1 00:00:00,080 --> 00:00:01,600 Speaker 1: And I don't know if I'll show that as why 2 00:00:01,680 --> 00:00:04,240 Speaker 1: I collaborate blew up. But that's why collaborate blew up 3 00:00:04,280 --> 00:00:06,680 Speaker 1: because Ronnie mentioned the elephant in the room. 4 00:00:06,760 --> 00:00:10,280 Speaker 2: Will the Woodies Celebrity Apprentice dpre right? 5 00:00:11,840 --> 00:00:13,280 Speaker 1: I think a lot of the time, when we come 6 00:00:13,280 --> 00:00:15,760 Speaker 1: in here and we record this, we're not sure what 7 00:00:15,840 --> 00:00:18,400 Speaker 1: will make the TV, say not ture if it will 8 00:00:18,440 --> 00:00:22,479 Speaker 1: make it. Of course, I feel very confident that the 9 00:00:22,560 --> 00:00:27,000 Speaker 1: two of us spanking each other in gold g strings 10 00:00:27,760 --> 00:00:31,760 Speaker 1: will have made the cut. Did it dawn on you 11 00:00:31,880 --> 00:00:35,600 Speaker 1: when we were doing that that Australia was going to 12 00:00:35,600 --> 00:00:38,720 Speaker 1: be watching it? No, Because I was saying I was 13 00:00:38,800 --> 00:00:40,599 Speaker 1: not thinking about that. I don't think about that though. 14 00:00:40,600 --> 00:00:42,239 Speaker 1: You just you're out there doing the thing that you 15 00:00:42,320 --> 00:00:44,519 Speaker 1: need to do to win the challenge. 16 00:00:44,600 --> 00:00:48,440 Speaker 2: But I was embarrassed enough with what thirteen people watching. Yeah, 17 00:00:48,800 --> 00:00:50,600 Speaker 2: Like I was like, oh god, this is embarrassing that 18 00:00:50,640 --> 00:00:52,560 Speaker 2: there's thirteen people will see me in a gold g 19 00:00:52,720 --> 00:00:55,800 Speaker 2: string YEA, literally spanking your ass. And it only dawned 20 00:00:55,800 --> 00:00:58,920 Speaker 2: on me like afterwards that our families are going to 21 00:00:58,960 --> 00:01:02,280 Speaker 2: watch that. 22 00:01:00,920 --> 00:01:02,320 Speaker 3: Like there'll be footage of that forever. 23 00:01:03,760 --> 00:01:06,840 Speaker 2: My right testicle popping out while you're spanking my ass. 24 00:01:12,560 --> 00:01:15,759 Speaker 2: It was actually a pretty outrageous task, wasn't it. It 25 00:01:15,800 --> 00:01:19,080 Speaker 2: was an outrageous and like, you know, you. 26 00:01:19,000 --> 00:01:21,560 Speaker 1: Don't want to make anyone do anything that they don't 27 00:01:21,560 --> 00:01:24,600 Speaker 1: want to do. So I'm certainly not in the camp 28 00:01:24,640 --> 00:01:29,440 Speaker 1: of saying that you should have had to have been 29 00:01:29,480 --> 00:01:32,160 Speaker 1: in just lingerie. In fact, I think the other team 30 00:01:32,240 --> 00:01:37,800 Speaker 1: was smarter in that they didn't, yeah, do lingerie. Like 31 00:01:38,400 --> 00:01:39,880 Speaker 1: we all just had it in our heads that we 32 00:01:40,080 --> 00:01:42,840 Speaker 1: just had to get nerd apart from these jocks that 33 00:01:42,880 --> 00:01:43,400 Speaker 1: we've made. 34 00:01:43,640 --> 00:01:46,360 Speaker 2: Well, I think they all walked out with like tights 35 00:01:46,400 --> 00:01:49,560 Speaker 2: on underneath obviously, Yeah, it was the obvious thing to do, Yeah, 36 00:01:49,560 --> 00:01:52,680 Speaker 2: because they obviously realized, well, Australia's going to see this. Yeah, 37 00:01:52,720 --> 00:01:54,640 Speaker 2: I'm not going to get in the g string. But 38 00:01:54,720 --> 00:01:58,800 Speaker 2: I think our whole message of our campaign was empowerment 39 00:01:58,880 --> 00:02:01,440 Speaker 2: and being comfortable, so it would have flown in the 40 00:02:01,440 --> 00:02:02,800 Speaker 2: face of that if we had tights on. 41 00:02:03,400 --> 00:02:04,000 Speaker 3: Absolutely. 42 00:02:04,320 --> 00:02:05,520 Speaker 2: But again, we don't know if you guys going to 43 00:02:05,560 --> 00:02:07,840 Speaker 2: see this or not, but we pretty much weren't there 44 00:02:07,840 --> 00:02:10,920 Speaker 2: for the entire task. Yeah, we had to go and 45 00:02:10,960 --> 00:02:14,320 Speaker 2: do the radio show, So I'm pretty sure by the way, 46 00:02:14,320 --> 00:02:16,000 Speaker 2: on TV. This is going to look like one day, 47 00:02:16,280 --> 00:02:18,240 Speaker 2: it was two days. It was two days. We had 48 00:02:18,280 --> 00:02:24,480 Speaker 2: to leave, so we rocked up. We saw Amy and 49 00:02:24,520 --> 00:02:26,760 Speaker 2: then who we knew was coming by the way. Yeah, 50 00:02:26,760 --> 00:02:29,160 Speaker 2: there were whispers amongst the car. It wasn't whispers, we 51 00:02:29,200 --> 00:02:32,280 Speaker 2: had it. It was more than a whisper. It was 52 00:02:32,320 --> 00:02:36,160 Speaker 2: like pretty much confirmed she was rocking up. And all 53 00:02:36,160 --> 00:02:38,400 Speaker 2: the producers were like, oh, make sure we make surprise, 54 00:02:39,280 --> 00:02:43,200 Speaker 2: and it's just like, yeah, we all know. Is there 55 00:02:43,240 --> 00:02:46,200 Speaker 2: someone behind the curtain, Yes, it's Amy Shark. 56 00:02:46,560 --> 00:02:47,480 Speaker 3: Let's just get this on y. 57 00:02:48,680 --> 00:02:49,520 Speaker 2: Yeah. 58 00:02:49,600 --> 00:02:52,640 Speaker 1: And then she had to perform to us like three 59 00:02:52,760 --> 00:02:56,360 Speaker 1: times for the cameras and Burl's dancers and stuff. 60 00:02:56,520 --> 00:02:57,720 Speaker 3: Yeah, which is hard for her. You know. 61 00:02:57,760 --> 00:03:00,240 Speaker 2: The first time she performed it wasn't with a microphone. Yeah, 62 00:03:00,280 --> 00:03:03,880 Speaker 2: and that's obviously to help the audio for Channel nine. 63 00:03:03,760 --> 00:03:05,440 Speaker 3: But that was tough for her. 64 00:03:05,639 --> 00:03:08,119 Speaker 2: She's just going songs microphone and we're all just sitting 65 00:03:08,160 --> 00:03:12,880 Speaker 2: there in the crowd being like, oh, great work, that's good. 66 00:03:13,680 --> 00:03:15,800 Speaker 2: But that was pretty cool though, performance from Amy Sharks. 67 00:03:15,800 --> 00:03:17,880 Speaker 2: So that that was on the Friday, and then this 68 00:03:18,040 --> 00:03:22,640 Speaker 2: Saturday was actually the catwalk. Yeah that's right, So we 69 00:03:22,760 --> 00:03:26,200 Speaker 2: leave immediately after Amie's performance, we go onto the radio 70 00:03:26,280 --> 00:03:28,600 Speaker 2: show Yes, which means we miss out on all the 71 00:03:28,639 --> 00:03:30,359 Speaker 2: preparation for and. 72 00:03:30,320 --> 00:03:33,120 Speaker 1: We miss out on all the ins and outs and yes, 73 00:03:33,480 --> 00:03:36,240 Speaker 1: and in our team in Collaborate. 74 00:03:36,920 --> 00:03:37,600 Speaker 3: What was. 75 00:03:39,040 --> 00:03:43,480 Speaker 1: The death of Collaborate really like, so we still don't 76 00:03:43,520 --> 00:03:45,680 Speaker 1: really know what happened in that room. No, but we 77 00:03:45,760 --> 00:03:48,160 Speaker 1: got home and well, you and I were on the 78 00:03:48,160 --> 00:03:54,200 Speaker 1: phone too, Drea, Benji and Sammy yeah, individually going like 79 00:03:55,480 --> 00:03:56,240 Speaker 1: shit's fucked. 80 00:03:56,600 --> 00:04:01,080 Speaker 3: Yeah like this, Yeah, this team is broken. 81 00:04:01,200 --> 00:04:03,880 Speaker 2: Benji was really off back. Benji was like, she told 82 00:04:03,920 --> 00:04:06,200 Speaker 2: me to shut up. So I just didn't want to 83 00:04:06,200 --> 00:04:10,800 Speaker 2: provide anything to be there. Teria and Benji left early to. 84 00:04:10,760 --> 00:04:12,720 Speaker 1: Go and see their kids, which is fair enough, like 85 00:04:12,760 --> 00:04:14,600 Speaker 1: they were actually allowed to go and see their kids. 86 00:04:14,600 --> 00:04:16,599 Speaker 3: But that got and then. 87 00:04:18,279 --> 00:04:22,400 Speaker 1: I think the I think some of the cast members, 88 00:04:24,279 --> 00:04:27,040 Speaker 1: how do I say this, who. 89 00:04:30,200 --> 00:04:35,279 Speaker 3: Like a hammer and a nail? Nice, very cryptic. 90 00:04:36,279 --> 00:04:41,800 Speaker 2: Doesn't mind the beautiful Victorian holiday spot Bonnie doone. 91 00:04:43,600 --> 00:04:44,640 Speaker 3: Rhymes with Ronnie? 92 00:04:55,240 --> 00:05:00,960 Speaker 1: I think they were how do we put this, playing 93 00:05:01,000 --> 00:05:03,920 Speaker 1: it up a bit for TV? Yeah, they're very conscious 94 00:05:04,000 --> 00:05:07,760 Speaker 1: of making good TV. Yes, it's as good as. 95 00:05:07,360 --> 00:05:09,440 Speaker 3: We're doing Ronnie. Yeah, we're doing, Ronni, we're talking. 96 00:05:09,440 --> 00:05:12,000 Speaker 1: We're probably talking Beck as well, like really like not 97 00:05:12,120 --> 00:05:15,880 Speaker 1: not that she's overly produced, but they've got a hard job, guys, 98 00:05:15,920 --> 00:05:20,200 Speaker 1: because they're used to being on reality TV shows. And 99 00:05:20,240 --> 00:05:22,600 Speaker 1: they're probably the only two people in the whole cast 100 00:05:22,640 --> 00:05:24,839 Speaker 1: that are used to being on reality TV shows. 101 00:05:24,880 --> 00:05:27,239 Speaker 3: Yes, and so they know they realize it's a shot 102 00:05:27,400 --> 00:05:27,960 Speaker 3: and it is. 103 00:05:28,040 --> 00:05:29,800 Speaker 2: It is real, guys, like one hundred percent, Like the 104 00:05:29,800 --> 00:05:31,840 Speaker 2: stress you see on TV is one hundred percent real 105 00:05:31,960 --> 00:05:33,520 Speaker 2: now and in the day there are some scenes that 106 00:05:33,560 --> 00:05:35,680 Speaker 2: we're asked to do or areas we're asked to go 107 00:05:35,760 --> 00:05:39,800 Speaker 2: where clearly producers are wanting those areas. Now, you're right. 108 00:05:39,839 --> 00:05:42,640 Speaker 2: I think the people outside of Ronnie and Beck who 109 00:05:42,640 --> 00:05:45,160 Speaker 2: are used to reality TV are quite resistant to that 110 00:05:45,520 --> 00:05:47,160 Speaker 2: dred percent. It's like, why am I being fake? Can 111 00:05:47,200 --> 00:05:48,839 Speaker 2: we just focus on the real thing, which is the 112 00:05:48,880 --> 00:05:50,880 Speaker 2: task Ronnie and Becker better at going? 113 00:05:51,520 --> 00:05:52,440 Speaker 3: We need to make good TV? 114 00:05:52,680 --> 00:05:54,840 Speaker 1: Yeah, Yeah, there's two there's two layers to this. There's 115 00:05:54,839 --> 00:05:57,320 Speaker 1: the television show that we're making, and there's the task 116 00:05:57,400 --> 00:05:59,520 Speaker 1: that we're doing for the television show. And sure there'll 117 00:05:59,560 --> 00:06:01,400 Speaker 1: be elements that get taken out of the task which 118 00:06:01,400 --> 00:06:03,960 Speaker 1: will be entertaining. But at the same time, we need 119 00:06:04,000 --> 00:06:10,560 Speaker 1: to find drama and all these different things within the 120 00:06:11,480 --> 00:06:12,440 Speaker 1: war rooms. 121 00:06:12,080 --> 00:06:13,840 Speaker 3: That we have and all that sort of stuff. 122 00:06:13,960 --> 00:06:16,480 Speaker 1: And when you get in a room with someone who 123 00:06:16,680 --> 00:06:19,920 Speaker 1: you know is just retired as a professional athlete, someone 124 00:06:19,920 --> 00:06:23,640 Speaker 1: who is a professional singer, and someone who is possibly 125 00:06:23,680 --> 00:06:28,480 Speaker 1: the realist person who has died three times in their 126 00:06:28,520 --> 00:06:34,760 Speaker 1: life in Terio, they don't handle fake very well. Don't skip, 127 00:06:34,760 --> 00:06:36,640 Speaker 1: don't skip, do not skip. I know this looks like 128 00:06:36,640 --> 00:06:39,200 Speaker 1: an ad. Sounds like an ad. Smells like an ad. 129 00:06:39,200 --> 00:06:41,760 Speaker 1: I trying to say, well. 130 00:06:41,680 --> 00:06:43,440 Speaker 3: No, it's not. It's not a giveaway. We've got twenty 131 00:06:43,480 --> 00:06:45,280 Speaker 3: five thousand dollars to give away. I don't need to skip. 132 00:06:45,320 --> 00:06:47,720 Speaker 1: It's not just some you know, crappy message about how 133 00:06:47,760 --> 00:06:51,320 Speaker 1: you can store your ideas better on some online platform. 134 00:06:51,360 --> 00:06:53,719 Speaker 1: That's what these ads are normal for twenty five thousand 135 00:06:53,760 --> 00:06:55,479 Speaker 1: much to give away. Absolute We've got it's all thanks 136 00:06:55,480 --> 00:06:57,640 Speaker 1: to the Legends of Channel nine. In this podcast, every 137 00:06:57,640 --> 00:07:00,480 Speaker 1: single Sunday, we're releasing a unique code work. All you've 138 00:07:00,480 --> 00:07:03,600 Speaker 1: got to do is enter all the code words online 139 00:07:03,600 --> 00:07:04,840 Speaker 1: at Willinwoody dot com. 140 00:07:04,920 --> 00:07:06,680 Speaker 3: The twenty five thousand bus could be yours. It is 141 00:07:06,720 --> 00:07:07,240 Speaker 3: that simple. 142 00:07:07,440 --> 00:07:08,960 Speaker 1: You just have to listen all the way through to 143 00:07:08,960 --> 00:07:12,760 Speaker 1: the podcasts on Sunday. Yeah, okay, so Sunday is when 144 00:07:12,800 --> 00:07:15,480 Speaker 1: that code word is released. Keep listening to the Daily 145 00:07:15,520 --> 00:07:18,920 Speaker 1: Debrief on iHeartRadio for the next code word on Sunday 146 00:07:19,080 --> 00:07:19,840 Speaker 1: Woods Bladio. 147 00:07:19,920 --> 00:07:22,080 Speaker 2: Who's going to face Lord Trigger's firing line? Stream on 148 00:07:22,200 --> 00:07:24,800 Speaker 2: The Celebrity Apprentice for free on nine now? Terms interesting 149 00:07:24,840 --> 00:07:25,280 Speaker 2: to do a plut? 150 00:07:25,600 --> 00:07:27,400 Speaker 3: No, they don't handle it well at all. 151 00:07:27,440 --> 00:07:29,680 Speaker 2: Neither too, were you to be fair, We're a bit 152 00:07:29,800 --> 00:07:31,360 Speaker 2: more understanding of it. 153 00:07:31,640 --> 00:07:34,360 Speaker 1: Well, I think, I think, because yeah, that's all we're 154 00:07:34,400 --> 00:07:36,440 Speaker 1: in the business. We're in the business of putting shows 155 00:07:36,480 --> 00:07:36,960 Speaker 1: on every day. 156 00:07:37,040 --> 00:07:39,120 Speaker 2: Yes, so we sort of get that, you know, you 157 00:07:39,160 --> 00:07:40,240 Speaker 2: need to do and. 158 00:07:40,160 --> 00:07:42,480 Speaker 1: You and I know that like TV performances. When we 159 00:07:42,520 --> 00:07:45,680 Speaker 1: have people who are TV people come into the radio studio, 160 00:07:47,600 --> 00:07:52,520 Speaker 1: they often don't understand how raw our show is. Yes, 161 00:07:52,560 --> 00:07:54,040 Speaker 1: Like they will be like, oh, can you just tell 162 00:07:54,080 --> 00:07:56,680 Speaker 1: me what the bid is? And we're like, absolutely not. 163 00:07:57,200 --> 00:07:59,360 Speaker 1: Why would we tell you that? Yes, let's keep it 164 00:07:59,480 --> 00:08:04,800 Speaker 1: real and spot you know so, and sometimes you do. 165 00:08:04,880 --> 00:08:07,120 Speaker 1: It depends on the person how much you trust them 166 00:08:07,160 --> 00:08:09,880 Speaker 1: as a performer. But for Ronnie and Beck, who have 167 00:08:09,960 --> 00:08:13,800 Speaker 1: only ever been in the media on reality shows. You know, 168 00:08:13,840 --> 00:08:16,160 Speaker 1: Benji's done heaps of media before, Trees done heaps media 169 00:08:16,200 --> 00:08:17,880 Speaker 1: before Sam, He's done heaps the media before, but it 170 00:08:17,920 --> 00:08:18,440 Speaker 1: hasn't been. 171 00:08:18,400 --> 00:08:19,840 Speaker 3: The reality show that Benji. 172 00:08:20,440 --> 00:08:24,080 Speaker 1: For Ronnie and Beck, it is exclusive for reality shows 173 00:08:24,080 --> 00:08:28,720 Speaker 1: and then made a certain way, and that's the TV. 174 00:08:29,840 --> 00:08:31,080 Speaker 3: That's the only TV then I had to make. 175 00:08:31,920 --> 00:08:36,679 Speaker 1: So when you add no sleep and the task of 176 00:08:36,720 --> 00:08:42,679 Speaker 1: trying to make a lingerie line in like twelve hours, 177 00:08:44,440 --> 00:08:46,360 Speaker 1: that tension becomes more than attension. 178 00:08:46,720 --> 00:08:49,480 Speaker 2: And it was existent. So we didn't see it on Friday, 179 00:08:49,520 --> 00:08:51,520 Speaker 2: but we received the calls from a whole bunch of people, 180 00:08:52,040 --> 00:08:54,319 Speaker 2: and then it got to Saturday where we rock up 181 00:08:54,320 --> 00:08:58,000 Speaker 2: and the vibe was weird. It was strange, right, It 182 00:08:58,040 --> 00:09:00,079 Speaker 2: was just like, I don't know what's happened here, but 183 00:09:00,120 --> 00:09:02,160 Speaker 2: everyone's a bit off each other. And then there was 184 00:09:02,240 --> 00:09:04,800 Speaker 2: one big blow up moment which again will not be 185 00:09:04,840 --> 00:09:06,400 Speaker 2: shown on TV, but I'm happy. 186 00:09:06,120 --> 00:09:08,559 Speaker 3: To talk about. It was a waxing. 187 00:09:08,320 --> 00:09:11,600 Speaker 2: Around, the waxing on. You left, you left the room, 188 00:09:12,400 --> 00:09:14,880 Speaker 2: So what it happened is I don't think that won't 189 00:09:14,880 --> 00:09:17,840 Speaker 2: show that no way, but I'm happy to talk about it. Yeah, 190 00:09:17,960 --> 00:09:19,880 Speaker 2: Ronnie had organized and I actually think this is really funny. 191 00:09:19,960 --> 00:09:22,480 Speaker 2: Ronnie had organized Ronnie in the team had organized us 192 00:09:22,520 --> 00:09:25,040 Speaker 2: to wear golden g strinks, which again you've seen if 193 00:09:25,080 --> 00:09:28,080 Speaker 2: you've seen the episode, great hilarious, funny stitch out, we 194 00:09:28,120 --> 00:09:30,800 Speaker 2: have to wear g strinks. And he also organized a waxing. 195 00:09:31,800 --> 00:09:35,080 Speaker 2: Now I'm pretty down for whatever. I was like, yeah, 196 00:09:35,120 --> 00:09:38,000 Speaker 2: you can give me a wax whatever. You were a 197 00:09:38,080 --> 00:09:41,960 Speaker 2: bit more like, understandably, I'm not getting waxed on TV, 198 00:09:42,360 --> 00:09:43,440 Speaker 2: Like I just no. 199 00:09:43,840 --> 00:09:45,839 Speaker 1: But it wasn't even just like getting waxed on TV. 200 00:09:46,040 --> 00:09:49,880 Speaker 1: It was just like, I'm not I have like I 201 00:09:49,920 --> 00:09:51,480 Speaker 1: have a lot more hair than you have. 202 00:09:51,640 --> 00:09:53,120 Speaker 3: It's true. No, it's very true. 203 00:09:53,160 --> 00:09:57,520 Speaker 1: And and I understand there's a gag there, but also 204 00:09:59,200 --> 00:10:01,360 Speaker 1: you know, I think with every gag that comes up, 205 00:10:01,440 --> 00:10:03,840 Speaker 1: you have to ask yourself, is the juice worth the squeeze? 206 00:10:03,920 --> 00:10:06,960 Speaker 3: Yes, it's going to be really funny, don't get me wrong. 207 00:10:07,280 --> 00:10:11,280 Speaker 1: But like, first of all, well, I'm just gonna be 208 00:10:11,320 --> 00:10:14,319 Speaker 1: like bleeding yeah for the performance. 209 00:10:14,520 --> 00:10:16,480 Speaker 2: If we compare the two of us, it's the Amazonian 210 00:10:16,600 --> 00:10:19,880 Speaker 2: jungle via a shrub by a desert road. That's sort 211 00:10:19,920 --> 00:10:22,840 Speaker 2: of the comparison of our body here. Absolutely, so you 212 00:10:22,920 --> 00:10:25,360 Speaker 2: were like no, and then I was naturally I was 213 00:10:25,400 --> 00:10:28,480 Speaker 2: putting up a resistance, but to be honest, I was 214 00:10:28,480 --> 00:10:30,559 Speaker 2: playing Ronnie's game there rather like this is funny area 215 00:10:30,600 --> 00:10:32,640 Speaker 2: if I put up a resistance and eventually I will 216 00:10:32,640 --> 00:10:35,160 Speaker 2: get whacks. Ye, And we're doing that. But then as 217 00:10:35,200 --> 00:10:38,840 Speaker 2: I'm putting up resistance, people start defending me. Taria and 218 00:10:38,880 --> 00:10:40,960 Speaker 2: Sammy are going Ronnie, if he doesn't want to do it, 219 00:10:41,000 --> 00:10:43,360 Speaker 2: he doesn't have to do it. This wasn't my intention, 220 00:10:43,480 --> 00:10:45,680 Speaker 2: but all of a sudden, we've got the whole team 221 00:10:45,679 --> 00:10:48,360 Speaker 2: against Ronnie going, you shouldn't be forcing someone to whax 222 00:10:48,360 --> 00:10:50,560 Speaker 2: if they don't want to. Yes, yes, yes, And then 223 00:10:50,640 --> 00:10:53,920 Speaker 2: Ronnie said the line, yeah, okay, that's cool, guys, let's 224 00:10:53,960 --> 00:10:54,880 Speaker 2: just not make good TV. 225 00:10:55,120 --> 00:10:55,320 Speaker 3: Yeah. 226 00:10:55,320 --> 00:10:57,280 Speaker 1: And he says that on camera, he doesn't say it 227 00:10:57,280 --> 00:11:00,840 Speaker 1: off camera. It's like he breaks he breaks character. 228 00:11:00,960 --> 00:11:04,840 Speaker 2: And Benji was it was just a big turning point 229 00:11:04,840 --> 00:11:06,160 Speaker 2: where it was like, what are we doing? 230 00:11:06,400 --> 00:11:06,679 Speaker 3: Yeah? 231 00:11:06,960 --> 00:11:10,560 Speaker 2: Is this Are we doing this for real or show fake? 232 00:11:10,760 --> 00:11:11,319 Speaker 3: Yeah? 233 00:11:11,320 --> 00:11:12,000 Speaker 2: And I know Ronnie. 234 00:11:12,040 --> 00:11:13,040 Speaker 3: Ronnie was just frustrated. 235 00:11:13,040 --> 00:11:14,920 Speaker 2: I don't hold this against Ronnie as we've just been 236 00:11:14,960 --> 00:11:17,200 Speaker 2: talking about. He is trying to make good TV. 237 00:11:17,320 --> 00:11:18,960 Speaker 3: He totally gets it, but he did blow. 238 00:11:19,040 --> 00:11:22,600 Speaker 2: He went too far there, I reckon, and then eventually 239 00:11:22,679 --> 00:11:25,000 Speaker 2: I was just like, mate, I'll go and get whacked. 240 00:11:25,040 --> 00:11:26,760 Speaker 1: I'm trying to I'm trying to think of an analogy 241 00:11:26,800 --> 00:11:31,600 Speaker 1: for you guys. Like it's almost like, see, obviously, when 242 00:11:31,600 --> 00:11:33,360 Speaker 1: we step in front of the camera to make the 243 00:11:33,400 --> 00:11:34,600 Speaker 1: reality TV show. 244 00:11:34,520 --> 00:11:37,960 Speaker 3: We dispel we dispel. 245 00:11:39,200 --> 00:11:43,360 Speaker 1: Reality, right, that's we're not we' yes it's a reality show, 246 00:11:43,360 --> 00:11:45,080 Speaker 1: but we are in front of cameras exactly. 247 00:11:45,200 --> 00:11:45,760 Speaker 2: We know that. 248 00:11:45,800 --> 00:11:48,520 Speaker 1: We all know that the number one rule is that 249 00:11:48,600 --> 00:11:51,280 Speaker 1: you don't mention that we're in front of the cameras 250 00:11:51,679 --> 00:11:55,880 Speaker 1: for the sake of the show, because yes, well, then 251 00:11:56,080 --> 00:11:59,080 Speaker 1: the whole image gets broken, and then it just questions 252 00:11:59,520 --> 00:12:02,240 Speaker 1: what you do there, and it basically undermines all your 253 00:12:02,240 --> 00:12:04,800 Speaker 1: effort because you're like, well, sure, if we just point 254 00:12:04,840 --> 00:12:07,880 Speaker 1: out what's actually going on here, we're doing a stupid task, yes, 255 00:12:07,960 --> 00:12:13,480 Speaker 1: to see who's going to get fired in inverted commas. Yes, yes, 256 00:12:13,559 --> 00:12:15,880 Speaker 1: there's tension and drama around that. But as soon as 257 00:12:15,880 --> 00:12:18,520 Speaker 1: you dispell that, it just makes us all look like idiots. 258 00:12:18,600 --> 00:12:20,040 Speaker 3: Yes, and it's. 259 00:12:19,880 --> 00:12:22,160 Speaker 1: A little bit like the only analogy I could think of. 260 00:12:22,360 --> 00:12:25,160 Speaker 1: It's a little bit like if you're having sex with 261 00:12:25,240 --> 00:12:27,839 Speaker 1: someone who you're used to having sex with, and you're 262 00:12:27,840 --> 00:12:31,199 Speaker 1: doing like, you know, like role play or like dirty 263 00:12:31,240 --> 00:12:33,840 Speaker 1: talk or something like that, where you're both making yourself 264 00:12:34,000 --> 00:12:37,440 Speaker 1: very vulnerable in that moment, and then one of you 265 00:12:37,559 --> 00:12:38,960 Speaker 1: makes fun of the other person. 266 00:12:39,000 --> 00:12:41,960 Speaker 2: Oh, that's actually a great analogy. Then you're out of 267 00:12:42,000 --> 00:12:44,640 Speaker 2: it and you're like, oh, wait, this is ridiculous because 268 00:12:44,640 --> 00:12:47,160 Speaker 2: we're role playing. Yes, both people just keep role playing. 269 00:12:47,240 --> 00:12:48,600 Speaker 3: Yes, it's totally it's fine. 270 00:12:48,800 --> 00:12:49,000 Speaker 2: Yeah. 271 00:12:49,280 --> 00:12:51,160 Speaker 1: And as soon as someone says it to you, and 272 00:12:51,200 --> 00:12:54,040 Speaker 1: he's like, hey, that's a dumb thing to say, you know, 273 00:12:54,120 --> 00:12:56,560 Speaker 1: I don't want to be your. 274 00:12:58,240 --> 00:12:59,080 Speaker 3: Porcupine. 275 00:12:59,600 --> 00:13:02,559 Speaker 2: Sure, for all those there's a little insight into your bedroom, 276 00:13:02,559 --> 00:13:05,280 Speaker 2: but a porcupine played a bit of spiky player for 277 00:13:05,320 --> 00:13:07,439 Speaker 2: the boys, for. 278 00:13:07,440 --> 00:13:10,559 Speaker 3: All the rodent for play that people enjoy it. 279 00:13:12,480 --> 00:13:13,800 Speaker 2: But as soon as you say I don't want to 280 00:13:13,800 --> 00:13:16,240 Speaker 2: be your porcupine, then the person who is the porcupine 281 00:13:16,840 --> 00:13:20,240 Speaker 2: looks like an idiot. Yes, yes, you don't want to 282 00:13:20,240 --> 00:13:24,520 Speaker 2: do that to the person who's playing the porcupine. So anyway, anyway, 283 00:13:24,559 --> 00:13:26,120 Speaker 2: so that was a moment. Again, you won't see that 284 00:13:26,160 --> 00:13:26,920 Speaker 2: on TV, but I. 285 00:13:26,800 --> 00:13:29,400 Speaker 3: Think that explained. That was why we blew up. 286 00:13:29,440 --> 00:13:31,080 Speaker 1: And I don't know I'll show that as why I 287 00:13:31,120 --> 00:13:33,840 Speaker 1: collaborate blew up, But that's why collaborate blew up because 288 00:13:33,920 --> 00:13:36,880 Speaker 1: Ronnie mentioned the elephant in the room and like, you 289 00:13:36,920 --> 00:13:39,640 Speaker 1: guys aren't pulling your weight, not in the task but 290 00:13:39,720 --> 00:13:42,280 Speaker 1: in the TV that I want to make and that 291 00:13:42,480 --> 00:13:44,160 Speaker 1: was like an it was not okay. 292 00:13:44,200 --> 00:13:46,560 Speaker 2: And I think a big tension in this show in 293 00:13:46,600 --> 00:13:49,560 Speaker 2: general is be the same person that you are on 294 00:13:49,679 --> 00:13:52,160 Speaker 2: camera as you are off camera, and that is starting 295 00:13:52,200 --> 00:13:55,439 Speaker 2: to change where you're getting people off camera being normal 296 00:13:55,480 --> 00:13:57,040 Speaker 2: and then as soon as they're on camera they're acting 297 00:13:57,080 --> 00:13:59,560 Speaker 2: in a different way. And I know that's really annoying 298 00:13:59,679 --> 00:14:02,080 Speaker 2: some people in the cast and that tension starting to 299 00:14:02,080 --> 00:14:05,600 Speaker 2: come through on camera. Yeah, big time. Anyway, So that 300 00:14:05,720 --> 00:14:08,360 Speaker 2: was a big moment on Saturday, which explains a bit 301 00:14:08,400 --> 00:14:10,719 Speaker 2: of the tension. And then obviously you're going to see 302 00:14:10,760 --> 00:14:15,920 Speaker 2: the catwalk, which is totally wild where in gold g 303 00:14:16,040 --> 00:14:20,200 Speaker 2: Strings you got spray to hand, which was hilarious because 304 00:14:20,240 --> 00:14:24,960 Speaker 2: they even sprayed hand your bald head, so your bald 305 00:14:25,040 --> 00:14:29,280 Speaker 2: head looked bronzed, which was extraordinary. Oh and by the way, 306 00:14:29,360 --> 00:14:31,560 Speaker 2: pulling the curtain down, you hadn't seen your girlfriend for 307 00:14:31,600 --> 00:14:32,360 Speaker 2: what six weeks? 308 00:14:32,440 --> 00:14:34,000 Speaker 3: Yeah, five or six weeks. 309 00:14:34,240 --> 00:14:37,480 Speaker 2: And she had flown into Sydney that night. So when 310 00:14:37,520 --> 00:14:40,800 Speaker 2: you went and saw her, he was just beautifully. 311 00:14:40,240 --> 00:14:46,480 Speaker 3: Brothers like a bodybuilder. She was like what I actually 312 00:14:46,520 --> 00:14:47,360 Speaker 3: I called her on the way. 313 00:14:47,440 --> 00:14:49,800 Speaker 1: I was like, just so you know, I've had a 314 00:14:49,880 --> 00:14:54,480 Speaker 1: spray to hand and she was like naturally, like why, 315 00:14:55,200 --> 00:14:58,320 Speaker 1: it's gonna be fine? Yeah, and I said I had 316 00:14:58,320 --> 00:14:59,000 Speaker 1: to do it for the show. 317 00:14:59,640 --> 00:15:00,600 Speaker 3: Actually you loved it. 318 00:15:01,200 --> 00:15:03,800 Speaker 2: Yeah, man, you look great, which is shocking now because 319 00:15:03,800 --> 00:15:06,400 Speaker 2: I've sort of set that precedent. No. True, she's gonna 320 00:15:06,400 --> 00:15:08,000 Speaker 2: want you to tan up, which I know you're. 321 00:15:08,040 --> 00:15:09,720 Speaker 3: Very anti from Antie turning. 322 00:15:10,720 --> 00:15:12,400 Speaker 2: But yeah, you did look good. You look really good. 323 00:15:12,800 --> 00:15:14,840 Speaker 2: You're set on the TV screens. I'm actually curious to 324 00:15:14,840 --> 00:15:16,640 Speaker 2: see us on the TV screens, just to see how 325 00:15:16,680 --> 00:15:17,800 Speaker 2: we come up on the catwall. 326 00:15:17,800 --> 00:15:19,960 Speaker 1: I think we both are like, we copped it baking 327 00:15:20,000 --> 00:15:21,880 Speaker 1: from Nick in the last episode as well. 328 00:15:22,280 --> 00:15:24,600 Speaker 2: Yeah we did, didn't we? Yeah, he said to step up. 329 00:15:24,720 --> 00:15:26,040 Speaker 2: We couldn't have responded worse. 330 00:15:28,200 --> 00:15:31,440 Speaker 1: Spanking each other in God, geez, like three meters from him. 331 00:15:31,560 --> 00:15:33,800 Speaker 2: We had a moment, didn't we. You were spanking my 332 00:15:33,880 --> 00:15:34,960 Speaker 2: eyes and we both made eyes. 333 00:15:35,000 --> 00:15:36,680 Speaker 3: Yeah, we were just volume. 334 00:15:37,320 --> 00:15:41,560 Speaker 1: He was like when I said, step up, I never 335 00:15:41,680 --> 00:15:42,360 Speaker 1: expected this. 336 00:15:42,760 --> 00:15:46,960 Speaker 3: Careful what you wish for? Bell, Careful what you wish for. 337 00:15:47,000 --> 00:15:49,320 Speaker 2: There's a weird tension starting to build between us and 338 00:15:49,360 --> 00:15:51,120 Speaker 2: the advisors, like. 339 00:15:51,080 --> 00:15:53,720 Speaker 1: I'm not sure we belong, but we keep dodging bullets, 340 00:15:53,760 --> 00:15:55,360 Speaker 1: and Lord, I feel. 341 00:15:56,680 --> 00:16:00,400 Speaker 3: Getting around us. 342 00:15:59,160 --> 00:16:00,640 Speaker 2: Because he just got he this brings up the thing 343 00:16:00,640 --> 00:16:03,600 Speaker 2: that we do in the task, has four gags about 344 00:16:03,640 --> 00:16:05,200 Speaker 2: the thing that we did, and then he just moves 345 00:16:05,240 --> 00:16:07,360 Speaker 2: off and doesn't give us any exactly. And the advisors 346 00:16:07,360 --> 00:16:11,800 Speaker 2: are always like, slow the down, why aren't you these. 347 00:16:11,680 --> 00:16:13,440 Speaker 1: Guys Yeah, and we don't know if they're going to show, 348 00:16:14,240 --> 00:16:16,760 Speaker 1: but it's always just like you two are shiit? 349 00:16:18,080 --> 00:16:19,440 Speaker 3: How are you not getting cooked? 350 00:16:19,480 --> 00:16:23,560 Speaker 2: We walk away, yeah, yeah, yeah yeah. 351 00:16:23,040 --> 00:16:24,360 Speaker 3: And then we just head straight to the root it. 352 00:16:24,360 --> 00:16:27,360 Speaker 2: We're still boardroom virgins, Like we still haven't been in 353 00:16:27,440 --> 00:16:30,240 Speaker 2: the bottom three. Yeah, including this last episode where you 354 00:16:30,280 --> 00:16:31,880 Speaker 2: and I went into the boardroom. So we lost the 355 00:16:31,960 --> 00:16:36,560 Speaker 2: challenge by miles country miles, which totally fair enough. And 356 00:16:36,560 --> 00:16:37,840 Speaker 2: then we go to the boardroom and you and I 357 00:16:37,840 --> 00:16:40,240 Speaker 2: are like, we're definitely bottom three. All we did, we 358 00:16:40,240 --> 00:16:42,320 Speaker 2: did none of the preparation, and then we spanked each 359 00:16:42,360 --> 00:16:45,040 Speaker 2: other's asses in a gold g string, which totally went 360 00:16:45,080 --> 00:16:48,240 Speaker 2: off the message of our whole catwalk. So we're sitting 361 00:16:48,240 --> 00:16:52,040 Speaker 2: there and she brought with her to the boardroom Ronnie 362 00:16:52,680 --> 00:16:58,800 Speaker 2: and Sammy, which we speculate was Beck wanting to bring 363 00:16:58,960 --> 00:17:01,440 Speaker 2: Ronnie into the bottom three. 364 00:17:01,320 --> 00:17:03,000 Speaker 3: So that she had someone to back her up to 365 00:17:03,080 --> 00:17:04,080 Speaker 3: Can Sammy. 366 00:17:04,040 --> 00:17:07,400 Speaker 2: Both attack Sammy for the design mistake that she made. Yeah, 367 00:17:07,400 --> 00:17:08,879 Speaker 2: which time you put her hand up and said that 368 00:17:08,920 --> 00:17:12,320 Speaker 2: she did. That's true, That's very very true. But running 369 00:17:12,359 --> 00:17:12,840 Speaker 2: in was weird. 370 00:17:12,880 --> 00:17:15,639 Speaker 3: Yeah, bringing running in if she was backing herself up, 371 00:17:15,680 --> 00:17:16,160 Speaker 3: it was clever. 372 00:17:16,400 --> 00:17:19,120 Speaker 2: Yeah, And this is a big part of the show. 373 00:17:19,160 --> 00:17:20,879 Speaker 2: I guess that you and I don't really engage in. 374 00:17:20,920 --> 00:17:22,760 Speaker 3: Is there there is a game the. 375 00:17:22,720 --> 00:17:28,359 Speaker 2: Game play, But Sammy owned that, Semi owned that gold. 376 00:17:29,160 --> 00:17:31,840 Speaker 2: I think she went for the gold jocks instead of 377 00:17:31,880 --> 00:17:34,000 Speaker 2: the bear jocks. She owned that, which is a bad decision. 378 00:17:34,119 --> 00:17:35,680 Speaker 1: Which is a bad decision, but at the same time, 379 00:17:36,160 --> 00:17:39,720 Speaker 1: it was the only reason that you could have had 380 00:17:39,720 --> 00:17:43,160 Speaker 1: the luxury to look like a nineties wrestler on stage, 381 00:17:44,160 --> 00:17:46,880 Speaker 1: which I absolutely frothed. 382 00:17:47,640 --> 00:17:50,200 Speaker 2: It was very Actually, I'm looking forward to seeing this episode. 383 00:17:50,280 --> 00:17:52,240 Speaker 1: If you had have walked out onto a set of 384 00:17:52,359 --> 00:17:54,040 Speaker 1: wwe would have fun. 385 00:17:54,080 --> 00:17:57,440 Speaker 3: It would have been like, Wow, yeah, this is Ohld 386 00:17:57,520 --> 00:18:01,719 Speaker 3: Cogan's nephew. That's where you look like you were you were, 387 00:18:03,600 --> 00:18:05,240 Speaker 3: you were phenomenal and you. 388 00:18:05,280 --> 00:18:07,880 Speaker 2: Had a lot of Jason Stadium about you. Jason Stadium 389 00:18:07,920 --> 00:18:11,440 Speaker 2: after a holiday and Sardinia with his wife Rose Huntington Whitley, 390 00:18:12,040 --> 00:18:18,240 Speaker 2: which is actually his wife anyway. So who got fired Sammy, 391 00:18:19,520 --> 00:18:22,760 Speaker 2: which is actually really sad for us people were the 392 00:18:22,800 --> 00:18:26,359 Speaker 2: closest to was our show girlfriends You and Teria a 393 00:18:26,440 --> 00:18:29,000 Speaker 2: show girlfriend and boyfriend. I was girlfriend and boyfriend with Sammy, 394 00:18:29,480 --> 00:18:31,960 Speaker 2: so hard to lose her. But I think at the 395 00:18:32,040 --> 00:18:34,480 Speaker 2: end of the day, it's pretty full on, so she 396 00:18:34,640 --> 00:18:36,000 Speaker 2: wasn't that sad to be leaving. 397 00:18:36,520 --> 00:18:39,359 Speaker 1: No, Sammy is okay to leave. But yeah, we bloody 398 00:18:39,400 --> 00:18:41,919 Speaker 1: loves Sammy, so we will miss her. 399 00:18:42,600 --> 00:18:45,040 Speaker 3: Yeah, but she's not dead. We're always talking. 400 00:18:47,240 --> 00:18:49,120 Speaker 2: Yeah, even when we messaged them, it's like we will 401 00:18:49,119 --> 00:18:51,160 Speaker 2: miss you. It's like it's weird because like I could 402 00:18:51,160 --> 00:18:52,640 Speaker 2: still call you and catch up with you for comic 403 00:18:52,760 --> 00:18:53,880 Speaker 2: but it probably just won't happen. 404 00:18:54,600 --> 00:18:58,879 Speaker 3: So true anyway, guys, we live on. 405 00:18:59,400 --> 00:19:00,240 Speaker 2: Yeah, see next time.