WEBVTT - FULL: Harriet Lecter

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<v Speaker 1>Quest.

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<v Speaker 2>Yeah, welcome friends to the Christian O'Connell Show podcast.

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<v Speaker 3>Get over it.

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<v Speaker 4>I know all twenty six les.

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<v Speaker 2>Please just call me dow No, please call me Simon

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<v Speaker 2>The Christian o'connel Show Gold one oh four point.

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<v Speaker 5>Three de good. All is good in my wild team,

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<v Speaker 5>I tell you what, because yesterday evening I had a

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<v Speaker 5>killer tea. When you have a good tea, all's good

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<v Speaker 5>in your world. Again, do you know? I have made

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<v Speaker 5>my best of a homemade chicken schnitzel yesterday for the kids?

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<v Speaker 3>Yuh, what's your secret?

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<v Speaker 5>Do you know? Rio got us that smoked salt for Christmas?

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<v Speaker 5>So it's a game changer. And it actually is a

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<v Speaker 5>game changer. There aren't many things I will add now

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<v Speaker 5>I've had to buy I've had to restock it three

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<v Speaker 5>times and only got it at December. It is only

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<v Speaker 5>in the early days of March. I'll put it in

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<v Speaker 5>a salad that was sure. It quite works, but I

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<v Speaker 5>like having that tang in that salad. So anyway, you know,

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<v Speaker 5>everyone knows had to make your chicken snitch. So you

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<v Speaker 5>got you got your bread crumbs, got the flour, the.

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<v Speaker 4>Egg from scratches. Pretty good. Yes, I still go to

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<v Speaker 4>the store bought.

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<v Speaker 5>One that stool tastes great as well. It's actually it's

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<v Speaker 5>actually was impossible to have a bad one, but homemade ones.

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<v Speaker 5>Try making them at home. You feel really good about it,

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<v Speaker 5>even though basicly it is just chicken and bread crumbs.

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<v Speaker 5>You know, it's not heston bluemntole, sort of changing it

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<v Speaker 5>out of cooking. Yesterday, I actually went up this when

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<v Speaker 5>the kids came down after five minutes of day it's

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<v Speaker 5>getting cold. They do this to me every time a minute.

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<v Speaker 5>I know, they just on their phones on TikTok or anything.

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<v Speaker 5>I actually went like this, waved my hands over the

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<v Speaker 5>food I've made. It's basically chicken bread crumbs, and went tala.

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<v Speaker 5>International Women's Day starts right here with a homemade chicken schnitzel.

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<v Speaker 5>You your mom, sit down, it's on me. I've got

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<v Speaker 5>your sisters. Schnitzels are on me. I see you, I

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<v Speaker 5>am you. Let's eat the schnitzel. So anyway, you get

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<v Speaker 5>the bread crumbs mixed in with garlic song. What I

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<v Speaker 5>did is before it goes in the frying pan with

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<v Speaker 5>the oil, you need about a centimeter. I chopped up

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<v Speaker 5>a couple of garlic bowls and put that in for

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<v Speaker 5>five minutes in butter. So I'm frying it like butter.

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<v Speaker 5>When it goes in, it's really warm. You don't want

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<v Speaker 5>the garlic going golden browns. It kind of goes off there.

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<v Speaker 5>It's just melty enough. It's infused. It's diffused into the

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<v Speaker 5>butter meat. Mister Snitz or three minutes on each side. Bang,

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<v Speaker 5>you're ready to go a little bit more chicken salt

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<v Speaker 5>on the top as it's caught.

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<v Speaker 4>Why not because of the garlic. I'm still not doing

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<v Speaker 4>this low fodmap thing to try and reset my gut.

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<v Speaker 5>I thought garlic was meant to be good for us,

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<v Speaker 5>good for our hearts. Garlic capsules, right, everything is on there.

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<v Speaker 5>That's why I have it. No vampires come in here

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<v Speaker 5>every night.

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<v Speaker 4>Well, the gut's getting better, but the vampires are getting

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<v Speaker 4>out of control.

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<v Speaker 5>Over because Coburg, you've got a hipster vampire is the

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<v Speaker 5>worst kite.

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<v Speaker 4>No onion. It makes it flavoring any dish very hard.

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<v Speaker 5>So can you do garlic song onion salt?

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<v Speaker 6>No?

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<v Speaker 5>Not only for doing that? How many weeks you're doing that? Well?

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<v Speaker 4>I actually you know what, I caved andate toast yesterday,

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<v Speaker 4>which I'm not well bread, I was going to do it.

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<v Speaker 5>Don't judge yourself. It's still part of the twelve steps,

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<v Speaker 5>you know. Just accept you've got no power over a

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<v Speaker 5>garlic and toast. Oh you really relapsed? Sorry, my name's Jackie.

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<v Speaker 5>Got a problem. Yeah, I had a bit of granary

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<v Speaker 5>yesterday and I don't feel good about myself. Some toast

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<v Speaker 5>you are, man, you're kind of slow down suns. There's

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<v Speaker 5>no way. I was about to say, there's no way

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<v Speaker 5>you're keeping up any kind of diet restrictions and healthy

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<v Speaker 5>living when your little lad comes in. But day's Jackie board,

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<v Speaker 5>because you know what's like when we're really tired. You're

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<v Speaker 5>not chopping up an iceberg letters? Are you?

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<v Speaker 1>Seriously?

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<v Speaker 5>You actually see that stuff? Way Toast is a really

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<v Speaker 5>good go to, isn't it? Toast is reliable? So Jackie boy,

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<v Speaker 5>I know tomorrow is the induction day. How are things

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<v Speaker 5>at home now?

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<v Speaker 4>Bianca is running out of ways to nest at this place.

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<v Speaker 4>We're ready, the the everything is ready for him. He's

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<v Speaker 4>got everything you'll ever need. He's got his nursery, he's

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<v Speaker 4>got his cart, he's got his nappies.

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<v Speaker 5>Everything.

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<v Speaker 4>So she's now started to rearrange the kitchen. The kitchen

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<v Speaker 4>was fine, by the way, no problem with where things were.

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<v Speaker 4>But yesterday everything came out of the drawers. Everything was

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<v Speaker 4>going to.

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<v Speaker 5>Every two months, always on a Sunday. It's always on

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<v Speaker 5>a Sunday. Right where she starts to rearrange the kitchen,

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<v Speaker 5>then snaps right and I don't even know what I've

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<v Speaker 5>bloody started this, Chris, and I go, I'm just going

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<v Speaker 5>to go out for a bit, and what the dogs

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<v Speaker 5>might want?

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<v Speaker 4>No part of this and maybe this.

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<v Speaker 5>You know, when you too far into it, you can't

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<v Speaker 5>you can't go back. And just once you mentioned the

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<v Speaker 5>empty out the knives and the forks and stuff like that,

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<v Speaker 5>like this is today. You can't put this back in

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<v Speaker 5>an hour. This is the day written off now. So

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<v Speaker 5>was that bianche yesterday?

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<v Speaker 4>No, I reckon the snap might still be coming. So

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<v Speaker 4>yesterday she was actually and quite I've never seen so happy. Really,

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<v Speaker 4>she was so happy that things were going into a

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<v Speaker 4>new location. You know, the kettle's on the other side

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<v Speaker 4>of the kitchen. Now that to where the cups are,

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<v Speaker 4>the spices are weather.

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<v Speaker 5>What about that toaster? So when you had that relapse,

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<v Speaker 5>you could still find the toaster okay.

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<v Speaker 4>Toasts on the other side. Honestly, this morning was like

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<v Speaker 4>living in a mirror because my kettle's on one side

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<v Speaker 4>where it used to be the toaster. But there's still

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<v Speaker 4>stuff now. The plates still don't have a home, the

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<v Speaker 4>cookbooks don't have a home, and the pants.

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<v Speaker 5>The exod on the top. There no home for the plates.

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<v Speaker 4>So maybe the snap is still coming. But she, I

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<v Speaker 4>mean she had a small ear to ear yesterday getting those,

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<v Speaker 4>getting the spices in the manster.

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<v Speaker 5>And you know what's coming in about forty eight hours time,

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<v Speaker 5>involving pushing a kid out. That's all grave, isn't it?

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<v Speaker 5>No wonder you're smiling because you know what inevitably is coming,

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<v Speaker 5>drawing closer and closer.

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<v Speaker 1>The Christian O'Connell Show podcast.

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<v Speaker 5>Passy, What's going on in your world? What's happening way

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<v Speaker 5>out west?

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<v Speaker 3>No two words this morning, Christian anal Glens.

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<v Speaker 5>How is your husband.

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<v Speaker 3>Had to take the beast to the vet? Not my husband, Presley.

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<v Speaker 5>It surprised me if you did take him to the vet.

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<v Speaker 3>On the scales I had to take him yesterday. He's

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<v Speaker 3>got those they call them a jew law, you know,

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<v Speaker 3>like the doggy thumb them all no, it's called a

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<v Speaker 3>juke law.

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<v Speaker 5>And we'll get a check on that scene in Oh,

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<v Speaker 5>thank god, that's what was missing. No, that's where it was.

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<v Speaker 5>It was lost in translation. It's like there's no way

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<v Speaker 5>can be got.

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<v Speaker 4>Who knows they're out. They just walk back to the pavilion.

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<v Speaker 5>It's when people goes, well, no, no, no, it's fine, it's fine,

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<v Speaker 5>it's fine. That doesn't stop. So anyway, the duke claws

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<v Speaker 5>you as.

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<v Speaker 3>In on the grass in the morning on.

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<v Speaker 5>A lovely winter's beautiful.

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<v Speaker 3>Yes, anyway, it's it grows very very fast. And his

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<v Speaker 3>nails are like iron. You can't cut through them. No,

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<v Speaker 3>they're very hard. They're very very hard.

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<v Speaker 5>She feels like you've got some sort of werewolf. He's

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<v Speaker 5>got anal problems and he's got claws. You can't cut

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<v Speaker 5>the poor old thing.

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<v Speaker 3>He didn't have a good day yesterday, so he had

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<v Speaker 3>to have the nails trimmed. And then I said to it, what.

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<v Speaker 5>About his ass? He's got all that going on. Some

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<v Speaker 5>one out giving me a manicure or a petty shot out

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<v Speaker 5>the old butt cheeks. When he sits down, you're gonna

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<v Speaker 5>need a rubber ring, you know, I.

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<v Speaker 3>Said, he's been scooting along the carpet, and I thought

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<v Speaker 3>he must have had throw up?

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<v Speaker 5>Is in his bottom? Funny snail trails? He's down there,

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<v Speaker 5>so is it? Chris Well?

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<v Speaker 3>I thought he had worms and the vet said no.

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<v Speaker 3>I said, but I can't. This is a terrible discussion,

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<v Speaker 3>like it's out of six, I said, I do look

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<v Speaker 3>at his poo poos and I don't see anything that

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<v Speaker 3>shouldn't be in there, so I don't know if he does.

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<v Speaker 5>What do you mean you look at his poop poos?

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<v Speaker 5>Who are your pantsy?

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<v Speaker 3>What's always Chris and ORDI don't you look at your poo?

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<v Speaker 3>It's always a good indication of what your body's doing

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<v Speaker 3>when you look at your.

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<v Speaker 5>Poo ocasion, I do you have a little glance? Yes,

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<v Speaker 5>that's interesting one bit of corn. I think Hollywood stars

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<v Speaker 5>do that. The next famous personal interview when he's at

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<v Speaker 5>a number two, he just has a little cheeky plants

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<v Speaker 5>down and go.

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<v Speaker 3>Anyway, getting back to the poopoo in the word can

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<v Speaker 3>we thank you? Said no, I don't. I don't think

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<v Speaker 3>he has. He looks pretty good, but he might have

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<v Speaker 3>blocked anal glance And I said, what what?

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<v Speaker 4>What?

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<v Speaker 3>What are anal glands.

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<v Speaker 5>Well, I mean you can guess what they are around

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<v Speaker 5>that area.

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<v Speaker 3>What purpose do they serve? And she said, well when

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<v Speaker 3>they block what they do they put like a fine

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<v Speaker 3>clear film over their poopoos. It's just like a natural thing. No,

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<v Speaker 3>but they get blocked and you have to squeeze them

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<v Speaker 3>like a pimple. And I just watched her.

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<v Speaker 5>Not us it just I know they say they're man's

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<v Speaker 5>best friend, but I'm not doing that to any.

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<v Speaker 4>I don't know about this film, the cling wrap around

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<v Speaker 4>the pooh. I don't know if my dog's doing that.

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<v Speaker 3>No, well I haven't noticed it either, Jack.

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<v Speaker 5>But what about all your examinations. You're going to need

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<v Speaker 5>a new microscope now in the lab.

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<v Speaker 3>So anyway, they get the big gloves on and proceeds, Yes,

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<v Speaker 3>and it was it was the student vet.

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<v Speaker 5>Of course, it was the guy that owns the practice,

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<v Speaker 5>who's got the old Bentley out of the back. He's

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<v Speaker 5>done that years ago, not anymore. Well, Marie, if you

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<v Speaker 5>want to be a vet, you start squeezing. But it's

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<v Speaker 5>international Woman's Day, doesn't matter.

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<v Speaker 3>Anyway, So she's I said, what's it like down there?

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<v Speaker 3>I didn't want to have a look, I said, seriously,

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<v Speaker 3>what do.

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<v Speaker 5>You think it's like horrible and squeezing a dog's ass?

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<v Speaker 5>How's your Tuesday going? She's ticking goals back here she

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<v Speaker 5>squeezes it.

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<v Speaker 3>She goes, it's like a bimble, and I said really,

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<v Speaker 3>and then it just drains off and they've got one

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<v Speaker 3>either side, so they have to do too. And then

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<v Speaker 3>he's happy.

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<v Speaker 5>Actually get the phoenish. She could carry off like a

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<v Speaker 5>pilipbuster for another three or four minutes. She was asking,

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<v Speaker 5>how are things going out West?

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<v Speaker 1>You know Connall Show podcast.

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<v Speaker 5>Good morning to listener Tyson Wheeln who's just had to

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<v Speaker 5>turn the show off, but he turned it back on

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<v Speaker 5>again tomorrow morning, said he must throw up in his mouth.

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<v Speaker 5>Listen to Patsy go on relent to say about dogs

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<v Speaker 5>as you need to find us another listener, Patsy to

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<v Speaker 5>balance it all out.

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<v Speaker 1>Well, Christian know Connall Show podcasts.

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<v Speaker 5>All right, okay, so this week we start a brand

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<v Speaker 5>new at Z made up of your old band name.

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<v Speaker 5>So if you used to be in a band, no

0:10:30.440 --> 0:10:32.839
<v Speaker 5>matter how short lived they were, some of them are

0:10:32.880 --> 0:10:34.640
<v Speaker 5>that you talked about actually had a couple of albums

0:10:34.640 --> 0:10:37.200
<v Speaker 5>out here are the ones we had yesterday is it

0:10:37.320 --> 0:10:39.600
<v Speaker 5>time to no my word, No, we didn't call it.

0:10:41.000 --> 0:10:45.160
<v Speaker 7>We ended up being called Evlynch Bone, Pa Dutch Ovan Loven.

0:10:45.440 --> 0:10:47.880
<v Speaker 8>If I be the Fried Reich band.

0:10:48.080 --> 0:10:50.960
<v Speaker 9>My two brothers they started a band called Grimlin.

0:10:51.120 --> 0:10:53.400
<v Speaker 8>I was in a band called the MBT, Mad Dog,

0:10:53.559 --> 0:10:57.439
<v Speaker 8>Central Rocking, the Royals, Twist and the Fake Uncle Fister

0:10:57.559 --> 0:10:58.839
<v Speaker 8>and the mccaulay's.

0:11:00.080 --> 0:11:02.400
<v Speaker 5>Right Jackie Boy. Which one's are wide open?

0:11:03.240 --> 0:11:05.000
<v Speaker 4>So these are the spots to feel if you ever

0:11:05.040 --> 0:11:07.719
<v Speaker 4>had a band with a name starting with j K,

0:11:08.679 --> 0:11:14.120
<v Speaker 4>L N, O, p q, V, w X, Y or Z.

0:11:15.240 --> 0:11:18.760
<v Speaker 2>This is the Christian O'Connell show podcast.

0:11:19.240 --> 0:11:21.360
<v Speaker 5>You used to be in a band? What were they

0:11:21.400 --> 0:11:24.960
<v Speaker 5>called some of these old band names. Jack Bost used

0:11:25.000 --> 0:11:29.880
<v Speaker 5>to be one called show Pony. Before the end of

0:11:29.880 --> 0:11:32.600
<v Speaker 5>this year, we will be doing something. I've made a

0:11:32.600 --> 0:11:35.520
<v Speaker 5>promise off air. Can't say anything too much, but he

0:11:35.600 --> 0:11:41.280
<v Speaker 5>said too much today. You know, I'm definitely not chat day.

0:11:41.720 --> 0:11:43.880
<v Speaker 5>I'm not interviewing Robbie Williams. Okay, there needs to be

0:11:43.920 --> 0:11:49.280
<v Speaker 5>in that's too much speculation already about this. You haven't

0:11:49.280 --> 0:11:51.240
<v Speaker 5>had the last of Show Pony. That's all last safe

0:11:51.280 --> 0:11:54.120
<v Speaker 5>for now. Robbi Williams are going to speak him today

0:11:54.120 --> 0:11:57.480
<v Speaker 5>and get him to join the band. All right, Jackie boy,

0:11:57.559 --> 0:11:59.960
<v Speaker 5>what are the old There are squeaky bums all around

0:12:00.120 --> 0:12:04.160
<v Speaker 5>studio right now, Jackie boy, what are What are the

0:12:04.200 --> 0:12:05.680
<v Speaker 5>man names we've had so far?

0:12:06.840 --> 0:12:12.800
<v Speaker 4>From letter A avalanche, B for bone, lazy, C crude, molasses,

0:12:13.000 --> 0:12:19.360
<v Speaker 4>D Dutch Oven, lovin E excessive flatulence, F fried Rice band,

0:12:19.640 --> 0:12:25.680
<v Speaker 4>G for gremlin, H for hoof, hearted, I for ignacius.

0:12:25.120 --> 0:12:26.679
<v Speaker 5>Biscuit, Oh yes, I forgot about that.

0:12:27.640 --> 0:12:30.720
<v Speaker 4>M for mad Dog, Central, R for rocking, the Royals,

0:12:31.200 --> 0:12:34.360
<v Speaker 4>S for show, pony, T for twisted and fate and

0:12:34.559 --> 0:12:37.000
<v Speaker 4>you for Uncle Fester and the mcaulay's all.

0:12:37.000 --> 0:12:40.280
<v Speaker 5>Right, let's get some more. Quentin, welcome to the show.

0:12:41.400 --> 0:12:43.920
<v Speaker 7>Good morning, Christian, Jack and Patch. How are you today?

0:12:43.960 --> 0:12:46.000
<v Speaker 5>We're good, Quinchin. How's your week going so far?

0:12:46.920 --> 0:12:49.640
<v Speaker 7>Oh I'm not too bad, not too bad. Nice day today,

0:12:49.679 --> 0:12:50.800
<v Speaker 7>so it's going to be good.

0:12:50.679 --> 0:12:52.400
<v Speaker 5>All right, k chip off you go. What band have

0:12:52.440 --> 0:12:53.040
<v Speaker 5>you got for us?

0:12:53.240 --> 0:12:56.240
<v Speaker 7>Okay, so I've got j for you. I've got Jagged Edge.

0:12:56.360 --> 0:12:59.079
<v Speaker 7>That was a band I played in in eighty seven

0:12:59.120 --> 0:13:01.679
<v Speaker 7>to about eighty mourn up around the Maljura area where

0:13:01.720 --> 0:13:02.280
<v Speaker 7>I grew up.

0:13:02.480 --> 0:13:04.559
<v Speaker 5>Wow, and what were you in the band.

0:13:05.559 --> 0:13:06.680
<v Speaker 7>Keyboard and vocals?

0:13:07.000 --> 0:13:10.040
<v Speaker 5>Yeah, original songs. So are you doing covers?

0:13:10.559 --> 0:13:13.080
<v Speaker 7>No, we were doing covers. So we were all in

0:13:13.120 --> 0:13:17.280
<v Speaker 7>our in our late teens early early twenties with this band.

0:13:17.360 --> 0:13:18.720
<v Speaker 10>So yeah, now what do you do?

0:13:18.720 --> 0:13:20.760
<v Speaker 5>Do you play pubs? We were getting work.

0:13:20.880 --> 0:13:24.120
<v Speaker 7>Yeah, we were doing night the nightclubs. So there was

0:13:24.120 --> 0:13:26.760
<v Speaker 7>a Carlisle Club, the Settlers Club. We go to Robin

0:13:26.840 --> 0:13:29.959
<v Speaker 7>vaugh do the Robin Vail Club. We did a gig

0:13:29.960 --> 0:13:36.040
<v Speaker 7>in broaken Hill and yeah, but we played just about Thursday, Friday,

0:13:36.040 --> 0:13:38.120
<v Speaker 7>Saturday night just about every week someway.

0:13:38.120 --> 0:13:41.600
<v Speaker 5>Did you love it? It's a good fun, absolutely being

0:13:41.640 --> 0:13:44.319
<v Speaker 5>a band with your mates. It's like your rock stars

0:13:44.360 --> 0:13:45.560
<v Speaker 5>living the dream of the weekend.

0:13:47.200 --> 0:13:50.319
<v Speaker 7>Well yeah, it used to encroach on my normal daily

0:13:50.360 --> 0:13:52.480
<v Speaker 7>work a little bit, you know, come Friday, I was

0:13:52.520 --> 0:13:54.600
<v Speaker 7>a bit tired, But it's all right.

0:13:55.280 --> 0:13:57.559
<v Speaker 5>And what broke the band? Did? Life just get in

0:13:57.600 --> 0:13:59.560
<v Speaker 5>the way and you had to just crack on with life.

0:14:00.720 --> 0:14:00.920
<v Speaker 11>Yeah.

0:14:01.080 --> 0:14:03.840
<v Speaker 7>I ended up joining the Navy, so I still played.

0:14:03.880 --> 0:14:06.080
<v Speaker 5>Passive rock and roll. Story isn't It's what so many

0:14:06.080 --> 0:14:09.960
<v Speaker 5>mans boke up eventually, you know they want to think

0:14:09.960 --> 0:14:11.160
<v Speaker 5>about joining the navy.

0:14:11.960 --> 0:14:15.400
<v Speaker 7>Yeah, yeah, no, I've played. I've played to take all

0:14:15.440 --> 0:14:18.200
<v Speaker 7>my Stuff on the ship and played around halfway around

0:14:18.200 --> 0:14:18.559
<v Speaker 7>the world.

0:14:18.600 --> 0:14:23.400
<v Speaker 5>I love that. Cheer up on the boat, Sorry, what

0:14:23.560 --> 0:14:25.400
<v Speaker 5>to cheer people up on the boat? All the troops.

0:14:25.600 --> 0:14:30.520
<v Speaker 7>Absolutely, Yeah, we'd have stupid barbecues. You know, we'd go

0:14:30.640 --> 0:14:34.640
<v Speaker 7>to anchor somewhere and you know, the boys would be fishing.

0:14:34.920 --> 0:14:36.400
<v Speaker 7>Guys would be fishing off the back of.

0:14:36.320 --> 0:14:43.240
<v Speaker 5>The keyboards, laying down, some little smooth beats in the background. Yeah,

0:14:43.760 --> 0:14:44.440
<v Speaker 5>missing you.

0:14:46.800 --> 0:14:47.520
<v Speaker 12>Sailing away?

0:14:47.720 --> 0:14:48.520
<v Speaker 13>Yeah, beautiful.

0:14:48.640 --> 0:14:51.920
<v Speaker 5>All right, Quentin, thank you very much. Lovely to chat

0:14:51.960 --> 0:14:54.120
<v Speaker 5>to you. I have a good day, Yeah you too.

0:14:54.200 --> 0:14:55.280
<v Speaker 7>Thanks you guys, love the show.

0:14:55.440 --> 0:15:00.760
<v Speaker 5>Thank you, Mick, good morning. I'm good Mick. What was

0:15:00.800 --> 0:15:04.240
<v Speaker 5>the name of your old band mate Paranoid great Now

0:15:04.320 --> 0:15:06.160
<v Speaker 5>and I'm guessing sort of quite a heavy sort of

0:15:06.240 --> 0:15:10.160
<v Speaker 5>rock band named after a great rock song. You've got

0:15:10.200 --> 0:15:12.440
<v Speaker 5>to be a big rock band. And what were you in?

0:15:12.480 --> 0:15:12.880
<v Speaker 5>The band?

0:15:14.080 --> 0:15:17.880
<v Speaker 10>Was one of two drummers, double drummers steady.

0:15:18.240 --> 0:15:22.440
<v Speaker 5>I remember actually think Abbat on their Australian tour had

0:15:22.520 --> 0:15:25.040
<v Speaker 5>double drummers. I remember reading a fact about it once

0:15:25.040 --> 0:15:27.320
<v Speaker 5>they had double drummers. I was like, why would happen?

0:15:27.320 --> 0:15:31.000
<v Speaker 5>To need two drummers, well the extra percussion, but same

0:15:31.040 --> 0:15:34.120
<v Speaker 5>with that band. Also your band Paranoid, Yeah, and we

0:15:34.160 --> 0:15:38.000
<v Speaker 5>were just as popular. Yeah, all right, Mick, have a

0:15:38.040 --> 0:15:40.400
<v Speaker 5>good day, thanks for calling. We've got p for Paranoid

0:15:41.200 --> 0:15:56.560
<v Speaker 5>Adam six Adam Yeah, yeah, good morning guys. What's it was?

0:15:56.600 --> 0:15:59.400
<v Speaker 5>Your band called was my son's band.

0:15:59.440 --> 0:16:07.880
<v Speaker 12>It was king up in the carnival. They started off

0:16:07.920 --> 0:16:10.320
<v Speaker 12>as a duo, a blues duo, and then they had

0:16:10.360 --> 0:16:12.760
<v Speaker 12>a couple of other mates come and play, and then

0:16:13.520 --> 0:16:16.680
<v Speaker 12>a girl come and sing. And actually they had some

0:16:16.800 --> 0:16:18.960
<v Speaker 12>really really they used to write all their own stuff.

0:16:19.600 --> 0:16:23.440
<v Speaker 12>They had some good everybody used to sing. Everybody wrote

0:16:23.440 --> 0:16:26.160
<v Speaker 12>their own songs, so they had a great genre to

0:16:26.200 --> 0:16:30.400
<v Speaker 12>the to the band, but it was mainly blues. They had,

0:16:30.440 --> 0:16:33.600
<v Speaker 12>you know, did quite a few gigs residents at the

0:16:33.640 --> 0:16:37.520
<v Speaker 12>Toe and because it was our son's band, Memoife used

0:16:37.520 --> 0:16:40.720
<v Speaker 12>to find ourselves going off to setting the alarm and

0:16:40.760 --> 0:16:42.920
<v Speaker 12>waking up with like ten thirty eleven o'clock to go

0:16:42.960 --> 0:16:46.280
<v Speaker 12>and catch a giving at fitz Roy That yeah, it

0:16:46.000 --> 0:16:47.880
<v Speaker 12>was pretty cool, but.

0:16:52.640 --> 0:16:55.120
<v Speaker 5>Not ten o'clock in the evening to go and have

0:16:55.160 --> 0:16:56.960
<v Speaker 5>a bit of ten thirty that you hadn't earn y that.

0:16:57.240 --> 0:16:58.760
<v Speaker 5>Do you mean in the morning to set up because

0:16:58.760 --> 0:16:59.680
<v Speaker 5>you live so far away.

0:17:00.400 --> 0:17:03.840
<v Speaker 12>No, no, no, no, yeah, we'd have a bit of

0:17:03.840 --> 0:17:05.080
<v Speaker 12>a nap before we get.

0:17:06.200 --> 0:17:14.639
<v Speaker 5>I've never heard of this last orders at the beginning,

0:17:14.640 --> 0:17:17.880
<v Speaker 5>Mom and dad, Oh yeah, yeah, yeah, yeah.

0:17:18.160 --> 0:17:20.040
<v Speaker 12>The first gig I think they played at a pubb

0:17:20.080 --> 0:17:23.160
<v Speaker 12>in Ligon Stray carp and we were at the first gig.

0:17:23.240 --> 0:17:26.119
<v Speaker 12>And then yeah, they sort of got more more going.

0:17:26.200 --> 0:17:30.680
<v Speaker 5>And look, you sound about eighty of them on stage scene.

0:17:30.720 --> 0:17:34.000
<v Speaker 5>It's like, okay, fire, they're out numbering the audience. There's

0:17:34.040 --> 0:17:36.320
<v Speaker 5>only five people watching. The Old King Puppy King Puppy

0:17:36.320 --> 0:17:39.040
<v Speaker 5>by the way, a blues band, aren't they.

0:17:38.800 --> 0:17:43.200
<v Speaker 12>Yeah, yeah, yeah they are. Look and they used to. Yeah,

0:17:43.400 --> 0:17:45.200
<v Speaker 12>they packed out the tope when I was playing there.

0:17:45.280 --> 0:17:49.359
<v Speaker 12>So it was good good. It was good for us

0:17:49.400 --> 0:17:52.520
<v Speaker 12>because we found places that we'd never been before, you know,

0:17:52.560 --> 0:17:54.600
<v Speaker 12>the underground.

0:17:55.400 --> 0:17:57.840
<v Speaker 4>Into town, rocking up with your nightcap on.

0:17:59.040 --> 0:18:01.040
<v Speaker 12>Yeah, the olds are here.

0:18:02.480 --> 0:18:04.960
<v Speaker 5>Yeah, that's great. This is apporting him, Adam, thank you

0:18:05.040 --> 0:18:05.520
<v Speaker 5>very much.

0:18:05.400 --> 0:18:08.080
<v Speaker 12>And cal As Carla Brighter.

0:18:08.320 --> 0:18:11.199
<v Speaker 6>You're listening to the Christian O Carl Show podcast.

0:18:11.720 --> 0:18:14.200
<v Speaker 5>Last few remaining letters, so we try and tick off

0:18:14.200 --> 0:18:19.080
<v Speaker 5>the alphabet, and today we need your old band names. Jack,

0:18:19.119 --> 0:18:20.840
<v Speaker 5>what are the letters that we don't have any of

0:18:20.880 --> 0:18:22.760
<v Speaker 5>our listeners old band names for.

0:18:23.440 --> 0:18:30.360
<v Speaker 4>Yeah, we need to feel the back end of the alphabet, LNO, Q, V, W, X,

0:18:30.600 --> 0:18:31.359
<v Speaker 4>Y and Z.

0:18:32.440 --> 0:18:35.760
<v Speaker 5>All right, let's see what Seal's got for us.

0:18:35.800 --> 0:18:38.479
<v Speaker 12>Good morning, Good morning, Christian.

0:18:38.520 --> 0:18:40.640
<v Speaker 5>How are you? I'm good, Thanks for calling the show.

0:18:40.680 --> 0:18:41.479
<v Speaker 5>What have you got for us?

0:18:42.760 --> 0:18:47.880
<v Speaker 14>Juel seen a band acapella band in the late eighties

0:18:47.920 --> 0:18:51.919
<v Speaker 14>and nine, and we did a bit of motown covered

0:18:52.600 --> 0:18:57.919
<v Speaker 14>harmonies and it was lots of fun. Just played at

0:18:58.000 --> 0:19:01.760
<v Speaker 14>the Green Men in High Street, Amena and yeah, it

0:19:01.920 --> 0:19:04.280
<v Speaker 14>was really really enjoyable.

0:19:04.200 --> 0:19:06.120
<v Speaker 5>Playing in a band with your friends, specially doing something

0:19:06.119 --> 0:19:07.760
<v Speaker 5>like motown songs. She must have been very good. And

0:19:07.800 --> 0:19:08.440
<v Speaker 5>what were they called?

0:19:09.800 --> 0:19:15.640
<v Speaker 14>Uh, well, we we did quite a few brisbone blues

0:19:15.720 --> 0:19:19.360
<v Speaker 14>and then myle Lorraine, that was the song I don't

0:19:19.359 --> 0:19:22.560
<v Speaker 14>want to give you a couple of tunes on and

0:19:23.840 --> 0:19:25.120
<v Speaker 14>that it was good.

0:19:27.359 --> 0:19:28.200
<v Speaker 4>But what were they called?

0:19:29.760 --> 0:19:29.920
<v Speaker 13>For?

0:19:29.960 --> 0:19:33.840
<v Speaker 5>Someone to help me out? Yeah, we're trying nanny down here,

0:19:34.400 --> 0:19:39.439
<v Speaker 5>slipperty old fox. They called of the band called what

0:19:39.440 --> 0:19:40.520
<v Speaker 5>we're talking about?

0:19:41.160 --> 0:19:42.440
<v Speaker 14>What was the band called?

0:19:42.600 --> 0:19:42.800
<v Speaker 15>Yes?

0:19:42.920 --> 0:19:51.520
<v Speaker 5>Yeah, Yeah, that's it. Where lovely? Thank you very much,

0:19:51.520 --> 0:19:55.479
<v Speaker 5>she called him. That is a lot great. How did

0:19:55.520 --> 0:19:59.840
<v Speaker 5>you get his takeaway order? What do you want? Uh? Food? Lovely?

0:20:00.400 --> 0:20:01.560
<v Speaker 5>It's memories.

0:20:04.320 --> 0:20:06.560
<v Speaker 4>Looked at you like you were crazy for asking, and

0:20:06.720 --> 0:20:07.480
<v Speaker 4>that's the question.

0:20:07.640 --> 0:20:17.720
<v Speaker 5>Now, very dare you Christians on the line? One in Christian? Yeah,

0:20:17.760 --> 0:20:19.960
<v Speaker 5>I'm good, I'm good, good. And what was your band name?

0:20:20.000 --> 0:20:25.440
<v Speaker 10>Called the queue head with the letter queue and some

0:20:25.480 --> 0:20:27.520
<v Speaker 10>of the boys just to have a sharehouse in que

0:20:27.800 --> 0:20:31.080
<v Speaker 10>and that's where that originated from.

0:20:31.080 --> 0:20:37.639
<v Speaker 5>The pad just sounds like a report, doesn't it. What

0:20:37.760 --> 0:20:39.720
<v Speaker 5>went on at the cue Pad? We'll leave it there.

0:20:41.200 --> 0:20:42.320
<v Speaker 10>No, it was a bit diking.

0:20:42.480 --> 0:20:45.239
<v Speaker 5>Yeah, genuinely meant that. We'll leave it there, all right,

0:20:45.280 --> 0:20:49.639
<v Speaker 5>Thanks Christian. Let's go to yes. Nancy Attorning on us. Nancy,

0:20:49.680 --> 0:20:51.879
<v Speaker 5>good morning, Hey, good morning, Christian.

0:20:51.880 --> 0:20:52.760
<v Speaker 16>How are you going going.

0:20:52.680 --> 0:20:55.399
<v Speaker 5>Struggling at the moment, actually struggling. And Nancy, what was

0:20:55.400 --> 0:20:56.440
<v Speaker 5>your old band name called?

0:20:57.040 --> 0:20:59.359
<v Speaker 16>Okay, well, it wasn't my band name. It's my best

0:20:59.359 --> 0:21:02.240
<v Speaker 16>friend and brother from another mother over in Canada. He

0:21:02.400 --> 0:21:06.720
<v Speaker 16>was in a band called zucker Baby, like Mark Zuckerberg,

0:21:07.080 --> 0:21:12.200
<v Speaker 16>but zucker Baby, and they opened up for in excess

0:21:12.359 --> 0:21:13.639
<v Speaker 16>back in nineteen ninety seven.

0:21:14.000 --> 0:21:17.040
<v Speaker 15>Wow, the fame.

0:21:17.920 --> 0:21:18.640
<v Speaker 5>That's incredible.

0:21:18.680 --> 0:21:23.000
<v Speaker 16>And yeah, I can't say that I remember seeing them

0:21:23.080 --> 0:21:25.600
<v Speaker 16>because that was about thirty some years ago for me,

0:21:25.680 --> 0:21:27.960
<v Speaker 16>maybe maybe thirty. I can't remember.

0:21:29.720 --> 0:21:36.119
<v Speaker 5>A baby, he's not exactly a Facebook that predates Facebook.

0:21:37.320 --> 0:21:39.280
<v Speaker 16>Let's put it this way. It was back when everybody

0:21:39.280 --> 0:21:43.560
<v Speaker 16>had hair, all right.

0:21:43.600 --> 0:21:46.399
<v Speaker 5>So zuker baby, Thank you very much. We're wondering. We

0:21:46.480 --> 0:21:48.720
<v Speaker 5>gotta chick. It's all that is. Thank you very much.

0:21:50.720 --> 0:21:57.000
<v Speaker 5>What's happened the pranks on us? We'll take one last

0:21:57.040 --> 0:21:58.400
<v Speaker 5>one then we're reset everything.

0:21:58.600 --> 0:22:04.320
<v Speaker 17>Freddy fred Hey, hey, good morning both to speak to

0:22:04.359 --> 0:22:06.240
<v Speaker 17>you and you Freddy boy Freddie.

0:22:06.280 --> 0:22:07.720
<v Speaker 5>What was your old band name called?

0:22:08.280 --> 0:22:11.359
<v Speaker 15>Well, it's a bit of a mixer, I should say.

0:22:11.560 --> 0:22:15.240
<v Speaker 15>Originally back in the late seventies early eighties, we used

0:22:15.280 --> 0:22:19.440
<v Speaker 15>to be called blitz pop rock. But these days, after

0:22:19.480 --> 0:22:22.040
<v Speaker 15>a number of decades of not playing, we've started getting

0:22:22.040 --> 0:22:25.960
<v Speaker 15>together again and just having jam sessions and we relabel

0:22:26.000 --> 0:22:30.200
<v Speaker 15>ourselves old boys noise. We're all in our sixties and

0:22:30.760 --> 0:22:32.560
<v Speaker 15>just about once a month we get together and make

0:22:32.560 --> 0:22:34.399
<v Speaker 15>a bit of noise out here at my place and

0:22:35.359 --> 0:22:38.000
<v Speaker 15>do the usual things such as upset the neighbors. So

0:22:38.200 --> 0:22:42.359
<v Speaker 15>it brings back pleasant memories like that. So yeah, Old

0:22:42.359 --> 0:22:42.960
<v Speaker 15>Boys Noise.

0:22:43.080 --> 0:22:45.480
<v Speaker 5>You're never too old rock and roll, Freddy boy. And

0:22:45.840 --> 0:22:47.679
<v Speaker 5>what's the average age of the band? What are you

0:22:47.720 --> 0:22:50.040
<v Speaker 5>in your your fifties, your sixties, sixties?

0:22:50.080 --> 0:22:54.400
<v Speaker 15>Now the youngest one is probably sixty one sixties.

0:22:55.080 --> 0:22:57.560
<v Speaker 5>I love the fact that you're still rocking it and

0:22:57.600 --> 0:23:01.200
<v Speaker 5>your neighbors are yelling over the face that round.

0:23:02.520 --> 0:23:06.480
<v Speaker 17>And in nineteenagers, Well look, I'll tell you like I said,

0:23:06.480 --> 0:23:08.719
<v Speaker 17>it brings back we know we're doing it right when

0:23:08.760 --> 0:23:13.240
<v Speaker 17>we're getting a complaints. So yeah, all right, so the

0:23:13.359 --> 0:23:16.520
<v Speaker 17>name again, Old Boys Noise.

0:23:16.440 --> 0:23:18.960
<v Speaker 5>Old Boys Noise. Love it all right, Fred have a

0:23:18.960 --> 0:23:20.240
<v Speaker 5>good day thanks to calling.

0:23:20.600 --> 0:23:24.040
<v Speaker 1>Cheers the Christian O'Connell show podcast.

0:23:33.200 --> 0:23:38.359
<v Speaker 5>Yeah what a tune when the Lights Go Out? From

0:23:38.440 --> 0:23:44.440
<v Speaker 5>nineteen ninety eight. In Rolling Stone's Top seventy five Greatest

0:23:44.480 --> 0:23:49.119
<v Speaker 5>Boys Songs of All Time, it's at number sixty eight.

0:23:50.000 --> 0:23:54.119
<v Speaker 5>B side is called the Screams Nineties B side is

0:23:54.160 --> 0:23:59.400
<v Speaker 5>called slam Dunk Dafunk. I had the single me too.

0:23:59.520 --> 0:24:01.800
<v Speaker 4>I remember, I remember slam Dunk the Funk.

0:24:01.640 --> 0:24:03.919
<v Speaker 5>When I one of the first ever radio interviews I

0:24:03.960 --> 0:24:06.439
<v Speaker 5>did when I started breakfast radio when ninety eight was

0:24:06.560 --> 0:24:10.960
<v Speaker 5>with five and in the interview, right they one of

0:24:10.960 --> 0:24:12.639
<v Speaker 5>them said, I can't remember which one it was, right,

0:24:12.640 --> 0:24:14.640
<v Speaker 5>They were all sort of interchangeable, to be honest, It's

0:24:14.640 --> 0:24:16.680
<v Speaker 5>just a lot of hair and abs. One of them

0:24:16.760 --> 0:24:19.760
<v Speaker 5>goes say, yeah, he sort of grabbed the microphoneywhere it

0:24:19.840 --> 0:24:21.920
<v Speaker 5>was it was English, right, and it was sort of

0:24:21.960 --> 0:24:27.040
<v Speaker 5>went to a very pop posh school. But he cat like, yeah, yeah, anyway, this, yeah,

0:24:27.080 --> 0:24:30.040
<v Speaker 5>we did. We're going to give Backstreet Boys Sleepless Nights,

0:24:30.160 --> 0:24:33.679
<v Speaker 5>thinking that we can't put it in the future, but

0:24:33.840 --> 0:24:36.359
<v Speaker 5>that ain't gonna happen. Money, that ain't gonna happen. And

0:24:36.400 --> 0:24:38.639
<v Speaker 5>the history back me on that one. You did not

0:24:38.720 --> 0:24:42.920
<v Speaker 5>give them Back Street Boys sleepless Nights, but that song

0:24:43.160 --> 0:24:51.080
<v Speaker 5>is a banger. What how you doing?

0:24:52.520 --> 0:24:53.560
<v Speaker 3>Welcome to the nineties.

0:24:53.560 --> 0:24:54.320
<v Speaker 5>I like to flay.

0:24:54.480 --> 0:24:57.399
<v Speaker 11>I make this look good, Miss the ship Field, because

0:24:57.680 --> 0:25:00.800
<v Speaker 11>nineteen ninety you care hand on the true go up.

0:25:03.160 --> 0:25:09.800
<v Speaker 1>Her Christian O'Connell's eight of the nineties.

0:25:10.080 --> 0:25:14.800
<v Speaker 5>Yeah baby, all right. The letter this week it's all

0:25:14.840 --> 0:25:19.800
<v Speaker 5>about letter is letter f Thank you very much. Every

0:25:19.800 --> 0:25:21.720
<v Speaker 5>week he comes the next ready to do those for us.

0:25:21.800 --> 0:25:24.480
<v Speaker 5>It's all about the letter F before we get into

0:25:24.640 --> 0:25:28.239
<v Speaker 5>Furby's and flip phones. The movie that Jack and I

0:25:28.280 --> 0:25:31.919
<v Speaker 5>watched yesterday, it's about viewing number eight or nine for me,

0:25:32.280 --> 0:25:36.160
<v Speaker 5>was this seminal classic from the nineties directed by John Woof,

0:25:36.240 --> 0:25:41.120
<v Speaker 5>starring two megastars, John Travolta and Nick Cage Face Off.

0:25:41.600 --> 0:25:44.919
<v Speaker 18>I've been chasing this guy ever since I joined the Force.

0:25:45.760 --> 0:25:50.040
<v Speaker 18>He's the most dangerous and brilliant criminal mind I've ever known.

0:25:50.720 --> 0:25:53.000
<v Speaker 18>And now, after all this time, I finally figured out

0:25:53.000 --> 0:25:56.040
<v Speaker 18>a way to trap him, will become him.

0:25:56.880 --> 0:26:02.399
<v Speaker 12>Whether way, try terrorism for a hireable, blot some stuff up,

0:26:02.440 --> 0:26:03.399
<v Speaker 12>it's more fun.

0:26:05.080 --> 0:26:07.520
<v Speaker 18>Plan be Let's just kill each other.

0:26:10.840 --> 0:26:14.440
<v Speaker 5>What a movie. One of the greatest comedies ever made.

0:26:14.600 --> 0:26:16.640
<v Speaker 5>Only thing is they didn't make it as a comedy

0:26:17.119 --> 0:26:19.520
<v Speaker 5>as watching it yesterday, seriously, about the eighth of the

0:26:19.560 --> 0:26:22.359
<v Speaker 5>ninth time, there's so many much what I'm crying with

0:26:22.480 --> 0:26:26.680
<v Speaker 5>laughter because it's so over the top and ludicrous. It's

0:26:26.800 --> 0:26:29.760
<v Speaker 5>very clear that they just came up with the title

0:26:29.920 --> 0:26:33.160
<v Speaker 5>face Off, and then worried about the sort of plot, script,

0:26:33.480 --> 0:26:36.680
<v Speaker 5>character development, all those proper things barely even wired about

0:26:36.720 --> 0:26:39.879
<v Speaker 5>this just because it's called face Off. They have a

0:26:39.960 --> 0:26:44.000
<v Speaker 5>surgical operation. They remove each other's faces and wear them

0:26:44.160 --> 0:26:46.320
<v Speaker 5>so Jack before we go any further, we're both very,

0:26:46.359 --> 0:26:48.960
<v Speaker 5>very excited about Face Off. How would you describe to

0:26:49.000 --> 0:26:52.720
<v Speaker 5>people we've never seen this movie the actual plot.

0:26:52.640 --> 0:26:55.040
<v Speaker 4>Well, try to do it justice. The king of all

0:26:55.080 --> 0:26:58.679
<v Speaker 4>premises is it's John Travolta. He's an agent, he's the

0:26:58.720 --> 0:27:01.880
<v Speaker 4>good guy. Nicholas Age he's a terrorist, he's the bad guy.

0:27:02.440 --> 0:27:05.280
<v Speaker 4>John Travolta catches him early in the film, puts him

0:27:05.280 --> 0:27:08.000
<v Speaker 4>in a coma. While he's in a coma, he's still

0:27:08.000 --> 0:27:10.159
<v Speaker 4>got a bomb somewhere in la that they don't know

0:27:10.200 --> 0:27:13.679
<v Speaker 4>where it is. So in order to infiltrate his gang

0:27:13.880 --> 0:27:17.000
<v Speaker 4>and his brother who built the bomb, he's got to

0:27:17.119 --> 0:27:20.880
<v Speaker 4>where surgically remove the face of Nick Cage and put

0:27:20.920 --> 0:27:23.680
<v Speaker 4>it on his own. And then his own face goes

0:27:23.720 --> 0:27:24.880
<v Speaker 4>in a little jar by his.

0:27:25.200 --> 0:27:27.919
<v Speaker 5>It's just like, you know, this, this most dangerous criminal

0:27:28.000 --> 0:27:30.359
<v Speaker 5>in the world, right there's not anyone guarding him. His

0:27:32.760 --> 0:27:35.520
<v Speaker 5>John Travolta's face is just in a bowl next next

0:27:35.560 --> 0:27:38.119
<v Speaker 5>to a cage, right in like a like saining solution.

0:27:38.200 --> 0:27:41.200
<v Speaker 5>He've an to contact lens Us in Cage suddenly wakes

0:27:41.280 --> 0:27:44.919
<v Speaker 5>up without his face from a coma just suddenly clacks

0:27:45.040 --> 0:27:46.880
<v Speaker 5>up and then guess what happened?

0:27:48.880 --> 0:27:52.760
<v Speaker 4>It is he he garts John Travolta's He finds John

0:27:52.760 --> 0:27:53.760
<v Speaker 4>Travolta's face.

0:27:53.600 --> 0:27:57.040
<v Speaker 5>That looks like I'm doing it.

0:27:57.040 --> 0:28:01.040
<v Speaker 4>It's like table. He he puts the John Travolta's face

0:28:01.119 --> 0:28:04.080
<v Speaker 4>on it, and all of a sudden, now our too.

0:28:04.800 --> 0:28:07.359
<v Speaker 5>Face lips or eyes, and he has a cigarette.

0:28:07.840 --> 0:28:11.000
<v Speaker 4>He's having a cigarette watching the he's watching the vision

0:28:11.080 --> 0:28:16.160
<v Speaker 4>of John Travolta's face get transferred in the original surgery.

0:28:16.520 --> 0:28:19.720
<v Speaker 4>And then he gets the doctor in his game, brings

0:28:19.720 --> 0:28:21.560
<v Speaker 4>the doctor in to do the same surgery on him.

0:28:21.680 --> 0:28:24.760
<v Speaker 4>So you've got the ultimate premise. You've got two arch

0:28:24.960 --> 0:28:28.720
<v Speaker 4>enemies looking each at each other, and they've switched faces,

0:28:28.720 --> 0:28:31.720
<v Speaker 4>and everybody believes that Nick Cage is John Travolta, and

0:28:31.720 --> 0:28:34.800
<v Speaker 4>everybody believes John Travolta is Nick Cage in Sue, the

0:28:34.840 --> 0:28:35.680
<v Speaker 4>best movie ever.

0:28:35.840 --> 0:28:37.560
<v Speaker 5>Yeah, this is one of the greatest movies of all time.

0:28:37.800 --> 0:28:40.479
<v Speaker 5>And the thing is, John Travolta actually does take on

0:28:40.520 --> 0:28:44.680
<v Speaker 5>an effect the mannerisms of Nick Cage. Nick Cage doesn't

0:28:44.720 --> 0:28:51.280
<v Speaker 5>bother or they were scared of him, because when you

0:28:51.360 --> 0:28:55.880
<v Speaker 5>watch this it's a very heavily caffeinated performance. Well, I

0:28:55.920 --> 0:28:58.600
<v Speaker 5>think actually they were just like, we don't even speak

0:28:58.680 --> 0:29:03.240
<v Speaker 5>to him. Why is he in every that he's actually

0:29:03.280 --> 0:29:05.840
<v Speaker 5>mad in this stage? Is actually mad in this? What

0:29:05.880 --> 0:29:08.920
<v Speaker 5>about it? When the doctor's explaining what you know? And

0:29:08.960 --> 0:29:10.920
<v Speaker 5>this isn't set in the future, it's set in the nineties.

0:29:10.920 --> 0:29:13.920
<v Speaker 5>It's set there right where they're explaining the complex procedure,

0:29:13.920 --> 0:29:16.640
<v Speaker 5>but something the doctor is so matter of fact about it.

0:29:16.640 --> 0:29:19.440
<v Speaker 5>It's almost like they're sort of repairing like a hamstring

0:29:19.480 --> 0:29:20.600
<v Speaker 5>injury or something like that.

0:29:20.720 --> 0:29:23.840
<v Speaker 17>The inside is modeled on your skull, all right, Yeah,

0:29:23.960 --> 0:29:25.920
<v Speaker 17>the outside exact in and out within a day.

0:29:26.480 --> 0:29:27.200
<v Speaker 1>Then we fit his.

0:29:27.240 --> 0:29:30.120
<v Speaker 6>Face on top, not a wrapper, but the real thing.

0:29:30.480 --> 0:29:31.400
<v Speaker 5>Then we simply.

0:29:31.080 --> 0:29:32.960
<v Speaker 1>Connect the muscle duc centerve d.

0:29:33.360 --> 0:29:35.640
<v Speaker 11>So you want to take his face in mind barrel.

0:29:36.720 --> 0:29:43.680
<v Speaker 4>Incredible And that is crazily not even in my top

0:29:43.720 --> 0:29:45.560
<v Speaker 4>three of most ridiculous parts of the film.

0:29:45.600 --> 0:29:48.360
<v Speaker 5>All right, so you've got a top three of craziest

0:29:48.360 --> 0:29:50.040
<v Speaker 5>parts of Face Off. We'll get into the.

0:29:50.120 --> 0:29:53.200
<v Speaker 1>Next Christian Connell's Show podcast.

0:29:54.240 --> 0:29:56.800
<v Speaker 5>We're into our eight s of the nineties. This week,

0:29:56.880 --> 0:30:00.560
<v Speaker 5>we're up to and into the Letter F movie. Jack

0:30:00.600 --> 0:30:03.840
<v Speaker 5>and I watched yesterday one of the greatest movies, not

0:30:03.920 --> 0:30:06.640
<v Speaker 5>just of the nineties but all times, Face Off Tron

0:30:06.720 --> 0:30:11.480
<v Speaker 5>travolt If you had to pick one movie where Nick

0:30:11.520 --> 0:30:17.080
<v Speaker 5>Cage achieved ultimate Nick Cage powers, this is it. It's

0:30:17.200 --> 0:30:19.440
<v Speaker 5>there's no way that he was directed. There are so

0:30:19.560 --> 0:30:21.880
<v Speaker 5>many bits in there that don't make sense. There's this

0:30:22.040 --> 0:30:25.200
<v Speaker 5>yelling that doesn't fit the scripts or even the scene.

0:30:25.320 --> 0:30:33.200
<v Speaker 5>It's a crazed, fueled, fueled performance by Nick Cage. And

0:30:33.960 --> 0:30:36.160
<v Speaker 5>I can't. I can't, I wouldn't. I can't recommend another

0:30:36.280 --> 0:30:39.080
<v Speaker 5>movie that would give you so much fun watching it.

0:30:39.280 --> 0:30:40.600
<v Speaker 5>That's fair to say, isn't it. Jack.

0:30:41.120 --> 0:30:44.120
<v Speaker 4>I saw The Batman this week, a big blockbuster movie,

0:30:44.120 --> 0:30:47.800
<v Speaker 4>breaking all kinds of records. I much more enjoyed Face

0:30:47.840 --> 0:30:49.080
<v Speaker 4>Off than I did The Batman.

0:30:49.360 --> 0:30:50.200
<v Speaker 5>Yeah, I mean.

0:30:52.640 --> 0:30:59.920
<v Speaker 1>Looking, Yeah, it's like looking in a mirror.

0:31:00.840 --> 0:31:03.320
<v Speaker 14>Not so.

0:31:03.320 --> 0:31:06.920
<v Speaker 5>She got Travolta and Cage. Travolta chasing Cage finally works

0:31:06.960 --> 0:31:08.560
<v Speaker 5>out away fire. I love it when they go finally

0:31:08.600 --> 0:31:10.080
<v Speaker 5>have worked out where to get this guy who's been

0:31:10.080 --> 0:31:12.680
<v Speaker 5>tracking for you. He killed his son. Why do we

0:31:12.680 --> 0:31:14.480
<v Speaker 5>think of all the time? I mean, they're all over

0:31:14.520 --> 0:31:17.720
<v Speaker 5>the world, don't they law enforcement agencies. We'll just take

0:31:17.760 --> 0:31:22.040
<v Speaker 5>his face off his and put it onto my right there,

0:31:22.440 --> 0:31:24.800
<v Speaker 5>right there. That's simple eye. This is going to change

0:31:25.680 --> 0:31:27.600
<v Speaker 5>law all over the world, now, won't it. And so

0:31:27.640 --> 0:31:30.640
<v Speaker 5>they have each other's faces, and Travolter does do this

0:31:30.760 --> 0:31:34.880
<v Speaker 5>amazing job of affecting all the mannerisms, and he doesn't

0:31:34.880 --> 0:31:37.239
<v Speaker 5>do an impression, but it's almost like an impression of

0:31:37.680 --> 0:31:40.200
<v Speaker 5>Nick Cage doesn't He throughout the rest of the movie

0:31:40.280 --> 0:31:41.520
<v Speaker 5>was Cage doesn't.

0:31:41.560 --> 0:31:45.240
<v Speaker 4>He's just cagege even though it's meant to be John

0:31:45.280 --> 0:31:49.000
<v Speaker 4>Travolta's character. And also the face which leads to one

0:31:49.040 --> 0:31:51.960
<v Speaker 4>of my favorite scenes in the film where Nicholas Cage,

0:31:52.080 --> 0:31:56.240
<v Speaker 4>in handcuffed ready to infiltrate the prison, is rubbing his

0:31:56.240 --> 0:31:59.320
<v Speaker 4>face against the wall because his face itches after the surgery.

0:31:59.480 --> 0:32:02.120
<v Speaker 4>Because he's in handcuffs. He has to get his buddy

0:32:02.160 --> 0:32:04.480
<v Speaker 4>at the force to itch his face for him.

0:32:04.920 --> 0:32:07.560
<v Speaker 5>Yeah, And also the doctor said, hey, listen, it's one

0:32:07.600 --> 0:32:10.160
<v Speaker 5>of the rare movies as well that actually mentions the

0:32:10.200 --> 0:32:13.160
<v Speaker 5>title in a scene as well, because the doctor goes,

0:32:13.200 --> 0:32:15.760
<v Speaker 5>they just can't ever get into a face off and

0:32:15.800 --> 0:32:19.160
<v Speaker 5>start shooting each other. He goes to Travolta, who's now

0:32:19.160 --> 0:32:21.680
<v Speaker 5>obviously Nick Cage. You know, whatever you do, you just

0:32:21.720 --> 0:32:23.600
<v Speaker 5>can't get into a fight. Fast forward to he's in

0:32:23.640 --> 0:32:27.720
<v Speaker 5>the prison, being punched repeatedly like in a UFC fire

0:32:27.800 --> 0:32:30.440
<v Speaker 5>ground and bound in the face. And then to escape

0:32:30.440 --> 0:32:33.520
<v Speaker 5>the prison, he jumps, like I'm not exaggerating, one hundred

0:32:33.520 --> 0:32:36.440
<v Speaker 5>foot into the sea. And what is it about all

0:32:36.480 --> 0:32:39.560
<v Speaker 5>those sort of action movies where the helicopter like shooting

0:32:39.600 --> 0:32:42.560
<v Speaker 5>into the sea. He's escaped the buddet somehow, right, And

0:32:43.320 --> 0:32:46.040
<v Speaker 5>they gave up really quick looking for these evil criminals,

0:32:46.040 --> 0:32:50.080
<v Speaker 5>didn't they. Once you're in a helicopter, they're going to

0:32:50.160 --> 0:32:52.640
<v Speaker 5>come up for air. Just stay up there. The heeddicopters

0:32:53.120 --> 0:32:56.080
<v Speaker 5>has gone point. Once they go in the sea, we

0:32:56.240 --> 0:32:58.400
<v Speaker 5>never ever find them again. All right, Jack, what are

0:32:58.440 --> 0:33:01.920
<v Speaker 5>your top three craziest moments a crazy movie? All right?

0:33:02.000 --> 0:33:04.480
<v Speaker 4>Here are the top three takeaways from Face Off and Now.

0:33:04.640 --> 0:33:10.200
<v Speaker 4>Despite being a violent movie with the crazy procedure of

0:33:10.240 --> 0:33:13.880
<v Speaker 4>swapping faces, the most unsettling part for me was actually

0:33:13.960 --> 0:33:18.560
<v Speaker 4>the way that John Travolta showed his family affection by

0:33:19.640 --> 0:33:22.680
<v Speaker 4>slowly stroking an open hand down the faces of his

0:33:22.760 --> 0:33:24.280
<v Speaker 4>loved ones. I forget this to.

0:33:24.280 --> 0:33:26.720
<v Speaker 5>His son trying to blow us all up.

0:33:27.560 --> 0:33:29.200
<v Speaker 4>He did it to his daughter, he did it to

0:33:29.240 --> 0:33:29.640
<v Speaker 4>his wife.

0:33:29.680 --> 0:33:32.320
<v Speaker 5>I've never seen that move from a dad anywhere. And

0:33:33.000 --> 0:33:36.200
<v Speaker 5>you and Jack goes you that. I mean, I'm a

0:33:36.360 --> 0:33:39.640
<v Speaker 5>very affectionate dad hung in every day. I've never seen before.

0:33:40.120 --> 0:33:41.960
<v Speaker 4>I tried to do it to be Anchors, like, hey,

0:33:42.080 --> 0:33:44.600
<v Speaker 4>will this feel nice? And she pulled her head away

0:33:44.680 --> 0:33:46.920
<v Speaker 4>and said, don't do that. Feel it feels offensive for

0:33:46.960 --> 0:33:52.280
<v Speaker 4>you to run your hand down my face. Takeaway number two.

0:33:52.600 --> 0:33:57.719
<v Speaker 4>So the FBI, when they're meant to be the good guys, right,

0:33:57.760 --> 0:34:00.600
<v Speaker 4>they're catching this terrorist. They go into the bad He's

0:34:00.680 --> 0:34:03.480
<v Speaker 4>lair and the terrorist son is in there, and John

0:34:03.480 --> 0:34:07.280
<v Speaker 4>Travolta has to honestly save the son from getting shot

0:34:07.320 --> 0:34:11.640
<v Speaker 4>to pieces by the FBI. Didn't there's no reason for

0:34:11.680 --> 0:34:14.120
<v Speaker 4>the FBI to be shooting a little five.

0:34:14.000 --> 0:34:16.000
<v Speaker 5>Year old boy not involved in it in any way.

0:34:16.040 --> 0:34:17.680
<v Speaker 5>He's just an innocent bystander.

0:34:18.880 --> 0:34:21.319
<v Speaker 4>That leads me to my final takeaway. And this is

0:34:21.320 --> 0:34:23.200
<v Speaker 4>a spoiler, So turn off now if you want to

0:34:23.239 --> 0:34:27.440
<v Speaker 4>watch Face Off. John Travolta comes home at the end

0:34:27.480 --> 0:34:30.439
<v Speaker 4>of the movie. He's got the little boy, the son

0:34:30.600 --> 0:34:34.200
<v Speaker 4>of his arch enemy, and without consulting his wife essentially

0:34:34.360 --> 0:34:35.400
<v Speaker 4>brings him adopted.

0:34:36.040 --> 0:34:39.160
<v Speaker 5>We've adopted almost this movie. He comes to the house, Yeah, case,

0:34:39.239 --> 0:34:40.520
<v Speaker 5>just come in, maute, look what I've got? Like you

0:34:40.600 --> 0:34:42.719
<v Speaker 5>got a puppy from the pound. And I was like,

0:34:43.160 --> 0:34:46.520
<v Speaker 5>show me room's h what John? We need to talk

0:34:46.560 --> 0:34:48.040
<v Speaker 5>about this, right? Who is that?

0:34:48.080 --> 0:34:48.200
<v Speaker 11>Oh?

0:34:48.280 --> 0:34:48.440
<v Speaker 5>You know?

0:34:48.520 --> 0:34:50.279
<v Speaker 11>That is that.

0:34:52.600 --> 0:34:52.759
<v Speaker 5>Him?

0:34:53.000 --> 0:34:55.000
<v Speaker 4>What about? Wait?

0:34:55.520 --> 0:34:58.480
<v Speaker 5>He's in surgery having his face put back on right

0:34:58.520 --> 0:35:01.359
<v Speaker 5>towards the in the movie for and they keep making

0:35:01.360 --> 0:35:03.640
<v Speaker 5>a big deal about the agony, as be the stitches,

0:35:03.680 --> 0:35:07.200
<v Speaker 5>the sutras and all this. Then suddenly right Travolta backs

0:35:07.280 --> 0:35:10.640
<v Speaker 5>himself just makes his own way home from the hospital.

0:35:11.280 --> 0:35:14.440
<v Speaker 5>Every time I watched this movie, I'm like, she couldn't

0:35:14.480 --> 0:35:17.799
<v Speaker 5>pick him up. She knows what he's been through. Right,

0:35:17.840 --> 0:35:20.879
<v Speaker 5>he's had his face removed, and he's got reattached. He's

0:35:20.960 --> 0:35:24.279
<v Speaker 5>almost died. He saved the world essentially, Well, la, and

0:35:24.520 --> 0:35:26.279
<v Speaker 5>what yes? Does this get a taxi? Got to make

0:35:26.360 --> 0:35:28.719
<v Speaker 5>his own way home? It bugs me every time night

0:35:28.800 --> 0:35:30.000
<v Speaker 5>she couldn't go and pick him up.

0:35:30.640 --> 0:35:32.879
<v Speaker 4>She looked surprised as well as if he didn't even

0:35:32.920 --> 0:35:34.960
<v Speaker 4>call to say hey, just so you know, surgery went

0:35:35.000 --> 0:35:36.360
<v Speaker 4>perfectly and my face is back.

0:35:36.239 --> 0:35:39.319
<v Speaker 5>On you said it Friday. Now I've got Zimber in

0:35:39.360 --> 0:35:42.200
<v Speaker 5>an hour. Oh, I think there's some leftovers in the

0:35:42.320 --> 0:35:44.480
<v Speaker 5>Redge rug shot. You said I was coming to get

0:35:44.520 --> 0:35:48.799
<v Speaker 5>you Friday. Wait, who's the little kid that's our son? Now?

0:35:49.960 --> 0:35:51.719
<v Speaker 5>My favorite? One of my favorite lines. And there are

0:35:51.719 --> 0:35:54.600
<v Speaker 5>two great lines in this towards the end, Sorry I

0:35:54.680 --> 0:35:58.239
<v Speaker 5>killed you dad? To that on the greatest lights in

0:35:58.280 --> 0:36:01.280
<v Speaker 5>the movie. Ever, how could someone type can we actually

0:36:01.280 --> 0:36:03.560
<v Speaker 5>say this? And put it on Celiloyd forever? The other

0:36:03.600 --> 0:36:05.960
<v Speaker 5>one is where they are facing off against each other,

0:36:05.960 --> 0:36:08.919
<v Speaker 5>these two arch rivals, wearing each other's faces, and they've

0:36:08.920 --> 0:36:11.840
<v Speaker 5>got guns pointing at each other, and then other people

0:36:11.920 --> 0:36:15.160
<v Speaker 5>from their rival crews, their sort of backups, all turn up.

0:36:15.239 --> 0:36:17.160
<v Speaker 5>So at one point there must be a right ten

0:36:17.239 --> 0:36:20.560
<v Speaker 5>people with guns all pointing each other, and then travolter

0:36:20.800 --> 0:36:25.799
<v Speaker 5>is Gauge just goes, what a predicament? Ten out of ten?

0:36:25.920 --> 0:36:27.520
<v Speaker 5>This movie is a ten out of ten.

0:36:28.800 --> 0:36:32.319
<v Speaker 2>This is the Christian O'Connell show podcast.

0:36:32.920 --> 0:36:38.080
<v Speaker 5>Day by day, more businesses are announcing their sanctions against Russia,

0:36:38.080 --> 0:36:42.360
<v Speaker 5>and rightly so. I've just seen that Mackas are closing

0:36:42.400 --> 0:36:48.160
<v Speaker 5>temporarily all their Russian. No more happy males for you,

0:36:48.320 --> 0:36:51.000
<v Speaker 5>Russia and Orbit. That is the thing that's going to

0:36:51.040 --> 0:36:54.200
<v Speaker 5>turn Putin's own people against them. No happy meals. Suddenly,

0:36:54.400 --> 0:36:56.279
<v Speaker 5>I reckon there could be a revolt. This might be

0:36:56.320 --> 0:36:58.799
<v Speaker 5>the thing that breaks this all right, So two of

0:36:58.800 --> 0:37:01.120
<v Speaker 5>the letter F for the ninety whom as these little

0:37:01.120 --> 0:37:06.680
<v Speaker 5>things ferbiesby really need me?

0:37:06.960 --> 0:37:09.000
<v Speaker 1>And the more you love them, I'll take care you.

0:37:09.400 --> 0:37:14.600
<v Speaker 11>The more they do love you, the may me herby

0:37:15.000 --> 0:37:15.640
<v Speaker 11>so separately.

0:37:15.760 --> 0:37:16.800
<v Speaker 1>Batteries not included.

0:37:17.120 --> 0:37:19.320
<v Speaker 5>That just that, by the way, that phrase batteries not included.

0:37:19.320 --> 0:37:21.000
<v Speaker 5>I can't tell you how many Christmas days have been

0:37:21.080 --> 0:37:23.759
<v Speaker 5>ruined where my wife looks at me. I told you,

0:37:23.840 --> 0:37:26.400
<v Speaker 5>I did you. It was the only about three things

0:37:26.440 --> 0:37:28.640
<v Speaker 5>you had to do for the whole day. Get the

0:37:28.719 --> 0:37:31.960
<v Speaker 5>double a's or those horrible little round sell ones that

0:37:32.000 --> 0:37:34.640
<v Speaker 5>they needed. You know what are they? Those horrible sell ones?

0:37:34.680 --> 0:37:36.800
<v Speaker 5>The vault ones are twelve one, the thirty six those

0:37:37.200 --> 0:37:40.560
<v Speaker 5>But yeah, ferbies were basically in their creepiness up there

0:37:40.760 --> 0:37:44.000
<v Speaker 5>with cabbage patch dolls. Did you like the furbies, Patsy?

0:37:44.480 --> 0:37:48.680
<v Speaker 3>I did, but I never had one. My girlfriend had one.

0:37:49.200 --> 0:37:50.839
<v Speaker 5>If I had to describe one too, are.

0:37:50.760 --> 0:37:53.400
<v Speaker 4>You you would have been in your twenties, then why'd

0:37:53.400 --> 0:37:54.280
<v Speaker 4>your girlfriend.

0:37:55.880 --> 0:37:57.920
<v Speaker 3>She was into all that sort of you know, what

0:37:57.960 --> 0:37:59.920
<v Speaker 3>do you call that sort of stuff when you're in

0:38:00.080 --> 0:38:02.680
<v Speaker 3>your early twenties You like a kid still, you know

0:38:02.880 --> 0:38:03.600
<v Speaker 3>you're into.

0:38:03.400 --> 0:38:05.879
<v Speaker 5>All that, all that jack you know that well known word.

0:38:05.920 --> 0:38:08.640
<v Speaker 5>It's a word, isn't that immature?

0:38:09.280 --> 0:38:10.480
<v Speaker 3>Yes, that's it.

0:38:10.640 --> 0:38:13.040
<v Speaker 5>They were like it looked like a gremlain basically with

0:38:13.120 --> 0:38:15.520
<v Speaker 5>a beak. I don't know how these things became a

0:38:15.520 --> 0:38:18.759
<v Speaker 5>big worldwide phenomena and it came back a couple of

0:38:18.800 --> 0:38:19.160
<v Speaker 5>years ago.

0:38:19.840 --> 0:38:22.040
<v Speaker 4>It's because they were I remember it very much being

0:38:22.040 --> 0:38:25.439
<v Speaker 4>a toy of the future in the nineties, and because

0:38:25.440 --> 0:38:27.400
<v Speaker 4>he was a robot essentially, and he looked like a

0:38:27.520 --> 0:38:30.280
<v Speaker 4>very soft toy, but he had a toy.

0:38:30.080 --> 0:38:31.279
<v Speaker 5>Of the future would be.

0:38:34.760 --> 0:38:47.240
<v Speaker 11>Midnight what they do Love's pictures.

0:38:49.600 --> 0:38:50.760
<v Speaker 5>In them.

0:38:51.239 --> 0:38:53.840
<v Speaker 4>He was the first robotic toy and he could couldn't

0:38:53.840 --> 0:38:55.960
<v Speaker 4>he see through his beak or something and watch you

0:38:56.040 --> 0:38:57.720
<v Speaker 4>and then respond to what you were doing.

0:38:58.160 --> 0:39:00.960
<v Speaker 5>It wasn't the first robotic toy. They were like robot

0:39:01.160 --> 0:39:03.400
<v Speaker 5>toys before that. Do you think we were just playing

0:39:03.400 --> 0:39:04.360
<v Speaker 5>with fire and hope?

0:39:05.320 --> 0:39:09.920
<v Speaker 4>He was the first AI type toilet and we know

0:39:09.960 --> 0:39:12.000
<v Speaker 4>it now, not AI as we know it now, but

0:39:12.120 --> 0:39:14.040
<v Speaker 4>he could do smarter things.

0:39:13.760 --> 0:39:17.560
<v Speaker 5>To start a history podcast where you just re explain stuff.

0:39:19.400 --> 0:39:20.439
<v Speaker 5>And how did he work?

0:39:20.480 --> 0:39:21.680
<v Speaker 3>You fed him, didn't you?

0:39:21.680 --> 0:39:23.279
<v Speaker 5>You had to feed him. They were quite sort of

0:39:23.320 --> 0:39:25.399
<v Speaker 5>needy and stuff like. It was sort of a sort

0:39:25.440 --> 0:39:28.520
<v Speaker 5>of a baby basically. Was it some sort of obviously

0:39:28.600 --> 0:39:31.200
<v Speaker 5>AI futuristic alien baby as Jack probably saw it and

0:39:31.200 --> 0:39:32.719
<v Speaker 5>stuff like that. But for a lot of schools there

0:39:32.719 --> 0:39:35.480
<v Speaker 5>were banned because they were noisy, they would go off

0:39:35.520 --> 0:39:37.319
<v Speaker 5>during class and stuff like this sort of banned. So

0:39:37.600 --> 0:39:39.040
<v Speaker 5>I want to I want to talk to on then.

0:39:39.080 --> 0:39:42.480
<v Speaker 5>What was banned from your school? I remember, it's going

0:39:42.560 --> 0:39:44.319
<v Speaker 5>to make me sound like a thousand year old man.

0:39:44.680 --> 0:39:47.719
<v Speaker 5>I remember when Marbles were a great game, and I

0:39:47.800 --> 0:39:50.920
<v Speaker 5>thought there was a game of the future. They were

0:39:51.000 --> 0:39:54.319
<v Speaker 5>AI and I it was a little eye that could

0:39:54.320 --> 0:39:57.920
<v Speaker 5>see into the future of psyclops playing against other little cyclops,

0:39:57.920 --> 0:40:01.239
<v Speaker 5>eye the plural. I loved Marble, and I know why.

0:40:01.480 --> 0:40:04.360
<v Speaker 5>Look about why they were banned because rarely again wouldn't

0:40:04.360 --> 0:40:07.239
<v Speaker 5>involve a punch on. You know, you would just take

0:40:07.239 --> 0:40:09.239
<v Speaker 5>on your mates if they beat you. They would always

0:40:09.280 --> 0:40:10.960
<v Speaker 5>do that. Movie just kicked all the marbles out of

0:40:10.960 --> 0:40:13.040
<v Speaker 5>the room and then just swing at one of your

0:40:13.080 --> 0:40:15.879
<v Speaker 5>good friends because he's has taken your beloved cat's eyes

0:40:16.000 --> 0:40:19.120
<v Speaker 5>or a tom bowler. They might eyed and joy, weren't

0:40:19.120 --> 0:40:21.640
<v Speaker 5>they cat's eized and the tom Bowler. I don't think

0:40:21.640 --> 0:40:23.960
<v Speaker 5>I've said that word since I was a kid playing marbles.

0:40:24.080 --> 0:40:25.600
<v Speaker 5>I still love playing marbles.

0:40:26.200 --> 0:40:29.040
<v Speaker 4>They were also sort of a black market of sorts

0:40:29.120 --> 0:40:31.560
<v Speaker 4>because they had their different values. A cat's eye is

0:40:31.600 --> 0:40:34.200
<v Speaker 4>actually at our school were the least valuable of the marbles.

0:40:34.239 --> 0:40:36.560
<v Speaker 5>Tom bona that was a really really good one to

0:40:36.600 --> 0:40:37.280
<v Speaker 5>get einst.

0:40:38.200 --> 0:40:40.359
<v Speaker 4>Your big boy. Yeah, and we even had we had

0:40:40.400 --> 0:40:43.040
<v Speaker 4>a whales eye which was even bigger than the tombola.

0:40:43.160 --> 0:40:45.319
<v Speaker 5>Yeah, he was right, there's like a wrecking more. There

0:40:45.360 --> 0:40:48.160
<v Speaker 5>was an art, a fine art at two marbles perhapsly

0:40:48.200 --> 0:40:49.440
<v Speaker 5>do you have anything band of your school?

0:40:49.480 --> 0:40:52.480
<v Speaker 3>Yeah, we couldn't play the Boys. Couldn't play British Bulldog

0:40:52.560 --> 0:40:55.440
<v Speaker 3>because too many kids got injured. There's broken arms and

0:40:55.440 --> 0:40:56.000
<v Speaker 3>everything else with.

0:40:56.040 --> 0:40:58.040
<v Speaker 5>It, but a great game. Still love playing that.

0:40:58.239 --> 0:41:02.800
<v Speaker 3>And Rubik's Cubes in the air and yeah, welcome the

0:41:02.840 --> 0:41:07.280
<v Speaker 3>Devil not the Bible. Yeah, it's so sick of kid God.

0:41:07.239 --> 0:41:09.360
<v Speaker 5>The Nundo of.

0:41:09.400 --> 0:41:13.200
<v Speaker 3>Excuse under the desk, thinking that the teacher couldn't say.

0:41:13.200 --> 0:41:13.560
<v Speaker 12>It's so.

0:41:17.840 --> 0:41:20.640
<v Speaker 6>You're listening to the question of Carl's Show podcast.

0:41:21.080 --> 0:41:23.439
<v Speaker 5>Took my marbles band from your school. Marbles were bound

0:41:23.480 --> 0:41:26.480
<v Speaker 5>for mine up to about eleven I think it was

0:41:26.520 --> 0:41:29.040
<v Speaker 5>when they stopped playing it. Still used to play. My

0:41:29.120 --> 0:41:31.279
<v Speaker 5>girls used to love playing marbles. It was a big

0:41:31.320 --> 0:41:33.440
<v Speaker 5>thing three of us used to do. After I picked

0:41:33.480 --> 0:41:35.320
<v Speaker 5>them up from school on Friday. Used to play marbles

0:41:35.440 --> 0:41:37.600
<v Speaker 5>right an hour. So I love playing that.

0:41:38.239 --> 0:41:39.720
<v Speaker 4>Marbles went through every generation.

0:41:40.160 --> 0:41:42.359
<v Speaker 5>Your still play marbles. You'll play marbles with them, won't

0:41:42.400 --> 0:41:42.799
<v Speaker 5>you think?

0:41:42.880 --> 0:41:45.080
<v Speaker 4>I think so. I wish I kept my marble bags,

0:41:45.160 --> 0:41:47.399
<v Speaker 4>keep it going. Actually, when we.

0:41:47.480 --> 0:41:51.480
<v Speaker 5>Sounds like a really wrong phrase is the marble bag

0:41:51.880 --> 0:41:56.000
<v Speaker 5>I'm showing some online dictionary. We should never look at

0:41:56.440 --> 0:42:02.239
<v Speaker 5>marble bag. I think we've accidentally stumbled something and my

0:42:02.440 --> 0:42:09.040
<v Speaker 5>son my marble backs. I don't easy anymore. Anyway, you're

0:42:09.080 --> 0:42:10.600
<v Speaker 5>playing marbles with your son.

0:42:10.760 --> 0:42:14.920
<v Speaker 4>Yes, When we had marbles band at our primary school,

0:42:15.200 --> 0:42:18.120
<v Speaker 4>they had one day called Marble Day the day before

0:42:18.239 --> 0:42:20.000
<v Speaker 4>Is it banned forever? Like I get it out of

0:42:20.000 --> 0:42:24.520
<v Speaker 4>your system? Which even during the classes that we didn't

0:42:24.520 --> 0:42:28.080
<v Speaker 4>have any lessons that during the classes we built giant

0:42:28.080 --> 0:42:29.399
<v Speaker 4>marble rocks and that sort of thing.

0:42:29.480 --> 0:42:31.480
<v Speaker 5>Were the greatest day of his school life, wasn't it

0:42:31.520 --> 0:42:35.600
<v Speaker 5>When there was marble day? It was leanne, good morning.

0:42:36.320 --> 0:42:40.200
<v Speaker 9>Good morning. We had click clacks at our school that

0:42:40.360 --> 0:42:44.600
<v Speaker 9>was banned because you ended up with broken wrists and arms.

0:42:44.680 --> 0:42:48.560
<v Speaker 5>And you must remember click clacks perhaps each remember those school.

0:42:48.719 --> 0:42:50.239
<v Speaker 3>I don't what were click clacks.

0:42:50.680 --> 0:42:53.759
<v Speaker 9>Click claes was like a piece of string with a

0:42:53.880 --> 0:42:57.000
<v Speaker 9>ring in the middle and a really hard ball on

0:42:57.120 --> 0:42:59.600
<v Speaker 9>each end, and then you'd hang them down from the

0:42:59.640 --> 0:43:02.359
<v Speaker 9>middle and then bang together at the bottom and you'd

0:43:02.400 --> 0:43:05.120
<v Speaker 9>have to bang them and get them going at the bottom,

0:43:05.160 --> 0:43:08.000
<v Speaker 9>and then you'd flick the string and you'd flick them

0:43:08.080 --> 0:43:09.960
<v Speaker 9>up to the top, bang together.

0:43:10.000 --> 0:43:13.879
<v Speaker 5>Then the giant click clack noise basically hence the name.

0:43:14.680 --> 0:43:16.600
<v Speaker 5>These things are lethal, like I'm pretty sure it's some

0:43:16.719 --> 0:43:19.319
<v Speaker 5>medieval sort of weapon. They used to whirl them around

0:43:19.320 --> 0:43:21.319
<v Speaker 5>their heads and throw the Game of Thrones there click

0:43:21.360 --> 0:43:23.520
<v Speaker 5>claps not in Game of Thrones.

0:43:24.360 --> 0:43:26.080
<v Speaker 9>I've still got a pair and i'd pull them out

0:43:26.080 --> 0:43:27.200
<v Speaker 9>and my kids playing.

0:43:29.440 --> 0:43:34.800
<v Speaker 5>Look Ninja. You know nanchucks. You can use them, and

0:43:34.920 --> 0:43:36.480
<v Speaker 5>thank you very much and gorm have a good day,

0:43:36.520 --> 0:43:41.640
<v Speaker 5>No worries by Jessica. Hi guys, Jessica. For some reason,

0:43:41.680 --> 0:43:45.239
<v Speaker 5>they label the art here Jessica Brackets twenty five the.

0:43:46.800 --> 0:43:48.480
<v Speaker 19>Yeah I love your show, guys.

0:43:48.239 --> 0:43:50.200
<v Speaker 5>Thank you very much, said the twenty year olds were

0:43:50.239 --> 0:43:53.440
<v Speaker 5>a happening thing, Jessica. What was banned at your school?

0:43:54.280 --> 0:43:57.080
<v Speaker 20>So we had something called a neo pit, which was

0:43:57.160 --> 0:44:00.160
<v Speaker 20>something you got from Macis and the Happy Meal. It

0:44:00.239 --> 0:44:02.439
<v Speaker 20>used to be kind of like a pretty long card

0:44:02.600 --> 0:44:05.319
<v Speaker 20>or a yuyeo card, So you got the little soft toy,

0:44:05.400 --> 0:44:08.000
<v Speaker 20>these like little aliens, and it had a card with

0:44:08.040 --> 0:44:10.759
<v Speaker 20>statistics on it, and the kids used to kind of

0:44:10.800 --> 0:44:13.360
<v Speaker 20>like swap them compete, and then they used to end

0:44:13.440 --> 0:44:15.759
<v Speaker 20>up in fisty cuffs when people lost, like a really

0:44:15.800 --> 0:44:18.200
<v Speaker 20>good or really rare one fisticuffs.

0:44:19.640 --> 0:44:22.360
<v Speaker 5>I love that for these fisticuffs. Yeah, I remember anything.

0:44:22.400 --> 0:44:26.120
<v Speaker 5>You're playing cards, trading cards equaled bolence. Yeah. Yeah, it's

0:44:26.160 --> 0:44:28.719
<v Speaker 5>like a prison yard. Sudden, then the schoolyard became the

0:44:28.760 --> 0:44:31.960
<v Speaker 5>prison yard, wasn't it. People being shipped with the compasses

0:44:31.960 --> 0:44:37.759
<v Speaker 5>and protractors. Yeah, those cards. Why did we go crazy

0:44:37.880 --> 0:44:38.239
<v Speaker 5>for them?

0:44:38.360 --> 0:44:38.520
<v Speaker 6>You know?

0:44:38.719 --> 0:44:40.560
<v Speaker 5>Back now is and I don't know it was just

0:44:40.600 --> 0:44:47.719
<v Speaker 5>a card with some starter on. Prepared to fight your

0:44:47.800 --> 0:44:51.279
<v Speaker 5>mess mate for one of those, Jessica, that's a great one.

0:44:51.280 --> 0:44:53.839
<v Speaker 5>Thank you very much to me for your call. No,

0:44:54.000 --> 0:45:00.279
<v Speaker 5>thank you, Richie. Ye, yeah, good Richie. We'll get band

0:45:00.320 --> 0:45:00.960
<v Speaker 5>at your school.

0:45:02.320 --> 0:45:04.360
<v Speaker 13>I got moon Rocks band at my school.

0:45:06.080 --> 0:45:08.680
<v Speaker 5>I am drugs. Do you mean what the moon Rocks?

0:45:09.280 --> 0:45:13.000
<v Speaker 13>Yeah, well, well sorry goes that way there the lollies

0:45:13.000 --> 0:45:16.319
<v Speaker 13>that like explode in your mouth. Oh yeah, and they

0:45:16.640 --> 0:45:17.880
<v Speaker 13>I used to be able to get them for like

0:45:17.960 --> 0:45:21.640
<v Speaker 13>five cents cheaper than anyone else in the school. And

0:45:21.640 --> 0:45:23.560
<v Speaker 13>they come in a little blue envelope, you know, with

0:45:23.600 --> 0:45:27.480
<v Speaker 13>a with a Martian on the front, and.

0:45:27.440 --> 0:45:29.600
<v Speaker 5>They were actually but anyway, yeah, let's go with it.

0:45:30.320 --> 0:45:32.960
<v Speaker 13>Yeah. Yeah, So I went to school and I had

0:45:32.960 --> 0:45:34.719
<v Speaker 13>a bit of a syndicate going because I've got murried

0:45:34.880 --> 0:45:38.480
<v Speaker 13>your mate, and we will sealarise moon Rocks at school.

0:45:38.520 --> 0:45:41.360
<v Speaker 13>You know. Anyway, it's a long story short of a

0:45:41.440 --> 0:45:43.319
<v Speaker 13>dragon into the office. The moon Rocks got banned.

0:45:44.239 --> 0:45:47.440
<v Speaker 5>Yeah, but all that and the good days there with

0:45:47.480 --> 0:45:49.200
<v Speaker 5>your contraband you must have made good money.

0:45:50.120 --> 0:45:52.000
<v Speaker 13>Oh well, you know, five cents a pack. I think

0:45:52.040 --> 0:45:54.520
<v Speaker 13>I was like fifteen ten or fifteen cents. Back then it.

0:45:57.960 --> 0:46:00.000
<v Speaker 5>Got murrying for a bit of the action and stuff.

0:46:00.360 --> 0:46:02.840
<v Speaker 5>And it's a syndicate, you know, which is you murry

0:46:02.840 --> 0:46:07.879
<v Speaker 5>which isn't an effect a sindicate. But anyway, love, thank

0:46:08.000 --> 0:46:10.280
<v Speaker 5>you very much. I'm a phone tomorrow.

0:46:10.280 --> 0:46:15.279
<v Speaker 2>Small syndicates Room The Christian O'Connell Show podcast.

0:46:15.080 --> 0:46:19.400
<v Speaker 5>Time for this week a business like show business.

0:46:19.960 --> 0:46:22.680
<v Speaker 14>I've wanted down the River with Judy Nunn, who played

0:46:22.960 --> 0:46:24.439
<v Speaker 14>Al Shor's wife on Home and Away.

0:46:24.440 --> 0:46:27.520
<v Speaker 9>About twenty years ago, my dad opened the Beatles' bank account.

0:46:27.680 --> 0:46:29.080
<v Speaker 1>My mother once cooked for.

0:46:29.440 --> 0:46:33.960
<v Speaker 9>Lee Marbham and William Holden, my humanity teacher, literally bumped

0:46:34.000 --> 0:46:35.719
<v Speaker 9>into Rianna in Dennis.

0:46:35.520 --> 0:46:38.719
<v Speaker 6>Christian O'Connell's Weakest Claim to Fame, You.

0:46:38.760 --> 0:46:42.080
<v Speaker 5>Had me at Beetles' bank account, all right, So the

0:46:42.200 --> 0:46:45.719
<v Speaker 5>lines are open. Goodness knows what amazing stories we're going

0:46:45.760 --> 0:46:48.000
<v Speaker 5>to hear during the next twenty minutes. And always remember,

0:46:48.080 --> 0:46:51.400
<v Speaker 5>every week on this no claim to fame is ever

0:46:51.800 --> 0:46:56.520
<v Speaker 5>two week lucky, good morning, good morning, good morning. And

0:46:56.760 --> 0:46:59.600
<v Speaker 5>on the way to school, oh yeah, I'm all my

0:46:59.680 --> 0:47:04.920
<v Speaker 5>ways school, yeah yeah. And what's Wednesday? Good day? Bad day? Boring? Great?

0:47:05.360 --> 0:47:09.439
<v Speaker 21>Actually I have music today, so it's not too bad.

0:47:09.640 --> 0:47:11.880
<v Speaker 5>Yeah, and you singing? What do you like to do

0:47:11.880 --> 0:47:12.360
<v Speaker 5>for music?

0:47:14.239 --> 0:47:18.439
<v Speaker 21>We're not all loudly everything, and it's kind of it's

0:47:19.040 --> 0:47:21.080
<v Speaker 21>good because you don't have to really work, but it's

0:47:21.080 --> 0:47:26.360
<v Speaker 21>a bit boring to you have to do tai chi.

0:47:24.600 --> 0:47:27.360
<v Speaker 4>Music music and.

0:47:28.880 --> 0:47:31.680
<v Speaker 5>Be beautiful. What a lovely school you go to? We

0:47:31.719 --> 0:47:35.600
<v Speaker 5>did a very vormatite teacher lunch, right, but anyway, we

0:47:35.719 --> 0:47:38.759
<v Speaker 5>got a British bulldog, but lovely and what's she cling

0:47:38.840 --> 0:47:39.520
<v Speaker 5>to fame? For us?

0:47:41.280 --> 0:47:44.719
<v Speaker 21>My uncle Paul, he worked on a TV show with

0:47:44.840 --> 0:47:45.520
<v Speaker 21>Zach Effron.

0:47:46.320 --> 0:47:47.600
<v Speaker 5>Did he wisch TV show?

0:47:48.960 --> 0:47:53.120
<v Speaker 21>I think it wasn't Nature TV show? It was called

0:47:53.280 --> 0:47:57.560
<v Speaker 21>killing Zac Efron because he wanted to change his reputation

0:47:57.880 --> 0:48:03.120
<v Speaker 21>from a guy that like was in high school musical

0:48:03.239 --> 0:48:09.440
<v Speaker 21>to a guy that likes things. And he's like, my

0:48:09.560 --> 0:48:12.480
<v Speaker 21>uncle's a nature expert. So he was telling them all

0:48:12.480 --> 0:48:14.560
<v Speaker 21>the information they needed and everything.

0:48:15.080 --> 0:48:16.520
<v Speaker 5>That's pretty cool. So do you get a lot of

0:48:16.600 --> 0:48:18.080
<v Speaker 5>nature information from your uncle?

0:48:19.560 --> 0:48:28.040
<v Speaker 21>I guess so. Actually, my my uncle lives in Queensland.

0:48:28.840 --> 0:48:32.120
<v Speaker 5>So and how was he at the moment? Is he okay?

0:48:32.640 --> 0:48:36.359
<v Speaker 21>Oh yeah, yeah, he was my uncle's fine. But he

0:48:36.480 --> 0:48:38.799
<v Speaker 21>when he came down. He actually had a bunch of

0:48:38.840 --> 0:48:42.640
<v Speaker 21>pictures from the set and from the TV show and

0:48:42.680 --> 0:48:49.040
<v Speaker 21>everything because and yeah, he had a bunch of pictures

0:48:49.040 --> 0:48:49.840
<v Speaker 21>of zac Efron.

0:48:50.600 --> 0:48:53.520
<v Speaker 5>I hope Zach was taking those pictures and your uncle

0:48:53.560 --> 0:48:56.080
<v Speaker 5>wasn't hide him. Mihnd some nature or something in spine

0:48:56.080 --> 0:49:01.919
<v Speaker 5>on him. Well, enjoy today, my young friend, and thank

0:49:01.920 --> 0:49:03.160
<v Speaker 5>you very much for giving us a call.

0:49:04.080 --> 0:49:07.040
<v Speaker 9>Thank you, thank you now, thank you for your time, Christian,

0:49:07.160 --> 0:49:08.640
<v Speaker 9>thank you, thank you.

0:49:08.680 --> 0:49:13.800
<v Speaker 5>Actually we got here now, Annie, Hi, hi, Christin, good morning,

0:49:13.800 --> 0:49:15.680
<v Speaker 5>Welcome to the show. Your weakest claim to fame.

0:49:16.640 --> 0:49:20.280
<v Speaker 19>My weakest claim to fame is John bon Jovi. Sweat

0:49:20.400 --> 0:49:21.719
<v Speaker 19>fell on my mum's arm.

0:49:23.480 --> 0:49:28.359
<v Speaker 5>Right here we go. Now we're into it, Okay, So

0:49:30.880 --> 0:49:33.080
<v Speaker 5>that was John bon Jovi on stage.

0:49:32.719 --> 0:49:37.200
<v Speaker 19>Or yeah, John was on totage and mum was She

0:49:37.440 --> 0:49:39.920
<v Speaker 19>was climbing over over and to get to the front,

0:49:40.560 --> 0:49:43.359
<v Speaker 19>and she reached her hand out to grab his and

0:49:43.600 --> 0:49:47.279
<v Speaker 19>sweat fell on her arms. Then she she lifked it off.

0:49:52.840 --> 0:50:01.080
<v Speaker 5>Harriet Lecter in this story, poor John right through living

0:50:01.120 --> 0:50:03.600
<v Speaker 5>in a prairie is like I'm moving back security.

0:50:03.800 --> 0:50:05.520
<v Speaker 4>That would put you off forwards.

0:50:06.320 --> 0:50:11.920
<v Speaker 5>Sam. And the fact you know about this, it's not

0:50:11.960 --> 0:50:14.719
<v Speaker 5>like it happened, and your mum kept it what she's

0:50:14.760 --> 0:50:18.800
<v Speaker 5>passed it onto her daughter. You must preserve our family history.

0:50:18.960 --> 0:50:22.759
<v Speaker 7>Okay, it's not a shame own it.

0:50:22.920 --> 0:50:25.960
<v Speaker 5>We should all own. That's great. Thank you very much,

0:50:26.000 --> 0:50:28.759
<v Speaker 5>you call. Have a good day. Thank you too, by

0:50:28.800 --> 0:50:32.759
<v Speaker 5>my Aaron good. I'm good, Aeron. I hope you having

0:50:32.760 --> 0:50:34.799
<v Speaker 5>a good week. So your weakest clean to fame?

0:50:35.680 --> 0:50:38.200
<v Speaker 22>My weakest claim to fame would be a number of

0:50:38.239 --> 0:50:41.080
<v Speaker 22>years ago I share and thought he can eat buffet

0:50:41.280 --> 0:50:44.080
<v Speaker 22>with Arnold Schwartze.

0:50:46.000 --> 0:50:48.799
<v Speaker 5>In an iither world, we'd have a buffet special right

0:50:48.840 --> 0:50:52.040
<v Speaker 5>for her weakest claim to fame? Who what celebrity met

0:50:52.040 --> 0:50:54.560
<v Speaker 5>tomorrow show? Guys, we'll get we'll get back into this.

0:50:54.840 --> 0:50:58.120
<v Speaker 5>What famous people? I've seen one of the buffet once

0:50:58.320 --> 0:51:00.640
<v Speaker 5>and they must have gone back three to times. And

0:51:00.760 --> 0:51:03.840
<v Speaker 5>I know this person's like a multi platinum selling artist.

0:51:04.320 --> 0:51:07.640
<v Speaker 5>Three three reviews? We all do too, but three? So

0:51:08.040 --> 0:51:10.600
<v Speaker 5>how much food? Was only because he's a big guy,

0:51:10.640 --> 0:51:12.840
<v Speaker 5>all those muscles he's got to be not protein? What

0:51:12.960 --> 0:51:13.440
<v Speaker 5>was he eating?

0:51:14.520 --> 0:51:17.680
<v Speaker 22>Well, he had a bodyguard with him that was twice

0:51:17.680 --> 0:51:21.640
<v Speaker 22>his size. He got food under his plate, but he

0:51:21.719 --> 0:51:23.000
<v Speaker 22>actually barely had a thing.

0:51:23.920 --> 0:51:26.839
<v Speaker 5>What does he need protection at the buffet, Arnie, this

0:51:26.880 --> 0:51:28.640
<v Speaker 5>is where if I was going to get you, I'd

0:51:28.719 --> 0:51:31.960
<v Speaker 5>attack you at the buffet. The guy behind the omelet counter.

0:51:32.440 --> 0:51:34.400
<v Speaker 5>We don't know if he's their guy, was going to

0:51:34.440 --> 0:51:38.160
<v Speaker 5>take you out. We need to be ready. That's incredible.

0:51:38.560 --> 0:51:39.720
<v Speaker 5>And where was this Aram?

0:51:40.560 --> 0:51:43.160
<v Speaker 8>This is in Melbourne at the Conservatory I think who

0:51:43.200 --> 0:51:51.320
<v Speaker 8>was out here for a one of his sponsored bodybuilding competition. Yeah,

0:51:51.800 --> 0:51:53.719
<v Speaker 8>big did his food and hardly had a being.

0:51:54.360 --> 0:51:57.560
<v Speaker 5>That's great, great eyewitness report. Thank you very much. Aaron. Okay,

0:52:00.480 --> 0:52:04.120
<v Speaker 5>good morning, Martha Christian conn Why we get claim to

0:52:04.160 --> 0:52:05.920
<v Speaker 5>fame is that I went to Dodney Lame when I

0:52:05.960 --> 0:52:09.080
<v Speaker 5>was fifteen and I was on a teacup ride in

0:52:09.120 --> 0:52:12.800
<v Speaker 5>front of Doogie Howser a KA Neil Patrick Harris Doogie

0:52:12.840 --> 0:52:16.040
<v Speaker 5>Howser m D. My friend, the youngest medical gen in

0:52:16.080 --> 0:52:19.040
<v Speaker 5>the world. What a great claim to fame.

0:52:20.800 --> 0:52:25.480
<v Speaker 13>That's how he rolled. I reckon, he's on the tea cup.

0:52:28.640 --> 0:52:30.239
<v Speaker 5>And when was this Mark?

0:52:31.560 --> 0:52:34.480
<v Speaker 14>Ah, Well, I was fifteen, so we're talking the mid eighties.

0:52:34.920 --> 0:52:37.720
<v Speaker 5>So it actually was when he was as a Doogie

0:52:37.760 --> 0:52:38.360
<v Speaker 5>Houser m D.

0:52:39.520 --> 0:52:41.480
<v Speaker 16>Yeah, I think so, he would have been about seventeen.

0:52:41.520 --> 0:52:41.879
<v Speaker 7>I reckon.

0:52:42.480 --> 0:52:44.200
<v Speaker 5>I guess he's got to take the Stephi's go off

0:52:44.200 --> 0:52:45.759
<v Speaker 5>before you get on the tea cup because always that

0:52:45.760 --> 0:52:47.360
<v Speaker 5>could it's someone in the face, you know, it's a

0:52:47.600 --> 0:52:51.120
<v Speaker 5>it's a land and.

0:52:51.040 --> 0:52:52.719
<v Speaker 7>The other sad point in this story is that I

0:52:52.719 --> 0:52:56.160
<v Speaker 7>think we have matching baggy pants like the mc hammer one.

0:52:58.239 --> 0:53:00.480
<v Speaker 5>What a look you were fifteen? Of course she did.

0:53:00.520 --> 0:53:03.239
<v Speaker 5>That's amazing. That's brilliant. And was it the original? Tis

0:53:03.239 --> 0:53:04.560
<v Speaker 5>you land in Anaheim?

0:53:05.160 --> 0:53:05.960
<v Speaker 13>Yep? That was it.

0:53:06.040 --> 0:53:07.799
<v Speaker 5>Yeah, I've been on that tea cup ride with the kids.

0:53:07.840 --> 0:53:10.880
<v Speaker 5>Good fun. That all right? Mark? Thank you? It is.

0:53:11.560 --> 0:53:15.040
<v Speaker 5>It is good old classic teacup ride. Mark, thank you

0:53:15.120 --> 0:53:15.800
<v Speaker 5>very much. You call me.

0:53:15.840 --> 0:53:17.719
<v Speaker 8>I have a good day.

0:53:18.080 --> 0:53:24.560
<v Speaker 5>I love a tea cup ride. Never that's extremes. It

0:53:24.719 --> 0:53:31.840
<v Speaker 5>likes to get from me. Oh you know a Spinney teacup

0:53:31.960 --> 0:53:34.360
<v Speaker 5>ride anyway, Matt, good morning.

0:53:35.239 --> 0:53:36.200
<v Speaker 12>Yeah, here you're going.

0:53:36.880 --> 0:53:38.960
<v Speaker 5>I'm good man. Welcome to the show. And what's your

0:53:39.000 --> 0:53:40.239
<v Speaker 5>a weakest claim to fame?

0:53:41.440 --> 0:53:42.560
<v Speaker 13>My wakest kind of same?

0:53:43.000 --> 0:53:47.760
<v Speaker 15>Our family friend is a hand double for James Spader

0:53:47.880 --> 0:53:50.040
<v Speaker 15>out of the black List.

0:53:51.040 --> 0:53:56.640
<v Speaker 5>Wow, I just need to say everything down right now.

0:53:56.719 --> 0:54:00.200
<v Speaker 5>So James Spader's hand double.

0:54:00.800 --> 0:54:03.600
<v Speaker 10>Yes, Yes, that's how much work.

0:54:05.080 --> 0:54:05.680
<v Speaker 14>I get to say.

0:54:06.040 --> 0:54:08.640
<v Speaker 15>When he was doing one of the episodes was the

0:54:08.920 --> 0:54:11.000
<v Speaker 15>operation and the story he saw was a hand and

0:54:11.040 --> 0:54:12.600
<v Speaker 15>that was his team that.

0:54:13.120 --> 0:54:14.959
<v Speaker 5>I didn't want to change. Spade was such a big

0:54:15.000 --> 0:54:20.279
<v Speaker 5>deal when when he goes get the other guy, he

0:54:20.360 --> 0:54:23.640
<v Speaker 5>has a hand double that this is incredible. How did

0:54:23.640 --> 0:54:25.360
<v Speaker 5>you find this out about your friend? Were you just

0:54:25.400 --> 0:54:27.759
<v Speaker 5>casually talking one day, you know, and you having a beer.

0:54:28.040 --> 0:54:29.920
<v Speaker 5>You've got beautiful looking hands. Well, I don't like to

0:54:29.920 --> 0:54:32.760
<v Speaker 5>talk about it, but I'm actually James Spader's hand double.

0:54:33.040 --> 0:54:36.359
<v Speaker 4>Oh you're watching the Blacklist and you go, I recognize.

0:54:35.840 --> 0:54:43.160
<v Speaker 13>This because he's been he's been in a few different shows.

0:54:42.960 --> 0:54:44.840
<v Speaker 13>It's just like a background person.

0:54:45.400 --> 0:54:48.680
<v Speaker 15>And then get the bed that he was doing this

0:54:48.760 --> 0:54:49.600
<v Speaker 15>and we said now.

0:54:49.760 --> 0:54:54.560
<v Speaker 13>And then we looked at him and doesn't look nothing alike.

0:54:55.400 --> 0:54:58.880
<v Speaker 5>The hands pretty well, anyone else here won't saying, I

0:54:58.920 --> 0:55:00.680
<v Speaker 5>don't know where he's going? Is it further down the

0:55:00.680 --> 0:55:04.880
<v Speaker 5>mind shoft? Sorry? Mate. As as he was getting more interesting,

0:55:04.920 --> 0:55:07.960
<v Speaker 5>it was like a sick games The secret sound.

0:55:10.560 --> 0:55:11.759
<v Speaker 13>Stupid. I hate it.

0:55:12.440 --> 0:55:17.720
<v Speaker 17>That's okay, okay, that's just as he's got really hairy hans.

0:55:19.840 --> 0:55:21.400
<v Speaker 15>I don't know how he got the double.

0:55:22.120 --> 0:55:24.400
<v Speaker 5>Wait a lot. Well for the Plane of the Eights movies,

0:55:24.440 --> 0:55:26.279
<v Speaker 5>if they need if they have an actor who's got

0:55:26.280 --> 0:55:28.920
<v Speaker 5>a hairy hand, and they call up your man, don't they.

0:55:29.520 --> 0:55:33.040
<v Speaker 5>They do the TV shows and stuff that we might

0:55:33.080 --> 0:55:34.239
<v Speaker 5>have seen you mate his hands on.

0:55:35.360 --> 0:55:40.440
<v Speaker 15>Yeah, he was in one of the episodes.

0:55:40.480 --> 0:55:41.880
<v Speaker 13>There was in the background and they have a.

0:55:41.920 --> 0:55:44.520
<v Speaker 12>Fight in the bar and he's at the bark on them.

0:55:45.280 --> 0:55:46.040
<v Speaker 5>And then yeah, he.

0:55:47.760 --> 0:55:50.680
<v Speaker 13>Was one of the in the Blacklea.

0:55:50.840 --> 0:55:51.560
<v Speaker 16>It was one of the.

0:55:52.200 --> 0:55:58.360
<v Speaker 5>Game guess a lot of work that shown to than James.

0:56:00.480 --> 0:56:04.160
<v Speaker 5>It's the real stuff, all right, Matt, Matt, thank you

0:56:04.239 --> 0:56:08.839
<v Speaker 5>very much to give us a call on that phone. Eh.

0:56:09.480 --> 0:56:09.640
<v Speaker 11>Well.

0:56:09.760 --> 0:56:12.600
<v Speaker 1>Christian Connell's show podcast.

0:56:14.800 --> 0:56:20.399
<v Speaker 5>Thousands of bottles of Champagne Moey No Less have been

0:56:20.400 --> 0:56:24.400
<v Speaker 5>recorded worldwide after they found to have traces of ecstasy

0:56:24.680 --> 0:56:28.800
<v Speaker 5>in them. Interesting that I producer Rio saw this story.

0:56:29.600 --> 0:56:32.319
<v Speaker 5>Champagne Charnie, he's known as widely on this show. He's

0:56:32.480 --> 0:56:34.480
<v Speaker 5>actually seen on the background of a news report one

0:56:34.560 --> 0:56:38.359
<v Speaker 5>day chomping on oysters and champagne Meridy, the young boy

0:56:38.400 --> 0:56:44.040
<v Speaker 5>Prince of Paran No wonder you saw this story. How

0:56:44.040 --> 0:56:48.920
<v Speaker 5>does one go about getting decent Mowe now paran. All right,

0:56:49.000 --> 0:56:54.080
<v Speaker 5>so today with this posh news posh bands jacko once

0:56:54.120 --> 0:56:57.200
<v Speaker 5>you imagine that where there's a festival called posh Fest

0:56:57.800 --> 0:57:04.040
<v Speaker 5>posh Fest. Yeah, guess who's just been announced? The whom

0:57:04.120 --> 0:57:08.040
<v Speaker 5>gold the rest Maybe not so. Jim Morrison's playing.

0:57:08.239 --> 0:57:09.160
<v Speaker 4>Did you just rip that?

0:57:09.520 --> 0:57:11.800
<v Speaker 5>No? I was going to do No, No, let's just

0:57:11.880 --> 0:57:14.120
<v Speaker 5>rip another one up. I'm not riding that one out,

0:57:14.840 --> 0:57:17.760
<v Speaker 5>just announced. Jim Morrison's playing us right in the doors,

0:57:18.520 --> 0:57:25.600
<v Speaker 5>in the doors, string of pearls, jam who a string

0:57:25.640 --> 0:57:29.200
<v Speaker 5>of pearls lovely, beautiful, so expressive, very fancy and indeed

0:57:29.560 --> 0:57:33.000
<v Speaker 5>very posh silver plus gither you don't understand a string

0:57:33.040 --> 0:57:34.840
<v Speaker 5>of pearls, Patsy, aren't they beautiful and lovely?

0:57:34.840 --> 0:57:39.360
<v Speaker 3>String Mickey Moto string particularly oh, Mickey.

0:57:39.080 --> 0:57:44.240
<v Speaker 5>Motol Mickey Moto not big brand. Someone's got a fiftieth coming.

0:57:44.160 --> 0:57:46.520
<v Speaker 4>Up, start saving just dropping.

0:57:48.000 --> 0:57:49.160
<v Speaker 5>Can you get those at Levisa?

0:57:50.040 --> 0:57:50.520
<v Speaker 3>Go away?

0:57:51.280 --> 0:57:52.520
<v Speaker 5>Oh that's where I was going to go for your

0:57:53.080 --> 0:58:00.880
<v Speaker 5>rag off Dixie chic Dixie chek, the Dixie. What about

0:58:00.960 --> 0:58:03.440
<v Speaker 5>system our system of a down big noisy band, but

0:58:03.800 --> 0:58:06.280
<v Speaker 5>the posher version of them, that's right, system of a

0:58:06.360 --> 0:58:13.280
<v Speaker 5>downtown abby Gold and finally, panic at the ballroom. We've

0:58:13.480 --> 0:58:19.000
<v Speaker 5>run out of cavea Silver. Panic at that ball room,

0:58:20.400 --> 0:58:22.680
<v Speaker 5>Jackie Boye, what have you got them? Posh bands?

0:58:23.480 --> 0:58:26.000
<v Speaker 4>Oh this this next band coming on stage can be

0:58:26.040 --> 0:58:31.080
<v Speaker 4>a bit uptight, snooty in the blowfish.

0:58:31.160 --> 0:58:32.560
<v Speaker 5>Yes, Gold, that's good.

0:58:33.680 --> 0:58:38.320
<v Speaker 4>And who's this posh DJ? That's Flashboy Slim. There are

0:58:38.320 --> 0:58:45.640
<v Speaker 4>some expensive DJ decks. Bronze thought my Lime dropped out

0:58:45.640 --> 0:58:46.120
<v Speaker 4>for a second.

0:58:46.200 --> 0:58:49.120
<v Speaker 5>No, no, we wish it had. Nope, you're back.

0:58:50.360 --> 0:58:52.160
<v Speaker 4>Ull La Lana del Rey.

0:58:53.400 --> 0:58:56.439
<v Speaker 5>That's Gold plus the Lime strong end.

0:58:58.560 --> 0:59:00.640
<v Speaker 4>And the mummers and the puppa's they were so running

0:59:00.680 --> 0:59:03.520
<v Speaker 4>the meal. Just that's a common band. But not the

0:59:03.640 --> 0:59:04.920
<v Speaker 4>mummies and the daddies.

0:59:05.760 --> 0:59:14.720
<v Speaker 5>What they like Ma, Pa, Papa, Mama, Mummy, daddy. No

0:59:15.400 --> 0:59:19.360
<v Speaker 5>say no, no, Bogans can go my mummy or daddy.

0:59:20.560 --> 0:59:22.640
<v Speaker 4>Bogans aren't using mummy and daddy.

0:59:22.360 --> 0:59:29.560
<v Speaker 5>They are Jack. You just cook back to your boat.

0:59:29.720 --> 0:59:32.280
<v Speaker 3>I will not be the resident Bogan, thank you very much.

0:59:32.360 --> 0:59:36.760
<v Speaker 3>No way, that is not on No, thank you order.

0:59:36.760 --> 0:59:41.160
<v Speaker 5>Really out of order. I'm sorry about this. Young Avanda

0:59:41.440 --> 0:59:45.120
<v Speaker 5>show is in turmoil right now, Bronze. For that, Jack,

0:59:45.200 --> 0:59:47.960
<v Speaker 5>no cookies, get your hand out of the cookie.

0:59:47.720 --> 0:59:50.920
<v Speaker 4>Jar, a bogan who wears a Mickey Moto.

0:59:52.320 --> 0:59:54.240
<v Speaker 5>He's trying to wheedle his way back in. Don't nut

0:59:54.320 --> 0:59:56.440
<v Speaker 5>in pants? Where's that baby coming?

0:59:57.320 --> 1:00:02.640
<v Speaker 2>This is the Christian O'Connell show podcast, pingcong Gold.

1:00:02.400 --> 1:00:06.200
<v Speaker 5>One on four point three Christian O'Connell Show. Just give

1:00:06.240 --> 1:00:09.360
<v Speaker 5>away two hundred and fifty dollars worth of ox Rabbit

1:00:10.160 --> 1:00:17.000
<v Speaker 5>chocolate brownies. All right, time waster is posh bands, fancy bands,

1:00:17.000 --> 1:00:20.560
<v Speaker 5>you're ready to mark? I am the I own this

1:00:20.680 --> 1:00:28.960
<v Speaker 5>beach boys Silver, crowded penhouse, civil class. Anthony deserves more.

1:00:29.080 --> 1:00:31.360
<v Speaker 5>That is smarter a crowded house, but a pen house.

1:00:31.840 --> 1:00:32.840
<v Speaker 4>That's the best I can do.

1:00:33.360 --> 1:00:39.080
<v Speaker 5>Thank you. The gilded doors broms too good for you?

1:00:39.160 --> 1:00:42.160
<v Speaker 4>Two gold.

1:00:43.360 --> 1:00:48.160
<v Speaker 5>You know the singer Christopher Cross, Yes he doesn't, which

1:00:48.200 --> 1:00:50.200
<v Speaker 5>is why to say that, to make it easy for him.

1:00:50.280 --> 1:01:01.800
<v Speaker 5>Christopher crossol gold so posh guns and posers silver. He's

1:01:01.840 --> 1:01:05.120
<v Speaker 5>eats for falling over there, all right, sorry, Champagne, Fountains

1:01:05.120 --> 1:01:19.360
<v Speaker 5>of Wayne silver. That's good zz top class took you

1:01:19.400 --> 1:01:21.560
<v Speaker 5>a while, you know, it's only because for some reason

1:01:21.560 --> 1:01:23.120
<v Speaker 5>the team are put through just a random load of

1:01:23.200 --> 1:01:25.000
<v Speaker 5>names for me to read out now like my name

1:01:25.080 --> 1:01:37.960
<v Speaker 5>is Jody and Stephen silver rolling gemstones silver, how beastly boys, Bronze,

1:01:39.400 --> 1:01:40.880
<v Speaker 5>John Bon jovial.

1:01:42.600 --> 1:01:43.920
<v Speaker 4>Is being jovial?

1:01:43.960 --> 1:01:50.920
<v Speaker 5>Posh, No, not at all, No brands, William idle billy.

1:01:52.160 --> 1:01:55.880
<v Speaker 5>I know I didn't select these, just a load.

1:01:55.680 --> 1:01:57.480
<v Speaker 4>Of Someone needs to take a look in the mirror

1:01:57.480 --> 1:01:57.880
<v Speaker 4>over there.

1:01:58.560 --> 1:01:59.920
<v Speaker 5>Bronze, lavish guy.

1:02:00.280 --> 1:02:01.920
<v Speaker 4>And that's better.

1:02:04.040 --> 1:02:11.000
<v Speaker 5>Counting crowns, silver, bling one eighty two.

1:02:11.600 --> 1:02:13.760
<v Speaker 4>That's it gold. Give them the cookies.

1:02:13.920 --> 1:02:19.720
<v Speaker 5>Fuchua fuchia, Floyd silver, that's good. That's parture than pink

1:02:19.760 --> 1:02:25.439
<v Speaker 5>fuchua uh silver, metallica fuc and spoon. I think having

1:02:25.440 --> 1:02:29.920
<v Speaker 5>a full and spoon is posh and Australia obviously fastlow.

1:02:30.000 --> 1:02:32.440
<v Speaker 5>But I love this one though. Radio Head up their

1:02:32.440 --> 1:02:35.080
<v Speaker 5>own backside. That's sort of thing Dad says, isn't it.

1:02:35.080 --> 1:02:36.800
<v Speaker 5>I'll give you bloody radio Head ready wed up their

1:02:36.800 --> 1:02:41.600
<v Speaker 5>own backside. Him and Ai and salt and pepper him halay,

1:02:41.680 --> 1:02:44.120
<v Speaker 5>And that's been a pink Himalayan. I love my pinks.

1:02:45.040 --> 1:02:50.600
<v Speaker 5>Golly Parton, Oh gollice, she's golly good, you know, blink

1:02:50.640 --> 1:02:55.520
<v Speaker 5>through a monocle that they get the cookies. Blink. They're

1:02:55.520 --> 1:02:58.960
<v Speaker 5>a monocle. Come on, blink through a monocle. That is good.

1:02:59.640 --> 1:03:00.959
<v Speaker 4>Give them the cookies, all right.

1:03:00.840 --> 1:03:03.720
<v Speaker 5>You can have the cookies, all right. Tomorrow's show. Today,

1:03:03.760 --> 1:03:07.320
<v Speaker 5>we have a load of your footy okay entries. We're

1:03:07.360 --> 1:03:09.960
<v Speaker 5>asking you to pick a song and then write your

1:03:09.960 --> 1:03:13.000
<v Speaker 5>own lyrics to that song, but about your footy team,

1:03:13.080 --> 1:03:15.360
<v Speaker 5>the one that you barrack for. It's a week today.

1:03:15.400 --> 1:03:18.720
<v Speaker 5>Footy is back a week today, Round one at the g.

1:03:18.880 --> 1:03:20.600
<v Speaker 5>You've heard that special off. They've got the moment for

1:03:20.600 --> 1:03:23.400
<v Speaker 5>the next is it twenty two hours, twenty two dollars.

1:03:23.440 --> 1:03:26.600
<v Speaker 5>It's amazing for a round one game. Awesome deal. So

1:03:27.160 --> 1:03:29.600
<v Speaker 5>we're asking to pick a song, any song, and then

1:03:29.600 --> 1:03:32.280
<v Speaker 5>put your words to about your club like these bombers.

1:03:32.320 --> 1:03:35.120
<v Speaker 5>Fans did this to Jimmy. Jimmy Barnes, working class man.

1:03:35.280 --> 1:03:37.480
<v Speaker 5>This is my favorite at the moment. This is not

1:03:37.640 --> 1:03:39.439
<v Speaker 5>a singing competition.

1:03:39.520 --> 1:03:42.040
<v Speaker 1>Watching hard to kick your footy.

1:03:43.320 --> 1:03:43.640
<v Speaker 12>Sheet.

1:03:43.800 --> 1:03:44.320
<v Speaker 23>He's great.

1:03:44.440 --> 1:03:49.000
<v Speaker 5>Big fans, the.

1:03:48.600 --> 1:03:56.800
<v Speaker 23>Carry young, ready for the altogether now Ohnes and do

1:03:57.120 --> 1:03:59.440
<v Speaker 23>ba all right.

1:03:59.840 --> 1:04:03.400
<v Speaker 5>Aaron a blues fan, he's picked this. You remember this.

1:04:03.520 --> 1:04:12.760
<v Speaker 5>We are the world the children banger from eighty five.

1:04:16.760 --> 1:04:20.880
<v Speaker 5>Check this out. This is not a singing competition Queer

1:04:21.120 --> 1:04:28.080
<v Speaker 5>blue Bloods. So are our children? Love it? Teamar the

1:04:28.200 --> 1:04:32.160
<v Speaker 5>ones who made a bride day. So let's start winding.

1:04:34.440 --> 1:04:36.480
<v Speaker 5>That's the stand up of looking for then email me.

1:04:37.000 --> 1:04:39.480
<v Speaker 5>Yeah that's all they got. I did say thirty seconds guy,

1:04:39.520 --> 1:04:43.680
<v Speaker 5>not five seconds, Poor Aaron, Email me your footy ok entries.

1:04:43.720 --> 1:04:44.320
<v Speaker 5>The prize is.

1:04:44.360 --> 1:04:47.960
<v Speaker 4>Jack Huge prizes to be one a sixty five inch

1:04:48.040 --> 1:04:50.680
<v Speaker 4>Samsung four K Smart TV will sort you out with

1:04:50.760 --> 1:04:54.000
<v Speaker 4>a Silver AFL membership for two adults two children, which

1:04:54.040 --> 1:04:56.480
<v Speaker 4>is access to forty matches at the NCAG in Marvel

1:04:56.520 --> 1:04:59.680
<v Speaker 4>over the twenty twenty two season, plus one thousand dollars cash.

1:05:00.040 --> 1:05:02.640
<v Speaker 5>Well, don okay, you're gona email me your entries, So

1:05:02.720 --> 1:05:04.440
<v Speaker 5>pick a song, any song, put your lyrics to it.

1:05:04.560 --> 1:05:07.720
<v Speaker 5>Christian at christiano'connell dot com dot au, thanks for listening.

1:05:07.720 --> 1:05:09.520
<v Speaker 5>Back tomorrow a brighter not.

1:05:09.680 --> 1:05:12.520
<v Speaker 6>You're listening to the Christian o'carl Show podcast