WEBVTT - GUEST: Reuben Kaye joins us! 👠

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<v Speaker 1>Is It Just Me Podcast by a couple of mitches.

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<v Speaker 2>Okay, Mitchell, I'm so excited for our guest today, truly,

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<v Speaker 2>truly one of the greats and someone that we were

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<v Speaker 2>meant to have on the show.

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<v Speaker 3>Yeah quite a while ago.

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<v Speaker 4>In a long time coming.

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<v Speaker 3>A long time coming. The one and only Reuben Kay

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<v Speaker 3>is here. Hellover about gorgeous.

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<v Speaker 1>I feels so good to be finally here.

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<v Speaker 4>Oh, they tried to silence you. We were meant to

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<v Speaker 4>have you on this podcast the same week that you

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<v Speaker 4>were on the project. Yeah, no, some people might have

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<v Speaker 4>missed that. But yeah, a little something happened after our

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<v Speaker 4>project appearance, didn't it happen?

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<v Speaker 3>Did you and Willie Darli? You're not get along or something.

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<v Speaker 1>I just think you're not doing something right. You're not

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<v Speaker 1>doing anything right if you're not pissing someone off. And

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<v Speaker 1>it was it was lovely for me to be back

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<v Speaker 1>in the muzzle for once.

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<v Speaker 3>Yeah, I can imagine.

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<v Speaker 2>So hold on, are you are you happy to tell

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<v Speaker 2>the joke you told on the project or do we

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<v Speaker 2>not go back to that stuff because I've.

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<v Speaker 1>Been telling that joke for about eight years. Because I

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<v Speaker 1>love Jesus, I love any man who can get nailed

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<v Speaker 1>for three days straight and come back for more.

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<v Speaker 4>And all the hosts on the project laughed along, didn't

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<v Speaker 4>have an issue.

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<v Speaker 1>Yeah, yeah, well of course, because it's a funny joke.

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<v Speaker 1>It's a funny joke, but if you take it out

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<v Speaker 1>of context, what you see is someone queer sort of

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<v Speaker 1>poking a bear. And what I set up in the

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<v Speaker 1>joke prior was that this is actually about me receiving

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<v Speaker 1>hate from Christian people who use Jesus's name as a

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<v Speaker 1>way to, as you know, gets done, use Jesus's name

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<v Speaker 1>as a way to rile up abuse or hatred of

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<v Speaker 1>queer people. So I told the joke, but it's also

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<v Speaker 1>a joke that has existed in many forms before. And

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<v Speaker 1>I am not the first comedian to you know, go

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<v Speaker 1>after or poke fun at Christianity. But I do happen

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<v Speaker 1>to be a visibly queer one. So I feel like

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<v Speaker 1>sometimes it's a case of they don't care what the

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<v Speaker 1>joke is, They just might care a bit about who's

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<v Speaker 1>telling you.

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<v Speaker 3>Yeah, you're an easy target for me.

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<v Speaker 4>It's just like I've just learnt myself. You just don't

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<v Speaker 4>go then when it comes to religious jokes. I worked

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<v Speaker 4>here at KISSFM, At the same time that Kyle Sandaland's

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<v Speaker 4>made a joke about Virgin Mary, there were protests out

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<v Speaker 4>the front of the station holding signs. Mitch was getting

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<v Speaker 4>calls to his time slot at night with bomb threats

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<v Speaker 4>and stuff. So it's just like, even if you think

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<v Speaker 4>of a real Zinger, if you think it's harmless, just

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<v Speaker 4>don't go there. When it comes to religion, I find.

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<v Speaker 1>I also think there's an element of people want to

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<v Speaker 1>live in a free and open society of tolerance, but

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<v Speaker 1>only if views that they find distasteful are not tolerated.

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<v Speaker 1>You know, personally, to have a tolerant society means that

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<v Speaker 1>the one thing you can't be tolerant of is intolerance. Wow,

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<v Speaker 1>but it's an interesting time. I mean, we've gone very

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<v Speaker 1>heavy in I know, I love it.

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<v Speaker 2>Yeah, we're all funny people. I swear to God we

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<v Speaker 2>will get there. But let's talk about Ukraine.

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<v Speaker 1>Reuben, I've got some thoughts. I'm the only man less

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<v Speaker 1>likely to pull out than Putin. Let's guy.

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<v Speaker 4>Can I just say, by the way, I was there

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<v Speaker 4>at the Sydney Comedy Festival showcase which you MC night

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<v Speaker 4>and some of the jokes you made that night. I

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<v Speaker 4>was like that makes the Jesus joke on the project

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<v Speaker 4>seem very fun child's play.

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<v Speaker 1>Yeah, this is the thing that I'm amazed that of

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<v Speaker 1>all the horrible, awful, terrible, disgusting things that come out

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<v Speaker 1>of my mouth and sometimes go into it, this is

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<v Speaker 1>the thing. This is the thing that got me in trouble.

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<v Speaker 1>It doesn't even have a swear word in it. It's

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<v Speaker 1>technically a pun at best, it's a dad joke.

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<v Speaker 3>Yeah yeah, yeah, yeah, but it worked.

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<v Speaker 2>How does can you talk me through quickly? How a

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<v Speaker 2>pr crisis like that unfolds?

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<v Speaker 1>Like?

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<v Speaker 3>Do you do you know instantly? Do you know in

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<v Speaker 3>an hour? When does it?

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<v Speaker 1>Yeah?

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<v Speaker 3>How does do you do?

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<v Speaker 1>Do?

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<v Speaker 2>The producers go, Reuben, thanks for having you on. We'll

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<v Speaker 2>get you back on another time. And then does it

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<v Speaker 2>unfold the following days?

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<v Speaker 4>Can you refresh your Instagram and go, oh fuck?

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<v Speaker 3>Yeah?

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<v Speaker 1>I think we came off. Everything was lighted to shake,

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<v Speaker 1>shook hands all the producers and said that was fantastic,

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<v Speaker 1>that was brilliant. We loved it. And then as we left,

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<v Speaker 1>I'm a social media whore, so I'm like looking and

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<v Speaker 1>looking and it's gaining traction and it's got like positive, positive,

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<v Speaker 1>and and some negative. I'm like, that's okay as a

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<v Speaker 1>visibly queer person, that's what you get just as a

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<v Speaker 1>person or even as a person in the media. And

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<v Speaker 1>then I think I went to bed, and then I

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<v Speaker 1>was meant to be on ABC ABC Mornings the next morning,

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<v Speaker 1>and I got to call at five am as I

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<v Speaker 1>was beginning to paint, being like, I think we might

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<v Speaker 1>just we might not.

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<v Speaker 4>Yeah down, yeah, okay.

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<v Speaker 1>I'll just go back to bed. And then I woke

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<v Speaker 1>up again and I was like, oh, so then it

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<v Speaker 1>sort of became Yeah, then it was just very interesting,

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<v Speaker 1>like Baby's first scandal as well. So it became equal

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<v Speaker 1>part sort of horrifying and fascinating to see how it

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<v Speaker 1>all unfolded. But the best part was the Sydney Comedy

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<v Speaker 1>Festival and my management, who were all coppying a whole

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<v Speaker 1>bunch of flak, absolutely stood up with me. Defended it,

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<v Speaker 1>defended me, excuse me, all looked after my my mental health,

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<v Speaker 1>and even you know, Sam Taunton from the Project reached

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<v Speaker 1>out and said, hey, are you okay, how are you

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<v Speaker 1>doing and all this, which is nice.

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<v Speaker 4>Yeah, that's nice.

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<v Speaker 3>He gets it as a comic. It's rough.

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<v Speaker 4>And also now you're doing an Encore show in Sydney,

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<v Speaker 4>So I feel like in many ways, sure a fuckload

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<v Speaker 4>of people were offended, but then now fuck load more

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<v Speaker 4>people want.

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<v Speaker 3>To buy you know, light and shade.

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<v Speaker 1>Look what people wanting to buy the tickets and we're

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<v Speaker 1>selling amazingly.

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<v Speaker 4>Yeah.

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<v Speaker 1>I can't wait to get on stage at the end

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<v Speaker 1>More and it's going to be a show of a life.

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<v Speaker 2>Oh my god, Well there's two show. There's there's two shows.

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<v Speaker 2>You're doing live and intimidating. If you're in Canberra, Hobart,

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<v Speaker 2>the Gold Coast or Brizzy you can get live and intimidating.

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<v Speaker 2>Then the Butcher's back the en More Theater first of July.

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<v Speaker 2>What are the two shows you just do? Like I

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<v Speaker 2>I got so much material, let me do too.

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<v Speaker 1>That's exactly it. I'm not only a pariah. I'm a genius.

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<v Speaker 4>You must be a genius, because the idea of doing

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<v Speaker 4>two shows that once stresses me out. I'd be like,

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<v Speaker 4>which like halfway through, I've been order.

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<v Speaker 1>I've been on a national tour doing three different shows.

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<v Speaker 1>Oh my god, brain, I've got a late night I've

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<v Speaker 1>got a late night show called the k Hole, which

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<v Speaker 1>is a line it's a lineup show, right, So that's

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<v Speaker 1>my grinder.

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<v Speaker 3>Take it.

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<v Speaker 1>I am currently under the desk. That's why I had

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<v Speaker 1>soup for breakfast. It'll be fine. So The Butcher's Back

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<v Speaker 1>is a huge show. It's a six piece band, full

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<v Speaker 1>horn section, costume changes, the whole thing. It's a It

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<v Speaker 1>charts my journey from childhood to the current day and

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<v Speaker 1>the music in it is just next.

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<v Speaker 4>I don't know if you know this, but Rabon's got

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<v Speaker 4>quite some fucking pipes on him.

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<v Speaker 2>Oh no, I'm well aware. Yeah that that that voice

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<v Speaker 2>comes right deep from the k hole. I can only

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<v Speaker 2>imagine where that voice rumiates.

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<v Speaker 4>And so how long have you been doing The Butcher's

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<v Speaker 4>Back for? Because I can imagine it'd be quite different

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<v Speaker 4>to like Opening Night. Now.

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<v Speaker 1>Yeah, The Butcher's Back has existed in one form or

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<v Speaker 1>the other. It was born out of the first lockdown

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<v Speaker 1>in Melbourne. We created it in twenty twenty and we've

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<v Speaker 1>been touring it all of twenty twenty one. We were

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<v Speaker 1>jumping between states, going fuck, they're closing the borders in Perth.

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<v Speaker 1>Run run get to the airport, jump on, get on

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<v Speaker 1>the planet. At one point we were in Darwin to

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<v Speaker 1>isolate for two weeks so we could get into Perth.

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<v Speaker 1>So we realized we traveled ten thousand kilometers to get

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<v Speaker 1>to Perth just to do the gigs.

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<v Speaker 4>Yeah, that is so a lot going from Darwin to Perth.

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<v Speaker 1>Oh, it was like it was really Cowboy for a

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<v Speaker 1>whole year and I loved it. But the show has

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<v Speaker 1>sort of been going in one form or another and

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<v Speaker 1>evolving through since then. But we've never done Sydney and

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<v Speaker 1>it's my biggest show. So I want to bring the

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<v Speaker 1>big guns to the big smoke.

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<v Speaker 3>I love that so much. I literally leave.

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<v Speaker 2>You've been to my house meeting. I'm like a street

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<v Speaker 2>away from the end Moore Theater and I can see

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<v Speaker 2>the lights and the bannup from my bedroom window. So

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<v Speaker 2>I will I will be there. I'll be watching.

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<v Speaker 3>I can't wait. Which we should go.

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<v Speaker 1>You're both You're both going to be there.

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<v Speaker 4>Reuben ka dot com for anyone else he wants to

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<v Speaker 4>come along.

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<v Speaker 3>Yeah, get tickets.

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<v Speaker 1>I've got gift bags with Kemin in it, just for

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<v Speaker 1>you two under your seats.

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<v Speaker 4>Oh, I can't wait, Lovely, I truly pretending to know

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<v Speaker 4>what that is.

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<v Speaker 2>I know what ken mean is, but I'm a kind

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<v Speaker 2>of gay room and then if I even go near it,

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<v Speaker 2>I will have a heart attack. It's either nfhyl access

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<v Speaker 2>or I'm not built for the party. Drugs not for me.

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<v Speaker 1>Yeah, but also, as Hannah Gadsby said, there's a certain

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<v Speaker 1>game's favorite sound as a teacup hitting a saucer. Where's

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<v Speaker 1>that pride parade?

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<v Speaker 2>Yes, okay, yes, Peters of Kensington in mascot, that's where

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<v Speaker 2>that happens at the checkout.

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<v Speaker 1>And then Live and Intimidating is the show that we're

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<v Speaker 1>taking we've been taking through this year. It's the news show.

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<v Speaker 1>It was really forged in the fires of sort of

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<v Speaker 1>the project. Oh and it's a smaller show. It's me,

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<v Speaker 1>three musos. It's a total vibe. I welcome everyone as

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<v Speaker 1>they come in with a hug, and I say welcome

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<v Speaker 1>home because a lot of people have only just discovered me,

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<v Speaker 1>and I want them to kind of see all of

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<v Speaker 1>the different facets of me. I want them to know that, yeah,

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<v Speaker 1>I'm loud, i'm dirty, I'm a good time, but there's

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<v Speaker 1>also something quite accessible, sensitive real about me.

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<v Speaker 4>I also feel, ironically that you're not that intimidating because

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<v Speaker 4>if you're doing crowd work, you're actually you don't punch down,

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<v Speaker 4>You're quite lovely to the audience, so they don't have

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<v Speaker 4>any reason to be nervous or intimidated come into the show, right.

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<v Speaker 1>No, absolutely not, And in fact the crowd are really

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<v Speaker 1>safe in it. But also they're holding me as much

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<v Speaker 1>as I'm holding them. It's a really lovely intimate show.

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<v Speaker 1>But we called it originally live and intimate. And then

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<v Speaker 1>I don't know if you know Ali McGregor, Oh, yeah,

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<v Speaker 1>she's a yeah, adam amazing opera sing a cabaret diba,

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<v Speaker 1>married to Adam Hill's showbiz icon. She just texted me

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<v Speaker 1>and said, shouldn't it be live intimidating to laugh emoji?

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<v Speaker 3>And I was like, stolen name change, Yeah, perfect lucking.

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<v Speaker 3>That's the push that I get.

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<v Speaker 1>No writer's credit. You do not get a percentage?

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<v Speaker 4>Is it just when podcast by a couple of midges? Ruben?

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<v Speaker 4>What do you like after you've finished a show? Because

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<v Speaker 4>I've found that I'm obviously much newer to stand up

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<v Speaker 4>than you, but I find that there's one of two

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<v Speaker 4>Mitchell's that I get after I come off stage. There's

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<v Speaker 4>one where I'm like, I'm going to keep the high

0:10:26.320 --> 0:10:28.840
<v Speaker 4>going I'm going out, I'm going drinking, or there's like

0:10:29.240 --> 0:10:32.040
<v Speaker 4>a little bit of post show depression. Everyone leave me alone.

0:10:32.160 --> 0:10:34.120
<v Speaker 4>I never know which one it's going to be after

0:10:34.160 --> 0:10:35.439
<v Speaker 4>a show, so.

0:10:35.559 --> 0:10:39.520
<v Speaker 1>I I often get the second one because I'm giving

0:10:39.559 --> 0:10:43.760
<v Speaker 1>a lot and I'm very physical. So it the adrenaline

0:10:43.800 --> 0:10:46.559
<v Speaker 1>drop because you're being pumped with a huge amount of

0:10:46.559 --> 0:10:49.200
<v Speaker 1>adrenaline and a huge amount of serotonin and you've got

0:10:49.400 --> 0:10:52.040
<v Speaker 1>three hundred people or at the end more seventeen hundred

0:10:52.040 --> 0:10:56.200
<v Speaker 1>people like applauding and screaming. A human body is sort

0:10:56.240 --> 0:11:01.480
<v Speaker 1>of not used to receiving that, and then all the

0:11:01.480 --> 0:11:04.160
<v Speaker 1>adrenaline and serotonin once it's in you, it kind of

0:11:04.200 --> 0:11:06.920
<v Speaker 1>dissipates and you're left with her. You have to find

0:11:06.960 --> 0:11:09.480
<v Speaker 1>a way to manage the crash come down.

0:11:09.559 --> 0:11:11.800
<v Speaker 4>How do you manage the crash? I'm asking because I

0:11:11.840 --> 0:11:14.400
<v Speaker 4>want to know, because I have to tell everyone around me. No, No,

0:11:14.520 --> 0:11:16.920
<v Speaker 4>I'm not sad. It's not like the show went poorly.

0:11:17.080 --> 0:11:20.040
<v Speaker 4>I'm not bummed. I just fucking feel flat as buck

0:11:20.160 --> 0:11:20.760
<v Speaker 4>after a show.

0:11:20.880 --> 0:11:24.760
<v Speaker 1>Sometimes two things you can either. I think if you

0:11:24.800 --> 0:11:28.200
<v Speaker 1>can time a drink and being around people at the

0:11:28.320 --> 0:11:31.560
<v Speaker 1>right time, you can keep the high going right and

0:11:31.600 --> 0:11:33.560
<v Speaker 1>then like you might have a party or you might

0:11:33.640 --> 0:11:39.080
<v Speaker 1>just be the transition is smoother, but I tend to

0:11:39.120 --> 0:11:41.880
<v Speaker 1>just sort of be alone, taken off the makeup after,

0:11:42.040 --> 0:11:45.000
<v Speaker 1>and that's it's hard to keep the buzz going when

0:11:45.000 --> 0:11:47.040
<v Speaker 1>you're on your own. So why I used to get

0:11:47.080 --> 0:11:51.240
<v Speaker 1>very depressed. And then my therapist, poor guy. Can you

0:11:51.280 --> 0:11:56.319
<v Speaker 1>imagine you imagine your therapist. Yeah, he's got a therapy,

0:11:56.360 --> 0:12:00.880
<v Speaker 1>he should do it. Also a vet. Yes, he said.

0:12:01.280 --> 0:12:04.320
<v Speaker 1>You need to realize the difference between sort of walking

0:12:04.320 --> 0:12:07.400
<v Speaker 1>into the river with your pocket full of stones and

0:12:07.679 --> 0:12:12.120
<v Speaker 1>what is a chemical drop? So rate it. Rate where

0:12:12.160 --> 0:12:13.880
<v Speaker 1>you're at out of ten so you can get a

0:12:13.920 --> 0:12:17.120
<v Speaker 1>sense of what the perspective is and think yourself, Am

0:12:17.200 --> 0:12:19.480
<v Speaker 1>I about to drop the toaster in the bath? Or

0:12:20.600 --> 0:12:23.360
<v Speaker 1>do I just need to eat something? Yes and go

0:12:23.400 --> 0:12:25.800
<v Speaker 1>to bed. You know, I think we all drop into

0:12:26.160 --> 0:12:29.959
<v Speaker 1>huge existential crises about our lives and then we go, oh,

0:12:30.000 --> 0:12:32.520
<v Speaker 1>actually I think I just needed some veggimut on toast.

0:12:32.679 --> 0:12:34.320
<v Speaker 3>Yes, yeah, yeah.

0:12:34.320 --> 0:12:36.640
<v Speaker 2>I feel like as queer entertainers, we all put ourselves

0:12:37.160 --> 0:12:38.480
<v Speaker 2>so much pressure on ourselves.

0:12:38.640 --> 0:12:41.560
<v Speaker 3>It's like, chill the fuck out. We're just making people laugh.

0:12:41.640 --> 0:12:43.080
<v Speaker 2>We just want to have a bit of anal and

0:12:43.120 --> 0:12:45.520
<v Speaker 2>we just want to have like seven hours of sleep, right,

0:12:45.520 --> 0:12:45.839
<v Speaker 2>Am I.

0:12:45.800 --> 0:12:49.480
<v Speaker 4>Speaking for my all at the same time, Yes, yes.

0:12:49.400 --> 0:12:51.079
<v Speaker 3>Sticking in me let me fall asleep, you know.

0:12:51.160 --> 0:12:55.880
<v Speaker 1>Oh my God and other poems by Maya Angelou. I think.

0:12:56.559 --> 0:13:00.160
<v Speaker 1>I think also there's a there's a reputation or there's

0:13:00.160 --> 0:13:04.640
<v Speaker 1>a cannon of amazing queer performers with really high standards

0:13:04.679 --> 0:13:08.320
<v Speaker 1>to really change the face of entertainment. So for any

0:13:08.400 --> 0:13:11.120
<v Speaker 1>queer performer who's trying to break through, they're looking at

0:13:11.120 --> 0:13:14.000
<v Speaker 1>the grates for inspiration, but also there's a little bit

0:13:14.040 --> 0:13:18.000
<v Speaker 1>of pressure to follow through. If they hit seventy percent

0:13:18.040 --> 0:13:20.680
<v Speaker 1>of the way there, burn it down, I'm terrible.

0:13:21.720 --> 0:13:23.360
<v Speaker 4>Yeah, so you're one of those people that I look

0:13:23.400 --> 0:13:26.040
<v Speaker 4>at who I've started doing stand up shows for the

0:13:26.120 --> 0:13:29.640
<v Speaker 4>last two years. I think, and sometimes I see performers

0:13:29.679 --> 0:13:31.800
<v Speaker 4>like you where I'm like, fuck, should I be putting

0:13:31.800 --> 0:13:34.640
<v Speaker 4>more attention into my costumes, me hair, me makeup. I

0:13:34.720 --> 0:13:36.640
<v Speaker 4>just chucked my hair in a ponytail. I get out there,

0:13:36.640 --> 0:13:39.280
<v Speaker 4>I'm all sweaty. I'm wearing no shoes half the time

0:13:39.320 --> 0:13:41.439
<v Speaker 4>because I don't want to overheat on the stage. I

0:13:41.520 --> 0:13:42.480
<v Speaker 4>run a bit hot Reuben.

0:13:42.480 --> 0:13:45.400
<v Speaker 3>You see, I suggested my costume.

0:13:45.160 --> 0:13:47.320
<v Speaker 4>Shit really needs some work, especially when I look at

0:13:47.320 --> 0:13:48.000
<v Speaker 4>people like you.

0:13:48.640 --> 0:13:51.040
<v Speaker 1>Yeah, but the other part of it is you've got

0:13:51.040 --> 0:13:53.880
<v Speaker 1>to find Everyone has to find the thing that works

0:13:53.880 --> 0:13:56.319
<v Speaker 1>for them. You know, for me, it's eight pounds of

0:13:56.400 --> 0:14:00.280
<v Speaker 1>lead based cosmetics, high heels and you know tea that

0:14:00.320 --> 0:14:04.080
<v Speaker 1>we're taken from a horse in Turkey. But for you, you,

0:14:04.240 --> 0:14:07.520
<v Speaker 1>it might be a top not you know, bare feet

0:14:07.640 --> 0:14:10.199
<v Speaker 1>and a trickle of sweat, and that might be exactly

0:14:10.240 --> 0:14:12.560
<v Speaker 1>what it is you need. I think, trust your body

0:14:12.600 --> 0:14:15.320
<v Speaker 1>and what you feel makes you feel the best.

0:14:15.920 --> 0:14:18.360
<v Speaker 4>Yeah, okay, that's true advice, because like I look at

0:14:18.360 --> 0:14:20.240
<v Speaker 4>the outfits and things you wear, and I think, fuck,

0:14:20.280 --> 0:14:22.160
<v Speaker 4>you're fabulous. But if I put that on, I'd be

0:14:22.240 --> 0:14:26.200
<v Speaker 4>so uncomfortable. It looks amazing, but I would fucking be

0:14:26.920 --> 0:14:29.760
<v Speaker 4>we put off the whole show and performing huge heels

0:14:29.800 --> 0:14:31.360
<v Speaker 4>and shit like ah.

0:14:30.960 --> 0:14:33.440
<v Speaker 1>I find it really difficult now to sing or be

0:14:33.600 --> 0:14:37.120
<v Speaker 1>on when I'm not in a heel. Really so used

0:14:37.120 --> 0:14:40.080
<v Speaker 1>to it now. I'm so used to it now. But also,

0:14:40.840 --> 0:14:42.920
<v Speaker 1>no doubt you would look gorgeous and all these things,

0:14:42.920 --> 0:14:44.640
<v Speaker 1>but stay away from my fucking gear.

0:14:47.720 --> 0:14:49.320
<v Speaker 3>On a threat, I do like that.

0:14:49.360 --> 0:14:51.680
<v Speaker 4>We're saying a more stripped back Reuben today.

0:14:52.160 --> 0:14:52.800
<v Speaker 3>Yeah, it's nice.

0:14:52.840 --> 0:14:54.440
<v Speaker 1>You haven't even seen below the waist yet.

0:14:56.360 --> 0:14:59.600
<v Speaker 4>I'd love to have you always been polished in all

0:14:59.640 --> 0:15:01.600
<v Speaker 4>the things that you do on Sage, with your costumes

0:15:01.640 --> 0:15:03.440
<v Speaker 4>and your makeup. Or do you ever look back at

0:15:03.480 --> 0:15:05.800
<v Speaker 4>old photos and think, fuck me, I've come a long

0:15:05.840 --> 0:15:07.680
<v Speaker 4>way since then.

0:15:07.920 --> 0:15:11.320
<v Speaker 1>I'm gonna email you a picture of the first time,

0:15:11.840 --> 0:15:13.120
<v Speaker 1>or can I just show it on the show?

0:15:13.320 --> 0:15:14.440
<v Speaker 3>Yeah?

0:15:14.640 --> 0:15:18.000
<v Speaker 1>I can show you on the screen. Obviously, everyone here

0:15:18.080 --> 0:15:22.960
<v Speaker 1>knows me as the beautiful and the gorgeous Ruben k.

0:15:23.800 --> 0:15:26.080
<v Speaker 1>But what they don't realize is that the first time

0:15:26.120 --> 0:15:28.440
<v Speaker 1>I ever put on makeup, I look like that.

0:15:29.600 --> 0:15:32.600
<v Speaker 4>Oh that's not makeup, that's face painting. My god.

0:15:32.800 --> 0:15:34.880
<v Speaker 3>Yeah that's buddings on a Saturday afternoon.

0:15:36.000 --> 0:15:37.920
<v Speaker 1>And I just wanted you to know I felt like

0:15:38.000 --> 0:15:40.080
<v Speaker 1>I was serving high glam.

0:15:40.800 --> 0:15:43.360
<v Speaker 4>Just for anyone who obviously can't see this, it's a podcast.

0:15:43.680 --> 0:15:45.440
<v Speaker 4>Just think Edwards is a hands.

0:15:45.320 --> 0:15:47.080
<v Speaker 3>Yeah, very Edwards hands.

0:15:47.160 --> 0:15:52.480
<v Speaker 1>It screams. Regional tour of cats is what it does.

0:15:52.560 --> 0:15:53.480
<v Speaker 4>Oh you've come a long way.

0:15:53.520 --> 0:15:55.800
<v Speaker 2>Wow, you have come a very, very long way. If

0:15:55.800 --> 0:15:57.720
<v Speaker 2>you want to go and see Ruben Reuben k dot Com,

0:15:57.720 --> 0:15:59.920
<v Speaker 2>The Butcher's back in Sydney. The end more live and Intimidate.

0:16:00.640 --> 0:16:03.160
<v Speaker 2>We'll go rewatch that project of a laugh.

0:16:03.800 --> 0:16:06.040
<v Speaker 3>Reuben's so good to have you on. Thank you. Finally,

0:16:06.240 --> 0:16:08.400
<v Speaker 3>don't forget Mitchell Well, question shit, yeah go.

0:16:08.640 --> 0:16:11.040
<v Speaker 4>There's one question that we ask every guest. I'm certainly

0:16:11.040 --> 0:16:12.680
<v Speaker 4>not going to let you off the hook. I'm probably

0:16:12.680 --> 0:16:14.760
<v Speaker 4>more intrigued about your answer than any other guest. Yes,

0:16:15.280 --> 0:16:18.280
<v Speaker 4>So every guest we ask them to tell us a

0:16:18.280 --> 0:16:20.920
<v Speaker 4>little thing in life they appreciate, just like the crunch

0:16:20.920 --> 0:16:23.880
<v Speaker 4>of an autumn leaf, for a crunch of a good apple,

0:16:23.960 --> 0:16:26.400
<v Speaker 4>something like that, and then we add it. We add

0:16:26.400 --> 0:16:28.840
<v Speaker 4>it to our list of things better than drugs and

0:16:28.920 --> 0:16:32.000
<v Speaker 4>dick because we've got a lot of young adult listeners

0:16:32.000 --> 0:16:34.480
<v Speaker 4>who might be in a stage of life where they're

0:16:34.480 --> 0:16:37.640
<v Speaker 4>obsessed with drugs and dick, partying boys, what have you.

0:16:37.680 --> 0:16:39.600
<v Speaker 4>So we like to remind them that there's more to life.

0:16:39.720 --> 0:16:41.080
<v Speaker 4>So what would you What would you say is better

0:16:41.080 --> 0:16:41.840
<v Speaker 4>than drugs and dick?

0:16:42.600 --> 0:16:48.560
<v Speaker 1>Resistance? What I think resistance if someone gives you pushback

0:16:48.600 --> 0:16:51.400
<v Speaker 1>on an idea or says I don't know if we're

0:16:51.400 --> 0:16:54.040
<v Speaker 1>going to be able to do that, or we can't

0:16:54.040 --> 0:16:56.800
<v Speaker 1>do that because no one's ever done it before. That's

0:16:56.840 --> 0:16:59.000
<v Speaker 1>the moment where I know I'm onto something, and that's

0:16:59.040 --> 0:17:01.840
<v Speaker 1>the moment I know I've got to keep pushing on

0:17:01.880 --> 0:17:03.200
<v Speaker 1>this or there's something here.

0:17:04.080 --> 0:17:06.159
<v Speaker 2>So I did sorry. I thought we were still in

0:17:06.200 --> 0:17:07.880
<v Speaker 2>the gay sex realm. I thought you meant pushed back

0:17:07.880 --> 0:17:09.280
<v Speaker 2>on a cock, and I thought that's a great time.

0:17:09.359 --> 0:17:12.120
<v Speaker 1>I know you did it is you feel sorry.

0:17:11.960 --> 0:17:14.040
<v Speaker 3>I'm sorry. But resistance it's got more of a more

0:17:14.080 --> 0:17:14.560
<v Speaker 3>of a message.

0:17:14.680 --> 0:17:17.600
<v Speaker 1>I love how you've switched from no, I'm a quiet gay,

0:17:17.880 --> 0:17:20.560
<v Speaker 1>I'm a quiet girl, to stay home. I couldn't disgusting,

0:17:20.640 --> 0:17:22.520
<v Speaker 1>And now we find out that you're a funnel cake.

0:17:24.119 --> 0:17:28.040
<v Speaker 2>No, but but ketamine and beautiful making love. Making love

0:17:28.119 --> 0:17:30.480
<v Speaker 2>is very different, Okay, there's.

0:17:30.359 --> 0:17:33.520
<v Speaker 1>A difference between making love and pushing back on a dick,

0:17:34.160 --> 0:17:38.720
<v Speaker 1>Like where is there's no line, don't choose the no.

0:17:38.800 --> 0:17:39.239
<v Speaker 3>I love that.

0:17:39.320 --> 0:17:43.040
<v Speaker 2>So obviously that's something that you have faced and still face, Ruben,

0:17:43.080 --> 0:17:44.119
<v Speaker 2>I guess is resistance.

0:17:44.200 --> 0:17:44.600
<v Speaker 3>Yeah.

0:17:44.800 --> 0:17:47.000
<v Speaker 1>Every time I've gone on TV and they've said you

0:17:47.040 --> 0:17:49.520
<v Speaker 1>have to submit a script, and I submit a script,

0:17:49.600 --> 0:17:54.560
<v Speaker 1>there's always someone somewhere going Okay, Okay, we just want

0:17:54.600 --> 0:17:56.680
<v Speaker 1>to we want to do this, and we're great. Give

0:17:56.680 --> 0:18:00.200
<v Speaker 1>me the parameters that I can wiggle, give me, give

0:18:00.240 --> 0:18:01.880
<v Speaker 1>me what I can work in and how I can

0:18:01.920 --> 0:18:06.320
<v Speaker 1>push my message into this within within your parameters or

0:18:06.560 --> 0:18:08.400
<v Speaker 1>can I expand these parameters?

0:18:08.960 --> 0:18:11.480
<v Speaker 4>So it's like the opposite of needing validation. If someone

0:18:11.480 --> 0:18:13.560
<v Speaker 4>tells you something it's not a good idea, you're like,

0:18:13.600 --> 0:18:14.800
<v Speaker 4>it must be great, then.

0:18:15.600 --> 0:18:18.280
<v Speaker 1>A little bit, yes, I just think it's I think

0:18:18.720 --> 0:18:22.520
<v Speaker 1>validation and support are necessary and fantastic and I need

0:18:22.520 --> 0:18:24.320
<v Speaker 1>it a lot. I wouldn't be in this career if

0:18:24.359 --> 0:18:29.520
<v Speaker 1>I didn't. But at the same time, when someone gives

0:18:29.680 --> 0:18:32.080
<v Speaker 1>if there's a little bit of friction, I know I'm

0:18:32.119 --> 0:18:32.879
<v Speaker 1>on the right path.

0:18:33.000 --> 0:18:35.960
<v Speaker 4>That's an interesting content. The last thing, that's the first

0:18:35.960 --> 0:18:38.840
<v Speaker 4>time anyone has kind of added a concept to the list.

0:18:38.840 --> 0:18:41.240
<v Speaker 4>The last thing was Tim Abbott saying, chock coach in

0:18:41.280 --> 0:18:42.719
<v Speaker 4>Sultan is it better than drugs and dick?

0:18:42.800 --> 0:18:46.800
<v Speaker 3>But some some cas are on a different wavelengths to others.

0:18:47.000 --> 0:18:50.240
<v Speaker 1>And I say, right now, how about I'll add on

0:18:50.280 --> 0:18:53.719
<v Speaker 1>to this. How about how about this then when you

0:18:53.800 --> 0:18:57.040
<v Speaker 1>haven't started your chock top until the movie starts.

0:18:57.640 --> 0:19:00.679
<v Speaker 2>Oh now, that's good. I'm willing both in there, at

0:19:00.720 --> 0:19:02.880
<v Speaker 2>them both. Yeah, at resistance. The resistance is the best

0:19:02.880 --> 0:19:05.439
<v Speaker 2>we've had. But that's so true that that requires so

0:19:05.520 --> 0:19:06.320
<v Speaker 2>much willpower.

0:19:06.560 --> 0:19:06.840
<v Speaker 1>Yeah.

0:19:06.880 --> 0:19:09.000
<v Speaker 4>Wow, but then you're going to do the awkward rustling

0:19:09.000 --> 0:19:10.560
<v Speaker 4>of the plastic. It's so awkward.

0:19:11.600 --> 0:19:14.399
<v Speaker 1>Joe A lady unwrapped a suite in one of my

0:19:14.480 --> 0:19:19.520
<v Speaker 1>shows in Melbourne for three solid minutes. And I know

0:19:19.560 --> 0:19:22.359
<v Speaker 1>because she did it throughout one song. And the song

0:19:22.440 --> 0:19:25.359
<v Speaker 1>was a three minute song and was the quietest, slowest,

0:19:25.480 --> 0:19:27.840
<v Speaker 1>most tender ballad is a few years ago, and she

0:19:27.920 --> 0:19:31.119
<v Speaker 1>spent it just slowly trying to like as if no

0:19:31.160 --> 0:19:32.000
<v Speaker 1>one would notice.

0:19:32.240 --> 0:19:34.520
<v Speaker 4>Yeah, you've got to rip the band aid babes if

0:19:34.520 --> 0:19:35.520
<v Speaker 4>you do it slower, just.

0:19:35.640 --> 0:19:38.240
<v Speaker 3>Yeah, or cough cough when you do them the first hair.

0:19:38.320 --> 0:19:38.919
<v Speaker 3>That's what I do.

0:19:39.520 --> 0:19:43.840
<v Speaker 1>Yeah, I'd rather think you have emphysema shows.

0:19:44.359 --> 0:19:46.919
<v Speaker 2>All right, Well, if you want to go rubink dot com.

0:19:46.920 --> 0:19:48.320
<v Speaker 2>Great to finally have you on the podcast.

0:19:48.359 --> 0:19:49.639
<v Speaker 3>Yeah, finally, treat.

0:19:49.880 --> 0:19:52.199
<v Speaker 1>It has been an absolute thrill. Thank you for having me.

0:19:52.480 --> 0:19:55.320
<v Speaker 4>Pleasure anytime, Pleasure Treasure So much money?

0:19:55.600 --> 0:19:59.280
<v Speaker 1>Is it just Me? Podcast by a couple of mich

0:20:00.080 --> 0:20:03.359
<v Speaker 1>Sure you've hit follow on your podcast app,