v Speaker 2>and yeah, does that make sense?

0:12:36.040 --> 0:12:38.160
<v Speaker 1>It makes perfect sense. And I think that's the skill.

0:12:38.200 --> 0:12:40.080
<v Speaker 1>That's the reason why you do what you do. I

0:12:40.120 --> 0:12:43.280
<v Speaker 1>think is because you're an amazing communicator and but you're

0:12:43.320 --> 0:12:45.920
<v Speaker 1>also drawn to story, you know, And I think that's

0:12:45.920 --> 0:12:49.040
<v Speaker 1>so important when you're putting someone on television, is you're

0:12:49.040 --> 0:12:52.680
<v Speaker 1>looking for someone who is open to sharing that story

0:12:52.679 --> 0:12:55.240
<v Speaker 1>that other people can relate to. And you, as a

0:12:55.280 --> 0:12:57.720
<v Speaker 1>person have to have that skill set to be able

0:12:57.760 --> 0:13:01.080
<v Speaker 1>to allow people to open up like that. That could

0:13:01.080 --> 0:13:02.480
<v Speaker 1>be hard, yeah, and.

0:13:02.400 --> 0:13:05.679
<v Speaker 2>Not everyone's got that nice, pleasant fairy tale story and

0:13:05.679 --> 0:13:07.600
<v Speaker 2>that and that is, Yeah, they're being vulnerable, and I

0:13:07.600 --> 0:13:10.160
<v Speaker 2>guess I have to be a bit vulnerable myself with

0:13:10.280 --> 0:13:13.400
<v Speaker 2>them and have empathy. Lots of shows I've worked on

0:13:13.440 --> 0:13:17.199
<v Speaker 2>where there's been incidences where yeah, I literally have gone

0:13:17.200 --> 0:13:21.040
<v Speaker 2>home in tears because I'm like, Wow, you are inspiring

0:13:21.160 --> 0:13:23.000
<v Speaker 2>or you are amazing. I can't believe you did X,

0:13:23.080 --> 0:13:24.719
<v Speaker 2>Y and Z so many times. And that's why I

0:13:24.720 --> 0:13:25.240
<v Speaker 2>love what I do.

0:13:25.520 --> 0:13:28.320
<v Speaker 1>I think what's interesting as well is this is something

0:13:28.320 --> 0:13:30.280
<v Speaker 1>that's come up a lot from doing this podcast, but

0:13:30.520 --> 0:13:34.040
<v Speaker 1>are people looking for validation and redemption by going on television?

0:13:34.080 --> 0:13:34.840
<v Speaker 1>And is that okay?

0:13:35.679 --> 0:13:38.600
<v Speaker 2>Yeah? I mean it's totally okay. I probably wouldn't want

0:13:38.880 --> 0:13:42.000
<v Speaker 2>anyone to find validation in television, but I think if

0:13:42.000 --> 0:13:43.800
<v Speaker 2>they've come to a point in their story or who

0:13:43.800 --> 0:13:46.920
<v Speaker 2>they are and they're willing to share it with Australia

0:13:47.040 --> 0:13:50.880
<v Speaker 2>or internationally wherever, the platform is amazing. If you can

0:13:51.000 --> 0:13:54.400
<v Speaker 2>use your scars, hurts, whatever it is for the greater good,

0:13:54.600 --> 0:13:57.000
<v Speaker 2>I'm all about that. And if your audiences moved, like

0:13:57.040 --> 0:13:59.600
<v Speaker 2>I've received text messages emails from people before being like

0:13:59.880 --> 0:14:02.760
<v Speaker 2>I've just watched this episode, I'm wearing tears. I can't

0:14:02.760 --> 0:14:04.880
<v Speaker 2>believe this, I'm going to go follow this person, support

0:14:04.920 --> 0:14:07.719
<v Speaker 2>that charity, whatever it is. It's such a good platform

0:14:07.920 --> 0:14:10.560
<v Speaker 2>where people can share their story once they've gone through

0:14:10.960 --> 0:14:13.480
<v Speaker 2>hardship and come out of it. So yeah, it's a

0:14:13.480 --> 0:14:16.520
<v Speaker 2>good platform for that. But I wouldn't want to put

0:14:16.520 --> 0:14:19.280
<v Speaker 2>any one on TV who's still healing from those things.

0:14:19.480 --> 0:14:22.960
<v Speaker 2>I think that's yeah. I think you need to be okay,

0:14:23.480 --> 0:14:26.280
<v Speaker 2>yeah too raw, Yeah, yeah.

0:14:26.360 --> 0:14:29.120
<v Speaker 1>You know, we often see life cycles of characters. You know,

0:14:29.200 --> 0:14:31.560
<v Speaker 1>someone comes onto a show and makes a huge name

0:14:31.600 --> 0:14:33.640
<v Speaker 1>for themselves, and then for the next few years we

0:14:33.720 --> 0:14:36.560
<v Speaker 1>see versions of that, you know, looking at Meretith First

0:14:36.560 --> 0:14:39.440
<v Speaker 1>Sight for instance. Currently we're getting a lot of repeated

0:14:39.480 --> 0:14:42.840
<v Speaker 1>personality types on that show. People are getting used to going, oh, well,

0:14:42.880 --> 0:14:45.560
<v Speaker 1>I guess I'll throw a wine in someone's face. Are

0:14:45.560 --> 0:14:47.840
<v Speaker 1>we at risk of repeating ourselves too much?

0:14:48.360 --> 0:14:50.120
<v Speaker 2>I hope not, because then I'd be out of a job.

0:14:51.320 --> 0:14:54.720
<v Speaker 2>But I hope. I hope that whoever's listening or if

0:14:54.720 --> 0:14:57.000
<v Speaker 2>they want to be on TV, that yeah, you don't copy,

0:14:57.160 --> 0:14:59.320
<v Speaker 2>and that you don't think that that worked last serious,

0:14:59.320 --> 0:15:01.720
<v Speaker 2>so I'm going to do this same. I think that's

0:15:01.760 --> 0:15:03.760
<v Speaker 2>the reason why there is a repeat is because the

0:15:03.800 --> 0:15:07.080
<v Speaker 2>people that are applying, and maybe a smaller pool. I mean,

0:15:07.200 --> 0:15:08.960
<v Speaker 2>I didn't work on the last years. I'm not sure,

0:15:08.960 --> 0:15:11.520
<v Speaker 2>but the smaller pool is that it's a rinse and repeat

0:15:11.600 --> 0:15:13.800
<v Speaker 2>because the people that have applied, I thought, well that

0:15:13.840 --> 0:15:16.280
<v Speaker 2>worked last year, so I better send my audition tape

0:15:16.520 --> 0:15:19.080
<v Speaker 2>and be the same, and then anyone that might be

0:15:19.080 --> 0:15:21.280
<v Speaker 2>a little bit outside of the box is not applying

0:15:21.560 --> 0:15:24.720
<v Speaker 2>or Yeah, I'm not too sure what kind of goes

0:15:24.960 --> 0:15:28.120
<v Speaker 2>wrong there, but I do hope that people do stop

0:15:28.160 --> 0:15:31.320
<v Speaker 2>copying because I guess it's also the risk of a

0:15:31.360 --> 0:15:34.080
<v Speaker 2>TV show running drying and right, like if it's the

0:15:34.080 --> 0:15:36.920
<v Speaker 2>same old people and people zoning out going. I've seeing

0:15:36.960 --> 0:15:41.200
<v Speaker 2>that don't want to hear it. Did he instigate it?

0:15:41.760 --> 0:15:44.440
<v Speaker 1>What do you think couldn't wait to get into it?

0:15:44.480 --> 0:15:45.480
<v Speaker 1>Gonzo gonz Of?

0:15:45.520 --> 0:15:47.880
<v Speaker 2>That Mate, that's disgusting. What do you do? Throw a

0:15:47.880 --> 0:15:48.400
<v Speaker 2>bottle of wine?

0:15:48.440 --> 0:15:50.280
<v Speaker 1>Like the chip couple of years ago? Like, mate, he's

0:15:50.320 --> 0:15:54.320
<v Speaker 1>just a follower. So I said, it's a follower. How

0:15:54.400 --> 0:15:56.920
<v Speaker 1>much information do you know that they can obtain from

0:15:56.960 --> 0:15:58.080
<v Speaker 1>doing like a police check.

0:15:58.280 --> 0:16:01.800
<v Speaker 2>Yeah, so that's more a product question, So obviously I'm

0:16:01.800 --> 0:16:03.800
<v Speaker 2>dealing more with creative and casting. But it is a

0:16:03.880 --> 0:16:06.800
<v Speaker 2>question that I do have to ask everyone that does apply,

0:16:07.160 --> 0:16:10.480
<v Speaker 2>and obviously they can share. What do they want to

0:16:10.520 --> 0:16:14.280
<v Speaker 2>share with me? It's always, I find kind it's always

0:16:14.280 --> 0:16:17.320
<v Speaker 2>better to be completely honest and outfront because if you

0:16:17.360 --> 0:16:19.440
<v Speaker 2>do go on a television show and there is a

0:16:19.480 --> 0:16:22.880
<v Speaker 2>bit of bad or good publicity, it's bad. It's better

0:16:22.880 --> 0:16:25.000
<v Speaker 2>that we know about it, that the network knows about

0:16:25.000 --> 0:16:27.160
<v Speaker 2>It's that you're covered from the get go, and if

0:16:27.160 --> 0:16:30.280
<v Speaker 2>there is something on your record, something has happened. Just

0:16:30.560 --> 0:16:33.360
<v Speaker 2>it's better to be honest. It doesn't rule you out,

0:16:33.520 --> 0:16:35.440
<v Speaker 2>but it's just yeah, it's better for you. It looks

0:16:35.440 --> 0:16:36.320
<v Speaker 2>better on you anyway.

0:16:36.800 --> 0:16:38.720
<v Speaker 1>What about people are wanting to apply for shows, but

0:16:38.800 --> 0:16:40.560
<v Speaker 1>you know, they might have had a health issue, or

0:16:40.800 --> 0:16:42.720
<v Speaker 1>they might have had a mental health issue in the past.

0:16:42.760 --> 0:16:45.040
<v Speaker 1>I mean, again, they need to be open and honest

0:16:45.080 --> 0:16:47.200
<v Speaker 1>with you when they sit down with you. But people

0:16:47.320 --> 0:16:50.520
<v Speaker 1>still getting cast on television shows, maybe if they haven't

0:16:50.600 --> 0:16:53.320
<v Speaker 1>had anxiety or they have had something happened to them

0:16:53.320 --> 0:16:55.760
<v Speaker 1>in the past, how does that work with auditioning?

0:16:55.920 --> 0:16:59.000
<v Speaker 2>Again, just to be honest, share what you're going through.

0:16:59.080 --> 0:17:01.280
<v Speaker 2>I think the year that we've just had, I think

0:17:01.280 --> 0:17:03.400
<v Speaker 2>a lot of people are in the same boat. I

0:17:03.440 --> 0:17:05.520
<v Speaker 2>think it's so fine to share they've got a bit

0:17:05.560 --> 0:17:08.560
<v Speaker 2>of anxiety, or you've had something in your life happen,

0:17:08.720 --> 0:17:11.520
<v Speaker 2>health or family or friends or any human you know,

0:17:11.600 --> 0:17:14.240
<v Speaker 2>we're real, so I think it's better just to share

0:17:14.240 --> 0:17:17.159
<v Speaker 2>it with me. It's always noted on an application, and

0:17:17.200 --> 0:17:18.960
<v Speaker 2>that's just a duty of care, and I think that's

0:17:19.000 --> 0:17:21.200
<v Speaker 2>really important for us to do. And I think if

0:17:21.240 --> 0:17:23.000
<v Speaker 2>anyone who wants to be on a show can rest

0:17:23.040 --> 0:17:26.360
<v Speaker 2>assured that we are looking out for you during the process.

0:17:26.840 --> 0:17:29.399
<v Speaker 1>So you obviously worked on Holly Molly. With some skill

0:17:29.440 --> 0:17:33.040
<v Speaker 1>based casting, there is it harder to find people that

0:17:33.160 --> 0:17:37.560
<v Speaker 1>have both the reality television chops and they have the

0:17:37.600 --> 0:17:39.000
<v Speaker 1>skill set that you require.

0:17:39.359 --> 0:17:42.720
<v Speaker 2>Absolutely, it's especially hard when I don't know the skill myself,

0:17:42.880 --> 0:17:44.680
<v Speaker 2>Like I don't know how to play golf or mini

0:17:44.720 --> 0:17:47.159
<v Speaker 2>golf or and I'm learning all about this stuff as

0:17:47.200 --> 0:17:49.400
<v Speaker 2>I'm auditioning them, and they're like, who is this girl?

0:17:49.480 --> 0:17:51.200
<v Speaker 2>Like is she even a professional? Like what has she

0:17:51.280 --> 0:17:53.680
<v Speaker 2>been doing? But I'm learning in the process, which is great,

0:17:53.720 --> 0:17:55.919
<v Speaker 2>So I have a genuine interest in you and what

0:17:55.960 --> 0:17:59.560
<v Speaker 2>you're about. But yes, having someone saying with you know

0:18:00.000 --> 0:18:02.399
<v Speaker 2>show like the Voice or AGT like you have to

0:18:02.480 --> 0:18:04.920
<v Speaker 2>have the good talent, but you also then have to

0:18:04.960 --> 0:18:07.320
<v Speaker 2>sing or you also have to dance or whatever the

0:18:07.359 --> 0:18:10.240
<v Speaker 2>skill be, and that is really hard hard to find.

0:18:10.280 --> 0:18:12.159
<v Speaker 2>So but I do enjoy them. I've worked on a

0:18:12.160 --> 0:18:16.640
<v Speaker 2>few TVCs also with like animals and kids with people

0:18:16.720 --> 0:18:18.800
<v Speaker 2>that need to be stand up paddle boarders with a

0:18:18.840 --> 0:18:21.280
<v Speaker 2>dog on a paddle board. That was a fun one.

0:18:21.400 --> 0:18:24.000
<v Speaker 2>So lots of things like that. It's a challenge. I

0:18:24.119 --> 0:18:26.159
<v Speaker 2>enjoy it. But if you are looking to be on

0:18:26.160 --> 0:18:29.240
<v Speaker 2>a show, then go and get some extra skills like

0:18:29.440 --> 0:18:30.880
<v Speaker 2>you might be able to use them.

0:18:31.040 --> 0:18:33.879
<v Speaker 1>You know, amazing race. How many people in Australia apply

0:18:33.960 --> 0:18:34.520
<v Speaker 1>for that show.

0:18:34.880 --> 0:18:37.640
<v Speaker 2>It's a lot, and that's full stop. I actually do

0:18:37.680 --> 0:18:40.480
<v Speaker 2>not know how many people. And you've also got to

0:18:40.520 --> 0:18:43.520
<v Speaker 2>remember because these shows that are coming back year after

0:18:43.640 --> 0:18:47.040
<v Speaker 2>year applicants, I'm not sure if they're aware that you

0:18:47.119 --> 0:18:50.680
<v Speaker 2>still stay in that system. If you're unsuccessful, you're still there,

0:18:50.800 --> 0:18:54.679
<v Speaker 2>so reapply, do another video, but you could still be

0:18:54.720 --> 0:18:57.080
<v Speaker 2>on the radar for a casting producer and we can

0:18:57.119 --> 0:18:59.359
<v Speaker 2>go back and go to remember that person from last

0:18:59.400 --> 0:19:01.640
<v Speaker 2>year they might be good for this year. So that's

0:19:01.640 --> 0:19:03.480
<v Speaker 2>something to keep in mind. Especially with shows like The

0:19:03.520 --> 0:19:05.760
<v Speaker 2>Amazing Race that they've been running for a few years,

0:19:06.119 --> 0:19:08.879
<v Speaker 2>there's always an opportunity to get on the show again.

0:19:09.119 --> 0:19:13.040
<v Speaker 2>So no, I don't even know the numbers, but I

0:19:13.080 --> 0:19:15.680
<v Speaker 2>feel like I could never keep up with applications. There

0:19:15.720 --> 0:19:19.199
<v Speaker 2>were so many, I think with those shows, because you

0:19:19.200 --> 0:19:22.280
<v Speaker 2>don't have to be single, married, all the kind of

0:19:22.359 --> 0:19:25.840
<v Speaker 2>prerequisites have it a talent or a skill anyone and

0:19:25.880 --> 0:19:27.960
<v Speaker 2>anyone can apply and you can also apply with your

0:19:28.040 --> 0:19:31.199
<v Speaker 2>mom or your brother or your son. So that's awesome.

0:19:31.240 --> 0:19:33.240
<v Speaker 2>I think that's why people loved it and it's so popular.

0:19:33.480 --> 0:19:35.480
<v Speaker 1>What's the process for that? So, like, let's just say

0:19:35.480 --> 0:19:38.200
<v Speaker 1>the applications come in and they're written, and there's maybe

0:19:38.200 --> 0:19:40.600
<v Speaker 1>a small video at that point, and then it gets

0:19:40.760 --> 0:19:43.040
<v Speaker 1>taken down to the next number. Like if anyone's getting

0:19:43.080 --> 0:19:47.800
<v Speaker 1>a personalized chat with the executive producer or the casting

0:19:47.920 --> 0:19:51.359
<v Speaker 1>person like yourself, how close are they to actually getting

0:19:51.359 --> 0:19:52.520
<v Speaker 1>on the show in.

0:19:52.520 --> 0:19:55.480
<v Speaker 2>Terms of when you get on the actual show Again, Like,

0:19:56.040 --> 0:19:59.840
<v Speaker 2>I'm coming from a casting producer perspective, so I'm doing

0:19:59.840 --> 0:20:03.200
<v Speaker 2>the the casting process and the audition and the interview

0:20:03.240 --> 0:20:06.040
<v Speaker 2>and getting to know you, but as it goes on,

0:20:06.160 --> 0:20:10.040
<v Speaker 2>I am handing over continually handing over that work or

0:20:10.040 --> 0:20:12.640
<v Speaker 2>that talent to story producers or EPs as it goes

0:20:12.680 --> 0:20:15.679
<v Speaker 2>down the line. So yeah, that process. Beyond that, I

0:20:15.720 --> 0:20:18.600
<v Speaker 2>don't get much of a say in. So then sometimes

0:20:18.680 --> 0:20:24.280
<v Speaker 2>sometimes when I'm watching a show, I'll go, oh.

0:20:21.440 --> 0:20:25.520
<v Speaker 1>What do you think about controversial casting? What do you

0:20:25.560 --> 0:20:28.199
<v Speaker 1>think do you think that casting someone like Chappelle, Krby

0:20:28.240 --> 0:20:30.119
<v Speaker 1>and Pete Evans do you think that casting works?

0:20:30.560 --> 0:20:35.240
<v Speaker 2>Yeah? Absolutely, I think that's brilliant, and because their story

0:20:35.359 --> 0:20:38.560
<v Speaker 2>is just lay it but there's so much in there

0:20:39.040 --> 0:20:41.400
<v Speaker 2>and it's does the pot a little bit. It makes

0:20:41.480 --> 0:20:45.240
<v Speaker 2>us think, it challenges us and it's not boring, So yeah,

0:20:45.280 --> 0:20:45.639
<v Speaker 2>why not.

0:20:46.040 --> 0:20:50.320
<v Speaker 1>Also, I think that deplatforming people isn't the right thing

0:20:50.359 --> 0:20:52.439
<v Speaker 1>to do. I think sometimes we want to hear the

0:20:52.480 --> 0:20:55.480
<v Speaker 1>story from the good, the bad, and the uncle, you know,

0:20:55.560 --> 0:20:56.439
<v Speaker 1>because that's life.

0:20:56.600 --> 0:21:00.679
<v Speaker 2>Absolutely yeah, And I think as long as they're ready

0:21:00.720 --> 0:21:03.879
<v Speaker 2>to take whatever comes their way, whoever it is, whoever's

0:21:03.880 --> 0:21:06.239
<v Speaker 2>putting their hand up p Evans or whoever it is,

0:21:06.640 --> 0:21:09.280
<v Speaker 2>obviously they will be haters. But there's haters in your

0:21:09.359 --> 0:21:11.720
<v Speaker 2>life if you're not on TV anyway, So it's just

0:21:11.720 --> 0:21:14.600
<v Speaker 2>a bigger platform. You're opening yourself up for people to

0:21:14.640 --> 0:21:16.560
<v Speaker 2>have an opinion of you, so you need to be

0:21:16.720 --> 0:21:20.359
<v Speaker 2>ready to hear those opinions or whatever. Switch it all

0:21:20.400 --> 0:21:22.440
<v Speaker 2>off however you want to deal with it. But yeah,

0:21:22.640 --> 0:21:25.640
<v Speaker 2>I guess you do have to be prepared and go here.

0:21:25.680 --> 0:21:27.160
<v Speaker 2>I am what's and all?

0:21:27.560 --> 0:21:29.880
<v Speaker 1>Do you think with dating shows? Are we looking for

0:21:30.200 --> 0:21:32.320
<v Speaker 1>contestants that are going to get the happily ever after?

0:21:32.480 --> 0:21:34.080
<v Speaker 1>Or do you think we're looking for the disaster?

0:21:35.040 --> 0:21:38.400
<v Speaker 2>Oh, you're asking like a romana to get hart here,

0:21:38.440 --> 0:21:40.879
<v Speaker 2>So that's really really hard. I think you need a

0:21:40.880 --> 0:21:44.640
<v Speaker 2>bit of both. For television, I'm speaking from beyond casting.

0:21:45.119 --> 0:21:47.640
<v Speaker 2>You need a mix. They all had that happy ending.

0:21:47.720 --> 0:21:49.440
<v Speaker 2>You probably wouldn't watch a show and it was all

0:21:49.520 --> 0:21:51.960
<v Speaker 2>designed show. So you need a bit of a mix

0:21:52.000 --> 0:21:54.320
<v Speaker 2>of both. Not planning for that to happen to you

0:21:54.359 --> 0:21:57.160
<v Speaker 2>when I'm casting you, because again Aimony, in that pre

0:21:57.200 --> 0:21:58.480
<v Speaker 2>production phase.

0:21:58.400 --> 0:22:00.600
<v Speaker 1>We often looking for people who go from zero to

0:22:00.600 --> 0:22:03.320
<v Speaker 1>one hundred. When we're casting, Oh, I'm just looking for layers.

0:22:03.400 --> 0:22:06.679
<v Speaker 2>I'm looking for different parts of you, not one dimensional.

0:22:06.720 --> 0:22:09.119
<v Speaker 2>So yeah, from zero to one hundred great, But if

0:22:09.119 --> 0:22:11.359
<v Speaker 2>it's just different sides of you that you're willing to

0:22:11.400 --> 0:22:15.320
<v Speaker 2>open up to me to Australia. Fantastic because no one

0:22:15.359 --> 0:22:18.360
<v Speaker 2>wants to watch someone who's flatlined during the whole series.

0:22:18.400 --> 0:22:19.920
<v Speaker 2>It's just not going to last. You're going to be

0:22:19.960 --> 0:22:23.320
<v Speaker 2>out episode one if you get that far. So yeah,

0:22:23.480 --> 0:22:25.840
<v Speaker 2>just think about all the things that make you unique,

0:22:25.920 --> 0:22:28.000
<v Speaker 2>make you different, make you stand out. Like I said,

0:22:28.040 --> 0:22:31.120
<v Speaker 2>ask your friends how they describe you and times out

0:22:31.119 --> 0:22:33.520
<v Speaker 2>by one hundred and put that in the self tape.

0:22:33.880 --> 0:22:34.479
<v Speaker 2>You're good to go.

0:22:35.080 --> 0:22:37.800
<v Speaker 1>You know, about this master class, because we're getting towards

0:22:37.840 --> 0:22:40.200
<v Speaker 1>the end of this chat, but about this master class

0:22:40.200 --> 0:22:42.280
<v Speaker 1>coming up for people out there that might be listening.

0:22:42.320 --> 0:22:44.320
<v Speaker 1>What's something that they that you're going to teach them?

0:22:44.320 --> 0:22:46.520
<v Speaker 1>What's or not something that you're going to give away now?

0:22:46.520 --> 0:22:50.120
<v Speaker 1>But what's a good way to describe how good am I?

0:22:50.160 --> 0:22:52.000
<v Speaker 1>And I think they would be fascinated to come and

0:22:52.040 --> 0:22:53.639
<v Speaker 1>do your master class. So this is kind of an

0:22:53.680 --> 0:22:54.160
<v Speaker 1>ad force.

0:22:54.320 --> 0:22:57.600
<v Speaker 2>I love that, Thanks Ben. I am in the process

0:22:57.640 --> 0:23:00.639
<v Speaker 2>of building that master class, so it could take some time.

0:23:01.040 --> 0:23:03.240
<v Speaker 2>But I have had many people ask me, you know,

0:23:03.440 --> 0:23:05.440
<v Speaker 2>what do I do for a self tape? Or where

0:23:05.440 --> 0:23:08.480
<v Speaker 2>do I find out about castings or just simple dues

0:23:08.520 --> 0:23:10.800
<v Speaker 2>and don't, so I think, you know, we'd tailor it

0:23:10.840 --> 0:23:13.000
<v Speaker 2>to you as your personal brand as well. But we

0:23:13.080 --> 0:23:15.760
<v Speaker 2>might go through self tapes dos and don't. I've highlighted

0:23:15.760 --> 0:23:17.800
<v Speaker 2>a few of those. I guess when you get on

0:23:17.880 --> 0:23:19.960
<v Speaker 2>a show, I can also give you some advice on

0:23:20.320 --> 0:23:22.320
<v Speaker 2>how to deal with that and then when you come

0:23:22.400 --> 0:23:25.680
<v Speaker 2>off a show, even though I'm not there during that process.

0:23:25.760 --> 0:23:28.080
<v Speaker 2>It's just really important to kind of know how you

0:23:28.119 --> 0:23:31.440
<v Speaker 2>can deal with it from start to end. But yeah,

0:23:31.480 --> 0:23:33.959
<v Speaker 2>we can go through anything knowing you know your brand,

0:23:34.200 --> 0:23:37.159
<v Speaker 2>self tapes, where to find out about castings, how to

0:23:37.240 --> 0:23:40.320
<v Speaker 2>self submit. If you have an agent, do you want

0:23:40.320 --> 0:23:41.119
<v Speaker 2>to get an agent?

0:23:41.760 --> 0:23:43.960
<v Speaker 1>I tell people not to get an agent. People ring

0:23:44.000 --> 0:23:46.200
<v Speaker 1>me all the time they've been on one reality show

0:23:46.320 --> 0:23:47.800
<v Speaker 1>or they want to get on a reality show. They're like,

0:23:47.840 --> 0:23:50.520
<v Speaker 1>do I need an agent? And I'm like, I don't

0:23:50.520 --> 0:23:54.719
<v Speaker 1>think so, you know, I think an agent really in

0:23:54.760 --> 0:23:58.639
<v Speaker 1>Australia is somebody who can do you know your contracts,

0:23:58.640 --> 0:24:01.240
<v Speaker 1>that can work out your contract whence that happens. But

0:24:01.680 --> 0:24:04.560
<v Speaker 1>there's no real point for an agent really unless you

0:24:04.600 --> 0:24:06.720
<v Speaker 1>know so many contracts are coming in, you know what

0:24:06.720 --> 0:24:09.720
<v Speaker 1>I mean after the fact. So, I mean I've definitely

0:24:09.760 --> 0:24:11.120
<v Speaker 1>got picked up. A lot of people along the way

0:24:11.119 --> 0:24:12.800
<v Speaker 1>have asked me how to get onto reality shows, and

0:24:12.800 --> 0:24:15.240
<v Speaker 1>they've gotten onto them, and then afterwards they often say

0:24:15.240 --> 0:24:17.840
<v Speaker 1>to me, they're like, oh, do I get an agent now,

0:24:17.960 --> 0:24:19.800
<v Speaker 1>you know? And how do I get onto my next show?

0:24:19.920 --> 0:24:23.119
<v Speaker 1>And it's like, oh, dear, you know, that's a complicated

0:24:23.160 --> 0:24:24.120
<v Speaker 1>journey because you can.

0:24:24.119 --> 0:24:25.680
<v Speaker 2>Just come off a reality show and go, well, now

0:24:25.760 --> 0:24:29.199
<v Speaker 2>what And that's a really hard place to find, you know,

0:24:29.240 --> 0:24:32.800
<v Speaker 2>find yourself in. So if I can help with that, amazing.

0:24:32.840 --> 0:24:34.879
<v Speaker 2>And if it's an agent or if it's just building

0:24:34.920 --> 0:24:38.800
<v Speaker 2>your platform, giving yourself more publicity, whatever way you want. Yeah,

0:24:38.840 --> 0:24:41.800
<v Speaker 2>but I think even just from the original casting phases,

0:24:41.880 --> 0:24:45.040
<v Speaker 2>just how to send in that self tape if you

0:24:45.119 --> 0:24:48.200
<v Speaker 2>are doing a zoom or a skype with me, how

0:24:48.240 --> 0:24:50.560
<v Speaker 2>to set it up if you're doing a going in

0:24:50.560 --> 0:24:52.719
<v Speaker 2>for an audition, a face to face audition, how to

0:24:52.760 --> 0:24:55.840
<v Speaker 2>approach that. Cleaning up your social media. We touched them

0:24:55.840 --> 0:24:58.120
<v Speaker 2>a little bit to kind of and how to attract

0:24:58.160 --> 0:25:01.000
<v Speaker 2>casting producers. If I, you know, if I'm looking for

0:25:01.080 --> 0:25:03.240
<v Speaker 2>someone X, Y and Z, how can you make yourself

0:25:03.280 --> 0:25:05.320
<v Speaker 2>more public on social so I can find you?

0:25:05.640 --> 0:25:07.360
<v Speaker 1>The other day A really good friend of mine rang

0:25:07.480 --> 0:25:10.199
<v Speaker 1>me and said, I've got this friend of mine who

0:25:10.280 --> 0:25:13.239
<v Speaker 1>wants to do the new series of Big Brother and

0:25:13.400 --> 0:25:15.320
<v Speaker 1>was like, you know, he has to make a video

0:25:15.520 --> 0:25:17.520
<v Speaker 1>to send in. Can you catch up with him and

0:25:17.560 --> 0:25:19.199
<v Speaker 1>tell him how to get onto a Big Brother? And

0:25:19.240 --> 0:25:20.639
<v Speaker 1>I was like, okay, well, you're a good friend and

0:25:20.640 --> 0:25:22.360
<v Speaker 1>I'm going to go and do this. So I caught

0:25:22.440 --> 0:25:25.480
<v Speaker 1>up with this person not experienced, like you don't necessarily

0:25:25.520 --> 0:25:28.320
<v Speaker 1>know how the casting process works for, you know, across

0:25:28.320 --> 0:25:30.600
<v Speaker 1>the board. And I was sat down with this person.

0:25:30.600 --> 0:25:33.040
<v Speaker 1>I'm like, what's your superpower? What's something that's really amazing

0:25:33.040 --> 0:25:35.240
<v Speaker 1>about who you are? And he was like, oh, well,

0:25:35.400 --> 0:25:37.040
<v Speaker 1>I don't really have it a thing except and he

0:25:37.080 --> 0:25:39.280
<v Speaker 1>was like, oh, actually, when I was younger, I was

0:25:39.280 --> 0:25:42.040
<v Speaker 1>a skater and now I'm just being training to get

0:25:42.080 --> 0:25:45.159
<v Speaker 1>back into figure skating. And I was like, well that's amazing.

0:25:45.200 --> 0:25:47.840
<v Speaker 1>I said, you know, this show is a skill based show. Now,

0:25:47.880 --> 0:25:50.240
<v Speaker 1>It's not like sitting around cooking fish and chips like

0:25:50.280 --> 0:25:52.359
<v Speaker 1>they o, you know the fish fingers that sarahm a

0:25:52.440 --> 0:25:54.480
<v Speaker 1>ray with Burne and you'd laugh about it. I said,

0:25:54.520 --> 0:25:57.280
<v Speaker 1>Big brothers now a skill based show, So talk about

0:25:57.480 --> 0:26:00.480
<v Speaker 1>you know, you're growing up being a figure skate and

0:26:00.520 --> 0:26:02.919
<v Speaker 1>then talk about getting back into it and your determination

0:26:03.359 --> 0:26:05.920
<v Speaker 1>and have that be the story that you then your

0:26:05.920 --> 0:26:09.080
<v Speaker 1>personality will actually be seen through just you telling that

0:26:09.160 --> 0:26:11.960
<v Speaker 1>story and put that on video and good luck. And

0:26:12.000 --> 0:26:14.160
<v Speaker 1>then I left and I thought, I don't know whether

0:26:14.200 --> 0:26:15.760
<v Speaker 1>or not I gave this person the right advice.

0:26:16.040 --> 0:26:18.720
<v Speaker 2>That's really you're stilling my job. I don't know how

0:26:18.760 --> 0:26:22.560
<v Speaker 2>I felt about that, but yes, yes that was good advice.

0:26:23.280 --> 0:26:25.920
<v Speaker 2>That's right. And you're right about knowing, like you said,

0:26:26.000 --> 0:26:28.320
<v Speaker 2>having a headline or having a title, or who you are.

0:26:28.800 --> 0:26:31.320
<v Speaker 2>It's knowing your brand. I guess it's the same with actors.

0:26:31.320 --> 0:26:33.320
<v Speaker 2>I go for certain roles because you know, when we're

0:26:33.320 --> 0:26:35.400
<v Speaker 2>watching a movie we can see them as that role.

0:26:35.720 --> 0:26:38.560
<v Speaker 2>It's the same with reality. So just knowing who you

0:26:38.600 --> 0:26:42.320
<v Speaker 2>are and your brand, whatever it be external, internal, crazy,

0:26:42.320 --> 0:26:45.880
<v Speaker 2>pink hair, tattles, tattoos, all of your body, piercings, whatever

0:26:45.920 --> 0:26:51.439
<v Speaker 2>it is, using that again and just magnifying it.

0:26:51.720 --> 0:26:54.240
<v Speaker 1>My last question for you is the same question I

0:26:54.280 --> 0:26:58.720
<v Speaker 1>ask everybody, and that is what's something from being in casting?

0:26:59.520 --> 0:27:02.720
<v Speaker 1>That's a really funny story that makes for good dinner conversation.

0:27:04.160 --> 0:27:07.320
<v Speaker 2>I was working on a dating show, and I was

0:27:07.480 --> 0:27:09.920
<v Speaker 2>getting I was actually working on set with the talent.

0:27:09.960 --> 0:27:12.479
<v Speaker 2>So sometimes I get to take them through the casting process,

0:27:12.480 --> 0:27:15.040
<v Speaker 2>and sometimes I'll actually work on the production. Very very

0:27:15.200 --> 0:27:18.720
<v Speaker 2>very rare these days, but some short, short contracts or

0:27:18.840 --> 0:27:21.399
<v Speaker 2>short shows where I can be available, I will go

0:27:21.480 --> 0:27:23.639
<v Speaker 2>do This is a dating show. And I was with

0:27:23.680 --> 0:27:25.680
<v Speaker 2>one of the you know, the cast, and we're getting

0:27:25.680 --> 0:27:27.720
<v Speaker 2>ready to walk into their dates. So I was just

0:27:27.800 --> 0:27:30.680
<v Speaker 2>prepping them and warming them up and asking, you know,

0:27:30.720 --> 0:27:33.040
<v Speaker 2>who they're hoping to me and how they're feeling, and

0:27:33.119 --> 0:27:35.280
<v Speaker 2>you know, they were nervous and whatnot. We were all

0:27:35.320 --> 0:27:38.199
<v Speaker 2>miked up, and you know, the EPs are in the

0:27:38.240 --> 0:27:40.320
<v Speaker 2>other room waiting for the date to kind of happen.

0:27:41.080 --> 0:27:43.960
<v Speaker 2>And that cast kind of asked me if I was

0:27:44.040 --> 0:27:50.240
<v Speaker 2>single and to crack on to me. And the mics

0:27:50.240 --> 0:27:52.840
<v Speaker 2>are open, and all I looking this little window and

0:27:52.880 --> 0:27:55.680
<v Speaker 2>the EPs are there going rolling their eyes, going oh

0:27:55.720 --> 0:27:58.800
<v Speaker 2>my god, and laughing of course. And yeah, that's when

0:27:58.840 --> 0:28:01.520
<v Speaker 2>you have to just put on your professional hat, do

0:28:01.560 --> 0:28:04.119
<v Speaker 2>you casting producer hats, and go anyway on you go,

0:28:04.160 --> 0:28:08.080
<v Speaker 2>here's your date five. So that's that's happened before, and

0:28:08.200 --> 0:28:13.720
<v Speaker 2>I it's quite funny. I have never mixed work with

0:28:13.880 --> 0:28:15.520
<v Speaker 2>play at all.

0:28:16.000 --> 0:28:17.600
<v Speaker 1>But now you're married to that guy.

0:28:17.359 --> 0:28:24.879
<v Speaker 2>Yes, like I was his backup when like if the

0:28:24.960 --> 0:28:27.439
<v Speaker 2>date didn't work out, then maybe I could date the

0:28:27.480 --> 0:28:30.439
<v Speaker 2>producer and she could and it's never going to happen.

0:28:30.600 --> 0:28:32.360
<v Speaker 2>I love you, support you, but no.

0:28:32.640 --> 0:28:34.600
<v Speaker 1>You are a beautiful woman though, so I think a

0:28:34.640 --> 0:28:36.680
<v Speaker 1>lot of people listening to this podcast right now they're

0:28:36.680 --> 0:28:38.560
<v Speaker 1>going to go back to trying to find a photo

0:28:38.600 --> 0:28:40.680
<v Speaker 1>of you to see when you look, like, oh what

0:28:40.680 --> 0:28:43.040
<v Speaker 1>what does Holly look like? You know, to match with

0:28:43.120 --> 0:28:43.640
<v Speaker 1>this story.

0:28:43.720 --> 0:28:47.160
<v Speaker 2>I'm the biggest dag. Don't worry, I'm the biggest dag. Yeah.

0:28:47.160 --> 0:28:49.000
<v Speaker 2>So yeah, that that's that's that's a funny one.

0:28:49.560 --> 0:28:52.320
<v Speaker 1>Well, I just want to say this has been such

0:28:52.360 --> 0:28:54.640
<v Speaker 1>an amazing opportunity to sit down and talk to you.

0:28:55.000 --> 0:29:00.840
<v Speaker 1>I think one hundred in your element being able to

0:29:00.880 --> 0:29:03.080
<v Speaker 1>meet people and find the right people for these shows

0:29:03.120 --> 0:29:08.560
<v Speaker 1>because you disarm people, you make people feel comfortable, and

0:29:08.600 --> 0:29:10.640
<v Speaker 1>I think that's the magic of being able to find

0:29:10.640 --> 0:29:14.520
<v Speaker 1>the right people for these shows. So congratulations on the

0:29:14.520 --> 0:29:16.920
<v Speaker 1>work that you're doing, and keep doing that and keep

0:29:17.000 --> 0:29:18.479
<v Speaker 1>enjoying what it is that you do, because I think

0:29:18.560 --> 0:29:21.479
<v Speaker 1>that's important, absolutely, But I can't wait to keep, you know,

0:29:21.520 --> 0:29:23.600
<v Speaker 1>seeing these people come on the show, on these shows,

0:29:23.600 --> 0:29:25.200
<v Speaker 1>and wondering if Holly has met them.

0:29:26.080 --> 0:29:28.880
<v Speaker 2>Let's hope. So thank you so much, Ben for having

0:29:28.920 --> 0:29:29.840
<v Speaker 2>me so I appreciate it