1 00:00:00,600 --> 00:00:03,760 Speaker 1: Thank God you're here. It's on Saturday tonight. 2 00:00:05,760 --> 00:00:10,400 Speaker 2: Tonight on Tech and just building the anticipation, mister Pete 3 00:00:10,480 --> 00:00:13,000 Speaker 2: rose Thorn is coming through the door tonight. 4 00:00:13,240 --> 00:00:13,560 Speaker 1: Hello. 5 00:00:14,920 --> 00:00:17,880 Speaker 3: Well it's been a while, guys, at least and clear 6 00:00:17,960 --> 00:00:19,840 Speaker 3: he's been a while I've been on. I did a 7 00:00:19,880 --> 00:00:22,360 Speaker 3: lot of the first series of Thank God. Yes, but 8 00:00:23,120 --> 00:00:26,200 Speaker 3: they recalled an old timer, which is nice because you know, 9 00:00:26,400 --> 00:00:31,160 Speaker 3: I'm so much older than I look older, formed older. 10 00:00:31,240 --> 00:00:36,040 Speaker 2: Thank god you're still here, You're still back. 11 00:00:37,200 --> 00:00:40,640 Speaker 3: Yeah. Absolutely, But it was fun. I haven't lost this mojo. 12 00:00:40,680 --> 00:00:41,600 Speaker 3: It was really good fun to do. 13 00:00:42,880 --> 00:00:43,080 Speaker 1: Yeah. 14 00:00:43,280 --> 00:00:47,080 Speaker 3: But and I play some sort of renaissance artist if 15 00:00:47,080 --> 00:00:52,000 Speaker 3: I remember. Yeah, and I banged on the French accent 16 00:00:52,000 --> 00:00:54,040 Speaker 3: pretty quickly. But apparently I was in Italy and it 17 00:00:54,080 --> 00:00:58,840 Speaker 3: was all weird. Leave you down the garden makes that funny. 18 00:01:00,440 --> 00:01:03,680 Speaker 1: Ignore them for some reason. I pitch you in a 19 00:01:03,680 --> 00:01:04,920 Speaker 1: big frilly collar. 20 00:01:05,680 --> 00:01:09,600 Speaker 3: For some reason, I have come like a peasant artist. 21 00:01:10,840 --> 00:01:16,479 Speaker 4: Really for your art. Because you're you, you get away 22 00:01:16,480 --> 00:01:18,040 Speaker 4: with going in any direction. Do you feel like that 23 00:01:18,120 --> 00:01:20,040 Speaker 4: sometimes you got the license to just go anywhere. 24 00:01:20,959 --> 00:01:22,960 Speaker 3: Oh, that's the beautiful beauty of them doing the show. 25 00:01:23,040 --> 00:01:26,240 Speaker 3: And because I'm I'm I'm an expert at having an 26 00:01:26,280 --> 00:01:29,160 Speaker 3: empty mind and clearing my head of any any concussion. 27 00:01:29,640 --> 00:01:31,959 Speaker 3: I'll just see what's in front of me, and I see, 28 00:01:32,040 --> 00:01:34,959 Speaker 3: I see, see joke, do joke. So I kind of 29 00:01:35,040 --> 00:01:38,520 Speaker 3: just run with it. But it's just always so incredibly exciting. 30 00:01:38,520 --> 00:01:47,560 Speaker 3: I didn't win my episode, which makes me sad, but 31 00:01:43,640 --> 00:01:56,520 Speaker 3: still keeping things ed's really funny and good. Yeah. I 32 00:01:56,600 --> 00:01:57,880 Speaker 3: can't remember the other people. 33 00:02:00,000 --> 00:02:00,360 Speaker 1: Where we are. 34 00:02:01,680 --> 00:02:03,760 Speaker 3: Chris is the big, lovely, big New Zealand bloke. 35 00:02:03,960 --> 00:02:07,440 Speaker 1: Yes, and and the other girls and the young Yeah 36 00:02:08,320 --> 00:02:08,680 Speaker 1: we are. 37 00:02:10,680 --> 00:02:13,240 Speaker 2: We spoke to someone recently who I can't I can't 38 00:02:13,240 --> 00:02:14,560 Speaker 2: remember who it was, but they were doing it for 39 00:02:14,600 --> 00:02:17,480 Speaker 2: their first time and they said they were blown away 40 00:02:17,720 --> 00:02:20,880 Speaker 2: by the sets for it. 41 00:02:21,240 --> 00:02:23,720 Speaker 1: And you know what goes on behind the scenes. 42 00:02:24,840 --> 00:02:27,320 Speaker 3: Yeah, yeah, So you do a lot of shuffling around 43 00:02:27,320 --> 00:02:29,480 Speaker 3: with succus, a lot of sea things and looking at things, 44 00:02:29,480 --> 00:02:31,720 Speaker 3: so you're getting you're getting sort of chaffeed into other 45 00:02:31,720 --> 00:02:34,120 Speaker 3: little rooms and they stay here for ten minutes. We'll 46 00:02:34,120 --> 00:02:35,639 Speaker 3: come and get you, and you get shoted around to 47 00:02:35,680 --> 00:02:37,800 Speaker 3: another room, stand there for ten minutes, will come and 48 00:02:37,800 --> 00:02:39,400 Speaker 3: get you, and you're going do you make up separately? 49 00:02:39,440 --> 00:02:41,600 Speaker 3: And you put your costume on separately then and the 50 00:02:41,639 --> 00:02:44,240 Speaker 3: sets are really elaborate. They're beautiful. I've got a oldie 51 00:02:44,400 --> 00:02:48,560 Speaker 3: sort of you know, Royal Court set. Okay beauty. Yeah, 52 00:02:49,320 --> 00:02:51,200 Speaker 3: and nearly set myself on fire, which is a faine 53 00:02:51,520 --> 00:02:52,280 Speaker 3: had they left it. 54 00:02:52,160 --> 00:02:54,760 Speaker 4: In now you're talking definitely that's it there. I love 55 00:02:54,760 --> 00:02:56,160 Speaker 4: the sender that they make time. I know you have 56 00:02:56,240 --> 00:02:59,800 Speaker 4: been busy, but you're done with Chicago being poor old amos. 57 00:03:00,560 --> 00:03:04,040 Speaker 3: Yeah you bet. We finished last Sunday anyways up in Canberra, 58 00:03:04,200 --> 00:03:06,160 Speaker 3: so I spent a year. It was basically a year 59 00:03:06,200 --> 00:03:09,760 Speaker 3: from starting to finish. Well, I will I do that again? 60 00:03:09,800 --> 00:03:16,960 Speaker 3: I would probably say no. Yeahs by the family. 61 00:03:17,360 --> 00:03:20,960 Speaker 2: You know, the Joker movie comes out tomorrow, The Joker Folly, 62 00:03:21,000 --> 00:03:22,720 Speaker 2: I do the second one, and. 63 00:03:25,600 --> 00:03:28,079 Speaker 1: Shirley Bassie is the Joker, and a lot. 64 00:03:27,919 --> 00:03:30,680 Speaker 2: Of people are going to be sitting there there and going, oh, 65 00:03:30,800 --> 00:03:31,320 Speaker 2: I know this. 66 00:03:34,280 --> 00:03:36,520 Speaker 1: They're not gonna do it from Shirley Bassie. They're going 67 00:03:36,600 --> 00:03:38,960 Speaker 1: to know it from the opening credits of Kath and Kim. 68 00:03:41,120 --> 00:03:44,040 Speaker 3: You bet. Yeah, she's a beautiful version. 69 00:03:44,040 --> 00:03:47,040 Speaker 2: Though it's great she can only do beautiful versions. Was 70 00:03:47,080 --> 00:03:48,840 Speaker 2: there a lot of improv because of course, thank God 71 00:03:48,840 --> 00:03:50,640 Speaker 2: you're here? Is all improv Was there a lot of 72 00:03:50,640 --> 00:03:52,840 Speaker 2: that in Kath and Kim. 73 00:03:52,600 --> 00:04:00,240 Speaker 3: Never never really control really all controlled write every word. Yeah, 74 00:04:01,040 --> 00:04:04,400 Speaker 3: probably a fourth series in we would finish this scene 75 00:04:04,480 --> 00:04:06,520 Speaker 3: and if you just we might improvise a little bit 76 00:04:06,520 --> 00:04:09,120 Speaker 3: more at the end of it. But generally it was 77 00:04:09,240 --> 00:04:10,000 Speaker 3: very rare that it was. 78 00:04:10,000 --> 00:04:15,920 Speaker 1: Improvised, Okay, very strict. Yeah, yeah, but. 79 00:04:17,440 --> 00:04:20,320 Speaker 4: It worked winning formula, so yeah, why not stick to it. 80 00:04:21,839 --> 00:04:24,000 Speaker 4: We caught up with any Murder Monks earlier. We're talking 81 00:04:24,000 --> 00:04:26,640 Speaker 4: about near the casting director and you know, it's been 82 00:04:26,680 --> 00:04:28,680 Speaker 4: a very good acting coach over the years, and talked 83 00:04:28,680 --> 00:04:31,920 Speaker 4: about getting into the industry. How about for people now 84 00:04:32,000 --> 00:04:34,920 Speaker 4: who go, I'd love to get into acting and or 85 00:04:34,960 --> 00:04:36,919 Speaker 4: even filmmaking on the other side of the camera. 86 00:04:37,279 --> 00:04:40,560 Speaker 3: What's it tip there, I'm backdordered a bit. I'm back 87 00:04:40,960 --> 00:04:44,600 Speaker 3: through cool, through through comedy, through stand up comedy, and 88 00:04:44,640 --> 00:04:48,480 Speaker 3: from that went to rocky horror showing. From that got 89 00:04:48,640 --> 00:04:51,320 Speaker 3: other sort of bits of rep theater, you know, Melbourn 90 00:04:51,320 --> 00:04:54,880 Speaker 3: Diity Company or black Swan over here, and then yeah, 91 00:04:54,920 --> 00:04:58,839 Speaker 3: you sort of just build up a resume of different 92 00:04:58,839 --> 00:05:01,520 Speaker 3: stuff and then you suddenly can do most things. So 93 00:05:02,320 --> 00:05:03,840 Speaker 3: so down upcoming is a good thing to learn because 94 00:05:03,839 --> 00:05:05,719 Speaker 3: you've got to be really in it and sort of 95 00:05:05,800 --> 00:05:07,560 Speaker 3: in the moment, if you like, as an actor would 96 00:05:07,600 --> 00:05:11,160 Speaker 3: call it. But it was a great learning tool and 97 00:05:11,200 --> 00:05:14,640 Speaker 3: it was much scarier than any form of acting or anything. 98 00:05:14,880 --> 00:05:17,440 Speaker 2: Oh absolutely, I think it would be the scariest thing 99 00:05:17,440 --> 00:05:20,239 Speaker 2: in the world. Do you And it's a great fun 100 00:05:20,400 --> 00:05:22,720 Speaker 2: We we've got you for one more minute. 101 00:05:22,720 --> 00:05:24,560 Speaker 1: I have to ask you this question because I always wonder, 102 00:05:24,760 --> 00:05:25,240 Speaker 1: do you? 103 00:05:25,320 --> 00:05:28,520 Speaker 2: Does it amuse you that so many people still when 104 00:05:28,520 --> 00:05:30,840 Speaker 2: they hear the word their name, the name Pete rose Thorne, 105 00:05:30,880 --> 00:05:33,280 Speaker 2: the first thing they think about is your et in personation. 106 00:05:33,880 --> 00:05:36,080 Speaker 3: How today I think I was shaking it off. I 107 00:05:36,120 --> 00:05:37,040 Speaker 3: haven't heard it for a while. 108 00:05:37,080 --> 00:05:39,039 Speaker 1: I really I still think of it. 109 00:05:40,960 --> 00:05:42,440 Speaker 3: I'm sorry that you have to do through that. 110 00:05:43,640 --> 00:05:46,880 Speaker 1: Don't be sorry. It's never ceased to make. 111 00:05:46,760 --> 00:05:49,400 Speaker 3: Me laugh, I know, but I can't do it anymore 112 00:05:49,400 --> 00:05:51,080 Speaker 3: because I just don't take your shirt off. Once you're 113 00:05:51,080 --> 00:05:53,279 Speaker 3: past fifty, I've got to leave that. Baby. You're going 114 00:05:53,320 --> 00:05:55,520 Speaker 3: to actually look like the actual things through for real? 115 00:05:55,600 --> 00:05:58,000 Speaker 3: Now you love a man? Tities and. 116 00:06:00,120 --> 00:06:04,719 Speaker 1: That note thank God You're here is on seven thirty 117 00:06:04,760 --> 00:06:07,920 Speaker 1: tonight on ten. Thank God that you were here with 118 00:06:08,040 --> 00:06:10,480 Speaker 1: us this morning. Thanks Pete, you're the best. 119 00:06:10,520 --> 00:06:10,760 Speaker 3: Thanks