1 00:00:04,480 --> 00:00:10,039 Speaker 1: The Will and Woody podcast. 2 00:00:09,480 --> 00:00:12,159 Speaker 2: Yesterday we were talking about children getting exploited, and I 3 00:00:12,160 --> 00:00:13,440 Speaker 2: don't want to go into that because I think we 4 00:00:13,480 --> 00:00:16,560 Speaker 2: might have crossed a couple of lines. But we only 5 00:00:16,600 --> 00:00:18,680 Speaker 2: asked the questions we were We just asked the question 6 00:00:18,960 --> 00:00:23,880 Speaker 2: anyway you did. But I did mention in and around 7 00:00:23,960 --> 00:00:27,720 Speaker 2: that conversation of exploiting children butchers. And I had this 8 00:00:27,760 --> 00:00:30,120 Speaker 2: to say about butchers. I remember we were to go 9 00:00:30,160 --> 00:00:31,200 Speaker 2: into the shops and Mum. 10 00:00:31,240 --> 00:00:34,000 Speaker 3: Will la, Yeah, I'll go around the block. I will 11 00:00:34,080 --> 00:00:34,440 Speaker 3: meet you. 12 00:00:34,479 --> 00:00:37,360 Speaker 2: Right certain shops that we would go into. The butcher Gary, 13 00:00:37,400 --> 00:00:38,600 Speaker 2: for example, You go in there. 14 00:00:38,479 --> 00:00:40,800 Speaker 3: You've got an ear full from this guy. Yeah, shout up, Gary, 15 00:00:40,840 --> 00:00:43,240 Speaker 3: give me the nuggets. Butcher's talk too much. 16 00:00:43,479 --> 00:00:46,240 Speaker 2: And I just want to put that out there. And 17 00:00:47,040 --> 00:00:48,800 Speaker 2: I remember, get into this right now, thirty one and 18 00:00:48,840 --> 00:00:51,360 Speaker 2: six five years you'd like to join the conversation. Ironically, 19 00:00:52,920 --> 00:00:55,760 Speaker 2: what is the chattiest profession in your eyes? Because butchers 20 00:00:55,800 --> 00:00:59,920 Speaker 2: are up there? And yeah, I reckon what I'd like 21 00:01:00,160 --> 00:01:02,040 Speaker 2: to go into here with you. As we start to 22 00:01:02,040 --> 00:01:04,600 Speaker 2: work our way through the chatty is profession? I'm thirty 23 00:01:04,600 --> 00:01:09,320 Speaker 2: one six five is what's their chat? Because I think 24 00:01:09,360 --> 00:01:12,840 Speaker 2: you can generally group their chat. 25 00:01:13,280 --> 00:01:17,360 Speaker 4: Okay, I find the chatti's profession to be and I 26 00:01:17,400 --> 00:01:21,240 Speaker 4: think they do this because like they think it's hilarious 27 00:01:21,240 --> 00:01:25,640 Speaker 4: that you can't really respond, and it's dentists. I they 28 00:01:26,400 --> 00:01:30,000 Speaker 4: obviously know the situation. The situation is you're in my mouth. 29 00:01:30,200 --> 00:01:34,880 Speaker 4: You are currently working in my mouth, right, very special. 30 00:01:35,240 --> 00:01:39,200 Speaker 4: So I've got my mouth open and you've got tools 31 00:01:39,240 --> 00:01:42,319 Speaker 4: in my mouth, right, that's going on. And they god, 32 00:01:42,400 --> 00:01:45,039 Speaker 4: they go, you just you're looking at them through those 33 00:01:45,120 --> 00:01:48,400 Speaker 4: ridiculous things and you're like, you know, I can't respond. 34 00:01:48,040 --> 00:01:50,120 Speaker 2: And they start the question like they start the sentence 35 00:01:50,160 --> 00:01:52,160 Speaker 2: by going, even tell you about the time, and. 36 00:01:52,080 --> 00:01:54,640 Speaker 3: You're like, no, you didn't, and you've got you didn't 37 00:01:54,680 --> 00:01:56,880 Speaker 3: tell me around the time. I can't go anywhere. I 38 00:01:56,920 --> 00:01:58,160 Speaker 3: can't cut you off. 39 00:01:59,600 --> 00:02:02,680 Speaker 4: Because you can't jump in. They've got no cue as 40 00:02:02,720 --> 00:02:05,520 Speaker 4: to like when they should start. And then sometimes you're going, oh, well, 41 00:02:05,520 --> 00:02:06,840 Speaker 4: actually sorry, can you stop talking. 42 00:02:06,880 --> 00:02:09,360 Speaker 2: I'm just going to have your mouth over mouth white mate, 43 00:02:09,760 --> 00:02:11,320 Speaker 2: Just get just get just go really wide for me. 44 00:02:12,040 --> 00:02:12,720 Speaker 3: Yeah. 45 00:02:12,800 --> 00:02:15,960 Speaker 2: I Also they've got their little Greek Greek chorus in 46 00:02:16,040 --> 00:02:18,080 Speaker 2: the dental hygienis nurse who's there as well. 47 00:02:18,120 --> 00:02:19,120 Speaker 5: The good one. 48 00:02:19,160 --> 00:02:19,400 Speaker 3: Doctor. 49 00:02:19,480 --> 00:02:22,600 Speaker 1: They get around everything and they hear the same stories 50 00:02:22,760 --> 00:02:23,840 Speaker 1: every every day. 51 00:02:24,320 --> 00:02:25,799 Speaker 2: Part of the job. You've got to get around the 52 00:02:25,840 --> 00:02:30,640 Speaker 2: d Yeah, so dentis is a good one. You've hit 53 00:02:30,639 --> 00:02:32,079 Speaker 2: the nail on the head there, and that's great chat. 54 00:02:32,360 --> 00:02:33,760 Speaker 2: And I don't know about you that it is. You're 55 00:02:33,840 --> 00:02:38,359 Speaker 2: right with a dentist chat. It's often an old travel story, Yes, 56 00:02:38,480 --> 00:02:41,560 Speaker 2: something their kids are doing at the moment, hobby that 57 00:02:41,560 --> 00:02:42,400 Speaker 2: they've got into. 58 00:02:42,560 --> 00:02:44,359 Speaker 1: Generally, it's the things that no one else will listen 59 00:02:44,400 --> 00:02:45,120 Speaker 1: to in their lives. 60 00:02:45,800 --> 00:02:48,120 Speaker 4: My wife or my husband. Yeah, I don't want to 61 00:02:48,120 --> 00:02:49,679 Speaker 4: hear this. My friends don't want to hear this is 62 00:02:49,680 --> 00:02:50,239 Speaker 4: my one chance. 63 00:02:50,240 --> 00:02:54,240 Speaker 3: Does it say something about dentists in general? I wouldn't 64 00:02:54,240 --> 00:02:57,760 Speaker 3: say that. J oh wow, just a thought. 65 00:02:58,000 --> 00:03:00,400 Speaker 2: Hey, so thirteen sixty five, what do you think the 66 00:03:00,480 --> 00:03:01,680 Speaker 2: chattiest profession is, Heidi? 67 00:03:01,880 --> 00:03:03,920 Speaker 3: What is what's the chattiest profession? Do you reckon? 68 00:03:04,760 --> 00:03:08,880 Speaker 6: I think a travel agent. I think they just don't 69 00:03:08,880 --> 00:03:10,120 Speaker 6: know where to draw the line. 70 00:03:10,160 --> 00:03:12,280 Speaker 7: They're just talking and talking. 71 00:03:12,560 --> 00:03:15,639 Speaker 3: Because they're often showing off. And Heidi, I mean I 72 00:03:15,639 --> 00:03:16,440 Speaker 3: think this is important. 73 00:03:16,440 --> 00:03:19,360 Speaker 2: Part of this is it's about what the chat is 74 00:03:19,800 --> 00:03:21,800 Speaker 2: and that for the for the travel agent exactly. 75 00:03:21,840 --> 00:03:24,440 Speaker 3: It's about the fact that they've been there too. 76 00:03:24,800 --> 00:03:26,720 Speaker 8: Yes, I've been there. 77 00:03:26,800 --> 00:03:27,680 Speaker 4: You should go hear. 78 00:03:27,680 --> 00:03:28,919 Speaker 3: They're off for the travel story. 79 00:03:28,960 --> 00:03:30,760 Speaker 4: Think about a travel agent as well as No one's 80 00:03:30,800 --> 00:03:33,000 Speaker 4: really going in there anymore. So when someone comes in, 81 00:03:33,000 --> 00:03:35,320 Speaker 4: they're like, I want to have you for three hours. 82 00:03:35,440 --> 00:03:36,880 Speaker 3: Don't leave, don't leave me. 83 00:03:37,680 --> 00:03:39,760 Speaker 1: Let me keep telling you about my time in Europe. 84 00:03:40,000 --> 00:03:42,440 Speaker 2: Yeah, and look, no one enjoys a travel story at 85 00:03:42,480 --> 00:03:44,200 Speaker 2: the best of times, let alone when you don't know 86 00:03:44,280 --> 00:03:46,280 Speaker 2: the person. Like, a travel story is guarantee to be 87 00:03:46,280 --> 00:03:47,960 Speaker 2: the worst someone goes to deliver tell you about the 88 00:03:48,000 --> 00:03:49,000 Speaker 2: time that I was in It's. 89 00:03:48,880 --> 00:03:50,920 Speaker 1: Like, oh, I don't want to hear about. 90 00:03:50,720 --> 00:03:52,040 Speaker 3: It, Katie. 91 00:03:52,080 --> 00:03:54,560 Speaker 2: What is the chattiest profession on third and one six five? 92 00:03:54,600 --> 00:03:56,600 Speaker 2: And if you can qualify the chat, would love to. 93 00:03:56,520 --> 00:03:57,160 Speaker 3: Hear that as well. 94 00:03:58,280 --> 00:04:05,120 Speaker 6: Yeah, so hairdressing from from both sides. You got the 95 00:04:05,160 --> 00:04:07,840 Speaker 6: hairdresser and the client. I think once you head it off, 96 00:04:07,880 --> 00:04:10,120 Speaker 6: you can really keep going with that conversation. 97 00:04:10,760 --> 00:04:14,640 Speaker 3: Is a seriotypical hairdresser chat, do you think, Katie. 98 00:04:14,920 --> 00:04:17,479 Speaker 6: Yeah, most of it is just talking about your own 99 00:04:17,520 --> 00:04:19,080 Speaker 6: problems again. 100 00:04:19,640 --> 00:04:21,440 Speaker 1: A lot of therapy. 101 00:04:21,160 --> 00:04:22,960 Speaker 6: Yeah, it's a therapy session. 102 00:04:24,839 --> 00:04:27,360 Speaker 4: Sometimes I'm a bit worried that they're not really concentrating 103 00:04:27,400 --> 00:04:29,640 Speaker 4: on my hair, Like sometimes I will try and find someone. 104 00:04:29,680 --> 00:04:31,080 Speaker 4: I just feel like you're not giving one hundred percent 105 00:04:31,120 --> 00:04:34,040 Speaker 4: attention to the belliage that you're currently. 106 00:04:36,160 --> 00:04:42,000 Speaker 3: The layering hair a little bit too much. There they 107 00:04:42,080 --> 00:04:42,760 Speaker 3: get out of the bag. 108 00:04:43,720 --> 00:04:47,960 Speaker 2: Vanessa on thirty one and sixty five. Vanessa, Yes, what 109 00:04:48,000 --> 00:04:48,360 Speaker 2: do you reckon? 110 00:04:48,440 --> 00:04:49,560 Speaker 3: Is the chattiest profession? 111 00:04:50,520 --> 00:04:53,839 Speaker 6: I think you check out cheeks can be very chatty. 112 00:04:54,120 --> 00:04:57,599 Speaker 6: Not only yep, sorry, not only are they ripping you 113 00:04:57,640 --> 00:04:59,839 Speaker 6: off for eggs? Are you're paying twelve dollars for eggs? 114 00:04:59,839 --> 00:05:02,320 Speaker 7: But then they want to know how it's. 115 00:05:02,160 --> 00:05:03,800 Speaker 4: Not the checkout chicks that are setting the price of 116 00:05:03,839 --> 00:05:05,480 Speaker 4: the eggs. 117 00:05:06,200 --> 00:05:08,840 Speaker 2: One of other things the gender stereotype in there as well. 118 00:05:08,839 --> 00:05:10,560 Speaker 2: It might be a checkout man, Yeah. 119 00:05:10,680 --> 00:05:11,160 Speaker 3: Just check out. 120 00:05:11,200 --> 00:05:12,880 Speaker 4: It's just check out people. Now, I think they need 121 00:05:12,920 --> 00:05:15,560 Speaker 4: to be called but Vanessa, you know, sorry. 122 00:05:15,279 --> 00:05:18,640 Speaker 2: Back swiped to see a lady good drive Vanessa. I mean, 123 00:05:18,680 --> 00:05:19,960 Speaker 2: thanks for you for being a part of the topic. 124 00:05:20,000 --> 00:05:20,800 Speaker 2: But here's where you're wrong. 125 00:05:20,880 --> 00:05:21,720 Speaker 3: A B n C. 126 00:05:22,320 --> 00:05:25,279 Speaker 1: Good never called the shell again, She's better a couple 127 00:05:25,320 --> 00:05:25,960 Speaker 1: of land mines. 128 00:05:26,040 --> 00:05:28,800 Speaker 3: But I reckon. Now we're through the land mines, Vanessa. 129 00:05:29,040 --> 00:05:30,800 Speaker 3: What I agree with you here with is. 130 00:05:30,760 --> 00:05:32,559 Speaker 1: The thing that a checkout person has. 131 00:05:32,839 --> 00:05:34,960 Speaker 4: They've got the power of the pace of the time 132 00:05:34,960 --> 00:05:38,000 Speaker 4: that you're there, because if they're the ones scanning your objects, 133 00:05:38,360 --> 00:05:41,120 Speaker 4: they can choose to slow up or they can speak up. 134 00:05:41,240 --> 00:05:43,520 Speaker 4: These are the professions that get chatty, where it's like 135 00:05:43,600 --> 00:05:44,480 Speaker 4: there's no out. 136 00:05:44,400 --> 00:05:47,160 Speaker 3: I can't leave temp I choose the tempo. You haven't 137 00:05:47,160 --> 00:05:48,039 Speaker 3: scanned my eggs yet? 138 00:05:48,120 --> 00:05:48,320 Speaker 5: Yeah? 139 00:05:48,360 --> 00:05:49,760 Speaker 3: You have me? 140 00:05:49,320 --> 00:05:49,839 Speaker 5: You have me? 141 00:05:50,160 --> 00:05:52,960 Speaker 2: Yeah, yeah, I think that's a good shout with the 142 00:05:53,080 --> 00:05:53,919 Speaker 2: country for me. 143 00:05:54,600 --> 00:05:56,800 Speaker 3: Often. You know, I've been a supermaka for five years. 144 00:05:56,800 --> 00:05:59,240 Speaker 3: You know, im banned. Yeah, I forgot rageous spending. 145 00:05:59,279 --> 00:06:03,839 Speaker 2: But often with the checkout people, they're busy, so I 146 00:06:03,880 --> 00:06:05,839 Speaker 2: find that they're chat They're not that chatty because at 147 00:06:05,880 --> 00:06:07,080 Speaker 2: the end of the day, they've got to move you on. 148 00:06:08,320 --> 00:06:08,719 Speaker 5: Where is? 149 00:06:08,720 --> 00:06:11,719 Speaker 3: Where is? For example, they've got they've got chatty since 150 00:06:12,000 --> 00:06:12,279 Speaker 3: check it. 151 00:06:12,279 --> 00:06:15,640 Speaker 2: You haven't met since self check out when you see 152 00:06:15,680 --> 00:06:17,640 Speaker 2: the advent of self check out, when you choose them, 153 00:06:17,640 --> 00:06:19,480 Speaker 2: they're so excited that they want you there for as 154 00:06:19,480 --> 00:06:19,840 Speaker 2: long as. 155 00:06:19,800 --> 00:06:22,440 Speaker 3: Is that right? That's interesting? 156 00:06:22,800 --> 00:06:25,000 Speaker 2: Hey, yeah, so another chatty one for me. Often very 157 00:06:25,080 --> 00:06:29,040 Speaker 2: quiet is anyone that works at a wellness studio. If 158 00:06:29,040 --> 00:06:32,080 Speaker 2: you get them on a quiet day, batten down there 159 00:06:32,760 --> 00:06:35,359 Speaker 2: and then, because these are people that are dying to 160 00:06:35,400 --> 00:06:38,320 Speaker 2: give you unsolicited advice about your spirituality. So if you 161 00:06:38,440 --> 00:06:40,680 Speaker 2: linger there, if you give them anything, they're just looking 162 00:06:40,680 --> 00:06:42,800 Speaker 2: for a chink in the arms. I went recently onto 163 00:06:42,800 --> 00:06:46,320 Speaker 2: a yoga session. I actually got there very I actually 164 00:06:46,360 --> 00:06:48,279 Speaker 2: missed the class. So I waited around for the next class, 165 00:06:48,600 --> 00:06:50,240 Speaker 2: and I was just waiting there and I said to 166 00:06:50,279 --> 00:06:53,120 Speaker 2: this girl, I said, it's dark outside. She said, I 167 00:06:53,120 --> 00:06:55,640 Speaker 2: said it's dark outside, and she said to me, it's 168 00:06:55,680 --> 00:06:57,159 Speaker 2: really dark for geminis at the moment. 169 00:06:58,200 --> 00:07:00,120 Speaker 3: And I was like, no, mane, it's dark for everyone. 170 00:07:00,160 --> 00:07:04,679 Speaker 2: It's six o'clock and it's May turn around. 171 00:07:03,600 --> 00:07:08,000 Speaker 3: And she's clearly she's paying for it. She's looking for 172 00:07:08,040 --> 00:07:11,000 Speaker 3: the entry. Let me know what I know about your soul. 173 00:07:11,240 --> 00:07:14,440 Speaker 1: Finally, bit of astrolog someone wants to lean in white. 174 00:07:14,440 --> 00:07:16,560 Speaker 2: I think quiet places leads to very chair and I 175 00:07:16,560 --> 00:07:19,640 Speaker 2: think these people choose these professions security guards in very 176 00:07:19,720 --> 00:07:23,600 Speaker 2: quiet places, and they've got your idea. 177 00:07:23,640 --> 00:07:26,160 Speaker 4: It's like, again, I'm trapped. I'm trapped because you have 178 00:07:26,200 --> 00:07:27,160 Speaker 4: all the power here. 179 00:07:27,080 --> 00:07:29,720 Speaker 2: Yeah, or even the security guard at a quiet car park, 180 00:07:29,960 --> 00:07:31,560 Speaker 2: you know, like if you get like, they they're just 181 00:07:31,760 --> 00:07:33,520 Speaker 2: they're just. If you bump into one of those guys, 182 00:07:33,520 --> 00:07:34,680 Speaker 2: good luck getting your car out of. 183 00:07:34,680 --> 00:07:39,680 Speaker 4: There in the Wilson's car park, in the little cars 184 00:07:39,720 --> 00:07:42,360 Speaker 4: when they drive around yours. 185 00:07:43,320 --> 00:07:45,320 Speaker 2: I know what you want and you're not getting a 186 00:07:45,360 --> 00:07:46,280 Speaker 2: conversation out of me. 187 00:07:48,640 --> 00:07:51,680 Speaker 1: Do you reckon the chatty as profession is. 188 00:07:51,040 --> 00:07:52,120 Speaker 8: A car salesman? 189 00:07:52,680 --> 00:07:56,000 Speaker 3: Oh love chat Me. 190 00:07:55,960 --> 00:07:58,520 Speaker 8: And my sister went to one a few weeks ago 191 00:07:58,800 --> 00:08:01,480 Speaker 8: and he just would not stop rambling. We were doing 192 00:08:01,480 --> 00:08:04,760 Speaker 8: a test drive and he kept going, kept going, talking 193 00:08:05,040 --> 00:08:07,440 Speaker 8: about all the tea. He was telling us everything about 194 00:08:07,440 --> 00:08:09,720 Speaker 8: how all these friends and relationships but they cheat on 195 00:08:09,760 --> 00:08:10,560 Speaker 8: their missus. 196 00:08:10,720 --> 00:08:13,800 Speaker 3: Oh my god. And then he keeps talking so much. 197 00:08:13,840 --> 00:08:15,200 Speaker 8: My sister ran the red light. 198 00:08:15,600 --> 00:08:18,280 Speaker 2: Oh wait, just to get home, just to get him 199 00:08:18,280 --> 00:08:18,760 Speaker 2: out of the car. 200 00:08:19,320 --> 00:08:21,720 Speaker 3: I'd rather die than deal with you for any car. 201 00:08:21,880 --> 00:08:23,480 Speaker 4: Do you think the tactic is like you have to 202 00:08:23,480 --> 00:08:25,560 Speaker 4: buy this car to get away from me? Like, is 203 00:08:25,560 --> 00:08:26,920 Speaker 4: that actually his salesman? 204 00:08:26,960 --> 00:08:31,040 Speaker 2: I think they think they struggle with with silence because 205 00:08:31,280 --> 00:08:33,120 Speaker 2: it's kind of this moment they don't give you a 206 00:08:33,200 --> 00:08:33,800 Speaker 2: chance to think. 207 00:08:33,960 --> 00:08:37,480 Speaker 3: So they just scramble your your frequency. Maybe you'll think 208 00:08:37,480 --> 00:08:39,960 Speaker 3: about buying a car and you won't think they've got 209 00:08:40,000 --> 00:08:41,120 Speaker 3: time to talk to you again. 210 00:08:41,520 --> 00:08:44,480 Speaker 2: Another one for me, anyone who works with some John's Ambulance, 211 00:08:44,679 --> 00:08:46,320 Speaker 2: because I mean for most of the time they're just 212 00:08:46,360 --> 00:08:50,360 Speaker 2: standing around those people. They're just waiting for you, waiting. 213 00:08:50,640 --> 00:08:52,480 Speaker 2: They're waiting with a band aid, or they're waiting with 214 00:08:52,480 --> 00:08:56,800 Speaker 2: a ship story. Lauras going, I'm telling you have a 215 00:08:56,880 --> 00:08:59,600 Speaker 2: chat with anyone from some John's ambulance. The first differ 216 00:08:59,600 --> 00:09:01,760 Speaker 2: is in john Ambulance is can you have a conversation? 217 00:09:01,920 --> 00:09:03,240 Speaker 3: The next step is his CPR. 218 00:09:03,360 --> 00:09:06,600 Speaker 2: I'm telling you, Okay, they can chat. Ambos in general, 219 00:09:06,679 --> 00:09:08,840 Speaker 2: surf lifeguards in general, they can talk. 220 00:09:09,720 --> 00:09:12,160 Speaker 3: If you have a yarn with those guys. Yeah, let's 221 00:09:12,160 --> 00:09:13,000 Speaker 3: go to Laura Shiman. 222 00:09:13,920 --> 00:09:17,480 Speaker 2: Laura, anyone at the fishmonger, anyone in manga and or 223 00:09:17,559 --> 00:09:19,040 Speaker 2: deli and or butcher. 224 00:09:19,920 --> 00:09:24,600 Speaker 4: Anyone who sells something very chatty Laura, Laura, what's the 225 00:09:24,679 --> 00:09:25,880 Speaker 4: chattiest profession Right now? 226 00:09:25,920 --> 00:09:26,880 Speaker 3: We're going at all of them. 227 00:09:28,360 --> 00:09:30,640 Speaker 6: I American teachers, and I love teachers. 228 00:09:30,679 --> 00:09:33,080 Speaker 7: Sorry, sending lots of love to all teachers. 229 00:09:34,640 --> 00:09:37,840 Speaker 6: Oh my God, they can talk and talk and talk. 230 00:09:37,960 --> 00:09:43,400 Speaker 3: Yeah, I think teachers that Yeah, so it's a parent teacher, 231 00:09:43,440 --> 00:09:44,640 Speaker 3: is it, Laura, that's when they get Yeah. 232 00:09:45,080 --> 00:09:47,120 Speaker 2: I have an undone one that our girls are only two, 233 00:09:47,240 --> 00:09:49,319 Speaker 2: so we haven't done that yet. Is that a Is 234 00:09:49,360 --> 00:09:51,160 Speaker 2: that why they do the timer on the because there 235 00:09:51,160 --> 00:09:52,720 Speaker 2: are like ten minutes appointments, aren't. 236 00:09:52,520 --> 00:09:56,600 Speaker 6: They They never they always go over time and you 237 00:09:56,679 --> 00:10:00,800 Speaker 6: have to always apoldcast the star and it's just I 238 00:10:00,880 --> 00:10:02,240 Speaker 6: reckon teachers. 239 00:10:02,400 --> 00:10:02,600 Speaker 5: Yeah. 240 00:10:02,679 --> 00:10:04,520 Speaker 4: Sorry, it is set up like speed Daddy, so you've 241 00:10:04,520 --> 00:10:06,600 Speaker 4: got a little when you go to the next teacher. 242 00:10:06,920 --> 00:10:09,720 Speaker 3: Yeah. I used to go to the parent teacher interviews 243 00:10:09,720 --> 00:10:14,319 Speaker 3: for who for Mewards. 244 00:10:14,360 --> 00:10:19,359 Speaker 2: Kim Kay took the stands in the Grandpa. 245 00:10:19,080 --> 00:10:20,560 Speaker 3: Robbers in her own case. 246 00:10:20,720 --> 00:10:24,200 Speaker 2: Really of the Grandpa Robbers, she's the victim in this case. 247 00:10:25,040 --> 00:10:27,360 Speaker 2: Totally wild story. I mean, I'm sure you guys are 248 00:10:27,360 --> 00:10:30,120 Speaker 2: all across. At twenty and sixteen, she's in Paris. She 249 00:10:30,280 --> 00:10:35,640 Speaker 2: gets allegedly robbed at gunpoint in her hotel room. So 250 00:10:35,679 --> 00:10:37,120 Speaker 2: there's a bunch of guys that were still. 251 00:10:36,920 --> 00:10:38,920 Speaker 4: Saying allegedly because one of the guys released a book 252 00:10:39,000 --> 00:10:40,000 Speaker 4: saying I robbed him. 253 00:10:40,240 --> 00:10:40,880 Speaker 3: She got robbed. 254 00:10:40,880 --> 00:10:43,200 Speaker 2: I think they alleged the gunpoint. The gunpoint thing might 255 00:10:43,240 --> 00:10:46,680 Speaker 2: be alleged at this stage. Just got to be careful 256 00:10:47,240 --> 00:10:49,199 Speaker 2: anyway they go in there. They still millions dollars worth 257 00:10:49,200 --> 00:10:52,240 Speaker 2: of jewels. Hilariously, she rocks up on the stands today. 258 00:10:52,000 --> 00:10:54,079 Speaker 3: Wearing millions of dollars worth of jewels. 259 00:10:54,800 --> 00:10:57,640 Speaker 1: The grandpa robbers, he's the ones you didn't get. 260 00:10:57,720 --> 00:11:01,720 Speaker 2: Yeah, that's right. So she gets, she's bound and gagged, 261 00:11:01,760 --> 00:11:03,600 Speaker 2: she's put in the bath like it actually really it's 262 00:11:03,800 --> 00:11:08,480 Speaker 2: really terrified. She on the stands today crying saying that 263 00:11:08,760 --> 00:11:10,520 Speaker 2: you know, she's getting tired with the zip ties and 264 00:11:10,559 --> 00:11:12,800 Speaker 2: she she's I'm going to die here like this is 265 00:11:13,520 --> 00:11:16,080 Speaker 2: it's characterly the most traumatizing thing I think any of 266 00:11:16,120 --> 00:11:17,199 Speaker 2: us can think about going through. 267 00:11:17,280 --> 00:11:18,920 Speaker 1: So and she had to relive it on the stand, 268 00:11:19,000 --> 00:11:20,720 Speaker 1: which is yeah, full on intense. 269 00:11:21,320 --> 00:11:24,479 Speaker 2: But I am interested in this idea would of cross examination, 270 00:11:24,760 --> 00:11:29,000 Speaker 2: which also I would say, if you get cross examined properly, 271 00:11:29,720 --> 00:11:32,720 Speaker 2: can be it can be very Traumatic's. 272 00:11:32,080 --> 00:11:34,960 Speaker 4: Seen it all the movies and TV shows that the 273 00:11:35,000 --> 00:11:37,840 Speaker 4: person on the stand, they get too emotional or they 274 00:11:37,840 --> 00:11:40,240 Speaker 4: get angry or defensive, and you always know at that 275 00:11:40,320 --> 00:11:43,200 Speaker 4: moment that the person who's cross examining them as an 276 00:11:43,200 --> 00:11:45,480 Speaker 4: ail has got them and got them because I always 277 00:11:45,480 --> 00:11:46,800 Speaker 4: watched them, got them to squeal. 278 00:11:46,920 --> 00:11:48,440 Speaker 3: I always watching the person on the stand and like, 279 00:11:48,440 --> 00:11:50,880 Speaker 3: why did you get emotional? Yeah, that's what they want. 280 00:11:51,000 --> 00:11:55,199 Speaker 3: Hold on, you've got five minutes. Just the way these 281 00:11:55,280 --> 00:11:59,280 Speaker 3: guys work, wizards, it's there. They're masters of their craft, 282 00:11:59,320 --> 00:11:59,640 Speaker 3: aren't they. 283 00:11:59,720 --> 00:12:03,040 Speaker 2: They They put you in a corner and make you 284 00:12:03,080 --> 00:12:04,520 Speaker 2: feel like you haven't got an option. 285 00:12:04,720 --> 00:12:05,800 Speaker 3: They twist you. 286 00:12:05,800 --> 00:12:09,040 Speaker 2: They push your maulation, they push your buttons, and I 287 00:12:09,080 --> 00:12:11,600 Speaker 2: think we're probably best if we can get a live 288 00:12:11,640 --> 00:12:14,600 Speaker 2: example of that on air. So Woods, I've gone and 289 00:12:14,720 --> 00:12:20,400 Speaker 2: organized to somebody who does cross examining for a living 290 00:12:21,520 --> 00:12:24,560 Speaker 2: professional barrister, guy by the name of Mark Goldblatt. 291 00:12:24,800 --> 00:12:25,520 Speaker 3: This guy's good. 292 00:12:26,200 --> 00:12:32,079 Speaker 2: So Mark joins us right now. Mark, Welcome to willin Woody, Koday. 293 00:12:32,200 --> 00:12:34,800 Speaker 3: Guys, how are you outstanding? Mark? 294 00:12:34,840 --> 00:12:34,880 Speaker 5: So? 295 00:12:35,080 --> 00:12:37,840 Speaker 4: So you are you are somebody who cross examines people 296 00:12:37,840 --> 00:12:39,000 Speaker 4: when they're on the stand. 297 00:12:39,000 --> 00:12:42,040 Speaker 7: Mark, I do I enjoy it? Oh? 298 00:12:42,080 --> 00:12:42,680 Speaker 5: You enjoy it? 299 00:12:42,679 --> 00:12:46,320 Speaker 3: Of course you do? Sweet for these guys sport. Are 300 00:12:46,360 --> 00:12:48,280 Speaker 3: we on the right page here? Mark? 301 00:12:48,320 --> 00:12:51,360 Speaker 4: With you're trying to get almost like an emotional reaction 302 00:12:51,600 --> 00:12:55,319 Speaker 4: out of the person to show their guilt. I fully 303 00:12:55,320 --> 00:12:57,280 Speaker 4: appreciate that I've been a little bit reductive there, But 304 00:12:57,480 --> 00:12:58,439 Speaker 4: is that what you're trying to do. 305 00:12:59,000 --> 00:13:01,000 Speaker 7: I'm not so much skilled because I do civil little, 306 00:13:01,000 --> 00:13:03,800 Speaker 7: but yeah, you want to get them to admit something 307 00:13:03,840 --> 00:13:06,960 Speaker 7: that's going to help your clients, right, yeah? 308 00:13:07,040 --> 00:13:08,960 Speaker 4: And it is it about setting the trap, Mark, Like 309 00:13:09,120 --> 00:13:11,559 Speaker 4: you're just you're asking all these questions which everyone's like, 310 00:13:11,559 --> 00:13:13,320 Speaker 4: why are you asking that? And the whole thing's like 311 00:13:13,360 --> 00:13:14,360 Speaker 4: a bit of a mouse trap. 312 00:13:15,760 --> 00:13:17,920 Speaker 7: Sometimes it's always good fun when you can manage that. 313 00:13:18,160 --> 00:13:21,520 Speaker 2: Oh God, are you in a successful relationship? 314 00:13:21,559 --> 00:13:23,320 Speaker 3: Mark? I hope you don't mind me asking the question. 315 00:13:23,840 --> 00:13:26,480 Speaker 7: I am in a successful relationship, ber right. 316 00:13:27,240 --> 00:13:28,920 Speaker 3: I don't know how you guys managed to hold onto 317 00:13:28,960 --> 00:13:30,080 Speaker 3: those but anyway. 318 00:13:30,559 --> 00:13:33,240 Speaker 2: Yeah, well I just much just get to just get 319 00:13:33,240 --> 00:13:34,840 Speaker 2: the better of you, like surely because you've got this 320 00:13:34,880 --> 00:13:37,160 Speaker 2: deep of superpower. Like I knew if I was, if 321 00:13:37,200 --> 00:13:39,320 Speaker 2: I had the superpower argument up my sleeve. 322 00:13:39,440 --> 00:13:41,760 Speaker 3: I see, is it your wife that you have, Mark? 323 00:13:42,200 --> 00:13:45,280 Speaker 7: I I have a wife. I've never won an argument 324 00:13:45,320 --> 00:13:46,319 Speaker 7: against that. 325 00:13:47,400 --> 00:13:50,120 Speaker 1: So the skills don't work at home, unfortunately. 326 00:13:50,400 --> 00:13:51,840 Speaker 3: What I want to do is. 327 00:13:52,080 --> 00:13:54,520 Speaker 2: I would love for you to cross examine Woody. I know, 328 00:13:54,600 --> 00:13:56,360 Speaker 2: I don't know what though, Well, this is the thing, 329 00:13:56,400 --> 00:13:59,280 Speaker 2: so r e P. I think we're killing him the 330 00:13:59,320 --> 00:14:03,360 Speaker 2: tender EP these days. So he's contacted Mark already and 331 00:14:03,440 --> 00:14:06,200 Speaker 2: given Mark something. Woulds that you'll be one way or 332 00:14:06,240 --> 00:14:09,640 Speaker 2: the other on the proposition that Mark puts to you. Okay, 333 00:14:10,080 --> 00:14:11,800 Speaker 2: not going to tell you what that is just yet. 334 00:14:12,240 --> 00:14:13,520 Speaker 2: What do you think that could be? 335 00:14:14,280 --> 00:14:15,720 Speaker 3: There's so many crimes I've committed. 336 00:14:15,760 --> 00:14:18,640 Speaker 4: Will you're trying you're doing what Mark does? 337 00:14:25,040 --> 00:14:27,040 Speaker 3: Could it be the changing of the locks? No comment? 338 00:14:27,080 --> 00:14:29,160 Speaker 3: Could it be? No comment? Mark? 339 00:14:29,240 --> 00:14:31,200 Speaker 1: Is that a bad sign? If I say no comment? 340 00:14:33,560 --> 00:14:34,960 Speaker 7: We're going to put I think we're going to put 341 00:14:34,960 --> 00:14:35,480 Speaker 7: you under oath. 342 00:14:38,240 --> 00:14:39,560 Speaker 2: Yeah, yeah, we're going to put you under it. So 343 00:14:39,600 --> 00:14:41,480 Speaker 2: we're going to go to a song. We're going to 344 00:14:41,560 --> 00:14:43,000 Speaker 2: put you on oath. We're going to find need to 345 00:14:43,000 --> 00:14:46,840 Speaker 2: find a Bible or something similarly holy within the studio, 346 00:14:47,440 --> 00:14:49,560 Speaker 2: and we're going to put you on oath and Mark's 347 00:14:49,600 --> 00:14:51,720 Speaker 2: and cross examine you on that thing right at mixing 348 00:14:51,800 --> 00:14:52,920 Speaker 2: you don't know what it is. It is going to 349 00:14:52,960 --> 00:14:54,840 Speaker 2: come out very quickly what that thing is. And that 350 00:14:55,040 --> 00:14:56,760 Speaker 2: part of the craft the place that none of us 351 00:14:56,760 --> 00:14:58,480 Speaker 2: want to be. We've all seen that. We've all seen 352 00:14:58,760 --> 00:15:02,520 Speaker 2: those courtroom dramas. The witness stand in a spot where 353 00:15:02,560 --> 00:15:05,520 Speaker 2: they are their lawyers out there and cross examining hard. 354 00:15:05,560 --> 00:15:06,400 Speaker 3: That's where you don't want to be. 355 00:15:06,600 --> 00:15:09,080 Speaker 4: And they always they crack, they get emotional, and it 356 00:15:09,080 --> 00:15:11,960 Speaker 4: effectively proves that they're guilty of whatever they're accused of doing. 357 00:15:12,240 --> 00:15:14,720 Speaker 1: And I feel like when I watch it though at 358 00:15:14,720 --> 00:15:15,800 Speaker 1: home on the couch. 359 00:15:15,560 --> 00:15:19,040 Speaker 3: I'm like, together, you could hold out. You've got to 360 00:15:19,080 --> 00:15:20,520 Speaker 3: keep together five minutes here. 361 00:15:20,400 --> 00:15:23,720 Speaker 2: Which is why we've got Mark Goldblatt, professional barrister, on 362 00:15:23,840 --> 00:15:24,840 Speaker 2: the phone right now. 363 00:15:25,400 --> 00:15:26,320 Speaker 3: Mark, welcome back to Willen. 364 00:15:26,520 --> 00:15:28,560 Speaker 7: It's great to have you here, mate. 365 00:15:28,760 --> 00:15:32,160 Speaker 3: Okay, so Mark is obviously you know he's ready to go. 366 00:15:32,320 --> 00:15:34,760 Speaker 2: It makes people squeal for a living Yeah, okay, well 367 00:15:34,800 --> 00:15:38,320 Speaker 2: not mate, Okay, So Woodrow, we're going to get to 368 00:15:38,920 --> 00:15:41,000 Speaker 2: make an oath. We couldn't find a Bible. Is a 369 00:15:41,000 --> 00:15:42,400 Speaker 2: box of Sultan vinegar d lights. 370 00:15:42,520 --> 00:15:45,360 Speaker 4: I love these things, the sea, Sultan bol Samic vinegar. 371 00:15:45,440 --> 00:15:47,480 Speaker 4: So yes, I've got my hand on those d lights 372 00:15:47,560 --> 00:15:47,960 Speaker 4: right now. 373 00:15:48,400 --> 00:15:52,520 Speaker 7: And what do I have to say? 374 00:15:52,640 --> 00:15:55,000 Speaker 3: Yeah, swear to tell the truth. The whole truth and 375 00:15:55,280 --> 00:15:58,479 Speaker 3: mother truth. So help you God, to help you d lights. 376 00:15:58,680 --> 00:16:02,000 Speaker 2: Yes, great again, So I will not lie before we 377 00:16:02,040 --> 00:16:04,360 Speaker 2: do this, Woods, I need you to just block your 378 00:16:04,360 --> 00:16:07,720 Speaker 2: ears for a second, yep, because I'm going to tell 379 00:16:07,760 --> 00:16:09,960 Speaker 2: everybody what you're about to get cross examined on. 380 00:16:10,520 --> 00:16:10,760 Speaker 3: Right. 381 00:16:10,960 --> 00:16:12,360 Speaker 2: I don't want you to know that. I want you 382 00:16:12,440 --> 00:16:15,080 Speaker 2: to figure it out as it goes on. Block your 383 00:16:15,080 --> 00:16:19,800 Speaker 2: ears please, Okay. When Woody was on a cycling trip 384 00:16:20,440 --> 00:16:24,720 Speaker 2: in April, Mimy banked him some cupcakes and he threw 385 00:16:24,800 --> 00:16:27,520 Speaker 2: all of them in the bin. That is what he's 386 00:16:27,520 --> 00:16:30,400 Speaker 2: going to get cross examined on. Mark knows that. Mark, 387 00:16:30,480 --> 00:16:32,600 Speaker 2: I know you can hear this. You are ready to go? 388 00:16:33,760 --> 00:16:34,960 Speaker 2: Woulds unblock your ears? 389 00:16:35,440 --> 00:16:37,920 Speaker 3: Mark? The witness is yours? 390 00:16:38,440 --> 00:16:42,080 Speaker 7: Thank you? Your name a full name, Edward Whitelaw, Yes 391 00:16:42,120 --> 00:16:44,800 Speaker 7: it is. And do you wonder if I call you Woody? 392 00:16:45,040 --> 00:16:45,600 Speaker 3: That's fine? 393 00:16:46,120 --> 00:16:50,480 Speaker 7: Oh good? And I put it to your professional radio broadcaster. 394 00:16:50,320 --> 00:16:52,600 Speaker 3: Correct, Yes, yes, yes I am. 395 00:16:52,800 --> 00:16:54,720 Speaker 7: And you got a wife for the name Mimmy. 396 00:16:55,200 --> 00:16:57,120 Speaker 3: Yes, yes, my wife's name is Miby. 397 00:16:57,840 --> 00:17:00,600 Speaker 7: Now would you tell me this to spend a sea 398 00:17:00,600 --> 00:17:02,360 Speaker 7: bit of time on a bicycle. 399 00:17:02,440 --> 00:17:05,919 Speaker 4: Yes, I've got two bikes, a cargo bike and then 400 00:17:05,920 --> 00:17:08,359 Speaker 4: a more regular gravel bike, and with. 401 00:17:08,480 --> 00:17:11,840 Speaker 7: That gravel bike perhaps have been getting some worker around 402 00:17:11,880 --> 00:17:14,200 Speaker 7: the weekend fifth and sixth of April. 403 00:17:14,640 --> 00:17:17,520 Speaker 3: I don't have my calendar in front of me. 404 00:17:17,640 --> 00:17:19,960 Speaker 7: Mark granted Classic menusing to you. 405 00:17:20,280 --> 00:17:20,840 Speaker 3: Yes it does. 406 00:17:20,920 --> 00:17:25,280 Speaker 1: Yes, I partook in that event in Beachworth on. 407 00:17:25,119 --> 00:17:27,919 Speaker 7: That and it was the weekend of the fifth and 408 00:17:28,000 --> 00:17:28,919 Speaker 7: the sixth of April. 409 00:17:29,200 --> 00:17:31,320 Speaker 4: It sounds like you've done your research and if that's 410 00:17:31,359 --> 00:17:32,879 Speaker 4: the date, then yes, that's when I did it. 411 00:17:33,040 --> 00:17:35,480 Speaker 7: It's a competition ride. It's a fairly long ride, wouldn't it. 412 00:17:35,720 --> 00:17:37,359 Speaker 7: Would you agree with me? Uh? 413 00:17:37,840 --> 00:17:39,800 Speaker 4: Well, I'm sure the court would agree. That was quite 414 00:17:39,800 --> 00:17:40,720 Speaker 4: an impressive ride. 415 00:17:41,640 --> 00:17:44,439 Speaker 7: And you need to take You need to take fuel 416 00:17:44,480 --> 00:17:46,920 Speaker 7: with you. You need to take stuff to eat during 417 00:17:46,960 --> 00:17:49,000 Speaker 7: that ride, otherwise you're probably going to bomb, can't you. 418 00:17:49,960 --> 00:17:52,320 Speaker 3: Yes, fueling is very important. 419 00:17:52,960 --> 00:17:55,439 Speaker 7: Is your lovely wife Mimi? What does she like to 420 00:17:55,480 --> 00:17:56,359 Speaker 7: do in her spare time? 421 00:17:56,920 --> 00:18:00,399 Speaker 3: She likes to paint, loves we love to walk together. 422 00:18:01,000 --> 00:18:02,399 Speaker 7: What's she like in the kitchen? 423 00:18:02,920 --> 00:18:03,520 Speaker 3: Outstanding? 424 00:18:03,760 --> 00:18:08,399 Speaker 4: She likes to bake, baking not necessarily what she loves do? 425 00:18:08,480 --> 00:18:10,720 Speaker 4: I think she she doesn't like following recipes, not to 426 00:18:10,720 --> 00:18:11,720 Speaker 4: say that she hasn't. 427 00:18:11,480 --> 00:18:13,679 Speaker 7: Baked I'll put it to you, or that she in 428 00:18:13,720 --> 00:18:16,399 Speaker 7: fact baked something for you for that ride, that weekend 429 00:18:16,520 --> 00:18:18,000 Speaker 7: ride down in Beachworth. 430 00:18:18,280 --> 00:18:21,280 Speaker 1: Do you recall that that is Yeah, that's is she 431 00:18:21,280 --> 00:18:21,760 Speaker 1: said that, Mark. 432 00:18:21,880 --> 00:18:22,879 Speaker 3: Yeah, that is coming back to me. 433 00:18:22,960 --> 00:18:27,120 Speaker 4: She I love carrot cake, Mark, Yeah, And I'm sure 434 00:18:27,160 --> 00:18:27,720 Speaker 4: the court agrees. 435 00:18:27,720 --> 00:18:28,600 Speaker 3: That's a delicious cake. 436 00:18:29,400 --> 00:18:31,320 Speaker 7: And she went out a way to make some carrot 437 00:18:31,400 --> 00:18:32,400 Speaker 7: cakes for you for your. 438 00:18:32,359 --> 00:18:33,520 Speaker 3: Ride, didn't she She did? 439 00:18:34,840 --> 00:18:38,040 Speaker 4: Well, absolutely, I tasted it, Mark, actually because I brought 440 00:18:38,040 --> 00:18:42,159 Speaker 4: it into work. I shared a few of these cupcakes 441 00:18:42,760 --> 00:18:44,480 Speaker 4: with the teams, with the kind of person I am, Mark, 442 00:18:44,720 --> 00:18:46,280 Speaker 4: and we all had a good taste. 443 00:18:46,520 --> 00:18:47,720 Speaker 3: It was a lovely cupcake. 444 00:18:47,800 --> 00:18:50,720 Speaker 7: Make Did you tell her that you ate the cupcakes 445 00:18:50,800 --> 00:18:51,960 Speaker 7: during your ride in bitch Worth? 446 00:18:52,359 --> 00:18:55,040 Speaker 4: Well, as I said to you before, Mark, during the ride, 447 00:18:55,080 --> 00:18:57,639 Speaker 4: there's only so many things that you can carry on. 448 00:18:58,760 --> 00:19:02,000 Speaker 7: Answer the question did you the cupcakes the ride? 449 00:19:02,960 --> 00:19:06,280 Speaker 4: Well, if the specific question is during the ride, well, 450 00:19:06,400 --> 00:19:07,320 Speaker 4: I didn't have them. 451 00:19:07,240 --> 00:19:10,879 Speaker 3: During the ride. And that's not to say that I 452 00:19:10,880 --> 00:19:13,040 Speaker 3: didn't have them, that I didn't have. 453 00:19:14,080 --> 00:19:16,440 Speaker 7: I put it to you, wouldy that in fact you 454 00:19:16,600 --> 00:19:19,520 Speaker 7: tasted the cupcakes, didn't like them very much and actually 455 00:19:19,520 --> 00:19:21,040 Speaker 7: tossed them. 456 00:19:21,440 --> 00:19:26,520 Speaker 4: You can say that, well, you can put whatever you want, mate. 457 00:19:25,560 --> 00:19:30,480 Speaker 7: Jim, Jim, and I that you're under oath. Well, well, 458 00:19:31,600 --> 00:19:33,960 Speaker 7: I don't think the witness is being responses to the question. 459 00:19:34,520 --> 00:19:35,399 Speaker 3: Doesn't sound like it. 460 00:19:35,880 --> 00:19:40,240 Speaker 7: Yeah, okay, I have no further question. 461 00:19:45,640 --> 00:19:48,120 Speaker 3: Really quite good. Yeah, you're very good. 462 00:19:48,560 --> 00:19:52,360 Speaker 2: You lobbed so many positives his way, so he kind 463 00:19:52,400 --> 00:19:54,160 Speaker 2: of just had a bit of an ego about him. 464 00:19:54,400 --> 00:19:56,840 Speaker 7: We call it the scorpion technique. We do a little 465 00:19:56,880 --> 00:20:00,119 Speaker 7: bit of easy questions to lure you in and and 466 00:20:00,560 --> 00:20:03,199 Speaker 7: it works really best when you've got two answers that 467 00:20:03,240 --> 00:20:05,560 Speaker 7: are totally contradictory to each other, and you can say 468 00:20:05,600 --> 00:20:08,160 Speaker 7: to the witness over which one of them is the truth, 469 00:20:08,160 --> 00:20:09,760 Speaker 7: of which one of them is the lie. It always 470 00:20:09,760 --> 00:20:12,920 Speaker 7: plays out very well. But this was really as good. 471 00:20:15,480 --> 00:20:17,200 Speaker 3: Scorpion. Yeah, great to be school. 472 00:20:18,280 --> 00:20:20,040 Speaker 2: Yeah, I think you're about to get scorpion when you 473 00:20:20,080 --> 00:20:21,840 Speaker 2: get home by Mimi as well, So I'm allowed. 474 00:20:25,119 --> 00:20:27,360 Speaker 3: Thanks Mark, thank you so much. That was a pleasure. 475 00:20:28,520 --> 00:20:29,840 Speaker 7: Thank you, thank you so much. 476 00:20:30,240 --> 00:20:30,440 Speaker 5: Mark. 477 00:20:30,680 --> 00:20:34,760 Speaker 3: God But here on will and what embarrassed law? That 478 00:20:34,880 --> 00:20:38,360 Speaker 3: was awesome, Jack, that I figured it out. 479 00:20:38,400 --> 00:20:41,439 Speaker 2: I was like, I know, I can see them with 480 00:20:41,480 --> 00:20:53,439 Speaker 2: a penny drops for you. I ampling folded next to 481 00:20:53,480 --> 00:20:56,600 Speaker 2: a very busy road, which we do not advise at home. 482 00:20:57,240 --> 00:21:00,000 Speaker 3: Well, you do it advice like gripping. 483 00:21:00,080 --> 00:21:03,720 Speaker 4: You can advise that if you're with an incredibly trustworthy 484 00:21:03,720 --> 00:21:06,359 Speaker 4: and caring best friend. And those are the safe hands 485 00:21:06,359 --> 00:21:09,040 Speaker 4: are in my friend, and those safe hands have also 486 00:21:09,080 --> 00:21:11,760 Speaker 4: done an incredible business deal because we are going to 487 00:21:11,800 --> 00:21:17,040 Speaker 4: be on one hundred billboards nationally. We are currently standing 488 00:21:17,200 --> 00:21:20,280 Speaker 4: in front of one of those billboards. 489 00:21:20,320 --> 00:21:24,960 Speaker 3: Yes, the slight catch hence the traffic. Yes, so heaps 490 00:21:25,000 --> 00:21:26,160 Speaker 3: of cars are seeing this billboard. 491 00:21:26,240 --> 00:21:28,640 Speaker 4: Yes, people are already wondering who are Will and Woody? 492 00:21:28,680 --> 00:21:31,000 Speaker 4: They want to know more about the radio show. The 493 00:21:31,080 --> 00:21:35,439 Speaker 4: small caveat or small factor of this which makes it 494 00:21:35,480 --> 00:21:40,920 Speaker 4: interesting is that we are sharing the billboard with Glowbird Energy. 495 00:21:41,680 --> 00:21:43,760 Speaker 3: Any of what this has happened, have a listen. 496 00:21:43,840 --> 00:21:47,919 Speaker 4: It is Will you and me are going to with 497 00:21:48,320 --> 00:21:53,439 Speaker 4: Glowbird Energy be on one hundred billboards nationally. 498 00:21:53,640 --> 00:21:54,800 Speaker 3: But we're not models. 499 00:21:55,160 --> 00:21:58,199 Speaker 4: How can it be to spine show the billboards. 500 00:22:00,400 --> 00:22:02,919 Speaker 3: There's a lot of me, just you. We've got your belly. 501 00:22:03,000 --> 00:22:05,119 Speaker 1: We can't really see your face, And the more I. 502 00:22:05,119 --> 00:22:06,359 Speaker 3: Look at it, the more I like it. 503 00:22:07,240 --> 00:22:09,320 Speaker 4: I think it is kind of funny that you're completely covered. 504 00:22:09,320 --> 00:22:13,520 Speaker 4: Adam Ferrier a consumer psychologist, and you are the founder 505 00:22:13,680 --> 00:22:16,560 Speaker 4: of thinker Bell. What are your thoughts on the idea 506 00:22:17,000 --> 00:22:20,280 Speaker 4: of Will and I facing the wrong way? 507 00:22:20,520 --> 00:22:24,520 Speaker 7: I am trying to be plu it is a idea. 508 00:22:25,720 --> 00:22:28,560 Speaker 4: Well, we decided that the way we want to go 509 00:22:28,600 --> 00:22:31,160 Speaker 4: about this billboard is to face the wrong way. 510 00:22:31,280 --> 00:22:33,840 Speaker 2: The photographer that we actually took these photos with, oh 511 00:22:33,880 --> 00:22:36,040 Speaker 2: I hated it. We said, can you take some photos 512 00:22:36,040 --> 00:22:39,359 Speaker 2: of us from behind? He fully stops down, gets everyone 513 00:22:39,440 --> 00:22:41,960 Speaker 2: in like a halftime huddle at the pooty, and goes, guys, 514 00:22:42,440 --> 00:22:45,000 Speaker 2: you do realize you're about to get one hundred billboards nationally. 515 00:22:45,119 --> 00:22:47,400 Speaker 2: This is an opportunity that you would never normally get. 516 00:22:47,560 --> 00:22:50,560 Speaker 2: This is your chance to put your face in everyone's minds. 517 00:22:50,840 --> 00:22:55,120 Speaker 3: Yeah, and you're not doing that. He said. 518 00:22:55,200 --> 00:22:58,080 Speaker 1: The dumbest thing, he said, it's to our faces. 519 00:22:58,760 --> 00:23:00,639 Speaker 3: I've got a big boss on the phone. 520 00:23:00,800 --> 00:23:03,640 Speaker 4: How bad do you think the idea is of us 521 00:23:03,640 --> 00:23:05,160 Speaker 4: facing the wrong way on a billboard? 522 00:23:05,560 --> 00:23:07,760 Speaker 7: Oh? Boys, it just doesn't work for me. 523 00:23:07,880 --> 00:23:08,800 Speaker 3: I mean, you know. 524 00:23:08,760 --> 00:23:11,320 Speaker 9: When you're a billboard, you need to keep it nice 525 00:23:11,320 --> 00:23:12,800 Speaker 9: and short, nice and simply. 526 00:23:12,480 --> 00:23:14,840 Speaker 7: You need to go eye contact. Let's be honest. 527 00:23:15,160 --> 00:23:19,120 Speaker 9: You're at my office door every week complaining about, oh, 528 00:23:19,200 --> 00:23:21,080 Speaker 9: there's no marketing, there's no marketing. 529 00:23:21,119 --> 00:23:22,480 Speaker 5: We do that. Yeah, that is. 530 00:23:22,400 --> 00:23:24,200 Speaker 3: True, Like it's just the back of your head. 531 00:23:24,320 --> 00:23:26,120 Speaker 4: How damaging would it be for Will and I if 532 00:23:26,160 --> 00:23:28,359 Speaker 4: we did just go forth with the idea of us 533 00:23:28,359 --> 00:23:29,120 Speaker 4: facing the wrong way? 534 00:23:29,760 --> 00:23:31,480 Speaker 3: Oh well, it could be your last marketing that. 535 00:23:31,440 --> 00:23:31,879 Speaker 5: We ever do. 536 00:23:32,080 --> 00:23:35,239 Speaker 2: But again, you guys didn't technically do it, so it 537 00:23:35,320 --> 00:23:36,320 Speaker 2: is I mean, there is. 538 00:23:36,280 --> 00:23:38,160 Speaker 3: That all right. 539 00:23:38,359 --> 00:23:41,520 Speaker 4: So for the first time ever, we'll be revealing to 540 00:23:41,640 --> 00:23:45,720 Speaker 4: Will the billboard that will be shown all around Australia. 541 00:23:45,880 --> 00:23:48,879 Speaker 3: It's changed. It's changed, so it's changed. 542 00:23:49,600 --> 00:23:51,159 Speaker 5: How many slides do we get away. 543 00:23:50,920 --> 00:23:53,760 Speaker 3: For There's a few, so it's okay, old pad, it 544 00:23:53,840 --> 00:23:54,480 Speaker 3: does change. 545 00:23:54,480 --> 00:23:57,040 Speaker 4: It's a digital billboard and we're one of six companies 546 00:23:57,040 --> 00:23:57,880 Speaker 4: that get promoted. 547 00:23:58,640 --> 00:24:00,000 Speaker 3: Last night, I was trying to explain it. 548 00:24:00,080 --> 00:24:01,800 Speaker 2: Someone in the logic was lost to me that we 549 00:24:01,800 --> 00:24:05,359 Speaker 2: have one hundred billboards nationally, our first seven billboards, and 550 00:24:05,400 --> 00:24:07,520 Speaker 2: we're not choosing to put our faces on that. 551 00:24:07,960 --> 00:24:09,560 Speaker 3: Yeah, and it's a shame, I wasn't there. 552 00:24:09,600 --> 00:24:11,320 Speaker 5: What's the logic is? 553 00:24:11,560 --> 00:24:13,520 Speaker 3: In every single billboard. 554 00:24:13,040 --> 00:24:16,360 Speaker 4: You see, people are always facing the front. 555 00:24:16,760 --> 00:24:19,160 Speaker 3: We're being different it, Pops. 556 00:24:19,560 --> 00:24:22,280 Speaker 4: It stands out from the other billboards because we are 557 00:24:22,320 --> 00:24:26,840 Speaker 4: facing I don't know who we are way any second. 558 00:24:26,880 --> 00:24:27,480 Speaker 5: Now here we go. 559 00:24:27,560 --> 00:24:29,679 Speaker 2: So we're actually gonna get a live contrasts here of 560 00:24:30,600 --> 00:24:32,720 Speaker 2: what a good billard you know, a normal. 561 00:24:32,440 --> 00:24:34,320 Speaker 3: Billboard does, and then what our billboard does. 562 00:24:34,359 --> 00:24:35,160 Speaker 5: And you know what's the. 563 00:24:35,119 --> 00:24:39,280 Speaker 4: Effect, Yes, exactly, yes, the difference between a boring standard 564 00:24:39,359 --> 00:24:44,160 Speaker 4: everyone's done it before billboard and our billboard, which is different. Okay, 565 00:24:44,160 --> 00:24:46,760 Speaker 4: it's a digital billboard, and we're one of six companies 566 00:24:46,760 --> 00:24:47,520 Speaker 4: that get promoted. 567 00:24:47,720 --> 00:24:48,880 Speaker 1: I reckon, it's up next. 568 00:24:49,200 --> 00:24:51,840 Speaker 3: Good around, Okay, remove your billboard. 569 00:24:51,920 --> 00:24:52,320 Speaker 5: I mean. 570 00:24:54,760 --> 00:24:55,680 Speaker 6: We are very clear. 571 00:24:55,880 --> 00:24:58,679 Speaker 5: Here we are, Oh god, here we are. 572 00:24:59,400 --> 00:25:03,680 Speaker 2: It, Pops get award winning energy, will and Woody not 573 00:25:04,000 --> 00:25:05,160 Speaker 2: award winning brilliant. 574 00:25:05,280 --> 00:25:09,960 Speaker 3: That's clever, great, right, great? 575 00:25:10,080 --> 00:25:11,919 Speaker 2: Don't you just think when my dad we're gone and 576 00:25:12,000 --> 00:25:14,800 Speaker 2: my dad gone, it's quick back to cars? 577 00:25:14,880 --> 00:25:17,639 Speaker 3: Quick? But look at all the cars that would have 578 00:25:17,720 --> 00:25:18,240 Speaker 3: sayen that. 579 00:25:19,920 --> 00:25:25,640 Speaker 9: We actually got a bad time of the traffic. Well, 580 00:25:25,640 --> 00:25:27,639 Speaker 9: we'll wait for the next rotation. But we probably should 581 00:25:27,920 --> 00:25:30,360 Speaker 9: go to the traffic and adds on something. We're gonna 582 00:25:30,400 --> 00:25:31,520 Speaker 9: go back to the radio studio. 583 00:25:32,040 --> 00:25:35,800 Speaker 2: We're on a billboard for five seconds on a vacant road. 584 00:25:36,240 --> 00:25:36,840 Speaker 5: That was worth it. 585 00:25:36,880 --> 00:25:40,640 Speaker 4: That would have been five five seconds, five hundred more listeners. 586 00:25:40,800 --> 00:25:42,800 Speaker 3: Look at all the cars now, we got on a 587 00:25:42,800 --> 00:25:43,520 Speaker 3: shocking time. 588 00:25:46,640 --> 00:25:57,159 Speaker 5: Alright, really Woods. 589 00:25:57,640 --> 00:25:59,760 Speaker 2: I'm not sure if you know this, but our favorite 590 00:25:59,720 --> 00:26:04,760 Speaker 2: is my favorite pop star in the world is currently touring. 591 00:26:05,200 --> 00:26:13,080 Speaker 3: Claus Sorry, Tina, of course, Tina. Of course she's been 592 00:26:13,080 --> 00:26:17,080 Speaker 3: in this studio. Last year, she was in this studio. 593 00:26:16,960 --> 00:26:21,200 Speaker 4: Because past her at her house and she wasn't happy 594 00:26:21,240 --> 00:26:23,800 Speaker 4: about that about. 595 00:26:23,560 --> 00:26:25,679 Speaker 2: It, but she came in, We made friends, she came in, 596 00:26:25,800 --> 00:26:28,760 Speaker 2: got an amazing chat, amazing chat, lovely woman. 597 00:26:29,359 --> 00:26:32,040 Speaker 3: So she is touring at the moment. 598 00:26:33,440 --> 00:26:35,679 Speaker 2: She's at Palais Theater last night, and I think this 599 00:26:35,680 --> 00:26:37,840 Speaker 2: is where it gets interesting for you. Was so the 600 00:26:37,880 --> 00:26:40,240 Speaker 2: Palais Theater in Melbourne's and killed her. And there's been 601 00:26:40,280 --> 00:26:42,200 Speaker 2: a few reports of things that have come out at 602 00:26:42,240 --> 00:26:45,919 Speaker 2: that show. Largely there's been some there's apparently a bit 603 00:26:45,920 --> 00:26:49,560 Speaker 2: of a stoush that erupted in the crowd. Staus stoush 604 00:26:49,800 --> 00:26:54,240 Speaker 2: verbal or physical both think and Tina said, guys, just 605 00:26:54,320 --> 00:26:58,120 Speaker 2: chill out, calm down, no staushes, no staushes, just last 606 00:26:58,160 --> 00:27:00,000 Speaker 2: a bit of calm in the room. I only love exactly. 607 00:27:00,040 --> 00:27:01,880 Speaker 2: You listening to my voice should be in heaven, not hell. 608 00:27:02,200 --> 00:27:06,080 Speaker 2: So she does that bit and then this one really 609 00:27:06,080 --> 00:27:11,480 Speaker 2: struck me. So apparently a few people left the dance 610 00:27:11,520 --> 00:27:15,760 Speaker 2: floor or the pit if you like to go to 611 00:27:15,840 --> 00:27:18,920 Speaker 2: the bathroom. Sure, and Tina was quite offended by that. 612 00:27:19,400 --> 00:27:21,760 Speaker 2: And you know they were going to the toilet though, 613 00:27:21,800 --> 00:27:25,280 Speaker 2: but I think that's that was the not sure, but 614 00:27:26,000 --> 00:27:29,320 Speaker 2: it's got a sixth sense for it. Yeah, And what 615 00:27:29,359 --> 00:27:32,639 Speaker 2: she ended up saying was back in my day, you 616 00:27:32,680 --> 00:27:34,960 Speaker 2: wouldn't leave to go to the toilet unless you were 617 00:27:35,000 --> 00:27:36,200 Speaker 2: shitting your pants. 618 00:27:40,119 --> 00:27:44,560 Speaker 3: You said that on stage. Good stuff from Tina. So 619 00:27:44,680 --> 00:27:45,480 Speaker 3: she's been a bit of feintish. 620 00:27:45,520 --> 00:27:46,639 Speaker 2: She had a bit of a crack people going to 621 00:27:46,680 --> 00:27:48,359 Speaker 2: the bathroom, and I just thought like, well, it's interesting, 622 00:27:48,400 --> 00:27:50,359 Speaker 2: isn't it. It's hard to know at what point you 623 00:27:50,400 --> 00:27:52,359 Speaker 2: can and can't go to the bathroom, and Tina, you 624 00:27:52,359 --> 00:27:54,240 Speaker 2: can't go mid gig and right now I'd like to 625 00:27:54,240 --> 00:27:56,400 Speaker 2: play a little game with you of where you can 626 00:27:56,480 --> 00:27:57,919 Speaker 2: and can't go to the bathroom? 627 00:27:57,960 --> 00:28:01,200 Speaker 3: Wards, great, great guy, great game. 628 00:28:01,720 --> 00:28:06,200 Speaker 1: Okay, Now I got very weird about going to the toilet. 629 00:28:06,359 --> 00:28:08,840 Speaker 4: You know this what I get weird about going to 630 00:28:08,880 --> 00:28:10,520 Speaker 4: you do so I don't think. 631 00:28:10,440 --> 00:28:13,440 Speaker 2: Because really, what this comes down to for me is 632 00:28:14,000 --> 00:28:15,840 Speaker 2: the fact that other people will know that you've gone. 633 00:28:15,880 --> 00:28:18,200 Speaker 2: So I think it's going to be a ten minute 634 00:28:18,200 --> 00:28:18,840 Speaker 2: bathroom run. 635 00:28:19,000 --> 00:28:20,200 Speaker 3: Ten minutes, well, it's got. 636 00:28:20,119 --> 00:28:22,119 Speaker 4: To be ambiguous as to what you've been doing in there. 637 00:28:22,160 --> 00:28:24,560 Speaker 4: So ten minutes isn't ambiguous, mate, I think five minutes is. 638 00:28:24,600 --> 00:28:29,000 Speaker 2: Ambiguous to who's got Okay, five minutes, five minutes, it's 639 00:28:29,000 --> 00:28:29,760 Speaker 2: a five minute run. 640 00:28:29,840 --> 00:28:31,840 Speaker 3: Can you or can't you? Go to the bathroom? 641 00:28:32,240 --> 00:28:35,560 Speaker 2: First meeting of your new partner's parents, I go to 642 00:28:35,640 --> 00:28:38,160 Speaker 2: It's at their house by the way, and I know 643 00:28:38,200 --> 00:28:39,680 Speaker 2: I had the dinner table altogether. 644 00:28:40,040 --> 00:28:41,520 Speaker 3: I feel like you've brought this up for a reason. 645 00:28:42,240 --> 00:28:43,880 Speaker 4: You know that when I went to go and meet 646 00:28:43,960 --> 00:28:47,800 Speaker 4: my old partner's parents that I was so paranoid about 647 00:28:47,840 --> 00:28:49,720 Speaker 4: the idea of needing to go to the toilet during 648 00:28:49,720 --> 00:28:52,960 Speaker 4: the dinner that I arrived and I went I don't 649 00:28:52,960 --> 00:28:55,120 Speaker 4: want to be in that situation. I'll better quickly take 650 00:28:55,120 --> 00:28:57,440 Speaker 4: away in the front yard and that ended up being 651 00:28:57,480 --> 00:28:58,000 Speaker 4: a mistake. 652 00:28:58,440 --> 00:28:59,920 Speaker 3: Oh she saw you, she saw me. 653 00:29:00,640 --> 00:29:01,920 Speaker 1: I never won go back after that. 654 00:29:02,200 --> 00:29:06,040 Speaker 4: So I think my answer to that is choose during dinner, 655 00:29:06,880 --> 00:29:07,800 Speaker 4: don't try and do it. 656 00:29:07,880 --> 00:29:09,760 Speaker 2: Okay, so you would, you well know you wouldn't you 657 00:29:09,800 --> 00:29:12,480 Speaker 2: were so scared of doing it, you don't know. 658 00:29:12,520 --> 00:29:14,479 Speaker 3: The answer is no, you're not. 659 00:29:14,560 --> 00:29:17,440 Speaker 2: You're not leaving a dinner table with your partner's parents 660 00:29:17,440 --> 00:29:19,600 Speaker 2: for a five minute stop down to go to the bathroom. 661 00:29:19,600 --> 00:29:21,200 Speaker 3: You're just not knowing in their right mind is doing that. 662 00:29:21,240 --> 00:29:21,640 Speaker 3: I'm sorry. 663 00:29:21,840 --> 00:29:24,280 Speaker 1: I think if you excuse yourself, you can excuse yourself 664 00:29:24,320 --> 00:29:24,920 Speaker 1: as much as you like. 665 00:29:25,000 --> 00:29:26,840 Speaker 2: But you know that the family is sitting there thinking, 666 00:29:27,040 --> 00:29:29,560 Speaker 2: you know, they're talking about it. You're desecrating there, or 667 00:29:29,560 --> 00:29:32,320 Speaker 2: they'd be exchanging looks, they'd be exchange there'd be a gag. 668 00:29:32,360 --> 00:29:34,560 Speaker 3: The dad would make a joke, you know, make it joke, 669 00:29:34,920 --> 00:29:37,360 Speaker 3: you know, make a joke. Wonder what he's doing in there? Yeah, 670 00:29:37,400 --> 00:29:39,200 Speaker 3: you hate that, You hate that. Hate that. 671 00:29:39,880 --> 00:29:44,760 Speaker 2: Number Two, you drop your child off at daycare, you 672 00:29:44,880 --> 00:29:47,200 Speaker 2: ask if you can use the in house toilet. Yeah, 673 00:29:47,200 --> 00:29:53,239 Speaker 2: I done that. Actually, you know, you know, I've got 674 00:29:53,240 --> 00:29:55,200 Speaker 2: a rule in my life. Where if I see a toilet, 675 00:29:55,240 --> 00:29:55,959 Speaker 2: I use it. 676 00:29:56,480 --> 00:30:00,280 Speaker 3: You know that's used to take a toilet? I dropped 677 00:30:00,280 --> 00:30:01,440 Speaker 3: off for me? Absolutely fine. 678 00:30:01,520 --> 00:30:03,760 Speaker 2: Is it one of those little ones where it's like 679 00:30:03,960 --> 00:30:05,640 Speaker 2: a foot off for use the kid? 680 00:30:05,640 --> 00:30:06,600 Speaker 3: There's an adult toilet. 681 00:30:09,480 --> 00:30:12,720 Speaker 4: I'm here as well, use one of these thirty centimeters toilets? 682 00:30:14,760 --> 00:30:17,920 Speaker 3: Where do you think that toilet? Use the toilet? 683 00:30:17,920 --> 00:30:18,000 Speaker 5: So? 684 00:30:18,040 --> 00:30:19,880 Speaker 3: I thought you were in there. To be fair, that 685 00:30:20,520 --> 00:30:22,640 Speaker 3: was using one of the tiny Everyone thought that it 686 00:30:22,800 --> 00:30:26,000 Speaker 3: sounded like that he's an adult. Is the Cares toilet okay? 687 00:30:26,120 --> 00:30:29,400 Speaker 3: Final one? It's wild white color, wild answers though it's 688 00:30:29,400 --> 00:30:31,000 Speaker 3: a no from both me and both of them. You 689 00:30:31,000 --> 00:30:33,120 Speaker 3: wouldn't us to take care toilet? What if you were 690 00:30:33,200 --> 00:30:36,720 Speaker 3: going somewhere else straight after it? After drop off? You 691 00:30:36,800 --> 00:30:37,760 Speaker 3: can't do it? 692 00:30:37,560 --> 00:30:37,920 Speaker 5: Do it? 693 00:30:38,280 --> 00:30:42,320 Speaker 3: I don't like holding a tenderun approach often. Three. 694 00:30:42,880 --> 00:30:46,200 Speaker 2: Yeah, visiting a friend in hospital, they're sick, of course 695 00:30:46,440 --> 00:30:47,200 Speaker 2: they're going to toilet. 696 00:30:48,040 --> 00:30:50,800 Speaker 3: I used I was visiting dad in hospitals toilet. 697 00:30:50,920 --> 00:30:55,440 Speaker 4: I was visiting my brother who just a bit yeah yeah, yeah, 698 00:30:55,520 --> 00:30:56,520 Speaker 4: but I was just like in the room. 699 00:30:56,520 --> 00:30:58,760 Speaker 3: I was like to is you John, It's fine? 700 00:31:00,240 --> 00:31:03,880 Speaker 1: He was with that it's not his, his wife his 701 00:31:03,960 --> 00:31:04,800 Speaker 1: while he has got. 702 00:31:04,720 --> 00:31:07,640 Speaker 3: The room, nobody it's it's it's it's his wives. 703 00:31:07,760 --> 00:31:11,360 Speaker 4: But he would be using that toilet too, his wives toilet. 704 00:31:11,480 --> 00:31:11,760 Speaker 3: Yeah. 705 00:31:11,840 --> 00:31:14,000 Speaker 4: Yeah, she was fine with them, but she I didn't 706 00:31:14,000 --> 00:31:15,280 Speaker 4: really ask no exactly. 707 00:31:16,760 --> 00:31:22,800 Speaker 3: This is back along. 708 00:31:25,160 --> 00:31:27,640 Speaker 4: You're calling us and you're trying to convince this you're 709 00:31:27,680 --> 00:31:30,840 Speaker 4: in the car with someone else on thirteen one sixty five. 710 00:31:31,480 --> 00:31:35,560 Speaker 4: The trick is someone else might actually be there, or 711 00:31:35,600 --> 00:31:38,920 Speaker 4: you may just be putting on a voice. See if 712 00:31:38,960 --> 00:31:40,640 Speaker 4: you can pull our pants down, Shane. Now you're going 713 00:31:40,680 --> 00:31:44,440 Speaker 4: to try and pull our pants of course. Who are 714 00:31:44,440 --> 00:31:45,200 Speaker 4: you in the car with. 715 00:31:47,480 --> 00:31:50,800 Speaker 3: Your brother Jake? Okay? Where where have you and Jake been? 716 00:31:52,240 --> 00:31:55,840 Speaker 3: Just at work? But are you work Brisbane? 717 00:31:56,720 --> 00:31:58,320 Speaker 1: That's very specific? 718 00:31:58,360 --> 00:32:01,000 Speaker 3: Thank you? I know what do you do. 719 00:32:02,680 --> 00:32:03,840 Speaker 7: Working at engineering? Firm? 720 00:32:04,000 --> 00:32:06,160 Speaker 3: Engineering? Okay, we'll check it out up. 721 00:32:06,760 --> 00:32:07,200 Speaker 7: Is it really? 722 00:32:07,240 --> 00:32:09,160 Speaker 4: I think it's you know, I mean the Brisbane answer 723 00:32:09,200 --> 00:32:12,040 Speaker 4: was weird. But Shane, can you check your brother Jake 724 00:32:12,120 --> 00:32:12,880 Speaker 4: on the phone place? 725 00:32:13,400 --> 00:32:13,600 Speaker 5: Yeah? 726 00:32:13,640 --> 00:32:14,280 Speaker 7: I certainly can. 727 00:32:14,280 --> 00:32:18,320 Speaker 4: I was pretty line h Hi Jake? 728 00:32:19,520 --> 00:32:22,800 Speaker 1: Oh yeah you were pretty good. 729 00:32:22,880 --> 00:32:25,800 Speaker 3: Jake. What did you engineer today at work? 730 00:32:25,880 --> 00:32:25,920 Speaker 5: With? 731 00:32:26,200 --> 00:32:26,920 Speaker 3: Rather? Shane? 732 00:32:28,400 --> 00:32:31,800 Speaker 4: Just the world are you just putting your hand kind 733 00:32:31,800 --> 00:32:33,120 Speaker 4: of like over the receiver. 734 00:32:36,920 --> 00:32:44,040 Speaker 3: Sorry, I think it's just you, Shane. Yeah, he's all right, 735 00:32:44,080 --> 00:32:49,280 Speaker 3: God yeah really I hope he doesn't do that when 736 00:32:49,280 --> 00:32:56,400 Speaker 3: he goes in for a sike at work. Oh, the dumbest. 737 00:32:57,760 --> 00:33:00,760 Speaker 3: Let's go to Nathan here, Shane. Ok we love it, 738 00:33:00,760 --> 00:33:05,959 Speaker 3: We love Brisbone. Nathan. Hello, Hey, hey, good mate. Who 739 00:33:05,960 --> 00:33:12,160 Speaker 3: are you in the car with Mohammed? Sorry, Ahmed, Mohammed? Muhammad? 740 00:33:12,520 --> 00:33:17,640 Speaker 3: How do you know Mohammed? We have work mates, work mates? 741 00:33:17,840 --> 00:33:25,920 Speaker 1: Okay, can you throw Mohammad on the phone please? By Mohammed? 742 00:33:26,880 --> 00:33:27,400 Speaker 6: Are you going? 743 00:33:28,320 --> 00:33:28,560 Speaker 5: Yeah? 744 00:33:28,680 --> 00:33:29,280 Speaker 3: Pretty good? 745 00:33:29,320 --> 00:33:31,040 Speaker 1: Pretty good? 746 00:33:31,560 --> 00:33:33,760 Speaker 3: Yeah? Where are you both off to? 747 00:33:35,360 --> 00:33:36,440 Speaker 7: Getting back from work? 748 00:33:37,240 --> 00:33:37,440 Speaker 5: Yeah? 749 00:33:37,440 --> 00:33:39,640 Speaker 3: You came back from work? Okay, yeah, but where are 750 00:33:39,640 --> 00:33:40,120 Speaker 3: you going? 751 00:33:40,520 --> 00:33:43,760 Speaker 7: You're covered with Are you dropping off of the train station? 752 00:33:44,440 --> 00:33:48,280 Speaker 3: Okay? Yeah, okay, we might we might move on to Jordie. 753 00:33:48,360 --> 00:33:52,400 Speaker 4: I reckon, okay, just to feel Okay, yeah, when you 754 00:33:52,400 --> 00:33:54,520 Speaker 4: get that feeling, I generally go with you. 755 00:33:55,280 --> 00:33:55,600 Speaker 3: That's too. 756 00:33:55,720 --> 00:33:57,280 Speaker 4: I think what I'm going to say is that's too genuine. 757 00:33:57,280 --> 00:33:59,720 Speaker 4: People don't want to hear your answer. But that's too too, 758 00:34:00,960 --> 00:34:01,440 Speaker 4: And that's great. 759 00:34:01,480 --> 00:34:03,360 Speaker 2: Let's move on to Jordany if it was Nathan putting 760 00:34:03,400 --> 00:34:04,720 Speaker 2: on a voice, and I think it might have crossed 761 00:34:04,720 --> 00:34:05,200 Speaker 2: the line. 762 00:34:05,440 --> 00:34:06,760 Speaker 3: I agree with that. Jeordie's here. 763 00:34:06,960 --> 00:34:08,759 Speaker 1: Luckily it wasn't Nathan putting on a voice. It was 764 00:34:08,800 --> 00:34:10,520 Speaker 1: too we don't know that we do. 765 00:34:11,400 --> 00:34:13,319 Speaker 2: Let's go to Jordi here, Jordy, I know, I think, 766 00:34:13,320 --> 00:34:14,360 Speaker 2: but if I just want to I just want to 767 00:34:14,440 --> 00:34:16,080 Speaker 2: verify that if we don't know that, if it was 768 00:34:16,840 --> 00:34:18,200 Speaker 2: a voice, I don't think it's appropriate. 769 00:34:18,600 --> 00:34:23,319 Speaker 3: I agree with that. Let's go Jordy. Jordy, who are 770 00:34:23,320 --> 00:34:23,719 Speaker 3: you in the. 771 00:34:23,640 --> 00:34:26,200 Speaker 5: Car with I got my son in the car with me. 772 00:34:26,719 --> 00:34:29,600 Speaker 4: So how old is your son, Jordy? 773 00:34:30,000 --> 00:34:30,839 Speaker 3: And what's his name? 774 00:34:31,560 --> 00:34:32,000 Speaker 7: Samuel? 775 00:34:32,840 --> 00:34:34,120 Speaker 3: Samuel? Okay? 776 00:34:34,320 --> 00:34:36,320 Speaker 1: Can you throw your son Samuel on the phone? 777 00:34:36,320 --> 00:34:41,200 Speaker 5: Place ll I? 778 00:34:41,280 --> 00:34:43,600 Speaker 1: Samuel, you sound like you've got a deeper voice than 779 00:34:43,600 --> 00:34:43,920 Speaker 1: your dad. 780 00:34:44,000 --> 00:34:48,080 Speaker 7: Jordie said, I'm chubby, that's all. 781 00:34:48,320 --> 00:34:53,080 Speaker 3: Oh, Jesus, I get picked on a lot. Oh. I 782 00:34:53,080 --> 00:34:56,400 Speaker 3: definitely wasn't preferring to that. I wasn't paring for yourself, Chubby. 783 00:34:58,040 --> 00:35:00,120 Speaker 7: Oh, I've just always been beat. 784 00:35:00,800 --> 00:35:04,360 Speaker 3: Okay, I'm picked on about that, mate. That sucks. 785 00:35:04,520 --> 00:35:07,280 Speaker 1: What do you learn at school today, Samuel? 786 00:35:08,480 --> 00:35:12,399 Speaker 7: We just had the mess was really hard that's hard. 787 00:35:12,440 --> 00:35:15,120 Speaker 4: Okay, I'm gonna I'm gonna have it, Georgie. I think 788 00:35:15,120 --> 00:35:18,040 Speaker 4: this is just you, mate, and am I am? I 789 00:35:18,120 --> 00:35:21,600 Speaker 4: right there before I say anything else? Yes, mate, why 790 00:35:21,640 --> 00:35:23,040 Speaker 4: did you take in such a weird place? 791 00:35:23,239 --> 00:35:23,319 Speaker 5: Like? 792 00:35:23,480 --> 00:35:28,920 Speaker 4: Come on, man, what are you doing? This whole backstory 793 00:35:29,800 --> 00:35:30,720 Speaker 4: that doesn't exist? 794 00:35:30,880 --> 00:35:31,319 Speaker 3: Picked on? 795 00:35:31,520 --> 00:35:34,239 Speaker 4: He Look, he's obviously he's trying to method. He's playing 796 00:35:34,239 --> 00:35:36,440 Speaker 4: with us emotionally because then all of a sudden we 797 00:35:36,440 --> 00:35:39,040 Speaker 4: were feeling bad. But Samuel, he doesn't exist anyway. But 798 00:35:39,120 --> 00:35:39,799 Speaker 4: an interesting game. 799 00:35:40,600 --> 00:35:42,600 Speaker 3: I'll tell you what. We've really pushed the boundaries of 800 00:35:42,640 --> 00:35:44,600 Speaker 3: the code to appreciate the minds guys. 801 00:35:44,600 --> 00:35:48,200 Speaker 2: Really just the callers across today. You're actually talking to 802 00:35:48,239 --> 00:35:50,759 Speaker 2: them before we put them on the air. That'll be handy. 803 00:35:50,800 --> 00:35:52,120 Speaker 3: Why don't we go today? Do you want to? 804 00:35:52,160 --> 00:35:54,080 Speaker 2: Because I feel like these guys are just didn't get 805 00:35:54,120 --> 00:35:55,880 Speaker 2: these guys fired at the moment? 806 00:35:56,560 --> 00:35:58,080 Speaker 3: Is it is it? Get Will and Wood? He canceled 807 00:35:58,080 --> 00:36:00,720 Speaker 3: non moment? What's going on? WHI should we go to Eduena? 808 00:36:01,080 --> 00:36:02,680 Speaker 3: Are we going to find out she's also doing a 809 00:36:02,680 --> 00:36:05,960 Speaker 3: bit of accent work. What's she doing? She also got 810 00:36:06,000 --> 00:36:08,600 Speaker 3: a child who is getting picked on? I'm reliably informed 811 00:36:08,600 --> 00:36:09,560 Speaker 3: that Edwina is. 812 00:36:09,760 --> 00:36:18,879 Speaker 4: Clear okay, saying I've been informed, so you two of them? Right, 813 00:36:19,000 --> 00:36:24,000 Speaker 4: well done, well done, I've been ind It's not me, 814 00:36:24,160 --> 00:36:24,920 Speaker 4: but go to Aena. 815 00:36:24,960 --> 00:36:27,840 Speaker 1: Do you want to go to ire? 816 00:36:28,280 --> 00:36:31,360 Speaker 4: We're professional adults. Were handling it well, hied Waena? 817 00:36:31,840 --> 00:36:33,879 Speaker 3: Hi, gosh, how are you very good? 818 00:36:33,920 --> 00:36:36,320 Speaker 1: Thank you? Are you in the car with Edwena? 819 00:36:36,920 --> 00:36:38,760 Speaker 6: I'm like my friend Rose from work? 820 00:36:39,280 --> 00:36:39,760 Speaker 3: Rose? 821 00:36:40,120 --> 00:36:43,920 Speaker 1: And does Rose have any emotional backstory or anything or where? 822 00:36:43,960 --> 00:36:46,360 Speaker 6: She's my work wife and we work together all the 823 00:36:46,400 --> 00:36:52,760 Speaker 6: time and we're nurses and. 824 00:36:50,840 --> 00:36:53,719 Speaker 2: This matters a duennabody have the same ethnicity. 825 00:36:55,880 --> 00:36:57,719 Speaker 3: Yes, okay, chuck her. 826 00:36:57,640 --> 00:36:59,560 Speaker 1: One throw on Rose? 827 00:37:03,040 --> 00:37:03,200 Speaker 5: Hi? 828 00:37:05,280 --> 00:37:05,560 Speaker 3: Rose? 829 00:37:06,360 --> 00:37:07,800 Speaker 1: Hello, he Rose? 830 00:37:08,400 --> 00:37:08,800 Speaker 8: Yes? 831 00:37:08,880 --> 00:37:09,360 Speaker 3: What shoes? 832 00:37:09,440 --> 00:37:14,160 Speaker 1: Is Edwena wearing hawkers hot. 833 00:37:14,040 --> 00:37:14,439 Speaker 3: At the moment? 834 00:37:14,719 --> 00:37:16,359 Speaker 4: You got some hockers Woods, I've got some hockers. Yeah, 835 00:37:16,360 --> 00:37:20,400 Speaker 4: I've got the transport but not important. Great nurses, I 836 00:37:20,440 --> 00:37:22,000 Speaker 4: heard that a lot of time on your feet? 837 00:37:22,239 --> 00:37:24,400 Speaker 1: Okay, yes? And what are you doing tonight? You're going 838 00:37:24,400 --> 00:37:29,959 Speaker 1: to hang out tonight? Rose, Edwina's driving me home. Okay, 839 00:37:30,080 --> 00:37:33,319 Speaker 1: does hand the phone back to Edwina right now? 840 00:37:33,360 --> 00:37:33,680 Speaker 3: Please? 841 00:37:34,080 --> 00:37:34,759 Speaker 7: Okay, hang on? 842 00:37:36,200 --> 00:37:39,719 Speaker 3: Yes, God, Edwena. 843 00:37:39,440 --> 00:37:45,120 Speaker 2: What shoes is Rose wearing nikes? 844 00:37:45,680 --> 00:37:47,839 Speaker 3: Is that right now? 845 00:37:48,800 --> 00:37:50,960 Speaker 4: I think you're playing the game where you're you're trying 846 00:37:51,000 --> 00:37:51,359 Speaker 4: to go. 847 00:37:51,400 --> 00:37:53,600 Speaker 1: Super similar to throw Us. 848 00:37:53,760 --> 00:37:56,960 Speaker 4: But I still believe you are by yourself, Edwini, you're 849 00:37:56,960 --> 00:37:59,360 Speaker 4: trying to play the game. Yeah, I'm one hundred percent 850 00:37:59,360 --> 00:38:00,640 Speaker 4: sure you by yourself. 851 00:38:02,080 --> 00:38:02,920 Speaker 7: Yeah, I'm by myself.