1 00:00:01,000 --> 00:00:05,279 Speaker 1: Christian Christian O'Connell Christian o'connells Show podcast. 2 00:00:05,519 --> 00:00:08,280 Speaker 2: Hey, thank you very much for downloading this mini podcast. 3 00:00:08,360 --> 00:00:11,320 Speaker 2: This is the best of I love doing this feature 4 00:00:11,480 --> 00:00:13,840 Speaker 2: and it wouldn't be what it is without all you 5 00:00:13,960 --> 00:00:16,599 Speaker 2: guys entering from all over the world. So this is 6 00:00:16,640 --> 00:00:19,560 Speaker 2: a look back at all our favorite misheard lyrics. 7 00:00:19,520 --> 00:00:20,200 Speaker 3: From the year. 8 00:00:20,520 --> 00:00:23,360 Speaker 2: When the show returns very soon, we'll be looking for 9 00:00:23,400 --> 00:00:24,599 Speaker 2: brand new misheard lyrics. 10 00:00:24,680 --> 00:00:26,800 Speaker 3: So when you hear them, you know the email address. 11 00:00:26,840 --> 00:00:30,240 Speaker 2: If you don't email them straight to me Christian christiano'connell 12 00:00:30,320 --> 00:00:33,920 Speaker 2: dot com dot au. Here's our favorite misheard lyrics from 13 00:00:33,920 --> 00:00:35,000 Speaker 2: you guys this year. 14 00:00:35,520 --> 00:00:41,400 Speaker 4: It's just another misshard man nay Christian O'Connell's misheard lyrics. 15 00:00:42,800 --> 00:00:44,200 Speaker 3: All right, we did this in two parts. 16 00:00:44,200 --> 00:00:46,879 Speaker 2: How the Misheard Lyrics work is you send us in 17 00:00:46,920 --> 00:00:48,080 Speaker 2: your misheard lyrics. 18 00:00:48,120 --> 00:00:49,080 Speaker 3: We have a listened to them. 19 00:00:49,360 --> 00:00:53,280 Speaker 2: If we hear what you think you're hearing, if there's 20 00:00:53,360 --> 00:00:55,280 Speaker 2: no way what you're hearing is what we're hearing. 21 00:00:57,200 --> 00:00:59,840 Speaker 3: And for the great ones, he's last Hall of Favor, 22 00:01:00,680 --> 00:01:01,800 Speaker 3: recent Hall of Famous. 23 00:01:01,880 --> 00:01:05,720 Speaker 2: Last week on the Misheard Lyrics, Dave Smith email named 24 00:01:05,800 --> 00:01:09,880 Speaker 2: Dave the Hippie gave us Bob Marley, get up, stand up. 25 00:01:12,080 --> 00:01:18,000 Speaker 2: All that pizza is cold. Last week's Hall of Famous 26 00:01:18,000 --> 00:01:22,600 Speaker 2: still goods. This Hall of Favor Part one is listener. 27 00:01:22,720 --> 00:01:25,480 Speaker 2: Big John, the king of this feature, the king of 28 00:01:25,480 --> 00:01:28,440 Speaker 2: all the misheards. He's got thousands of I reckon still 29 00:01:28,480 --> 00:01:30,200 Speaker 2: to go, but anyway. He gives us a top five 30 00:01:30,319 --> 00:01:33,200 Speaker 2: every minded. Let's go through them. First up, the Stranglers. 31 00:01:33,480 --> 00:01:36,720 Speaker 2: Toilet on the Sea. I was a toiler on the sea. 32 00:01:37,200 --> 00:01:41,920 Speaker 3: I was ailer Or is it I was a toilet 33 00:01:42,319 --> 00:01:47,960 Speaker 3: under sleep? I was a tiler. Are you hearing? I 34 00:01:48,080 --> 00:01:50,120 Speaker 3: was a toilet jack under one time? 35 00:01:51,000 --> 00:01:51,400 Speaker 1: I was. 36 00:01:54,040 --> 00:01:57,800 Speaker 2: Now I think I'm hearing toiler not quite there for me? No, sorry, 37 00:01:57,840 --> 00:02:02,080 Speaker 2: Big John. I love this band. Steely Dan. 38 00:02:02,280 --> 00:02:04,600 Speaker 3: Reeling in the years? Are you reeling in the years? 39 00:02:04,800 --> 00:02:11,160 Speaker 2: Are you real? Or is this is unnecessary? Are you 40 00:02:11,320 --> 00:02:14,280 Speaker 2: reeling in the yeast? Are you reeling in the yeast? 41 00:02:14,760 --> 00:02:15,800 Speaker 1: Are you really in? 42 00:02:19,600 --> 00:02:19,919 Speaker 3: Just there? 43 00:02:20,280 --> 00:02:24,239 Speaker 2: It is unfortunately yeast never we never really want yeast there, 44 00:02:24,280 --> 00:02:25,000 Speaker 2: but it is there. 45 00:02:25,360 --> 00:02:26,120 Speaker 4: Are you really? 46 00:02:28,880 --> 00:02:33,720 Speaker 2: Are you reading in the yeast? Phannsie, you're the voice. 47 00:02:33,800 --> 00:02:37,000 Speaker 2: We got to make ends meat before we get much older. 48 00:02:37,080 --> 00:02:40,920 Speaker 2: This is blasphemy. Sacrilege beg. 49 00:02:42,480 --> 00:02:44,000 Speaker 3: Befoby didn't mutch. 50 00:02:43,760 --> 00:02:49,840 Speaker 2: All classics on. We got to make ends meat before 51 00:02:49,840 --> 00:02:51,959 Speaker 2: we get much older? Or is it we got to 52 00:02:52,080 --> 00:02:55,120 Speaker 2: make ends meet before we get my shoulder. 53 00:02:55,760 --> 00:03:00,240 Speaker 1: Began Befoby didn't mutch older. 54 00:03:02,840 --> 00:03:05,760 Speaker 3: I guess yeah, We've got to be fed, John, it 55 00:03:05,840 --> 00:03:07,440 Speaker 3: is there. We got to make ends. 56 00:03:07,480 --> 00:03:08,959 Speaker 2: I don't want to hear it, but we've got to 57 00:03:09,000 --> 00:03:11,600 Speaker 2: make ends meet before we get my shoulder. 58 00:03:11,520 --> 00:03:15,320 Speaker 1: Before we get mutch holder. 59 00:03:17,840 --> 00:03:19,720 Speaker 2: That is actually going to change how I hear that 60 00:03:19,840 --> 00:03:25,280 Speaker 2: song forever now the police, every breath you take, how 61 00:03:25,360 --> 00:03:32,239 Speaker 2: my poor heart aches. 62 00:03:30,720 --> 00:03:34,520 Speaker 3: Fores sting a pool hall Ace? Is sting a pool 63 00:03:34,680 --> 00:03:41,560 Speaker 3: hale Ace? Oh, that's a great one. That is a 64 00:03:41,600 --> 00:03:42,040 Speaker 3: great one. 65 00:03:42,080 --> 00:03:49,320 Speaker 2: I'm a pool hold ace, John, this hall of favor, 66 00:03:49,800 --> 00:03:51,200 Speaker 2: I like that one, Prince. 67 00:03:51,280 --> 00:03:52,920 Speaker 3: Most beautiful girl in the world. 68 00:03:53,160 --> 00:04:00,680 Speaker 2: And feel proud in the light of this power, or 69 00:04:00,800 --> 00:04:03,440 Speaker 2: is it? And feel proud that beIN Larden was found. 70 00:04:04,240 --> 00:04:06,080 Speaker 2: That's quite a change, isn't it. 71 00:04:06,160 --> 00:04:07,000 Speaker 3: There's quite a. 72 00:04:07,080 --> 00:04:09,200 Speaker 2: Change from and feel proud in the light of this 73 00:04:09,320 --> 00:04:12,600 Speaker 2: power to and feel proud that beIN Larden was found. 74 00:04:12,960 --> 00:04:14,000 Speaker 5: You would be bad. 75 00:04:16,800 --> 00:04:20,800 Speaker 3: That's there. That surprised me. 76 00:04:20,960 --> 00:04:24,120 Speaker 2: Gues Yes, I couldn't see how that could make any sense. 77 00:04:24,520 --> 00:04:27,400 Speaker 2: And feel proud that Ben Larden was found. Prince, you 78 00:04:27,480 --> 00:04:28,400 Speaker 2: would be bad. 79 00:04:31,240 --> 00:04:38,039 Speaker 3: That's a great one. Christian O'Connell Show Podcast time for 80 00:04:38,080 --> 00:04:38,560 Speaker 3: Part two. 81 00:04:38,760 --> 00:04:40,599 Speaker 2: All the ones you've been sending us over the last 82 00:04:40,640 --> 00:04:43,279 Speaker 2: seven days on Mondays misheard lyrics. 83 00:04:43,800 --> 00:04:49,640 Speaker 4: It's just another mishard Monday. Christian O'Connell's misshard lyrics. 84 00:04:50,800 --> 00:04:52,960 Speaker 2: All right, Part two is all the ones you've been 85 00:04:53,000 --> 00:04:55,159 Speaker 2: sending in over the last seven days. You go through 86 00:04:55,200 --> 00:04:57,840 Speaker 2: the workout. Are they miss hears? Are they as good 87 00:04:57,880 --> 00:05:03,760 Speaker 2: as I'm a pool whole ace? And be proud Bin 88 00:05:03,839 --> 00:05:04,680 Speaker 2: Laden was found? 89 00:05:04,920 --> 00:05:07,200 Speaker 5: Would be proud. 90 00:05:11,240 --> 00:05:13,680 Speaker 2: I've heard that song so many times. I've never heard 91 00:05:13,720 --> 00:05:15,320 Speaker 2: that line, but now I know I'm aware of it. 92 00:05:15,560 --> 00:05:18,159 Speaker 2: Can't ever hear it again? All right, let's go to yours, 93 00:05:18,160 --> 00:05:20,160 Speaker 2: then we go to Jude Brennan. 94 00:05:20,320 --> 00:05:20,719 Speaker 3: Christian. 95 00:05:20,800 --> 00:05:24,080 Speaker 2: This miss here is from Cariice Eden's cover version of 96 00:05:24,480 --> 00:05:28,040 Speaker 2: It's a Man's World. But it wouldn't be nothing without 97 00:05:28,080 --> 00:05:29,120 Speaker 2: a man or a. 98 00:05:29,000 --> 00:05:38,920 Speaker 5: Girl without a one? 99 00:05:38,320 --> 00:05:43,839 Speaker 3: Or is it? But it wouldn't be nothing without a 100 00:05:43,880 --> 00:05:45,279 Speaker 3: one bat or a cow. 101 00:05:46,400 --> 00:05:48,560 Speaker 2: This is a stretch, all right, This is a stretch. 102 00:05:48,640 --> 00:05:51,359 Speaker 2: This one I've listened to this. I wanted to be 103 00:05:51,400 --> 00:05:53,039 Speaker 2: in there, but maybe it's just my ears. 104 00:05:53,120 --> 00:05:53,720 Speaker 3: But anyway you. 105 00:05:53,720 --> 00:06:02,640 Speaker 5: Decide, without a one. 106 00:06:07,760 --> 00:06:11,640 Speaker 2: It doesn't quite land. It hovers over the landing, doesn't it. 107 00:06:11,640 --> 00:06:15,560 Speaker 2: It's one, it's not quite one bat. Let's hear it again. 108 00:06:15,720 --> 00:06:17,640 Speaker 2: But it wouldn't be nothing without a one. 109 00:06:17,480 --> 00:06:22,919 Speaker 3: Bat or cown for one bats or cow. 110 00:06:25,480 --> 00:06:27,599 Speaker 5: Without a. 111 00:06:28,680 --> 00:06:28,760 Speaker 2: No. 112 00:06:28,920 --> 00:06:30,720 Speaker 3: I'm sorry, I can't. I want it to be there. 113 00:06:31,080 --> 00:06:33,600 Speaker 3: I think in good faith you can just give it 114 00:06:33,640 --> 00:06:34,080 Speaker 3: a pass. 115 00:06:36,400 --> 00:06:40,720 Speaker 2: We're to go to the curiously names Christopher Bologna Dangerous 116 00:06:40,800 --> 00:06:44,760 Speaker 2: by rock Sets. The eyes of a lover that hit 117 00:06:44,960 --> 00:06:48,080 Speaker 2: like heat doesn't make any sense the actual life the 118 00:06:48,120 --> 00:06:54,120 Speaker 2: eyes of a lover that hit like heat? Or is 119 00:06:54,120 --> 00:07:03,279 Speaker 2: it the eyes of a lover that Hitler beat? Do 120 00:07:03,400 --> 00:07:05,560 Speaker 2: you hear the eyes of a lover of that Hitler beat? 121 00:07:10,680 --> 00:07:13,840 Speaker 3: I think Hitler's there, Hitler's there, Hitler's there, is Hitler there? 122 00:07:18,160 --> 00:07:19,080 Speaker 3: It is there? Yeah? 123 00:07:19,120 --> 00:07:25,000 Speaker 2: Okay, this comes from bian Camerosanna Both eleven Mates, that town, 124 00:07:25,120 --> 00:07:25,800 Speaker 2: the way to school. 125 00:07:25,800 --> 00:07:28,040 Speaker 3: Listen to this feature and love it. Christian. 126 00:07:28,080 --> 00:07:30,760 Speaker 2: Whenever we hear you play Once in a Lifetime by 127 00:07:30,800 --> 00:07:33,960 Speaker 2: Talking Heads comes on. We think this is what's being sung? 128 00:07:34,000 --> 00:07:35,760 Speaker 3: All right? So it's from which is a great song 129 00:07:35,800 --> 00:07:36,560 Speaker 3: once a lifetime. 130 00:07:36,840 --> 00:07:45,040 Speaker 2: Into the blue again after the money's gone, or is 131 00:07:45,040 --> 00:07:47,880 Speaker 2: it according to these two eleven year olds, into the 132 00:07:47,920 --> 00:07:50,640 Speaker 2: poo again after the money's gone, which. 133 00:07:50,440 --> 00:07:52,200 Speaker 3: Is what a lot of us grown ups do say, 134 00:07:52,200 --> 00:07:55,000 Speaker 3: after the money's gone. Or into the poo again. 135 00:08:00,040 --> 00:08:02,920 Speaker 2: Yes, you can have that Bianca Rosanna, into the pool 136 00:08:02,920 --> 00:08:11,400 Speaker 2: again after the money's gone. Now we go to old 137 00:08:11,680 --> 00:08:14,240 Speaker 2: blunty James Blunt, you're beautiful. 138 00:08:14,480 --> 00:08:17,640 Speaker 3: I saw an angel of that. I'm sure A. 139 00:08:17,800 --> 00:08:19,280 Speaker 5: Saw an angel. 140 00:08:20,400 --> 00:08:21,400 Speaker 3: Of Adam Shaw. 141 00:08:22,560 --> 00:08:25,880 Speaker 2: Or is it I saw an angel of Adam Shaw. 142 00:08:26,720 --> 00:08:29,600 Speaker 2: I saw an angel of Adam Shaw. 143 00:08:30,280 --> 00:08:34,440 Speaker 5: A saw an angel of Adam Shaw? 144 00:08:36,360 --> 00:08:38,559 Speaker 3: He did? He saw the angel of Adam Shaw. 145 00:08:39,120 --> 00:08:43,040 Speaker 5: As saw an angel of Adam Shaw? 146 00:08:43,840 --> 00:08:44,880 Speaker 3: Adam Shaw? Who is? 147 00:08:44,960 --> 00:08:49,480 Speaker 2: Why is Adam Shaw haunting James Blunt? Come on, Blunt, 148 00:08:49,559 --> 00:08:51,960 Speaker 2: we need a follow up to know why. And finally 149 00:08:52,000 --> 00:08:55,240 Speaker 2: this comes from say Stubbs, stubbsy, you eurythmic. 150 00:08:55,360 --> 00:08:58,040 Speaker 3: Sweet dreams are made of these, Sweet dreams are made 151 00:08:58,080 --> 00:09:00,000 Speaker 3: of these who a mighty disagreed. 152 00:09:00,280 --> 00:09:07,120 Speaker 1: Jeans Amida whom to dessert? 153 00:09:07,240 --> 00:09:07,560 Speaker 3: Or is it? 154 00:09:07,679 --> 00:09:11,160 Speaker 2: Sweet dreams are made of cheese. Who am I to 155 00:09:11,400 --> 00:09:15,559 Speaker 2: dis a bree? It's a cheese too fun? 156 00:09:15,720 --> 00:09:18,360 Speaker 3: I wanted to be there? Or is it okay? 157 00:09:18,360 --> 00:09:21,079 Speaker 2: We're listening out for sweet dreams are made of cheese? 158 00:09:21,640 --> 00:09:24,160 Speaker 2: Who am I to dis a bree? 159 00:09:24,600 --> 00:09:30,560 Speaker 1: Speed jeans amidam to dessert? 160 00:09:31,720 --> 00:09:35,960 Speaker 2: No, no, no, I would actually say it's the widest miss. 161 00:09:35,720 --> 00:09:41,600 Speaker 3: Of twenty twenty. I'm really sorry she stubbs. But I 162 00:09:41,640 --> 00:09:42,560 Speaker 3: don't hear cheese. 163 00:09:42,600 --> 00:09:49,520 Speaker 4: I don't hear breed speed jeans amidam to dessert. 164 00:09:50,679 --> 00:09:55,199 Speaker 2: The Christian O'Connell Show podcast, It's Monday misheard lyrics. 165 00:09:55,679 --> 00:10:03,040 Speaker 4: It's just another mishard Monday, Christian O'Connor misheard lyrics every Monday. 166 00:10:03,040 --> 00:10:06,360 Speaker 3: We do around up before your misheard lyrics. If we 167 00:10:06,400 --> 00:10:10,600 Speaker 3: agree with the miss here, you'll hear this. If we 168 00:10:10,640 --> 00:10:12,160 Speaker 3: don't hear what you think you're hearing. 169 00:10:13,520 --> 00:10:15,560 Speaker 2: And for the hallowed few of the really great ones, 170 00:10:15,559 --> 00:10:18,120 Speaker 2: you get inducted immediately into this. 171 00:10:18,520 --> 00:10:19,400 Speaker 3: Hall of Favor. 172 00:10:20,240 --> 00:10:23,360 Speaker 2: Last week on the show we had two Hall of Famous. Okay, 173 00:10:23,360 --> 00:10:25,880 Speaker 2: there were two Hall of Famous. Last week on the show. 174 00:10:26,520 --> 00:10:30,880 Speaker 2: There was this one from the Proclaimers, Hannibal lecture. 175 00:10:30,640 --> 00:10:31,280 Speaker 3: Handal lector. 176 00:10:33,320 --> 00:10:38,120 Speaker 2: I love this one been challenged by Elizabeth Elizabeth Black 177 00:10:38,280 --> 00:10:40,000 Speaker 2: as a relatively new listener. 178 00:10:40,080 --> 00:10:40,760 Speaker 3: Welcome Elizabeth. 179 00:10:40,760 --> 00:10:44,000 Speaker 2: I was delighted to stumble on the segment reminiscing over 180 00:10:44,040 --> 00:10:46,080 Speaker 2: misheard lyrics as a much love hobby of mine with 181 00:10:46,120 --> 00:10:48,800 Speaker 2: my mates. Can't claim to know the correct way to 182 00:10:49,080 --> 00:10:51,520 Speaker 2: miss hearing lyrics, but here it is. I'm also in 183 00:10:51,559 --> 00:10:54,280 Speaker 2: this song Proclaimers, I'm going to be five hundred miles. 184 00:10:54,440 --> 00:11:03,199 Speaker 2: I'm not hearing Hannibal Lecter but double adapter. Yes, yes, 185 00:11:04,559 --> 00:11:06,720 Speaker 2: you can take your piek. Now you're either hearing it 186 00:11:06,760 --> 00:11:09,720 Speaker 2: annimal lector Hannibal Lecter or double adapter, which is always 187 00:11:09,760 --> 00:11:11,360 Speaker 2: the best one, isn't it double adapter? 188 00:11:16,000 --> 00:11:17,760 Speaker 3: I miss here over and miss here. 189 00:11:18,240 --> 00:11:21,760 Speaker 2: This is getting meta. Now on this what Elizabeth? You 190 00:11:21,880 --> 00:11:24,480 Speaker 2: better come in then, Hall of Famer. 191 00:11:24,679 --> 00:11:27,440 Speaker 3: We should make instant Hall of Famers anytime anybody else 192 00:11:27,440 --> 00:11:29,600 Speaker 3: can get that same bit of the song. And here's 193 00:11:29,640 --> 00:11:30,200 Speaker 3: something different. 194 00:11:30,280 --> 00:11:33,000 Speaker 2: Yeah, well, Elizabeth Black, and welcome to the show as well. 195 00:11:33,120 --> 00:11:35,840 Speaker 2: Jonathan Romer as well got a Hall of Famer for 196 00:11:35,920 --> 00:11:39,640 Speaker 2: this one. Sway, Michael Boublay, other dancers may pee on 197 00:11:39,679 --> 00:11:41,040 Speaker 2: the floor if you like. 198 00:11:41,760 --> 00:11:46,640 Speaker 3: Oh no, that's not The wores this one are the dancers. 199 00:11:47,280 --> 00:11:48,720 Speaker 2: All right, then, first of all, we do this in 200 00:11:48,760 --> 00:11:51,960 Speaker 2: two parts. Part one is Big John, who's a listener 201 00:11:52,000 --> 00:11:54,680 Speaker 2: who's hard drive must be just thousands of misheard lyrics. 202 00:11:54,800 --> 00:11:56,760 Speaker 2: He gives us a top five, and then part two 203 00:11:56,760 --> 00:11:59,079 Speaker 2: we go through your ones of the last seven days 204 00:11:59,160 --> 00:12:01,599 Speaker 2: up first and Big John Corina Stare, which is a 205 00:12:01,640 --> 00:12:13,800 Speaker 2: spin off band from Damon from Blur. All right, so 206 00:12:13,840 --> 00:12:16,040 Speaker 2: there were kids. You've got to press it on you. 207 00:12:16,040 --> 00:12:17,679 Speaker 2: You just think it. That's what you do? 208 00:12:17,760 --> 00:12:18,160 Speaker 3: Baby? 209 00:12:18,280 --> 00:12:21,200 Speaker 2: Or is it You've got a breadstick on you. You're 210 00:12:21,320 --> 00:12:32,199 Speaker 2: just a pancake. That's what you do? Baby? 211 00:12:32,280 --> 00:12:35,280 Speaker 3: Yes? Is that too? It is? 212 00:12:36,000 --> 00:12:38,360 Speaker 2: I hear the breadstick. You've got a breadstick on you. 213 00:12:38,360 --> 00:12:48,400 Speaker 2: You're just a pancake. That's what you do, baby? 214 00:12:49,960 --> 00:12:50,200 Speaker 1: Yes? 215 00:12:50,800 --> 00:12:55,120 Speaker 3: Well, very good too there. Paul Simon loves me like 216 00:12:55,160 --> 00:12:55,600 Speaker 3: a rock. 217 00:12:56,040 --> 00:13:01,280 Speaker 2: She got down on her knees and hugged me. 218 00:13:03,000 --> 00:13:05,160 Speaker 3: Or is it she kicked down on my knees and 219 00:13:05,280 --> 00:13:05,680 Speaker 3: hurt me. 220 00:13:11,480 --> 00:13:14,160 Speaker 2: It sounds like he's had a plain ground encounter with 221 00:13:14,240 --> 00:13:16,360 Speaker 2: a girl who's a bully. There's always that tough sort 222 00:13:16,400 --> 00:13:19,360 Speaker 2: of fourteen or fifty on someone like Patsy. I just 223 00:13:19,360 --> 00:13:20,600 Speaker 2: went around some one kids. 224 00:13:20,480 --> 00:13:22,959 Speaker 3: Used to whack each other in the ship. That's what's 225 00:13:23,000 --> 00:13:25,000 Speaker 3: happening to poor Paul Summon. Maybe that's how him and 226 00:13:25,080 --> 00:13:27,600 Speaker 3: dark golf Uncle fell out. Yeah, guff Uncle whacked him 227 00:13:27,600 --> 00:13:28,120 Speaker 3: in the shims. 228 00:13:28,360 --> 00:13:33,920 Speaker 2: She kicked down on my knees and hurt me. That's 229 00:13:33,920 --> 00:13:38,920 Speaker 2: a great one, pull Simon, very good Elton John Crocodile 230 00:13:39,080 --> 00:13:42,040 Speaker 2: rock Crocodile rocking is something shocking when your feet just 231 00:13:42,080 --> 00:13:52,120 Speaker 2: can't keep still? Question mark for me over this one? 232 00:13:52,440 --> 00:13:56,040 Speaker 2: Or is it cry rocking? I saw in my chocolate 233 00:13:56,240 --> 00:13:58,720 Speaker 2: when your feet just can't keep still. 234 00:13:58,880 --> 00:14:09,400 Speaker 3: Let's play it back. It's a bit of a jarbled sentence. 235 00:14:09,400 --> 00:14:10,760 Speaker 3: I might have heard chocolate. 236 00:14:11,440 --> 00:14:13,160 Speaker 2: Listen again, we're listening out for the misheard of it. 237 00:14:13,200 --> 00:14:16,520 Speaker 2: Then cry rocking I saw in my chocolate when your 238 00:14:16,559 --> 00:14:25,360 Speaker 2: feet just can't keep still. It's not clean, it's not clean. 239 00:14:27,160 --> 00:14:30,360 Speaker 2: But the monkeys. We're the young generation and we've got 240 00:14:30,400 --> 00:14:41,200 Speaker 2: something to say. Brilliant song will young or is it 241 00:14:41,200 --> 00:14:44,280 Speaker 2: we're the young generation and we've got Saddam Hussein. A 242 00:14:44,280 --> 00:14:45,800 Speaker 2: couple of weeks ago we have off of bin Laden. 243 00:14:45,840 --> 00:14:48,960 Speaker 2: Do you remember now a Saddam Hussein? Or we're a 244 00:14:49,000 --> 00:14:52,680 Speaker 2: young generation and we've got Saddam Hussein will the young. 245 00:14:54,360 --> 00:15:00,240 Speaker 3: We it's on the nose. They've got Sadam Hussein all 246 00:15:00,240 --> 00:15:04,160 Speaker 3: the way back in the seventies. The monkeys will your generation. 247 00:15:05,360 --> 00:15:14,320 Speaker 3: We listen. That's a great one. Christian The Christian O'Connell 248 00:15:14,440 --> 00:15:18,200 Speaker 3: Show Podcast, Part two Now of our misheard lyrics. 249 00:15:18,680 --> 00:15:24,600 Speaker 4: It's just another misheard many Christian O'Connell's misheard lyrics. 250 00:15:25,000 --> 00:15:26,600 Speaker 3: All right, time for part two. Now. 251 00:15:27,400 --> 00:15:29,120 Speaker 2: Part two is all the ones you've been sending in 252 00:15:29,160 --> 00:15:31,960 Speaker 2: the last seven days. You email them through Christiana Christian 253 00:15:31,960 --> 00:15:36,840 Speaker 2: O'Connell dot com dot au. First we go too, Anders 254 00:15:36,960 --> 00:15:39,800 Speaker 2: and this song radio Head, great band and creep. 255 00:15:39,920 --> 00:15:52,000 Speaker 3: I'm a weirdo or is it? I'm a window? I 256 00:15:52,120 --> 00:15:53,680 Speaker 3: wanted to be better than it was. 257 00:15:53,960 --> 00:16:03,920 Speaker 2: It's really not enough of a window. True has sent 258 00:16:03,960 --> 00:16:07,240 Speaker 2: this one in Rupert Holmes and Escape Brackets the Peanut 259 00:16:07,400 --> 00:16:08,000 Speaker 2: Lada song. 260 00:16:08,040 --> 00:16:16,400 Speaker 3: If you like peanut coladas, if you like or is it? 261 00:16:16,680 --> 00:16:18,440 Speaker 3: If you like peeling bananas? 262 00:16:19,240 --> 00:16:25,560 Speaker 2: If you like, no, you get the twenty percent of peeling, 263 00:16:25,720 --> 00:16:26,440 Speaker 2: but then no more. 264 00:16:26,520 --> 00:16:31,360 Speaker 3: If you like peeling bananas, no, if you like, that's 265 00:16:31,360 --> 00:16:34,680 Speaker 3: gonna be one of the worst. Let's shame that guy. Yes, 266 00:16:37,680 --> 00:16:40,520 Speaker 3: Oh where did you give it their tick? Oh? Yeah, sorry, 267 00:16:40,560 --> 00:16:43,920 Speaker 3: yeah yeah yeah. It felt like we shamed him too, 268 00:16:44,680 --> 00:16:47,520 Speaker 3: aren't we. You are going to end on the you 269 00:16:47,560 --> 00:16:51,040 Speaker 3: know the one I'm talking about. Yeah, yeah, yes, we 270 00:16:51,120 --> 00:16:51,640 Speaker 3: end on that. 271 00:16:52,600 --> 00:16:57,080 Speaker 2: Quinn, Hello, Quinn, little eleven year old Quinn christ I've 272 00:16:57,080 --> 00:16:57,960 Speaker 2: got to miss lout for you. 273 00:16:58,040 --> 00:17:00,520 Speaker 3: My name is Quinn and I'm eleven year old. Well 274 00:17:00,680 --> 00:17:01,600 Speaker 3: that's lovely, Quinn. 275 00:17:01,680 --> 00:17:03,200 Speaker 2: My dad and my sister and I always listened to 276 00:17:03,240 --> 00:17:05,080 Speaker 2: the miss her lyrics on your show. Well have you 277 00:17:05,119 --> 00:17:07,040 Speaker 2: listened this morning? Quinn and your mum and dad and 278 00:17:07,040 --> 00:17:09,560 Speaker 2: your sister. Miss her lyric is you can call me 279 00:17:09,680 --> 00:17:18,240 Speaker 2: ow by Paul Simon. You can call me out. But Quinn, 280 00:17:18,280 --> 00:17:28,440 Speaker 2: he's eleven. You can call me me own, Yes. 281 00:17:27,840 --> 00:17:28,679 Speaker 3: Yes you can. 282 00:17:28,920 --> 00:17:37,000 Speaker 2: You can call me me own. Yes, it's in there, 283 00:17:37,000 --> 00:17:41,280 Speaker 2: worn't Quinn the eleven year old. Now we go to 284 00:17:42,000 --> 00:17:46,400 Speaker 2: the Magen Dragons Bad Liar by Imagine Dragons. 285 00:17:46,400 --> 00:17:47,920 Speaker 3: I'm a bad liar, bad liar. 286 00:17:47,960 --> 00:17:51,840 Speaker 2: This is from Josh Millie who's ten, and Josh who's twelve, 287 00:17:52,240 --> 00:17:54,920 Speaker 2: the Watts family. I'm a bad liar. I'm a bad liar. 288 00:18:01,520 --> 00:18:03,560 Speaker 2: Or is it I'm a vampire vampire? 289 00:18:10,280 --> 00:18:10,480 Speaker 1: Yes? 290 00:18:11,000 --> 00:18:13,560 Speaker 3: The Watts Family. Well done, brilliant one. 291 00:18:13,720 --> 00:18:19,480 Speaker 2: Josh, really Josh, the Watts Family. All right, let me 292 00:18:19,560 --> 00:18:24,560 Speaker 2: go to this one from Maurice. Maurice is hearing swear words. Okay, 293 00:18:24,960 --> 00:18:28,080 Speaker 2: he's hearing a swear word. He's hearing a really strong 294 00:18:28,200 --> 00:18:31,760 Speaker 2: swear word. It's not in the lyrics. The singer isn't. 295 00:18:31,760 --> 00:18:33,520 Speaker 2: It's a well known song. It's say a cover version. 296 00:18:33,520 --> 00:18:36,000 Speaker 2: Actually what we're about to play. They're not swearing in it, 297 00:18:36,080 --> 00:18:39,680 Speaker 2: but does sound like it. Okay, they aren't swearing. They're 298 00:18:39,680 --> 00:18:42,720 Speaker 2: no swearing in the song. We play this unentered version 299 00:18:43,080 --> 00:18:46,360 Speaker 2: out on this radio station because it doesn't contain swear words, 300 00:18:46,560 --> 00:18:49,440 Speaker 2: or does it. So the lyric is They've paved paradise 301 00:18:49,480 --> 00:18:51,439 Speaker 2: and put up a parking lot cant and Groves do 302 00:18:51,480 --> 00:18:53,160 Speaker 2: a big yellow taxi with Vanessa Kahn. 303 00:18:53,480 --> 00:18:54,920 Speaker 3: Can you hear the swear word? 304 00:18:54,720 --> 00:19:02,800 Speaker 1: It'd be a paradise put up a fucking love. 305 00:19:03,640 --> 00:19:06,040 Speaker 3: So there's no swearing in the lyrics. Play the song 306 00:19:06,119 --> 00:19:08,840 Speaker 3: on the station, Counting Crows, Adam dorrits. He's not swearing 307 00:19:08,880 --> 00:19:10,560 Speaker 3: in the song. We play it like that. It gets 308 00:19:10,560 --> 00:19:12,560 Speaker 3: played all over the world like that, but when you 309 00:19:12,600 --> 00:19:14,640 Speaker 3: hear it back it does say, he swear he's angry 310 00:19:14,680 --> 00:19:16,800 Speaker 3: about that lot Paradise. 311 00:19:18,960 --> 00:19:21,639 Speaker 2: I mean, if you knew where Paradise was and then 312 00:19:21,640 --> 00:19:23,200 Speaker 2: you turn up one day to Paradise and they put 313 00:19:23,280 --> 00:19:27,959 Speaker 2: up a parking lot, you're gonna go Paradise. 314 00:19:31,720 --> 00:19:37,639 Speaker 3: Enough everyone, Christian Christian O'Connell Show podcast