1 00:00:00,160 --> 00:00:04,120 Speaker 1: Happy Fryyay. It's the jam Nation podcast with us Jonesy, Amanda. 2 00:00:04,240 --> 00:00:06,040 Speaker 2: We head down to the Jones Amander Arms for the 3 00:00:06,080 --> 00:00:08,880 Speaker 2: pub test. We're talking about word I love it, but 4 00:00:08,960 --> 00:00:11,039 Speaker 2: the fact that lots of people love it means lots 5 00:00:11,080 --> 00:00:13,440 Speaker 2: of people hate the fact that others than love esacial. 6 00:00:13,240 --> 00:00:14,920 Speaker 1: When they're supposed to be doing a radio show. 7 00:00:15,160 --> 00:00:17,440 Speaker 2: Also, some of the words are just getting stupid. 8 00:00:17,960 --> 00:00:21,560 Speaker 1: Discuss it drop and give me twenty why and Middleton 9 00:00:21,600 --> 00:00:24,200 Speaker 1: from Sas Australia is going to be joining us and. 10 00:00:24,680 --> 00:00:28,000 Speaker 2: Fight for your flashback. We pay our respects to the 11 00:00:28,040 --> 00:00:29,240 Speaker 2: great Bond Scott. 12 00:00:29,000 --> 00:00:41,239 Speaker 1: Enjoy our podcast about a miracle of recording. We have 13 00:00:41,320 --> 00:00:43,760 Speaker 1: so many requests for them to do it again. Mistress 14 00:00:43,760 --> 00:00:47,159 Speaker 1: Amanda and MS Killer. Amanda doesn't work alone. 15 00:00:49,000 --> 00:00:51,280 Speaker 3: Friend is in a back room making the tools of 16 00:00:51,320 --> 00:00:51,720 Speaker 3: the train. 17 00:00:51,800 --> 00:00:55,320 Speaker 1: I've heard them describe him as a drunken idiot. I've 18 00:00:55,320 --> 00:00:56,920 Speaker 1: been the legendary part. 19 00:00:56,960 --> 00:00:59,920 Speaker 4: Jonesy and Amanda the actress wiggles. 20 00:01:00,040 --> 00:01:04,760 Speaker 1: Congratulations, we're right now, and Amanda, you're doing a great job. 21 00:01:05,959 --> 00:01:09,919 Speaker 1: Anyone but yourself now the good radio. 22 00:01:10,200 --> 00:01:17,200 Speaker 5: Sorry, but of a tangle twist set Amanda, Shoot Timy. 23 00:01:17,440 --> 00:01:18,319 Speaker 6: We're on the air. 24 00:01:18,880 --> 00:01:20,280 Speaker 1: Hell, Amanda, how are you today? 25 00:01:20,600 --> 00:01:23,880 Speaker 2: Well, our team is very excited today. Our beloved executive 26 00:01:23,920 --> 00:01:28,080 Speaker 2: producer Millie is getting married today. Yeah, at lunchtime. It's 27 00:01:28,120 --> 00:01:31,080 Speaker 2: so thrilling. I'm doing a reading at the church. I'm 28 00:01:31,080 --> 00:01:36,240 Speaker 2: looking forward to that. Whipper is doing a reading as well. 29 00:01:36,240 --> 00:01:37,720 Speaker 1: Why don't we just promote him as well. 30 00:01:37,800 --> 00:01:39,360 Speaker 2: No, I'm just saying it'd be nice to see. 31 00:01:39,360 --> 00:01:41,440 Speaker 1: Everyone want to know and I've been off What have 32 00:01:41,480 --> 00:01:44,440 Speaker 1: I been offered? I've been offered. Millie said, you can 33 00:01:44,480 --> 00:01:45,560 Speaker 1: be an usher if you want. 34 00:01:46,040 --> 00:01:47,160 Speaker 2: You are very gracious. 35 00:01:47,240 --> 00:01:50,440 Speaker 1: That's for like little kids. He's been very special relative 36 00:01:50,480 --> 00:01:51,400 Speaker 1: that no one likes. 37 00:01:52,160 --> 00:01:54,200 Speaker 2: And read something into that. 38 00:01:54,280 --> 00:01:58,480 Speaker 1: Then maybe you know I'm born to do bigger things. Okay, 39 00:01:58,560 --> 00:02:02,320 Speaker 1: you want to be the pre first first week, just 40 00:02:02,360 --> 00:02:04,560 Speaker 1: going to the wedding. No reception? Well, can I tell 41 00:02:04,560 --> 00:02:06,520 Speaker 1: you there's no chicken or beef. 42 00:02:06,600 --> 00:02:13,480 Speaker 2: You're making millions? No, because I've explained this losers in 43 00:02:13,520 --> 00:02:16,880 Speaker 2: the world. I've explained. Oh god, you're so ungracious. This 44 00:02:16,960 --> 00:02:19,720 Speaker 2: makes Melli very stress for you talk like this. I've 45 00:02:19,720 --> 00:02:22,560 Speaker 2: explained this to you. She's from Adelaide. Tim is from England. 46 00:02:22,800 --> 00:02:25,520 Speaker 2: Most of his friends and family aren't here, so she 47 00:02:25,600 --> 00:02:27,800 Speaker 2: didn't want a big lopside of reading what it's all 48 00:02:27,800 --> 00:02:31,240 Speaker 2: about her. So so only thirty people are going to 49 00:02:31,240 --> 00:02:31,760 Speaker 2: the reception. 50 00:02:32,080 --> 00:02:34,160 Speaker 1: I wouldn't necessarily be on Millie's side. To be on 51 00:02:34,200 --> 00:02:38,680 Speaker 1: Tim's side, I love that guy. He's a great guy, Brendon. 52 00:02:40,040 --> 00:02:41,120 Speaker 1: So I'm quite easy. 53 00:02:41,200 --> 00:02:42,800 Speaker 2: It wasn't just about you. 54 00:02:43,639 --> 00:02:44,840 Speaker 1: It's not about me today. 55 00:02:45,200 --> 00:02:48,160 Speaker 2: I know you've said that they're the true words. Today 56 00:02:48,200 --> 00:02:51,640 Speaker 2: is not about you anyway, Millie. We started out this 57 00:02:51,680 --> 00:02:54,480 Speaker 2: conversation wishing you love. I know, I don't know if 58 00:02:54,520 --> 00:02:55,200 Speaker 2: you're up this time. 59 00:02:55,680 --> 00:02:56,959 Speaker 1: I must be getting a makeup done. 60 00:02:56,960 --> 00:02:59,720 Speaker 2: She's probably getting a smash repairs done. And we love 61 00:02:59,720 --> 00:03:01,959 Speaker 2: you very much, Millie. And why aren't you in here? 62 00:03:01,960 --> 00:03:05,240 Speaker 2: Come on, it's only your wedding day, slacker, there you go. 63 00:03:05,760 --> 00:03:08,840 Speaker 2: I'm joking. That's the difference, and that you're doing it 64 00:03:09,680 --> 00:03:13,040 Speaker 2: reading from Corinthia, doing some sort of poem, and he's 65 00:03:13,080 --> 00:03:15,800 Speaker 2: reading from ecclesiastic I could. 66 00:03:15,639 --> 00:03:20,120 Speaker 1: Have done stuff. I live for that stuff anyway. And 67 00:03:20,160 --> 00:03:23,240 Speaker 1: then and then we're just going to the wedding. We're 68 00:03:23,280 --> 00:03:23,680 Speaker 1: just there. 69 00:03:23,960 --> 00:03:26,440 Speaker 2: You know, Millie's family might be listening to this. Millie 70 00:03:26,600 --> 00:03:28,720 Speaker 2: knows to take everything you say with a grain of salt. 71 00:03:29,040 --> 00:03:29,640 Speaker 2: They don't know. 72 00:03:29,840 --> 00:03:31,600 Speaker 1: Maybe they should take a dive. One of us should 73 00:03:31,600 --> 00:03:33,320 Speaker 1: take a dive. What do you mean, take a dive 74 00:03:33,440 --> 00:03:35,720 Speaker 1: that I can go to the the chicken or the 75 00:03:35,760 --> 00:03:40,560 Speaker 1: beef at the reception hall and do the hoky poking 76 00:03:40,640 --> 00:03:44,760 Speaker 1: and someone's handy. I want to do all that stuff. Well, 77 00:03:44,960 --> 00:03:46,640 Speaker 1: while we get a funeral's like that, I'm going to 78 00:03:46,680 --> 00:03:47,480 Speaker 1: weddings for ages. 79 00:03:47,520 --> 00:03:50,240 Speaker 2: Well, you're going to one today. You're going to a wedding. 80 00:03:50,280 --> 00:03:51,840 Speaker 1: The good part of the wedding, just the church. 81 00:03:52,360 --> 00:03:54,800 Speaker 2: You just want drinks? Yes, why don't you just bring 82 00:03:54,840 --> 00:03:56,920 Speaker 2: a hip flask to the church and you'll be happy. 83 00:03:57,000 --> 00:03:58,840 Speaker 1: I'll be one of those guys, have Mattia skew? 84 00:03:59,000 --> 00:04:00,000 Speaker 2: Yeah? 85 00:04:00,000 --> 00:04:00,960 Speaker 1: Can you'll be nut a. 86 00:04:00,880 --> 00:04:05,920 Speaker 2: Twenty minute ceremony? Should we move on to the Magnificent seven? 87 00:04:05,960 --> 00:04:07,120 Speaker 2: You've made me very anxious. 88 00:04:07,440 --> 00:04:10,520 Speaker 1: Be anxious. Don't be anxious. If someone heckles what you're doing, 89 00:04:10,520 --> 00:04:13,160 Speaker 1: your souper, would that be I wonder that's not how 90 00:04:13,200 --> 00:04:14,440 Speaker 1: you read Corinthia, this. 91 00:04:14,440 --> 00:04:15,480 Speaker 2: Guy with a hip clask. 92 00:04:16,160 --> 00:04:19,920 Speaker 1: We've got Aunt Middleton joining us on the show from Sayes, Australia. 93 00:04:20,120 --> 00:04:22,479 Speaker 1: Also ten thousand dollars worth a ten thousand dollars question, 94 00:04:22,600 --> 00:04:24,359 Speaker 1: and yes, of course the Magnificent seven. 95 00:04:24,480 --> 00:04:27,160 Speaker 2: Here's question one. Cranium is the scientific name of which 96 00:04:27,240 --> 00:04:28,080 Speaker 2: body part. 97 00:04:30,640 --> 00:04:33,240 Speaker 1: Podcast where into the Magnificent Seven? There are seven questions? 98 00:04:33,279 --> 00:04:34,599 Speaker 1: Can you go all the way and answer all seven 99 00:04:34,680 --> 00:04:37,080 Speaker 1: questions correctly? If you do that, Amander will say yes, 100 00:04:37,120 --> 00:04:39,799 Speaker 1: of course, but it's about getting questions seven right. 101 00:04:40,000 --> 00:04:41,880 Speaker 2: Hello Kylie of BOMBARDAERI, how are you? 102 00:04:44,160 --> 00:04:44,320 Speaker 3: Hi? 103 00:04:44,400 --> 00:04:44,960 Speaker 2: Kylie? 104 00:04:46,600 --> 00:04:46,800 Speaker 7: Wow? 105 00:04:47,440 --> 00:04:52,360 Speaker 2: Let's see if Madam Imington's say hi, Matt, oh something? Oh, 106 00:04:52,400 --> 00:04:55,240 Speaker 2: there we are Hollo Matt. Question number one for you, 107 00:04:55,360 --> 00:04:58,919 Speaker 2: Cranium is a scientific name for which body part That. 108 00:04:58,920 --> 00:05:02,359 Speaker 1: Would be the head, eild the skull. Taking care of 109 00:05:02,440 --> 00:05:05,800 Speaker 1: Business was the motto and band name of which US 110 00:05:05,800 --> 00:05:09,400 Speaker 1: performer TCB TCB. 111 00:05:11,000 --> 00:05:14,080 Speaker 8: Ah Wasn't Bruce Springsteen. 112 00:05:13,760 --> 00:05:17,760 Speaker 1: Was Moss, James Is and Windsor. 113 00:05:17,520 --> 00:05:21,600 Speaker 2: Hello James, I really don't know that. 114 00:05:22,040 --> 00:05:22,880 Speaker 7: Brendan Jones. 115 00:05:23,640 --> 00:05:26,160 Speaker 2: No, Brendan often takes care of business and the rest 116 00:05:26,160 --> 00:05:29,239 Speaker 2: of us fix it up afterwards. Taking care of business, 117 00:05:29,240 --> 00:05:31,760 Speaker 2: that's question number two was the motto and the band 118 00:05:31,839 --> 00:05:34,479 Speaker 2: name for which famous US performer. 119 00:05:36,000 --> 00:05:38,880 Speaker 1: We're into the Magnificent seven. Oh, only stag on question too. 120 00:05:39,360 --> 00:05:42,720 Speaker 2: Yes, we're going to go to Glenn in Plumpton. Hello Glenn, Hello, 121 00:05:42,880 --> 00:05:44,960 Speaker 2: how are you going very well? Taking care of business 122 00:05:45,000 --> 00:05:47,160 Speaker 2: was the motto of which US performer and the name 123 00:05:47,200 --> 00:05:47,760 Speaker 2: of his band. 124 00:05:50,960 --> 00:05:57,520 Speaker 9: Let's play monster mash, Let's check off this. 125 00:05:57,520 --> 00:06:01,160 Speaker 1: This is where DJ Munz gets on the mashes up 126 00:06:01,200 --> 00:06:03,719 Speaker 1: two songs. What's d J month smashed up here? 127 00:06:03,760 --> 00:06:06,880 Speaker 2: You have listen, Glenn, I got it. 128 00:06:10,520 --> 00:06:16,000 Speaker 10: That's Light's going up good night. That's Light's going up. 129 00:06:17,520 --> 00:06:17,680 Speaker 11: Night. 130 00:06:18,240 --> 00:06:22,279 Speaker 2: I got There's two songs in there? What are they? 131 00:06:22,880 --> 00:06:23,080 Speaker 4: Oh? 132 00:06:24,160 --> 00:06:24,599 Speaker 3: No idea? 133 00:06:24,760 --> 00:06:27,159 Speaker 2: Sorry, okay, Glenn, we have to move through. 134 00:06:27,320 --> 00:06:28,440 Speaker 1: Jason's in Bella Visita. 135 00:06:28,520 --> 00:06:29,919 Speaker 2: Hi, Jason, do you want to hear it again? 136 00:06:30,760 --> 00:06:30,920 Speaker 3: Ah? 137 00:06:31,040 --> 00:06:32,080 Speaker 1: Yes, here it is. 138 00:06:34,200 --> 00:06:42,800 Speaker 10: I got it. That's Light's going up good night. That's 139 00:06:42,880 --> 00:06:43,800 Speaker 10: Light's gone up. 140 00:06:46,120 --> 00:06:48,880 Speaker 2: I got Okay. What are the two songs? 141 00:06:50,560 --> 00:06:53,080 Speaker 5: You're not making it easy, but one of them is 142 00:06:53,120 --> 00:06:55,839 Speaker 5: a black eyes pete feeling. 143 00:06:55,920 --> 00:06:57,479 Speaker 2: Yes it is. Do you know what the other one is? 144 00:06:57,520 --> 00:06:58,800 Speaker 2: It's tricky? I reckon. 145 00:07:00,560 --> 00:07:09,520 Speaker 12: Honestly miss the world wide song like whistle or something. 146 00:07:07,160 --> 00:07:11,320 Speaker 1: Being in a debuzza Being in a debuzzer buzza Mark's 147 00:07:11,320 --> 00:07:12,760 Speaker 1: and Glenn Denny, Hi, Mark, we. 148 00:07:12,720 --> 00:07:14,760 Speaker 2: Know one of the songs is I've got a feeling, 149 00:07:14,760 --> 00:07:16,320 Speaker 2: black eyed peace. You know what the other one is? 150 00:07:17,040 --> 00:07:19,440 Speaker 8: Yes, good morning ladies and gentlemen. How are you? 151 00:07:20,720 --> 00:07:21,400 Speaker 5: Monster mesh? 152 00:07:22,400 --> 00:07:24,120 Speaker 8: If someone did someone get the other song? 153 00:07:24,880 --> 00:07:25,520 Speaker 1: I just said that. 154 00:07:25,640 --> 00:07:27,559 Speaker 2: So we've got black eyed peas, I've got a feeling. 155 00:07:27,640 --> 00:07:30,200 Speaker 2: Do you know what the other song is? Mark? Monster 156 00:07:30,240 --> 00:07:39,840 Speaker 2: mess of the segment? Sorry, looking at the clock. We've 157 00:07:39,840 --> 00:07:40,680 Speaker 2: got a really. 158 00:07:40,520 --> 00:07:42,080 Speaker 1: We've got a long way to go in a short 159 00:07:42,120 --> 00:07:42,960 Speaker 1: time to get there. 160 00:07:43,040 --> 00:07:45,040 Speaker 2: Man, Hi, Amanda, how are you. 161 00:07:46,880 --> 00:07:47,080 Speaker 7: Well? 162 00:07:47,120 --> 00:07:47,600 Speaker 5: Thank you? 163 00:07:47,680 --> 00:07:49,640 Speaker 2: That's good. So we know one of the songs is 164 00:07:49,680 --> 00:07:52,240 Speaker 2: I've got a feeling, black eyed peas. What's the other song? 165 00:07:52,680 --> 00:07:53,680 Speaker 2: Don't say Monster. 166 00:07:53,440 --> 00:07:55,480 Speaker 8: Mash, it's Weezer. 167 00:07:59,240 --> 00:08:00,920 Speaker 2: There's black eyed Peas Weezer. 168 00:08:02,520 --> 00:08:04,520 Speaker 1: Alright, so it's a nice song, old Weezer. 169 00:08:04,640 --> 00:08:06,800 Speaker 2: Let's move on to question four. According to the royal 170 00:08:06,800 --> 00:08:10,680 Speaker 2: biographer Tim Bauer, Camilla refers to Megan Markle as, what 171 00:08:10,840 --> 00:08:15,400 Speaker 2: is it? A lovely woman? B gold digger? Ce that minx? 172 00:08:18,840 --> 00:08:20,360 Speaker 8: Let's guess see? 173 00:08:20,600 --> 00:08:23,280 Speaker 1: Yeah, that minx mix isn't that bad, though. 174 00:08:23,720 --> 00:08:25,160 Speaker 2: I wouldn't like to be called a minx? 175 00:08:25,360 --> 00:08:27,080 Speaker 1: Is that sort of cheeky? A little minx? 176 00:08:27,360 --> 00:08:28,440 Speaker 2: Not in this context. 177 00:08:28,640 --> 00:08:31,000 Speaker 1: How many equinoxes are there in a year? 178 00:08:31,080 --> 00:08:38,479 Speaker 2: Amanda is one, Anthony is in dundas. How many equinoxes 179 00:08:38,480 --> 00:08:42,560 Speaker 2: in a year? Anthony two? Yes, two one a ound 180 00:08:42,559 --> 00:08:45,839 Speaker 2: March one around September. Question six. 181 00:08:45,920 --> 00:08:46,439 Speaker 1: Here we go. 182 00:08:46,640 --> 00:08:49,680 Speaker 2: Paul Fennick and A Heinrich and Barry Hall are about 183 00:08:49,679 --> 00:08:53,199 Speaker 2: to start in which TV show that kicks off next week? 184 00:08:54,720 --> 00:08:56,760 Speaker 6: That would be yes. 185 00:08:56,760 --> 00:08:58,320 Speaker 2: We've got Aunt Middleton on the show today. 186 00:08:58,640 --> 00:09:02,360 Speaker 1: From today, several COVID restrictions have been canned? What can 187 00:09:02,400 --> 00:09:05,199 Speaker 1: you now do at hospitality venues? 188 00:09:06,800 --> 00:09:07,480 Speaker 7: You can sing? 189 00:09:08,040 --> 00:09:11,840 Speaker 1: You can not at music festival except except for a. 190 00:09:11,880 --> 00:09:13,240 Speaker 2: Music in excusing time? 191 00:09:13,320 --> 00:09:16,160 Speaker 1: Isn't it a congradul leation to Anthony, It's all coming away. 192 00:09:16,200 --> 00:09:18,400 Speaker 1: The jam pack is yours one hundred and fifty dollars 193 00:09:18,440 --> 00:09:21,680 Speaker 1: to spend at Enzo's Kachina your local Italian a family 194 00:09:21,760 --> 00:09:25,640 Speaker 1: pastor to Rongdazoo, Sydney, bring your outter half for half 195 00:09:25,679 --> 00:09:29,080 Speaker 1: price this Valentine's Day Week. Visit Taronga dot org data 196 00:09:29,240 --> 00:09:31,439 Speaker 1: dot a youth and Jonesie the Manda character choice for 197 00:09:31,480 --> 00:09:33,800 Speaker 1: you to color in and substained the pencils. Anthony is 198 00:09:34,080 --> 00:09:35,439 Speaker 1: anything you would like to add. 199 00:09:36,360 --> 00:09:38,760 Speaker 8: That's a fantastic way to start my Friday. 200 00:09:38,800 --> 00:09:42,280 Speaker 2: Thanks good on, Anthony. Well, yes, as we said at 201 00:09:42,320 --> 00:09:44,679 Speaker 2: Middleton is going to be joining us. It's Friday, So 202 00:09:44,800 --> 00:09:46,440 Speaker 2: fight for your flashbacks on the way. 203 00:09:46,600 --> 00:09:52,520 Speaker 1: Oh yeah, Jonesy and Amanda Germation podcast. Let's go actually 204 00:09:52,520 --> 00:09:55,080 Speaker 1: all grain another day, another dollars. You know what these 205 00:09:55,120 --> 00:09:55,800 Speaker 1: scenes do? 206 00:09:55,920 --> 00:09:56,560 Speaker 6: Your writing job. 207 00:09:56,640 --> 00:10:01,920 Speaker 1: But someone going to stop work thumbing through the Germanic 208 00:10:01,960 --> 00:10:04,599 Speaker 1: our Big Book of Musical Facts. On this day in 209 00:10:04,679 --> 00:10:08,000 Speaker 1: nineteen sixty six, Brian Wilson recorded the song that gives 210 00:10:08,000 --> 00:10:09,880 Speaker 1: You Nothing but good vibrations. 211 00:10:09,960 --> 00:10:10,880 Speaker 2: Oh, I wonder what it is. 212 00:10:11,120 --> 00:10:14,200 Speaker 1: Brian Wilson worked on it. He worked on it obsessively 213 00:10:14,600 --> 00:10:16,880 Speaker 1: at the time. He stayed home and wrote music while 214 00:10:16,920 --> 00:10:18,080 Speaker 1: the rest of the band toured. 215 00:10:18,120 --> 00:10:20,720 Speaker 2: Because it also had all that Pheromon and weird layered 216 00:10:20,800 --> 00:10:21,720 Speaker 2: sounds that were new. 217 00:10:21,920 --> 00:10:24,600 Speaker 1: Yeah, it was like a big wall of sound. This 218 00:10:24,720 --> 00:10:27,080 Speaker 1: was back when he was starting a very bizarre phase 219 00:10:27,120 --> 00:10:29,160 Speaker 1: of his life where he would spend long periods of 220 00:10:29,200 --> 00:10:32,640 Speaker 1: time in bed and working in a sandbox, you know 221 00:10:32,640 --> 00:10:34,559 Speaker 1: when we say oh, let's go and working out or 222 00:10:34,600 --> 00:10:39,560 Speaker 1: playing our sandbox. Brian actually had carpenters build him a sand. 223 00:10:40,520 --> 00:10:42,440 Speaker 2: It was actually sand. Yeah. 224 00:10:42,880 --> 00:10:45,080 Speaker 1: They built a low retaining wall and filled his lund 225 00:10:45,200 --> 00:10:48,200 Speaker 1: room with about eight tons of premium beach sands. 226 00:10:48,320 --> 00:10:50,160 Speaker 2: Is this so he could channel being a beach boy. 227 00:10:50,520 --> 00:10:52,320 Speaker 1: In the middle of it all, there was a grand 228 00:10:52,360 --> 00:10:56,320 Speaker 1: piano and his wife had come out from time to 229 00:10:56,320 --> 00:10:58,679 Speaker 1: time with a big sieve and just sift. 230 00:10:58,400 --> 00:11:03,600 Speaker 2: Out bits darling of crabs again, so. 231 00:11:03,600 --> 00:11:11,600 Speaker 1: The sandbox a work though. Sure there's someone on the door. Hey, guys, Hello, it's. 232 00:11:11,520 --> 00:11:15,200 Speaker 2: Whipper Whipper from Fitzi and Whipper weekday mornings on Nov. Nine, 233 00:11:15,240 --> 00:11:15,800 Speaker 2: six nine. 234 00:11:15,960 --> 00:11:18,040 Speaker 1: Yes, I know who he is. You don't need to 235 00:11:18,040 --> 00:11:20,760 Speaker 1: give him such a big plug. They are our opposition. 236 00:11:21,160 --> 00:11:22,040 Speaker 1: Why are you here, mate? 237 00:11:22,040 --> 00:11:23,600 Speaker 4: Oh well, I'm here to see Amanda. 238 00:11:23,640 --> 00:11:24,839 Speaker 1: Actually, don't see sorry mate. 239 00:11:24,920 --> 00:11:25,079 Speaker 13: Yeah. 240 00:11:25,080 --> 00:11:27,240 Speaker 4: We've got a big co lab today, so I thought 241 00:11:27,280 --> 00:11:28,160 Speaker 4: we'd just compare notes. 242 00:11:28,240 --> 00:11:29,520 Speaker 2: I think that's a great idea. 243 00:11:29,640 --> 00:11:32,320 Speaker 1: But it's hardly a colab. You're doing readings at a 244 00:11:32,320 --> 00:11:34,600 Speaker 1: colleague's wedding. What's the matter. 245 00:11:34,920 --> 00:11:36,800 Speaker 2: I don't worry about him. He's miffed because he wasn't 246 00:11:36,800 --> 00:11:37,640 Speaker 2: asked to do anything. 247 00:11:37,720 --> 00:11:39,559 Speaker 4: No, no, no, I thought Millie had asked you to be 248 00:11:39,600 --> 00:11:40,040 Speaker 4: an usher. 249 00:11:40,320 --> 00:11:42,840 Speaker 1: That's something usher you give that job to a child 250 00:11:42,920 --> 00:11:44,480 Speaker 1: or some sort of simpleton relative. 251 00:11:44,760 --> 00:11:45,880 Speaker 2: Anyway, what's up? 252 00:11:45,960 --> 00:11:47,720 Speaker 4: Well, you see, I just wanted to run this past 253 00:11:47,720 --> 00:11:49,800 Speaker 4: you on to ask you your opinion on these stanzas 254 00:11:49,880 --> 00:11:54,040 Speaker 4: of course. Sure, So I'm starting with something like, oh. 255 00:11:54,040 --> 00:11:57,040 Speaker 13: I do love these. I've been killed the ways. I 256 00:11:57,080 --> 00:11:59,360 Speaker 13: love these to the depth and breadth. 257 00:12:00,520 --> 00:12:01,600 Speaker 1: We'll back on you. 258 00:12:02,480 --> 00:12:03,439 Speaker 13: Someone gonna be a smoke. 259 00:12:03,720 --> 00:12:07,200 Speaker 2: Oh wow, yes, Or I. 260 00:12:07,120 --> 00:12:09,600 Speaker 4: Was thinking I could start with something like, my soul 261 00:12:09,679 --> 00:12:13,480 Speaker 4: can reach when filling out of sight for the ends 262 00:12:14,400 --> 00:12:15,880 Speaker 4: of being an ideal grace. 263 00:12:16,679 --> 00:12:19,920 Speaker 13: I love these to the level of every day. I 264 00:12:19,960 --> 00:12:24,120 Speaker 13: love the freely as men strive for, right, I love 265 00:12:24,200 --> 00:12:25,120 Speaker 13: the pure. 266 00:12:25,160 --> 00:12:27,240 Speaker 1: Yeah, that's all good, champ. Anyway, you better get going 267 00:12:27,240 --> 00:12:28,920 Speaker 1: because he's going to wonder where you are. 268 00:12:29,040 --> 00:12:30,720 Speaker 4: No, no, no, he's got an under control back. They're 269 00:12:30,720 --> 00:12:32,360 Speaker 4: having a good time. You guys haveing a good time. Yeah, 270 00:12:32,400 --> 00:12:34,920 Speaker 4: all right, Well, this door seems to be closing on me. 271 00:12:35,400 --> 00:12:37,479 Speaker 1: Where you see. That's the thing. It's automated. 272 00:12:37,640 --> 00:12:39,120 Speaker 2: No, it's not. You're pushing on you. 273 00:12:39,200 --> 00:12:40,680 Speaker 4: Yeah, it appears that you're pushing me in. 274 00:12:40,800 --> 00:12:44,760 Speaker 1: No, No, I think it's brake and I'll get the text. 275 00:12:45,320 --> 00:12:46,760 Speaker 2: That wasn't nice, Brendan. 276 00:12:46,679 --> 00:12:51,640 Speaker 1: Right there you go. I fixed it. I'm back. M No, No, 277 00:12:52,040 --> 00:12:57,520 Speaker 1: I don't think you did. Yes, I did, No, course 278 00:12:57,679 --> 00:13:02,640 Speaker 1: I did. I'll just get this there. 279 00:13:03,080 --> 00:13:06,040 Speaker 4: What Oh it must be broken after all. Anyway, I 280 00:13:06,040 --> 00:13:08,199 Speaker 4: forgot the piece of paper for management. I'll slide it 281 00:13:08,280 --> 00:13:11,439 Speaker 4: under the door. Oh and Jonesy, remember bride's side on 282 00:13:11,480 --> 00:13:14,280 Speaker 4: the right, grooms on the left, and wear a bow tie? 283 00:13:14,640 --> 00:13:17,679 Speaker 1: Not wearing a bow tie? Losers where bow ties? 284 00:13:17,840 --> 00:13:19,240 Speaker 2: I miss him already? 285 00:13:19,679 --> 00:13:21,480 Speaker 1: You know why don't you go? Why do you do 286 00:13:21,520 --> 00:13:23,000 Speaker 1: a show with him? Where do you run off and 287 00:13:23,040 --> 00:13:25,760 Speaker 1: do Brenda and Manda show man? 288 00:13:25,800 --> 00:13:28,480 Speaker 2: Where would my name come last? No, I'm quite happy here, 289 00:13:28,520 --> 00:13:28,880 Speaker 2: thank you. 290 00:13:29,000 --> 00:13:32,400 Speaker 1: But don't be so trouble in paradise already. Don't be miffed, 291 00:13:33,200 --> 00:13:36,200 Speaker 1: manag if it writes tomorrow mark's the forty second anniversary 292 00:13:36,200 --> 00:13:40,200 Speaker 1: of the passing of ACDC frontman Bond Scott. Can you 293 00:13:40,280 --> 00:13:44,160 Speaker 1: believe that forty two years? I remember when bon Scott died. 294 00:13:44,200 --> 00:13:45,920 Speaker 1: Do you remember where you were when he died in 295 00:13:45,920 --> 00:13:48,080 Speaker 1: February of nineteen eighty I don't remember where I was, 296 00:13:48,200 --> 00:13:51,040 Speaker 1: and I just remember just thinking because I was such 297 00:13:51,080 --> 00:13:53,120 Speaker 1: a big fan of the band and I was such 298 00:13:53,160 --> 00:13:54,360 Speaker 1: a big fan of Highway. 299 00:13:54,080 --> 00:13:55,400 Speaker 2: To Help, you must have assumed that that was the 300 00:13:55,480 --> 00:13:56,120 Speaker 2: end of the band. 301 00:13:56,360 --> 00:13:59,480 Speaker 1: I tell you know what, I was only I was thirteen, 302 00:14:00,120 --> 00:14:02,480 Speaker 1: and I wasn't a massive ACDC fan. I was a 303 00:14:02,480 --> 00:14:04,960 Speaker 1: big KISS fan at that stage. But I remember just thinking, 304 00:14:05,360 --> 00:14:09,360 Speaker 1: you know, I was the first, I guess realization that 305 00:14:09,360 --> 00:14:12,080 Speaker 1: people died. You know, that someone that you know, like 306 00:14:12,120 --> 00:14:14,920 Speaker 1: you're a fan of someone and they died. Because before that, 307 00:14:14,960 --> 00:14:17,079 Speaker 1: Elvis Presley had died at nineteen seventy seven, and I 308 00:14:17,120 --> 00:14:18,760 Speaker 1: remember Dad being upset and I was like, hey, yeah, 309 00:14:18,760 --> 00:14:20,880 Speaker 1: he's forty two. I had a good innings beyond Scott. 310 00:14:21,200 --> 00:14:22,000 Speaker 2: How old was Bond? 311 00:14:22,240 --> 00:14:26,080 Speaker 1: He was thirty thirty two or thirty three? Today's five 312 00:14:26,120 --> 00:14:29,760 Speaker 1: for your flashback. Gun to your head, greatest Bond Scott 313 00:14:29,960 --> 00:14:31,840 Speaker 1: ACDC song ever. 314 00:14:32,200 --> 00:14:34,480 Speaker 2: So aggressive, Gun to my head. I'm happy to choose 315 00:14:34,800 --> 00:14:37,160 Speaker 2: in your head. I've got one. Okay, Yes, I've chosen one. 316 00:14:37,560 --> 00:14:38,240 Speaker 1: I've got one. 317 00:14:38,440 --> 00:14:40,280 Speaker 2: Okay, I didn't even put a gun to your head. 318 00:14:41,840 --> 00:14:43,360 Speaker 2: All right, we will have our Well, this is going 319 00:14:43,400 --> 00:14:45,000 Speaker 2: to be a great fight for your flashback. Either way, 320 00:14:45,040 --> 00:14:45,800 Speaker 2: you're going to hear about the. 321 00:14:45,920 --> 00:14:49,880 Speaker 1: Battles of the Titans, yes, one wonders what you have selected? 322 00:14:50,600 --> 00:14:52,400 Speaker 2: He did a cover of some bread songs, didn't he. 323 00:14:54,600 --> 00:14:57,080 Speaker 1: We'll have that for you after seven o'clock. Also, would 324 00:14:57,080 --> 00:14:58,280 Speaker 1: you like to win ten thousand dollars? 325 00:14:58,280 --> 00:14:59,360 Speaker 2: Of course, she would give us a call for the 326 00:14:59,400 --> 00:15:03,760 Speaker 2: ten thousand dollars question podcast. 327 00:15:04,120 --> 00:15:05,880 Speaker 1: There's a couple of questions that I have to ask you. 328 00:15:06,040 --> 00:15:06,760 Speaker 6: I don't answer. 329 00:15:06,640 --> 00:15:08,160 Speaker 2: Questions, just answer a question. 330 00:15:08,240 --> 00:15:09,400 Speaker 1: Okay, what's in it for me? 331 00:15:09,840 --> 00:15:11,880 Speaker 13: You're dollars a dollar reward? 332 00:15:12,840 --> 00:15:16,920 Speaker 1: Yeah, ten questions, sixty seconds, ten thousand dollars. That's the 333 00:15:16,960 --> 00:15:18,000 Speaker 1: easiest thing in the world. 334 00:15:18,040 --> 00:15:20,960 Speaker 2: Surely, Well, I wouldn't think that's the easiest thing in 335 00:15:20,960 --> 00:15:22,960 Speaker 2: the world. But this can go your way or it 336 00:15:23,000 --> 00:15:26,240 Speaker 2: can go against you. Person who answers answers question ten 337 00:15:26,320 --> 00:15:28,760 Speaker 2: correctly gets the money ten thousand dollars. 338 00:15:28,440 --> 00:15:30,120 Speaker 1: Well, you know, whether you see those guys, they all 339 00:15:30,160 --> 00:15:32,200 Speaker 1: pile on top of each other to make that pyramid. 340 00:15:32,440 --> 00:15:33,560 Speaker 1: It's like that, it. 341 00:15:33,440 --> 00:15:35,640 Speaker 2: Is, and some days a pyramid collapses underneath you. Other 342 00:15:35,720 --> 00:15:37,680 Speaker 2: times they lift you to the finish line. 343 00:15:37,720 --> 00:15:38,760 Speaker 1: Yeah, do you want to be at the top of 344 00:15:38,800 --> 00:15:39,840 Speaker 1: the bottom of the pyramid? 345 00:15:39,880 --> 00:15:44,480 Speaker 2: Though it depends. If you know the answers, you'll go 346 00:15:44,520 --> 00:15:46,640 Speaker 2: all the way. If not, people come in and take 347 00:15:46,680 --> 00:15:47,080 Speaker 2: your place. 348 00:15:47,200 --> 00:15:49,560 Speaker 1: Either way, there's ten thousand dollars at stake, and it 349 00:15:49,560 --> 00:15:51,600 Speaker 1: could be Lesa of Liverpool that does this. 350 00:15:51,800 --> 00:15:54,720 Speaker 2: Oho Lisa, Okay, Ready to begin? 351 00:15:55,600 --> 00:15:56,440 Speaker 7: Yeah, I go ahead. 352 00:15:56,600 --> 00:15:59,640 Speaker 2: We have sixty seconds. We have ten questions. Let's begin. 353 00:16:00,160 --> 00:16:05,960 Speaker 2: Tion one? What fruit comes in key and kaffea variety? 354 00:16:07,800 --> 00:16:09,120 Speaker 1: Steve Stevens in Waverley? 355 00:16:09,920 --> 00:16:14,480 Speaker 2: What fruit comes in Key and Kaffea variety? Question two? 356 00:16:14,520 --> 00:16:16,720 Speaker 2: What's the name of the third Austin Powers movie? 357 00:16:19,880 --> 00:16:21,000 Speaker 1: Amerely is in Cambete? 358 00:16:21,120 --> 00:16:26,720 Speaker 2: What's the name of the third Austin Powers movie? 359 00:16:26,960 --> 00:16:28,160 Speaker 1: Helen's in Colin's Point? 360 00:16:28,240 --> 00:16:30,240 Speaker 2: What's the name of the third Austin Powers movie? 361 00:16:30,680 --> 00:16:31,720 Speaker 8: Sorry, I have no idea? 362 00:16:31,960 --> 00:16:32,920 Speaker 1: Runs in Coronella? 363 00:16:33,000 --> 00:16:35,080 Speaker 2: What's the name of the third Austin Powers movie? 364 00:16:35,600 --> 00:16:36,160 Speaker 8: Gold Member? 365 00:16:36,280 --> 00:16:41,000 Speaker 2: Question three? Who was the father of Cleopatra's twins? Uh? 366 00:16:41,320 --> 00:16:41,880 Speaker 7: Mark any? 367 00:16:42,040 --> 00:16:44,600 Speaker 2: Question four? Blue Ribbon Sports was the original name of 368 00:16:44,600 --> 00:16:48,320 Speaker 2: which sportswear company. 369 00:16:49,600 --> 00:16:50,720 Speaker 1: Noel's in roseland. 370 00:16:50,720 --> 00:16:55,440 Speaker 2: Blue Ribbon Sports was the original name of which sportswear company. 371 00:16:56,800 --> 00:16:57,720 Speaker 1: Sus in Righte. 372 00:16:57,760 --> 00:16:59,880 Speaker 2: Blue Ribbon Sports was the original name of which sports 373 00:17:00,080 --> 00:17:06,160 Speaker 2: company are Terry's in Therell and oh, the answer was Nike. 374 00:17:06,359 --> 00:17:08,800 Speaker 1: Nike, Terry didn't get to have a crack. 375 00:17:09,200 --> 00:17:12,080 Speaker 2: Got up to question four today. Okay, well we'll do 376 00:17:12,119 --> 00:17:13,919 Speaker 2: it again Monday. Good luck everybody. 377 00:17:14,040 --> 00:17:26,320 Speaker 1: It's tough, isn't it. It is tough. Fight for your flashback. 378 00:17:26,400 --> 00:17:29,399 Speaker 1: Two songs enter. One song leaves tomorrow. Mark's the forty 379 00:17:29,400 --> 00:17:32,960 Speaker 1: second anniversary of the passing of ACDC frontman Bond Scott. 380 00:17:33,200 --> 00:17:36,480 Speaker 1: Today's five for your flashback. Gun to your Head, greatest 381 00:17:36,520 --> 00:17:39,040 Speaker 1: Bond Scott ac DC song ever. 382 00:17:39,080 --> 00:17:42,439 Speaker 2: Play well the management, well, the pressure of this big pressure. 383 00:17:42,640 --> 00:17:45,560 Speaker 2: I love the bagpipes. My son plays the bagpipes. So 384 00:17:45,640 --> 00:17:47,880 Speaker 2: I've gone with a song that I think is an 385 00:17:47,920 --> 00:17:52,600 Speaker 2: absolute B tier ballt error, as we say, features the bagpipes. 386 00:17:53,000 --> 00:18:15,720 Speaker 2: One of his earlier ones, long Way to the Top. 387 00:18:21,320 --> 00:18:22,440 Speaker 1: There's the big vps. 388 00:18:25,880 --> 00:18:29,320 Speaker 2: So good, because, of course, it was an autobiographical song 389 00:18:29,359 --> 00:18:32,239 Speaker 2: about the struggles making their way to the top, and 390 00:18:32,280 --> 00:18:34,040 Speaker 2: it was, you know, a long way to the top. 391 00:18:34,080 --> 00:18:35,840 Speaker 2: He wont a sausage role, he wont a Chico roll. 392 00:18:35,920 --> 00:18:37,680 Speaker 2: We turned it into the Australian vernacular. 393 00:18:37,920 --> 00:18:39,080 Speaker 1: It was a long way to the shop. 394 00:18:39,440 --> 00:18:42,800 Speaker 2: Sorry, yes, of course. And they're saying here that almost 395 00:18:42,840 --> 00:18:45,359 Speaker 2: four years to the day, it was all over for 396 00:18:45,480 --> 00:18:47,720 Speaker 2: Bond long Way to the Top. He only was at 397 00:18:47,760 --> 00:18:50,120 Speaker 2: the top for four years before he passed away. 398 00:18:50,200 --> 00:18:52,159 Speaker 1: Hell over four years though it was a hell of 399 00:18:52,200 --> 00:18:55,119 Speaker 1: a four years. I know this almost book ends his 400 00:18:55,240 --> 00:18:59,160 Speaker 1: career because the album I've selected is the album Highway 401 00:18:59,160 --> 00:19:02,040 Speaker 1: to Hell. And and of course that album was his last. 402 00:19:02,080 --> 00:19:03,879 Speaker 1: That was the last album he did with the band, 403 00:19:04,280 --> 00:19:06,399 Speaker 1: and he was on top of the world. That album 404 00:19:06,760 --> 00:19:10,840 Speaker 1: was the definitive ACDC album as far as the book 405 00:19:10,920 --> 00:19:13,560 Speaker 1: ends of Bond Scott career goes. And if you put 406 00:19:13,560 --> 00:19:14,800 Speaker 1: a gun to my head and you said the greatest 407 00:19:14,800 --> 00:19:17,640 Speaker 1: Bond Scott song ever, I'm a massive Bond Scott fan, 408 00:19:17,880 --> 00:19:20,840 Speaker 1: but really you can't go past the title track Highway 409 00:19:20,840 --> 00:19:21,200 Speaker 1: to Hell. 410 00:19:28,960 --> 00:19:40,160 Speaker 6: Yeah. 411 00:19:40,200 --> 00:19:43,000 Speaker 2: Well, either way you're going to hear a great song today. 412 00:19:43,080 --> 00:19:44,320 Speaker 1: It's an unfair contest. 413 00:19:44,440 --> 00:19:47,119 Speaker 2: Really, well, I think it's a very fair contest because 414 00:19:47,520 --> 00:19:51,560 Speaker 2: everyone's a winner. So the greatest Bond Scott song? 415 00:19:51,600 --> 00:19:51,760 Speaker 1: Who? 416 00:19:51,800 --> 00:19:53,399 Speaker 2: What song would you like to hear? Give us a 417 00:19:53,400 --> 00:19:55,960 Speaker 2: call thirteen WSFM, or you canvite on our Instagram story 418 00:19:55,960 --> 00:20:03,320 Speaker 2: at Jones and Amanda. 419 00:20:00,600 --> 00:20:03,480 Speaker 1: Jonesy and Amanda in the Morning one oh one point 420 00:20:03,520 --> 00:20:07,080 Speaker 1: seven WSFM. Hello there, We're into five for your flashback 421 00:20:07,080 --> 00:20:10,240 Speaker 1: because it is Friday tomorrow, Mark's the forty second anniversary 422 00:20:10,240 --> 00:20:13,680 Speaker 1: of the passing of ac DC frontman Bond Scott. Today's 423 00:20:13,680 --> 00:20:16,840 Speaker 1: fight for your flashback. Gun to your Head, greatest Bond 424 00:20:16,880 --> 00:20:21,800 Speaker 1: Scott ACDC song ever. And this is this is a hard, 425 00:20:22,119 --> 00:20:25,000 Speaker 1: hard thing because when I look at it, you know 426 00:20:25,040 --> 00:20:28,840 Speaker 1: I want to go with dirty deeds, go with it. No, 427 00:20:28,920 --> 00:20:31,439 Speaker 1: what I mean is like the greatest ACDC song with 428 00:20:31,480 --> 00:20:34,760 Speaker 1: Bond Scott was probably the most commercially successful one. And 429 00:20:35,000 --> 00:20:38,760 Speaker 1: in his tenure in that band, the album Highway to Hell. 430 00:20:38,920 --> 00:20:41,119 Speaker 1: What a great album. We had a listening party listening 431 00:20:41,160 --> 00:20:43,400 Speaker 1: to it just the other day. You know, night Prowler, 432 00:20:43,640 --> 00:20:47,320 Speaker 1: if you're blood, a girl's got a rhythm walk all 433 00:20:47,359 --> 00:20:47,880 Speaker 1: over you. 434 00:20:48,160 --> 00:20:51,199 Speaker 2: Well, I've gone with a song that we used to 435 00:20:51,240 --> 00:20:53,199 Speaker 2: sing along to at school. It's a long way to 436 00:20:53,240 --> 00:20:55,280 Speaker 2: the shop if you want a sausage roll. I've gone 437 00:20:55,320 --> 00:21:02,399 Speaker 2: with this, of course, what a great song. 438 00:21:02,840 --> 00:21:05,000 Speaker 1: I've gone with the title track from Highway to Hell. 439 00:21:05,359 --> 00:21:06,080 Speaker 1: Highway to Hell. 440 00:21:10,680 --> 00:21:12,840 Speaker 2: Let's see what you want to hear today? Justin from 441 00:21:12,880 --> 00:21:14,639 Speaker 2: old tune Gabby, Hi, justin. 442 00:21:17,040 --> 00:21:17,359 Speaker 1: There? 443 00:21:17,400 --> 00:21:18,879 Speaker 2: Well, which way are you going today. 444 00:21:20,440 --> 00:21:25,200 Speaker 7: Yeah, like they bring back like I have had a brother. 445 00:21:25,320 --> 00:21:29,320 Speaker 7: His name was nickname me him and my wife Susy. 446 00:21:29,720 --> 00:21:33,760 Speaker 7: We seen ac DC as the old entertainment center and 447 00:21:34,240 --> 00:21:38,800 Speaker 7: unfortunately we lost him a few years ago and one 448 00:21:38,840 --> 00:21:42,520 Speaker 7: of his wishes was that we carried him into the 449 00:21:42,600 --> 00:21:44,760 Speaker 7: tupel to my way to hell. 450 00:21:45,520 --> 00:21:49,040 Speaker 2: What a you know, a very emotional story I can tell. 451 00:21:49,160 --> 00:21:52,000 Speaker 2: I'm sorry Justin for the loss. But what it is 452 00:21:52,000 --> 00:21:52,760 Speaker 2: a great song? 453 00:21:53,840 --> 00:21:59,080 Speaker 1: Jas your men, Well, Justin, all I'm doing is selecting 454 00:21:59,080 --> 00:22:00,240 Speaker 1: the song, but thank you. 455 00:22:00,640 --> 00:22:01,960 Speaker 2: It's bringing up big memories for you. 456 00:22:02,040 --> 00:22:05,040 Speaker 1: Jan and the resident You're brave. Karen is in Camden, 457 00:22:05,080 --> 00:22:07,679 Speaker 1: Hello Karen, Thank good morning. 458 00:22:08,640 --> 00:22:12,760 Speaker 8: Both are great songs. But I'm going for Amanda and 459 00:22:12,800 --> 00:22:14,960 Speaker 8: it's got to be a great day today because the 460 00:22:15,000 --> 00:22:16,639 Speaker 8: beautiful Millie is getting married. 461 00:22:16,880 --> 00:22:17,600 Speaker 2: Absolutely. 462 00:22:19,000 --> 00:22:20,760 Speaker 1: Are you working on your Bible reading? 463 00:22:20,800 --> 00:22:22,280 Speaker 2: I'm ready with my Bible reading. 464 00:22:22,359 --> 00:22:24,080 Speaker 1: I'm ready to take over if you get start. 465 00:22:24,160 --> 00:22:25,719 Speaker 2: I'm going to be quite all right. All right, Well, 466 00:22:25,720 --> 00:22:27,760 Speaker 2: there's a vote each way. You can vote for us 467 00:22:27,960 --> 00:22:30,639 Speaker 2: or note for us, vote for your favorite Bond Scott 468 00:22:30,720 --> 00:22:33,399 Speaker 2: song thirteen wsfm 'or go to our Instagram story at 469 00:22:33,480 --> 00:22:33,960 Speaker 2: Jones and a. 470 00:22:33,920 --> 00:22:39,480 Speaker 1: Man five for your flashback podcast. Five for your flashback, 471 00:22:39,640 --> 00:22:43,719 Speaker 1: you cruel, Cruel thing. Tomorrow Mark's the forty second anniversary 472 00:22:43,720 --> 00:22:46,320 Speaker 1: of the passing of ac DC frontman Bond Scott. Today's 473 00:22:46,320 --> 00:22:48,520 Speaker 1: five for your flashback. Gun to your Head. Greatest Bond 474 00:22:48,560 --> 00:22:51,240 Speaker 1: Scott ac DC song ever. 475 00:22:51,400 --> 00:22:53,320 Speaker 2: I've gone with this one long Way to the Top, 476 00:22:54,480 --> 00:22:58,639 Speaker 2: give me those bagpipes. 477 00:22:59,400 --> 00:23:05,240 Speaker 1: I've gone with high Way to Hell. And really, those 478 00:23:05,240 --> 00:23:07,960 Speaker 1: two songs. It's the book ends of Bond Scott's career 479 00:23:08,000 --> 00:23:08,560 Speaker 1: in that band. 480 00:23:08,640 --> 00:23:11,280 Speaker 2: Both great songs. You're going to hear a great winner today. 481 00:23:11,480 --> 00:23:15,679 Speaker 1: Kirsty's in Motovle. Hello Kirsty, you, good morning guys. You 482 00:23:15,760 --> 00:23:18,800 Speaker 1: must be great. I'm celebrating that Amanda's finally picked a 483 00:23:18,800 --> 00:23:20,560 Speaker 1: decent song. Fight for your flashback. 484 00:23:20,640 --> 00:23:22,679 Speaker 2: There's no need for that, Kurty, what would you like 485 00:23:22,720 --> 00:23:23,359 Speaker 2: to hear today? 486 00:23:24,320 --> 00:23:27,880 Speaker 8: I love both songs, but actually one just slightly more 487 00:23:27,920 --> 00:23:29,680 Speaker 8: than the other. I'm voting for you. 488 00:23:29,680 --> 00:23:32,720 Speaker 2: Amanda, excellent. Thank you, Kursey. Let's see if we can 489 00:23:32,760 --> 00:23:36,400 Speaker 2: push this all the way to the top. Milano's in Manly, Hi, Milano, 490 00:23:36,480 --> 00:23:37,480 Speaker 2: Fight for your flashback. 491 00:23:38,560 --> 00:23:39,520 Speaker 7: Good morning to you both. 492 00:23:39,520 --> 00:23:40,119 Speaker 8: So I'm voting. 493 00:23:40,200 --> 00:23:43,359 Speaker 7: Also voting for Amanda, it's the one song that a 494 00:23:43,520 --> 00:23:47,880 Speaker 7: CDC retired after bon Scott passed away and have never 495 00:23:47,920 --> 00:23:48,879 Speaker 7: played it again live. 496 00:23:49,520 --> 00:23:52,520 Speaker 2: Oh well, I didn't know that's true. Thank you, Milana. 497 00:23:52,760 --> 00:23:55,400 Speaker 1: I don't think they do. Hell, Jeff's in East Hills. 498 00:23:55,400 --> 00:23:58,840 Speaker 2: Fight for Your Flashback, Jeff, I'd love to go and 499 00:23:58,960 --> 00:24:03,600 Speaker 2: vote for Jones and plays smiling to help. They've got 500 00:24:03,600 --> 00:24:06,960 Speaker 2: a fight on our hands. Keep calling thirty WSFM, or 501 00:24:07,040 --> 00:24:09,880 Speaker 2: vote on our Instagram story at Jones and Amanda Jonesy 502 00:24:09,920 --> 00:24:10,880 Speaker 2: and Amanda. 503 00:24:10,560 --> 00:24:23,000 Speaker 1: Gamation podcast Fight for Your Flashback. Two songs end to 504 00:24:23,080 --> 00:24:26,520 Speaker 1: one song leaves tomorrow. Mark's the forty second anniversary of 505 00:24:26,560 --> 00:24:29,439 Speaker 1: the passing of a CDC front man Bond Scott So 506 00:24:29,680 --> 00:24:33,880 Speaker 1: Bond died at thirty three. He would to this day 507 00:24:34,119 --> 00:24:39,400 Speaker 1: be not to this day today be how seventy five? 508 00:24:40,040 --> 00:24:40,199 Speaker 1: Is that? 509 00:24:40,240 --> 00:24:41,040 Speaker 2: How old the others are? 510 00:24:41,200 --> 00:24:43,160 Speaker 1: No? No, No, Angus is considerably younger. 511 00:24:42,960 --> 00:24:43,879 Speaker 2: Because he's still at school. 512 00:24:43,960 --> 00:24:47,360 Speaker 1: Yeah. I think Brian Johnson's about. 513 00:24:48,640 --> 00:24:51,760 Speaker 2: They're getting on there are going. That's the sliding doors. 514 00:24:51,840 --> 00:24:52,000 Speaker 3: You know. 515 00:24:52,240 --> 00:24:53,560 Speaker 2: Bond's life ends here. 516 00:24:53,480 --> 00:24:55,840 Speaker 1: I know. And that's what you look at the band. 517 00:24:55,840 --> 00:24:58,400 Speaker 1: They were doing so well and this is what's extraordinary. 518 00:24:58,440 --> 00:25:02,000 Speaker 1: About ACDC, which always ma they lose their lead singer 519 00:25:02,240 --> 00:25:04,920 Speaker 1: on possibly the greatest album they've ever done, and then 520 00:25:04,920 --> 00:25:08,199 Speaker 1: they come back, I think like within eight weeks with 521 00:25:08,240 --> 00:25:10,440 Speaker 1: a new lead singer, and by the end of that year, 522 00:25:10,480 --> 00:25:13,680 Speaker 1: by November, they have Back in Black, a tribute album 523 00:25:13,720 --> 00:25:14,439 Speaker 1: to Bond Scott. 524 00:25:14,440 --> 00:25:16,879 Speaker 2: But today we're looking at Bond Scott's songs. 525 00:25:17,560 --> 00:25:19,000 Speaker 1: I Get All, I Get carried Away with. 526 00:25:19,000 --> 00:25:21,120 Speaker 2: My favorite one because I love the bagpipes. 527 00:25:21,480 --> 00:25:22,000 Speaker 6: Is this. 528 00:25:27,200 --> 00:25:30,119 Speaker 1: For me? Gun to my Head? Greatest Bond Scott ACDC 529 00:25:30,320 --> 00:25:36,119 Speaker 1: song ever has to be Highway to Hell based on 530 00:25:36,200 --> 00:25:38,520 Speaker 1: his own experiences when he was in Fremantle going to 531 00:25:38,560 --> 00:25:42,000 Speaker 1: the local pub. There's no stop signce speed limits. 532 00:25:42,600 --> 00:25:44,520 Speaker 2: Well, what do you want to hear today? Kim is 533 00:25:44,520 --> 00:25:46,000 Speaker 2: in plump? Didn't fight for your flashback? 534 00:25:46,080 --> 00:25:49,600 Speaker 8: Kim, good morning and happy waiting day to Milling. 535 00:25:49,800 --> 00:25:52,640 Speaker 2: Absolutely, let's hope Highway to Hell doesn't prophesy anything. 536 00:25:52,760 --> 00:25:56,000 Speaker 1: Maybe maybe I should play that as a tribute hold 537 00:25:56,040 --> 00:25:57,920 Speaker 1: it over like a stereo. 538 00:25:59,040 --> 00:26:02,280 Speaker 8: No way possibly play that. It's going to be a 539 00:26:02,359 --> 00:26:03,280 Speaker 8: long way to the top. 540 00:26:03,480 --> 00:26:06,800 Speaker 2: Thank you, Kim mixing Warrimoo, Hi meet fight for your flashback? 541 00:26:07,359 --> 00:26:09,080 Speaker 13: Good day James and Amanda love your show. 542 00:26:09,240 --> 00:26:09,680 Speaker 3: Thank you. 543 00:26:10,760 --> 00:26:12,800 Speaker 13: Sorry, Amanda, it's going to be highlight the hell man, 544 00:26:12,840 --> 00:26:14,480 Speaker 13: that's just one of the best there ever is. 545 00:26:14,680 --> 00:26:17,159 Speaker 2: Look, I'm happy to concede if that's the way we go. 546 00:26:17,240 --> 00:26:18,600 Speaker 2: We've got a few more calls yet. 547 00:26:18,960 --> 00:26:20,760 Speaker 1: Well, don't be ters with me, No, I'm not. 548 00:26:21,240 --> 00:26:25,720 Speaker 2: Marlene is in Penrith. Fight for your flashback, Marlene, I'm. 549 00:26:25,640 --> 00:26:29,560 Speaker 8: Voting for Amanda. I always too, she always chooses dat 550 00:26:29,600 --> 00:26:31,679 Speaker 8: of songs and Marley. 551 00:26:32,119 --> 00:26:38,480 Speaker 1: I'm here, John, I'm right here, Thank you, Marlene. Sharon's 552 00:26:38,480 --> 00:26:40,600 Speaker 1: ands Sharon. 553 00:26:40,440 --> 00:26:44,119 Speaker 2: Fight for your flash back, Amanda, how are you very well? 554 00:26:44,119 --> 00:26:46,280 Speaker 5: Thank you Friday to you. 555 00:26:46,440 --> 00:26:49,600 Speaker 8: Both love both songs, and I grew. 556 00:26:49,440 --> 00:26:50,480 Speaker 7: Up on a CDC. 557 00:26:50,640 --> 00:26:51,680 Speaker 1: I love a CDC. 558 00:26:51,920 --> 00:26:54,040 Speaker 8: Very hard choice, but I'm going to go with jo 559 00:26:54,080 --> 00:26:54,760 Speaker 8: Andy today. 560 00:26:54,840 --> 00:26:57,560 Speaker 2: Sorry, Amanda, that's all right, Sharon, I'm quite okay with that. 561 00:26:57,800 --> 00:27:00,440 Speaker 1: Laney is in Penrith, any. 562 00:27:00,440 --> 00:27:03,360 Speaker 2: Fight for your flashback? You are announcing our winner today. 563 00:27:04,119 --> 00:27:07,920 Speaker 8: Really really, Look, they are both great songs, and it's 564 00:27:07,920 --> 00:27:11,199 Speaker 8: hard to pick one winner. But I'm basing it actually 565 00:27:11,200 --> 00:27:13,840 Speaker 8: on the film clip because I think jonesy Your song 566 00:27:14,040 --> 00:27:17,720 Speaker 8: is more angered with his dancing, where I think Amanda's 567 00:27:17,760 --> 00:27:19,880 Speaker 8: song is more Bond scot with the bad Pope. 568 00:27:21,680 --> 00:27:23,360 Speaker 1: Fair enough lady love this song. 569 00:27:23,880 --> 00:27:24,679 Speaker 2: Thank you Laney. 570 00:27:24,800 --> 00:27:27,320 Speaker 1: Here it is either way, everyone's a winner today. 571 00:27:27,480 --> 00:27:28,400 Speaker 2: Long way to the top. 572 00:27:30,040 --> 00:27:32,080 Speaker 1: Let's get on down to the Jonesy demand of arms 573 00:27:32,080 --> 00:27:36,600 Speaker 1: for the pub test. Word does it pass the pub test? 574 00:27:36,920 --> 00:27:39,080 Speaker 2: I've become obsessed. I saw a whole lot of people 575 00:27:39,119 --> 00:27:43,040 Speaker 2: doing wordle and posting their results. You don't post socially 576 00:27:43,480 --> 00:27:46,680 Speaker 2: on socials what the answer was, but you can post 577 00:27:46,720 --> 00:27:49,040 Speaker 2: how long it took you to get there. And I thought, 578 00:27:49,160 --> 00:27:51,840 Speaker 2: I'm not doing that. I'm not jumping on that bandwagon. 579 00:27:52,280 --> 00:27:55,000 Speaker 2: And then my son showed me how to do it. 580 00:27:54,520 --> 00:27:56,119 Speaker 1: Saying, hey, somebody give me a leg up. 581 00:27:56,240 --> 00:27:59,320 Speaker 2: Absolutely, and I'm texting my son with my results and 582 00:27:59,320 --> 00:28:03,800 Speaker 2: we argue it. But a lot of people are loving it, 583 00:28:03,840 --> 00:28:05,160 Speaker 2: and they are obsessed with it, and there's a whole 584 00:28:05,160 --> 00:28:07,440 Speaker 2: lot of people who were irritated by people who love it. 585 00:28:07,880 --> 00:28:11,040 Speaker 2: New York Times has recently bought it. It started a 586 00:28:11,080 --> 00:28:13,640 Speaker 2: long time was made up by a software engineer called 587 00:28:13,720 --> 00:28:16,240 Speaker 2: Josh Wardle, so wordle is a play on his name. 588 00:28:16,720 --> 00:28:19,320 Speaker 2: He made this as a gift, really to his girlfriend, 589 00:28:19,400 --> 00:28:21,879 Speaker 2: to his partner who loved word games and they just 590 00:28:21,920 --> 00:28:24,480 Speaker 2: used to share it on their WhatsApp amongst friends. So 591 00:28:24,720 --> 00:28:29,480 Speaker 2: they have gone from there were ninety people playing worldwide 592 00:28:29,760 --> 00:28:31,840 Speaker 2: at the end of twenty twenty one. Now they're up 593 00:28:31,840 --> 00:28:32,520 Speaker 2: to three million. 594 00:28:32,760 --> 00:28:35,879 Speaker 1: Well that's all though, worldwide three million. 595 00:28:36,000 --> 00:28:38,640 Speaker 2: Well, it's probably higher than that because it's everyone. 596 00:28:38,640 --> 00:28:41,720 Speaker 1: Well, there's eight billion people that live in the world. 597 00:28:41,760 --> 00:28:43,160 Speaker 2: I don't know if everyone in the world is playing 598 00:28:43,160 --> 00:28:45,600 Speaker 2: World three million. That seems the lot of figures I 599 00:28:45,680 --> 00:28:48,880 Speaker 2: have in front of me. New York Times recently bought 600 00:28:48,920 --> 00:28:51,160 Speaker 2: wordle and people are saying it's got too hard. 601 00:28:51,880 --> 00:28:54,600 Speaker 1: Well, it was the carking incident, is the thing. 602 00:28:54,680 --> 00:28:58,560 Speaker 2: People have been outraged. Occasionally there's American spelling humor humr. 603 00:28:58,640 --> 00:28:59,960 Speaker 2: Australians and English people. 604 00:28:59,760 --> 00:29:01,760 Speaker 1: Are going, hang on, mans, what about tire? 605 00:29:02,960 --> 00:29:04,720 Speaker 2: That's not five letters? It's going to be five letter 606 00:29:04,720 --> 00:29:07,560 Speaker 2: of work. But the word the other week was ce 607 00:29:07,840 --> 00:29:10,280 Speaker 2: a U L cake ciulk. 608 00:29:10,920 --> 00:29:13,880 Speaker 1: What's call in the bathroom? You're carking? You get a 609 00:29:13,920 --> 00:29:15,640 Speaker 1: corking gun and you is. 610 00:29:15,600 --> 00:29:18,560 Speaker 2: It like a cealant? I have never heard that word. 611 00:29:18,640 --> 00:29:20,840 Speaker 2: Lots of people hadn't heard her, thinking it's hard enough 612 00:29:20,840 --> 00:29:23,640 Speaker 2: to try and guess a word in this puzzle. Without 613 00:29:23,640 --> 00:29:25,880 Speaker 2: it being a word most people hadn't heard of. So 614 00:29:26,080 --> 00:29:28,400 Speaker 2: some people are loving it. Someone here else is saying 615 00:29:28,560 --> 00:29:30,640 Speaker 2: The New York Times says, it's eliminated words that are 616 00:29:30,640 --> 00:29:33,200 Speaker 2: too difficult, and someone saying, really, I used to enjoy 617 00:29:33,240 --> 00:29:35,480 Speaker 2: this game because it was something I could accomplish every day. 618 00:29:35,800 --> 00:29:38,600 Speaker 2: Now it frustrates and challenges me, like all the things 619 00:29:38,640 --> 00:29:41,600 Speaker 2: I was trying to escape. So how are you feeling 620 00:29:41,640 --> 00:29:44,040 Speaker 2: about word? Do you hate people that play it? Are 621 00:29:44,040 --> 00:29:46,080 Speaker 2: you loving it? Are you angry at it? 622 00:29:46,120 --> 00:29:48,160 Speaker 1: Does it pass the podcast? I say no, because I've 623 00:29:48,200 --> 00:29:51,000 Speaker 1: got a colleague that spends most mornings tinkering with it. 624 00:29:51,080 --> 00:29:54,400 Speaker 2: I love it, Comcast. 625 00:29:54,680 --> 00:29:57,400 Speaker 1: I will ask this of you one more time. But 626 00:29:57,480 --> 00:30:02,160 Speaker 1: the invitation this weekend. You know I've taken up sailing reately, 627 00:30:03,400 --> 00:30:04,560 Speaker 1: the invitation is there. 628 00:30:04,640 --> 00:30:07,760 Speaker 2: Sailing is a loose term capsizing and bobbing around in 629 00:30:07,800 --> 00:30:08,200 Speaker 2: the harbor. 630 00:30:08,360 --> 00:30:12,400 Speaker 1: Yeah, the queen of the harbor is on this weekend. 631 00:30:12,640 --> 00:30:14,960 Speaker 1: So with the old school boats that we sail from 632 00:30:14,960 --> 00:30:18,120 Speaker 1: the thirties, they need a woman on board. And the 633 00:30:18,160 --> 00:30:20,160 Speaker 1: fellas said to me, I said, well, why don't you 634 00:30:20,160 --> 00:30:22,240 Speaker 1: ask a man she might like coming along with us? 635 00:30:22,600 --> 00:30:25,280 Speaker 1: And I said, look, I would say that's a no. 636 00:30:25,880 --> 00:30:26,840 Speaker 1: But I'm just asking you. 637 00:30:26,920 --> 00:30:30,600 Speaker 2: Now, I picture you going as the woman you know, 638 00:30:30,720 --> 00:30:32,920 Speaker 2: bugs Bunny, dressed up with your stick and a dress. 639 00:30:33,000 --> 00:30:35,560 Speaker 1: Well, that's that's the option right now. It's either me 640 00:30:35,680 --> 00:30:38,360 Speaker 1: or George dressed up as a woman, and George is 641 00:30:38,400 --> 00:30:38,880 Speaker 1: eighty one. 642 00:30:39,760 --> 00:30:43,760 Speaker 2: What would be in it for me? Because it looks aggressive, 643 00:30:43,840 --> 00:30:47,720 Speaker 2: you just get sworn at. It looks worrying because you 644 00:30:47,840 --> 00:30:50,160 Speaker 2: capsize most weeks and bob around in the harbor. Don't 645 00:30:50,160 --> 00:30:51,680 Speaker 2: feel great about doing that right now? 646 00:30:51,920 --> 00:30:55,160 Speaker 1: No, no, Actually that's more incentive not to tip over this. 647 00:30:55,560 --> 00:30:59,080 Speaker 2: Well, maybe you should dry side up. Brendan. Whenever I 648 00:30:59,120 --> 00:31:02,400 Speaker 2: see your Instagram, it's just and you're posting stuff of 649 00:31:02,640 --> 00:31:05,880 Speaker 2: sailing with the guys. It's just people yelling at each other. 650 00:31:06,400 --> 00:31:07,040 Speaker 1: Do that one. 651 00:31:07,200 --> 00:31:10,000 Speaker 7: Then you can't pull toop one down, Derek, because it's 652 00:31:10,000 --> 00:31:10,760 Speaker 7: off on an angle. 653 00:31:11,000 --> 00:31:11,520 Speaker 3: This is. 654 00:31:12,920 --> 00:31:20,720 Speaker 1: You are doing. I'm that was in the first two minutes. 655 00:31:20,800 --> 00:31:22,160 Speaker 2: Well when you put it like that, I'm in. 656 00:31:23,320 --> 00:31:24,200 Speaker 1: So we'll see you there. 657 00:31:24,360 --> 00:31:26,280 Speaker 2: It's it like Queen of Moon, but I'm in. 658 00:31:28,880 --> 00:31:32,480 Speaker 10: When gone, I want you to get right now. 659 00:31:33,120 --> 00:31:38,040 Speaker 3: I'm now go to your windows. 660 00:31:36,720 --> 00:31:42,120 Speaker 10: Stick your head on a yell. 661 00:31:42,200 --> 00:31:44,200 Speaker 1: Let's get on down to the jonesy de man of Arms, 662 00:31:44,200 --> 00:31:47,920 Speaker 1: to the pub test. Word does it pass the pub test? 663 00:31:48,080 --> 00:31:50,200 Speaker 2: I'm a little bit obsessed, but I know that since 664 00:31:50,200 --> 00:31:52,040 Speaker 2: the New York Times took it over, there seems to 665 00:31:52,080 --> 00:31:53,880 Speaker 2: have been harder words and people are going come on. 666 00:31:54,040 --> 00:31:55,680 Speaker 2: It used to be fun and now it's just tricky. 667 00:31:55,920 --> 00:31:58,000 Speaker 2: There was a word the other day, see a U 668 00:31:58,200 --> 00:32:01,640 Speaker 2: l K cork. I've never heard of it, and lots 669 00:32:01,680 --> 00:32:03,240 Speaker 2: of people hadn't heard of it. I know if you've 670 00:32:03,280 --> 00:32:06,320 Speaker 2: never feel training, I've never feeled a crack. If you're 671 00:32:06,360 --> 00:32:08,600 Speaker 2: a trader, you'd know it. Lots of people seem some 672 00:32:08,720 --> 00:32:09,280 Speaker 2: people training. 673 00:32:09,320 --> 00:32:11,280 Speaker 1: I know cork. I've got a corking gown. I've got 674 00:32:11,280 --> 00:32:12,200 Speaker 1: three corking guns. 675 00:32:12,200 --> 00:32:15,440 Speaker 2: Well, lots of people didn't know the word. Some people 676 00:32:15,480 --> 00:32:17,600 Speaker 2: are irritated that other people are loving it so much. 677 00:32:17,640 --> 00:32:19,440 Speaker 2: It seems as if you're like something, other people are 678 00:32:19,440 --> 00:32:20,720 Speaker 2: going to turn against it. 679 00:32:20,800 --> 00:32:24,080 Speaker 1: I'm irritated because I do a radio show, a moderately 680 00:32:24,080 --> 00:32:27,440 Speaker 1: successful radio show, Jones, You Demanda ever heard of it? Anyway? 681 00:32:27,800 --> 00:32:30,200 Speaker 1: Big part of that show is your co host being present. 682 00:32:30,480 --> 00:32:32,560 Speaker 1: But it's very hard for them to be present when 683 00:32:32,560 --> 00:32:35,600 Speaker 1: they're mucking around with their phone trying to work out. 684 00:32:35,560 --> 00:32:37,360 Speaker 2: I do wordle. I only do it in the bits 685 00:32:37,360 --> 00:32:39,239 Speaker 2: where I'm not required to have to look at you 686 00:32:39,520 --> 00:32:43,320 Speaker 2: or talk to you, so you know it's quite all right. 687 00:32:43,720 --> 00:32:45,680 Speaker 2: You look out the window at the passing cars. 688 00:32:45,720 --> 00:32:46,880 Speaker 1: How productive is that? 689 00:32:47,840 --> 00:32:50,560 Speaker 2: Or wordle? Does it pass the pub test? 690 00:32:51,600 --> 00:32:57,040 Speaker 12: Past the pub test? After watching a friends place there? Well, 691 00:32:57,120 --> 00:32:59,480 Speaker 12: I've got the cork work, and it's also led me 692 00:32:59,560 --> 00:33:02,640 Speaker 12: to that's been off, such as a world Norway have 693 00:33:02,920 --> 00:33:06,640 Speaker 12: yet right of it, and also there's one for lord 694 00:33:06,640 --> 00:33:07,840 Speaker 12: of the ring called lord or. 695 00:33:08,560 --> 00:33:11,280 Speaker 8: I hate it. I think it's to waste life. 696 00:33:11,560 --> 00:33:13,680 Speaker 12: Really, I mean, go and read a book. 697 00:33:13,480 --> 00:33:16,000 Speaker 5: And get the knowledge instead of just wasting your time. 698 00:33:16,240 --> 00:33:18,000 Speaker 12: Word all passes the pub test. 699 00:33:18,360 --> 00:33:19,760 Speaker 8: I am a high school teacher. 700 00:33:19,960 --> 00:33:22,160 Speaker 12: I've been using her to start my letter. You just 701 00:33:22,240 --> 00:33:22,520 Speaker 12: love it. 702 00:33:22,480 --> 00:33:26,080 Speaker 8: It's got a lovely friend who is the call or message, 703 00:33:26,080 --> 00:33:28,640 Speaker 8: and she's affect me straight away, but now she's addicted 704 00:33:28,720 --> 00:33:31,920 Speaker 8: to it and doesn't answer me straight away or get 705 00:33:31,920 --> 00:33:34,280 Speaker 8: even if they mess me. So I just hate it. 706 00:33:34,360 --> 00:33:36,120 Speaker 6: So I don't think it passed the pub test. 707 00:33:36,240 --> 00:33:38,920 Speaker 14: In fact, I'm ending any social media or any sort 708 00:33:38,920 --> 00:33:42,280 Speaker 14: of technology past the pub test because we live such 709 00:33:42,320 --> 00:33:45,720 Speaker 14: a busy life style today and have a successful family life. 710 00:33:45,720 --> 00:33:47,000 Speaker 7: You know, you just spend time together. 711 00:33:47,360 --> 00:33:50,440 Speaker 8: Nothing has gassed the pub test as much as this does. 712 00:33:50,560 --> 00:33:54,240 Speaker 5: That brings back on education and I promise starting grown. 713 00:33:54,640 --> 00:33:56,920 Speaker 12: I am all for it through worlds. 714 00:33:57,400 --> 00:34:00,400 Speaker 2: There's also one called quardle to the quarter weed four 715 00:34:00,440 --> 00:34:03,280 Speaker 2: at once, and there's you might like the loodle which 716 00:34:03,320 --> 00:34:06,560 Speaker 2: is rude words, and prudle which has no rude words, 717 00:34:07,640 --> 00:34:09,360 Speaker 2: and Labradoodle, which is a dog. 718 00:34:10,800 --> 00:34:13,720 Speaker 6: Beat me can. 719 00:34:13,600 --> 00:34:15,040 Speaker 2: Be watching much of the Winter Olympics. 720 00:34:15,080 --> 00:34:18,200 Speaker 1: I dip in and out. I like that that slalem 721 00:34:18,280 --> 00:34:19,759 Speaker 1: cross thing, that's pretty good. 722 00:34:20,200 --> 00:34:22,440 Speaker 2: You know, they trained for so many years and yet 723 00:34:22,480 --> 00:34:24,239 Speaker 2: the ones we see played again and again in the 724 00:34:24,239 --> 00:34:25,799 Speaker 2: bits where it whacks you in the nether regions. If 725 00:34:25,800 --> 00:34:29,160 Speaker 2: you see the guy that slalemed into a pole, Yeah, 726 00:34:29,239 --> 00:34:32,320 Speaker 2: well what about this guy? He his name is Yarla 727 00:34:32,320 --> 00:34:37,600 Speaker 2: Magnus Raba. He is the best Nordic combined skier in 728 00:34:37,600 --> 00:34:39,920 Speaker 2: the world. And that's an event called Nordic combined. 729 00:34:40,000 --> 00:34:43,600 Speaker 1: Oh, this is the cross country skiing, ski. 730 00:34:43,400 --> 00:34:46,879 Speaker 2: Jumping plus cross country and you compete individually and then 731 00:34:46,920 --> 00:34:48,400 Speaker 2: that's all added up to see who wins. 732 00:34:48,480 --> 00:34:50,239 Speaker 1: Is that the one where they go and ski and 733 00:34:50,280 --> 00:34:52,360 Speaker 1: then they go and have to shoot or shoot something 734 00:34:52,440 --> 00:34:54,040 Speaker 1: that's a different way, like James Bond. 735 00:34:54,320 --> 00:34:57,120 Speaker 2: Yea the James Bond and then you have to root someone, 736 00:34:58,000 --> 00:35:01,040 Speaker 2: have a martini and then it's all over. This one 737 00:35:01,120 --> 00:35:03,320 Speaker 2: is just ski jumping across country. 738 00:35:03,920 --> 00:35:06,279 Speaker 1: How did I miss that? I must be on? Is 739 00:35:06,280 --> 00:35:08,800 Speaker 1: that on? Seven plus seven? Mate? 740 00:35:09,760 --> 00:35:13,920 Speaker 2: So this guy was about to win Olympic gold. He 741 00:35:14,000 --> 00:35:16,839 Speaker 2: is the best naudic combined skier in the world. He 742 00:35:16,880 --> 00:35:19,080 Speaker 2: had a few things happen on the way to his 743 00:35:19,120 --> 00:35:22,920 Speaker 2: final event. He got COVID on his arrival into China, 744 00:35:23,080 --> 00:35:25,560 Speaker 2: so he spent most of the games alone in a 745 00:35:25,640 --> 00:35:28,839 Speaker 2: Chinese hotel, isolating, so he missed his first event. He's 746 00:35:28,840 --> 00:35:32,600 Speaker 2: missed his training sessions. He cleared isolation, but didn't really 747 00:35:32,680 --> 00:35:36,959 Speaker 2: have a chance to check out the ski route. So 748 00:35:37,040 --> 00:35:38,920 Speaker 2: he did his jump and what was left now was 749 00:35:38,960 --> 00:35:42,520 Speaker 2: the cross country. He did such an amazing jump that 750 00:35:42,640 --> 00:35:47,239 Speaker 2: he was he came. He had like a such a 751 00:35:47,280 --> 00:35:51,680 Speaker 2: head start, he was going to win the goal. He said, 752 00:35:51,960 --> 00:35:53,480 Speaker 2: I don't know how great I'm feeling today. And he 753 00:35:53,480 --> 00:35:55,120 Speaker 2: shouldn't have said that because everyone was saying, Oh, you're 754 00:35:55,120 --> 00:35:55,920 Speaker 2: going to do it. You don't do it. 755 00:35:55,920 --> 00:35:56,560 Speaker 6: You don't do it. 756 00:35:56,800 --> 00:35:58,880 Speaker 2: So he's skiing along a long thing, but he hadn't 757 00:35:58,880 --> 00:36:01,440 Speaker 2: practiced on this ski rum. And so he gets to 758 00:36:01,480 --> 00:36:04,920 Speaker 2: a junction. You turn left and that's the ski course. 759 00:36:05,680 --> 00:36:07,440 Speaker 2: You turn right. You've cocked it up. 760 00:36:09,000 --> 00:36:11,600 Speaker 1: That doesn't sign that says you've cocked it. 761 00:36:11,600 --> 00:36:13,799 Speaker 2: He was in Chinese, so he couldn't understand that it 762 00:36:13,800 --> 00:36:16,279 Speaker 2: said you've cocked it up. So he started going down 763 00:36:16,280 --> 00:36:16,719 Speaker 2: the wrong way. 764 00:36:17,600 --> 00:36:18,440 Speaker 1: Isn't there a marshall? 765 00:36:18,840 --> 00:36:20,759 Speaker 2: People were saying, oh, what are you doing? And he 766 00:36:20,840 --> 00:36:23,400 Speaker 2: realized what he had done, and he turned around, had 767 00:36:23,400 --> 00:36:25,640 Speaker 2: to climb back up the hill. By then he'd lost 768 00:36:25,960 --> 00:36:28,440 Speaker 2: his advantage. But you know what's extraordinary, it's not the 769 00:36:28,440 --> 00:36:32,440 Speaker 2: first time he's done this. In twenty sixteen, he was 770 00:36:32,600 --> 00:36:34,920 Speaker 2: eighteen years old. He was already showing signs that he 771 00:36:34,960 --> 00:36:38,759 Speaker 2: would dominate this sport. Same sort of thing happened. He 772 00:36:38,840 --> 00:36:43,360 Speaker 2: took the wrong turn and ended up getting lost. You know, 773 00:36:43,880 --> 00:36:48,239 Speaker 2: download Google Maps come on or choose the James Bond. 774 00:36:48,360 --> 00:36:52,120 Speaker 1: The James Bond route as it works much more fun. 775 00:36:52,600 --> 00:36:55,759 Speaker 1: It's twelve past eight. Speaking of fun, who wouldn't want 776 00:36:55,760 --> 00:36:57,960 Speaker 1: to go on sas Australia. 777 00:36:57,400 --> 00:36:59,720 Speaker 2: Have you seen the latest dads. They are setting people 778 00:36:59,760 --> 00:37:06,520 Speaker 2: on fire Man and Middleton is joining us next podcast. Look, 779 00:37:06,520 --> 00:37:09,400 Speaker 2: I've said it before, Sas Australia is pretty much my 780 00:37:09,480 --> 00:37:13,360 Speaker 2: idea of hell. Nothing terrifies me more than being cold, wet, 781 00:37:13,640 --> 00:37:16,640 Speaker 2: terrible toilet facilities, holding a sand bag over my head. 782 00:37:16,640 --> 00:37:19,920 Speaker 2: I can't even hold a handbag over my head. Sleep deprivation, 783 00:37:20,200 --> 00:37:23,479 Speaker 2: lack of lumber support, no cheese plates. I just couldn't deal. 784 00:37:23,800 --> 00:37:27,319 Speaker 2: But celebrities, season after season is signing up to be 785 00:37:27,360 --> 00:37:29,600 Speaker 2: put through their paces. The latest ad shows them being 786 00:37:29,600 --> 00:37:32,360 Speaker 2: set on fire. It kicks off again Monday night on 787 00:37:32,440 --> 00:37:33,719 Speaker 2: Channel seven at Middleton. 788 00:37:33,880 --> 00:37:36,360 Speaker 3: Hello having me guys, thank you. 789 00:37:36,360 --> 00:37:38,400 Speaker 2: You just have to keep up being the ante. Do 790 00:37:38,400 --> 00:37:39,440 Speaker 2: you where do you stop? 791 00:37:39,960 --> 00:37:40,560 Speaker 1: Capitation? 792 00:37:40,920 --> 00:37:44,279 Speaker 3: The actual process is six months long, so we can 793 00:37:44,520 --> 00:37:45,880 Speaker 3: we can go all day long with it. You know, 794 00:37:45,960 --> 00:37:49,440 Speaker 3: different location, different tasks, different personalities, You're going to get 795 00:37:49,480 --> 00:37:52,279 Speaker 3: a different show. And that's that's what happens. Look at 796 00:37:52,520 --> 00:37:55,920 Speaker 3: the cast here, it's phenomenal. You've got so many different characters, 797 00:37:55,960 --> 00:37:58,720 Speaker 3: You've got so many big personalities. We've got new ds 798 00:37:58,760 --> 00:38:01,719 Speaker 3: on the show, we've got new tasks and we just 799 00:38:01,800 --> 00:38:03,120 Speaker 3: have to up the anti because. 800 00:38:02,880 --> 00:38:06,600 Speaker 1: We've lost Dsilly. We've lost DS Billy and DS Foxy yep, 801 00:38:06,719 --> 00:38:09,640 Speaker 1: who I enjoyed very much. So who the you? DS? 802 00:38:09,680 --> 00:38:11,960 Speaker 3: So we've got a guy called Dean Stott who you 803 00:38:12,160 --> 00:38:14,239 Speaker 3: serve with myself. We've done a couple of tours and 804 00:38:14,239 --> 00:38:18,800 Speaker 3: we've got a seal yeah, Navy Seal Seal Team six, Clint, 805 00:38:19,239 --> 00:38:21,080 Speaker 3: and he just brings a different dynamic to the team, 806 00:38:21,719 --> 00:38:25,239 Speaker 3: different humor, different approach, and you're going to see a 807 00:38:25,280 --> 00:38:25,799 Speaker 3: different show. 808 00:38:25,960 --> 00:38:28,240 Speaker 2: Would you ever have someone soft like a poet laureate? 809 00:38:28,760 --> 00:38:30,280 Speaker 3: Do you know what? No? 810 00:38:31,840 --> 00:38:34,440 Speaker 2: Setting people on for fire? Wow? 811 00:38:34,640 --> 00:38:35,600 Speaker 1: Well do you know what that was? 812 00:38:35,640 --> 00:38:38,920 Speaker 3: Actually? Health and safety like? And we can do this 813 00:38:39,000 --> 00:38:42,200 Speaker 3: task if you want. I'm like, we're in set people 814 00:38:42,200 --> 00:38:44,040 Speaker 3: on fire. Let's do it. And do you know what 815 00:38:44,080 --> 00:38:46,600 Speaker 3: it is? It's a great starter because it makes them 816 00:38:46,640 --> 00:38:49,479 Speaker 3: realize that they've got their life in their own hands. 817 00:38:49,480 --> 00:38:50,919 Speaker 3: It's like, right, we're going to set you on fire. 818 00:38:51,000 --> 00:38:53,879 Speaker 3: You have to extinguish yourself. You have to run into 819 00:38:53,920 --> 00:38:56,920 Speaker 3: this lake, put yourself out and keep yourself alive. Now 820 00:38:57,320 --> 00:38:59,080 Speaker 3: what better task to start with? 821 00:38:59,160 --> 00:39:00,800 Speaker 1: Have you ever said self on fire? 822 00:39:01,360 --> 00:39:03,919 Speaker 3: No? I haven't, but I've been set on fire? Yeah? 823 00:39:04,000 --> 00:39:04,200 Speaker 3: Or not? 824 00:39:04,360 --> 00:39:07,080 Speaker 1: And because it is the and I have when I 825 00:39:07,160 --> 00:39:08,959 Speaker 1: used to work for a living, I used to work 826 00:39:09,239 --> 00:39:12,840 Speaker 1: grinding metal and stuff, and my overalls caught on fire, 827 00:39:13,120 --> 00:39:15,320 Speaker 1: and I remember that I didn't even realize it until 828 00:39:15,400 --> 00:39:17,000 Speaker 1: it was halfway up my legs, so you could feel 829 00:39:17,040 --> 00:39:18,840 Speaker 1: the heat. And then I got crash jackled by this 830 00:39:19,000 --> 00:39:21,200 Speaker 1: massive unit, the boss, and he's rolling me. I it 831 00:39:21,280 --> 00:39:23,400 Speaker 1: was about eighteen. I had no idea. Yeah, but it 832 00:39:23,480 --> 00:39:25,320 Speaker 1: just the you don't even feel the heat and suddenly 833 00:39:25,320 --> 00:39:25,960 Speaker 1: you're on fire. 834 00:39:26,000 --> 00:39:27,279 Speaker 3: Do you know what it is? It's one of those 835 00:39:27,280 --> 00:39:30,040 Speaker 3: where we're putting them in a situation where we go right, listen, 836 00:39:30,320 --> 00:39:33,040 Speaker 3: you have to survive. You have to keep yourself alive. 837 00:39:33,320 --> 00:39:35,120 Speaker 3: You know, on a battlefield, it is exactly the same. 838 00:39:35,320 --> 00:39:37,480 Speaker 3: You might get shot, you might get you know, it 839 00:39:37,560 --> 00:39:39,680 Speaker 3: might be an exposure, whatever there is. You have to 840 00:39:39,680 --> 00:39:43,759 Speaker 3: get yourself out of that situation to remain operable and 841 00:39:43,800 --> 00:39:45,080 Speaker 3: to crack on with the mission. 842 00:39:45,520 --> 00:39:47,960 Speaker 2: So I've spoken to some of the production people who 843 00:39:47,960 --> 00:39:50,040 Speaker 2: work on the show, and hats off to you because 844 00:39:50,080 --> 00:39:52,719 Speaker 2: they say that you set up in the morning and 845 00:39:52,760 --> 00:39:55,200 Speaker 2: you say generally it's going to be this, and then 846 00:39:55,239 --> 00:39:57,239 Speaker 2: you say, I don't want us. I don't want you 847 00:39:57,280 --> 00:40:00,759 Speaker 2: guys to interfere, So you run it as as an 848 00:40:00,840 --> 00:40:04,520 Speaker 2: actual exercise and the cameras just have to capture what happens. 849 00:40:04,560 --> 00:40:06,759 Speaker 2: You don't stop and start. It's the real deal. 850 00:40:06,840 --> 00:40:09,160 Speaker 3: For the day, I won the course, they won the 851 00:40:09,160 --> 00:40:13,440 Speaker 3: show behind the scenes and you get SS Australia. It 852 00:40:13,560 --> 00:40:15,160 Speaker 3: is a course for us. It's not a show for us. 853 00:40:15,160 --> 00:40:16,840 Speaker 3: It's real. We've been there, we've done it. You know, 854 00:40:16,840 --> 00:40:19,000 Speaker 3: we don't jump into character. People say to me and 855 00:40:19,239 --> 00:40:21,399 Speaker 3: jump into your chief, instruct the character. I'm like, no, 856 00:40:21,640 --> 00:40:22,920 Speaker 3: I jump into a mindset. 857 00:40:23,320 --> 00:40:23,440 Speaker 6: You know. 858 00:40:23,600 --> 00:40:26,200 Speaker 3: I take myself back to the battlefield. I take myself 859 00:40:26,239 --> 00:40:29,720 Speaker 3: back to combat, take myself back to selection, the selection 860 00:40:29,800 --> 00:40:32,440 Speaker 3: process that we've done. And it's real for us. You know, 861 00:40:32,520 --> 00:40:36,200 Speaker 3: we're invested emotionally, psychologically and physically just as much as 862 00:40:36,200 --> 00:40:36,760 Speaker 3: the recruits. 863 00:40:36,880 --> 00:40:39,200 Speaker 1: How hard is it to switch off? So when you're 864 00:40:39,200 --> 00:40:40,600 Speaker 1: out on the battlefield and I know you're left it 865 00:40:40,640 --> 00:40:43,680 Speaker 1: some time ago, but you had trouble when you readjusting 866 00:40:43,719 --> 00:40:45,920 Speaker 1: to Seville in life and I'm just thinking about Ben 867 00:40:46,000 --> 00:40:48,680 Speaker 1: Roberts Smith at the moment. Here's a guy who was 868 00:40:48,840 --> 00:40:51,840 Speaker 1: our most decorated soldier and he's in a world of 869 00:40:51,880 --> 00:40:53,680 Speaker 1: trouble at the moment. But I look at the size 870 00:40:53,680 --> 00:40:56,640 Speaker 1: of the guy. He is a born warrior and he's 871 00:40:56,640 --> 00:40:59,359 Speaker 1: got a sitution, a train and a trained warrior. But 872 00:41:00,400 --> 00:41:02,759 Speaker 1: society wants seem to act one way. But when you're 873 00:41:02,760 --> 00:41:05,400 Speaker 1: out on the battlefield, how do you change that mindset? 874 00:41:06,000 --> 00:41:08,600 Speaker 3: Unless you've been on the battlefield and you've been put 875 00:41:08,680 --> 00:41:15,560 Speaker 3: under that situation at that time, with that weapon, et cetera, 876 00:41:15,600 --> 00:41:19,480 Speaker 3: et cetera, then you can't possibly fathom what goes on 877 00:41:19,520 --> 00:41:23,759 Speaker 3: in one's mind. You can't possibly fathom the decisions that 878 00:41:23,800 --> 00:41:27,040 Speaker 3: we have to make, the decisions that we have to 879 00:41:26,760 --> 00:41:30,960 Speaker 3: to to execute, you know, in that given time. So 880 00:41:31,120 --> 00:41:34,359 Speaker 3: for the politician to sit back and try and rip 881 00:41:34,440 --> 00:41:40,440 Speaker 3: these poor guys apart, especially about for me, it's unacceptable. 882 00:41:40,480 --> 00:41:44,000 Speaker 3: It's like, listen, you couldn't possibly understand. Don't try to 883 00:41:44,080 --> 00:41:45,799 Speaker 3: understand because you want. You can pick it apart as 884 00:41:45,880 --> 00:41:48,440 Speaker 3: much as you want, but that is you can't get 885 00:41:48,480 --> 00:41:51,480 Speaker 3: into someone's head and you can't possibly fathom what's going 886 00:41:51,480 --> 00:41:55,920 Speaker 3: through someone's mind during that pacific moment. So I'm very 887 00:41:56,680 --> 00:41:58,560 Speaker 3: quite cut froke with it. I'm like, what happens on 888 00:41:58,640 --> 00:42:03,479 Speaker 3: the on the battlefield stays on battlefield. So for me, it's, yeah, 889 00:42:03,920 --> 00:42:06,920 Speaker 3: I'm quite cutthroat like that. Now I've done it and 890 00:42:07,000 --> 00:42:11,520 Speaker 3: it's it's it's yeah, it's a decision and a mindset 891 00:42:11,560 --> 00:42:14,600 Speaker 3: that that I don't envy. You know, I've been in 892 00:42:14,640 --> 00:42:19,640 Speaker 3: that situation where that pressure is so you know, much 893 00:42:19,800 --> 00:42:22,200 Speaker 3: is and you have to make a decision and sometimes 894 00:42:22,200 --> 00:42:23,960 Speaker 3: you get it right, sometimes you get it wrong. It's like, 895 00:42:24,840 --> 00:42:27,560 Speaker 3: but you must, you must just move forward. And to 896 00:42:27,560 --> 00:42:30,000 Speaker 3: be ripped apart like he's being ripped apart for me 897 00:42:30,560 --> 00:42:31,200 Speaker 3: is disgraceful. 898 00:42:31,480 --> 00:42:34,160 Speaker 2: Does anyone ever find on the TV show do they 899 00:42:34,200 --> 00:42:37,160 Speaker 2: find it easy? Or does does everyone find it harder 900 00:42:37,200 --> 00:42:40,160 Speaker 2: than they thought it would be? Like Sam Burger's does 901 00:42:40,160 --> 00:42:42,600 Speaker 2: he does he come through and go? It was what 902 00:42:42,680 --> 00:42:45,400 Speaker 2: I expected it to be, is like anyone who's not challenged. 903 00:42:45,600 --> 00:42:49,319 Speaker 3: No, everyone says the opposite. It was way harder. We 904 00:42:49,400 --> 00:42:51,560 Speaker 3: expect a little bit of a break or you know, 905 00:42:52,360 --> 00:42:55,640 Speaker 3: but the intensity of two weeks of being under my 906 00:42:55,800 --> 00:43:00,280 Speaker 3: charge and my ds. They didn't think that would happen. Noduction, 907 00:43:00,480 --> 00:43:02,840 Speaker 3: they can't talk to the cameraman, they can't talk to 908 00:43:02,840 --> 00:43:06,360 Speaker 3: the sound guys. It's like literally head down the production, 909 00:43:06,520 --> 00:43:09,279 Speaker 3: no eye contact. It's like you're in my world now. 910 00:43:09,719 --> 00:43:12,960 Speaker 3: You know you're adhere to our rules. If not, get 911 00:43:12,960 --> 00:43:13,520 Speaker 3: the hell out of it. 912 00:43:13,719 --> 00:43:15,279 Speaker 1: And do you get tired of yelling at people? Do 913 00:43:15,280 --> 00:43:16,719 Speaker 1: you ever get to a point saying, oh, man, I 914 00:43:16,840 --> 00:43:19,239 Speaker 1: just want to soothe that? Do you know what? 915 00:43:19,280 --> 00:43:21,200 Speaker 3: I don't. I'm not a yelly type of guy, I 916 00:43:21,239 --> 00:43:23,640 Speaker 3: believe it or not, but I get in the moment 917 00:43:23,680 --> 00:43:26,319 Speaker 3: as well. You know, I'm reliving the moment with them. 918 00:43:26,880 --> 00:43:30,200 Speaker 3: So and it's the way that I learned in the military. 919 00:43:30,360 --> 00:43:32,840 Speaker 3: You know, I learned by believe it or not, being 920 00:43:32,920 --> 00:43:36,839 Speaker 3: shouted at from a young age of seventeen, being being manhandled, 921 00:43:36,880 --> 00:43:39,200 Speaker 3: being you know, that's the way I learned quickly. So 922 00:43:39,360 --> 00:43:41,719 Speaker 3: and the dsay bring different approaches they learn, you know, 923 00:43:41,719 --> 00:43:44,160 Speaker 3: it might be more of a softer approach, or of 924 00:43:44,280 --> 00:43:49,160 Speaker 3: a more of a political or a conversational approach. But 925 00:43:49,200 --> 00:43:51,080 Speaker 3: with me it really worked when I was really pushed 926 00:43:51,120 --> 00:43:52,879 Speaker 3: and someone got in my face and really got down 927 00:43:52,880 --> 00:43:55,400 Speaker 3: and dirty with me, it really pushed me past my limits. 928 00:43:55,400 --> 00:43:56,759 Speaker 3: So that's why I do what I do. 929 00:43:57,000 --> 00:44:01,000 Speaker 1: Because Gordon Ramsey, Yes, because I'm watching you do it. 930 00:44:01,000 --> 00:44:02,960 Speaker 1: Because there's a bit where you're like you're really on 931 00:44:03,120 --> 00:44:05,560 Speaker 1: you're really on someone. But then and then there's this 932 00:44:05,800 --> 00:44:08,319 Speaker 1: you have empathy with them, and then you have you know, 933 00:44:08,560 --> 00:44:10,520 Speaker 1: at the end of it when they leave, and there's 934 00:44:10,560 --> 00:44:14,319 Speaker 1: been some really emotional moments where you've said goodbye to 935 00:44:14,320 --> 00:44:16,120 Speaker 1: people on the show and you think, well, you know, 936 00:44:16,920 --> 00:44:20,799 Speaker 1: you've got this almost Stockholm syndrome going with your with 937 00:44:20,920 --> 00:44:21,840 Speaker 1: your constituents. 938 00:44:22,080 --> 00:44:23,879 Speaker 3: Yeah, like I said, it's in the moment. You see 939 00:44:23,880 --> 00:44:26,880 Speaker 3: the shouting in the moment. It's never scripted. It's like, 940 00:44:27,040 --> 00:44:29,200 Speaker 3: it's in that moment I want to get through to you, 941 00:44:29,280 --> 00:44:31,840 Speaker 3: want to try and get into your head how serious 942 00:44:31,880 --> 00:44:35,680 Speaker 3: this is and how important it is. And then after 943 00:44:35,719 --> 00:44:38,920 Speaker 3: that it's yes, it is mentoring in a way. It's like, listen, 944 00:44:39,080 --> 00:44:41,000 Speaker 3: you know, now, this is how you break it down, 945 00:44:41,080 --> 00:44:42,960 Speaker 3: This is how you digest it, this is how you 946 00:44:43,000 --> 00:44:46,400 Speaker 3: process it in order to move forward. And yeah, empathy 947 00:44:46,480 --> 00:44:49,160 Speaker 3: is a part of humanity. You know, you look at someone, 948 00:44:49,239 --> 00:44:51,160 Speaker 3: you go, right, I've pushed them to a certain extent 949 00:44:51,200 --> 00:44:53,200 Speaker 3: now where they need to learn. There's no point in 950 00:44:53,239 --> 00:44:57,040 Speaker 3: just pushing them, pushing them, breaking them, because that's pointless. 951 00:44:57,320 --> 00:44:58,560 Speaker 3: So you push them and push them and you go 952 00:44:58,760 --> 00:45:01,120 Speaker 3: put them back. You go right, that's take this down now, 953 00:45:01,719 --> 00:45:03,600 Speaker 3: what have you learned from this? And hopefully they move 954 00:45:03,640 --> 00:45:04,120 Speaker 3: forward from me. 955 00:45:04,239 --> 00:45:06,040 Speaker 1: That's why I've signed Amanda up for next season. 956 00:45:06,120 --> 00:45:08,799 Speaker 2: Yes, Amanda, I would like the lumber support. I would 957 00:45:08,840 --> 00:45:13,239 Speaker 2: like a cheese played about every afternoon, soldier. I'd like 958 00:45:13,280 --> 00:45:15,240 Speaker 2: a poet laureate to shout in my face. 959 00:45:15,440 --> 00:45:16,080 Speaker 3: Listen, I'm. 960 00:45:18,480 --> 00:45:21,120 Speaker 1: It's always toilet. It's always a treat to talk to you. 961 00:45:21,200 --> 00:45:23,120 Speaker 1: We love catching up with you every time. Essay is 962 00:45:23,120 --> 00:45:27,280 Speaker 1: Australia Bringings Monday on seven. Aunt Middleton, thank you for joining. 963 00:45:27,080 --> 00:45:28,920 Speaker 3: Us, sun Listen. Thanks guys, thank you so much. 964 00:45:29,320 --> 00:45:41,560 Speaker 2: Jonesy and Amanda podcast The Flat is Ticking How Much 965 00:45:41,600 --> 00:45:45,680 Speaker 2: Love Producer Millie gets married to Tim today. Look, I'm 966 00:45:45,719 --> 00:45:48,040 Speaker 2: a bit confused because I've got I'm doing a reading 967 00:45:48,040 --> 00:45:52,920 Speaker 2: from Corinthians and there's two versions. I've got one Millie's 968 00:45:52,920 --> 00:45:56,120 Speaker 2: printed out too for me, and they're slightly different. One's 969 00:45:56,160 --> 00:45:59,680 Speaker 2: the sort of old school and one's the new one. 970 00:46:00,200 --> 00:46:03,080 Speaker 1: They may do it, well, I'll do it. I'll get 971 00:46:03,160 --> 00:46:04,000 Speaker 1: up there and I'm. 972 00:46:03,840 --> 00:46:05,920 Speaker 2: Happy to do it. I'm just wondering if if I'm 973 00:46:05,920 --> 00:46:08,280 Speaker 2: going to offend people by reading out the modern Bible 974 00:46:08,360 --> 00:46:11,600 Speaker 2: version as opposed to the old tongue twister old school. 975 00:46:11,640 --> 00:46:13,640 Speaker 1: Why don't you make it up? Why don't you choose 976 00:46:13,640 --> 00:46:17,919 Speaker 1: your favorite passage from the Bible like Pam, Why don't 977 00:46:17,960 --> 00:46:18,440 Speaker 1: you do that? 978 00:46:19,040 --> 00:46:21,680 Speaker 2: Speaking tongues of mental rangels. 979 00:46:23,640 --> 00:46:24,560 Speaker 1: You know I've had enough. 980 00:46:24,600 --> 00:46:27,680 Speaker 2: I know you're a little jealous because Whipper, who Millie 981 00:46:27,680 --> 00:46:29,320 Speaker 2: has worked in the past and is a very close 982 00:46:29,360 --> 00:46:31,919 Speaker 2: friend of hers, is also doing a reading. And you've 983 00:46:31,920 --> 00:46:33,200 Speaker 2: got your nose out of joint. 984 00:46:33,440 --> 00:46:36,040 Speaker 1: I'm doing nothing. I've been given the job of usher. 985 00:46:37,040 --> 00:46:37,680 Speaker 2: What's wrong with that? 986 00:46:38,000 --> 00:46:40,919 Speaker 1: Usher? You give that to like a kid or some 987 00:46:41,239 --> 00:46:42,880 Speaker 1: special uncle or something. 988 00:46:42,960 --> 00:46:47,000 Speaker 2: We'll read something into that. How thick are you? 989 00:46:47,160 --> 00:46:50,239 Speaker 1: And Webber comes in and crashes as show, showing off 990 00:46:50,280 --> 00:46:51,080 Speaker 1: with his poetry. 991 00:46:51,080 --> 00:46:54,040 Speaker 13: This morning my soul can reach when filling out of 992 00:46:54,080 --> 00:46:59,200 Speaker 13: sight for the ends of being an ideal grace. I 993 00:46:59,239 --> 00:47:02,640 Speaker 13: love these to the level of every day. I love 994 00:47:03,160 --> 00:47:07,240 Speaker 13: the freely as Ben strive for right. I love the pure. 995 00:47:07,560 --> 00:47:09,640 Speaker 1: Yeah, that's all good, Champ. Anyway, you better get going, 996 00:47:09,680 --> 00:47:11,319 Speaker 1: because Fitz he's going to wonder where you are. 997 00:47:11,480 --> 00:47:13,120 Speaker 4: No, no, no, he's got an under control back. They're 998 00:47:13,160 --> 00:47:14,799 Speaker 4: having a good time, you guys having a good time. Yeah, 999 00:47:14,840 --> 00:47:17,320 Speaker 4: all right, Well, this door seems to be closing on me. 1000 00:47:17,680 --> 00:47:19,920 Speaker 1: What will you see? That's the thing. It's automated. 1001 00:47:20,080 --> 00:47:21,560 Speaker 2: No, it's not. You're pushing on it. 1002 00:47:21,640 --> 00:47:23,080 Speaker 4: Yeah, it appears that you're pushing me in. 1003 00:47:23,239 --> 00:47:25,120 Speaker 1: No, no, I think it's brake and I'll get the text. 1004 00:47:27,719 --> 00:47:28,800 Speaker 2: That wasn't nice, Brendan. 1005 00:47:28,840 --> 00:47:30,719 Speaker 1: It's an automated door. I can't help it if it's 1006 00:47:30,719 --> 00:47:31,680 Speaker 1: slammed in his face. 1007 00:47:31,840 --> 00:47:35,759 Speaker 2: His reading is beautiful. I don't forget get your little 1008 00:47:35,800 --> 00:47:36,279 Speaker 2: bow tie. 1009 00:47:36,640 --> 00:47:38,200 Speaker 1: I'm not wearing a bow tie. 1010 00:47:38,680 --> 00:47:52,080 Speaker 2: You're on the left, sham. Our favorite Goolie of the 1011 00:47:52,160 --> 00:47:54,919 Speaker 2: year will win twenty thousand dollars cash and a year's 1012 00:47:54,920 --> 00:47:58,560 Speaker 2: supply of chocolate from Darryl Lee Daryl Lee making it 1013 00:47:58,600 --> 00:48:01,200 Speaker 2: better since nineteen twenty seve What have we got today? 1014 00:48:01,800 --> 00:48:08,160 Speaker 8: What my gooli is people who talk in a baby voice. 1015 00:48:08,120 --> 00:48:10,320 Speaker 5: You know, just to try and be puke. 1016 00:48:11,440 --> 00:48:12,160 Speaker 2: Do you ever do that? 1017 00:48:12,320 --> 00:48:17,560 Speaker 1: No? No, no, no, that's my baby voice? Is that 1018 00:48:17,600 --> 00:48:21,319 Speaker 1: how you speak? I spoke like that? Hungry can light 1019 00:48:21,400 --> 00:48:21,960 Speaker 1: me a smoke. 1020 00:48:23,200 --> 00:48:24,239 Speaker 2: You're gonna believe what. 1021 00:48:24,239 --> 00:48:24,919 Speaker 1: I just saw? 1022 00:48:26,360 --> 00:48:27,239 Speaker 2: What else have we got? 1023 00:48:28,000 --> 00:48:31,840 Speaker 5: Nothing peaves me or more than when I asked my 1024 00:48:32,000 --> 00:48:35,480 Speaker 5: husband to do something and I have to ask for 1025 00:48:35,640 --> 00:48:39,120 Speaker 5: six months. He finally does the job that I ask him, 1026 00:48:39,520 --> 00:48:43,799 Speaker 5: but whatever tools he uses for that job, he then leaves. 1027 00:48:43,520 --> 00:48:45,240 Speaker 8: Them out for twelve months. 1028 00:48:45,239 --> 00:48:47,879 Speaker 5: So figure does my head in. 1029 00:48:47,920 --> 00:48:49,640 Speaker 1: You've got a circular saw in the corridor. 1030 00:48:49,920 --> 00:48:53,360 Speaker 2: That is an excellent ghoulie. I think we're all relating 1031 00:48:53,360 --> 00:48:53,640 Speaker 2: to that. 1032 00:48:53,800 --> 00:48:55,239 Speaker 1: Out with the bad with the good of you dipped 1033 00:48:55,239 --> 00:48:57,120 Speaker 1: out doesn't matter. You can always call that hotline number 1034 00:48:57,200 --> 00:48:59,439 Speaker 1: nine oh six one seven, nine eighty four. The week 1035 00:48:59,480 --> 00:49:03,640 Speaker 1: that was Jimbo's Jibber Jabber coming up next. You know, 1036 00:49:03,719 --> 00:49:07,400 Speaker 1: Jim Dolan has been working harder than Amanda's vocal exercises 1037 00:49:07,600 --> 00:49:11,440 Speaker 1: for her reading at today's wedding for our executive producer. 1038 00:49:11,120 --> 00:49:18,600 Speaker 2: Millie, I'll start again, Unique New York, Unique New York. 1039 00:49:18,719 --> 00:49:20,520 Speaker 1: It's tar than it looks, and he's come up with 1040 00:49:20,560 --> 00:49:22,240 Speaker 1: this Jimbos. 1041 00:49:25,080 --> 00:49:27,399 Speaker 14: It's been a while since Tim Finn has been able 1042 00:49:27,440 --> 00:49:29,680 Speaker 14: to perform, so it was nice that he and brother 1043 00:49:29,760 --> 00:49:32,600 Speaker 14: Neil got to play it there nephew's wedding recently. 1044 00:49:32,840 --> 00:49:35,759 Speaker 1: What was the song you played at the nephew's wedding? Oh, 1045 00:49:35,800 --> 00:49:38,400 Speaker 1: we did a whole set. We always start by saying well, 1046 00:49:38,400 --> 00:49:40,560 Speaker 1: I need you three and we end up doing about 1047 00:49:40,560 --> 00:49:43,759 Speaker 1: ten or eleven. We finished with Icy Red, which was an. 1048 00:49:43,719 --> 00:49:46,200 Speaker 7: All in kind of fiasco with everybody kind of grabbing 1049 00:49:46,200 --> 00:49:47,120 Speaker 7: the mic and having you go. 1050 00:49:47,400 --> 00:49:48,440 Speaker 1: But it was really loose. 1051 00:49:49,440 --> 00:49:51,240 Speaker 2: So not everyone in the family is musical. 1052 00:49:52,520 --> 00:49:53,360 Speaker 8: We all love music. 1053 00:49:54,120 --> 00:49:54,799 Speaker 7: Its start. 1054 00:49:55,440 --> 00:49:58,080 Speaker 1: I guess it's like anyone else's uncle sings at a wedding, 1055 00:49:58,360 --> 00:50:01,360 Speaker 1: that's a bad thing, but you uncles singing at a wedding, 1056 00:50:01,600 --> 00:50:03,080 Speaker 1: that's a good That's true. 1057 00:50:03,840 --> 00:50:08,080 Speaker 14: Drug cheets, crazy spectators, high speed crashes just some of 1058 00:50:08,120 --> 00:50:10,279 Speaker 14: the things that the Child of France has to deal with. 1059 00:50:10,560 --> 00:50:11,759 Speaker 1: There's also but. 1060 00:50:11,800 --> 00:50:14,040 Speaker 2: The biggest thing, as it were, that they have to 1061 00:50:14,080 --> 00:50:18,719 Speaker 2: remove are penises. D and b's are drawn along the 1062 00:50:18,800 --> 00:50:21,640 Speaker 2: whole route, as it were, off the Tour de France. 1063 00:50:21,760 --> 00:50:24,400 Speaker 2: And this is what you don't think about. All those aerials, shots, 1064 00:50:24,680 --> 00:50:27,880 Speaker 2: a little villages, they're riding through, the majesty the sport, 1065 00:50:28,000 --> 00:50:31,120 Speaker 2: all of that can be derailed by all you see 1066 00:50:31,320 --> 00:50:33,239 Speaker 2: is a giant D and B and they're all the 1067 00:50:33,239 --> 00:50:37,000 Speaker 2: way along the route. So this team has to head 1068 00:50:37,040 --> 00:50:40,879 Speaker 2: out and erase them or change them. And what they 1069 00:50:40,920 --> 00:50:41,440 Speaker 2: do they have. 1070 00:50:41,400 --> 00:50:42,880 Speaker 1: To match the paint. How do they do that. 1071 00:50:43,000 --> 00:50:44,680 Speaker 2: Well, no, if there might be a giant D and 1072 00:50:44,760 --> 00:50:48,799 Speaker 2: B and they turn it into a butterfly, nice, but. 1073 00:50:51,760 --> 00:50:52,640 Speaker 1: It's turning into. 1074 00:50:52,480 --> 00:50:53,840 Speaker 2: A caterpillar as we watch. 1075 00:50:54,200 --> 00:50:57,160 Speaker 1: Would you call them a crack squid? Or is that 1076 00:50:57,160 --> 00:51:01,840 Speaker 1: that's on the back roads? Super Bowl Blue? Everyone away, 1077 00:51:02,040 --> 00:51:02,800 Speaker 1: forget the game. 1078 00:51:03,000 --> 00:51:06,600 Speaker 14: I'm talking about the halftime entertainment from Doctor dre running 1079 00:51:06,600 --> 00:51:09,520 Speaker 14: proceedings to Snoop Dogg having a cheeky choke on some 1080 00:51:09,680 --> 00:51:12,280 Speaker 14: reefer to take the edge off to em and m dressed. 1081 00:51:12,280 --> 00:51:15,799 Speaker 14: There's a cross between the Unibomber and justin Chimberlake. It 1082 00:51:15,960 --> 00:51:18,120 Speaker 14: truly was an awesome spectacular. 1083 00:51:18,280 --> 00:51:19,960 Speaker 11: You get a lot of bang for your buck if 1084 00:51:20,000 --> 00:51:21,799 Speaker 11: you go to the Super Bowl, but you pay for it. 1085 00:51:22,360 --> 00:51:25,839 Speaker 11: Tickets start at eight and a half thousand dollars. They 1086 00:51:25,880 --> 00:51:28,640 Speaker 11: go up to forty six thousand dollars. 1087 00:51:28,840 --> 00:51:29,040 Speaker 1: Yeah. 1088 00:51:29,239 --> 00:51:30,360 Speaker 2: Do you know how much it costs to go to 1089 00:51:30,360 --> 00:51:34,200 Speaker 2: the NRL Grand Final thirty bucks and a diamond ticket 1090 00:51:34,239 --> 00:51:35,120 Speaker 2: is three hundred and eighty. 1091 00:51:35,200 --> 00:51:37,319 Speaker 1: Well, I have breaking news with the footy season just 1092 00:51:37,360 --> 00:51:40,680 Speaker 1: around the corner. The NRL have pulled out poor stops. 1093 00:51:40,760 --> 00:51:43,960 Speaker 2: Well have they been shamed into really doing an amazing show? 1094 00:51:44,120 --> 00:51:50,600 Speaker 1: This is what you're getting this year too. I'm going 1095 00:51:50,640 --> 00:51:51,520 Speaker 1: to full snoop doggs. 1096 00:51:51,560 --> 00:51:53,280 Speaker 2: If he's got something to take our head. 1097 00:51:53,239 --> 00:51:57,400 Speaker 1: Job, that's worth thirty bucks. As you get changed and 1098 00:51:57,560 --> 00:51:58,360 Speaker 1: breaking news. 1099 00:51:58,560 --> 00:52:02,759 Speaker 14: American crime Show and CIS is apparently coming to Australia. 1100 00:52:02,840 --> 00:52:05,520 Speaker 14: Of course they're going to have to use some local talent. 1101 00:52:05,920 --> 00:52:08,799 Speaker 14: And how could you go past YouTube, particularly after that 1102 00:52:08,880 --> 00:52:12,880 Speaker 14: time alongside Ida Buttros you played journalists when the Bold 1103 00:52:12,920 --> 00:52:14,359 Speaker 14: and the Beautiful came out of here? 1104 00:52:14,600 --> 00:52:16,719 Speaker 2: Really, how are supposed to keep up with you? 1105 00:52:16,760 --> 00:52:19,040 Speaker 7: I'll run fast and very very. 1106 00:52:18,920 --> 00:52:22,200 Speaker 14: Hard, work in the morning and marry in the afternoon. 1107 00:52:22,719 --> 00:52:24,439 Speaker 2: Yeah, that's just how we roll. 1108 00:52:24,480 --> 00:52:26,680 Speaker 1: I guess we'll the press be invited to the wedding. 1109 00:52:28,120 --> 00:52:29,759 Speaker 2: No no photos, no videos, no. 1110 00:52:29,880 --> 00:52:32,080 Speaker 7: Present It's strictly family private. 1111 00:52:32,120 --> 00:52:35,000 Speaker 1: Evan, Before you go, how about you don't marry me. 1112 00:52:35,480 --> 00:52:38,960 Speaker 1: You stay here and you marry me. We can make 1113 00:52:39,000 --> 00:52:43,640 Speaker 1: a life together. I'm a great call. Okay, surely the 1114 00:52:43,640 --> 00:52:44,359 Speaker 1: wedding is off? 1115 00:52:44,560 --> 00:52:46,800 Speaker 6: Ah No, not on your lafe. 1116 00:52:47,440 --> 00:52:47,720 Speaker 3: True. 1117 00:52:48,400 --> 00:52:49,640 Speaker 1: I thought I was great in that. 1118 00:52:50,520 --> 00:52:54,200 Speaker 2: N CIS is Naval Criminal Investigative Services, so it's naval gazing. 1119 00:52:54,239 --> 00:52:55,120 Speaker 8: You can get a role in that. 1120 00:52:55,800 --> 00:52:59,160 Speaker 1: So you know which network's running this ch ten. This 1121 00:52:59,320 --> 00:53:03,399 Speaker 1: is you. It's me, Okay. I never asked I never 1122 00:53:03,440 --> 00:53:05,640 Speaker 1: asked you to do any in for me. There'd be 1123 00:53:06,080 --> 00:53:08,840 Speaker 1: I could be that guy there's been a bloody murder. 1124 00:53:09,880 --> 00:53:13,640 Speaker 11: Then suddenly you'll taste it in the genitals. 1125 00:53:14,120 --> 00:53:16,120 Speaker 2: I'll see what I can do. 1126 00:53:16,160 --> 00:53:19,239 Speaker 14: You know, on second to us, I'll keep the phone on. 1127 00:53:19,400 --> 00:53:25,160 Speaker 14: I'm sure they'll be calling you. This has been Jimbo's our. 1128 00:53:25,040 --> 00:53:28,360 Speaker 1: Favorite caller email on Facebook. Friend winds the night's accommodation 1129 00:53:28,400 --> 00:53:31,400 Speaker 1: and breakfast to at the Crown Plaza, Sydney, Darling Harbor. 1130 00:53:32,120 --> 00:53:33,680 Speaker 2: That's right, You're also went to Jones in a man 1131 00:53:33,760 --> 00:53:36,719 Speaker 2: of Fridge magnet and a branded tea towel. Today if 1132 00:53:36,840 --> 00:53:39,360 Speaker 2: if your flashback was all about celebrating the life of 1133 00:53:39,400 --> 00:53:43,200 Speaker 2: a CDC's Bond Scott Saturday, Mark's forty two years since 1134 00:53:43,200 --> 00:53:43,880 Speaker 2: his passing. 1135 00:53:44,200 --> 00:53:45,960 Speaker 1: Yeah, you went for a long Way to the. 1136 00:53:45,920 --> 00:53:52,759 Speaker 9: Top and I went with Highway to Hell because the 1137 00:53:52,840 --> 00:53:57,799 Speaker 9: category was greatest Bond Scott song with ac DC ever I. 1138 00:53:57,880 --> 00:53:59,840 Speaker 2: Won, But I think man of the Match should go 1139 00:54:00,200 --> 00:54:02,480 Speaker 2: justin in old to Gabby, your son really hit a 1140 00:54:02,520 --> 00:54:03,080 Speaker 2: nerve with him. 1141 00:54:03,560 --> 00:54:03,799 Speaker 1: Brother. 1142 00:54:03,960 --> 00:54:07,279 Speaker 7: His name was Le's nickname. Over me him and my 1143 00:54:07,360 --> 00:54:11,680 Speaker 7: wife's us. We seen acc as the old entertainment Center 1144 00:54:12,280 --> 00:54:16,279 Speaker 7: and unfortunately we lost him a few years ago and 1145 00:54:17,280 --> 00:54:19,799 Speaker 7: one of his wishes was that we carried him into 1146 00:54:19,840 --> 00:54:21,799 Speaker 7: the trap on to Oway to Hell. 1147 00:54:22,000 --> 00:54:25,080 Speaker 2: A very emotional story I can tell. I'm sorry Justin 1148 00:54:25,160 --> 00:54:28,560 Speaker 2: for the boss. 1149 00:54:28,840 --> 00:54:30,200 Speaker 1: Got to take it where you get it. 1150 00:54:30,600 --> 00:54:32,680 Speaker 3: Right at you t that's enough. 1151 00:54:32,680 --> 00:54:34,920 Speaker 2: I'm not sure why you've got the Prayse had nothing 1152 00:54:34,960 --> 00:54:38,280 Speaker 2: to do with this song. I'dly fills up. Next, cash 1153 00:54:38,320 --> 00:54:40,120 Speaker 2: Man is back and we are back at six o'clock 1154 00:54:40,120 --> 00:54:42,719 Speaker 2: to night for jam nation. Good and Milly and Tim. 1155 00:54:42,760 --> 00:54:44,360 Speaker 2: We wish you all the love in the world. 1156 00:54:44,840 --> 00:54:46,720 Speaker 1: Well, thank god, that's sober. 1157 00:54:46,760 --> 00:54:52,880 Speaker 4: Good Bye, good bye, wipe a podcaster. 1158 00:54:53,000 --> 00:54:54,759 Speaker 2: Today's show is available to. 1159 00:54:54,760 --> 00:54:56,960 Speaker 7: Download from the iHeartRadio app. 1160 00:54:57,000 --> 00:55:04,440 Speaker 1: All the Cool Kids are Doing It, Change It, Change 1161 00:55:05,680 --> 00:55:08,160 Speaker 1: Jonesy and Amanda podcast. 1162 00:55:08,360 --> 00:55:11,360 Speaker 2: Catch up on what you've missed on the free iHeartRadio app.