1 00:00:01,360 --> 00:00:04,480 Speaker 1: All right, everyone, it's one forty seven pm, which means 2 00:00:04,680 --> 00:00:06,880 Speaker 1: Tina Arena is thirteen minutes. 3 00:00:06,640 --> 00:00:09,600 Speaker 2: Away, and you don't have a menu on. We're recording. 4 00:00:09,680 --> 00:00:12,000 Speaker 1: The boys are currently discussing whether they should get a 5 00:00:12,160 --> 00:00:13,640 Speaker 1: menure for Tina Arena. 6 00:00:13,880 --> 00:00:16,279 Speaker 3: I think the French menu because just in case she 7 00:00:16,400 --> 00:00:19,520 Speaker 3: comes over and goes, oh, I wouldn't mind seen that menu. 8 00:00:19,880 --> 00:00:21,680 Speaker 2: Then there isn't a menu there that covers blind. 9 00:00:21,960 --> 00:00:24,000 Speaker 4: I've got a frenchman who we just go bistro. 10 00:00:23,840 --> 00:00:25,960 Speaker 2: Chiery perfect again. Yeah? 11 00:00:26,079 --> 00:00:27,160 Speaker 4: Are we actually recording this? 12 00:00:27,320 --> 00:00:27,520 Speaker 5: Yeah? 13 00:00:27,520 --> 00:00:29,200 Speaker 4: Man, okay, hi everyone here you going? 14 00:00:30,200 --> 00:00:30,400 Speaker 5: Yeah? 15 00:00:30,520 --> 00:00:32,440 Speaker 4: Tom said, we're ten minutes from Tina. I'm eating a 16 00:00:32,479 --> 00:00:32,960 Speaker 4: protein bar. 17 00:00:33,240 --> 00:00:34,920 Speaker 2: Will's very nervous. What he's eating? 18 00:00:34,920 --> 00:00:35,360 Speaker 4: Carrots? 19 00:00:36,120 --> 00:00:36,839 Speaker 6: Good pregame. 20 00:00:37,040 --> 00:00:38,680 Speaker 2: Analysa is in here? Oh sorry, Anily. 21 00:00:39,360 --> 00:00:42,000 Speaker 3: It's actually this is a true definition of BTS because 22 00:00:42,040 --> 00:00:45,319 Speaker 3: this is genuinely what happens before guests. Analyse comes in here. 23 00:00:45,360 --> 00:00:47,280 Speaker 3: She put it together an information sheet. 24 00:00:47,640 --> 00:00:53,120 Speaker 4: Guys requestion them. Yeah, we're going to roll this straight in, 25 00:00:53,320 --> 00:00:55,320 Speaker 4: like cause Tina's going to be here in ten minutes. 26 00:00:55,400 --> 00:00:56,560 Speaker 2: This is going to roll straight in. 27 00:00:56,880 --> 00:00:58,520 Speaker 4: So Tina's going to be on this pod. 28 00:00:59,000 --> 00:01:01,680 Speaker 3: Well, we might split it, maybe we might might be 29 00:01:01,720 --> 00:01:03,800 Speaker 3: tomorrow's but I haven't decided. 30 00:01:03,520 --> 00:01:05,960 Speaker 4: Yet, but Tina will be Tina A Rena is making 31 00:01:06,240 --> 00:01:07,839 Speaker 4: an appearance on this podcast. 32 00:01:08,240 --> 00:01:08,760 Speaker 2: We're not sure. 33 00:01:08,760 --> 00:01:10,720 Speaker 3: We might split it as the door open split it 34 00:01:10,720 --> 00:01:13,080 Speaker 3: me like, who tune in tomorrow to hear how the 35 00:01:13,160 --> 00:01:13,600 Speaker 3: chat went? 36 00:01:13,800 --> 00:01:16,399 Speaker 1: You know the TV show twenty four keep it Suther, 37 00:01:17,840 --> 00:01:19,920 Speaker 1: I think I get the idea was it was twenty 38 00:01:19,920 --> 00:01:22,440 Speaker 1: four episodes, and each of twenty four episodes, yeah, because 39 00:01:22,440 --> 00:01:23,960 Speaker 1: it was each hour of the day, so it was 40 00:01:24,000 --> 00:01:25,280 Speaker 1: all played out in real time. 41 00:01:25,520 --> 00:01:26,080 Speaker 4: Is that right? 42 00:01:26,160 --> 00:01:26,440 Speaker 5: Yeah? 43 00:01:26,480 --> 00:01:27,720 Speaker 1: So right now you. 44 00:01:27,760 --> 00:01:30,640 Speaker 3: See the movie bird Man, Yep, it's like that, like 45 00:01:30,680 --> 00:01:31,360 Speaker 3: that one take. 46 00:01:31,760 --> 00:01:32,760 Speaker 2: Yeah, yes, yes. 47 00:01:32,760 --> 00:01:34,480 Speaker 3: And the main reason we're recording all of this is 48 00:01:34,480 --> 00:01:37,200 Speaker 3: because we have a plan. As she enters, so we 49 00:01:37,280 --> 00:01:39,199 Speaker 3: have to have all the mics on because the plan 50 00:01:39,280 --> 00:01:40,680 Speaker 3: is that you're going to say a French. 51 00:01:40,480 --> 00:01:44,759 Speaker 2: Word off a menu. You'll know you speak French, yes, and. 52 00:01:44,680 --> 00:01:46,440 Speaker 3: Then that's a great way to show off that fact 53 00:01:46,440 --> 00:01:48,600 Speaker 3: without you coming across as arrogant. 54 00:01:48,360 --> 00:01:49,800 Speaker 4: Or shall we yes get into it. 55 00:01:50,160 --> 00:01:52,280 Speaker 5: I'm just going through this like I normally go through it, 56 00:01:52,320 --> 00:01:57,560 Speaker 5: like I'm yeah, okay, has some flair if Tina Arena, guys, okay, 57 00:01:58,360 --> 00:02:02,280 Speaker 5: So your bios are in your emails if you have 58 00:02:02,360 --> 00:02:04,440 Speaker 5: not got them already or what it's in your one note? 59 00:02:05,080 --> 00:02:05,840 Speaker 2: This is good stuff. 60 00:02:07,240 --> 00:02:08,120 Speaker 5: Do we need. 61 00:02:09,880 --> 00:02:10,400 Speaker 2: Out please? 62 00:02:10,560 --> 00:02:12,800 Speaker 4: This is real behind the scenes areas. 63 00:02:12,880 --> 00:02:16,079 Speaker 2: Okay, So how are you feeling? Will you look nervous 64 00:02:16,480 --> 00:02:18,360 Speaker 2: and you're having a having a protein shake. 65 00:02:18,200 --> 00:02:20,640 Speaker 1: Before, which is an interesting You look worried about You 66 00:02:20,680 --> 00:02:22,280 Speaker 1: look worried about recording this part? 67 00:02:22,880 --> 00:02:23,079 Speaker 5: Yeah? 68 00:02:23,480 --> 00:02:25,200 Speaker 2: Why to capture it all? 69 00:02:25,240 --> 00:02:25,440 Speaker 1: Yeah? 70 00:02:25,440 --> 00:02:26,040 Speaker 2: Way worried? 71 00:02:26,360 --> 00:02:27,079 Speaker 6: Edit it down later. 72 00:02:27,120 --> 00:02:29,760 Speaker 2: You have nothing to hide? But are you nervous? How nervous? 73 00:02:29,760 --> 00:02:32,600 Speaker 2: Asc on ten? Never seen you had protein bars so fast? 74 00:02:32,680 --> 00:02:33,399 Speaker 4: Seven was quick? 75 00:02:33,480 --> 00:02:36,520 Speaker 2: You're seven? When were you were ten? When have you 76 00:02:36,560 --> 00:02:37,000 Speaker 2: been at ten? 77 00:02:37,919 --> 00:02:39,839 Speaker 4: First date with sim Oh? 78 00:02:39,880 --> 00:02:43,040 Speaker 2: That's very cute. Yeah, I was very nervous about seven. 79 00:02:43,639 --> 00:02:45,320 Speaker 5: It's about to become at ten when we get through 80 00:02:45,320 --> 00:02:49,200 Speaker 5: this info. So Tina Arena. She is coming on the 81 00:02:49,200 --> 00:02:52,600 Speaker 5: show to talk about her new tour, Love Saves, following 82 00:02:52,600 --> 00:02:56,799 Speaker 5: her the release of her tenth studio album last year. 83 00:02:57,639 --> 00:02:59,760 Speaker 5: A little bit of background Teen's fifty six pace in 84 00:02:59,800 --> 00:03:03,480 Speaker 5: mal her partner's names Vincent. They met in France when 85 00:03:03,720 --> 00:03:07,000 Speaker 5: she was living there from the late nineties to twenty twelve. 86 00:03:07,400 --> 00:03:11,040 Speaker 5: They have a child together, Gabrielle, who's about eighteen and 87 00:03:11,680 --> 00:03:14,000 Speaker 5: oh my god, walking to that Brinda made me puffed. 88 00:03:15,280 --> 00:03:15,680 Speaker 4: As well. 89 00:03:15,840 --> 00:03:20,320 Speaker 5: Tina has three French language studio albums and ten English 90 00:03:20,360 --> 00:03:24,960 Speaker 5: studio wow. She was inducted to the Aria Hall of 91 00:03:25,000 --> 00:03:28,440 Speaker 5: Fame in twenty fifteen and received the Rolling Stone Icon 92 00:03:28,480 --> 00:03:32,640 Speaker 5: Award in twenty twenty three. So her Love Saves tour 93 00:03:32,800 --> 00:03:36,640 Speaker 5: is following her album release Love Saves in twenty twenty three. 94 00:03:37,360 --> 00:03:39,480 Speaker 5: It is eleven tracks on the album. She was nominated 95 00:03:40,040 --> 00:03:44,920 Speaker 5: for Best Contemporary Album at twenty twenty three Arias. This 96 00:03:45,040 --> 00:03:47,600 Speaker 5: is Tina's first independent album since not been with a 97 00:03:47,640 --> 00:03:49,800 Speaker 5: record label anymore, so you might want to ask her 98 00:03:49,800 --> 00:03:52,280 Speaker 5: about that process. She said it was a pretty big 99 00:03:52,320 --> 00:03:56,480 Speaker 5: deal for her, and she also postponed her tour due 100 00:03:56,520 --> 00:03:59,440 Speaker 5: to health issues in October twenty twenty three. There's some 101 00:03:59,480 --> 00:04:01,160 Speaker 5: areas in how did it feel a big going back 102 00:04:01,160 --> 00:04:02,760 Speaker 5: on the road. What was it like to candle because 103 00:04:02,760 --> 00:04:08,400 Speaker 5: that was a very big deal for her. It was, yeah. 104 00:04:07,080 --> 00:04:10,760 Speaker 2: Wow, we were going to ask that I certainly won't right. 105 00:04:11,120 --> 00:04:13,120 Speaker 4: Good to know that's not that's not do you win 106 00:04:13,240 --> 00:04:15,480 Speaker 4: up now? Did we mention this on the podcast yesterday, 107 00:04:15,480 --> 00:04:17,359 Speaker 4: because if you end up in mark ronson areas and 108 00:04:17,360 --> 00:04:20,039 Speaker 4: you ask her about her fucking socks, be so angry. 109 00:04:20,120 --> 00:04:22,680 Speaker 2: I've I'm going to ask her about her chops, definitely. 110 00:04:22,440 --> 00:04:24,200 Speaker 5: And her as maker ice. 111 00:04:23,960 --> 00:04:28,720 Speaker 4: Maker chops, and I'm going to said, ask maker, we 112 00:04:28,760 --> 00:04:30,440 Speaker 4: all do we all hear as maker? 113 00:04:31,080 --> 00:04:41,280 Speaker 6: I heard maker ice Maker, And how did you get that? 114 00:04:41,920 --> 00:04:44,000 Speaker 3: And then I'm going to ask her how her relationship 115 00:04:44,000 --> 00:04:45,240 Speaker 3: with famous changed over the years. 116 00:04:45,240 --> 00:04:46,120 Speaker 5: I do love that. 117 00:04:46,240 --> 00:04:48,640 Speaker 4: Yeah, because she was a child stuck Yes, well on that? 118 00:04:48,839 --> 00:04:50,159 Speaker 4: Can I ask her about Michelle? 119 00:04:50,640 --> 00:04:55,080 Speaker 3: Yeah, Saliba, Well Michelle Saliba, That's what she was back. 120 00:04:54,960 --> 00:04:57,880 Speaker 5: Then on that. Tina was in the industry since appearing 121 00:04:57,920 --> 00:05:02,080 Speaker 5: on Young Talent Time from nineteen seventy six three. She 122 00:05:02,160 --> 00:05:05,599 Speaker 5: was the longest serving cast member in nineteen eighty two 123 00:05:05,760 --> 00:05:07,960 Speaker 5: on the show, she became a coach for Danny Minogue 124 00:05:08,279 --> 00:05:10,360 Speaker 5: and then a few other clubs She's done in her time, 125 00:05:10,400 --> 00:05:12,800 Speaker 5: because she's a pretty iconic person in the industry. Is 126 00:05:12,920 --> 00:05:16,039 Speaker 5: with the Ronicas and just Malburyte Malboy. They did a 127 00:05:16,080 --> 00:05:18,800 Speaker 5: club seeing Change in twenty fifteen. 128 00:05:19,640 --> 00:05:22,520 Speaker 4: Yeah, yeah, they did a collab that. 129 00:05:22,520 --> 00:05:24,040 Speaker 5: Might be something else or have you got that one? 130 00:05:24,080 --> 00:05:28,159 Speaker 4: In twenty fifteen, Jess Malboy did a collab with Tina 131 00:05:28,440 --> 00:05:33,160 Speaker 4: and they sung change for like a show or something or. 132 00:05:33,200 --> 00:05:34,520 Speaker 5: I just read it on Wikipedia. 133 00:05:34,880 --> 00:05:44,800 Speaker 4: Okay, that's got that, now boy. 134 00:05:48,200 --> 00:05:49,080 Speaker 2: That's my boy, isn't it? 135 00:05:50,720 --> 00:06:07,800 Speaker 4: Yes, that's now boy. It's Tina China. So that so 136 00:06:07,880 --> 00:06:09,080 Speaker 4: you do that game with there, which one is you? 137 00:06:09,440 --> 00:06:10,479 Speaker 4: Which is full time? 138 00:06:11,080 --> 00:06:12,240 Speaker 2: Let us know? Put your hand out? 139 00:06:12,360 --> 00:06:15,440 Speaker 4: Its Tina Ana Bingo and there she is at two minutes. 140 00:06:15,640 --> 00:06:17,560 Speaker 5: She also did a song with Olivia Newton John in 141 00:06:17,560 --> 00:06:20,760 Speaker 5: two thousand and two called I'll Come Running. So maybe 142 00:06:20,800 --> 00:06:22,400 Speaker 5: a little bit of chat in the best people she's 143 00:06:22,440 --> 00:06:24,520 Speaker 5: worked with. I mean, there's some pretty iconic names there. 144 00:06:25,080 --> 00:06:28,400 Speaker 5: And actually on that audio of Chains, Kelly Clarkson recently 145 00:06:28,400 --> 00:06:31,360 Speaker 5: did a cover of Chains on her talk show literally 146 00:06:31,400 --> 00:06:34,000 Speaker 5: in jan of this year. So Tommy is an audio 147 00:06:34,040 --> 00:06:34,400 Speaker 5: of that. 148 00:06:34,839 --> 00:06:37,039 Speaker 4: Change is celebrating his thirtieth annivers because it was the 149 00:06:37,040 --> 00:06:41,960 Speaker 4: record Don't Ask was in nineteen ninety four, thirtyears ago. 150 00:06:42,520 --> 00:06:48,560 Speaker 2: That's Clarkson Clarkson still got it? 151 00:06:48,640 --> 00:06:49,159 Speaker 5: So there is. 152 00:06:49,320 --> 00:06:53,159 Speaker 2: Doesn't she first ever winner of any Yeah? Clarkson, hasn't 153 00:06:53,200 --> 00:06:54,080 Speaker 2: she sed? Tod the test of time? 154 00:06:54,480 --> 00:06:58,120 Speaker 5: Amazing career and Clarkson has this like Little Clarkson. There's 155 00:06:58,160 --> 00:07:00,320 Speaker 5: this scene where Kelly Clarkson covers a so and she 156 00:07:00,360 --> 00:07:06,040 Speaker 5: always covers it better than the actual artist. 157 00:07:07,960 --> 00:07:09,360 Speaker 2: How do you know? Did you get a text? Did 158 00:07:09,360 --> 00:07:10,960 Speaker 2: she text you? Do you say text me? 159 00:07:11,000 --> 00:07:11,120 Speaker 6: Then? 160 00:07:11,280 --> 00:07:13,360 Speaker 4: Well, I handed into her number. That's why they text. 161 00:07:13,440 --> 00:07:15,160 Speaker 4: I just wanted to She. 162 00:07:15,120 --> 00:07:17,280 Speaker 2: Had no idea what time or where she was going. 163 00:07:17,640 --> 00:07:20,800 Speaker 4: Noi're joking I put that. Yeah, well that's why shouldn't 164 00:07:20,800 --> 00:07:21,560 Speaker 4: in charge these things? 165 00:07:21,600 --> 00:07:22,120 Speaker 2: Did you put that? 166 00:07:22,120 --> 00:07:23,440 Speaker 4: In a bit greedy? 167 00:07:23,680 --> 00:07:24,120 Speaker 3: Brilliant? 168 00:07:24,160 --> 00:07:24,960 Speaker 4: I thought I did? 169 00:07:25,040 --> 00:07:25,640 Speaker 2: Oh my god? 170 00:07:25,680 --> 00:07:27,080 Speaker 4: Did you didn't tell her the time? 171 00:07:27,320 --> 00:07:30,720 Speaker 2: She had no idea where at what time? So you 172 00:07:30,720 --> 00:07:34,120 Speaker 2: almost sacrificed this the interview. That's brilliant, pop Pan. She 173 00:07:34,200 --> 00:07:35,560 Speaker 2: was just quite direct with you. She just said, five 174 00:07:35,560 --> 00:07:39,240 Speaker 2: minutes off, just parked on a street which is near us. 175 00:07:39,440 --> 00:07:44,640 Speaker 3: Now she's walking, she's on legs, she's on legs, legs outside. 176 00:07:44,920 --> 00:07:47,400 Speaker 5: So we quickly hustled through this. Then will you've got 177 00:07:47,400 --> 00:07:49,800 Speaker 5: to presume a bunch of gear. 178 00:07:49,880 --> 00:07:51,760 Speaker 2: On new record record? 179 00:07:51,760 --> 00:07:54,280 Speaker 4: Well, I've got old record gear and then I've got 180 00:07:54,400 --> 00:07:55,320 Speaker 4: new record gear. 181 00:07:55,680 --> 00:07:57,320 Speaker 2: I listened to you listen to? 182 00:07:57,360 --> 00:07:59,160 Speaker 4: Don't ask or did you listen to the new one 183 00:07:59,240 --> 00:08:02,720 Speaker 4: I listened to, which is called Love Save Love Saves. 184 00:08:02,280 --> 00:08:04,400 Speaker 3: On the train on the way in, had a great time, 185 00:08:04,520 --> 00:08:07,400 Speaker 3: had a great time, real rollercoaster there. 186 00:08:07,800 --> 00:08:09,760 Speaker 2: Love songs on a powerful but it feel. 187 00:08:09,520 --> 00:08:11,280 Speaker 4: As if there was a lot of resentment in the record. 188 00:08:11,440 --> 00:08:12,800 Speaker 2: Yes, I did, Like there's a lot of. 189 00:08:14,240 --> 00:08:17,640 Speaker 4: It's almost like she's like bitter about something. It's almost 190 00:08:17,640 --> 00:08:20,240 Speaker 4: like a generational bitterness as well. There's a song called 191 00:08:20,280 --> 00:08:21,200 Speaker 4: Can't Say Anything. 192 00:08:21,680 --> 00:08:23,320 Speaker 2: Yeah, ask her about that, I think so. 193 00:08:23,640 --> 00:08:25,120 Speaker 4: Yeah, I think it's pretty interesting. 194 00:08:25,240 --> 00:08:27,320 Speaker 2: Yeah, definitely, I picked on the same thing. 195 00:08:27,520 --> 00:08:29,840 Speaker 4: Did you really overwhelming? 196 00:08:29,880 --> 00:08:31,480 Speaker 2: Why is everyone trying to make me act in a 197 00:08:31,480 --> 00:08:33,319 Speaker 2: certain way? I can't do that. I'm going to keep 198 00:08:33,320 --> 00:08:33,720 Speaker 2: being made. 199 00:08:33,720 --> 00:08:36,080 Speaker 4: And the first song is Church, which is like about 200 00:08:36,120 --> 00:08:37,560 Speaker 4: you know, I don't want to be you know, what 201 00:08:37,600 --> 00:08:38,160 Speaker 4: are you gonna do it? 202 00:08:38,160 --> 00:08:40,520 Speaker 2: Take me to church? She might have got she wanted 203 00:08:40,520 --> 00:08:41,120 Speaker 2: to go to No. 204 00:08:41,200 --> 00:08:44,080 Speaker 4: I think it's like a yeah, you know, like you know, 205 00:08:44,240 --> 00:08:46,679 Speaker 4: judge me, judge me, take me to church. You know 206 00:08:47,679 --> 00:08:51,600 Speaker 4: all judgment. There's a real theme of judgment and forgiveness. 207 00:08:51,640 --> 00:08:54,439 Speaker 2: He refers to He says, fuck, I'm Joan of arc. Yeah, 208 00:08:54,520 --> 00:08:55,040 Speaker 2: she does. 209 00:08:55,240 --> 00:08:56,679 Speaker 4: She does say that yeah, like that. 210 00:08:56,800 --> 00:08:58,400 Speaker 2: She goes, fuck I'm joan of arc. 211 00:08:58,600 --> 00:09:03,920 Speaker 4: Yeah greatly, Yeah, in Devil in Me? Or is that 212 00:09:04,040 --> 00:09:06,600 Speaker 4: can't say Anything? Should we play some of that? How 213 00:09:06,640 --> 00:09:08,280 Speaker 4: long till she's here? Should hear now? 214 00:09:08,440 --> 00:09:08,800 Speaker 6: Sorry? 215 00:09:10,280 --> 00:09:16,360 Speaker 4: A bit of a maybe? Maybe can we get some 216 00:09:16,400 --> 00:09:18,360 Speaker 4: of Love Saves? Can we get some of Love Saves? 217 00:09:18,400 --> 00:09:18,600 Speaker 5: Yeah? 218 00:09:18,600 --> 00:09:21,000 Speaker 4: Definitely, Maybe give me some of Can't Say Anything? Or 219 00:09:21,080 --> 00:09:22,120 Speaker 4: dancing on thin Ice? 220 00:09:22,600 --> 00:09:24,520 Speaker 2: Tell Mark what you want? What songs you want? 221 00:09:24,600 --> 00:09:24,720 Speaker 6: Love? 222 00:09:25,160 --> 00:09:25,880 Speaker 5: Can't say anything? 223 00:09:25,960 --> 00:09:26,280 Speaker 2: Probably? 224 00:09:28,520 --> 00:09:33,480 Speaker 4: Oh my god, get rid of your coconut slice? Will 225 00:09:33,520 --> 00:09:36,880 Speaker 4: you look like a dickhead? Quickly, quickly before you're so, 226 00:09:36,920 --> 00:09:39,040 Speaker 4: she's going to be in here in like thirty seconds. 227 00:09:39,520 --> 00:09:44,120 Speaker 4: They died to the French the French menus, Why are 228 00:09:44,160 --> 00:09:44,840 Speaker 4: you eating nuts? 229 00:09:45,440 --> 00:09:46,400 Speaker 2: Is getting you a French menu? 230 00:09:46,559 --> 00:09:49,160 Speaker 4: I've got one on the computer. Yeah, save the tree ship. Okay. 231 00:09:49,160 --> 00:09:52,000 Speaker 4: So as she's opening the door, I'm going to say 232 00:09:52,000 --> 00:09:54,360 Speaker 4: the word cocky sant Jacques. 233 00:09:54,840 --> 00:09:56,960 Speaker 2: He had sent me sund on the one that's too 234 00:09:57,040 --> 00:09:57,880 Speaker 2: much penis for me? 235 00:09:58,559 --> 00:10:03,480 Speaker 4: Cookie eat all? Daniel Brazil, Oh, I like the agnew 236 00:10:03,559 --> 00:10:07,360 Speaker 4: Brazi b apple. So it's a lamb shoulder, brazed lamb shoulder. 237 00:10:07,400 --> 00:10:10,439 Speaker 4: As she opens the door, say quite loud Brazil. 238 00:10:10,679 --> 00:10:11,880 Speaker 2: Yeah, yeah, that's good. 239 00:10:11,960 --> 00:10:12,520 Speaker 4: Yeah that's good. 240 00:10:12,559 --> 00:10:16,040 Speaker 2: That sounds good, very French, right, yeah, have quite loud. 241 00:10:16,120 --> 00:10:17,640 Speaker 4: Okay, So what if she does miss it? Do I 242 00:10:17,679 --> 00:10:20,000 Speaker 4: say it again? If she misses it, guys, I'm just 243 00:10:20,000 --> 00:10:21,480 Speaker 4: gonna have to ask me. You'll have to ask and. 244 00:10:21,679 --> 00:10:22,640 Speaker 2: Restart the recording. 245 00:10:22,679 --> 00:10:24,240 Speaker 1: Okay, Oh no. 246 00:10:24,360 --> 00:10:26,920 Speaker 4: Okay, bye everyone, We'll see on the next episode with 247 00:10:26,960 --> 00:10:28,520 Speaker 4: tin up. My god, what a build up. What a 248 00:10:28,600 --> 00:10:29,040 Speaker 4: dictee is? 249 00:10:29,040 --> 00:10:30,080 Speaker 2: Sit down, stop, hit down,