1 00:00:00,920 --> 00:00:05,280 Speaker 1: This is jam nation. We well, we all want our 2 00:00:05,320 --> 00:00:08,600 Speaker 1: parents to be happy, but the thought of them getting 3 00:00:08,640 --> 00:00:13,200 Speaker 1: amorous with other people it's a bit nauseating and seeing 4 00:00:13,240 --> 00:00:17,279 Speaker 1: them go through heartbreak would be so hard. But this 5 00:00:17,400 --> 00:00:19,680 Speaker 1: concept has been made into a TV show. It's called 6 00:00:19,720 --> 00:00:23,120 Speaker 1: My Mum Your Dad. It begins tonight where single parents 7 00:00:23,239 --> 00:00:26,200 Speaker 1: go on dates with the kids pulling the strings behind 8 00:00:26,239 --> 00:00:30,760 Speaker 1: the scenes to tell us more. The fabulous Kate Langbrook Helo, Kate. 9 00:00:31,200 --> 00:00:35,519 Speaker 2: Hell, how are you? You're right? It's nauseating as it 10 00:00:35,560 --> 00:00:43,960 Speaker 2: should be. Well, that's what stops described in its publishity. 11 00:00:45,120 --> 00:00:48,080 Speaker 1: But that's why you know it is nauseating, because that's 12 00:00:48,120 --> 00:00:51,280 Speaker 1: what stops communities having insects. Let's just put it out there. 13 00:00:51,680 --> 00:00:53,159 Speaker 1: That's your other show that you're hosting. 14 00:00:55,200 --> 00:00:56,800 Speaker 3: There's a show. 15 00:00:58,280 --> 00:01:03,200 Speaker 1: It's interesting. Blind there, I've gone top line anthropology. So 16 00:01:03,520 --> 00:01:06,919 Speaker 1: what actually happens in this how does it all play out? 17 00:01:07,319 --> 00:01:11,080 Speaker 2: Well, so what happens is this is for parents of 18 00:01:11,319 --> 00:01:14,319 Speaker 2: single children. Hence the name My Mum Your Dad, I 19 00:01:14,319 --> 00:01:19,240 Speaker 2: mean children. Some of them have multiple children, but only 20 00:01:19,280 --> 00:01:22,679 Speaker 2: a single child has nominated them for this show. And 21 00:01:22,720 --> 00:01:24,440 Speaker 2: so what it means is the kids have looked at 22 00:01:24,440 --> 00:01:27,640 Speaker 2: their parents and gone, I appreciate everything you've done to 23 00:01:27,680 --> 00:01:31,360 Speaker 2: me and the sacrifices you've made in raising me, which 24 00:01:31,400 --> 00:01:33,400 Speaker 2: is a parent. You have to make sacrifices if you're 25 00:01:33,400 --> 00:01:36,360 Speaker 2: going to do it properly. But I now want you 26 00:01:36,520 --> 00:01:39,440 Speaker 2: to have what I believe is missing from your life, 27 00:01:39,920 --> 00:01:44,319 Speaker 2: and that is the romantic extension of yourself. I want 28 00:01:44,319 --> 00:01:48,680 Speaker 2: you to have love. And so they are. The adults 29 00:01:48,720 --> 00:01:52,760 Speaker 2: go into a house there's eight singles in total, but 30 00:01:53,000 --> 00:01:58,600 Speaker 2: unbeknownst to them, their kids are in another house called 31 00:01:58,640 --> 00:02:01,680 Speaker 2: the Bunker, and the kids are watching their parents. 32 00:02:01,840 --> 00:02:07,160 Speaker 1: Oh yes, So the parents know they're being filmed obviously. 33 00:02:07,200 --> 00:02:09,040 Speaker 1: They think they're part of like a big brother kind 34 00:02:09,040 --> 00:02:09,839 Speaker 1: of dating thing. 35 00:02:10,480 --> 00:02:12,760 Speaker 2: Yeah, of course, and they know that the kids have 36 00:02:12,800 --> 00:02:15,680 Speaker 2: nominated them. They kind of arrived with the kids, but 37 00:02:15,720 --> 00:02:17,880 Speaker 2: they think the kids are off there to film content 38 00:02:17,960 --> 00:02:21,040 Speaker 2: about you know, being kids of single parents or whatever. 39 00:02:21,600 --> 00:02:25,080 Speaker 2: But the kids are actually watching their parents from the 40 00:02:25,280 --> 00:02:30,760 Speaker 2: moment they meet the seven other strangers right through to 41 00:02:31,680 --> 00:02:35,200 Speaker 2: when some of them do possibly I don't want to 42 00:02:35,280 --> 00:02:38,760 Speaker 2: ruin it, but end up falling in love Amanda. 43 00:02:38,960 --> 00:02:40,840 Speaker 1: And falling a bit in lust. And I've seen from 44 00:02:40,840 --> 00:02:43,160 Speaker 1: the promo someone that it looks like there's the usual 45 00:02:43,200 --> 00:02:44,920 Speaker 1: heartbreaking things. It'd be so hard. 46 00:02:46,080 --> 00:02:50,280 Speaker 2: Some of the people on the show have got such 47 00:02:50,400 --> 00:02:55,120 Speaker 2: incredible stories, like, if you live long enough, life is 48 00:02:55,280 --> 00:02:57,160 Speaker 2: going to kick you in the cajones, even if you 49 00:02:57,200 --> 00:02:59,840 Speaker 2: don't have any and some of these people have been 50 00:03:00,080 --> 00:03:04,520 Speaker 2: it's so hard that you cannot help but feel for 51 00:03:04,560 --> 00:03:08,480 Speaker 2: them and want you're really kind of rooting for them. 52 00:03:08,840 --> 00:03:11,840 Speaker 2: And some of them are a bit slicker than others. 53 00:03:11,919 --> 00:03:14,079 Speaker 2: Some of them you can tell have gone have done 54 00:03:14,120 --> 00:03:16,520 Speaker 2: a little turn of the apps to see how that 55 00:03:16,600 --> 00:03:19,800 Speaker 2: works out for them. But when they're put in the 56 00:03:19,919 --> 00:03:23,880 Speaker 2: house and they don't have any other distractions and they 57 00:03:23,880 --> 00:03:25,560 Speaker 2: don't have to go to work and they don't have 58 00:03:25,600 --> 00:03:29,320 Speaker 2: to look after anyone else, they really just kind of 59 00:03:29,480 --> 00:03:33,400 Speaker 2: flourished and you see them return to their essential selves. 60 00:03:33,440 --> 00:03:35,080 Speaker 2: It's like a time in your life when you had 61 00:03:35,080 --> 00:03:39,760 Speaker 2: no responsibilities, which generally we associate with youth. You know, sure, right, 62 00:03:40,920 --> 00:03:44,360 Speaker 2: they've blossomed, jonesy, you will a lot of those middle 63 00:03:44,400 --> 00:03:45,680 Speaker 2: oe careful passion. 64 00:03:48,120 --> 00:03:50,880 Speaker 1: Well, we never see that. We never see that in 65 00:03:50,920 --> 00:03:54,000 Speaker 1: our popular culture, and I think that's wrong. We see 66 00:03:54,120 --> 00:03:56,680 Speaker 1: young people fall in love and we think it's gross 67 00:03:56,760 --> 00:03:59,520 Speaker 1: when we see anyone over the age of twenty five 68 00:03:59,640 --> 00:04:01,320 Speaker 1: passion off. But this is life. 69 00:04:01,760 --> 00:04:04,880 Speaker 2: We do think that romance is the province of the young, 70 00:04:05,040 --> 00:04:09,000 Speaker 2: and there's probably good reason for that. I mean, Shakespeare 71 00:04:09,000 --> 00:04:14,559 Speaker 2: didn't write Romeo and Juliet about. 72 00:04:12,360 --> 00:04:13,480 Speaker 3: A middle aged couple. 73 00:04:13,560 --> 00:04:17,920 Speaker 2: Know, yeah, but it still is. You just see what 74 00:04:17,960 --> 00:04:22,799 Speaker 2: a universal desire it is that people want to connect 75 00:04:22,880 --> 00:04:26,440 Speaker 2: with someone else in a romantic sense, and they want 76 00:04:26,760 --> 00:04:31,800 Speaker 2: they want their soul, their essential self, to be recognized. Yes, 77 00:04:32,120 --> 00:04:36,760 Speaker 2: you know, it's just a universal It's humanity to want 78 00:04:36,800 --> 00:04:38,359 Speaker 2: to be loved and to love. 79 00:04:39,200 --> 00:04:41,040 Speaker 3: And I think it'll be curious to see if a 80 00:04:41,200 --> 00:04:44,159 Speaker 3: second series, if this gets made, because then the cat 81 00:04:44,160 --> 00:04:45,760 Speaker 3: will be about out of the bag as far as 82 00:04:45,800 --> 00:04:47,720 Speaker 3: like the parents will know that their kids are watching them. 83 00:04:48,160 --> 00:04:50,920 Speaker 3: How will their behavior change? Well, how will their behavior 84 00:04:51,200 --> 00:04:54,840 Speaker 3: second series? Joan, I'm just thinking, like. 85 00:04:54,880 --> 00:04:56,240 Speaker 1: Kate's put on an extension at home. 86 00:04:56,400 --> 00:04:56,880 Speaker 3: She needs it. 87 00:04:59,600 --> 00:05:02,400 Speaker 2: When I it's when I leave my husband and I 88 00:05:02,480 --> 00:05:03,240 Speaker 2: become a con Chester. 89 00:05:05,520 --> 00:05:07,680 Speaker 3: Imagine that, Kate, You're not supposed to be pashing on 90 00:05:07,760 --> 00:05:08,440 Speaker 3: with these people. 91 00:05:09,000 --> 00:05:11,640 Speaker 1: Cameraman, Kate, stop, I think. 92 00:05:11,480 --> 00:05:16,880 Speaker 3: I get first, my mum, your Dad. Premiere is tonight 93 00:05:16,880 --> 00:05:20,200 Speaker 3: at seven thirty or ew was that the other working 94 00:05:20,279 --> 00:05:20,920 Speaker 3: title of it. 95 00:05:22,040 --> 00:05:23,920 Speaker 2: That's right, It's gross on. 96 00:05:23,960 --> 00:05:27,080 Speaker 3: Channel nine and nine now, Kate Langbrook, it's always great 97 00:05:27,120 --> 00:05:29,320 Speaker 3: to talk to you. You will be hosting the show, 98 00:05:29,400 --> 00:05:31,120 Speaker 3: by the way, not passing on with people. 99 00:05:31,279 --> 00:05:34,800 Speaker 2: No, I'm not macking on. I am hosting just as 100 00:05:34,839 --> 00:05:36,239 Speaker 2: you two are and I love you. 101 00:05:36,400 --> 00:05:38,200 Speaker 1: We love you too. I can't wait to see this 102 00:05:38,200 --> 00:05:39,360 Speaker 1: thanks to catch up. 103 00:05:39,400 --> 00:05:39,920 Speaker 3: Thanks Kate,