1 00:00:00,560 --> 00:00:00,840 Speaker 1: Quest. 2 00:00:00,920 --> 00:00:05,520 Speaker 2: Yeah, welcome friends to the Christian O'Connell Show podcast. 3 00:00:07,840 --> 00:00:08,600 Speaker 3: Get over it. 4 00:00:09,480 --> 00:00:10,799 Speaker 4: I know all twenty six les. 5 00:00:11,360 --> 00:00:13,240 Speaker 2: Please just call me dow No, please call me Simon 6 00:00:13,280 --> 00:00:16,400 Speaker 2: The Christian o'connel Show Gold one oh four point. 7 00:00:16,200 --> 00:00:22,840 Speaker 5: Three de good. All is good in my wild team, 8 00:00:22,840 --> 00:00:25,079 Speaker 5: I tell you what, because yesterday evening I had a 9 00:00:25,200 --> 00:00:28,520 Speaker 5: killer tea. When you have a good tea, all's good 10 00:00:28,520 --> 00:00:29,960 Speaker 5: in your world. Again, do you know? I have made 11 00:00:30,000 --> 00:00:33,800 Speaker 5: my best of a homemade chicken schnitzel yesterday for the kids? 12 00:00:34,320 --> 00:00:36,680 Speaker 3: Yuh, what's your secret? 13 00:00:37,720 --> 00:00:40,360 Speaker 5: Do you know? Rio got us that smoked salt for Christmas? 14 00:00:40,920 --> 00:00:43,879 Speaker 5: So it's a game changer. And it actually is a 15 00:00:43,920 --> 00:00:47,120 Speaker 5: game changer. There aren't many things I will add now 16 00:00:47,280 --> 00:00:49,080 Speaker 5: I've had to buy I've had to restock it three 17 00:00:49,159 --> 00:00:51,560 Speaker 5: times and only got it at December. It is only 18 00:00:51,560 --> 00:00:53,199 Speaker 5: in the early days of March. I'll put it in 19 00:00:53,200 --> 00:00:56,800 Speaker 5: a salad that was sure. It quite works, but I 20 00:00:57,160 --> 00:00:59,560 Speaker 5: like having that tang in that salad. So anyway, you know, 21 00:00:59,600 --> 00:01:01,240 Speaker 5: everyone knows had to make your chicken snitch. So you 22 00:01:01,280 --> 00:01:04,240 Speaker 5: got you got your bread crumbs, got the flour, the. 23 00:01:04,240 --> 00:01:08,160 Speaker 4: Egg from scratches. Pretty good. Yes, I still go to 24 00:01:08,160 --> 00:01:09,000 Speaker 4: the store bought. 25 00:01:08,760 --> 00:01:11,480 Speaker 5: One that stool tastes great as well. It's actually it's 26 00:01:11,480 --> 00:01:14,559 Speaker 5: actually was impossible to have a bad one, but homemade ones. 27 00:01:14,640 --> 00:01:17,040 Speaker 5: Try making them at home. You feel really good about it, 28 00:01:17,040 --> 00:01:19,400 Speaker 5: even though basicly it is just chicken and bread crumbs. 29 00:01:19,880 --> 00:01:22,040 Speaker 5: You know, it's not heston bluemntole, sort of changing it 30 00:01:22,040 --> 00:01:24,759 Speaker 5: out of cooking. Yesterday, I actually went up this when 31 00:01:24,760 --> 00:01:28,600 Speaker 5: the kids came down after five minutes of day it's 32 00:01:28,680 --> 00:01:32,240 Speaker 5: getting cold. They do this to me every time a minute. 33 00:01:32,319 --> 00:01:34,679 Speaker 5: I know, they just on their phones on TikTok or anything. 34 00:01:34,880 --> 00:01:37,240 Speaker 5: I actually went like this, waved my hands over the 35 00:01:37,240 --> 00:01:41,279 Speaker 5: food I've made. It's basically chicken bread crumbs, and went tala. 36 00:01:41,800 --> 00:01:47,800 Speaker 5: International Women's Day starts right here with a homemade chicken schnitzel. 37 00:01:48,200 --> 00:01:51,000 Speaker 5: You your mom, sit down, it's on me. I've got 38 00:01:51,040 --> 00:01:55,000 Speaker 5: your sisters. Schnitzels are on me. I see you, I 39 00:01:55,040 --> 00:01:59,240 Speaker 5: am you. Let's eat the schnitzel. So anyway, you get 40 00:01:59,240 --> 00:02:01,680 Speaker 5: the bread crumbs mixed in with garlic song. What I 41 00:02:01,720 --> 00:02:03,440 Speaker 5: did is before it goes in the frying pan with 42 00:02:03,520 --> 00:02:06,520 Speaker 5: the oil, you need about a centimeter. I chopped up 43 00:02:06,840 --> 00:02:10,200 Speaker 5: a couple of garlic bowls and put that in for 44 00:02:10,280 --> 00:02:13,160 Speaker 5: five minutes in butter. So I'm frying it like butter. 45 00:02:13,240 --> 00:02:15,480 Speaker 5: When it goes in, it's really warm. You don't want 46 00:02:15,480 --> 00:02:17,840 Speaker 5: the garlic going golden browns. It kind of goes off there. 47 00:02:17,880 --> 00:02:21,520 Speaker 5: It's just melty enough. It's infused. It's diffused into the 48 00:02:21,560 --> 00:02:26,200 Speaker 5: butter meat. Mister Snitz or three minutes on each side. Bang, 49 00:02:26,240 --> 00:02:29,000 Speaker 5: you're ready to go a little bit more chicken salt 50 00:02:29,040 --> 00:02:30,080 Speaker 5: on the top as it's caught. 51 00:02:30,080 --> 00:02:33,160 Speaker 4: Why not because of the garlic. I'm still not doing 52 00:02:33,160 --> 00:02:35,880 Speaker 4: this low fodmap thing to try and reset my gut. 53 00:02:36,960 --> 00:02:38,520 Speaker 5: I thought garlic was meant to be good for us, 54 00:02:38,520 --> 00:02:43,480 Speaker 5: good for our hearts. Garlic capsules, right, everything is on there. 55 00:02:43,919 --> 00:02:46,440 Speaker 5: That's why I have it. No vampires come in here 56 00:02:46,480 --> 00:02:46,959 Speaker 5: every night. 57 00:02:47,400 --> 00:02:49,560 Speaker 4: Well, the gut's getting better, but the vampires are getting 58 00:02:49,560 --> 00:02:50,480 Speaker 4: out of control. 59 00:02:50,200 --> 00:02:53,760 Speaker 5: Over because Coburg, you've got a hipster vampire is the 60 00:02:53,800 --> 00:02:54,640 Speaker 5: worst kite. 61 00:02:55,200 --> 00:02:58,520 Speaker 4: No onion. It makes it flavoring any dish very hard. 62 00:02:58,919 --> 00:03:01,000 Speaker 5: So can you do garlic song onion salt? 63 00:03:01,760 --> 00:03:01,799 Speaker 6: No? 64 00:03:03,280 --> 00:03:06,600 Speaker 5: Not only for doing that? How many weeks you're doing that? Well? 65 00:03:06,720 --> 00:03:09,800 Speaker 4: I actually you know what, I caved andate toast yesterday, 66 00:03:09,840 --> 00:03:12,720 Speaker 4: which I'm not well bread, I was going to do it. 67 00:03:12,760 --> 00:03:14,840 Speaker 5: Don't judge yourself. It's still part of the twelve steps, 68 00:03:15,000 --> 00:03:17,919 Speaker 5: you know. Just accept you've got no power over a 69 00:03:18,040 --> 00:03:23,200 Speaker 5: garlic and toast. Oh you really relapsed? Sorry, my name's Jackie. 70 00:03:23,200 --> 00:03:26,040 Speaker 5: Got a problem. Yeah, I had a bit of granary 71 00:03:26,120 --> 00:03:29,639 Speaker 5: yesterday and I don't feel good about myself. Some toast 72 00:03:29,760 --> 00:03:34,440 Speaker 5: you are, man, you're kind of slow down suns. There's 73 00:03:34,480 --> 00:03:35,920 Speaker 5: no way. I was about to say, there's no way 74 00:03:35,920 --> 00:03:38,640 Speaker 5: you're keeping up any kind of diet restrictions and healthy 75 00:03:38,680 --> 00:03:41,800 Speaker 5: living when your little lad comes in. But day's Jackie board, 76 00:03:41,800 --> 00:03:44,400 Speaker 5: because you know what's like when we're really tired. You're 77 00:03:44,400 --> 00:03:46,839 Speaker 5: not chopping up an iceberg letters? Are you? 78 00:03:46,880 --> 00:03:47,360 Speaker 1: Seriously? 79 00:03:47,640 --> 00:03:53,360 Speaker 5: You actually see that stuff? Way Toast is a really 80 00:03:53,400 --> 00:03:56,680 Speaker 5: good go to, isn't it? Toast is reliable? So Jackie boy, 81 00:03:56,720 --> 00:03:59,680 Speaker 5: I know tomorrow is the induction day. How are things 82 00:03:59,680 --> 00:04:00,400 Speaker 5: at home now? 83 00:04:01,280 --> 00:04:04,760 Speaker 4: Bianca is running out of ways to nest at this place. 84 00:04:04,800 --> 00:04:08,240 Speaker 4: We're ready, the the everything is ready for him. He's 85 00:04:08,240 --> 00:04:11,720 Speaker 4: got everything you'll ever need. He's got his nursery, he's 86 00:04:11,720 --> 00:04:13,160 Speaker 4: got his cart, he's got his nappies. 87 00:04:13,200 --> 00:04:13,600 Speaker 5: Everything. 88 00:04:13,640 --> 00:04:17,040 Speaker 4: So she's now started to rearrange the kitchen. The kitchen 89 00:04:17,120 --> 00:04:20,160 Speaker 4: was fine, by the way, no problem with where things were. 90 00:04:20,200 --> 00:04:23,960 Speaker 4: But yesterday everything came out of the drawers. Everything was 91 00:04:23,960 --> 00:04:24,360 Speaker 4: going to. 92 00:04:26,720 --> 00:04:29,320 Speaker 5: Every two months, always on a Sunday. It's always on 93 00:04:29,360 --> 00:04:31,839 Speaker 5: a Sunday. Right where she starts to rearrange the kitchen, 94 00:04:31,880 --> 00:04:34,240 Speaker 5: then snaps right and I don't even know what I've 95 00:04:34,240 --> 00:04:36,240 Speaker 5: bloody started this, Chris, and I go, I'm just going 96 00:04:36,279 --> 00:04:37,400 Speaker 5: to go out for a bit, and what the dogs 97 00:04:37,480 --> 00:04:37,880 Speaker 5: might want? 98 00:04:37,920 --> 00:04:39,960 Speaker 4: No part of this and maybe this. 99 00:04:40,440 --> 00:04:43,000 Speaker 5: You know, when you too far into it, you can't 100 00:04:43,040 --> 00:04:45,039 Speaker 5: you can't go back. And just once you mentioned the 101 00:04:45,160 --> 00:04:47,120 Speaker 5: empty out the knives and the forks and stuff like that, 102 00:04:47,440 --> 00:04:50,320 Speaker 5: like this is today. You can't put this back in 103 00:04:50,360 --> 00:04:52,719 Speaker 5: an hour. This is the day written off now. So 104 00:04:52,839 --> 00:04:54,000 Speaker 5: was that bianche yesterday? 105 00:04:54,480 --> 00:04:56,560 Speaker 4: No, I reckon the snap might still be coming. So 106 00:04:56,680 --> 00:05:01,040 Speaker 4: yesterday she was actually and quite I've never seen so happy. Really, 107 00:05:01,160 --> 00:05:03,039 Speaker 4: she was so happy that things were going into a 108 00:05:03,040 --> 00:05:05,440 Speaker 4: new location. You know, the kettle's on the other side 109 00:05:05,480 --> 00:05:07,560 Speaker 4: of the kitchen. Now that to where the cups are, 110 00:05:07,839 --> 00:05:09,039 Speaker 4: the spices are weather. 111 00:05:08,920 --> 00:05:11,279 Speaker 5: What about that toaster? So when you had that relapse, 112 00:05:11,279 --> 00:05:13,159 Speaker 5: you could still find the toaster okay. 113 00:05:13,480 --> 00:05:15,600 Speaker 4: Toasts on the other side. Honestly, this morning was like 114 00:05:15,680 --> 00:05:18,320 Speaker 4: living in a mirror because my kettle's on one side 115 00:05:18,320 --> 00:05:20,839 Speaker 4: where it used to be the toaster. But there's still 116 00:05:20,880 --> 00:05:22,839 Speaker 4: stuff now. The plates still don't have a home, the 117 00:05:22,880 --> 00:05:25,960 Speaker 4: cookbooks don't have a home, and the pants. 118 00:05:25,920 --> 00:05:28,640 Speaker 5: The exod on the top. There no home for the plates. 119 00:05:29,080 --> 00:05:31,719 Speaker 4: So maybe the snap is still coming. But she, I 120 00:05:31,760 --> 00:05:34,279 Speaker 4: mean she had a small ear to ear yesterday getting those, 121 00:05:34,480 --> 00:05:36,880 Speaker 4: getting the spices in the manster. 122 00:05:37,080 --> 00:05:39,840 Speaker 5: And you know what's coming in about forty eight hours time, 123 00:05:40,000 --> 00:05:42,760 Speaker 5: involving pushing a kid out. That's all grave, isn't it? 124 00:05:42,760 --> 00:05:45,800 Speaker 5: No wonder you're smiling because you know what inevitably is coming, 125 00:05:45,880 --> 00:05:47,159 Speaker 5: drawing closer and closer. 126 00:05:48,040 --> 00:05:50,839 Speaker 1: The Christian O'Connell Show podcast. 127 00:05:50,800 --> 00:05:52,880 Speaker 5: Passy, What's going on in your world? What's happening way 128 00:05:52,880 --> 00:05:53,440 Speaker 5: out west? 129 00:05:53,600 --> 00:05:57,640 Speaker 3: No two words this morning, Christian anal Glens. 130 00:05:58,760 --> 00:06:00,040 Speaker 5: How is your husband. 131 00:06:01,480 --> 00:06:04,760 Speaker 3: Had to take the beast to the vet? Not my husband, Presley. 132 00:06:04,839 --> 00:06:06,960 Speaker 5: It surprised me if you did take him to the vet. 133 00:06:08,720 --> 00:06:11,120 Speaker 3: On the scales I had to take him yesterday. He's 134 00:06:11,120 --> 00:06:13,120 Speaker 3: got those they call them a jew law, you know, 135 00:06:13,240 --> 00:06:16,960 Speaker 3: like the doggy thumb them all no, it's called a 136 00:06:17,040 --> 00:06:17,560 Speaker 3: juke law. 137 00:06:18,400 --> 00:06:24,400 Speaker 5: And we'll get a check on that scene in Oh, 138 00:06:24,839 --> 00:06:27,159 Speaker 5: thank god, that's what was missing. No, that's where it was. 139 00:06:27,200 --> 00:06:30,040 Speaker 5: It was lost in translation. It's like there's no way 140 00:06:30,560 --> 00:06:34,160 Speaker 5: can be got. 141 00:06:34,279 --> 00:06:36,720 Speaker 4: Who knows they're out. They just walk back to the pavilion. 142 00:06:37,200 --> 00:06:39,719 Speaker 5: It's when people goes, well, no, no, no, it's fine, it's fine, 143 00:06:39,720 --> 00:06:44,000 Speaker 5: it's fine. That doesn't stop. So anyway, the duke claws 144 00:06:45,320 --> 00:06:46,120 Speaker 5: you as. 145 00:06:45,960 --> 00:06:48,320 Speaker 3: In on the grass in the morning on. 146 00:06:48,279 --> 00:06:51,080 Speaker 5: A lovely winter's beautiful. 147 00:06:50,600 --> 00:06:54,279 Speaker 3: Yes, anyway, it's it grows very very fast. And his 148 00:06:54,480 --> 00:06:57,040 Speaker 3: nails are like iron. You can't cut through them. No, 149 00:06:57,080 --> 00:06:59,640 Speaker 3: they're very hard. They're very very hard. 150 00:07:00,200 --> 00:07:03,440 Speaker 5: She feels like you've got some sort of werewolf. He's 151 00:07:03,480 --> 00:07:06,640 Speaker 5: got anal problems and he's got claws. You can't cut 152 00:07:07,040 --> 00:07:07,800 Speaker 5: the poor old thing. 153 00:07:07,839 --> 00:07:09,480 Speaker 3: He didn't have a good day yesterday, so he had 154 00:07:09,480 --> 00:07:12,320 Speaker 3: to have the nails trimmed. And then I said to it, what. 155 00:07:12,280 --> 00:07:14,800 Speaker 5: About his ass? He's got all that going on. Some 156 00:07:15,000 --> 00:07:17,800 Speaker 5: one out giving me a manicure or a petty shot out 157 00:07:17,840 --> 00:07:21,120 Speaker 5: the old butt cheeks. When he sits down, you're gonna 158 00:07:21,160 --> 00:07:22,720 Speaker 5: need a rubber ring, you know, I. 159 00:07:22,680 --> 00:07:25,040 Speaker 3: Said, he's been scooting along the carpet, and I thought 160 00:07:25,080 --> 00:07:26,720 Speaker 3: he must have had throw up? 161 00:07:27,160 --> 00:07:30,360 Speaker 5: Is in his bottom? Funny snail trails? He's down there, 162 00:07:30,720 --> 00:07:32,400 Speaker 5: so is it? Chris Well? 163 00:07:32,440 --> 00:07:35,360 Speaker 3: I thought he had worms and the vet said no. 164 00:07:35,800 --> 00:07:37,960 Speaker 3: I said, but I can't. This is a terrible discussion, 165 00:07:38,000 --> 00:07:40,280 Speaker 3: like it's out of six, I said, I do look 166 00:07:40,320 --> 00:07:42,560 Speaker 3: at his poo poos and I don't see anything that 167 00:07:42,600 --> 00:07:45,360 Speaker 3: shouldn't be in there, so I don't know if he does. 168 00:07:45,880 --> 00:07:47,280 Speaker 5: What do you mean you look at his poop poos? 169 00:07:47,320 --> 00:07:48,080 Speaker 5: Who are your pantsy? 170 00:07:48,840 --> 00:07:51,720 Speaker 3: What's always Chris and ORDI don't you look at your poo? 171 00:07:51,720 --> 00:07:54,000 Speaker 3: It's always a good indication of what your body's doing 172 00:07:54,000 --> 00:07:54,800 Speaker 3: when you look at your. 173 00:07:54,680 --> 00:07:56,920 Speaker 5: Poo ocasion, I do you have a little glance? Yes, 174 00:07:57,280 --> 00:08:01,440 Speaker 5: that's interesting one bit of corn. I think Hollywood stars 175 00:08:01,480 --> 00:08:04,240 Speaker 5: do that. The next famous personal interview when he's at 176 00:08:04,240 --> 00:08:06,239 Speaker 5: a number two, he just has a little cheeky plants 177 00:08:06,280 --> 00:08:06,640 Speaker 5: down and go. 178 00:08:08,600 --> 00:08:10,720 Speaker 3: Anyway, getting back to the poopoo in the word can 179 00:08:10,760 --> 00:08:13,360 Speaker 3: we thank you? Said no, I don't. I don't think 180 00:08:13,440 --> 00:08:16,120 Speaker 3: he has. He looks pretty good, but he might have 181 00:08:16,440 --> 00:08:21,080 Speaker 3: blocked anal glance And I said, what what? 182 00:08:21,080 --> 00:08:21,680 Speaker 4: What? 183 00:08:21,680 --> 00:08:23,400 Speaker 3: What are anal glands. 184 00:08:23,840 --> 00:08:28,400 Speaker 5: Well, I mean you can guess what they are around 185 00:08:28,640 --> 00:08:29,240 Speaker 5: that area. 186 00:08:29,600 --> 00:08:32,080 Speaker 3: What purpose do they serve? And she said, well when 187 00:08:32,080 --> 00:08:34,760 Speaker 3: they block what they do they put like a fine 188 00:08:34,920 --> 00:08:38,280 Speaker 3: clear film over their poopoos. It's just like a natural thing. No, 189 00:08:38,360 --> 00:08:40,760 Speaker 3: but they get blocked and you have to squeeze them 190 00:08:40,920 --> 00:08:43,719 Speaker 3: like a pimple. And I just watched her. 191 00:08:44,240 --> 00:08:47,600 Speaker 5: Not us it just I know they say they're man's 192 00:08:47,640 --> 00:08:49,360 Speaker 5: best friend, but I'm not doing that to any. 193 00:08:52,000 --> 00:08:54,400 Speaker 4: I don't know about this film, the cling wrap around 194 00:08:54,440 --> 00:08:56,040 Speaker 4: the pooh. I don't know if my dog's doing that. 195 00:08:56,160 --> 00:08:58,160 Speaker 3: No, well I haven't noticed it either, Jack. 196 00:08:57,960 --> 00:09:00,840 Speaker 5: But what about all your examinations. You're going to need 197 00:09:00,880 --> 00:09:02,320 Speaker 5: a new microscope now in the lab. 198 00:09:02,679 --> 00:09:06,760 Speaker 3: So anyway, they get the big gloves on and proceeds, Yes, 199 00:09:07,360 --> 00:09:09,280 Speaker 3: and it was it was the student vet. 200 00:09:09,600 --> 00:09:12,400 Speaker 5: Of course, it was the guy that owns the practice, 201 00:09:12,440 --> 00:09:14,520 Speaker 5: who's got the old Bentley out of the back. He's 202 00:09:14,559 --> 00:09:18,280 Speaker 5: done that years ago, not anymore. Well, Marie, if you 203 00:09:18,280 --> 00:09:22,520 Speaker 5: want to be a vet, you start squeezing. But it's 204 00:09:22,559 --> 00:09:24,680 Speaker 5: international Woman's Day, doesn't matter. 205 00:09:26,960 --> 00:09:29,640 Speaker 3: Anyway, So she's I said, what's it like down there? 206 00:09:29,640 --> 00:09:31,280 Speaker 3: I didn't want to have a look, I said, seriously, 207 00:09:32,440 --> 00:09:32,640 Speaker 3: what do. 208 00:09:32,559 --> 00:09:35,920 Speaker 5: You think it's like horrible and squeezing a dog's ass? 209 00:09:37,360 --> 00:09:41,160 Speaker 5: How's your Tuesday going? She's ticking goals back here she 210 00:09:41,280 --> 00:09:41,920 Speaker 5: squeezes it. 211 00:09:41,960 --> 00:09:44,080 Speaker 3: She goes, it's like a bimble, and I said really, 212 00:09:44,480 --> 00:09:46,680 Speaker 3: and then it just drains off and they've got one 213 00:09:46,840 --> 00:09:50,600 Speaker 3: either side, so they have to do too. And then 214 00:09:50,640 --> 00:09:51,040 Speaker 3: he's happy. 215 00:09:51,400 --> 00:09:53,440 Speaker 5: Actually get the phoenish. She could carry off like a 216 00:09:53,480 --> 00:09:57,520 Speaker 5: pilipbuster for another three or four minutes. She was asking, 217 00:09:57,679 --> 00:09:59,280 Speaker 5: how are things going out West? 218 00:10:00,120 --> 00:10:02,440 Speaker 1: You know Connall Show podcast. 219 00:10:02,200 --> 00:10:05,160 Speaker 5: Good morning to listener Tyson Wheeln who's just had to 220 00:10:05,200 --> 00:10:06,760 Speaker 5: turn the show off, but he turned it back on 221 00:10:06,800 --> 00:10:09,280 Speaker 5: again tomorrow morning, said he must throw up in his mouth. 222 00:10:09,320 --> 00:10:12,360 Speaker 5: Listen to Patsy go on relent to say about dogs 223 00:10:12,520 --> 00:10:18,600 Speaker 5: as you need to find us another listener, Patsy to 224 00:10:18,640 --> 00:10:19,720 Speaker 5: balance it all out. 225 00:10:19,840 --> 00:10:22,400 Speaker 1: Well, Christian know Connall Show podcasts. 226 00:10:22,960 --> 00:10:25,320 Speaker 5: All right, okay, so this week we start a brand 227 00:10:25,360 --> 00:10:28,680 Speaker 5: new at Z made up of your old band name. 228 00:10:28,760 --> 00:10:30,400 Speaker 5: So if you used to be in a band, no 229 00:10:30,440 --> 00:10:32,839 Speaker 5: matter how short lived they were, some of them are 230 00:10:32,880 --> 00:10:34,640 Speaker 5: that you talked about actually had a couple of albums 231 00:10:34,640 --> 00:10:37,200 Speaker 5: out here are the ones we had yesterday is it 232 00:10:37,320 --> 00:10:39,600 Speaker 5: time to no my word, No, we didn't call it. 233 00:10:41,000 --> 00:10:45,160 Speaker 7: We ended up being called Evlynch Bone, Pa Dutch Ovan Loven. 234 00:10:45,440 --> 00:10:47,880 Speaker 8: If I be the Fried Reich band. 235 00:10:48,080 --> 00:10:50,960 Speaker 9: My two brothers they started a band called Grimlin. 236 00:10:51,120 --> 00:10:53,400 Speaker 8: I was in a band called the MBT, Mad Dog, 237 00:10:53,559 --> 00:10:57,439 Speaker 8: Central Rocking, the Royals, Twist and the Fake Uncle Fister 238 00:10:57,559 --> 00:10:58,839 Speaker 8: and the mccaulay's. 239 00:11:00,080 --> 00:11:02,400 Speaker 5: Right Jackie Boy. Which one's are wide open? 240 00:11:03,240 --> 00:11:05,000 Speaker 4: So these are the spots to feel if you ever 241 00:11:05,040 --> 00:11:07,719 Speaker 4: had a band with a name starting with j K, 242 00:11:08,679 --> 00:11:14,120 Speaker 4: L N, O, p q, V, w X, Y or Z. 243 00:11:15,240 --> 00:11:18,760 Speaker 2: This is the Christian O'Connell show podcast. 244 00:11:19,240 --> 00:11:21,360 Speaker 5: You used to be in a band? What were they 245 00:11:21,400 --> 00:11:24,960 Speaker 5: called some of these old band names. Jack Bost used 246 00:11:25,000 --> 00:11:29,880 Speaker 5: to be one called show Pony. Before the end of 247 00:11:29,880 --> 00:11:32,600 Speaker 5: this year, we will be doing something. I've made a 248 00:11:32,600 --> 00:11:35,520 Speaker 5: promise off air. Can't say anything too much, but he 249 00:11:35,600 --> 00:11:41,280 Speaker 5: said too much today. You know, I'm definitely not chat day. 250 00:11:41,720 --> 00:11:43,880 Speaker 5: I'm not interviewing Robbie Williams. Okay, there needs to be 251 00:11:43,920 --> 00:11:49,280 Speaker 5: in that's too much speculation already about this. You haven't 252 00:11:49,280 --> 00:11:51,240 Speaker 5: had the last of Show Pony. That's all last safe 253 00:11:51,280 --> 00:11:54,120 Speaker 5: for now. Robbi Williams are going to speak him today 254 00:11:54,120 --> 00:11:57,480 Speaker 5: and get him to join the band. All right, Jackie boy, 255 00:11:57,559 --> 00:11:59,960 Speaker 5: what are the old There are squeaky bums all around 256 00:12:00,120 --> 00:12:04,160 Speaker 5: studio right now, Jackie boy, what are What are the 257 00:12:04,200 --> 00:12:05,680 Speaker 5: man names we've had so far? 258 00:12:06,840 --> 00:12:12,800 Speaker 4: From letter A avalanche, B for bone, lazy, C crude, molasses, 259 00:12:13,000 --> 00:12:19,360 Speaker 4: D Dutch Oven, lovin E excessive flatulence, F fried Rice band, 260 00:12:19,640 --> 00:12:25,680 Speaker 4: G for gremlin, H for hoof, hearted, I for ignacius. 261 00:12:25,120 --> 00:12:26,679 Speaker 5: Biscuit, Oh yes, I forgot about that. 262 00:12:27,640 --> 00:12:30,720 Speaker 4: M for mad Dog, Central, R for rocking, the Royals, 263 00:12:31,200 --> 00:12:34,360 Speaker 4: S for show, pony, T for twisted and fate and 264 00:12:34,559 --> 00:12:37,000 Speaker 4: you for Uncle Fester and the mcaulay's all. 265 00:12:37,000 --> 00:12:40,280 Speaker 5: Right, let's get some more. Quentin, welcome to the show. 266 00:12:41,400 --> 00:12:43,920 Speaker 7: Good morning, Christian, Jack and Patch. How are you today? 267 00:12:43,960 --> 00:12:46,000 Speaker 5: We're good, Quinchin. How's your week going so far? 268 00:12:46,920 --> 00:12:49,640 Speaker 7: Oh I'm not too bad, not too bad. Nice day today, 269 00:12:49,679 --> 00:12:50,800 Speaker 7: so it's going to be good. 270 00:12:50,679 --> 00:12:52,400 Speaker 5: All right, k chip off you go. What band have 271 00:12:52,440 --> 00:12:53,040 Speaker 5: you got for us? 272 00:12:53,240 --> 00:12:56,240 Speaker 7: Okay, so I've got j for you. I've got Jagged Edge. 273 00:12:56,360 --> 00:12:59,079 Speaker 7: That was a band I played in in eighty seven 274 00:12:59,120 --> 00:13:01,679 Speaker 7: to about eighty mourn up around the Maljura area where 275 00:13:01,720 --> 00:13:02,280 Speaker 7: I grew up. 276 00:13:02,480 --> 00:13:04,559 Speaker 5: Wow, and what were you in the band. 277 00:13:05,559 --> 00:13:06,680 Speaker 7: Keyboard and vocals? 278 00:13:07,000 --> 00:13:10,040 Speaker 5: Yeah, original songs. So are you doing covers? 279 00:13:10,559 --> 00:13:13,080 Speaker 7: No, we were doing covers. So we were all in 280 00:13:13,120 --> 00:13:17,280 Speaker 7: our in our late teens early early twenties with this band. 281 00:13:17,360 --> 00:13:18,720 Speaker 10: So yeah, now what do you do? 282 00:13:18,720 --> 00:13:20,760 Speaker 5: Do you play pubs? We were getting work. 283 00:13:20,880 --> 00:13:24,120 Speaker 7: Yeah, we were doing night the nightclubs. So there was 284 00:13:24,120 --> 00:13:26,760 Speaker 7: a Carlisle Club, the Settlers Club. We go to Robin 285 00:13:26,840 --> 00:13:29,959 Speaker 7: vaugh do the Robin Vail Club. We did a gig 286 00:13:29,960 --> 00:13:36,040 Speaker 7: in broaken Hill and yeah, but we played just about Thursday, Friday, 287 00:13:36,040 --> 00:13:38,120 Speaker 7: Saturday night just about every week someway. 288 00:13:38,120 --> 00:13:41,600 Speaker 5: Did you love it? It's a good fun, absolutely being 289 00:13:41,640 --> 00:13:44,319 Speaker 5: a band with your mates. It's like your rock stars 290 00:13:44,360 --> 00:13:45,560 Speaker 5: living the dream of the weekend. 291 00:13:47,200 --> 00:13:50,319 Speaker 7: Well yeah, it used to encroach on my normal daily 292 00:13:50,360 --> 00:13:52,480 Speaker 7: work a little bit, you know, come Friday, I was 293 00:13:52,520 --> 00:13:54,600 Speaker 7: a bit tired, But it's all right. 294 00:13:55,280 --> 00:13:57,559 Speaker 5: And what broke the band? Did? Life just get in 295 00:13:57,600 --> 00:13:59,560 Speaker 5: the way and you had to just crack on with life. 296 00:14:00,720 --> 00:14:00,920 Speaker 11: Yeah. 297 00:14:01,080 --> 00:14:03,840 Speaker 7: I ended up joining the Navy, so I still played. 298 00:14:03,880 --> 00:14:06,080 Speaker 5: Passive rock and roll. Story isn't It's what so many 299 00:14:06,080 --> 00:14:09,960 Speaker 5: mans boke up eventually, you know they want to think 300 00:14:09,960 --> 00:14:11,160 Speaker 5: about joining the navy. 301 00:14:11,960 --> 00:14:15,400 Speaker 7: Yeah, yeah, no, I've played. I've played to take all 302 00:14:15,440 --> 00:14:18,200 Speaker 7: my Stuff on the ship and played around halfway around 303 00:14:18,200 --> 00:14:18,559 Speaker 7: the world. 304 00:14:18,600 --> 00:14:23,400 Speaker 5: I love that. Cheer up on the boat, Sorry, what 305 00:14:23,560 --> 00:14:25,400 Speaker 5: to cheer people up on the boat? All the troops. 306 00:14:25,600 --> 00:14:30,520 Speaker 7: Absolutely, Yeah, we'd have stupid barbecues. You know, we'd go 307 00:14:30,640 --> 00:14:34,640 Speaker 7: to anchor somewhere and you know, the boys would be fishing. 308 00:14:34,920 --> 00:14:36,400 Speaker 7: Guys would be fishing off the back of. 309 00:14:36,320 --> 00:14:43,240 Speaker 5: The keyboards, laying down, some little smooth beats in the background. Yeah, 310 00:14:43,760 --> 00:14:44,440 Speaker 5: missing you. 311 00:14:46,800 --> 00:14:47,520 Speaker 12: Sailing away? 312 00:14:47,720 --> 00:14:48,520 Speaker 13: Yeah, beautiful. 313 00:14:48,640 --> 00:14:51,920 Speaker 5: All right, Quentin, thank you very much. Lovely to chat 314 00:14:51,960 --> 00:14:54,120 Speaker 5: to you. I have a good day, Yeah you too. 315 00:14:54,200 --> 00:14:55,280 Speaker 7: Thanks you guys, love the show. 316 00:14:55,440 --> 00:15:00,760 Speaker 5: Thank you, Mick, good morning. I'm good Mick. What was 317 00:15:00,800 --> 00:15:04,240 Speaker 5: the name of your old band mate Paranoid great Now 318 00:15:04,320 --> 00:15:06,160 Speaker 5: and I'm guessing sort of quite a heavy sort of 319 00:15:06,240 --> 00:15:10,160 Speaker 5: rock band named after a great rock song. You've got 320 00:15:10,200 --> 00:15:12,440 Speaker 5: to be a big rock band. And what were you in? 321 00:15:12,480 --> 00:15:12,880 Speaker 5: The band? 322 00:15:14,080 --> 00:15:17,880 Speaker 10: Was one of two drummers, double drummers steady. 323 00:15:18,240 --> 00:15:22,440 Speaker 5: I remember actually think Abbat on their Australian tour had 324 00:15:22,520 --> 00:15:25,040 Speaker 5: double drummers. I remember reading a fact about it once 325 00:15:25,040 --> 00:15:27,320 Speaker 5: they had double drummers. I was like, why would happen? 326 00:15:27,320 --> 00:15:31,000 Speaker 5: To need two drummers, well the extra percussion, but same 327 00:15:31,040 --> 00:15:34,120 Speaker 5: with that band. Also your band Paranoid, Yeah, and we 328 00:15:34,160 --> 00:15:38,000 Speaker 5: were just as popular. Yeah, all right, Mick, have a 329 00:15:38,040 --> 00:15:40,400 Speaker 5: good day, thanks for calling. We've got p for Paranoid 330 00:15:41,200 --> 00:15:56,560 Speaker 5: Adam six Adam Yeah, yeah, good morning guys. What's it was? 331 00:15:56,600 --> 00:15:59,400 Speaker 5: Your band called was my son's band. 332 00:15:59,440 --> 00:16:07,880 Speaker 12: It was king up in the carnival. They started off 333 00:16:07,920 --> 00:16:10,320 Speaker 12: as a duo, a blues duo, and then they had 334 00:16:10,360 --> 00:16:12,760 Speaker 12: a couple of other mates come and play, and then 335 00:16:13,520 --> 00:16:16,680 Speaker 12: a girl come and sing. And actually they had some 336 00:16:16,800 --> 00:16:18,960 Speaker 12: really really they used to write all their own stuff. 337 00:16:19,600 --> 00:16:23,440 Speaker 12: They had some good everybody used to sing. Everybody wrote 338 00:16:23,440 --> 00:16:26,160 Speaker 12: their own songs, so they had a great genre to 339 00:16:26,200 --> 00:16:30,400 Speaker 12: the to the band, but it was mainly blues. They had, 340 00:16:30,440 --> 00:16:33,600 Speaker 12: you know, did quite a few gigs residents at the 341 00:16:33,640 --> 00:16:37,520 Speaker 12: Toe and because it was our son's band, Memoife used 342 00:16:37,520 --> 00:16:40,720 Speaker 12: to find ourselves going off to setting the alarm and 343 00:16:40,760 --> 00:16:42,920 Speaker 12: waking up with like ten thirty eleven o'clock to go 344 00:16:42,960 --> 00:16:46,280 Speaker 12: and catch a giving at fitz Roy That yeah, it 345 00:16:46,000 --> 00:16:47,880 Speaker 12: was pretty cool, but. 346 00:16:52,640 --> 00:16:55,120 Speaker 5: Not ten o'clock in the evening to go and have 347 00:16:55,160 --> 00:16:56,960 Speaker 5: a bit of ten thirty that you hadn't earn y that. 348 00:16:57,240 --> 00:16:58,760 Speaker 5: Do you mean in the morning to set up because 349 00:16:58,760 --> 00:16:59,680 Speaker 5: you live so far away. 350 00:17:00,400 --> 00:17:03,840 Speaker 12: No, no, no, no, yeah, we'd have a bit of 351 00:17:03,840 --> 00:17:05,080 Speaker 12: a nap before we get. 352 00:17:06,200 --> 00:17:14,639 Speaker 5: I've never heard of this last orders at the beginning, 353 00:17:14,640 --> 00:17:17,880 Speaker 5: Mom and dad, Oh yeah, yeah, yeah, yeah. 354 00:17:18,160 --> 00:17:20,040 Speaker 12: The first gig I think they played at a pubb 355 00:17:20,080 --> 00:17:23,160 Speaker 12: in Ligon Stray carp and we were at the first gig. 356 00:17:23,240 --> 00:17:26,119 Speaker 12: And then yeah, they sort of got more more going. 357 00:17:26,200 --> 00:17:30,680 Speaker 5: And look, you sound about eighty of them on stage scene. 358 00:17:30,720 --> 00:17:34,000 Speaker 5: It's like, okay, fire, they're out numbering the audience. There's 359 00:17:34,040 --> 00:17:36,320 Speaker 5: only five people watching. The Old King Puppy King Puppy 360 00:17:36,320 --> 00:17:39,040 Speaker 5: by the way, a blues band, aren't they. 361 00:17:38,800 --> 00:17:43,200 Speaker 12: Yeah, yeah, yeah they are. Look and they used to. Yeah, 362 00:17:43,400 --> 00:17:45,200 Speaker 12: they packed out the tope when I was playing there. 363 00:17:45,280 --> 00:17:49,359 Speaker 12: So it was good good. It was good for us 364 00:17:49,400 --> 00:17:52,520 Speaker 12: because we found places that we'd never been before, you know, 365 00:17:52,560 --> 00:17:54,600 Speaker 12: the underground. 366 00:17:55,400 --> 00:17:57,840 Speaker 4: Into town, rocking up with your nightcap on. 367 00:17:59,040 --> 00:18:01,040 Speaker 12: Yeah, the olds are here. 368 00:18:02,480 --> 00:18:04,960 Speaker 5: Yeah, that's great. This is apporting him, Adam, thank you 369 00:18:05,040 --> 00:18:05,520 Speaker 5: very much. 370 00:18:05,400 --> 00:18:08,080 Speaker 12: And cal As Carla Brighter. 371 00:18:08,320 --> 00:18:11,199 Speaker 6: You're listening to the Christian O Carl Show podcast. 372 00:18:11,720 --> 00:18:14,200 Speaker 5: Last few remaining letters, so we try and tick off 373 00:18:14,200 --> 00:18:19,080 Speaker 5: the alphabet, and today we need your old band names. Jack, 374 00:18:19,119 --> 00:18:20,840 Speaker 5: what are the letters that we don't have any of 375 00:18:20,880 --> 00:18:22,760 Speaker 5: our listeners old band names for. 376 00:18:23,440 --> 00:18:30,360 Speaker 4: Yeah, we need to feel the back end of the alphabet, LNO, Q, V, W, X, 377 00:18:30,600 --> 00:18:31,359 Speaker 4: Y and Z. 378 00:18:32,440 --> 00:18:35,760 Speaker 5: All right, let's see what Seal's got for us. 379 00:18:35,800 --> 00:18:38,479 Speaker 12: Good morning, Good morning, Christian. 380 00:18:38,520 --> 00:18:40,640 Speaker 5: How are you? I'm good, Thanks for calling the show. 381 00:18:40,680 --> 00:18:41,479 Speaker 5: What have you got for us? 382 00:18:42,760 --> 00:18:47,880 Speaker 14: Juel seen a band acapella band in the late eighties 383 00:18:47,920 --> 00:18:51,919 Speaker 14: and nine, and we did a bit of motown covered 384 00:18:52,600 --> 00:18:57,919 Speaker 14: harmonies and it was lots of fun. Just played at 385 00:18:58,000 --> 00:19:01,760 Speaker 14: the Green Men in High Street, Amena and yeah, it 386 00:19:01,920 --> 00:19:04,280 Speaker 14: was really really enjoyable. 387 00:19:04,200 --> 00:19:06,120 Speaker 5: Playing in a band with your friends, specially doing something 388 00:19:06,119 --> 00:19:07,760 Speaker 5: like motown songs. She must have been very good. And 389 00:19:07,800 --> 00:19:08,440 Speaker 5: what were they called? 390 00:19:09,800 --> 00:19:15,640 Speaker 14: Uh, well, we we did quite a few brisbone blues 391 00:19:15,720 --> 00:19:19,360 Speaker 14: and then myle Lorraine, that was the song I don't 392 00:19:19,359 --> 00:19:22,560 Speaker 14: want to give you a couple of tunes on and 393 00:19:23,840 --> 00:19:25,120 Speaker 14: that it was good. 394 00:19:27,359 --> 00:19:28,200 Speaker 4: But what were they called? 395 00:19:29,760 --> 00:19:29,920 Speaker 13: For? 396 00:19:29,960 --> 00:19:33,840 Speaker 5: Someone to help me out? Yeah, we're trying nanny down here, 397 00:19:34,400 --> 00:19:39,439 Speaker 5: slipperty old fox. They called of the band called what 398 00:19:39,440 --> 00:19:40,520 Speaker 5: we're talking about? 399 00:19:41,160 --> 00:19:42,440 Speaker 14: What was the band called? 400 00:19:42,600 --> 00:19:42,800 Speaker 15: Yes? 401 00:19:42,920 --> 00:19:51,520 Speaker 5: Yeah, Yeah, that's it. Where lovely? Thank you very much, 402 00:19:51,520 --> 00:19:55,479 Speaker 5: she called him. That is a lot great. How did 403 00:19:55,520 --> 00:19:59,840 Speaker 5: you get his takeaway order? What do you want? Uh? Food? Lovely? 404 00:20:00,400 --> 00:20:01,560 Speaker 5: It's memories. 405 00:20:04,320 --> 00:20:06,560 Speaker 4: Looked at you like you were crazy for asking, and 406 00:20:06,720 --> 00:20:07,480 Speaker 4: that's the question. 407 00:20:07,640 --> 00:20:17,720 Speaker 5: Now, very dare you Christians on the line? One in Christian? Yeah, 408 00:20:17,760 --> 00:20:19,960 Speaker 5: I'm good, I'm good, good. And what was your band name? 409 00:20:20,000 --> 00:20:25,440 Speaker 10: Called the queue head with the letter queue and some 410 00:20:25,480 --> 00:20:27,520 Speaker 10: of the boys just to have a sharehouse in que 411 00:20:27,800 --> 00:20:31,080 Speaker 10: and that's where that originated from. 412 00:20:31,080 --> 00:20:37,639 Speaker 5: The pad just sounds like a report, doesn't it. What 413 00:20:37,760 --> 00:20:39,720 Speaker 5: went on at the cue Pad? We'll leave it there. 414 00:20:41,200 --> 00:20:42,320 Speaker 10: No, it was a bit diking. 415 00:20:42,480 --> 00:20:45,239 Speaker 5: Yeah, genuinely meant that. We'll leave it there, all right, 416 00:20:45,280 --> 00:20:49,639 Speaker 5: Thanks Christian. Let's go to yes. Nancy Attorning on us. Nancy, 417 00:20:49,680 --> 00:20:51,879 Speaker 5: good morning, Hey, good morning, Christian. 418 00:20:51,880 --> 00:20:52,760 Speaker 16: How are you going going. 419 00:20:52,680 --> 00:20:55,399 Speaker 5: Struggling at the moment, actually struggling. And Nancy, what was 420 00:20:55,400 --> 00:20:56,440 Speaker 5: your old band name called? 421 00:20:57,040 --> 00:20:59,359 Speaker 16: Okay, well, it wasn't my band name. It's my best 422 00:20:59,359 --> 00:21:02,240 Speaker 16: friend and brother from another mother over in Canada. He 423 00:21:02,400 --> 00:21:06,720 Speaker 16: was in a band called zucker Baby, like Mark Zuckerberg, 424 00:21:07,080 --> 00:21:12,200 Speaker 16: but zucker Baby, and they opened up for in excess 425 00:21:12,359 --> 00:21:13,639 Speaker 16: back in nineteen ninety seven. 426 00:21:14,000 --> 00:21:17,040 Speaker 15: Wow, the fame. 427 00:21:17,920 --> 00:21:18,640 Speaker 5: That's incredible. 428 00:21:18,680 --> 00:21:23,000 Speaker 16: And yeah, I can't say that I remember seeing them 429 00:21:23,080 --> 00:21:25,600 Speaker 16: because that was about thirty some years ago for me, 430 00:21:25,680 --> 00:21:27,960 Speaker 16: maybe maybe thirty. I can't remember. 431 00:21:29,720 --> 00:21:36,119 Speaker 5: A baby, he's not exactly a Facebook that predates Facebook. 432 00:21:37,320 --> 00:21:39,280 Speaker 16: Let's put it this way. It was back when everybody 433 00:21:39,280 --> 00:21:43,560 Speaker 16: had hair, all right. 434 00:21:43,600 --> 00:21:46,399 Speaker 5: So zuker baby, Thank you very much. We're wondering. We 435 00:21:46,480 --> 00:21:48,720 Speaker 5: gotta chick. It's all that is. Thank you very much. 436 00:21:50,720 --> 00:21:57,000 Speaker 5: What's happened the pranks on us? We'll take one last 437 00:21:57,040 --> 00:21:58,400 Speaker 5: one then we're reset everything. 438 00:21:58,600 --> 00:22:04,320 Speaker 17: Freddy fred Hey, hey, good morning both to speak to 439 00:22:04,359 --> 00:22:06,240 Speaker 17: you and you Freddy boy Freddie. 440 00:22:06,280 --> 00:22:07,720 Speaker 5: What was your old band name called? 441 00:22:08,280 --> 00:22:11,359 Speaker 15: Well, it's a bit of a mixer, I should say. 442 00:22:11,560 --> 00:22:15,240 Speaker 15: Originally back in the late seventies early eighties, we used 443 00:22:15,280 --> 00:22:19,440 Speaker 15: to be called blitz pop rock. But these days, after 444 00:22:19,480 --> 00:22:22,040 Speaker 15: a number of decades of not playing, we've started getting 445 00:22:22,040 --> 00:22:25,960 Speaker 15: together again and just having jam sessions and we relabel 446 00:22:26,000 --> 00:22:30,200 Speaker 15: ourselves old boys noise. We're all in our sixties and 447 00:22:30,760 --> 00:22:32,560 Speaker 15: just about once a month we get together and make 448 00:22:32,560 --> 00:22:34,399 Speaker 15: a bit of noise out here at my place and 449 00:22:35,359 --> 00:22:38,000 Speaker 15: do the usual things such as upset the neighbors. So 450 00:22:38,200 --> 00:22:42,359 Speaker 15: it brings back pleasant memories like that. So yeah, Old 451 00:22:42,359 --> 00:22:42,960 Speaker 15: Boys Noise. 452 00:22:43,080 --> 00:22:45,480 Speaker 5: You're never too old rock and roll, Freddy boy. And 453 00:22:45,840 --> 00:22:47,679 Speaker 5: what's the average age of the band? What are you 454 00:22:47,720 --> 00:22:50,040 Speaker 5: in your your fifties, your sixties, sixties? 455 00:22:50,080 --> 00:22:54,400 Speaker 15: Now the youngest one is probably sixty one sixties. 456 00:22:55,080 --> 00:22:57,560 Speaker 5: I love the fact that you're still rocking it and 457 00:22:57,600 --> 00:23:01,200 Speaker 5: your neighbors are yelling over the face that round. 458 00:23:02,520 --> 00:23:06,480 Speaker 17: And in nineteenagers, Well look, I'll tell you like I said, 459 00:23:06,480 --> 00:23:08,719 Speaker 17: it brings back we know we're doing it right when 460 00:23:08,760 --> 00:23:13,240 Speaker 17: we're getting a complaints. So yeah, all right, so the 461 00:23:13,359 --> 00:23:16,520 Speaker 17: name again, Old Boys Noise. 462 00:23:16,440 --> 00:23:18,960 Speaker 5: Old Boys Noise. Love it all right, Fred have a 463 00:23:18,960 --> 00:23:20,240 Speaker 5: good day thanks to calling. 464 00:23:20,600 --> 00:23:24,040 Speaker 1: Cheers the Christian O'Connell show podcast. 465 00:23:33,200 --> 00:23:38,359 Speaker 5: Yeah what a tune when the Lights Go Out? From 466 00:23:38,440 --> 00:23:44,440 Speaker 5: nineteen ninety eight. In Rolling Stone's Top seventy five Greatest 467 00:23:44,480 --> 00:23:49,119 Speaker 5: Boys Songs of All Time, it's at number sixty eight. 468 00:23:50,000 --> 00:23:54,119 Speaker 5: B side is called the Screams Nineties B side is 469 00:23:54,160 --> 00:23:59,400 Speaker 5: called slam Dunk Dafunk. I had the single me too. 470 00:23:59,520 --> 00:24:01,800 Speaker 4: I remember, I remember slam Dunk the Funk. 471 00:24:01,640 --> 00:24:03,919 Speaker 5: When I one of the first ever radio interviews I 472 00:24:03,960 --> 00:24:06,439 Speaker 5: did when I started breakfast radio when ninety eight was 473 00:24:06,560 --> 00:24:10,960 Speaker 5: with five and in the interview, right they one of 474 00:24:10,960 --> 00:24:12,639 Speaker 5: them said, I can't remember which one it was, right, 475 00:24:12,640 --> 00:24:14,640 Speaker 5: They were all sort of interchangeable, to be honest, It's 476 00:24:14,640 --> 00:24:16,680 Speaker 5: just a lot of hair and abs. One of them 477 00:24:16,760 --> 00:24:19,760 Speaker 5: goes say, yeah, he sort of grabbed the microphoneywhere it 478 00:24:19,840 --> 00:24:21,920 Speaker 5: was it was English, right, and it was sort of 479 00:24:21,960 --> 00:24:27,040 Speaker 5: went to a very pop posh school. But he cat like, yeah, yeah, anyway, this, yeah, 480 00:24:27,080 --> 00:24:30,040 Speaker 5: we did. We're going to give Backstreet Boys Sleepless Nights, 481 00:24:30,160 --> 00:24:33,679 Speaker 5: thinking that we can't put it in the future, but 482 00:24:33,840 --> 00:24:36,359 Speaker 5: that ain't gonna happen. Money, that ain't gonna happen. And 483 00:24:36,400 --> 00:24:38,639 Speaker 5: the history back me on that one. You did not 484 00:24:38,720 --> 00:24:42,920 Speaker 5: give them Back Street Boys sleepless Nights, but that song 485 00:24:43,160 --> 00:24:51,080 Speaker 5: is a banger. What how you doing? 486 00:24:52,520 --> 00:24:53,560 Speaker 3: Welcome to the nineties. 487 00:24:53,560 --> 00:24:54,320 Speaker 5: I like to flay. 488 00:24:54,480 --> 00:24:57,399 Speaker 11: I make this look good, Miss the ship Field, because 489 00:24:57,680 --> 00:25:00,800 Speaker 11: nineteen ninety you care hand on the true go up. 490 00:25:03,160 --> 00:25:09,800 Speaker 1: Her Christian O'Connell's eight of the nineties. 491 00:25:10,080 --> 00:25:14,800 Speaker 5: Yeah baby, all right. The letter this week it's all 492 00:25:14,840 --> 00:25:19,800 Speaker 5: about letter is letter f Thank you very much. Every 493 00:25:19,800 --> 00:25:21,720 Speaker 5: week he comes the next ready to do those for us. 494 00:25:21,800 --> 00:25:24,480 Speaker 5: It's all about the letter F before we get into 495 00:25:24,640 --> 00:25:28,239 Speaker 5: Furby's and flip phones. The movie that Jack and I 496 00:25:28,280 --> 00:25:31,919 Speaker 5: watched yesterday, it's about viewing number eight or nine for me, 497 00:25:32,280 --> 00:25:36,160 Speaker 5: was this seminal classic from the nineties directed by John Woof, 498 00:25:36,240 --> 00:25:41,120 Speaker 5: starring two megastars, John Travolta and Nick Cage Face Off. 499 00:25:41,600 --> 00:25:44,919 Speaker 18: I've been chasing this guy ever since I joined the Force. 500 00:25:45,760 --> 00:25:50,040 Speaker 18: He's the most dangerous and brilliant criminal mind I've ever known. 501 00:25:50,720 --> 00:25:53,000 Speaker 18: And now, after all this time, I finally figured out 502 00:25:53,000 --> 00:25:56,040 Speaker 18: a way to trap him, will become him. 503 00:25:56,880 --> 00:26:02,399 Speaker 12: Whether way, try terrorism for a hireable, blot some stuff up, 504 00:26:02,440 --> 00:26:03,399 Speaker 12: it's more fun. 505 00:26:05,080 --> 00:26:07,520 Speaker 18: Plan be Let's just kill each other. 506 00:26:10,840 --> 00:26:14,440 Speaker 5: What a movie. One of the greatest comedies ever made. 507 00:26:14,600 --> 00:26:16,640 Speaker 5: Only thing is they didn't make it as a comedy 508 00:26:17,119 --> 00:26:19,520 Speaker 5: as watching it yesterday, seriously, about the eighth of the 509 00:26:19,560 --> 00:26:22,359 Speaker 5: ninth time, there's so many much what I'm crying with 510 00:26:22,480 --> 00:26:26,680 Speaker 5: laughter because it's so over the top and ludicrous. It's 511 00:26:26,800 --> 00:26:29,760 Speaker 5: very clear that they just came up with the title 512 00:26:29,920 --> 00:26:33,160 Speaker 5: face Off, and then worried about the sort of plot, script, 513 00:26:33,480 --> 00:26:36,680 Speaker 5: character development, all those proper things barely even wired about 514 00:26:36,720 --> 00:26:39,879 Speaker 5: this just because it's called face Off. They have a 515 00:26:39,960 --> 00:26:44,000 Speaker 5: surgical operation. They remove each other's faces and wear them 516 00:26:44,160 --> 00:26:46,320 Speaker 5: so Jack before we go any further, we're both very, 517 00:26:46,359 --> 00:26:48,960 Speaker 5: very excited about Face Off. How would you describe to 518 00:26:49,000 --> 00:26:52,720 Speaker 5: people we've never seen this movie the actual plot. 519 00:26:52,640 --> 00:26:55,040 Speaker 4: Well, try to do it justice. The king of all 520 00:26:55,080 --> 00:26:58,679 Speaker 4: premises is it's John Travolta. He's an agent, he's the 521 00:26:58,720 --> 00:27:01,880 Speaker 4: good guy. Nicholas Age he's a terrorist, he's the bad guy. 522 00:27:02,440 --> 00:27:05,280 Speaker 4: John Travolta catches him early in the film, puts him 523 00:27:05,280 --> 00:27:08,000 Speaker 4: in a coma. While he's in a coma, he's still 524 00:27:08,000 --> 00:27:10,159 Speaker 4: got a bomb somewhere in la that they don't know 525 00:27:10,200 --> 00:27:13,679 Speaker 4: where it is. So in order to infiltrate his gang 526 00:27:13,880 --> 00:27:17,000 Speaker 4: and his brother who built the bomb, he's got to 527 00:27:17,119 --> 00:27:20,880 Speaker 4: where surgically remove the face of Nick Cage and put 528 00:27:20,920 --> 00:27:23,680 Speaker 4: it on his own. And then his own face goes 529 00:27:23,720 --> 00:27:24,880 Speaker 4: in a little jar by his. 530 00:27:25,200 --> 00:27:27,919 Speaker 5: It's just like, you know, this, this most dangerous criminal 531 00:27:28,000 --> 00:27:30,359 Speaker 5: in the world, right there's not anyone guarding him. His 532 00:27:32,760 --> 00:27:35,520 Speaker 5: John Travolta's face is just in a bowl next next 533 00:27:35,560 --> 00:27:38,119 Speaker 5: to a cage, right in like a like saining solution. 534 00:27:38,200 --> 00:27:41,200 Speaker 5: He've an to contact lens Us in Cage suddenly wakes 535 00:27:41,280 --> 00:27:44,919 Speaker 5: up without his face from a coma just suddenly clacks 536 00:27:45,040 --> 00:27:46,880 Speaker 5: up and then guess what happened? 537 00:27:48,880 --> 00:27:52,760 Speaker 4: It is he he garts John Travolta's He finds John 538 00:27:52,760 --> 00:27:53,760 Speaker 4: Travolta's face. 539 00:27:53,600 --> 00:27:57,040 Speaker 5: That looks like I'm doing it. 540 00:27:57,040 --> 00:28:01,040 Speaker 4: It's like table. He he puts the John Travolta's face 541 00:28:01,119 --> 00:28:04,080 Speaker 4: on it, and all of a sudden, now our too. 542 00:28:04,800 --> 00:28:07,359 Speaker 5: Face lips or eyes, and he has a cigarette. 543 00:28:07,840 --> 00:28:11,000 Speaker 4: He's having a cigarette watching the he's watching the vision 544 00:28:11,080 --> 00:28:16,160 Speaker 4: of John Travolta's face get transferred in the original surgery. 545 00:28:16,520 --> 00:28:19,720 Speaker 4: And then he gets the doctor in his game, brings 546 00:28:19,720 --> 00:28:21,560 Speaker 4: the doctor in to do the same surgery on him. 547 00:28:21,680 --> 00:28:24,760 Speaker 4: So you've got the ultimate premise. You've got two arch 548 00:28:24,960 --> 00:28:28,720 Speaker 4: enemies looking each at each other, and they've switched faces, 549 00:28:28,720 --> 00:28:31,720 Speaker 4: and everybody believes that Nick Cage is John Travolta, and 550 00:28:31,720 --> 00:28:34,800 Speaker 4: everybody believes John Travolta is Nick Cage in Sue, the 551 00:28:34,840 --> 00:28:35,680 Speaker 4: best movie ever. 552 00:28:35,840 --> 00:28:37,560 Speaker 5: Yeah, this is one of the greatest movies of all time. 553 00:28:37,800 --> 00:28:40,479 Speaker 5: And the thing is, John Travolta actually does take on 554 00:28:40,520 --> 00:28:44,680 Speaker 5: an effect the mannerisms of Nick Cage. Nick Cage doesn't 555 00:28:44,720 --> 00:28:51,280 Speaker 5: bother or they were scared of him, because when you 556 00:28:51,360 --> 00:28:55,880 Speaker 5: watch this it's a very heavily caffeinated performance. Well, I 557 00:28:55,920 --> 00:28:58,600 Speaker 5: think actually they were just like, we don't even speak 558 00:28:58,680 --> 00:29:03,240 Speaker 5: to him. Why is he in every that he's actually 559 00:29:03,280 --> 00:29:05,840 Speaker 5: mad in this stage? Is actually mad in this? What 560 00:29:05,880 --> 00:29:08,920 Speaker 5: about it? When the doctor's explaining what you know? And 561 00:29:08,960 --> 00:29:10,920 Speaker 5: this isn't set in the future, it's set in the nineties. 562 00:29:10,920 --> 00:29:13,920 Speaker 5: It's set there right where they're explaining the complex procedure, 563 00:29:13,920 --> 00:29:16,640 Speaker 5: but something the doctor is so matter of fact about it. 564 00:29:16,640 --> 00:29:19,440 Speaker 5: It's almost like they're sort of repairing like a hamstring 565 00:29:19,480 --> 00:29:20,600 Speaker 5: injury or something like that. 566 00:29:20,720 --> 00:29:23,840 Speaker 17: The inside is modeled on your skull, all right, Yeah, 567 00:29:23,960 --> 00:29:25,920 Speaker 17: the outside exact in and out within a day. 568 00:29:26,480 --> 00:29:27,200 Speaker 1: Then we fit his. 569 00:29:27,240 --> 00:29:30,120 Speaker 6: Face on top, not a wrapper, but the real thing. 570 00:29:30,480 --> 00:29:31,400 Speaker 5: Then we simply. 571 00:29:31,080 --> 00:29:32,960 Speaker 1: Connect the muscle duc centerve d. 572 00:29:33,360 --> 00:29:35,640 Speaker 11: So you want to take his face in mind barrel. 573 00:29:36,720 --> 00:29:43,680 Speaker 4: Incredible And that is crazily not even in my top 574 00:29:43,720 --> 00:29:45,560 Speaker 4: three of most ridiculous parts of the film. 575 00:29:45,600 --> 00:29:48,360 Speaker 5: All right, so you've got a top three of craziest 576 00:29:48,360 --> 00:29:50,040 Speaker 5: parts of Face Off. We'll get into the. 577 00:29:50,120 --> 00:29:53,200 Speaker 1: Next Christian Connell's Show podcast. 578 00:29:54,240 --> 00:29:56,800 Speaker 5: We're into our eight s of the nineties. This week, 579 00:29:56,880 --> 00:30:00,560 Speaker 5: we're up to and into the Letter F movie. Jack 580 00:30:00,600 --> 00:30:03,840 Speaker 5: and I watched yesterday one of the greatest movies, not 581 00:30:03,920 --> 00:30:06,640 Speaker 5: just of the nineties but all times, Face Off Tron 582 00:30:06,720 --> 00:30:11,480 Speaker 5: travolt If you had to pick one movie where Nick 583 00:30:11,520 --> 00:30:17,080 Speaker 5: Cage achieved ultimate Nick Cage powers, this is it. It's 584 00:30:17,200 --> 00:30:19,440 Speaker 5: there's no way that he was directed. There are so 585 00:30:19,560 --> 00:30:21,880 Speaker 5: many bits in there that don't make sense. There's this 586 00:30:22,040 --> 00:30:25,200 Speaker 5: yelling that doesn't fit the scripts or even the scene. 587 00:30:25,320 --> 00:30:33,200 Speaker 5: It's a crazed, fueled, fueled performance by Nick Cage. And 588 00:30:33,960 --> 00:30:36,160 Speaker 5: I can't. I can't, I wouldn't. I can't recommend another 589 00:30:36,280 --> 00:30:39,080 Speaker 5: movie that would give you so much fun watching it. 590 00:30:39,280 --> 00:30:40,600 Speaker 5: That's fair to say, isn't it. Jack. 591 00:30:41,120 --> 00:30:44,120 Speaker 4: I saw The Batman this week, a big blockbuster movie, 592 00:30:44,120 --> 00:30:47,800 Speaker 4: breaking all kinds of records. I much more enjoyed Face 593 00:30:47,840 --> 00:30:49,080 Speaker 4: Off than I did The Batman. 594 00:30:49,360 --> 00:30:50,200 Speaker 5: Yeah, I mean. 595 00:30:52,640 --> 00:30:59,920 Speaker 1: Looking, Yeah, it's like looking in a mirror. 596 00:31:00,840 --> 00:31:03,320 Speaker 14: Not so. 597 00:31:03,320 --> 00:31:06,920 Speaker 5: She got Travolta and Cage. Travolta chasing Cage finally works 598 00:31:06,960 --> 00:31:08,560 Speaker 5: out away fire. I love it when they go finally 599 00:31:08,600 --> 00:31:10,080 Speaker 5: have worked out where to get this guy who's been 600 00:31:10,080 --> 00:31:12,680 Speaker 5: tracking for you. He killed his son. Why do we 601 00:31:12,680 --> 00:31:14,480 Speaker 5: think of all the time? I mean, they're all over 602 00:31:14,520 --> 00:31:17,720 Speaker 5: the world, don't they law enforcement agencies. We'll just take 603 00:31:17,760 --> 00:31:22,040 Speaker 5: his face off his and put it onto my right there, 604 00:31:22,440 --> 00:31:24,800 Speaker 5: right there. That's simple eye. This is going to change 605 00:31:25,680 --> 00:31:27,600 Speaker 5: law all over the world, now, won't it. And so 606 00:31:27,640 --> 00:31:30,640 Speaker 5: they have each other's faces, and Travolter does do this 607 00:31:30,760 --> 00:31:34,880 Speaker 5: amazing job of affecting all the mannerisms, and he doesn't 608 00:31:34,880 --> 00:31:37,239 Speaker 5: do an impression, but it's almost like an impression of 609 00:31:37,680 --> 00:31:40,200 Speaker 5: Nick Cage doesn't He throughout the rest of the movie 610 00:31:40,280 --> 00:31:41,520 Speaker 5: was Cage doesn't. 611 00:31:41,560 --> 00:31:45,240 Speaker 4: He's just cagege even though it's meant to be John 612 00:31:45,280 --> 00:31:49,000 Speaker 4: Travolta's character. And also the face which leads to one 613 00:31:49,040 --> 00:31:51,960 Speaker 4: of my favorite scenes in the film where Nicholas Cage, 614 00:31:52,080 --> 00:31:56,240 Speaker 4: in handcuffed ready to infiltrate the prison, is rubbing his 615 00:31:56,240 --> 00:31:59,320 Speaker 4: face against the wall because his face itches after the surgery. 616 00:31:59,480 --> 00:32:02,120 Speaker 4: Because he's in handcuffs. He has to get his buddy 617 00:32:02,160 --> 00:32:04,480 Speaker 4: at the force to itch his face for him. 618 00:32:04,920 --> 00:32:07,560 Speaker 5: Yeah, And also the doctor said, hey, listen, it's one 619 00:32:07,600 --> 00:32:10,160 Speaker 5: of the rare movies as well that actually mentions the 620 00:32:10,200 --> 00:32:13,160 Speaker 5: title in a scene as well, because the doctor goes, 621 00:32:13,200 --> 00:32:15,760 Speaker 5: they just can't ever get into a face off and 622 00:32:15,800 --> 00:32:19,160 Speaker 5: start shooting each other. He goes to Travolta, who's now 623 00:32:19,160 --> 00:32:21,680 Speaker 5: obviously Nick Cage. You know, whatever you do, you just 624 00:32:21,720 --> 00:32:23,600 Speaker 5: can't get into a fight. Fast forward to he's in 625 00:32:23,640 --> 00:32:27,720 Speaker 5: the prison, being punched repeatedly like in a UFC fire 626 00:32:27,800 --> 00:32:30,440 Speaker 5: ground and bound in the face. And then to escape 627 00:32:30,440 --> 00:32:33,520 Speaker 5: the prison, he jumps, like I'm not exaggerating, one hundred 628 00:32:33,520 --> 00:32:36,440 Speaker 5: foot into the sea. And what is it about all 629 00:32:36,480 --> 00:32:39,560 Speaker 5: those sort of action movies where the helicopter like shooting 630 00:32:39,600 --> 00:32:42,560 Speaker 5: into the sea. He's escaped the buddet somehow, right, And 631 00:32:43,320 --> 00:32:46,040 Speaker 5: they gave up really quick looking for these evil criminals, 632 00:32:46,040 --> 00:32:50,080 Speaker 5: didn't they. Once you're in a helicopter, they're going to 633 00:32:50,160 --> 00:32:52,640 Speaker 5: come up for air. Just stay up there. The heeddicopters 634 00:32:53,120 --> 00:32:56,080 Speaker 5: has gone point. Once they go in the sea, we 635 00:32:56,240 --> 00:32:58,400 Speaker 5: never ever find them again. All right, Jack, what are 636 00:32:58,440 --> 00:33:01,920 Speaker 5: your top three craziest moments a crazy movie? All right? 637 00:33:02,000 --> 00:33:04,480 Speaker 4: Here are the top three takeaways from Face Off and Now. 638 00:33:04,640 --> 00:33:10,200 Speaker 4: Despite being a violent movie with the crazy procedure of 639 00:33:10,240 --> 00:33:13,880 Speaker 4: swapping faces, the most unsettling part for me was actually 640 00:33:13,960 --> 00:33:18,560 Speaker 4: the way that John Travolta showed his family affection by 641 00:33:19,640 --> 00:33:22,680 Speaker 4: slowly stroking an open hand down the faces of his 642 00:33:22,760 --> 00:33:24,280 Speaker 4: loved ones. I forget this to. 643 00:33:24,280 --> 00:33:26,720 Speaker 5: His son trying to blow us all up. 644 00:33:27,560 --> 00:33:29,200 Speaker 4: He did it to his daughter, he did it to 645 00:33:29,240 --> 00:33:29,640 Speaker 4: his wife. 646 00:33:29,680 --> 00:33:32,320 Speaker 5: I've never seen that move from a dad anywhere. And 647 00:33:33,000 --> 00:33:36,200 Speaker 5: you and Jack goes you that. I mean, I'm a 648 00:33:36,360 --> 00:33:39,640 Speaker 5: very affectionate dad hung in every day. I've never seen before. 649 00:33:40,120 --> 00:33:41,960 Speaker 4: I tried to do it to be Anchors, like, hey, 650 00:33:42,080 --> 00:33:44,600 Speaker 4: will this feel nice? And she pulled her head away 651 00:33:44,680 --> 00:33:46,920 Speaker 4: and said, don't do that. Feel it feels offensive for 652 00:33:46,960 --> 00:33:52,280 Speaker 4: you to run your hand down my face. Takeaway number two. 653 00:33:52,600 --> 00:33:57,719 Speaker 4: So the FBI, when they're meant to be the good guys, right, 654 00:33:57,760 --> 00:34:00,600 Speaker 4: they're catching this terrorist. They go into the bad He's 655 00:34:00,680 --> 00:34:03,480 Speaker 4: lair and the terrorist son is in there, and John 656 00:34:03,480 --> 00:34:07,280 Speaker 4: Travolta has to honestly save the son from getting shot 657 00:34:07,320 --> 00:34:11,640 Speaker 4: to pieces by the FBI. Didn't there's no reason for 658 00:34:11,680 --> 00:34:14,120 Speaker 4: the FBI to be shooting a little five. 659 00:34:14,000 --> 00:34:16,000 Speaker 5: Year old boy not involved in it in any way. 660 00:34:16,040 --> 00:34:17,680 Speaker 5: He's just an innocent bystander. 661 00:34:18,880 --> 00:34:21,319 Speaker 4: That leads me to my final takeaway. And this is 662 00:34:21,320 --> 00:34:23,200 Speaker 4: a spoiler, So turn off now if you want to 663 00:34:23,239 --> 00:34:27,440 Speaker 4: watch Face Off. John Travolta comes home at the end 664 00:34:27,480 --> 00:34:30,439 Speaker 4: of the movie. He's got the little boy, the son 665 00:34:30,600 --> 00:34:34,200 Speaker 4: of his arch enemy, and without consulting his wife essentially 666 00:34:34,360 --> 00:34:35,400 Speaker 4: brings him adopted. 667 00:34:36,040 --> 00:34:39,160 Speaker 5: We've adopted almost this movie. He comes to the house, Yeah, case, 668 00:34:39,239 --> 00:34:40,520 Speaker 5: just come in, maute, look what I've got? Like you 669 00:34:40,600 --> 00:34:42,719 Speaker 5: got a puppy from the pound. And I was like, 670 00:34:43,160 --> 00:34:46,520 Speaker 5: show me room's h what John? We need to talk 671 00:34:46,560 --> 00:34:48,040 Speaker 5: about this, right? Who is that? 672 00:34:48,080 --> 00:34:48,200 Speaker 11: Oh? 673 00:34:48,280 --> 00:34:48,440 Speaker 5: You know? 674 00:34:48,520 --> 00:34:50,279 Speaker 11: That is that. 675 00:34:52,600 --> 00:34:52,759 Speaker 5: Him? 676 00:34:53,000 --> 00:34:55,000 Speaker 4: What about? Wait? 677 00:34:55,520 --> 00:34:58,480 Speaker 5: He's in surgery having his face put back on right 678 00:34:58,520 --> 00:35:01,359 Speaker 5: towards the in the movie for and they keep making 679 00:35:01,360 --> 00:35:03,640 Speaker 5: a big deal about the agony, as be the stitches, 680 00:35:03,680 --> 00:35:07,200 Speaker 5: the sutras and all this. Then suddenly right Travolta backs 681 00:35:07,280 --> 00:35:10,640 Speaker 5: himself just makes his own way home from the hospital. 682 00:35:11,280 --> 00:35:14,440 Speaker 5: Every time I watched this movie, I'm like, she couldn't 683 00:35:14,480 --> 00:35:17,799 Speaker 5: pick him up. She knows what he's been through. Right, 684 00:35:17,840 --> 00:35:20,879 Speaker 5: he's had his face removed, and he's got reattached. He's 685 00:35:20,960 --> 00:35:24,279 Speaker 5: almost died. He saved the world essentially, Well, la, and 686 00:35:24,520 --> 00:35:26,279 Speaker 5: what yes? Does this get a taxi? Got to make 687 00:35:26,360 --> 00:35:28,719 Speaker 5: his own way home? It bugs me every time night 688 00:35:28,800 --> 00:35:30,000 Speaker 5: she couldn't go and pick him up. 689 00:35:30,640 --> 00:35:32,879 Speaker 4: She looked surprised as well as if he didn't even 690 00:35:32,920 --> 00:35:34,960 Speaker 4: call to say hey, just so you know, surgery went 691 00:35:35,000 --> 00:35:36,360 Speaker 4: perfectly and my face is back. 692 00:35:36,239 --> 00:35:39,319 Speaker 5: On you said it Friday. Now I've got Zimber in 693 00:35:39,360 --> 00:35:42,200 Speaker 5: an hour. Oh, I think there's some leftovers in the 694 00:35:42,320 --> 00:35:44,480 Speaker 5: Redge rug shot. You said I was coming to get 695 00:35:44,520 --> 00:35:48,799 Speaker 5: you Friday. Wait, who's the little kid that's our son? Now? 696 00:35:49,960 --> 00:35:51,719 Speaker 5: My favorite? One of my favorite lines. And there are 697 00:35:51,719 --> 00:35:54,600 Speaker 5: two great lines in this towards the end, Sorry I 698 00:35:54,680 --> 00:35:58,239 Speaker 5: killed you dad? To that on the greatest lights in 699 00:35:58,280 --> 00:36:01,280 Speaker 5: the movie. Ever, how could someone type can we actually 700 00:36:01,280 --> 00:36:03,560 Speaker 5: say this? And put it on Celiloyd forever? The other 701 00:36:03,600 --> 00:36:05,960 Speaker 5: one is where they are facing off against each other, 702 00:36:05,960 --> 00:36:08,919 Speaker 5: these two arch rivals, wearing each other's faces, and they've 703 00:36:08,920 --> 00:36:11,840 Speaker 5: got guns pointing at each other, and then other people 704 00:36:11,920 --> 00:36:15,160 Speaker 5: from their rival crews, their sort of backups, all turn up. 705 00:36:15,239 --> 00:36:17,160 Speaker 5: So at one point there must be a right ten 706 00:36:17,239 --> 00:36:20,560 Speaker 5: people with guns all pointing each other, and then travolter 707 00:36:20,800 --> 00:36:25,799 Speaker 5: is Gauge just goes, what a predicament? Ten out of ten? 708 00:36:25,920 --> 00:36:27,520 Speaker 5: This movie is a ten out of ten. 709 00:36:28,800 --> 00:36:32,319 Speaker 2: This is the Christian O'Connell show podcast. 710 00:36:32,920 --> 00:36:38,080 Speaker 5: Day by day, more businesses are announcing their sanctions against Russia, 711 00:36:38,080 --> 00:36:42,360 Speaker 5: and rightly so. I've just seen that Mackas are closing 712 00:36:42,400 --> 00:36:48,160 Speaker 5: temporarily all their Russian. No more happy males for you, 713 00:36:48,320 --> 00:36:51,000 Speaker 5: Russia and Orbit. That is the thing that's going to 714 00:36:51,040 --> 00:36:54,200 Speaker 5: turn Putin's own people against them. No happy meals. Suddenly, 715 00:36:54,400 --> 00:36:56,279 Speaker 5: I reckon there could be a revolt. This might be 716 00:36:56,320 --> 00:36:58,799 Speaker 5: the thing that breaks this all right, So two of 717 00:36:58,800 --> 00:37:01,120 Speaker 5: the letter F for the ninety whom as these little 718 00:37:01,120 --> 00:37:06,680 Speaker 5: things ferbiesby really need me? 719 00:37:06,960 --> 00:37:09,000 Speaker 1: And the more you love them, I'll take care you. 720 00:37:09,400 --> 00:37:14,600 Speaker 11: The more they do love you, the may me herby 721 00:37:15,000 --> 00:37:15,640 Speaker 11: so separately. 722 00:37:15,760 --> 00:37:16,800 Speaker 1: Batteries not included. 723 00:37:17,120 --> 00:37:19,320 Speaker 5: That just that, by the way, that phrase batteries not included. 724 00:37:19,320 --> 00:37:21,000 Speaker 5: I can't tell you how many Christmas days have been 725 00:37:21,080 --> 00:37:23,759 Speaker 5: ruined where my wife looks at me. I told you, 726 00:37:23,840 --> 00:37:26,400 Speaker 5: I did you. It was the only about three things 727 00:37:26,440 --> 00:37:28,640 Speaker 5: you had to do for the whole day. Get the 728 00:37:28,719 --> 00:37:31,960 Speaker 5: double a's or those horrible little round sell ones that 729 00:37:32,000 --> 00:37:34,640 Speaker 5: they needed. You know what are they? Those horrible sell ones? 730 00:37:34,680 --> 00:37:36,800 Speaker 5: The vault ones are twelve one, the thirty six those 731 00:37:37,200 --> 00:37:40,560 Speaker 5: But yeah, ferbies were basically in their creepiness up there 732 00:37:40,760 --> 00:37:44,000 Speaker 5: with cabbage patch dolls. Did you like the furbies, Patsy? 733 00:37:44,480 --> 00:37:48,680 Speaker 3: I did, but I never had one. My girlfriend had one. 734 00:37:49,200 --> 00:37:50,839 Speaker 5: If I had to describe one too, are. 735 00:37:50,760 --> 00:37:53,400 Speaker 4: You you would have been in your twenties, then why'd 736 00:37:53,400 --> 00:37:54,280 Speaker 4: your girlfriend. 737 00:37:55,880 --> 00:37:57,920 Speaker 3: She was into all that sort of you know, what 738 00:37:57,960 --> 00:37:59,920 Speaker 3: do you call that sort of stuff when you're in 739 00:38:00,080 --> 00:38:02,680 Speaker 3: your early twenties You like a kid still, you know 740 00:38:02,880 --> 00:38:03,600 Speaker 3: you're into. 741 00:38:03,400 --> 00:38:05,879 Speaker 5: All that, all that jack you know that well known word. 742 00:38:05,920 --> 00:38:08,640 Speaker 5: It's a word, isn't that immature? 743 00:38:09,280 --> 00:38:10,480 Speaker 3: Yes, that's it. 744 00:38:10,640 --> 00:38:13,040 Speaker 5: They were like it looked like a gremlain basically with 745 00:38:13,120 --> 00:38:15,520 Speaker 5: a beak. I don't know how these things became a 746 00:38:15,520 --> 00:38:18,759 Speaker 5: big worldwide phenomena and it came back a couple of 747 00:38:18,800 --> 00:38:19,160 Speaker 5: years ago. 748 00:38:19,840 --> 00:38:22,040 Speaker 4: It's because they were I remember it very much being 749 00:38:22,040 --> 00:38:25,439 Speaker 4: a toy of the future in the nineties, and because 750 00:38:25,440 --> 00:38:27,400 Speaker 4: he was a robot essentially, and he looked like a 751 00:38:27,520 --> 00:38:30,280 Speaker 4: very soft toy, but he had a toy. 752 00:38:30,080 --> 00:38:31,279 Speaker 5: Of the future would be. 753 00:38:34,760 --> 00:38:47,240 Speaker 11: Midnight what they do Love's pictures. 754 00:38:49,600 --> 00:38:50,760 Speaker 5: In them. 755 00:38:51,239 --> 00:38:53,840 Speaker 4: He was the first robotic toy and he could couldn't 756 00:38:53,840 --> 00:38:55,960 Speaker 4: he see through his beak or something and watch you 757 00:38:56,040 --> 00:38:57,720 Speaker 4: and then respond to what you were doing. 758 00:38:58,160 --> 00:39:00,960 Speaker 5: It wasn't the first robotic toy. They were like robot 759 00:39:01,160 --> 00:39:03,400 Speaker 5: toys before that. Do you think we were just playing 760 00:39:03,400 --> 00:39:04,360 Speaker 5: with fire and hope? 761 00:39:05,320 --> 00:39:09,920 Speaker 4: He was the first AI type toilet and we know 762 00:39:09,960 --> 00:39:12,000 Speaker 4: it now, not AI as we know it now, but 763 00:39:12,120 --> 00:39:14,040 Speaker 4: he could do smarter things. 764 00:39:13,760 --> 00:39:17,560 Speaker 5: To start a history podcast where you just re explain stuff. 765 00:39:19,400 --> 00:39:20,439 Speaker 5: And how did he work? 766 00:39:20,480 --> 00:39:21,680 Speaker 3: You fed him, didn't you? 767 00:39:21,680 --> 00:39:23,279 Speaker 5: You had to feed him. They were quite sort of 768 00:39:23,320 --> 00:39:25,399 Speaker 5: needy and stuff like. It was sort of a sort 769 00:39:25,440 --> 00:39:28,520 Speaker 5: of a baby basically. Was it some sort of obviously 770 00:39:28,600 --> 00:39:31,200 Speaker 5: AI futuristic alien baby as Jack probably saw it and 771 00:39:31,200 --> 00:39:32,719 Speaker 5: stuff like that. But for a lot of schools there 772 00:39:32,719 --> 00:39:35,480 Speaker 5: were banned because they were noisy, they would go off 773 00:39:35,520 --> 00:39:37,319 Speaker 5: during class and stuff like this sort of banned. So 774 00:39:37,600 --> 00:39:39,040 Speaker 5: I want to I want to talk to on then. 775 00:39:39,080 --> 00:39:42,480 Speaker 5: What was banned from your school? I remember, it's going 776 00:39:42,560 --> 00:39:44,319 Speaker 5: to make me sound like a thousand year old man. 777 00:39:44,680 --> 00:39:47,719 Speaker 5: I remember when Marbles were a great game, and I 778 00:39:47,800 --> 00:39:50,920 Speaker 5: thought there was a game of the future. They were 779 00:39:51,000 --> 00:39:54,319 Speaker 5: AI and I it was a little eye that could 780 00:39:54,320 --> 00:39:57,920 Speaker 5: see into the future of psyclops playing against other little cyclops, 781 00:39:57,920 --> 00:40:01,239 Speaker 5: eye the plural. I loved Marble, and I know why. 782 00:40:01,480 --> 00:40:04,360 Speaker 5: Look about why they were banned because rarely again wouldn't 783 00:40:04,360 --> 00:40:07,239 Speaker 5: involve a punch on. You know, you would just take 784 00:40:07,239 --> 00:40:09,239 Speaker 5: on your mates if they beat you. They would always 785 00:40:09,280 --> 00:40:10,960 Speaker 5: do that. Movie just kicked all the marbles out of 786 00:40:10,960 --> 00:40:13,040 Speaker 5: the room and then just swing at one of your 787 00:40:13,080 --> 00:40:15,879 Speaker 5: good friends because he's has taken your beloved cat's eyes 788 00:40:16,000 --> 00:40:19,120 Speaker 5: or a tom bowler. They might eyed and joy, weren't 789 00:40:19,120 --> 00:40:21,640 Speaker 5: they cat's eized and the tom Bowler. I don't think 790 00:40:21,640 --> 00:40:23,960 Speaker 5: I've said that word since I was a kid playing marbles. 791 00:40:24,080 --> 00:40:25,600 Speaker 5: I still love playing marbles. 792 00:40:26,200 --> 00:40:29,040 Speaker 4: They were also sort of a black market of sorts 793 00:40:29,120 --> 00:40:31,560 Speaker 4: because they had their different values. A cat's eye is 794 00:40:31,600 --> 00:40:34,200 Speaker 4: actually at our school were the least valuable of the marbles. 795 00:40:34,239 --> 00:40:36,560 Speaker 5: Tom bona that was a really really good one to 796 00:40:36,600 --> 00:40:37,280 Speaker 5: get einst. 797 00:40:38,200 --> 00:40:40,359 Speaker 4: Your big boy. Yeah, and we even had we had 798 00:40:40,400 --> 00:40:43,040 Speaker 4: a whales eye which was even bigger than the tombola. 799 00:40:43,160 --> 00:40:45,319 Speaker 5: Yeah, he was right, there's like a wrecking more. There 800 00:40:45,360 --> 00:40:48,160 Speaker 5: was an art, a fine art at two marbles perhapsly 801 00:40:48,200 --> 00:40:49,440 Speaker 5: do you have anything band of your school? 802 00:40:49,480 --> 00:40:52,480 Speaker 3: Yeah, we couldn't play the Boys. Couldn't play British Bulldog 803 00:40:52,560 --> 00:40:55,440 Speaker 3: because too many kids got injured. There's broken arms and 804 00:40:55,440 --> 00:40:56,000 Speaker 3: everything else with. 805 00:40:56,040 --> 00:40:58,040 Speaker 5: It, but a great game. Still love playing that. 806 00:40:58,239 --> 00:41:02,800 Speaker 3: And Rubik's Cubes in the air and yeah, welcome the 807 00:41:02,840 --> 00:41:07,280 Speaker 3: Devil not the Bible. Yeah, it's so sick of kid God. 808 00:41:07,239 --> 00:41:09,360 Speaker 5: The Nundo of. 809 00:41:09,400 --> 00:41:13,200 Speaker 3: Excuse under the desk, thinking that the teacher couldn't say. 810 00:41:13,200 --> 00:41:13,560 Speaker 12: It's so. 811 00:41:17,840 --> 00:41:20,640 Speaker 6: You're listening to the question of Carl's Show podcast. 812 00:41:21,080 --> 00:41:23,439 Speaker 5: Took my marbles band from your school. Marbles were bound 813 00:41:23,480 --> 00:41:26,480 Speaker 5: for mine up to about eleven I think it was 814 00:41:26,520 --> 00:41:29,040 Speaker 5: when they stopped playing it. Still used to play. My 815 00:41:29,120 --> 00:41:31,279 Speaker 5: girls used to love playing marbles. It was a big 816 00:41:31,320 --> 00:41:33,440 Speaker 5: thing three of us used to do. After I picked 817 00:41:33,480 --> 00:41:35,320 Speaker 5: them up from school on Friday. Used to play marbles 818 00:41:35,440 --> 00:41:37,600 Speaker 5: right an hour. So I love playing that. 819 00:41:38,239 --> 00:41:39,720 Speaker 4: Marbles went through every generation. 820 00:41:40,160 --> 00:41:42,359 Speaker 5: Your still play marbles. You'll play marbles with them, won't 821 00:41:42,400 --> 00:41:42,799 Speaker 5: you think? 822 00:41:42,880 --> 00:41:45,080 Speaker 4: I think so. I wish I kept my marble bags, 823 00:41:45,160 --> 00:41:47,399 Speaker 4: keep it going. Actually, when we. 824 00:41:47,480 --> 00:41:51,480 Speaker 5: Sounds like a really wrong phrase is the marble bag 825 00:41:51,880 --> 00:41:56,000 Speaker 5: I'm showing some online dictionary. We should never look at 826 00:41:56,440 --> 00:42:02,239 Speaker 5: marble bag. I think we've accidentally stumbled something and my 827 00:42:02,440 --> 00:42:09,040 Speaker 5: son my marble backs. I don't easy anymore. Anyway, you're 828 00:42:09,080 --> 00:42:10,600 Speaker 5: playing marbles with your son. 829 00:42:10,760 --> 00:42:14,920 Speaker 4: Yes, When we had marbles band at our primary school, 830 00:42:15,200 --> 00:42:18,120 Speaker 4: they had one day called Marble Day the day before 831 00:42:18,239 --> 00:42:20,000 Speaker 4: Is it banned forever? Like I get it out of 832 00:42:20,000 --> 00:42:24,520 Speaker 4: your system? Which even during the classes that we didn't 833 00:42:24,520 --> 00:42:28,080 Speaker 4: have any lessons that during the classes we built giant 834 00:42:28,080 --> 00:42:29,399 Speaker 4: marble rocks and that sort of thing. 835 00:42:29,480 --> 00:42:31,480 Speaker 5: Were the greatest day of his school life, wasn't it 836 00:42:31,520 --> 00:42:35,600 Speaker 5: When there was marble day? It was leanne, good morning. 837 00:42:36,320 --> 00:42:40,200 Speaker 9: Good morning. We had click clacks at our school that 838 00:42:40,360 --> 00:42:44,600 Speaker 9: was banned because you ended up with broken wrists and arms. 839 00:42:44,680 --> 00:42:48,560 Speaker 5: And you must remember click clacks perhaps each remember those school. 840 00:42:48,719 --> 00:42:50,239 Speaker 3: I don't what were click clacks. 841 00:42:50,680 --> 00:42:53,759 Speaker 9: Click claes was like a piece of string with a 842 00:42:53,880 --> 00:42:57,000 Speaker 9: ring in the middle and a really hard ball on 843 00:42:57,120 --> 00:42:59,600 Speaker 9: each end, and then you'd hang them down from the 844 00:42:59,640 --> 00:43:02,359 Speaker 9: middle and then bang together at the bottom and you'd 845 00:43:02,400 --> 00:43:05,120 Speaker 9: have to bang them and get them going at the bottom, 846 00:43:05,160 --> 00:43:08,000 Speaker 9: and then you'd flick the string and you'd flick them 847 00:43:08,080 --> 00:43:09,960 Speaker 9: up to the top, bang together. 848 00:43:10,000 --> 00:43:13,879 Speaker 5: Then the giant click clack noise basically hence the name. 849 00:43:14,680 --> 00:43:16,600 Speaker 5: These things are lethal, like I'm pretty sure it's some 850 00:43:16,719 --> 00:43:19,319 Speaker 5: medieval sort of weapon. They used to whirl them around 851 00:43:19,320 --> 00:43:21,319 Speaker 5: their heads and throw the Game of Thrones there click 852 00:43:21,360 --> 00:43:23,520 Speaker 5: claps not in Game of Thrones. 853 00:43:24,360 --> 00:43:26,080 Speaker 9: I've still got a pair and i'd pull them out 854 00:43:26,080 --> 00:43:27,200 Speaker 9: and my kids playing. 855 00:43:29,440 --> 00:43:34,800 Speaker 5: Look Ninja. You know nanchucks. You can use them, and 856 00:43:34,920 --> 00:43:36,480 Speaker 5: thank you very much and gorm have a good day, 857 00:43:36,520 --> 00:43:41,640 Speaker 5: No worries by Jessica. Hi guys, Jessica. For some reason, 858 00:43:41,680 --> 00:43:45,239 Speaker 5: they label the art here Jessica Brackets twenty five the. 859 00:43:46,800 --> 00:43:48,480 Speaker 19: Yeah I love your show, guys. 860 00:43:48,239 --> 00:43:50,200 Speaker 5: Thank you very much, said the twenty year olds were 861 00:43:50,239 --> 00:43:53,440 Speaker 5: a happening thing, Jessica. What was banned at your school? 862 00:43:54,280 --> 00:43:57,080 Speaker 20: So we had something called a neo pit, which was 863 00:43:57,160 --> 00:44:00,160 Speaker 20: something you got from Macis and the Happy Meal. It 864 00:44:00,239 --> 00:44:02,439 Speaker 20: used to be kind of like a pretty long card 865 00:44:02,600 --> 00:44:05,319 Speaker 20: or a yuyeo card, So you got the little soft toy, 866 00:44:05,400 --> 00:44:08,000 Speaker 20: these like little aliens, and it had a card with 867 00:44:08,040 --> 00:44:10,759 Speaker 20: statistics on it, and the kids used to kind of 868 00:44:10,800 --> 00:44:13,360 Speaker 20: like swap them compete, and then they used to end 869 00:44:13,440 --> 00:44:15,759 Speaker 20: up in fisty cuffs when people lost, like a really 870 00:44:15,800 --> 00:44:18,200 Speaker 20: good or really rare one fisticuffs. 871 00:44:19,640 --> 00:44:22,360 Speaker 5: I love that for these fisticuffs. Yeah, I remember anything. 872 00:44:22,400 --> 00:44:26,120 Speaker 5: You're playing cards, trading cards equaled bolence. Yeah. Yeah, it's 873 00:44:26,160 --> 00:44:28,719 Speaker 5: like a prison yard. Sudden, then the schoolyard became the 874 00:44:28,760 --> 00:44:31,960 Speaker 5: prison yard, wasn't it. People being shipped with the compasses 875 00:44:31,960 --> 00:44:37,759 Speaker 5: and protractors. Yeah, those cards. Why did we go crazy 876 00:44:37,880 --> 00:44:38,239 Speaker 5: for them? 877 00:44:38,360 --> 00:44:38,520 Speaker 6: You know? 878 00:44:38,719 --> 00:44:40,560 Speaker 5: Back now is and I don't know it was just 879 00:44:40,600 --> 00:44:47,719 Speaker 5: a card with some starter on. Prepared to fight your 880 00:44:47,800 --> 00:44:51,279 Speaker 5: mess mate for one of those, Jessica, that's a great one. 881 00:44:51,280 --> 00:44:53,839 Speaker 5: Thank you very much to me for your call. No, 882 00:44:54,000 --> 00:45:00,279 Speaker 5: thank you, Richie. Ye, yeah, good Richie. We'll get band 883 00:45:00,320 --> 00:45:00,960 Speaker 5: at your school. 884 00:45:02,320 --> 00:45:04,360 Speaker 13: I got moon Rocks band at my school. 885 00:45:06,080 --> 00:45:08,680 Speaker 5: I am drugs. Do you mean what the moon Rocks? 886 00:45:09,280 --> 00:45:13,000 Speaker 13: Yeah, well, well sorry goes that way there the lollies 887 00:45:13,000 --> 00:45:16,319 Speaker 13: that like explode in your mouth. Oh yeah, and they 888 00:45:16,640 --> 00:45:17,880 Speaker 13: I used to be able to get them for like 889 00:45:17,960 --> 00:45:21,640 Speaker 13: five cents cheaper than anyone else in the school. And 890 00:45:21,640 --> 00:45:23,560 Speaker 13: they come in a little blue envelope, you know, with 891 00:45:23,600 --> 00:45:27,480 Speaker 13: a with a Martian on the front, and. 892 00:45:27,440 --> 00:45:29,600 Speaker 5: They were actually but anyway, yeah, let's go with it. 893 00:45:30,320 --> 00:45:32,960 Speaker 13: Yeah. Yeah, So I went to school and I had 894 00:45:32,960 --> 00:45:34,719 Speaker 13: a bit of a syndicate going because I've got murried 895 00:45:34,880 --> 00:45:38,480 Speaker 13: your mate, and we will sealarise moon Rocks at school. 896 00:45:38,520 --> 00:45:41,360 Speaker 13: You know. Anyway, it's a long story short of a 897 00:45:41,440 --> 00:45:43,319 Speaker 13: dragon into the office. The moon Rocks got banned. 898 00:45:44,239 --> 00:45:47,440 Speaker 5: Yeah, but all that and the good days there with 899 00:45:47,480 --> 00:45:49,200 Speaker 5: your contraband you must have made good money. 900 00:45:50,120 --> 00:45:52,000 Speaker 13: Oh well, you know, five cents a pack. I think 901 00:45:52,040 --> 00:45:54,520 Speaker 13: I was like fifteen ten or fifteen cents. Back then it. 902 00:45:57,960 --> 00:46:00,000 Speaker 5: Got murrying for a bit of the action and stuff. 903 00:46:00,360 --> 00:46:02,840 Speaker 5: And it's a syndicate, you know, which is you murry 904 00:46:02,840 --> 00:46:07,879 Speaker 5: which isn't an effect a sindicate. But anyway, love, thank 905 00:46:08,000 --> 00:46:10,280 Speaker 5: you very much. I'm a phone tomorrow. 906 00:46:10,280 --> 00:46:15,279 Speaker 2: Small syndicates Room The Christian O'Connell Show podcast. 907 00:46:15,080 --> 00:46:19,400 Speaker 5: Time for this week a business like show business. 908 00:46:19,960 --> 00:46:22,680 Speaker 14: I've wanted down the River with Judy Nunn, who played 909 00:46:22,960 --> 00:46:24,439 Speaker 14: Al Shor's wife on Home and Away. 910 00:46:24,440 --> 00:46:27,520 Speaker 9: About twenty years ago, my dad opened the Beatles' bank account. 911 00:46:27,680 --> 00:46:29,080 Speaker 1: My mother once cooked for. 912 00:46:29,440 --> 00:46:33,960 Speaker 9: Lee Marbham and William Holden, my humanity teacher, literally bumped 913 00:46:34,000 --> 00:46:35,719 Speaker 9: into Rianna in Dennis. 914 00:46:35,520 --> 00:46:38,719 Speaker 6: Christian O'Connell's Weakest Claim to Fame, You. 915 00:46:38,760 --> 00:46:42,080 Speaker 5: Had me at Beetles' bank account, all right, So the 916 00:46:42,200 --> 00:46:45,719 Speaker 5: lines are open. Goodness knows what amazing stories we're going 917 00:46:45,760 --> 00:46:48,000 Speaker 5: to hear during the next twenty minutes. And always remember, 918 00:46:48,080 --> 00:46:51,400 Speaker 5: every week on this no claim to fame is ever 919 00:46:51,800 --> 00:46:56,520 Speaker 5: two week lucky, good morning, good morning, good morning. And 920 00:46:56,760 --> 00:46:59,600 Speaker 5: on the way to school, oh yeah, I'm all my 921 00:46:59,680 --> 00:47:04,920 Speaker 5: ways school, yeah yeah. And what's Wednesday? Good day? Bad day? Boring? Great? 922 00:47:05,360 --> 00:47:09,439 Speaker 21: Actually I have music today, so it's not too bad. 923 00:47:09,640 --> 00:47:11,880 Speaker 5: Yeah, and you singing? What do you like to do 924 00:47:11,880 --> 00:47:12,360 Speaker 5: for music? 925 00:47:14,239 --> 00:47:18,439 Speaker 21: We're not all loudly everything, and it's kind of it's 926 00:47:19,040 --> 00:47:21,080 Speaker 21: good because you don't have to really work, but it's 927 00:47:21,080 --> 00:47:26,360 Speaker 21: a bit boring to you have to do tai chi. 928 00:47:24,600 --> 00:47:27,360 Speaker 4: Music music and. 929 00:47:28,880 --> 00:47:31,680 Speaker 5: Be beautiful. What a lovely school you go to? We 930 00:47:31,719 --> 00:47:35,600 Speaker 5: did a very vormatite teacher lunch, right, but anyway, we 931 00:47:35,719 --> 00:47:38,759 Speaker 5: got a British bulldog, but lovely and what's she cling 932 00:47:38,840 --> 00:47:39,520 Speaker 5: to fame? For us? 933 00:47:41,280 --> 00:47:44,719 Speaker 21: My uncle Paul, he worked on a TV show with 934 00:47:44,840 --> 00:47:45,520 Speaker 21: Zach Effron. 935 00:47:46,320 --> 00:47:47,600 Speaker 5: Did he wisch TV show? 936 00:47:48,960 --> 00:47:53,120 Speaker 21: I think it wasn't Nature TV show? It was called 937 00:47:53,280 --> 00:47:57,560 Speaker 21: killing Zac Efron because he wanted to change his reputation 938 00:47:57,880 --> 00:48:03,120 Speaker 21: from a guy that like was in high school musical 939 00:48:03,239 --> 00:48:09,440 Speaker 21: to a guy that likes things. And he's like, my 940 00:48:09,560 --> 00:48:12,480 Speaker 21: uncle's a nature expert. So he was telling them all 941 00:48:12,480 --> 00:48:14,560 Speaker 21: the information they needed and everything. 942 00:48:15,080 --> 00:48:16,520 Speaker 5: That's pretty cool. So do you get a lot of 943 00:48:16,600 --> 00:48:18,080 Speaker 5: nature information from your uncle? 944 00:48:19,560 --> 00:48:28,040 Speaker 21: I guess so. Actually, my my uncle lives in Queensland. 945 00:48:28,840 --> 00:48:32,120 Speaker 5: So and how was he at the moment? Is he okay? 946 00:48:32,640 --> 00:48:36,359 Speaker 21: Oh yeah, yeah, he was my uncle's fine. But he 947 00:48:36,480 --> 00:48:38,799 Speaker 21: when he came down. He actually had a bunch of 948 00:48:38,840 --> 00:48:42,640 Speaker 21: pictures from the set and from the TV show and 949 00:48:42,680 --> 00:48:49,040 Speaker 21: everything because and yeah, he had a bunch of pictures 950 00:48:49,040 --> 00:48:49,840 Speaker 21: of zac Efron. 951 00:48:50,600 --> 00:48:53,520 Speaker 5: I hope Zach was taking those pictures and your uncle 952 00:48:53,560 --> 00:48:56,080 Speaker 5: wasn't hide him. Mihnd some nature or something in spine 953 00:48:56,080 --> 00:49:01,919 Speaker 5: on him. Well, enjoy today, my young friend, and thank 954 00:49:01,920 --> 00:49:03,160 Speaker 5: you very much for giving us a call. 955 00:49:04,080 --> 00:49:07,040 Speaker 9: Thank you, thank you now, thank you for your time, Christian, 956 00:49:07,160 --> 00:49:08,640 Speaker 9: thank you, thank you. 957 00:49:08,680 --> 00:49:13,800 Speaker 5: Actually we got here now, Annie, Hi, hi, Christin, good morning, 958 00:49:13,800 --> 00:49:15,680 Speaker 5: Welcome to the show. Your weakest claim to fame. 959 00:49:16,640 --> 00:49:20,280 Speaker 19: My weakest claim to fame is John bon Jovi. Sweat 960 00:49:20,400 --> 00:49:21,719 Speaker 19: fell on my mum's arm. 961 00:49:23,480 --> 00:49:28,359 Speaker 5: Right here we go. Now we're into it, Okay, So 962 00:49:30,880 --> 00:49:33,080 Speaker 5: that was John bon Jovi on stage. 963 00:49:32,719 --> 00:49:37,200 Speaker 19: Or yeah, John was on totage and mum was She 964 00:49:37,440 --> 00:49:39,920 Speaker 19: was climbing over over and to get to the front, 965 00:49:40,560 --> 00:49:43,359 Speaker 19: and she reached her hand out to grab his and 966 00:49:43,600 --> 00:49:47,279 Speaker 19: sweat fell on her arms. Then she she lifked it off. 967 00:49:52,840 --> 00:50:01,080 Speaker 5: Harriet Lecter in this story, poor John right through living 968 00:50:01,120 --> 00:50:03,600 Speaker 5: in a prairie is like I'm moving back security. 969 00:50:03,800 --> 00:50:05,520 Speaker 4: That would put you off forwards. 970 00:50:06,320 --> 00:50:11,920 Speaker 5: Sam. And the fact you know about this, it's not 971 00:50:11,960 --> 00:50:14,719 Speaker 5: like it happened, and your mum kept it what she's 972 00:50:14,760 --> 00:50:18,800 Speaker 5: passed it onto her daughter. You must preserve our family history. 973 00:50:18,960 --> 00:50:22,759 Speaker 7: Okay, it's not a shame own it. 974 00:50:22,920 --> 00:50:25,960 Speaker 5: We should all own. That's great. Thank you very much, 975 00:50:26,000 --> 00:50:28,759 Speaker 5: you call. Have a good day. Thank you too, by 976 00:50:28,800 --> 00:50:32,759 Speaker 5: my Aaron good. I'm good, Aeron. I hope you having 977 00:50:32,760 --> 00:50:34,799 Speaker 5: a good week. So your weakest clean to fame? 978 00:50:35,680 --> 00:50:38,200 Speaker 22: My weakest claim to fame would be a number of 979 00:50:38,239 --> 00:50:41,080 Speaker 22: years ago I share and thought he can eat buffet 980 00:50:41,280 --> 00:50:44,080 Speaker 22: with Arnold Schwartze. 981 00:50:46,000 --> 00:50:48,799 Speaker 5: In an iither world, we'd have a buffet special right 982 00:50:48,840 --> 00:50:52,040 Speaker 5: for her weakest claim to fame? Who what celebrity met 983 00:50:52,040 --> 00:50:54,560 Speaker 5: tomorrow show? Guys, we'll get we'll get back into this. 984 00:50:54,840 --> 00:50:58,120 Speaker 5: What famous people? I've seen one of the buffet once 985 00:50:58,320 --> 00:51:00,640 Speaker 5: and they must have gone back three to times. And 986 00:51:00,760 --> 00:51:03,840 Speaker 5: I know this person's like a multi platinum selling artist. 987 00:51:04,320 --> 00:51:07,640 Speaker 5: Three three reviews? We all do too, but three? So 988 00:51:08,040 --> 00:51:10,600 Speaker 5: how much food? Was only because he's a big guy, 989 00:51:10,640 --> 00:51:12,840 Speaker 5: all those muscles he's got to be not protein? What 990 00:51:12,960 --> 00:51:13,440 Speaker 5: was he eating? 991 00:51:14,520 --> 00:51:17,680 Speaker 22: Well, he had a bodyguard with him that was twice 992 00:51:17,680 --> 00:51:21,640 Speaker 22: his size. He got food under his plate, but he 993 00:51:21,719 --> 00:51:23,000 Speaker 22: actually barely had a thing. 994 00:51:23,920 --> 00:51:26,839 Speaker 5: What does he need protection at the buffet, Arnie, this 995 00:51:26,880 --> 00:51:28,640 Speaker 5: is where if I was going to get you, I'd 996 00:51:28,719 --> 00:51:31,960 Speaker 5: attack you at the buffet. The guy behind the omelet counter. 997 00:51:32,440 --> 00:51:34,400 Speaker 5: We don't know if he's their guy, was going to 998 00:51:34,440 --> 00:51:38,160 Speaker 5: take you out. We need to be ready. That's incredible. 999 00:51:38,560 --> 00:51:39,720 Speaker 5: And where was this Aram? 1000 00:51:40,560 --> 00:51:43,160 Speaker 8: This is in Melbourne at the Conservatory I think who 1001 00:51:43,200 --> 00:51:51,320 Speaker 8: was out here for a one of his sponsored bodybuilding competition. Yeah, 1002 00:51:51,800 --> 00:51:53,719 Speaker 8: big did his food and hardly had a being. 1003 00:51:54,360 --> 00:51:57,560 Speaker 5: That's great, great eyewitness report. Thank you very much. Aaron. Okay, 1004 00:52:00,480 --> 00:52:04,120 Speaker 5: good morning, Martha Christian conn Why we get claim to 1005 00:52:04,160 --> 00:52:05,920 Speaker 5: fame is that I went to Dodney Lame when I 1006 00:52:05,960 --> 00:52:09,080 Speaker 5: was fifteen and I was on a teacup ride in 1007 00:52:09,120 --> 00:52:12,800 Speaker 5: front of Doogie Howser a KA Neil Patrick Harris Doogie 1008 00:52:12,840 --> 00:52:16,040 Speaker 5: Howser m D. My friend, the youngest medical gen in 1009 00:52:16,080 --> 00:52:19,040 Speaker 5: the world. What a great claim to fame. 1010 00:52:20,800 --> 00:52:25,480 Speaker 13: That's how he rolled. I reckon, he's on the tea cup. 1011 00:52:28,640 --> 00:52:30,239 Speaker 5: And when was this Mark? 1012 00:52:31,560 --> 00:52:34,480 Speaker 14: Ah, Well, I was fifteen, so we're talking the mid eighties. 1013 00:52:34,920 --> 00:52:37,720 Speaker 5: So it actually was when he was as a Doogie 1014 00:52:37,760 --> 00:52:38,360 Speaker 5: Houser m D. 1015 00:52:39,520 --> 00:52:41,480 Speaker 16: Yeah, I think so, he would have been about seventeen. 1016 00:52:41,520 --> 00:52:41,879 Speaker 7: I reckon. 1017 00:52:42,480 --> 00:52:44,200 Speaker 5: I guess he's got to take the Stephi's go off 1018 00:52:44,200 --> 00:52:45,759 Speaker 5: before you get on the tea cup because always that 1019 00:52:45,760 --> 00:52:47,360 Speaker 5: could it's someone in the face, you know, it's a 1020 00:52:47,600 --> 00:52:51,120 Speaker 5: it's a land and. 1021 00:52:51,040 --> 00:52:52,719 Speaker 7: The other sad point in this story is that I 1022 00:52:52,719 --> 00:52:56,160 Speaker 7: think we have matching baggy pants like the mc hammer one. 1023 00:52:58,239 --> 00:53:00,480 Speaker 5: What a look you were fifteen? Of course she did. 1024 00:53:00,520 --> 00:53:03,239 Speaker 5: That's amazing. That's brilliant. And was it the original? Tis 1025 00:53:03,239 --> 00:53:04,560 Speaker 5: you land in Anaheim? 1026 00:53:05,160 --> 00:53:05,960 Speaker 13: Yep? That was it. 1027 00:53:06,040 --> 00:53:07,799 Speaker 5: Yeah, I've been on that tea cup ride with the kids. 1028 00:53:07,840 --> 00:53:10,880 Speaker 5: Good fun. That all right? Mark? Thank you? It is. 1029 00:53:11,560 --> 00:53:15,040 Speaker 5: It is good old classic teacup ride. Mark, thank you 1030 00:53:15,120 --> 00:53:15,800 Speaker 5: very much. You call me. 1031 00:53:15,840 --> 00:53:17,719 Speaker 8: I have a good day. 1032 00:53:18,080 --> 00:53:24,560 Speaker 5: I love a tea cup ride. Never that's extremes. It 1033 00:53:24,719 --> 00:53:31,840 Speaker 5: likes to get from me. Oh you know a Spinney teacup 1034 00:53:31,960 --> 00:53:34,360 Speaker 5: ride anyway, Matt, good morning. 1035 00:53:35,239 --> 00:53:36,200 Speaker 12: Yeah, here you're going. 1036 00:53:36,880 --> 00:53:38,960 Speaker 5: I'm good man. Welcome to the show. And what's your 1037 00:53:39,000 --> 00:53:40,239 Speaker 5: a weakest claim to fame? 1038 00:53:41,440 --> 00:53:42,560 Speaker 13: My wakest kind of same? 1039 00:53:43,000 --> 00:53:47,760 Speaker 15: Our family friend is a hand double for James Spader 1040 00:53:47,880 --> 00:53:50,040 Speaker 15: out of the black List. 1041 00:53:51,040 --> 00:53:56,640 Speaker 5: Wow, I just need to say everything down right now. 1042 00:53:56,719 --> 00:54:00,200 Speaker 5: So James Spader's hand double. 1043 00:54:00,800 --> 00:54:03,600 Speaker 10: Yes, Yes, that's how much work. 1044 00:54:05,080 --> 00:54:05,680 Speaker 14: I get to say. 1045 00:54:06,040 --> 00:54:08,640 Speaker 15: When he was doing one of the episodes was the 1046 00:54:08,920 --> 00:54:11,000 Speaker 15: operation and the story he saw was a hand and 1047 00:54:11,040 --> 00:54:12,600 Speaker 15: that was his team that. 1048 00:54:13,120 --> 00:54:14,959 Speaker 5: I didn't want to change. Spade was such a big 1049 00:54:15,000 --> 00:54:20,279 Speaker 5: deal when when he goes get the other guy, he 1050 00:54:20,360 --> 00:54:23,640 Speaker 5: has a hand double that this is incredible. How did 1051 00:54:23,640 --> 00:54:25,360 Speaker 5: you find this out about your friend? Were you just 1052 00:54:25,400 --> 00:54:27,759 Speaker 5: casually talking one day, you know, and you having a beer. 1053 00:54:28,040 --> 00:54:29,920 Speaker 5: You've got beautiful looking hands. Well, I don't like to 1054 00:54:29,920 --> 00:54:32,760 Speaker 5: talk about it, but I'm actually James Spader's hand double. 1055 00:54:33,040 --> 00:54:36,359 Speaker 4: Oh you're watching the Blacklist and you go, I recognize. 1056 00:54:35,840 --> 00:54:43,160 Speaker 13: This because he's been he's been in a few different shows. 1057 00:54:42,960 --> 00:54:44,840 Speaker 13: It's just like a background person. 1058 00:54:45,400 --> 00:54:48,680 Speaker 15: And then get the bed that he was doing this 1059 00:54:48,760 --> 00:54:49,600 Speaker 15: and we said now. 1060 00:54:49,760 --> 00:54:54,560 Speaker 13: And then we looked at him and doesn't look nothing alike. 1061 00:54:55,400 --> 00:54:58,880 Speaker 5: The hands pretty well, anyone else here won't saying, I 1062 00:54:58,920 --> 00:55:00,680 Speaker 5: don't know where he's going? Is it further down the 1063 00:55:00,680 --> 00:55:04,880 Speaker 5: mind shoft? Sorry? Mate. As as he was getting more interesting, 1064 00:55:04,920 --> 00:55:07,960 Speaker 5: it was like a sick games The secret sound. 1065 00:55:10,560 --> 00:55:11,759 Speaker 13: Stupid. I hate it. 1066 00:55:12,440 --> 00:55:17,720 Speaker 17: That's okay, okay, that's just as he's got really hairy hans. 1067 00:55:19,840 --> 00:55:21,400 Speaker 15: I don't know how he got the double. 1068 00:55:22,120 --> 00:55:24,400 Speaker 5: Wait a lot. Well for the Plane of the Eights movies, 1069 00:55:24,440 --> 00:55:26,279 Speaker 5: if they need if they have an actor who's got 1070 00:55:26,280 --> 00:55:28,920 Speaker 5: a hairy hand, and they call up your man, don't they. 1071 00:55:29,520 --> 00:55:33,040 Speaker 5: They do the TV shows and stuff that we might 1072 00:55:33,080 --> 00:55:34,239 Speaker 5: have seen you mate his hands on. 1073 00:55:35,360 --> 00:55:40,440 Speaker 15: Yeah, he was in one of the episodes. 1074 00:55:40,480 --> 00:55:41,880 Speaker 13: There was in the background and they have a. 1075 00:55:41,920 --> 00:55:44,520 Speaker 12: Fight in the bar and he's at the bark on them. 1076 00:55:45,280 --> 00:55:46,040 Speaker 5: And then yeah, he. 1077 00:55:47,760 --> 00:55:50,680 Speaker 13: Was one of the in the Blacklea. 1078 00:55:50,840 --> 00:55:51,560 Speaker 16: It was one of the. 1079 00:55:52,200 --> 00:55:58,360 Speaker 5: Game guess a lot of work that shown to than James. 1080 00:56:00,480 --> 00:56:04,160 Speaker 5: It's the real stuff, all right, Matt, Matt, thank you 1081 00:56:04,239 --> 00:56:08,839 Speaker 5: very much to give us a call on that phone. Eh. 1082 00:56:09,480 --> 00:56:09,640 Speaker 11: Well. 1083 00:56:09,760 --> 00:56:12,600 Speaker 1: Christian Connell's show podcast. 1084 00:56:14,800 --> 00:56:20,399 Speaker 5: Thousands of bottles of Champagne Moey No Less have been 1085 00:56:20,400 --> 00:56:24,400 Speaker 5: recorded worldwide after they found to have traces of ecstasy 1086 00:56:24,680 --> 00:56:28,800 Speaker 5: in them. Interesting that I producer Rio saw this story. 1087 00:56:29,600 --> 00:56:32,319 Speaker 5: Champagne Charnie, he's known as widely on this show. He's 1088 00:56:32,480 --> 00:56:34,480 Speaker 5: actually seen on the background of a news report one 1089 00:56:34,560 --> 00:56:38,359 Speaker 5: day chomping on oysters and champagne Meridy, the young boy 1090 00:56:38,400 --> 00:56:44,040 Speaker 5: Prince of Paran No wonder you saw this story. How 1091 00:56:44,040 --> 00:56:48,920 Speaker 5: does one go about getting decent Mowe now paran. All right, 1092 00:56:49,000 --> 00:56:54,080 Speaker 5: so today with this posh news posh bands jacko once 1093 00:56:54,120 --> 00:56:57,200 Speaker 5: you imagine that where there's a festival called posh Fest 1094 00:56:57,800 --> 00:57:04,040 Speaker 5: posh Fest. Yeah, guess who's just been announced? The whom 1095 00:57:04,120 --> 00:57:08,040 Speaker 5: gold the rest Maybe not so. Jim Morrison's playing. 1096 00:57:08,239 --> 00:57:09,160 Speaker 4: Did you just rip that? 1097 00:57:09,520 --> 00:57:11,800 Speaker 5: No? I was going to do No, No, let's just 1098 00:57:11,880 --> 00:57:14,120 Speaker 5: rip another one up. I'm not riding that one out, 1099 00:57:14,840 --> 00:57:17,760 Speaker 5: just announced. Jim Morrison's playing us right in the doors, 1100 00:57:18,520 --> 00:57:25,600 Speaker 5: in the doors, string of pearls, jam who a string 1101 00:57:25,640 --> 00:57:29,200 Speaker 5: of pearls lovely, beautiful, so expressive, very fancy and indeed 1102 00:57:29,560 --> 00:57:33,000 Speaker 5: very posh silver plus gither you don't understand a string 1103 00:57:33,040 --> 00:57:34,840 Speaker 5: of pearls, Patsy, aren't they beautiful and lovely? 1104 00:57:34,840 --> 00:57:39,360 Speaker 3: String Mickey Moto string particularly oh, Mickey. 1105 00:57:39,080 --> 00:57:44,240 Speaker 5: Motol Mickey Moto not big brand. Someone's got a fiftieth coming. 1106 00:57:44,160 --> 00:57:46,520 Speaker 4: Up, start saving just dropping. 1107 00:57:48,000 --> 00:57:49,160 Speaker 5: Can you get those at Levisa? 1108 00:57:50,040 --> 00:57:50,520 Speaker 3: Go away? 1109 00:57:51,280 --> 00:57:52,520 Speaker 5: Oh that's where I was going to go for your 1110 00:57:53,080 --> 00:58:00,880 Speaker 5: rag off Dixie chic Dixie chek, the Dixie. What about 1111 00:58:00,960 --> 00:58:03,440 Speaker 5: system our system of a down big noisy band, but 1112 00:58:03,800 --> 00:58:06,280 Speaker 5: the posher version of them, that's right, system of a 1113 00:58:06,360 --> 00:58:13,280 Speaker 5: downtown abby Gold and finally, panic at the ballroom. We've 1114 00:58:13,480 --> 00:58:19,000 Speaker 5: run out of cavea Silver. Panic at that ball room, 1115 00:58:20,400 --> 00:58:22,680 Speaker 5: Jackie Boye, what have you got them? Posh bands? 1116 00:58:23,480 --> 00:58:26,000 Speaker 4: Oh this this next band coming on stage can be 1117 00:58:26,040 --> 00:58:31,080 Speaker 4: a bit uptight, snooty in the blowfish. 1118 00:58:31,160 --> 00:58:32,560 Speaker 5: Yes, Gold, that's good. 1119 00:58:33,680 --> 00:58:38,320 Speaker 4: And who's this posh DJ? That's Flashboy Slim. There are 1120 00:58:38,320 --> 00:58:45,640 Speaker 4: some expensive DJ decks. Bronze thought my Lime dropped out 1121 00:58:45,640 --> 00:58:46,120 Speaker 4: for a second. 1122 00:58:46,200 --> 00:58:49,120 Speaker 5: No, no, we wish it had. Nope, you're back. 1123 00:58:50,360 --> 00:58:52,160 Speaker 4: Ull La Lana del Rey. 1124 00:58:53,400 --> 00:58:56,439 Speaker 5: That's Gold plus the Lime strong end. 1125 00:58:58,560 --> 00:59:00,640 Speaker 4: And the mummers and the puppa's they were so running 1126 00:59:00,680 --> 00:59:03,520 Speaker 4: the meal. Just that's a common band. But not the 1127 00:59:03,640 --> 00:59:04,920 Speaker 4: mummies and the daddies. 1128 00:59:05,760 --> 00:59:14,720 Speaker 5: What they like Ma, Pa, Papa, Mama, Mummy, daddy. No 1129 00:59:15,400 --> 00:59:19,360 Speaker 5: say no, no, Bogans can go my mummy or daddy. 1130 00:59:20,560 --> 00:59:22,640 Speaker 4: Bogans aren't using mummy and daddy. 1131 00:59:22,360 --> 00:59:29,560 Speaker 5: They are Jack. You just cook back to your boat. 1132 00:59:29,720 --> 00:59:32,280 Speaker 3: I will not be the resident Bogan, thank you very much. 1133 00:59:32,360 --> 00:59:36,760 Speaker 3: No way, that is not on No, thank you order. 1134 00:59:36,760 --> 00:59:41,160 Speaker 5: Really out of order. I'm sorry about this. Young Avanda 1135 00:59:41,440 --> 00:59:45,120 Speaker 5: show is in turmoil right now, Bronze. For that, Jack, 1136 00:59:45,200 --> 00:59:47,960 Speaker 5: no cookies, get your hand out of the cookie. 1137 00:59:47,720 --> 00:59:50,920 Speaker 4: Jar, a bogan who wears a Mickey Moto. 1138 00:59:52,320 --> 00:59:54,240 Speaker 5: He's trying to wheedle his way back in. Don't nut 1139 00:59:54,320 --> 00:59:56,440 Speaker 5: in pants? Where's that baby coming? 1140 00:59:57,320 --> 01:00:02,640 Speaker 2: This is the Christian O'Connell show podcast, pingcong Gold. 1141 01:00:02,400 --> 01:00:06,200 Speaker 5: One on four point three Christian O'Connell Show. Just give 1142 01:00:06,240 --> 01:00:09,360 Speaker 5: away two hundred and fifty dollars worth of ox Rabbit 1143 01:00:10,160 --> 01:00:17,000 Speaker 5: chocolate brownies. All right, time waster is posh bands, fancy bands, 1144 01:00:17,000 --> 01:00:20,560 Speaker 5: you're ready to mark? I am the I own this 1145 01:00:20,680 --> 01:00:28,960 Speaker 5: beach boys Silver, crowded penhouse, civil class. Anthony deserves more. 1146 01:00:29,080 --> 01:00:31,360 Speaker 5: That is smarter a crowded house, but a pen house. 1147 01:00:31,840 --> 01:00:32,840 Speaker 4: That's the best I can do. 1148 01:00:33,360 --> 01:00:39,080 Speaker 5: Thank you. The gilded doors broms too good for you? 1149 01:00:39,160 --> 01:00:42,160 Speaker 4: Two gold. 1150 01:00:43,360 --> 01:00:48,160 Speaker 5: You know the singer Christopher Cross, Yes he doesn't, which 1151 01:00:48,200 --> 01:00:50,200 Speaker 5: is why to say that, to make it easy for him. 1152 01:00:50,280 --> 01:01:01,800 Speaker 5: Christopher crossol gold so posh guns and posers silver. He's 1153 01:01:01,840 --> 01:01:05,120 Speaker 5: eats for falling over there, all right, sorry, Champagne, Fountains 1154 01:01:05,120 --> 01:01:19,360 Speaker 5: of Wayne silver. That's good zz top class took you 1155 01:01:19,400 --> 01:01:21,560 Speaker 5: a while, you know, it's only because for some reason 1156 01:01:21,560 --> 01:01:23,120 Speaker 5: the team are put through just a random load of 1157 01:01:23,200 --> 01:01:25,000 Speaker 5: names for me to read out now like my name 1158 01:01:25,080 --> 01:01:37,960 Speaker 5: is Jody and Stephen silver rolling gemstones silver, how beastly boys, Bronze, 1159 01:01:39,400 --> 01:01:40,880 Speaker 5: John Bon jovial. 1160 01:01:42,600 --> 01:01:43,920 Speaker 4: Is being jovial? 1161 01:01:43,960 --> 01:01:50,920 Speaker 5: Posh, No, not at all, No brands, William idle billy. 1162 01:01:52,160 --> 01:01:55,880 Speaker 5: I know I didn't select these, just a load. 1163 01:01:55,680 --> 01:01:57,480 Speaker 4: Of Someone needs to take a look in the mirror 1164 01:01:57,480 --> 01:01:57,880 Speaker 4: over there. 1165 01:01:58,560 --> 01:01:59,920 Speaker 5: Bronze, lavish guy. 1166 01:02:00,280 --> 01:02:01,920 Speaker 4: And that's better. 1167 01:02:04,040 --> 01:02:11,000 Speaker 5: Counting crowns, silver, bling one eighty two. 1168 01:02:11,600 --> 01:02:13,760 Speaker 4: That's it gold. Give them the cookies. 1169 01:02:13,920 --> 01:02:19,720 Speaker 5: Fuchua fuchia, Floyd silver, that's good. That's parture than pink 1170 01:02:19,760 --> 01:02:25,439 Speaker 5: fuchua uh silver, metallica fuc and spoon. I think having 1171 01:02:25,440 --> 01:02:29,920 Speaker 5: a full and spoon is posh and Australia obviously fastlow. 1172 01:02:30,000 --> 01:02:32,440 Speaker 5: But I love this one though. Radio Head up their 1173 01:02:32,440 --> 01:02:35,080 Speaker 5: own backside. That's sort of thing Dad says, isn't it. 1174 01:02:35,080 --> 01:02:36,800 Speaker 5: I'll give you bloody radio Head ready wed up their 1175 01:02:36,800 --> 01:02:41,600 Speaker 5: own backside. Him and Ai and salt and pepper him halay, 1176 01:02:41,680 --> 01:02:44,120 Speaker 5: And that's been a pink Himalayan. I love my pinks. 1177 01:02:45,040 --> 01:02:50,600 Speaker 5: Golly Parton, Oh gollice, she's golly good, you know, blink 1178 01:02:50,640 --> 01:02:55,520 Speaker 5: through a monocle that they get the cookies. Blink. They're 1179 01:02:55,520 --> 01:02:58,960 Speaker 5: a monocle. Come on, blink through a monocle. That is good. 1180 01:02:59,640 --> 01:03:00,959 Speaker 4: Give them the cookies, all right. 1181 01:03:00,840 --> 01:03:03,720 Speaker 5: You can have the cookies, all right. Tomorrow's show. Today, 1182 01:03:03,760 --> 01:03:07,320 Speaker 5: we have a load of your footy okay entries. We're 1183 01:03:07,360 --> 01:03:09,960 Speaker 5: asking you to pick a song and then write your 1184 01:03:09,960 --> 01:03:13,000 Speaker 5: own lyrics to that song, but about your footy team, 1185 01:03:13,080 --> 01:03:15,360 Speaker 5: the one that you barrack for. It's a week today. 1186 01:03:15,400 --> 01:03:18,720 Speaker 5: Footy is back a week today, Round one at the g. 1187 01:03:18,880 --> 01:03:20,600 Speaker 5: You've heard that special off. They've got the moment for 1188 01:03:20,600 --> 01:03:23,400 Speaker 5: the next is it twenty two hours, twenty two dollars. 1189 01:03:23,440 --> 01:03:26,600 Speaker 5: It's amazing for a round one game. Awesome deal. So 1190 01:03:27,160 --> 01:03:29,600 Speaker 5: we're asking to pick a song, any song, and then 1191 01:03:29,600 --> 01:03:32,280 Speaker 5: put your words to about your club like these bombers. 1192 01:03:32,320 --> 01:03:35,120 Speaker 5: Fans did this to Jimmy. Jimmy Barnes, working class man. 1193 01:03:35,280 --> 01:03:37,480 Speaker 5: This is my favorite at the moment. This is not 1194 01:03:37,640 --> 01:03:39,439 Speaker 5: a singing competition. 1195 01:03:39,520 --> 01:03:42,040 Speaker 1: Watching hard to kick your footy. 1196 01:03:43,320 --> 01:03:43,640 Speaker 12: Sheet. 1197 01:03:43,800 --> 01:03:44,320 Speaker 23: He's great. 1198 01:03:44,440 --> 01:03:49,000 Speaker 5: Big fans, the. 1199 01:03:48,600 --> 01:03:56,800 Speaker 23: Carry young, ready for the altogether now Ohnes and do 1200 01:03:57,120 --> 01:03:59,440 Speaker 23: ba all right. 1201 01:03:59,840 --> 01:04:03,400 Speaker 5: Aaron a blues fan, he's picked this. You remember this. 1202 01:04:03,520 --> 01:04:12,760 Speaker 5: We are the world the children banger from eighty five. 1203 01:04:16,760 --> 01:04:20,880 Speaker 5: Check this out. This is not a singing competition Queer 1204 01:04:21,120 --> 01:04:28,080 Speaker 5: blue Bloods. So are our children? Love it? Teamar the 1205 01:04:28,200 --> 01:04:32,160 Speaker 5: ones who made a bride day. So let's start winding. 1206 01:04:34,440 --> 01:04:36,480 Speaker 5: That's the stand up of looking for then email me. 1207 01:04:37,000 --> 01:04:39,480 Speaker 5: Yeah that's all they got. I did say thirty seconds guy, 1208 01:04:39,520 --> 01:04:43,680 Speaker 5: not five seconds, Poor Aaron, Email me your footy ok entries. 1209 01:04:43,720 --> 01:04:44,320 Speaker 5: The prize is. 1210 01:04:44,360 --> 01:04:47,960 Speaker 4: Jack Huge prizes to be one a sixty five inch 1211 01:04:48,040 --> 01:04:50,680 Speaker 4: Samsung four K Smart TV will sort you out with 1212 01:04:50,760 --> 01:04:54,000 Speaker 4: a Silver AFL membership for two adults two children, which 1213 01:04:54,040 --> 01:04:56,480 Speaker 4: is access to forty matches at the NCAG in Marvel 1214 01:04:56,520 --> 01:04:59,680 Speaker 4: over the twenty twenty two season, plus one thousand dollars cash. 1215 01:05:00,040 --> 01:05:02,640 Speaker 5: Well, don okay, you're gona email me your entries, So 1216 01:05:02,720 --> 01:05:04,440 Speaker 5: pick a song, any song, put your lyrics to it. 1217 01:05:04,560 --> 01:05:07,720 Speaker 5: Christian at christiano'connell dot com dot au, thanks for listening. 1218 01:05:07,720 --> 01:05:09,520 Speaker 5: Back tomorrow a brighter not. 1219 01:05:09,680 --> 01:05:12,520 Speaker 6: You're listening to the Christian o'carl Show podcast