WEBVTT - REAL REALITY - FARMER WANTS A WIFE - SAMANTHA ARMYTAGE

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week airline. Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading on today's episode with Samantha Armitage, the

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<v Speaker 1>host of Farmer Wants a Wife for twenty twenty four,

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<v Speaker 1>which starts on Sunday night at seven thirty on Channel seven.

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<v Speaker 1>Samantha Armitage is an Australian journalist and television presenter. Sam

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<v Speaker 1>was previously co host of the Seven Networks breakfast television

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<v Speaker 1>program Sunrise from twenty thirteen to twenty twenty one alongside

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<v Speaker 1>David Kosh. Only a few years ago, Samantha was slowly

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<v Speaker 1>integrated into the Much Love reality series, and last year

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<v Speaker 1>her inclusion as a full time host saw the show

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<v Speaker 1>rise sixteen percent in its category. This season, thousands of

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<v Speaker 1>eligible women from all around Australia applied to meet the farmers,

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<v Speaker 1>and after a series of speed dates in the Hunter Valley,

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<v Speaker 1>the farmers will choose their top five ladies to invite

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<v Speaker 1>back to the farm. During the first two episodes, I

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<v Speaker 1>can reveal that the five farmers from twenty twenty four season,

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<v Speaker 1>Bert Dean, Dustin, Joe and Tom must choose five out

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<v Speaker 1>of the eight ladies to return to their farms across Australia.

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<v Speaker 1>This leaves a total of fifteen women who had been

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<v Speaker 1>hoping to find love having to head home before their

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<v Speaker 1>farmer journey can even properly begin. It's actually really brutal,

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<v Speaker 1>but I know you guys are going to love it.

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<v Speaker 1>Samantha reveals her thoughts about the media landscape and if

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<v Speaker 1>she has closed the door on her journalistic career for good.

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<v Speaker 1>We will unpack the new Farmers and find out if

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<v Speaker 1>the Victorian farmer Tom is too young to be looking

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<v Speaker 1>for a wife. You will get some interesting insights into

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<v Speaker 1>Samantha's move out of Sydney and what she thinks of

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<v Speaker 1>the workforce for women in a post COVID world. I'm

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<v Speaker 1>also delighted to hear what Sam thinks of me pitching

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<v Speaker 1>Farmer Day from Big Brother fame and if it's time

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<v Speaker 1>we see a queer farmer on this show. There is

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<v Speaker 1>so much to unpack with Samantha today, so sit back

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<v Speaker 1>and relax as we unpaw the wonderful world of Sarma

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<v Speaker 1>Wants a Wife for twenty twenty four. Hi, Sam, how

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<v Speaker 1>are you?

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<v Speaker 2>I'm good.

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<v Speaker 1>How are you.

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<v Speaker 3>I just think you're getting your dog out of the room.

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<v Speaker 2>I used to have to do that too, he'd start barking.

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<v Speaker 1>Last year, when we were talking, you had Banjo sitting

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<v Speaker 1>with you. So I'm sorry to hear that Banjo is

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<v Speaker 1>no longer with us.

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<v Speaker 3>I know me too. He was a darling, I means

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<v Speaker 3>very very shit.

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<v Speaker 1>Well, Oscar's fourteen, and I tell you the other day

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<v Speaker 1>I was walking him and this lady cart to and

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<v Speaker 1>she said, oh, I used to have a Westy. They

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<v Speaker 1>live until they're about ten and then they just they

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<v Speaker 1>just fade away. How old's your dog? And I was like, fourteen.

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<v Speaker 3>Well, the little dogs can go on and on. The

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<v Speaker 3>bigger dogs that are harder. I know a mate who's

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<v Speaker 3>got a Westy who's sixteen.

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<v Speaker 2>He's sixteen, so I.

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<v Speaker 3>Think they go on forever. So yes, when they're gone,

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<v Speaker 3>you miss them because they are such a part of

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<v Speaker 3>your life. So it's been very sad times for mat.

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<v Speaker 2>Looks quite good to be busy now.

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<v Speaker 1>I'm so sorry. You know what a great way to

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<v Speaker 1>start a podcast. Let's just make you cry like that's great.

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<v Speaker 1>I'm the best podcast ever. Anyway. Well, welcome back to

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<v Speaker 1>another season of Farmer Wants a Wife. You know, you

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<v Speaker 1>would have to be so happy with the rating spike

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<v Speaker 1>that happened with the show once you joined. I mean

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<v Speaker 1>it's the highest It was the highest rated entertainment show

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<v Speaker 1>on the network last year.

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<v Speaker 3>Yes, it was huge. I didn't see that coming. So

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<v Speaker 3>I was very very pleased with that, as you would

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<v Speaker 3>be when you when you join a show and it

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<v Speaker 3>does well. It was up sixteen percent last year on

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<v Speaker 3>the previous year, so that's just unheard of in free

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<v Speaker 3>towear TV in this day may so I was very

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<v Speaker 3>pleased with that. The beauty of the show is the people,

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<v Speaker 3>and the farmers are so so genuine and so lovely,

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<v Speaker 3>and we had such a great group last year and

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<v Speaker 3>they all found love. I mean, it was just you

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<v Speaker 3>couldn't you couldn't write the script on that. And this year,

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<v Speaker 3>I'm pleased to say, is it's just as good. We're

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<v Speaker 3>found some really lovely farmers and some really impressive ladies,

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<v Speaker 3>and I think we've got the recipe for another great season.

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<v Speaker 1>Well, last year, as you said, all the farmers found love.

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<v Speaker 1>I mean, I don't know if you saw this, but

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<v Speaker 1>even Brenton and Rachel have been hanging out, and he

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<v Speaker 1>was the only farmer that you know that separated over

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<v Speaker 1>the last twelve months. And now he's recoupling with one

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<v Speaker 1>of the girls that he was on the show with.

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<v Speaker 1>So we're back to one hundred percent success, right. I know.

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<v Speaker 3>It's an amazing how life turns up. I did read

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<v Speaker 3>that too, and I thought, oh, good on him. You

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<v Speaker 3>know that, isn't that wonderful? And actually, during the show

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<v Speaker 3>last year when it was on air, because I let Richard,

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<v Speaker 3>my husband, just watch it as a normal viewer, I'd

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<v Speaker 3>never tell him what's what's happening. All the ways to

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<v Speaker 3>the show. He wanted Brendan to pick Rachel, and then

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<v Speaker 3>when Brendan didn't, he was disappointed. And now they're together.

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<v Speaker 1>Is he allowed to say? Is Richard allowed to say

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<v Speaker 1>anything to you while watching the show? Because I was

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<v Speaker 1>chatting to Sonya Krueger recently and I asked her about

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<v Speaker 1>Craig watching the show with her and she was like, oh, no,

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<v Speaker 1>we've got a rule. He's not allowed to say anything.

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<v Speaker 3>Oh no, commentates the whole time he and he gets

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<v Speaker 3>really into it. It's really because I you know, because

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<v Speaker 3>I've been there on set, so I know what's happened?

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<v Speaker 3>And I know, you know, all the personality type, but

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<v Speaker 3>he gets really invested in it, and he's constantly saying

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<v Speaker 3>to me, I think you know, so and so is

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<v Speaker 3>going to get together. And I'm like, oh, do you

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<v Speaker 3>really think that? Okay, will you just have to watch

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<v Speaker 3>next week?

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<v Speaker 1>How is your poker face? Are you able? No?

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<v Speaker 3>My poker face is excellent. I'm very good at not blubbing.

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<v Speaker 3>And he enjoys it, so that's nice. But I mean, look,

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<v Speaker 3>it's just such a great show. The brand is incredibly strong.

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<v Speaker 3>I literally have people walking up to me in the

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<v Speaker 3>streets saying when Farmer on, I can't wait. I want

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<v Speaker 3>my son to go on it. You know, it's so popular,

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<v Speaker 3>and its amaze me how quickly viewers have sort of,

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<v Speaker 3>you know, put me together with the show. Normally, as

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<v Speaker 3>on air personality, you take a few years to become

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<v Speaker 3>part of a show and the branding situations behind the scenes,

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<v Speaker 3>but this is instant. It's been incredible.

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<v Speaker 1>Well, I think that you're the most overqualified host of

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<v Speaker 1>a reality show that we've ever seen in this country,

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<v Speaker 1>and I love that you're a journalist in this role.

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<v Speaker 1>I want to ask you, though, do you actually use

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<v Speaker 1>your journalistic background. Do you put it to work whilst filming?

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<v Speaker 1>Do you find yourself asking leading questions?

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<v Speaker 3>Well, I think that's part of it. I mean, I'm

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<v Speaker 3>not trying to do gotcha questions with the farmers because

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<v Speaker 3>they're really you know, they're not politicians. I'm very kind

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<v Speaker 3>to them, and also they're so nervous that my job

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<v Speaker 3>with them is to put them at ease, help Australia

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<v Speaker 3>get to know them and help them come out of

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<v Speaker 3>their shells and then create a match. But obviously, you

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<v Speaker 3>know the skills you have as journalists for interviewing people

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<v Speaker 3>and asking questions of people and storytelling, you know, at

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<v Speaker 3>the heart of this show. I know it's a reality

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<v Speaker 3>dating show, but really it's about telling stories. And you know,

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<v Speaker 3>that's what I do for a living. It's what I've

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<v Speaker 3>always done for a living. So it's a great opportunity

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<v Speaker 3>for me to use some of my skills. And you know,

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<v Speaker 3>the producers are constantly saying to me on set, I

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<v Speaker 3>can't believe you speak farmers, and I'm like, well, I

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<v Speaker 3>did grow up in the land, and my father was

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<v Speaker 3>a farmer and my brother's a farmer, and now I'm

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<v Speaker 3>married to a retired farmer. So you know, I know

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<v Speaker 3>farmers and I know country people because I am one.

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<v Speaker 3>So the producers was surprised.

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<v Speaker 1>There's something about you, Sam, like I just want to

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<v Speaker 1>tell you my story, do you know what I mean? Like,

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<v Speaker 1>there's something about your manner and the way that you

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<v Speaker 1>talk to people that is quite authentic that makes people

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<v Speaker 1>feel at ease. And I don't know, I just want

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<v Speaker 1>to tell you my most embarrassing stories.

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<v Speaker 3>Oh well, that's great, then tell me anytime.

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<v Speaker 2>Look I do.

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<v Speaker 3>It's funny as I get older, the older I get,

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<v Speaker 3>the more I enjoyed listening, you know, the less I

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<v Speaker 3>enjoy talking. So it's probably a good show for me

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<v Speaker 3>to be on at this point because there's not a

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<v Speaker 3>lot of listening going on in the media these days.

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<v Speaker 3>It's just a big talk fitt, isn't it. So I quite.

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<v Speaker 3>I mean, I think that's the whole point of the show.

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<v Speaker 3>You've got to encourage the farmers and the ladies. You know,

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<v Speaker 3>you want to tell their stories. You want to set

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<v Speaker 3>this up for the audience at home, but you also

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<v Speaker 3>to listen to them, and you have to know when

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<v Speaker 3>to not talk, let things breathe a bit. So that

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<v Speaker 3>you really get to know people and you can get to,

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<v Speaker 3>you know, get stuff out of them so that the

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<v Speaker 3>show is genuine because it's coming from their heart. And

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<v Speaker 3>I think we manage that pretty well well.

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<v Speaker 1>I think when it comes to my favorite journalist, actually

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<v Speaker 1>when it comes to my favorite actors, when it comes

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<v Speaker 1>to people in general, I like people who are curious,

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<v Speaker 1>and people who are curious they want to ask a

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<v Speaker 1>good question, but they want to listen to a good answer.

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<v Speaker 1>And I think that's what makes good journalism. That's what

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<v Speaker 1>makes me be drawn to people you know, and you know.

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<v Speaker 3>Ben, I've been a journal for twenty five years. I'm

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<v Speaker 3>ashamed to admit. That shows you how old I am.

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<v Speaker 3>And it's fascinating. Everybody has a story. It doesn't matter

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<v Speaker 3>whether you're on Sunrise interviewing you know, celebrities from Los

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<v Speaker 3>Angeles or you're just dinner party at Wagga. Everybody has

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<v Speaker 3>some kind of story and all you have to do

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<v Speaker 3>is ask or just stick quietly for long enough where

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<v Speaker 3>they feel comfortable to tell you. And it should be fascinated.

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<v Speaker 3>But unfortunately, the way society is, it's just everything's so

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<v Speaker 3>loud and noisy, and me, me, me, that you know,

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<v Speaker 3>I think that is one of my strongest feels is

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<v Speaker 3>that I can listen. But as you can tell from

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<v Speaker 3>this podcast, I can also talk.

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<v Speaker 1>Quite well, so can I. That's why we need a

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<v Speaker 1>talking stick every year. Like, you know, I listened back

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<v Speaker 1>to our chat last year and it was a good

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<v Speaker 1>yarn like but I mean, I was going to ask

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<v Speaker 1>you today because we were talking about this last year.

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<v Speaker 1>In nineteen ninety eight, you joined your first newsroom, and

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<v Speaker 1>you've been away from that for a little bit. You've

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<v Speaker 1>sort of been away from that environment. Is there an

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<v Speaker 1>ech that you want to scratch to go back to

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<v Speaker 1>that and or have you closed the door on that

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<v Speaker 1>part of your resume.

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<v Speaker 3>No, I haven't closed the door on it. But the

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<v Speaker 3>itch is not itchy at the moment, and I.

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<v Speaker 1>Think, excuse that's crazy anyway.

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<v Speaker 3>I know I'm gross.

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<v Speaker 1>I led you there, Sam, I led you there, So

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<v Speaker 1>it's my fault me there.

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<v Speaker 3>I'll blame you. No, Look I do. I look at

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<v Speaker 3>the new cycle at the moment, and I'm not that interested.

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<v Speaker 3>To be honest, I am incredibly choosy about what I

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<v Speaker 3>read and what I listened to. And you know, I've

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<v Speaker 3>seen it from the inside, so.

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<v Speaker 2>I understand how this all works.

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<v Speaker 3>I see the amount of bias in the news these days.

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<v Speaker 3>I see the amount of noise. I know the characters,

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<v Speaker 3>and I'm not that interested. So I'm not sorry that

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<v Speaker 3>I'm not part of that at the moment. But also

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<v Speaker 3>I subscribe that, you know, if you're not in any arena,

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<v Speaker 3>you know, getting your ass kicked, then you don't have

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<v Speaker 3>a crack at the people who are. So I'm not.

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<v Speaker 3>You know, I take my hat off to anyone who wants.

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<v Speaker 2>To go in there each day and do it.

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<v Speaker 3>I just don't at the moment because the new cycle,

0:10:22.240 --> 0:10:24.160
<v Speaker 3>you know, I think about the last couple of years,

0:10:24.200 --> 0:10:25.280
<v Speaker 3>you know, talking about.

0:10:25.040 --> 0:10:27.880
<v Speaker 2>COVID, it's a long day. Yeah, oh it's a lot.

0:10:28.000 --> 0:10:30.640
<v Speaker 3>And then you know, now talking about Trump every day,

0:10:30.800 --> 0:10:34.360
<v Speaker 3>and you know, we just move in these circles and rubbish,

0:10:34.840 --> 0:10:39.040
<v Speaker 3>and I think I'm really glad to not be in that.

0:10:39.800 --> 0:10:41.400
<v Speaker 1>At the same time, I feel like there could be

0:10:41.440 --> 0:10:43.760
<v Speaker 1>a really good companion piece because I can imagine you

0:10:43.840 --> 0:10:46.600
<v Speaker 1>going out there because things have changed since COVID, and

0:10:46.679 --> 0:10:49.360
<v Speaker 1>I think that there's more people living in regional areas.

0:10:49.640 --> 0:10:51.760
<v Speaker 1>I'd love to see you go out there and talk

0:10:51.760 --> 0:10:53.840
<v Speaker 1>to the women that are now out there working in

0:10:53.880 --> 0:10:57.120
<v Speaker 1>regional areas, that are making a living out there. I'd

0:10:57.160 --> 0:10:59.959
<v Speaker 1>love I mean, that's you know, I guess it's one thing.

0:11:00.600 --> 0:11:02.280
<v Speaker 1>That's that's one job, and then I guess if you

0:11:02.280 --> 0:11:03.920
<v Speaker 1>put your hand up for that, then they're probably doing

0:11:03.960 --> 0:11:05.680
<v Speaker 1>a lot more. But I'd love to see you go

0:11:05.720 --> 0:11:08.600
<v Speaker 1>out there and talk to people in Australia that had

0:11:08.640 --> 0:11:11.040
<v Speaker 1>been affected by COVID and had a lifestyle change.

0:11:11.160 --> 0:11:14.319
<v Speaker 3>Yes, well, it's interesting because I'm seeing it firsthand because

0:11:14.400 --> 0:11:16.439
<v Speaker 3>I'm you know, I live while I live in the

0:11:16.480 --> 0:11:19.040
<v Speaker 3>Southern Highland, so we're not exactly that isolated, but I'm

0:11:19.040 --> 0:11:22.080
<v Speaker 3>certainly out of Sydney and my father's Wogga and my

0:11:22.160 --> 0:11:25.400
<v Speaker 3>brothers at Yas, you know where. I know the regions,

0:11:25.440 --> 0:11:28.240
<v Speaker 3>and we spend a lot of time driving around the regions,

0:11:28.240 --> 0:11:30.120
<v Speaker 3>going to parties in the you know, I see I

0:11:30.240 --> 0:11:32.520
<v Speaker 3>talk to a lot of country people, and I see

0:11:32.800 --> 0:11:34.880
<v Speaker 3>the houses being built on the suburbs, you know, the

0:11:34.880 --> 0:11:36.400
<v Speaker 3>outer suburbs of Wogga.

0:11:36.160 --> 0:11:37.640
<v Speaker 2>Expanding into the paddocks.

0:11:37.640 --> 0:11:41.080
<v Speaker 3>There is such a movement, such a migration to the

0:11:41.120 --> 0:11:44.719
<v Speaker 3>regional areas at the moment that it's quite extraordinary to

0:11:45.360 --> 0:11:48.520
<v Speaker 3>see that and then I guess, sighing into the show

0:11:48.840 --> 0:11:52.480
<v Speaker 3>into Farma, what I'm seeing in my real life and

0:11:52.559 --> 0:11:55.520
<v Speaker 3>is being reflected in the show quite nicely, is that

0:11:56.240 --> 0:11:59.679
<v Speaker 3>women who in my day, and certainly in my mother's day,

0:12:00.040 --> 0:12:02.160
<v Speaker 3>I found old saying that, but women who had to

0:12:02.200 --> 0:12:05.439
<v Speaker 3>go to the city for their careers. They didn't wanted

0:12:05.400 --> 0:12:07.400
<v Speaker 3>to be a farmer's life and stay at home and

0:12:07.440 --> 0:12:10.000
<v Speaker 3>have children and maybe be a school teacher. They wanted

0:12:10.040 --> 0:12:11.640
<v Speaker 3>to keep their careers going and.

0:12:12.800 --> 0:12:14.000
<v Speaker 2>Have good lifestyles.

0:12:14.120 --> 0:12:17.440
<v Speaker 3>And that can happen now, you know, with Zoom, I

0:12:17.440 --> 0:12:20.920
<v Speaker 3>mean yes, as you say, COVID has dramatically changed the

0:12:20.960 --> 0:12:23.520
<v Speaker 3>way we work. So you've got this situation where all

0:12:23.520 --> 0:12:28.240
<v Speaker 3>these incredibly dynamic, powerful, strong, career driven women and now

0:12:28.559 --> 0:12:30.800
<v Speaker 3>pick those careers up, to pick those jobs up and

0:12:30.840 --> 0:12:34.280
<v Speaker 3>take them to country areas. Maria farmers have a family

0:12:34.480 --> 0:12:36.800
<v Speaker 3>with a great lifestyle with space for the kids to

0:12:36.880 --> 0:12:40.599
<v Speaker 3>run around, and you know, not be you know, agitated

0:12:40.600 --> 0:12:43.840
<v Speaker 3>by the city living and still keep their jobs, you know,

0:12:43.920 --> 0:12:46.520
<v Speaker 3>still have their own lives and their own independence, and

0:12:46.640 --> 0:12:50.720
<v Speaker 3>still use their brains. So it's wonderful. It's a great

0:12:50.800 --> 0:12:52.960
<v Speaker 3>migration that I'm seeing in my real life. And then

0:12:52.960 --> 0:12:55.360
<v Speaker 3>I'm seeing it on the show. I think it's wonderful.

0:12:55.480 --> 0:12:57.320
<v Speaker 1>Yeah, do you know what I also think is that

0:12:57.360 --> 0:12:59.800
<v Speaker 1>we don't necessarily know how easy it is for everyone.

0:13:00.200 --> 0:13:02.520
<v Speaker 1>But back when Farmer once a Wife first started, it

0:13:02.559 --> 0:13:05.200
<v Speaker 1>was kind of a daunting prospect to these women. You know,

0:13:05.240 --> 0:13:06.760
<v Speaker 1>do you want to marry a farmer live out there?

0:13:06.800 --> 0:13:08.560
<v Speaker 1>And there'd be no internet, there'd be none of that.

0:13:08.600 --> 0:13:11.520
<v Speaker 1>They were sort of isolated themselves. Where these days that's

0:13:11.559 --> 0:13:14.160
<v Speaker 1>sort of broken down a bit. And as you mentioned, like,

0:13:14.760 --> 0:13:17.600
<v Speaker 1>women are far more dynamic these days and are able

0:13:17.640 --> 0:13:20.080
<v Speaker 1>to have their cake and eat it too, And who

0:13:20.080 --> 0:13:21.960
<v Speaker 1>doesn't want to move out to the country and raise

0:13:22.000 --> 0:13:24.880
<v Speaker 1>their children? I mean, sounds far too appealing to me.

0:13:25.559 --> 0:13:27.800
<v Speaker 3>I know it is. It's a great I mean, it

0:13:28.280 --> 0:13:30.719
<v Speaker 3>was my childhood, so I know what it's like to

0:13:30.760 --> 0:13:33.080
<v Speaker 3>be a kid in the country, and it's great and

0:13:33.120 --> 0:13:35.839
<v Speaker 3>it sets you up to be you know, in my case,

0:13:36.040 --> 0:13:38.559
<v Speaker 3>my family's case, I think are really well rounded and

0:13:38.800 --> 0:13:42.120
<v Speaker 3>you know, your values. I can't generally, I suppose I

0:13:42.160 --> 0:13:46.520
<v Speaker 3>shouldn't generalize here that. You know, country values are a traditionally.

0:13:46.040 --> 0:13:46.880
<v Speaker 2>Very good value.

0:13:47.000 --> 0:13:49.600
<v Speaker 3>You know, you hard work, Honestly, there's nothing wrong with that.

0:13:49.800 --> 0:13:52.720
<v Speaker 3>So I love that there's this migration going on, and

0:13:53.040 --> 0:13:56.120
<v Speaker 3>I love that I'm seeing it in real life as well.

0:13:56.160 --> 0:13:58.920
<v Speaker 3>And there's also this situation I know, I went to

0:13:59.000 --> 0:14:01.760
<v Speaker 3>it for many years where you know, you're in the city,

0:14:02.040 --> 0:14:04.480
<v Speaker 3>you're dating blokes in the city. You get to a

0:14:04.559 --> 0:14:07.000
<v Speaker 3>point where you're bit disillusioned with the blokes in the

0:14:07.000 --> 0:14:10.120
<v Speaker 3>city and you think, you know, there's a romanticism to

0:14:10.200 --> 0:14:13.160
<v Speaker 3>marrying a farmer, and the show sort of captures that.

0:14:13.720 --> 0:14:16.440
<v Speaker 3>But it's a real thing. So, you know, as far

0:14:16.480 --> 0:14:19.640
<v Speaker 3>as reality shows go, to me, it's the most authentic

0:14:19.680 --> 0:14:21.920
<v Speaker 3>sort of reflection of the real world.

0:14:22.120 --> 0:14:24.200
<v Speaker 1>But you know, it's really interesting because I think back,

0:14:24.200 --> 0:14:25.920
<v Speaker 1>because I'm forty four, and I think back to when

0:14:25.920 --> 0:14:29.160
<v Speaker 1>I would be looking for, you know, to find someone,

0:14:29.200 --> 0:14:30.520
<v Speaker 1>and I used to go to the pubs and the

0:14:30.520 --> 0:14:32.360
<v Speaker 1>clubs and things like that. I felt like we had

0:14:32.360 --> 0:14:33.920
<v Speaker 1>to work a little bit harder. Do you think that

0:14:34.040 --> 0:14:36.760
<v Speaker 1>the way in which there's apps and dating apps these days,

0:14:36.760 --> 0:14:38.760
<v Speaker 1>do you reckon that's affected the way that some of

0:14:38.800 --> 0:14:42.320
<v Speaker 1>these men might socialize because they're limiting it that sort

0:14:42.320 --> 0:14:44.200
<v Speaker 1>of face to FaceTime that we were having before.

0:14:44.560 --> 0:14:48.840
<v Speaker 3>Oh god, well, I can't speak Sam.

0:14:48.840 --> 0:14:50.560
<v Speaker 1>We've been off the market for a while. We don't know.

0:14:50.880 --> 0:14:52.000
<v Speaker 1>I have to watch VI Cares.

0:14:52.320 --> 0:14:55.560
<v Speaker 3>God, yeah, thank god, I've been off the market.

0:14:55.600 --> 0:14:56.400
<v Speaker 2>But I do look.

0:14:56.440 --> 0:14:58.440
<v Speaker 3>I look at Richard's daughters, who are in their twenties,

0:14:58.480 --> 0:15:00.680
<v Speaker 3>and it's just a whole different world now. I think

0:15:00.760 --> 0:15:03.680
<v Speaker 3>my day it was no one. You know, I've never

0:15:03.720 --> 0:15:06.000
<v Speaker 3>done it. I never could because I was hosting a

0:15:06.000 --> 0:15:08.440
<v Speaker 3>big show and it was not I just never did it.

0:15:08.520 --> 0:15:09.960
<v Speaker 3>I didn't want to do it, and I wouldn't have

0:15:10.040 --> 0:15:10.320
<v Speaker 3>done it.

0:15:10.360 --> 0:15:13.720
<v Speaker 1>But now you apps, did you imagine the headlines from that?

0:15:13.800 --> 0:15:15.920
<v Speaker 1>Good lord, Oh my god, can you imagine?

0:15:16.000 --> 0:15:19.520
<v Speaker 3>But now young people are you know, it's perfectly acceptable.

0:15:19.600 --> 0:15:21.680
<v Speaker 3>This is how they meet online and they get to

0:15:21.720 --> 0:15:24.160
<v Speaker 3>know each other online really quickly. And I don't know

0:15:24.240 --> 0:15:26.760
<v Speaker 3>for good off the bad. Society will work that out

0:15:26.800 --> 0:15:29.240
<v Speaker 3>in the next couple of decades. But so who am

0:15:29.240 --> 0:15:33.320
<v Speaker 3>I to say? But it's a very different world now. Gosh,

0:15:33.320 --> 0:15:34.400
<v Speaker 3>you don't know me to tell you that.

0:15:34.760 --> 0:15:37.760
<v Speaker 1>No. But also, Tom is twenty two, right, and here's

0:15:37.800 --> 0:15:41.560
<v Speaker 1>from Victoria, And I think twenty two is too young.

0:15:41.840 --> 0:15:43.480
<v Speaker 1>Do you think twenty two is too young to be

0:15:43.520 --> 0:15:45.600
<v Speaker 1>looking for a wife when you're out there in the

0:15:45.640 --> 0:15:46.560
<v Speaker 1>regional environments.

0:15:46.760 --> 0:15:49.760
<v Speaker 3>Well, look, of course it's the course. You know, he's

0:15:49.920 --> 0:15:53.760
<v Speaker 3>a very he's quite a serious young man and he's

0:15:54.040 --> 0:15:57.160
<v Speaker 3>quite well. I wouldn't have picked him at twenty two.

0:15:57.160 --> 0:15:59.640
<v Speaker 3>I think he's quite mature, and he's quiet, and he's

0:15:59.720 --> 0:16:04.200
<v Speaker 3>quite introspective. He's a nice young bloke, Tom and you know,

0:16:04.320 --> 0:16:07.640
<v Speaker 3>he wanted to apply he I think particularly, Look, I

0:16:07.680 --> 0:16:09.600
<v Speaker 3>don't know, this is just country people and this is

0:16:09.680 --> 0:16:12.720
<v Speaker 3>just human nature. But I think what you've seen your

0:16:12.760 --> 0:16:14.800
<v Speaker 3>parents do in their marriage, I think what you've seen

0:16:14.800 --> 0:16:16.960
<v Speaker 3>your grandparents do in their marriage.

0:16:16.760 --> 0:16:18.160
<v Speaker 2>Affects you quite heavily.

0:16:18.200 --> 0:16:20.800
<v Speaker 3>And I think he had a very happy family situation

0:16:21.040 --> 0:16:23.680
<v Speaker 3>that he was coming from. That he wanted what the

0:16:23.760 --> 0:16:26.960
<v Speaker 3>generations before him had and I sort of admire that,

0:16:27.200 --> 0:16:27.800
<v Speaker 3>you know, I mean.

0:16:27.680 --> 0:16:29.680
<v Speaker 2>I've got I couldn't have got married at twenty two.

0:16:29.680 --> 0:16:32.280
<v Speaker 1>I'd like to all my young female friends to keep

0:16:32.320 --> 0:16:34.360
<v Speaker 1>their rings off their fingers until they're thirty. I might

0:16:34.520 --> 0:16:38.200
<v Speaker 1>go and travel and finish your career. You all finish

0:16:38.280 --> 0:16:41.480
<v Speaker 1>your education, I think is important. And I'm like, so

0:16:41.840 --> 0:16:44.160
<v Speaker 1>I said that to my sister, and she she didn't

0:16:44.200 --> 0:16:46.800
<v Speaker 1>end up in a serious relationship until she was thirty,

0:16:46.920 --> 0:16:49.680
<v Speaker 1>but she'd traveled the world, she'd got a degree. I

0:16:49.680 --> 0:16:51.680
<v Speaker 1>don't know. I just think that I tell everyone under

0:16:51.680 --> 0:16:55.640
<v Speaker 1>the age of thirty, but who am I some person city, Well,

0:16:55.680 --> 0:16:56.840
<v Speaker 1>this is the peaks to.

0:16:56.880 --> 0:17:00.440
<v Speaker 3>Their own and I'm very the older I get, the more,

0:17:00.680 --> 0:17:03.200
<v Speaker 3>you know, I just think, you know, live and let

0:17:03.240 --> 0:17:06.160
<v Speaker 3>live and Tom and last season we had Matt who

0:17:06.240 --> 0:17:08.720
<v Speaker 3>was twenty three. He was pretty young too, but he

0:17:08.840 --> 0:17:11.600
<v Speaker 3>was really serious and he's done. Like I think, these

0:17:11.640 --> 0:17:14.880
<v Speaker 3>blokes know when they're ready, and if they're ready at

0:17:14.880 --> 0:17:17.320
<v Speaker 3>twenty two and twenty three, then good luck to them.

0:17:17.680 --> 0:17:20.239
<v Speaker 3>I mean, my father was kind of think. I mean,

0:17:20.280 --> 0:17:23.480
<v Speaker 3>I'm not are, but my father was twenty four when

0:17:23.520 --> 0:17:26.439
<v Speaker 3>he got married. Mum was twenty one and in those days,

0:17:26.560 --> 0:17:30.280
<v Speaker 3>no I thought twice about that. Admittedly that was seventies,

0:17:30.480 --> 0:17:33.120
<v Speaker 3>but who knows. Who knows when you when you're ready,

0:17:33.160 --> 0:17:35.760
<v Speaker 3>you're ready. And it's quite nice for us on the

0:17:35.760 --> 0:17:39.359
<v Speaker 3>show to have that mix of ages because the the

0:17:39.400 --> 0:17:41.720
<v Speaker 3>older farmers are you know, well into their thirties.

0:17:41.760 --> 0:17:42.440
<v Speaker 2>So that's good.

0:17:42.640 --> 0:17:44.440
<v Speaker 1>Yeah, well, I think a good mix is always right,

0:17:44.480 --> 0:17:46.399
<v Speaker 1>you know. What I was also thinking is that whenever

0:17:46.440 --> 0:17:49.560
<v Speaker 1>I watched the show, people talk about the diversity and

0:17:49.640 --> 0:17:51.800
<v Speaker 1>people always ask me. They're like, are they are there

0:17:51.840 --> 0:17:53.639
<v Speaker 1>any gay farmers? Like, are we going to see any

0:17:53.640 --> 0:17:55.480
<v Speaker 1>gay farmers on this show? I'd love to see that.

0:17:55.520 --> 0:17:58.280
<v Speaker 1>And I'm like, well, if there are, and there would

0:17:58.320 --> 0:18:00.240
<v Speaker 1>be that apply and they'd be on the sho show.

0:18:00.280 --> 0:18:02.440
<v Speaker 1>But I was just talking to my friend farmer Dave

0:18:02.760 --> 0:18:05.280
<v Speaker 1>the other day, who was on Big Brother Wise and

0:18:05.320 --> 0:18:07.760
<v Speaker 1>he's now single. Do you reckon that farmer Dave?

0:18:07.880 --> 0:18:07.960
<v Speaker 3>Like?

0:18:08.000 --> 0:18:09.840
<v Speaker 1>If I ring him and pitch this idea to him,

0:18:09.880 --> 0:18:11.120
<v Speaker 1>Derek and he'd be good on the show.

0:18:11.400 --> 0:18:13.920
<v Speaker 3>Yes, of course if we wanted to come on. Yes. Look,

0:18:13.920 --> 0:18:17.560
<v Speaker 3>this issue comes up every year with diversity, with culturally

0:18:17.600 --> 0:18:21.760
<v Speaker 3>diverse farmers or gay farmers, and we are we are

0:18:21.800 --> 0:18:25.400
<v Speaker 3>not shutting that down. Well, the producers are very open

0:18:25.560 --> 0:18:29.320
<v Speaker 3>to anyone who wants to apply. The problem is it's

0:18:29.359 --> 0:18:30.919
<v Speaker 3>really hard to find people who want to go on

0:18:30.920 --> 0:18:33.960
<v Speaker 3>television and look for love from diverse backgrounds. They do

0:18:34.080 --> 0:18:36.639
<v Speaker 3>try every year, and every year it comes up, but

0:18:37.400 --> 0:18:40.200
<v Speaker 3>they have to want to be on television. So that's

0:18:40.400 --> 0:18:40.800
<v Speaker 3>the key.

0:18:41.320 --> 0:18:43.280
<v Speaker 1>You're going to fill out the application for him. They'll

0:18:43.320 --> 0:18:45.120
<v Speaker 1>just have the producers turn up at his house because

0:18:45.160 --> 0:18:46.600
<v Speaker 1>you know Dave would love to be on TV.

0:18:46.960 --> 0:18:49.080
<v Speaker 3>Well, I think they're casting for the next season right

0:18:49.080 --> 0:18:50.159
<v Speaker 3>now and we're onto it.

0:18:50.200 --> 0:18:52.159
<v Speaker 1>But we're onto it. Before I let you go, I

0:18:52.160 --> 0:18:55.080
<v Speaker 1>need to talk to you about your my favorite celebrity

0:18:55.080 --> 0:18:57.760
<v Speaker 1>clickbait story, because I don't think I've ever read clickbait

0:18:57.800 --> 0:19:00.200
<v Speaker 1>story that's ever true, and we need to bust one.

0:19:00.359 --> 0:19:02.560
<v Speaker 1>Because I was in the supermarket i Reckon a month

0:19:02.560 --> 0:19:04.800
<v Speaker 1>ago when I saw your face on the front of

0:19:04.800 --> 0:19:07.080
<v Speaker 1>the whole magazine. It said that you're moving to America.

0:19:07.400 --> 0:19:10.399
<v Speaker 1>And then I read the article because obviously I'm that person.

0:19:10.480 --> 0:19:11.920
<v Speaker 1>You can't just look at the picture. I've got to

0:19:11.960 --> 0:19:14.280
<v Speaker 1>read the story, and it was like, you know you're

0:19:14.440 --> 0:19:16.080
<v Speaker 1>going to leave farmer wants a wife because you're going

0:19:16.119 --> 0:19:17.880
<v Speaker 1>to now be an American. Well, I mean, I think

0:19:17.880 --> 0:19:19.840
<v Speaker 1>it's a terrible time to go to America with Trump

0:19:19.880 --> 0:19:21.240
<v Speaker 1>over there and all the rest of it. What do

0:19:21.280 --> 0:19:22.400
<v Speaker 1>you make of that story.

0:19:22.240 --> 0:19:25.160
<v Speaker 3>I saw you? I do I do know. I did

0:19:25.200 --> 0:19:28.120
<v Speaker 3>see it. I normally don't see thos magazines. Thank God,

0:19:28.560 --> 0:19:30.679
<v Speaker 3>I have better things to do with my part. My

0:19:30.760 --> 0:19:33.600
<v Speaker 3>person sat, but I did. I sat down in the hairdresser,

0:19:33.600 --> 0:19:35.879
<v Speaker 3>actually my hair dress the habit sitting there for me,

0:19:35.920 --> 0:19:38.160
<v Speaker 3>and I said, what is this because it was a

0:19:38.280 --> 0:19:40.840
<v Speaker 3>terrible old photo because of course that's what they used

0:19:40.840 --> 0:19:44.359
<v Speaker 3>on the property from twelve months ago when I was

0:19:44.400 --> 0:19:47.320
<v Speaker 3>walking through the rain into Carlin Jackie Oh to do

0:19:47.359 --> 0:19:49.520
<v Speaker 3>an interview with them. So it was a very old photo.

0:19:49.800 --> 0:19:50.119
<v Speaker 1>Wow.

0:19:50.359 --> 0:19:52.600
<v Speaker 3>And I think it said I was fleeing to America,

0:19:52.600 --> 0:19:55.600
<v Speaker 3>but I was actually walking into a radio station last March.

0:19:56.720 --> 0:19:59.800
<v Speaker 3>Don't see you go. There's your first clue. But I

0:19:59.840 --> 0:20:03.320
<v Speaker 3>know I'm not going to America. I am quite happily

0:20:03.640 --> 0:20:07.639
<v Speaker 3>ensconced in the Southern Highlands. And you know, it's quite funny,

0:20:07.720 --> 0:20:10.119
<v Speaker 3>you know, it amuses me now when I was doing

0:20:10.160 --> 0:20:13.080
<v Speaker 3>Sunrise and it was all a little bit more hectic, but.

0:20:13.000 --> 0:20:15.159
<v Speaker 1>You're tired of doing those hours. I had a breakfast

0:20:15.280 --> 0:20:17.159
<v Speaker 1>radio where I was getting up at three, you know,

0:20:17.240 --> 0:20:20.320
<v Speaker 1>to be in the station at three thirty, and people

0:20:20.320 --> 0:20:22.840
<v Speaker 1>would write stuff about me at the time and it

0:20:22.920 --> 0:20:25.840
<v Speaker 1>was never true, and then I would be very sensitive.

0:20:25.880 --> 0:20:28.000
<v Speaker 1>And I think that there's something about getting up at

0:20:28.000 --> 0:20:31.280
<v Speaker 1>that time and being tired and being more susceptible to

0:20:31.320 --> 0:20:33.560
<v Speaker 1>being upset about it. Where now if someone writes that stuff,

0:20:33.760 --> 0:20:35.720
<v Speaker 1>I just I think it's a good laugh. I just

0:20:35.800 --> 0:20:36.240
<v Speaker 1>laugh at it.

0:20:36.359 --> 0:20:37.359
<v Speaker 3>Well, this is what this is.

0:20:37.480 --> 0:20:38.520
<v Speaker 2>Yeah, this is my point.

0:20:38.560 --> 0:20:40.800
<v Speaker 3>I used to get upset by, well, not not really

0:20:41.000 --> 0:20:44.280
<v Speaker 3>miss silly, but some of it. I'd get upset by

0:20:44.359 --> 0:20:45.720
<v Speaker 3>and I'd say, this is not true.

0:20:45.960 --> 0:20:46.600
<v Speaker 2>Where is it you.

0:20:46.680 --> 0:20:49.520
<v Speaker 1>We've got to get on the now, well your family.

0:20:49.400 --> 0:20:51.800
<v Speaker 3>I can detach from it now. I actually did read

0:20:51.800 --> 0:20:54.720
<v Speaker 3>that article two and it's actually hilarious because when you're

0:20:54.760 --> 0:20:58.120
<v Speaker 3>reading about yourself like that and go where and let

0:20:58.119 --> 0:20:59.840
<v Speaker 3>me tell as soon as a magazine like that is,

0:21:00.240 --> 0:21:02.679
<v Speaker 3>I saw what's close to demansa is saying, you know

0:21:02.760 --> 0:21:03.760
<v Speaker 3>that they've just made it up.

0:21:04.880 --> 0:21:05.720
<v Speaker 1>I've got a little faith.

0:21:06.760 --> 0:21:10.320
<v Speaker 3>Yeah, it's kind of funny unless it's topometry and then

0:21:10.359 --> 0:21:10.920
<v Speaker 3>you take action.

0:21:11.200 --> 0:21:13.360
<v Speaker 1>You know. The other thing that was people keep saying

0:21:13.400 --> 0:21:15.359
<v Speaker 1>because I was googling this morning, this is obviously my

0:21:15.440 --> 0:21:18.440
<v Speaker 1>journalistic degree. Found everything from Google. No, that's not necessarily true.

0:21:18.440 --> 0:21:21.120
<v Speaker 1>But they were talking about Natalie Groowski and they said

0:21:21.160 --> 0:21:22.840
<v Speaker 1>that you're in a fight with her. Now i'd spoken

0:21:22.840 --> 0:21:24.560
<v Speaker 1>to her. No, there's no fight. But do you think

0:21:24.560 --> 0:21:27.480
<v Speaker 1>it's very boring when we pit women against each other

0:21:27.600 --> 0:21:30.159
<v Speaker 1>like that for no reason in the media landscape? Do

0:21:30.160 --> 0:21:31.720
<v Speaker 1>you think that's very lazy journalism.

0:21:31.880 --> 0:21:35.080
<v Speaker 3>Oh, it's very lazy. How silly to be carrying on

0:21:35.240 --> 0:21:38.240
<v Speaker 3>like that. In twenty twenty four, No, Natalie growslik Iss

0:21:38.280 --> 0:21:41.320
<v Speaker 3>divine and we get on very well. And she's an

0:21:41.359 --> 0:21:44.080
<v Speaker 3>absolute sweetheart. So don't listen twenty.

0:21:43.840 --> 0:21:44.520
<v Speaker 2>Of the nonsense.

0:21:44.840 --> 0:21:46.440
<v Speaker 1>Okay, I'm going to take that from you. Well, the

0:21:46.520 --> 0:21:48.600
<v Speaker 1>last question I ask is the same thing I ask everyone.

0:21:48.640 --> 0:21:50.920
<v Speaker 1>I think this is episode three hundred and ninety nine,

0:21:50.960 --> 0:21:54.119
<v Speaker 1>So thank you. Close to four hundred episodes mental and

0:21:54.160 --> 0:21:56.080
<v Speaker 1>I know you did podcasting, so you know that that's

0:21:56.080 --> 0:21:59.840
<v Speaker 1>a lot of episodes. It is, well that, yeah, but

0:22:00.040 --> 0:22:01.840
<v Speaker 1>what is something from behind the scenes that this year

0:22:01.880 --> 0:22:04.119
<v Speaker 1>is farmer? Something that you can tell us kind of

0:22:04.160 --> 0:22:06.880
<v Speaker 1>like a funny story or funny anecdote from your time

0:22:06.920 --> 0:22:07.760
<v Speaker 1>filming the series.

0:22:08.040 --> 0:22:10.280
<v Speaker 2>Oh my goodness, No, you're putting me on the well.

0:22:10.280 --> 0:22:11.840
<v Speaker 1>I think last year, what did we talking about. We

0:22:11.920 --> 0:22:15.200
<v Speaker 1>mentioned the the the B and S ball where there

0:22:15.240 --> 0:22:17.320
<v Speaker 1>was moscitoes or something I can't remember, and all of

0:22:17.359 --> 0:22:18.320
<v Speaker 1>them was Alado.

0:22:18.640 --> 0:22:21.280
<v Speaker 2>It was the leech crew got leeches on their legs

0:22:21.280 --> 0:22:22.120
<v Speaker 2>out of the grass.

0:22:22.440 --> 0:22:25.520
<v Speaker 3>Let me think, Oh my goodness, you put me on

0:22:25.520 --> 0:22:27.919
<v Speaker 3>the spot now and I can't think of any gothip

0:22:28.040 --> 0:22:31.120
<v Speaker 3>for you mean, one night we shot the Country Ball.

0:22:31.160 --> 0:22:33.879
<v Speaker 3>We filmed the Country Ball. It's in just me in

0:22:33.880 --> 0:22:37.639
<v Speaker 3>the Hunter Valley, and we had a fire pit. You know,

0:22:38.480 --> 0:22:40.800
<v Speaker 3>everyone loves to sit around the fire in the country.

0:22:40.880 --> 0:22:43.080
<v Speaker 3>But then we're kind of film and the crew were

0:22:43.119 --> 0:22:48.000
<v Speaker 3>trying to throw water on the fire pit. When you

0:22:48.080 --> 0:22:50.679
<v Speaker 3>throw water on a fire, it just creates smoke. I

0:22:50.680 --> 0:22:54.960
<v Speaker 3>don't know, yeah, I know, in the fire, but so

0:22:55.040 --> 0:22:57.320
<v Speaker 3>we just had billows of smoke going up in the

0:22:57.920 --> 0:22:59.560
<v Speaker 3>in front of the cameras, so we couldn't film. And

0:22:59.600 --> 0:23:03.760
<v Speaker 3>it was like three am and ridiculously cold and wet,

0:23:03.960 --> 0:23:07.000
<v Speaker 3>and we had smoke bellowing through and everyone just wanted

0:23:07.000 --> 0:23:08.800
<v Speaker 3>to be finished and go to bed. So me and

0:23:08.880 --> 0:23:11.960
<v Speaker 3>the farmers actually came over with their bare hands and

0:23:12.000 --> 0:23:15.000
<v Speaker 3>started pulling the like the metal five. I've always stopped

0:23:15.000 --> 0:23:18.920
<v Speaker 3>passing the metal, so they would try to just pull

0:23:18.960 --> 0:23:21.879
<v Speaker 3>it out from under, like turn it upside downside so

0:23:22.520 --> 0:23:25.000
<v Speaker 3>the fire would go out, which I thought was very

0:23:25.320 --> 0:23:27.879
<v Speaker 3>very country boy thing to do. I was like, do

0:23:28.000 --> 0:23:31.280
<v Speaker 3>not touch that five pit with their hands. It was

0:23:31.440 --> 0:23:33.880
<v Speaker 3>very much and brave, but also a bit stupid.

0:23:33.920 --> 0:23:35.920
<v Speaker 1>So we know the crew aren't from the country because

0:23:35.920 --> 0:23:37.800
<v Speaker 1>they're the ones throwing the water on the fire like that.

0:23:37.880 --> 0:23:39.800
<v Speaker 1>They don't know, that's that's not what you do.

0:23:40.400 --> 0:23:43.720
<v Speaker 3>The farmers were like, don't look, these bloody city crew

0:23:44.000 --> 0:23:46.920
<v Speaker 3>work it out. But I mean that's all part. Look,

0:23:46.920 --> 0:23:49.719
<v Speaker 3>it's all fun. It's all it's well, no, it's not

0:23:49.800 --> 0:23:52.080
<v Speaker 3>usually fun at trying it, but it was all in

0:23:52.160 --> 0:23:54.639
<v Speaker 3>hindsight it was funny. So that, yeah, that's a bit

0:23:54.680 --> 0:23:55.040
<v Speaker 3>of fun.

0:23:55.200 --> 0:23:56.760
<v Speaker 1>Well, I just want to say thank you for being

0:23:56.760 --> 0:23:58.640
<v Speaker 1>so generous. I love do you know. I get so

0:23:58.680 --> 0:24:01.360
<v Speaker 1>excited to talk to you because it's just so easy

0:24:01.600 --> 0:24:04.040
<v Speaker 1>and you have always such a good storyteller and you

0:24:04.040 --> 0:24:06.640
<v Speaker 1>have a lot to say and I think it's real value.

0:24:06.760 --> 0:24:09.119
<v Speaker 1>So I really look forward to chatting to you. I

0:24:09.200 --> 0:24:10.240
<v Speaker 1>really do well.

0:24:10.040 --> 0:24:11.600
<v Speaker 3>As suppose you to talk to you, and I thank

0:24:11.600 --> 0:24:13.520
<v Speaker 3>you for having me on your podcast, so we great

0:24:13.560 --> 0:24:14.120
<v Speaker 3>to chat to you.

0:24:14.200 --> 0:24:16.120
<v Speaker 1>Well enjoy chatting to the media with this season. I'm

0:24:16.119 --> 0:24:18.480
<v Speaker 1>going to live vicariously through you as we watch it

0:24:18.520 --> 0:24:19.639
<v Speaker 1>with the rest of Australia.

0:24:19.800 --> 0:24:20.119
<v Speaker 3>Thank you.

0:24:20.320 --> 0:24:21.040
<v Speaker 2>It's a good season.

0:24:21.080 --> 0:24:23.879
<v Speaker 3>I think you'll enjoy it. So so stay cute.

0:24:24.680 --> 0:24:26.639
<v Speaker 1>That's a good teast. Sam, look after yourself.

0:24:26.800 --> 0:24:27.760
<v Speaker 3>You too, thank you,